Music Books

9563 products


  • Taylor & Francis Ltd Trauma and Resilience in Music Education

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  • Taylor & Francis Ltd Fertile Ground in Middle Level General Music

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  • Taylor & Francis Studies in Maltese Popular Music

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  • Taylor & Francis Variations and Variation Technique in the Music of Chopin

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  • Taylor & Francis DIY Cultures and Underground Music Scenes

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  • Taylor & Francis Popular Music Matters

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  • Taylor & Francis Johann Matthesonâs PiÃces de clavecin and Das neuerÃffnete Orchestre

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  • Taylor & Francis Ltd Audience and Reception in the Early Modern Period

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    £135.00

  • Taylor & Francis Ltd Experiencing Music and Visual Cultures

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  • Taylor & Francis Ltd Celtic Music and Dance in Cornwall

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  • Taylor & Francis Ltd Curating Opera

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  • Taylor & Francis The Routledge Handbook of Remix Studies and Digital Humanities

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  • Taylor & Francis Ltd Black Sea Sketches

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  • Anthology for Hearing Form

    Taylor & Francis Ltd Anthology for Hearing Form

    15 in stock

    Book SynopsisHearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms.Hearing Form is supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructorâs manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology.Key updates in the third edition include: Treatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences, and those teach that some phrases do not New pieces added to the anthology widen the range of composers represented With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear.This is the Hearing Form anthology only. For the Hearing Form textbook, see ISBN 978-0-367-70380-6. For the textbook and anthology package, see ISBN 978-0-367-70391-2.Table of Contents J. S. Bach, Goldberg Variations, Aria J. S. Bach, Two-Part Inventions, No. 1 in C Major J. S. Bach, Two-Part Inventions, No. 13 in A Minor J. S. Bach, The Well-Tempered Clavier, Book I, Prelude in C Major J. S. Bach, The Well-Tempered Clavier, Book I, Fugue in F Major J. S. Bach, The Well-Tempered Clavier, Book I, Fugue in B Major J. S. Bach, The Well-Tempered Clavier, Book II, Fugue in E Minor J. S. Bach, Partita No. 3 in E for Solo Violin, Gavotte en Rondeau J. S. Bach, Orchestral Suite No. 2, Badinerie J. S. Bach, Orchestral Suite No. 3, Air J. S. Bach, Orchestral Suite No. 3, Gavotte I J. S. Bach, Orchestral Suite No. 3, Gavotte II J. S. Bach, Mass in B Minor, "Crucifixus" Ludwig van Beethoven, Piano Sonata F Minor, Op. 2, No. 1, I Ludwig van Beethoven, Piano Sonata in C Minor, Op. 13, III Ludwig van Beethoven, Symphony No. 2 in D Major, IV Ludwig van Beethoven, Symphony No. 3 in E-flat Major, I Ludwig van Beethoven, Symphony No. 5 in C Minor, I Ludwig van Beethoven, String Quartet in C-Sharp Minor, Op. 131, I Johannes Brahms, Variations on a Theme by Haydn, Op. 56a Johannes Brahms, Symphony No. 4 in E Minor, IV Johannes Brahms, Violin Concerto in D Major, Op. 77, I Frederic Chopin, Prelude in E Minor Samuel Coleridge-Taylor, "When I Am Dead, My Dearest" Claude Debussy, Preludes, Book I, No. 10, "La Cathédrale engloutie" G. F. Handel, Giulio Cesare, I/5, "Non Disperar" G. F. Handel, Giulio Cesare, I/6, "L’empio, sleale, indegno" English translations of the Handel arias G. F. Handel, Messiah, Part I, Overture F. J. Haydn, Piano Sonata in C minor, Hob. XVI: 20, I F. J. Haydn, Piano Sonata in D Major, Hob. XVI: 37, III F. J. Haydn, Symphony No. 101 in D Major, IV F. J. Haydn, Symphony No. 103 in E-flat Major, I Fanny Mendelssohn Hensel, "Schwanenlied" Fanny Mendelssohn Hensel, "Mayenlied" English translations of the Hensel Lieder Paul Hindemith, Ludus Tonalis, Fugue No. 9 in B-Flat Sott Joplin, "Maple Leaf Rag" Josephine Lang, "Den Abschied schnell genommen" Josephine Lang, "Ob ich manchmal Dein gedenke" English translations of the Lang Lieder Franz Liszt, "Nuages Gris" W. A. Mozart, Piano Sonata in A Major, K. 331, I W. A. Mozart, Piano Sonata in B-Flat Major, K. 333, III W. A. Mozart, Eine kleine Nachtmusik (all four movements) W. A. Mozart, Symphony No. 35 in D Major, IV W. A. Mozart, Symphony No. 40 in G Minor, I W. A. Mozart, Symphony No. 40 in G Minor, III, Menuetto W. A. Mozart, Piano Concerto in D Major, K. 107, I W. A. Mozart, Piano Concerto in E-flat Major, K. 271, I Johann Pachelbel, Canon in D Henry Purcell, Dido and Anaeas, "When I Am Laid in Earth" George Rochberg, String Quartet No. 6, III. Variations Alessandro Scarlatti, L’honestà negli amori, "Già il sole dal Gange" Arnold Schoenberg, Suite for Piano, Op. 25, Minuet and Trio Franz Schubert, "Heidenröslein" Franz Schubert, Mignon, D. 321, "Kennst du das Land?" English translations of the Schubert Lieder Robert Schumann, Carnival, "Eusebius" Robert Schumann, Novelletten, Op. 21, No. 7 Richard Strauss, "Morgen" English translations of the Strauss and Wolf Lieder Giuseppi Verdi, La Traviata, "È strano! … Ah, fors’è lui … Sempre libera" English translation of "È strano! … Ah, fors’è lui … Sempre libera" Antonio Vivaldi, The Four Seasons, Concerto No. 2 ("Summer"), I Antonio Vivaldi, The Four Seasons, Concerto No. 4 ("Winter"), I Hugo Wolf, "Verborgenheit"

    15 in stock

    £54.99

  • Taylor & Francis Ltd The Routledge Handbook to Sociology of Music Education

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    £39.99

  • Taylor & Francis The Music of Film

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  • Taylor & Francis Ltd Music as Labour

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  • Taylor & Francis Ltd Reflections on Elizabeth A. H. Greens Life and Career in Music Education

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    £62.58

  • Taylor & Francis Ltd The Female Voice in the Twentieth Century

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  • Taylor & Francis Ltd Ethics and Christian Musicking

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  • Taylor & Francis Ltd Global Jazz

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  • Taylor & Francis Identity and Diversity in New Music

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    £26.24

  • Taylor & Francis Expanding the Space for Improvisation Pedagogy in Music

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  • Taylor & Francis English Dramatick Opera 1661â1706

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  • Taylor & Francis Free Jazz

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  • Taylor & Francis Ltd The Singing of the Strasbourg Protestants 15231541

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  • Taylor & Francis Music A Social Experience

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    £128.25

  • Taylor & Francis Music and Heritage New Perspectives on Placemaking and Sonic Identity

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  • Taylor & Francis War and Death in the Music of George Crumb

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    £135.00

  • Taylor & Francis Ltd The Mediations of Music

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  • Taylor & Francis Ltd Music and Creativity in Healthcare Settings

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  • Taylor & Francis Ltd The Grand Theater of the World

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  • Taylor & Francis John Dowland

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  • Taylor & Francis Ltd Music Business and Peacebuilding

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    £165.00

  • Taylor & Francis Social Networks and Music Worlds

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  • Taylor & Francis Live Electronic Music

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  • Taylor & Francis The Routledge Companion to Music Technology and

    15 in stock

    Book SynopsisThe Routledge Companion to Music, Technology, and Education is a comprehensive resource that draws together burgeoning research on the use of technology in music education around the world. Rather than following a procedural how-to approach, this companion considers technology, musicianship, and pedagogy from a philosophical, theoretical, and empirically-driven perspective, offering an essential overview of current scholarship while providing support for future research. The 37 chapters in this volume consider the major aspects of the use of technology in music education: Part I. Contexts. Examines the historical and philosophical contexts of technology in music. This section addresses themes such as special education, cognition, experimentation, audience engagement, gender, and information and communication technologies. Part II. Real Worlds. Discusses real world scenarios that relate toTrade Review"Distinctive contributions are always welcomed in the literature, so it was with great pleasure that I became acquainted with this edited volume that draws together valuable insights across a range of topics related to music, technology, and education. Because it fills a much-needed gap in the literature, this comprehensive, insightful, and unique volume will be applauded by music educators internationally." —Gary McPherson, Ormond Professor and Director, Melbourne Conservatorium of Music, the University of Melbourne, Australia "This volume is a testament to our growing understanding of technology and its role in music learning. The editors have assembled a powerful set of writings that, on the one hand provide a badly needed conceptual frame for music technology and education, and on the other provide dramatic and meaningful examples of practical usage. Voices from engineering and computer science are welcome additions. Impressive are the descriptions of progressive applications nuanced by our understanding of the social context of learning, written by some of our finest scholars." —Peter R. Webster, Scholar-in-Residence, Thornton School of Music, University of Southern California, USA Table of ContentsPart I: Contexts 1. Digital Aletheia: Technology, Culture and the Arts in Education (Andrew Burn) 2. Instrument Technology: Bones, Tones, Phones, and Beyond (Tae Hong Park) 3. Cognition and Technology for Instrumental Music Learning (Marc Leman and Luc Nijs) 4. Learning from Live Coding (Pamela Burnard, Franziska Florack, Alan F. Blackwell, Samuel Aaron and Carrie Anne Philbin) 5. The Sounds of Music (Leigh Landy) 6. For What It's Worth (Teresa Dillon) 7. Gendered Perspectives (Victoria Armstrong) 8. Technology, SEN and EY (Evangelos Himonides, Adam Ockelford and Angela Voyajolu) 9. ICT in Music Education (William I. Bauer and Hiromichi Mito) Part II: Real Worlds 10. Game Technology in the Music Classroom (Andrew Brown) 11. Audio and Education (Kyle P. Snyder) 12. Music Production: Education and Industry (Andrew King) 13. The Painting of Sound (Jonathan Savage) 14. Improvisation (Matthew Sansom) 15. The Laptop Orchestra (Ge Wang) 16. Popular Music and Technology in the Secondary School (Bradley Merrick) 17. Young Children's Potentialities as Music-Makers (Vicky Charisi) 18. Young Offenders (Jennie Henley) 19. Multimodal Environments for Learning (Serena Zanolla, Antonio Camurri, Corrado Canepa, Paolo Coletta, and Gualtiero Volpe) Part III: Virtual Worlds 20. Media (Jordan Mroziak) 21. Social Networks as Agency in Music Learning (Janice Waldron) 22. Musical Making (Eric Rosenbaum) 23. Video Games (Evan S. Tobias and Jared O’Leary) 24. Transnational Collaboration (Andrea Giráldez and David Carabias) 25. Virtual Choirs (David Howard) 26. Researching Virtual Music Worlds (Kari Veblen and Nathan B. Kruse) Part IV: Developing and Supporting Musicianship

    15 in stock

    £45.99

  • Taylor & Francis The Routledge Companion to Screen Music and Sound

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    £43.99

  • Taylor & Francis Improvisation and Music Education

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  • Taylor & Francis The Contemporary LiteratureMusic Relationship

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  • Taylor & Francis Made in the Low Countries

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  • Taylor & Francis Intersecting Art and Technology in Practice

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  • Taylor & Francis Made in Sweden

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  • Taylor & Francis US Youth Films and Popular Music

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  • Taylor & Francis Popular Music and Retro Culture in the Digital Era

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  • Taylor & Francis Digital Music Distribution

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  • Taylor & Francis When Music Migrates

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  • Taylor & Francis Ltd Towards a Harmonic Grammar of Griegs Late Piano Music

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