Music reviews and criticism Books
Grand Central Publishing Raised on Radio
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£23.92
Hachette Books Sing Backwards and Weep
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£16.99
Random House USA Inc Everybody Loves Our Town
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£16.05
St. Martin's Publishing Group Englands Dreaming Revised Edition Anarchy Sex Pistols Punk Rock and Beyond
£24.29
St. Martins Press-3pl ACDC The Worlds Heaviest rock
£14.24
HarperCollins High and Rising
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£19.64
WW Norton & Co Perspectives on Contemporary Music Theory Classical America Series in Art and Architecture
Book SynopsisPerspectives on Contemporary Music Theory includes contributions to metatheory and methodology by Milton Babbitt, Arthur Berger, Pierre Boulez, Benjamin Boretz, Edward T. Cone, Henri Pousseur, and others; essays on compositional theory by composers such as Babbitt, Karlheinz Stockhausen, J. K. Randall, and Peter Westergaard.
£19.00
Two Palms Publishing Never Be Alone Again
£14.38
iUniverse Medieval Music Magical Minds
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£16.59
iUniverse Chicago Top 40 Charts 19601969
£16.59
iUniverse Moments for Music 175 short stories about music and brief glimpses into the lives of musicians past and present
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£18.07
iUniverse Nostalgia Is What It Was
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£14.22
iUniverse Unheard Voices The Rise of Steelband and Calypso in the Caribbean and North America
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iUniverse WCFL Chicago Top 40 Charts 19651976
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£13.63
iUniverse HipHop Homophobes Origin Attitudes TowardsGays Lesbians in Hip Hop CultureAs Perpetuated byRappers Thugs Athletes Reggae Rastas Against Homosexuality A Religious Hoax
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£11.66
iUniverse Rock n Politics A State of the Union Address
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£13.30
Martin Productions Tupac 187 The Red Knight
£16.59
Martin Productions Tupac 187 The Red Knight
£21.84
£14.16
Xlibris Classically Romantic Classical Form and Meaning in Wagners Ring
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£23.00
£59.95
Grove Atlantic Last Night a DJ Saved My Life
£19.80
Philosophical Library Schoenberg and His School
£14.20
Louisiana State University Press Irish American Civil War Songs
Book SynopsisProvides the first in-depth exploration of Irish Americans’ use of balladry to portray and comment on virtually every aspect of the American Civil War as witnessed on the front line and home front. Bateson considers the lyrics, themes, and sentiments of songs produced in America but often originating with those born in Ireland and Britain.
£35.06
Scarecrow Press Lutoslawski on Music
Book SynopsisLutoslawski on Music is the first collection of writings by the Polish twentieth-century composer Witold Lutoslawski. It includes texts about his own compositions and techniques as well as writings on various aspects of twentieth-century musical culture.Trade ReviewThe production and editorial work are uniformly excellent....Very highly recommended. * CAML Review *Table of ContentsPart 1 Preface Part 2 Introduction: Witold Lutoslawski's Life and Music Chapter 3 1. On Beauty, Musical Form, Compositional Technique, and Perception Chapter 4 2. On His Own Works Chapter 5 3. On Composers and Musicians Chapter 6 4. Miscellaneous Items on Contemporary Music in Poland and Abroad Chapter 7 5. Occasional Speeches Chapter 8 6. Notebook of Ideas, 1959–1984 Part 9 Select Bibliography Part 10 Name and Title Index Part 11 About the Editor
£75.00
Scarecrow Press Buffy Ballads and Bad Guys Who Sing
Book SynopsisWhen writer and director Joss Whedon created the character Buffy the Vampire Slayer, he could hardly have expected the resulting academic interest in his work. Yet almost six years after the end of Buffy on television, Buffy studiesand academic work on Whedon''s expanding oeuvrecontinue to grow. Now with three hugely popular television shows, Buffy the Vampire Slayer, Angel, and Firefly, and the film Serenity all available on DVD, scholars are evaluating countless aspects of the Whedon universe (or Whedonverse). Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon studies the significant role that music plays in these works, from Buffy the Vampire Slayer to the internet musical Dr. Horrible''s Sing-Along Blog.Kendra Preston Leonard has collected a varying selection of essays that explore music and sound in Joss Whedon''s works. The essays investigate both diegetic and non-diegetic music, considering music from various sources, including the shows'' original scores,Trade ReviewAnyone familiar with the cult television favorites created by writer Joss Whedon knows how important music is in his shows. The essays in this collection focus entirely on the music in Whedon’s television shows and web musical, analyzing the way music complements and enhances the narrative. Jacqueline Bach traces out various musical arcs over the course of Buffy the Vampire Slayer’s run, such as the way the music of Sarah McLachlan is used to reflect Buffy’s complex feelings about her friends and her relation to them in several pivotal instances. Elizabeth A. Clendinning’s chapter centers on the vampire Spike, revealing how, even though he was first introduced as a villain in Buffy, Spike’s musical knowledge and references link him much more closely with humanity than the other nemeses on the show. Stanley C. Pelkey’s essay explores the music of Whedon’s futuristic space western Firefly, which blends exotic Asian music with folk-country music meant to represent the characters’ personalities and stations in life. For the many fans devoted to Whedon’s work, this will be an enlightening read. * Booklist *Buffy, Ballads, and Bad Guys Who Sing makes a fine contribution to the still-young field of TV music scholarship. * American Music *
£51.00
Scarecrow Press Reading the Grateful Dead
Book SynopsisSince the 1960s, the Grateful Dead have welcomed and participated in academic work on the band, encouraging scrutiny from a wide variety of disciplinary and theoretical perspectives, from anthropology to sociology. Interest in Dead studies is growing across the country and around the world, and UCSanta Cruz's Grateful Dead Archive continues to attract a high level of attention. In Reading the Grateful Dead: A Critical Survey, Nicholas G. Meriwether has assembled essays that examine the development of Grateful Dead studies. This volume features work from three generations of scholars, including a wide variety of perspectives on the band and its cultural significance. From insiders like lyricist John Perry Barlow and longtime band publicist and historian Dennis McNally to well-known Deadhead scholars such as Barry Barnes and Rebecca Adams, the contributors to this volume offer valuable insights into the Grateful Dead phenomenon. No other Dead book focuses on the growth and developmenTrade ReviewIn addition to the remarkable variety of contents and approaches represented in the main articles, the collection is framed by a handful of poems, anecdotes, and addenda to enhance the whole package. But it would underestimate this collection’s importance to think of it as a feast for Deadheads. This offering does more than show the intrinsic interest of the Dead as a musical phenomenon; these essays establish their significance as a watershed in the development of American counterculture, not as a mega-influence (in the manner of the Beatles), but as a microcosm of the many cultural threads that came together in the sixties and continue to weave their way through the very different decades that followed. * Dead Studies *Table of ContentsAcknowledgments “Halloween Costume Party” Bob Cooperman Introduction: “The Secret of This Tie That Binds”: The Interdisciplinary Discourse of Grateful Dead Studies Nicholas G. Meriwether PART 1: STUDYING THE DEAD 1. The Education of a Deadhead: A Letter from a Novelist Matthew Armstrong 2. The Grateful Dead in the Academy Dennis McNally 3. Thinking About the Dead: Amateur Anthropology, the Human Comedy, and Making Good Ancestors John Perry Barlow 4. “The Thousand Stories Have Come ’Round To One”: Studying the Grateful Dead Phenomenon Nicholas G. Meriwether 5. Mapping the Deadhead Social Science Trip Natalie Dollar PART 2: MUSIC AND LYRICS, MEDIUM AND MESSAGE 6. How the Grateful Dead Learned to Jam Michael Kaler 7. “Terrapin Station,” Postmodernism, and the Infinite Jon Ney 8. A Super-Metacantric Analysis of “Playing in the Band” Robert H. Trudeau 9. “And Closed My Eyes To See”: Buddhist Resonances in the Lyrics of the Grateful Dead Ryan Slesinger 10. The Dead Play Egypt, Thirty Years Later: Myth, Memory, and Marketing Nicholas Meriwether PART 3: THE DEADHEAD EXPERIENCE 11. Crowned Anarchy: Songs, Segues, and the Golden Road to Unlimited Devotion Joseph Holt 12. The Grateful Dead Religious Experience David Bryan 13. Shakedown Street: A Benjaminian Approach to the Grateful Dead James Revell Carr 14. What Are Deadheads? An Informal Survey Alex Kolker 15. Terrapin Station Demographics and “Deadication”: The Furthur Festival ’98 Data Rebecca G. Adams 16. Autobiographical Memories of Grateful Dead Concerts: Two Descriptive Approaches Mark E. Mattson PART 4: SOCIETY AND HISTORY, CONTEXTS AND CURRENTS 17. “And I Done Some Time”: Bobby Petersen and the Grateful Dead Christian Crumlish 18. Nomadic Musical Audiences: A Historical Precedent for the Grateful Dead Jacob A. Cohen 19. Deconstructing Deadheads Mark Tursi 20. The Psychedelic Experience, Contemporary Music, and the Grateful Dead: A 1969 Study Revisited Stanley Krippner 21. “Bound to Cover Just a Little More Ground”: A Heideggerian Reflection on the Grateful Dead Stanley Spector 22. Jerry Garcia and Leadership Styles in the Grateful Dead Phenomenon Barry Barnes ENCORE 22. Cold Roses: A Skeleton Key to the Grateful Dead in the Music of Ryan Adams Matthew C. Armstrong 23. Tapes and Memories: A Letter From a Latter-Day Fan Jacob A. Cohen 24. “One Last Wish” Jon Ney Index About the Contributors About the Editor
£84.00
Random House USA Inc Motown
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£16.20
Wayne State University Press Music in the World of Islam
£24.95
Boydell & Brewer Ltd The Performance of the Basso Continuo in Italian Baroque Music
Book SynopsisDemonstrates how the basso continuo line has an independent musical funxtion in ensemble music of the Italian Baroque period.Covers the Italian Baroque period (1600-1730). Borgir rejects the notion that the basso continuo line is doubled by bass instruments and shows how these have an independent musical function in ensemble music. He untangles their confusing terminology and also explores the unexpected uses of the large lutes. Italian continuo practice included elaborate training in improvisation described in detail here for the first time. Tharald Borgir is Professor Emeritus in the Music Department at Oregon State University. His principal performance activities have been on the harpsichord and the fortepiano.Trade Review. . . a major reconsideration of the sound of 17th-century Italian music . * CHOICE *
£31.54
Boydell & Brewer Ltd The Essential Bach Choir
Book SynopsisDiscussion of original performance conventions of Bach's sacred works - cantatas, Passions, masses - by practising musician and director of Taverner choir.What type of choir did Bach have in mind as he created his cantatas, Passions and Masses? How many singers were at his disposal in Leipzig, and in what ways did he deploy them in his own music? Seeking to understand the verymedium of Bach's incomparable choral output, Andrew Parrott investigates a wide range of sources: Bach's own writings, and the scores and parts he used in performance, but also a variety of theoretical, pictorial and archival documents, together with the musical testimony of the composer's forerunners and contemporaries. Many of the findings shed a surprising, even disturbing, light on conventions we have long taken for granted. A whole world away from, say, the typical oratorio choir of Handel's London with which we are reasonably familiar, the essential Bach choir was in fact an expert vocal quartet (or quintet), whose members were also responsible for all solos and duets. (In a mere handful of Bach's works, this solo team was selectively supported by a second rank of singers - also one per part - whose contribution was all but optional). Parrott shows that this use of aone-per-part choir was mainstream practice in the Lutheran Germany of Bach's time: Bach chose to use single voices not because a larger group was unavailable, but because they were the natural vehicle of elaborate concerted music. As one of several valuable appendices, this book includes the text of Joshua Rifkin's explosive 1981 lecture, never before published, which first set out this line of thinking and launched a controversy that is long overduefor resolution. ANDREW PARROTT has made a close study of historical performing practices in the music of six centuries, and for over twenty-five years he has been putting research into practice with his own professional ensembles, the Taverner Consort, Taverner Players and Taverner Choir.Trade ReviewThis utterly fascinating and ultimately convincing book can only do his cause good in the best of all possible years. -- Simon Hughes * INTERNATIONAL RECORD REVIEW *As restated here (...with additional material and with admirable clarity), the arguments are utterly convincing... The book is a pleasure to read, fluently written and clearly set out with many illustrations and musical examples. * EARLY MUSIC REVIEW *A brilliant piece of research...a superb book - and it is going to lead us all to think more carefully about how we approach the performance of Bach. -- DAVID HILL * WINCHESTER CATHEDRAL *I was gripped by this book; it is compulsive reading. If you profess the faith of Bach you simply cannot afford to be without it. * CLASSICAL MUSIC *Highly recommended for anyone interested in Bach's vocal works. -- Yo Tomita * MUSICAL TIMES *Utterly fascinating and ultimately convincing. * GRAMOPHONE *A work of careful and judicious scholarship. * OXFORD TIMES *What Parrott has delivered is a document which will itself no doubt be a subject of study in years to come. -- Andrew Manze * TLS *Table of ContentsBach as cantor and "Director Musices" in Leipzig; repertoire; concertists and ripienists; copies and copy-sharing; Bach's use of ripienists; the "Entwurff"; additional resources; instrument/singer ratios; balance. Appendices: Bach's written undertakings to the Leipzig Town Council (1723); Bach's audition reports (1729); the "Entwurff" (1730), text and translation; some contemporary accounts of concerted music-making; sources of Bach's vocal ensemble music; Bach's chorus (1981), Joshua Rifkin; 20th-century commentaries on Bach's choir.
£22.49
Boydell Press The Study of Medieval Chant Paths and Bridges East and West. In Honor of Kenneth Levy
Book SynopsisComparative studies of medieval chant traditions in western Europe, Byzantium and the Slavic nations illuminate music, literacy and culture.Gregorian chant was the dominant liturgical music of the medieval period, from the time it was adopted by Charlemagne's court in the eighth century; but for centuries afterwards it competed with other musical traditions, local repertories from the great centres of Rome, Milan, Ravenna, Benevento, Toledo, Constantinople, Jerusalem, and Kievan Rus, and comparative study of these chant traditions can tell us much about music, liturgy, literacy and culture a thousand years ago. This is the first book-length work to look at the issues in a global, comprehensive way, in the manner of the work of Kenneth Levy, the leading exponent of comparative chant studies. It covers the four most fruitful approaches for investigators: the creation and transmission of chant texts, based on the psalms and other sources, and their assemblage into liturgical books; the analysis and comparison of musical modes and scales; the usesof neumatic notation for writing down melodies, and the differences wrought by developmental changes and notational reforms over the centuries; and the use of case studies, in which the many variations in a specific text or melodyare traced over time and geographical distance. The book is therefore of profound importance for historians of medieval music or religion - Western, Byzantine, or Slavonic - and for anyone interested in issues of orality and writing in the transmission of culture.PETER JEFFERY is Professor of Music History, Princeton University. Contributors: JAMES W. McKINNON, MARGOT FASSLER, MICHEL HUGLO, NICOLAS SCHIDLOVSKY, KEITH FALCONER, PETER JEFFERY, DAVID G.HUGHES, SYSSE GUDRUN ENGBERG, CHARLES M. ATKINSON, MILOS VELIMIROVIC, JORGEN RAASTED+, RUTH STEINER, DIMITRIJE STEFANOVIC, ALEJANDRO PLANCHART.Table of ContentsLiturgical Psalmody in the Sermons of St Augustine: An Introduction - James W McKinnon The First Marian Feast in Constantinople and Jerusalem: Chant Texts, Readings, and Homiletic Literature - Margot Fassler The Cantatorium, From Charlemagne to the Fourteenth Century - Michel Huglo A New Folio for MS Chilandari 307, with Some Observations on the Contents of the Slavic Lenten Sticherarion and Pentekostarion - Nicolas Schidlovsky The Modes Before the Modes: Antiphon and Differentia in Western Chant - Keith Falconer The Earliest Oktoechoi: The Influence of Jerusalem and Palestine in the Beginnings of Modal Ordering - Peter Jeffery Guido's 'Tritus': An Aspect of Chant Style - David G Hughes Early Ekphonetic Notation in the Manuscript Scheide 2 at Princeton University - The Other Modus: On the Theory and Practice of Intervals in the Eleventh and Twelfth Centuries - Charles M Atkinson Russian Musical Azbuki: A Turning Point in the History of Slavic Chant - Milos Velimirovic Kontakion Melodies in Oral and Written Tradition - Jorgen Raasted On the Verses of the Offertory Elegerunt - Ruth Steiner The Trisagion in Some Byzantine and Slavonic Stichera - Dimitrije Stefanovic Proses in the Manuscripts of Roman Chant, and their Alleluias - Alejandro Planchart
£131.67
Toccata Press Whom the Gods Love
Book SynopsisThe first study of the life and music of the composer George Butterworth [1885-1916], including some of his own writings on music.The career of the composer George Butterworth was cruelly cut short by a sniper's bullet at the Somme. His name is kept alive by the popularity of his orchestral tone-poems, such as The Banks of Green Willow and A Shropshire Lad, and his songs. In this book, the first full-length study of Butterworth, Michael Barlow traces his brief life: from preparatory school through Eton and Oxford, a teaching post at Radley, study at the Royal College ofMusic, a period as a music critic for The Times - and his enlisting in August 1914 which, two years later, led to his heroic death at the Somme. All of Butterworth's surviving compositions are discussed, and important chapters examine his Housman settings and his friendship with Vaughan Williams. Butterworth was also prominent in the folksong revival, and chronicled here for the first time are his extensive activities as a folksong and dance collector. The book also includes some of Butterworth's own writings on music.
£16.99
North Shore Publishing(CA) The Beatles At Shea Stadium The Story Behind Their Greatest Concert
£14.54
Frogchart Press Field Guide to the Irish Music Session
£7.62
498 Productions, LLC The Beatles Finally Let It Be
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£26.99
Ellipse Editions Swinging in Paradise The Story of Jazz in Montreal
£23.08
Cambridge University Press Haydn Studies 2
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£90.25
Cambridge University Press Anton Webern at the Dawn of Modernism
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£97.68
Legare Street Press The Recent Revolution in Organ Building
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£23.70
Legare Street Press The Music of the Bible
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£15.95
Legare Street Press History of the Science and Art of Music
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£25.60
Legare Street Press The Recent Revolution in Organ Building
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Legare Street Press Beethoven
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Legare Street Press A History of German Versification
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LEGARE STREET PR Groves Dictionary of Music and Musicians
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LEGARE STREET PR Groves Dictionary of Music and Musicians
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LEGARE STREET PR The History of the Violin
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