Museology and heritage studies Books
Grove Press / Atlantic Monthly Press The Louvre: The Many Lives of the World's Most
Book SynopsisAlmost nine million people from all over the world flock to the Louvre in Paris every year to see its incomparable art collection. Yet few, if any, are aware of the remarkable history of that location and of the buildings themselves, and how they chronicle the history of Paris itself-a fascinating story that historian James Gardner elegantly tells for the first time.Before the Louvre was a museum, it was a palace, and before that a fortress. But much earlier still, it was a place called le Louvre for reasons unknown. People had inhabited that spot for more than 6,000 years before King Philippe Auguste of France constructed a fortress there in 1191 to protect against English soldiers stationed in Normandy. Two centuries later, Charles V converted the fortress to one of his numerous royal palaces. After Louis XIV moved the royal residence to Versailles in 1682, the Louvre inherited the royal art collection, which then included the Mona Lisa, given to Francis by Leonardo da Vinci; just over a century later, during the French Revolution, the National Assembly established the Louvre as a museum to display the nation's treasures. Subsequent leaders of France, from Napoleon to Napoleon III to Francois Mitterand, put their stamp on the museum, expanding it into the extraordinary institution it has become.With expert detail and keen admiration, James Gardner links the Louvre's past to its glorious present, and vibrantly portrays how it has been a witness to French history - through the Napoleonic era, the Commune, two World Wars, to this day - and home to a legendary collection whose diverse origins and back stories create a spectacular narrative that rivals the building's legendary stature.Trade ReviewIn his fluent and fact-rich account of the building's many stages James Gardner...deftly combines the niceties of bricks, mortar and changing architectural styles with telling anecdotes and the broader historical context...with his eye for colour as well as architectural detail * Sunday Times *In his courageous and erudite new book, critic James Gardner is bold to take in, and take on, what few mortals have the chance or the stamina to do. Think of reading this book as the full experience you are temporarily denied today, or may never have had the energy to undertake. . .Open the book and enjoy the visit. * Washington Post *Mysterious in effect, the Louvre is delightfully mysterious in history, too, as James Gardner shows in The Louvre . . . Gardner's muscular, impatiently expert prose recalls Robert Hughes in his city books. -- Adam Gopnik * The New Yorker *I hadn't realized just how mythically resonant a museum could be until I read James Gardner's eloquent encomium to the Louvre . . . This history is told with all the great verve, insight, and eye for detail that Mr. Gardner's criticism is noted for . . . [His] passion also invites us to share his affection - and to plan a visit. * Wall Street Journal *With its fast-moving and rich narrative, this truly excellent book needed to be written: the fascinating and turbulent story of the Louvre as a royal palace has been largely eclipsed by its much shorter and more famous life as a museum. Here both parts of its long history have been splendidly recounted. -- Philippe de Montebello, Director Emeritus, The Metropolitan Museum of ArtThe perfect balance of architectural and social history, full of fascinating and unexpected detail, and salted with delightfully sly wit. -- Jacky Colliss Harvey, author of RED: A Natural History of the RedheadJames Gardner makes the walls talk. He traces the many metamorphoses of the Louvre, revealing how from its humble origins as a fortress it has come to occupy the heart of Paris and the centre of French - and indeed world - culture. His remarkable achievement is to show us how the building is every bit as spectacular and as fascinating as the treasures it holds. -- Ross King, author of BRUNELLESCHI'S DOMETable of Contents1: The Origins of the Louvre 2: The Louvre in the Renaissance 3: The Louvre of the Early Bourbons 4: The Louvre and the Sun King 5: The Louvre Abandoned 6: The Louvre and Napoleon 7: The Louvre under the Restoration 8: The Nouveau Louvre of Napoleon III 9: The Louvre in Modern Times 10: The Creation of the Contemporary Louvre
£11.69
University of Calgary Press Treasuring the Tradition: The Story of the
Book SynopsisThe Military Museums in Calgary, Alberta is Western Canada's only tri-service museum and military education centre. Containing the regimental museums of the Princess Patricia's Canadian Light Infantry (PPCLI), Lord Strathcona's Horse (Royal Canadians), The King's Own Calgary Regiment, and the Calgary Highlanders along with the Naval, Army, and Air Force Museums of Alberta, The Military Museums welcome over 10 000 visitors each year.This is the story of how The Military Museums came to be. From the unprecedented coming together of individual regimental museums to form the Museum of the Regiments to the extraordinary work of veterans and citizens to create and maintain one of Calgary's principal cultural, educational, and tourist sites, it is a story of perseverance, cooperation, and community. With the mantra ""Remember, Preserve, and Educate"", The Military Museums, Founders Gallery, and Military Museums Libraries and Archives are dedicated to preserving the memories and traditions of the countless Canadians who proudly served their country through war and conflict.Treasuring the Tradition: The Story of the Military Museums is a Special Presentation of the University of Calgary Press.Table of ContentsIntroduction A Military Community A Museum for the Regiments The Naval Museum - Beginnings Operating the Museum of the Regiments Coming Together Growing the Brand Exhibits Education A Renewed Beginning
£19.46
Cork University Press The First National Museum: Dublin's Natural
Book SynopsisDublin's Natural History Museum is a uniquely preserved sliver of the past, an intact example of a nineteenth-century natural science collection. While its polished cases and stuffed animals show us what the museum looked like in its heyday, this book is the first detailed exploration of its early history, showing how and why it came into being, and what it meant in nineteenth-century Irish culture. From its earliest days as a small collection at the Royal Dublin Society to the gala inauguration of its new home on Merrion Square in 1857, everyone had an idea about what it was for, and how natural science would benefit Ireland. It was the first public museum in Ireland, a project of the RDS that was supported by central government as an educational venue, and was frequented by ordinary citizens and visitors as well as leading lights of natural science. Its history offers a view of science in Ireland showing that the museum was built over time by donations from citizens and scientific amateurs as well as professionals, and that Irish men of science shaped new knowledge from the raw material in the collections. Far from the aura of genteel nostalgia that continues to attract visitors today, the Natural History Museum of the nineteenth century was an active scientific institution with strong connections to the wider sphere of European science, and shows how participation in natural science was a form cultural activity for the people who engaged with the museum.
£31.50
Intellect Books The Artist as Curator
Book SynopsisIn recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators and its audience is subverted and democratised. One effect of this has been a growing place for artists as curators, and in The Artist as Curator Celina Jeffery brings together a group of scholars and artists to explore the many ways that artists have introduced new curatorial ways of thinking and talking about artistic culture. Taking a deliberately multidisciplinary and cross-cultural focus, The Artist as Curator will fill a gap in museum and curatorial studies, offering a thorough and diverse treatment of various approaches to the historical and changing role of the artist as curator that should appeal to scholars, curators and artists alike.Table of ContentsIntroduction - Celina Jeffery Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things - Nicola Levell Chapter 2: Re-Mastering MoMA: Kirk Varnedoe's ‘Artist’s Choice’ Series - Lewis Kachur Chapter 3: ‘Both Object and Subject’: MoMA’s Burton on Brancusi - Cher Krause Knight Chapter 4: Curating Between Worlds: How Digital Collaborations Become Curative Projects - Dew Harrison Chapter 5: Erasure: Curator as Artist - Bruce Checefsky Chapter 6: Say My Name - Brenda L. Croft Chapter 7: Performing the Curator, Curating the Performer: Abramović’s Seven Easy Pieces - Gregory Minissale Chapter 8: Curating the City: Collectioneering and the Affects of Display - Jim Drobnick and Jennifer Fisher Chapter 9: Artists Curating the Expedition - Celina Jeffery
£35.10
Archaeopress Working with the Past: Towards an Archaeology of
Book SynopsisRecycling is a basic anthropological process of humankind. The reutilization of materials or of ideas from the Past is a process determined by various natural or cultural causes. Recycling can be motivated by a crisis or by a complex symbolic cause like the incorporation of the Past into the Present. What archaeology has not insisted upon is the dimensional scale of the process, which operates from the micro-scale of the recycling of the ancestors’ material, up to the macro-scale of the landscape. It is well known that there are direct relations between artefacts and landscapes in what concerns the materiality and mobility of objects. An additional relation between artefact and landscape may be the process of recycling. In many ways artefact and landscape can be considered as one aspect of material culture, perceived at a different scale, since both have the same materiality and suffer the same process of reutilisation. This book invites archaeologists to approach the significant process of recycling within the archaeological record at two different levels: of artefacts and of landscape.Table of ContentsThe Never Ending Journey: Cycling and Recycling Seen through a Critical Assessment of the Taphonomic Process (Roberta Robin Dods); Sustainability, Health, and Society: Prehistoric Artefacts as Sustainable Materials (Lolita Nikolova); Recycling Power and Place: The Many Lives of Traprain Law, SE Scotland (Ian Armit, Andrew Dunwell, Fraser Hunter); Tells as Recycled Places. Experimenting the Chalcolithic Ritual Technologies of Construction and Deconstruction (Dragoş Gheorghiu); Copper and Bronzes: The Birth of Complete Recycling in The Bronze Age (Davide Delfino); Rock Art Recycled? On the Use of Bronze Age Rock Art Sites during the Iron Age in Southern Scandinavia (Per Nilsson); Recycled Memories: The Past and Present in Early Iron Age Landscapes of Southern Germany (Matthew L. Murray); Ancestral Places: The Creation and Recycling of Monumental Landscapes in South-Eastern Slovenia in The 1st Millennium BC and the 1st Millennium AD (Phil Mason); Recycling Pots, Places and Practices: The Roman Cemetery at Podlipoglav (Bernarda Županek and Irena Sivec); Secondary Use of Storage Vessels and Household Pottery During the Late Middle Ages: Pottery in Vaults as a Case Study (Marta Caroscio); The Reuse of Materials during the Medieval and Post-Medieval Periods: A Case Study of Recycling Building Materials in Rothwell, near Leeds, England (George Nash)
£23.75
Verso Books The World in a Selfie: An Inquiry into the
Book SynopsisWe've all been tourists at some point in our lives. How is it we look so condescendingly at people taking selfies in front of the Tower of Pisa? Is there really much to distinguish the package holiday from hipster city-breaks to Berlin or Brooklyn? Why do we engage our free time in an activity we profess to despise?The World in a Selfie dissects a global cultural phenomenon. For Marco D'Eramo, tourism is not just the most important industry of the century, generating huge waves of people and capital, calling forth a dedicated infrastructure, and upsetting and repurposing the architecture and topography of our cities. It also encapsulates the problem of modernity: the search for authenticity in a world of ersatz pleasures.D'Eramo retraces the grand tours of the first globetrotters - from Francis Bacon and Samuel Johnson to Arthur de Gobineau and Mark Twain - before assessing the cultural meaning of the beach holiday and the 'UNESCO-cide' of major heritage sites. The tourist selfie will never look the same again.Trade ReviewA sophisticated, engaging, clever book -- Sabine Peters * Berliner Zeitung *Provocative and entertaining -- Andrea Dernbach * Der Tagesspiegel, Berlin *A work of intelligence and wit: the history and phenomenology of the tourist, from Hegel to Tripadvisor * La Repubblica *Accumulates surprising and unsettling data, interpretations and testimonies, putting certainties we take for granted into crisis: the distinction between material and immaterial values, between commodities and fetishes, between modernity and post-modernity -- Giuliano Milani * Internazionale, Rome *Chicago, America's megalopolis-as-metaphor, has found its leftward de Toqueville in Marco d'Eramo. His book is as rare as an Indian Head penny and as hard as truth. It is a book that Algren, Dreiser, Altgeld and Darrow would have acclaimed as 'on the button' -- Studs Terkel * for The Pig and the Skyscraper *Fun and challenging, The World in a Selfie mixes the flavors of Mark Twain, Karl Marx, and theme parks to result in a real and welcome trip elsewhere. -- Meredith Grahl Counts * Foreword Reviews *Marco D'Eramo deconstructs the politics of sightseeing, and the search for authenticity within it. * New York Times Book Review *A sophisticated, engaging, clever book * Berliner Zeitung *Surprising and unsettling, putting certainties we take for granted into crisis * Internazionale *Provocative and entertaining * Der Tagesspiegel *A work of intelligence and wit * la Repubblica *The World in a Selfie is digressive, the chapters like a series of meditations that touch on various aspects of travel and tourism. -- Sophie Haigney * The New Republic *Readable, well-researched and well-written. -- Mik Sabiers * Morning Star *Thought-provoking . This is an intriguing book for sociologists and economists, as well as for serious travelers wishing to understand their impact as they once again move about the globe. -- Cindy Pauldine * Shelf Awareness (Starred Review) *A bracing, provocative examination of an all-too-human pastime. -- Benjamin Shull * Wall Street Journal *A fascinating journalistic approach to one the biggest influences on our economy and imaginations, The World in a Selfie spellbinds. A wonderful read for travelers and non-travelers in the new world of a pandemic. * Champagne Living *The truth is that tourists have always been unpopular ... The root of the stigmatisation, argues Marco D'Eramo, is the resentment of rattrapage, one social class catching up with another. -- Tom Robbins * Financial Times *A provocative take on the meanings of contemporary travel. -- Jim Gladstone * Passport Magazine *In a summer when all our assumptions about travel and tourism are being called into question, this engrossing book, newly translated from Italian, is the ideal guide. -- Tom Robbins * Financial Times: Summer books of 2021 *Andras's novel reaches for imaginative inner connections and syntheses across scale and time. He is no stranger to sociological contradiction, nor to psychological complexity. -- Jeffery R. Webber * Spectre *
£18.00
Intellect Books Post-Specimen Encounters Between Art, Science and
Book SynopsisThis edited collection explores a subject of great potential for both art historians and museologists – that of the nature of the specimen and how it might be reinterpreted. Through its cross-disciplinary contributions, written by a team of art historians, artists, poets, anthropologists, critics and curators, this book looks at how artistic encounters in museums, ranging from anatomy museums to contemporary cabinets of curiosity, can provoke new modes of thinking about art, science and curating. Museological literature in the past focused on artefacts or objects; this is an original contribution to the field and offers new readings of old issues, inspiring new understandings of the relationships between art, science and curating. Brings together international expertise from art practitioners, historians, creative writers and theorists in France, the United States, United Kingdom and New Zealand. Contributions from creative practitioners draw upon their own experience of producing artworks in response to specific scientific collections while historians, anthropologists, critics and writers examine how museums stimulate, incite and otherwise inspire artistic awareness of science and its specimens. One of the most important contributions this book will make is drawing together several threads of research and practice to encourage interdisciplinary discussion. It provides new ways of thinking about the relationships between art, science, museums and their objects. It concentrates on the ways in which scientific collections kindle novel aesthetic strategies and inspire new scholarly interpretations of art, science, curating and epistemology. In so doing it will make a considerable contribution to the fields of art writing, creative practice, art theory, the history of science and curating. This book will appeal to academics, researchers, undergraduates and postgraduates studying fine art, curating, museology, art history, the history of science, creative writing; visual artists, curators, and other creative practitioners. Also of interest to museum audiences. Reading list potential.Table of ContentsIntroduction Edward Juler and Alistair Robinson 1: Narratives of the ‘Fetish’ John Mack 2: Curating Interobjectively in Museums Alistair Robinson 3: ‘A Readiness to Find What Surrounds Us Strange and Odd’: Objects in the Relational Curiosity Museum Marion Endt-Jones 4: Art, Science and the Mutant Object Rahma Khazam 5: Models of Subjectivity: Surrealism, Physics and Psychoanalysis Gavin Parkinson 6: Glimpsed Phantoms of Sensation: Or, a Psychogeographical Investigation of Various Anatomical Specimens with Reference to Christine Borland’s Cet être-là, c’est à toi de le créer! Edward Juler 7 … as far back as I will remember Nadia Lichtig 8: Poetry and the Pathology Museum: A Model of Difference Christy Ducker 9: The Scientist and the Magician Irene Brown 10: Choosing, Unpicking and Connecting: On Drawing Museum Objects Richard Talbot 11: Post-Specimens and Present Ancestors: Passing Fables and Comparative Readings at the Wildgoose Memorial Library Jane Wildgoose 12: Moving beyond the Specimen (From Drawing Objects to Drawing Processes) Gemma Anderson 13: Desiccation, Suspension, Extraction: The Inhuman Art of Christine Borland Andrew Patrizio Afterword: What’s at Stake? Ludmilla Jordanova
£32.30
Archaeopress Living with Heritage: The Case of Tsodilo World
Book SynopsisCultural Heritage Management in most parts of Africa has been concerned and focused on conservation and preservation of cultural and natural heritage and the development of sites for tourism and economic benefit. In this venture, the tangible heritage such as monuments and landscapes become the focus and of primary significance. Therefore, most efforts have failed to grasp the significance and relevance of cultural heritage to the local communities and the existing traditional and cultural attachment to heritage sites beyond the economic gain. Of late, operational guidelines of the WH Conventions have targeted the engagement of communities in the management of their local heritage and shaping visitor experiences. The major challenge is the implementation of these agreements and restoration of cultural pride in local communities. The communities’ interest in heritage areas has been overshadowed by the perceived idea of economic gain and the global agenda for preservation of monuments for future generation as the foremost primary benefit in heritage over cultural rights and entitlement to heritage sites, present day cultural valuation and traditional use. In 2008 several heritage sites in Botswana were opened for tourism in addition to the Tsodilo World Heritage Site. Furthermore, in June 2014 the Okavango Delta covering a vast range of land occupied by cultural communities was also inscribed on the World Heritage List, becoming the second World Heritage Site in the country. However, insufficient research and analysis has been undertaken to understand how local communities and local cultures respond to these ventures. The study is case study based, presenting an overview of community transformation and responses to universalized heritage value and collective global view that characterize heritage status of cultural materials and the interactions of local cultures and traditions with the concepts of heritage and culture in heritage sites as globalised platforms. In this regard, it is evident through this study that the interlocutors are aware of their community boundaries and value in response to a national and global process of ‘valuation’ of the heritage site that is not theirs.Table of ContentsChapter 1 Introduction and Conceptulisation Chapter 2 Approaching Inhabited Heritage Spaces: Grounded Theory and Community Heritage Research RESEARCH FINDINGS Chapter 3 Relevance and Competition for Recognition and Entitlement of Communities in Inhabited Heritage Areas Chapter 4 Heritage Community Value Dimensions and Impact on Host Communities Chapter 5 Heritage Community Interactions: Hosts and Visitors Chapter 6 Discussion and Concluding Remarks References Appendices
£30.40
Archaeopress Community Archaeology: Working Ancient Aboriginal
Book SynopsisCommunity Archaeology presents the results of an investigation of wetland heritage in eastern Australia, with important contributions to the archaeology of the Tasmanian Midlands and the New England Tablelands. In this first substantial project in these bioregions since 1991, OSL and radiocarbon dating at lagoon sites provided dates going back to 8000 BP, significantly extending previous information. In both regions a range of stone artefact scatters were recorded adjacent to lagoons, suggesting associated ceremonial activities. Across the regions, new OSL dates were obtained for lunette formation. These were unexpectedly diverse, with OSL dates not clustered around the Last Glacial Maximum at 20k. With sediment particle sizes suggesting both wind and water deposition, quite individual local lunette depositional histories not closely related to global climates are indicated. The book also contributes to the important global field of community engagement and education. Unlike most projects where Aboriginal people are involved in commercial archaeology, this project focussed on research. Community Elders were research team partners during fieldwork and training. Work-integrated -learning, at University and on-country locations, proved very successful as a learning approach for young participants.Table of ContentsIntroduction – Wendy Beck and Robert Haworth ; Chapter 1: Indigenous Participation and Aboriginal Education – Wendy Beck, Catherine Clarke, Judith Burns, Anne McConnell and Lagoons Aboriginal Reference Group ; Chapter 2: Connections—Aboriginal Participants’ Reflections: A Photo Essay – Compiled and photographed by Catherine Clarke and Wendy Beck ; Chapter 3: Fieldwork, Sampling and Study Areas – Wendy Beck and Robert Haworth ; Chapter 4: Dating and Chronology – Elspeth Hayes, Richard Fullagar, Wendy Beck and Kevin Kiernan ; Chapter 5: Formation and development of upland lake-lunette systems in northern New South Wales, Australia, and their relation to climate, ecological change and human occupation – Robert Haworth, Kevin Kiernan, Anne McConnell ; Chapter 6: A Review of the Archaeological Record of Surface Sites, New England Bioregion – John Appleton and Wendy Beck ; Chapter 7: Lagoon Excavations: New England Tableland Bioregion – John Appleton and Wendy Beck ; Chapter 8: Silcrete Grinding Grooves in New England, NSW – Richard Fullagar, Elspeth Hayes, Nancy Vickery, John Appleton and Wendy Beck ; Chapter 9: Contrasting Lake Formation and Late-Glacial Aeolian Activity Between the Tasmanian Central Plateau and Adjacent Midlands Graben – Kevin Kiernan, Anne McConnell, Robert Haworth, Richard Fullagar and Elspeth Hayes ; Chapter 10: The Archaeology of Lagoons of the Tasmanian Midlands and Eastern Central Plateau and Its Role in Re-Interpreting Past Tasmanian Aboriginal Landscape Use and Meaning – Anne McConnell, Andry Sculthorpe and Kevin Kiernan ; Chapter 11: The Tasmanian and New England Research in a Global Setting – Wendy Beck and Robert Haworth ; Appendix A: Analyst Report for Radiocarbon Dating ; Appendix B: Luminescence Dating of Sediments from Wetland Sites in New England, New South Wales, and Tasmania, Australia ; Appendix C: Luminescence Dating of Sediments from New England and Tasmanian Wetland Sites ; Appendix D: New England Tablelands Sediment Profile Descriptions ; Appendix E: Mapping and Characterisation of Silcrete and Axe Grinding Grooves in the New England Region, NSW
£66.50
Archaeopress Spring Archaeology: Atti del Convegno, Siena,
Book SynopsisNato dall'esigenza di fornire a giovani ricercatori e professionisti un'opportunità di mettersi alla prova e mostrare i propri lavori, Spring Archaeology è un viaggio attraverso le molte sfaccettature dell'archeologia in Italia, un paese ricco di storia e innovazione. L'evento, promosso da un gruppo di studenti e archeologi provenienti dall'Università degli Studi di Siena (IT) e ri-organizzato online a causa delle restrizioni imposte dall'emergere della pandemia da Covid-19, ha visto la partecipazione di studenti con vari livelli di formazione, dalla laurea triennale al titolo di dottorato, liberi professionisti, istituzioni museali e associazioni culturali. Papers e posters presentati si articolano attorno a cinque temi principali: l'applicazione di nuove tecnologie all'archeologia, lo studio della cultura materiale, progetti di archeologia pubblica, progressi nelle ricerche e riflessioni metodologiche. Gli autori, sia italiani impegnati all'estero che stranieri impegnati in Italia, hanno presentato casi studio dalla preistoria al medioevo, principalmente dall'area mediterranea. Questi atti di convegno includono 29 papers, 22 presentazioni di posters e una sintesi della tavola rotonda conclusiva, centrata sullo stato attuale dell'archeologia in Italia e sui suoi possibili futuri sviluppi.Table of ContentsDUE PAROLE PER UN INVITO ALLA LETTURA – Prof. Stefano Moscadelli ; SPRING ARCHAEOLOGY 2020: DAL CONVEGNO IN PRESENZA AL CONVEGNO ONLINE – Andrea Bellotti, Luca Luppino, Maria Messineo, Mickey Scarcella ; Sezione I: Archeologia e Nuove Tecnologie ; INTRODUZIONE – Giulio Poggi ; Papers ; DOCUMENTARE I MONUMENTI IN ARCHEOLOGIA: IL CASO DI VILLA SAN MARCO A CASTELLAMMARE DI STABIA (NA) – Dario Saggese ; L’IDENTITÀ NEL FRAMMENTO: RICONOSCIMENTO DEL TAXON ATTRAVERSO L’IMPRONTA PEPTIDICA NEL SITO ANTICO E MEDIO OLOCENICO DI TAKARKORI (LIBIA) – Martina Di Matteo, Francesca Alhaique, Wim Van Neer, Savino di Lernia ; LA DOMUS IN PIAZZA. STRUMENTI DIGITALI PER LO STUDIO E LA VALORIZZAZIONE DI UN CONTESTO ARCHEOLOGICO URBANO – Eleonora Delpozzo ; METODI INTEGRATI PER IL CONTROLLO CRONOSTRATIGRAFICO E L’INTERPRETAZIONE DI STRUTTURE IN PIETRA. UN ESEMPIO DAL SITO DI TAKARKORI, LIBIA SUD-OCCIDENTALE – Olivier Scancarello ; PERCEPIRE L’INVISIBILE NEL PAESAGGIO ARCHEOLOGICO. IL CASO STUDIO DI TELESIA (BN) – Davide Mastroianni ; RICOSTRUIRE PER QUANTIFICARE: LA FORNACE DEI DOMITII DI MUGNANO IN TEVERINA – Claudia Sorrentino ; Posters ; AUTOMATIC IMAGE COLORIZATION: L’INTELLIGENZA ARTIFICIALE APPLICATA ALL’ARCHEOLOGIA FUNERARIA – Anna Lucia Rivieri ; CELLA TRICORA DI DAGALA DEL RE (CT) – Roberta Faro ; SIMULAZIONE DELLA RISPOSTA ALLE SOLLECITAZIONI SISMICHE DI UN EDIFICIO DI XII-XIII SECOLO A POGGIO BONIZIO – Devid Savegnago ; TOPOGRAFIA ARCHEOLOGICA DI CORBETTA E ALBAIRATE (MI): METODI TRADIZIONALI E NUOVE TECNOLOGIE – Alberto Massari ; UN’IPOTESI RICOSTRUTTIVA PER L’AUGUSTEUM DI ROSELLE – Caterina Grassi ; Sezione II: Comunicazione e Valorizzazione ; INTRODUZIONE – Francesco Ripanti ; PAPERS ; ARCHEOLOGIA ACCESSIBILE – UN CASO STUDIO DALLA SARDEGNA – Mattia Cogoni, Michela Scano, Federico Porcedda ; DALLA RICERCA ALLA DIVULGAZIONE, DALLA DIDATTICA ALLA COMUNICAZIONE: IL CASO STUDIO DELLO SCAVO PALAFITTICOLO DEL LUCONE DI POLPENAZZE – Marco Baioni, Elisa Zentilini, Daniele Mittica ; ITINERARI DEL ROMANICO TRA VERBANO, OSSOLA E GOLFO BORROMEO. CONOSCERE E VALORIZZARE UN PATRIMONIO COMUNE – Eleonora Casarotti, Chiara Ribolla ; L’APPLICAZIONE STRIBAR PER LA COMUNICAZIONE E VALORIZZAZIONE DEL SITO ARCHEOLOGICO FUNERARIO DI STRIBUGLIANO (GR). LE TECNOLOGIE DIGITALI PER UNA FRUIZIONE DEL SITO AUTONOMA ED IMMERSIVA DEI PUBBLICI – Francesca Prestipino ; MARGINALITÀ COME OPPORTUNITÀ. RICERCA E VALORIZZAZIONE NELLE AREE RURALI DEL TERRITORIO SIRACUSANO – Antonino Cannata, Valeria Platania ; USCIRE DAL SILENZIO DELIBERATO DEL DATO ARCHEOLOGICO ATTRAVERSO LA DIVULGAZIONE SCIENTIFICA. COME SI COMUNICA IL PASSATO ALL’ARCHEODROMO DI POGGIBONSI (SI) – Federica Foresi ; POSTERS ; ARCHEOLOGIA E COMUNITÀ: IL GONNOSTRAMATZA PROJECT – Marco Cabras, Cristina Concu ; ELINI PAESE MUSEO: DALL’IDEA PROGETTUALE ALLA VALORIZZAZIONE DEL PATRIMONIO CULTURALE LOCALE – Federico Porcedda ; SMART INNOVATION E PATRIMONIO CULTURALE: UNA “PIAZZA DIGITALE” PER SANT’AVENDRACE, UN QUARTIERE PERIFERICO DI CAGLIARI (SARDEGNA) – Giulia Porceddu ; Sezione III: Cultura Materiale ; INTRODUZIONE – Chiara De Marco ; PAPERS ; ANALISI INTRODUTTIVA DELLA CERAMICA ISLAMICA DALLO SCAVO ARCHEOLOGICO DI DŪMAT AL-ĞANDAL – Simona Berardino ; GLI STRUMENTI DA ESTRAZIONE IN PIETRA DELLA MINIERA DI CINABRO NEOLITICA DEL POGGIO DI SPACCASASSO (ALBERESE-GR) – Andrea Terziani ; INDAGINI ARCHEOLOGICHE IN PALAZZO MAGGI GAMBARA A BRESCIA: TESTIMONIANZE CERAMICHE TARDOANTICHE E ASSOCIAZIONI DI VASELLAME DI PRIMA ETÀ LONGOBARDA – Beatrice Bellicini, Chiara Pupella ; LA CERAMICA DA UN SILOS DI STOCCAGGIO NELLA CASA DELLE ANFORE A MARSILIANA D’ALBEGNA (MANCIANO, GR) – Sara Rojo Muñoz ; PRAEDIA PHILIPPIANORUM. UN ALLEVAMENTO DI CAVALLI NELLA SICILIA TARDO ANTICA – Antonina Arena ; RAINING STONES. PROIETTILI LITICI E PLUMBEI NEL SALENTO TARDO ELLENISTICO – Carlo De Mitri ; POSTERS ; CONSIDERAZIONI SUI MATERIALI DELLA TOMBA DEI GIGANTI DI SAN COSIMO (GONNOFANADIGA – SU): POSSIBILI INDICATORI DI CONTATTI EXTRAINSULARI – Gioia Concas ; Sezione IV: Scavo e Ricerca ; INTRODUZIONE – Stefano Bertoldi ; PAPERS ; ATLANTE DELLE TECNICHE MURARIE NEL BIELLESE. MATERIALI E TECNICHE COSTRUTTIVE NEI SECOLI XI-XIV – Sara Roberto ; IL CONTRIBUTO DEI RESTI ANIMALI ALLA COMPRENSIONE DELL’EVOLUZIONE SOCIOECONOMICA DEL SITO DI MIRANDUOLO (CHIUSDINO, SI) – Lisa Dall’Olio ; IL POPOLAMENTO RURALE DELL’OLTREPÒ PAVESE: QUATTRO CASI STUDIO – Lorenzo Radaelli ; L’ETÀ DEL BRONZO SULL’ALTOPIANO DEL GOLLEI – Lorenzo Bonazzi, Smeralda Riggio, Barbara Valdinoci ; LA PIANURA VERONESE TRA BRONZO FINALE E PRIMA ETÀ DEL FERRO: DINAMICHE DEL POPOLAMENTO E ORGANIZZAZIONE DEL TERRITORIO – Andrea Giunto ; PROBLEMI DI DATAZIONE E STUDIO PRELIMINARE DELLO SCAFO DELLA NAVE A – PISA SAN ROSSORE – Cristina Laurenti ; POSTERS ; I MOSAICI DELLA DOMUS DI CARSULAE – Alessandra De Nardo ; LA FELIX TEMPORUM REPARATIO A TUSCANIA. RISULTATI PRELIMINARI DI UNA RICOGNIZIONE SUPERFICIALE IN LOCALITÀ MARRUCHETO – TUSCANIA (VT) – Alessandro Tizi ; LA VITIS VINIFERA L. IN ETÀ NURAGICA. NUOVE ACQUISIZIONI DELLA RICERCA SCIENTIFICA – Giulia Marotto ; LE SEPOLTURE FRA NEOLITICO ANTICO E MEDIO-INIZIALE IN PUGLIA E BASILICATA ORIENTALE – Cleo Barbafiera ; MERCATO DI MORTE. LORENZO VALERI, SPEZIALE DI TOSCANELLA-TUSCANIA, E IL COMMERCIO DI REPERTI ARCHEOLOGICI NELL'OTTOCENTO – Alessandro Tizi ; OFFICINE SULLA RIVA: NUOVI DATI DI ETÀ TARDO MEDIEVALE E MODERNA DALL’ISOLA DI TORCELLO (VE) – Jacopo Paiano, Martina Bergamo ; POMPEI, INSULA IX.5: RICOSTRUZIONE DEI RINVENIMENTI ATTRAVERSO LA DOCUMENTAZIONE D’ARCHIVIO – Federica Ciminelli ; PRATICHE DI SEPPELLIMENTO RITUALI ED ANOMALE NELLA PREISTORIA – Luca Bianchi ; TESTIMONIANZE ARCHEOLOGICHE DELLA GUERRA: CASI DI STUDIO DAL MONDO GRECO ANTICO – Roberto Domenico Melfi, Chrysanthi Kourta ; UN EDIFICIO TERMALE DAL SITO DI VIGNALE (LI) – Jacopo Scoz ; Sezione V: Teoria e Metodo ; INTRODUZIONE – Rossella Pansini ; PAPERS ; IMPORT-EXPORT NELL’AREA IONICO-ADRIATICA IN ETÀ TARDOANTICA E ALTOMEDIEVALE. L’EVOLUZIONE COMMERCIALE ATTRAVERSO L’ANALISI DI DUE CASI STUDIO: LE CITTÀ LAGUNARI DI ORIKUM (ALBANIA) E SALAPIA (ITALIA) – Sara Loprieno ; LE DOMUS DELL’ETRURIA ROMANA (PROVINCE DI SIENA, AREZZO, GROSSETO). ASPETTI STRUTTURALI, SOCIALI E URBANISTICI – Anna Lidia Pugni ; METODOLOGIA DI STUDIO DI UN EDIFICIO ATTRAVERSO L’ANALISI DELLE MALTE DI ALLETTAMENTO E RIVESTIMENTO. IL CASO DELLE TERME ACHILLIANE DI CATANIA – Lucrezia Longhitano ; OLTRE IL RICICLO. ANALISI DEL BUTTO DEL CASTELLO DI MIRANDUOLO (CHIUSDINO, SI) – Carla Palmas ; PROGETTO MEDIA VALLE DEL CEDRINO: UNA METODOLOGIA PER LA RICOGNIZIONE – Lorenzo Bonazzi, Arianna Gaspari, Alessia Grandi, Smeralda Riggio ; POSTERS ; ASPETTI METODOLOGICI DELLO SCAVO DELL’ABITATO DELL’ETÀ DEL BRONZO DI SOLAROLO (RA) – Francesca Barchiesi ; NYMPHAEA ROMANA: ANALISI DI UNA SCENOGRAFIA D’ACQUA FRA FORME E CONTESTI – Angela Bosco ; ARCHEOLOGIA IN ITALIA: STATO DELL'ARTE E PROSPETTIVE DI SVILUPPO
£57.00
Archaeopress From Photography to 3D Models and Beyond:
Book SynopsisFrom Photography to 3D Models and Beyond: visualizations in archaeology explores the history of visual technology and archaeology and outlines how the introduction of interactive 3D computer modelling to the discipline parallels very closely the earlier integration of photography into archaeological fieldwork. The incredible potential of interactive 3D computer graphics to provide new insight into cultural change, ancient settlement development, building function, and behavior make virtual heritage a must-use approach, but one that has not been fully grasped. This volume brings together for the first time several key aspects of the history of archaeology: how and where photographs became an indispensable part of excavations; when and for what purposes virtual reality began a similar journey into the field team's arsenal of documentation, publication, and visualization tools; how the common trajectory of both technologies provides clues for why virtual reality has not yet become as commonplace as photography for archaeological research, teaching, and data dissemination; and how new methods and technologies are poised to revolutionize our understanding of the past.
£34.20
Berghahn Books Heritage under Socialism: Preservation in Eastern
Book Synopsis How was heritage understood and implemented in European socialist states after World War II? By exploring national and regional specificities within the broader context of internationalization, this volume enriches the conceptual, methodological and empirical scope of heritage studies through a series of fascinating case studies. Its transnational approach highlights the socialist world’s diverse interpretations of heritage and the ways in which they have shaped the trajectories of present-day preservation practices.Trade Review “The introduction nicely summarizes the general issues that distinguish this work from other post-socialist heritage studies in the region. Importantly, this volume takes socialist approaches to heritage seriously rather than seeing socialism as a past best forgotten…Recommended” • Choice “The chapters collected together in this volume offer valuable insights into the diverse and complex field of cultural heritage studies in Eastern and Central Europe… Due to the sheer variety of themes, methodologies and approaches, the book constitutes an important contribution not only for heritage studies scholars, but also for Cold War historians, and specialists in Eastern European, Soviet as well as transnational and global cultural history.” • Heritage & Society “Looking into the nuances of the socialist heritage definition is one of the major values of this volume. The papers convincingly demonstrate that heritage experts addressed issues similar to their colleagues outside the Iron Curtain and were parts of a global discourse contributing to the theoretical and practical processes that took the field where it is today…Specialists in heritage studies dedicated to decolonizing the academic discourse will find the contributions inspiring. The volume, however, also offers a new insight into the cultural and political history of the region through analyzing the heritage domain.” • Austrian History Yearbook “This coherent, well-conceived book presents a wide range of issues through a selection of interesting cases. Its focus on the Central and Eastern Europe region is an important addition to the wider discussion concerning the geopolitics of knowledge.” • Magdalena Banaszkiewicz, Jagiellonian UniversityTable of Contents List of Illustrations Acknowledgements Introduction: Heritage Under Socialism: Trajectories of Preserving the Tangible Past in Postwar Eastern and Central Europe Corinne Geering and Paul Vickers Part I: Transfers and Exchanges in Heritage Policies and Practices Chapter 1. The Past Belongs to the Future: Heritage in Soviet Policymaking on Cultural Development Corinne Geering Chapter 2. International Experts – National Martyrdom – Socialist Heritage: The Contribution of the Polish People’s Republic to the Early UNESCO World Heritage Program Julia Röttjer Chapter 3. International Tourism and the Making of the National Heritage Canon in Late Soviet Ukraine, 1964–1991 Iryna Sklokina Chapter 4. International Contacts and Cooperation in Heritage Preservation in Soviet Estonia, 1960–1990 Karin Hallas-Murula and Kaarel Truu Part II: Canonizing and Contesting the Past: Heritage, Place and Belonging under Socialism Chapter 5. Socialist Royalty? The Ambiguities of the Reconstruction of the Royal Residence in Budapest in the 1950s Eszter Gantner Chapter 6. Justifying Demolition, Questioning Value: Urban Typologies and the Concept of the “Historic Town” in 1960s Romania Liliana Iuga Chapter 7. Making Sense of Socialism through Heritage Preservation: Stories from Northwest Bohemia Čeněk Pýcha Chapter 8. Socialism and the Rise of Industrial Heritage: The Preservation of Industrial Monuments in the German Democratic Republic Nele-Hendrikje Lehmann Conclusion: Transnational Heritage Networks in Socialist Eastern and Central Europe Corinne Geering
£25.16
Boydell & Brewer Ltd Archaeology, Cultural Property, and the Military
Book SynopsisTimely essays from experienced contributors examine the damage recent conflict has caused to cultural heritage, and how it may best be safeguarded in future. `Laurie Rush, a senior archeologist with the U.S. Army, has assembled a seminal book on the threat to important cultural sites from combat operations, and none too soon. Spurred by the tragic and unnecessary loss of artefacts andarchaeology from the invasion of Iraq, she and her colleagues make a persuasive case that a minimum of common sense can not only protect this shared heritage but also enhance the likelihood that a military mission will succeed, and with fewer casualties. This book should be required reading for senior military and civilian leaders, not just in the United States but throughout the world, who are able to initiate the training and education necessary to ensure that planning and targeting personnel will be able to identify significant sites and take every reasonable step to avoid damaging them.' RICHARD MOE, PROFESSOR EMERITUS, NATIONAL TRUST FOR HISTORIC PRESERVATION, US From Lawrence of Arabia to the Monuments Men to the contributors within this volume, academic scholars have found themselves engaged in conflict areas, in topics involving conflict, and in unlikely partnerships with military professionals. Motives and methods have varied dramatically over the years, but the over-riding theme of this volume is stewardship. In each case, an author has encountered a situation where their expertise has offered the potential tohelp save archaeological properties, historical structures, and sacred places - or has documented the process. Drawing on major contributions from seven armed forces, amongst others, this book aims to set out the obligations to protect cultural heritage under international Conventions; provide a series of case studies of current military practice; and outline the current efforts to enhance this. Overall, it offers examples, anecdotes, and lessons learnedthat can be used for consideration in planning future efforts for global archaeological stewardship. Contributors: Patty Gerstenblith, Krysia Spirydowicz, Julian Radcliffe, Corine Wegener, Joris Kila, Martin Brown, JamesZeidler, Laurie Rush, Paul R. Green, Darrell C. Pinckney, Diane C. Siebrandt, Hugo Clarke, Friedrich Schipper, Franz Schuller, Karl von Habsburg-Lothringen, Holger Eichberger, Erich Frank, Norbert Fürstenhofer, Stephan Zellmeyer,Sarah ParcakTrade ReviewOffers a snapshot of recent efforts to educate and train troops to recognize, protect and preserve cultural heritage during both armed deployments and peacetime. [Its] case studies offer good examples. * TLS *Table of ContentsArchaeology and the Military: an Introduction - Laurie W. Rush The Obligations Contained in International Treaties of Armed Forces to Protect Cultural Heritage in Times of Armed Conflict - Patty Gerstenblith Rescuing Europe's Cultural Heritage: The Role of the Allied Monuments Officers in World War II - Krysia Spirydowicz The UK's Training and Awareness Programme - Julian Radcliffe US Army Civil Affairs: Protecting Cultural Property, Past and Future - Corine Wegener Cultural Property Protection in the Event of Armed Conflict: Deploying Military Experts or Can White Men Sing the Blues? - Joris Kila Good Training and Good Practice: Protection of the Cultural Heritage on the UK Defence Training Estate - Martin Brown In-Theatre Soldier Training through Cultural Heritage Playing Cards: a US Department of Defense Example - James Zeidler In-Theatre Soldier Training through Cultural Heritage Playing Cards: a US Department of Defense Example - Laurie W. Rush Dealing the Heritage Hand: Establishing a United States Department of Defense Cultural Property Protection Program for Global Operations - Laurie W. Rush Teaching Cultural Property Protection in the Middle East: the Central Command Historical Cultural Advisory Group and International Efforts - Laurie W. Rush Cultural Resources Data for Heritage Protection in Contingency Operations - Paul R Green Time not on my side: Cultural Resource Management in Kirkuk, Iraq - Darrell C Pinckney US Military Support of Cultural Heritage Awareness and Preservation in Post-Conflict Iraq - Diane C Siebrandt Operation Heritage - Hugo Clarke Cultural Property Protection in the Event of Armed Conflict - Austrian Experiences - Friedrich Schipper Role of the Swiss Armed Forces in the Protection of Cultural Property - Stephan Zellmeyer Preserving Global Heritage from Space in Times of War - Sarah Parcak Appendices: 1954 Hague Convention and its two Protocols
£71.25
Lund Humphries Publishers Ltd Designing the V&A: The Museum as a Work of Art
Book SynopsisThe building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V&A as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the Museum's 19th-century interiors. Much of this visual material is previously unpublished and is outside the canon of Victorian art and design. The V&A's first Director, Henry Cole, conceived the Museum's building as a showcase for leading Victorian artists to design and decorate. This book reveals for the first time the ways in which Cole's expressed policy to 'assemble a splendid collection of objects representing the application of Fine Arts to manufacture' was applied to the fabric of the building, as he engaged leading painters such as Frederic Leighton , G.F. Watts and Edward Burne-Jones, as well as specialists in decoration such as Owen Jones and Morris and Company, to decorate and design for a building raised by engineers using innovatory materials and techniques.It represents a fascinating, untold chapter in the history of British 19th-century art, design, architecture and museums, and an essential backdrop to understanding the evolution of the Museum's early collections and identity.Table of ContentsContents: Part One: Introduction: 1 Building the Museum; 2 The Museum as a Work of Art; 3 A Summary Timeline; Part Two: Designs and Decoration: A Parkland Setting; The South Kensington Museum (garden facades); The Refreshment Rooms; The Ceramic Stairs and Galleries; The Lecture Theatre; The Paintings Galleries and the North Staircase; The North Court; The South Courts; The 'Kensington Valhalla'; The Oriental Courts; The Prince Consort's Gallery; The National Competition Gallery; Frederic Leighton's Frescoes; The East Staircase; The National Art Library; The Cast Courts; The Grand Entrance and the Long Gallery; The Pantheon of British Art; The Henry Cole Wing; Exhibition Road; Further Reading; Endnotes; Acknowledgements; Index
£35.96
Lund Humphries Publishers Ltd The Museum Curator’s Guide: Understanding,
Book SynopsisThe Museum Curator’s Guide is a practical reference book for emerging arts and heritage professionals working with a wide range of objects (including fine art, decorative arts, social history, ethnographic and archaeological collections), and explores the core work of the curator within a gallery or museum setting.Nicola Pickering provides a clear introduction to current material culture and museum studies theories, and shows the practical application of these theories to museum collections. She considers the role of the curator, their duties and interaction with objects, and also examines the care or preservation of objects and the ways they can be catalogued, displayed, moved, arranged, stored, interpreted and explained in museums today.The Museum Curator’s Guide represents an essential and lasting resource for all those working with the collection, preservation and presentation of objects, including students of collections management and curatorship; current gallery and museum professionals; and private collectors.Table of ContentsPreface; Acknowledgements; Introduction; Part One: Museums and Collecting - Chapter 1: What are museums?; Chapter 2: Collecting policies, composition and implementation; Part Two: Managing Collections - Chapter 3: Researching and accessioning objects; Chapter 4: Classifying, recording and cataloguing objects; Chapter 5: Handling, storing and preserving objects; Part Three: Displaying and Interpreting Collections - Chapter 6: Displaying objects; Chapter 7: Interpreting objects; Chapter 8: Museum audiences; Part Four: The Museum Curator - Chapter 9: The curator today and conclusions; Notes; Bibliography; Index
£23.70
Lund Humphries Publishers Ltd Curating Art Now
Book SynopsisCurating Art Now is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of activities, from the care of collections in museums to the presentation of large-scale contemporary biennials, and from collaboration with artists to presentations of work on digital platforms. Curating has grown substantially in the last decades, and in the early 2020s is undergoing a significant period of transition as it grapples with some fundamental questions. How diverse and inclusive is curating as a profession, and how does that inform the art and artists who come to prominence? How possible is it to conduct exploratory and inclusive curatorial work in the challenging economic climate of the early 2020s? What is the extent of a curator’s autonomy within the various institutions and structures in which they work, and what power dynamics are at work between artists and curators? Finally, how might digital art and exhibition-making give way to hybrid forms of practice, and even challenge the face of traditional curating? Lilian Cameron’s lively review addresses all of these issues, and considers the future landscape of curating in an uncertain world.Trade Review'Curating Art Now is a bold and engaging attempt to examine the fundamental contradictions and pressures faced by the field of curating in an increasingly fractured post-truth world. It is a balanced and nuanced take on the current curatorial landscape, with equal parts pragmatism and idealism.' - Sebastian Goldspink, Artist Profile, February 2023Table of ContentsForeword; Acknowledgements; Prologue: Interesting Times; Chapter 1: Knowledge and Access; Chapter 2: Changing Worlds; Chapter 3: Back Home to the Museum; Chapter 4: Artists' Takeover; Chapter 5: Digital (R)evolutions; Epilogue: Opportunity; Notes; Select Bibliography
£18.99
Lund Humphries Publishers Ltd Enriching the V&A: A Collection of Collections
Book SynopsisBy 1862, just a decade after its launch as a study collection for art and design, the Victoria and Albert Museum had become a reference resource for collectors, scholars and art-market experts. Enriching the V&A, the final volume in a trilogy of books on the museum’s 19th-century history, describes how the young museum’s rapid growth in the following decades was driven more by collectors, agents and dealers, through loans, gifts and bequests, than by the combined expertise, acquisitions policies and buying power of its directors and curators. The V&A soon became a collection of collections, embodying a new age of collecting that benefitted from the break-up of historic institutions and ancestral collections across Europe, and imperial expeditions in Asia and Africa. The industrial revolution had created a new social class with the resources to buy from the expanding art market, especially in the decorative arts. Many were touched by a new moral imperative to collect for the home, however humble, and to share their specialist knowledge and enthusiasm by lending to the new public museums. Enriching the V&A explores the formative influence on the museum, and on pioneering fields of scholarship, of the V&A’s leading Victorian and Edwardian benefactors. It also shares uncomfortable truths about the sources of some objects from the age of empires and shows how the meanings of things can change through the transformation of private property into public museum collections.Trade Review'In his foreword, V&A director Tristram Hunt sees "collecting as a human impulse that everyone shares", and we can only imagine how future scholars will assess the collecting under way at the V&A now. Surely they will benefit from Julius Bryant’s landmark achievement.' – Peter Trippi, Journal of the History of CollectionsTable of ContentsForeword, Tristram Hunt; Part I: A Museum for Collectors?; Part II: Polymaths of the Graphic Arts; Part III: Collecting Overseas; Part IV: Collecting for New Museums; Part V: Collectors at Home; Part VI: Into the New Century; Notes; Acknowledgements; Further Reading; Index
£35.96
Lund Humphries Publishers Ltd Philanthropy in the Arts: A Game of Give and Take
Book SynopsisArts philanthropy is at a crucial moment: many arts organisations are facing a financial crisis, the 2020-21 Covid-19 pandemic exposed the fragility of existing funding structures, and various social initiatives and causes have thrown renewed focus on how the arts are funded. Around the world, a new generation of philanthropists is emerging with different motivations and priorities. This book offers an open and wide-ranging exploration of philanthropy in the arts from the perspectives of both the donors and the recipients, seeking to improve understanding on both sides, and asks what the future holds for arts philanthropy given the rapidly changing landscape. It provides an essential guide for collectors, philanthropists and patrons, as well as art-market and museum professionals, on the peculiarities of giving and taking in the arts sector.Table of ContentsForeword; Acknowledgements; Introduction; 1 Giving; 2 Taking; 3 Barriers to Arts Philanthropy; 4 New Perspectives, New Models; Conclusion; Notes; Further Reading; Index
£18.99
NMSE - Publishing Ltd The Making of Am Fasgadh: An Account of the
Book SynopsisDr Isabel Grant (1887-1983) was a pioneer who, early in life, was intrigued by the lives and ways of living of her fellow Highlanders. She eventually pursued this by collecting objects - farming, fishing, crofting and domestic - from across the Scottish Highlands and presenting them to the public, initially as an exhibition in Inverness in 1930, then in Iona, and later in a dedicated museum Am Fasgadh ('the Shelter'). The tenacity shown by Dr Grant in pursuit of an idea that first struck her while on a childhood visit to Sweden is revealed in her own words. In the face of indifference, little money, sexism and the erratic Scottish climate, Dr Grant succeeded in presenting items which told of the working and home lives of the people she so admired. Am Fasgadh continues today as the popular Highland Folk Museum at Kingussie and Newtonmore, Inverness-shire, Scotland.Trade Review'Dr I F Grant (1887-1983) was a very remarkable historian and ethnographer, whose achievements were insufficiently appreciated in her lifetime, and who even now is not recognised as among the great contributors to Scottish life and culture in the interwar and postwar years - up there with the likes of Edwin Muir, Hugh MacDiarmid and Neil Gunn ... it is good that the NMS has published this autobiographical memoir as some recompense for the shabby snobbery to which she was so often subjected in her lifetime.' Chris Smout in Scottish Local HistoryTable of ContentsForeword by Hugh CheapeEarly InfluencesThe 1920sThe Inverness ExhibitionIonaAn Historical OutlinePrinciples of CollectingCollecting in the IslandsArdnamurchan, Arisaig and Kyle of LochalshApplecross and the SeaThe North-West and Highland BuildingsWest and EastPerthshire and AngusWorkers in Wood and IronOther CraftsCraftsmen's Tools and Household PlenishingsLightingTransportThe Social PatternLagganKingussieGlossary
£8.99
National Maritime Museum On The Line: The Story of the Greenwich Meridian
Book SynopsisEvery year, thousands of people come to the Royal Observatory in Greenwich to have their photograph taken on the line of the Prime Meridian - longitude 0 Degrees - as they stand in the eastern and western hemispheres at the same time. But what is the purpose and history of the Greenwich Meridian? What other points in the world lie along it? And what links the line with navigation, timekeeping and the stars? Find out on this whistle-stop tour from the North Pole, through Greenwich, to France, Spain, Africa and Antarctica, revealing the Greenwich Meridian's fascinating history along the way.
£8.54
Glasgow Museums Publishing The Burrell Collection: Renaissance of a global
Book Synopsis
£23.75
Editions Flammarion Louvre Abu Dhabi: Birth of a Museum
Book SynopsisA chronological history of art that assembles chef d’oeuvres from all artistic disciplines around the globe and throughout the ages. The Louvre Abu Dhabi, which has aroused great curiosity since plans were first announced for the groundbreaking museum in 2007, will unveil a selected part of its nascent collection in April 2013. While the building that will house the museum collection, designed by architect Jean Nouvel, is already well- known, this book —the first to be dedicated to the museum’s collection — allows the reader to discover the universal spirit that permeates and incarnates the birth of this new museum. The growing collection, presented here for the first time, best captures and expresses the essence and spirit of the museum itself. These 300 works, reproduced in exceptionally high-quality photographs commissioned for the publication, open a dialogue between the diverse world cultures and their artistic expressions, from the most antiquated to the ultra contemporary, ranging from archaeological treasures to groundbreaking works of contemporary art. All artistic traditions are present, from Ancient Egypt and Greco-Roman art to Islamic art and grand Asian statuary, from works by Bellini and Murillo to Manet or Mondrian, and masterpieces from the European Renaissance or an Art Deco ensemble, to Indian miniatures or paintings by Yan Pei-Ming. The works are analyzed in their cultural context, highlighting their particularities, while simultaneously placing them at the crossroads of the great cultures that comprise the museum’s collections.
£44.00
Sidestone Press Variant scholarship: Ancient texts in modern
Book SynopsisSince the eighteenth century, many if not most ancient and medieval manuscripts or other text-bearing or associated objects have been procured through imperial expropriation or through the antiquities market with little or no evidence of findspot or place of original deposition and with no assurance of legal provenance or authenticity. The consequences of these questionable acquisition practices for scholarship and for our understanding of the past are the focus of much enquiry. Recent high-profile acquisitions (and subsequent returns) of text-bearing objects by prominent private collectors and museums and the appearance on the market of demonstrably modern forgeries have resulted in increased scrutiny of the intellectual and commercial impacts of academic engagement. Scholarly research can abet the antiquities market directly or indirectly through identification, authentication and legitimation of illegally traded text-bearing objects. These harmful complications of well-established academic practice raise important questions about how and even if the academy should engage with ancient texts and text-bearing objects of uncertain provenance. Through a wide-ranging set of case studies, variant scholarship focuses on the methodological, theoretical, and ethical dilemmas facing scholars when working with ancient texts in modern contexts. This book is intended for those interested in the historical practices of research into ancient manuscripts, ethical quandaries in studying unprovenanced textual materials, and the unintended consequences of scholarly interactions with problematic text-bearing objects.
£85.50
The Natural History Museum Treasures of the Natural History Museum
Book SynopsisA reformatted miniature edition of one of the Museum's bestselling gift books
£13.49
Bloomsbury Publishing PLC The British Museum
Book SynopsisA concise history of one of the world's greatest and most comprehensive museum collections, from its founding in 1753. A product and symbol of the 18th-century Enlightenment, the British Museum is as iconic an expression of that cultural tendency as Johnson's Dictionary, the French Encyclopedie and Linnaean plant classification. Its collections embody the raw material of empiricism – the bringing together of things to enable the widest intellectual experiment to take place. James Hamilton explores the establishment of the Museum in the 1750s (from the bequest to the nation of the collections of Sir Hans Sloane); the chosen site of its location; the cultural context in which it came into being; the subsequent development, expansion and diversification of the Museum, both as a collection and as a building, from the early 19th to the 21st century; the controversy occasioned by some of its acquisitions; and the legacy and influence of the Museum nationally and globally.Trade ReviewA sparkling new history of the museum's first two-and-a-half centuries * TLS *A thoughtful anecdotal story, enlivened with detail, light humour and well chosen illustrations * British Archaeology *
£14.24
Bloomsbury Publishing PLC Straw Plaiting: Heritage Techniques for Hats,
Book Synopsis'A must-have for anyone interested in working with straw and an astonishing contribution to the preservation of this endangered craft.' Jay Blades MBE, Co-Chair of Heritage Crafts An engaging makers’ guide to the history and craft of straw plaiting, brimming with helpful step-by-step diagrams. Straw plaiting has been used to make accessories from hats and baskets to handbags, trimmings and homewares around the world for centuries. Once employing tens of thousands of people in the UK alone, the craft is now listed as Critically Endangered on Heritage Crafts’ Red List. This book aims to change that, drawing on more than 50 previously unpublished patterns and techniques from around the world that will help you to unlock the history and preserve the skills of straw plaiting. For each pattern, follow the step-by-step diagrams and instructions and discover how they were developed whilst learning about materials, tools and preparation. Once familiar with the plaiting techniques – using straw as well as other materials – you will be able to develop your own skills, possibly blending in recycled materials, which are increasingly being used to produce beautiful and unique pieces.Trade ReviewThis impressive and thoroughly researched book traces the journey of straw from farmer’s field to finished hat. Veronica Main has covered the subject in depth with good illustrations, and the clearly drawn patterns show the many ways straw can be plaited ... we should now make more use of it as a renewable resource. -- Alan and Vanessa Hopkins, The School of Historic DressA must-have for anyone interested in working with straw and an astonishing contribution to the preservation of this endangered craft. -- Jay Blades MBE, Co-Chair of Heritage CraftsStraw plaiting has all but disappeared from the public consciousness; what was once so common, it touched the lives of everyone everywhere... Veronica Main's exhaustive research may ignite a timely renaissance of interest in straw as we search for sustainable alternatives to plastic. -- Polly Leonard * Selvedge Magazine *This is a book that will fascinate and enthral both researchers and makers alike. * The Braid Society *From simple patterns through to elaborate work for hats and baskets, this is equally enjoyable as a record of a rare craft, or as inspiration to take up straw plaiting and help take this craft off the endangered list. * Family Tree *Straw Plaiting: Heritage Techniques for Hats, Trimmings, Bags and Baskets is sure to become the go-to publication for anyone interested in learning or studying this time-honoured craft. * HATalk Magazine *Table of ContentsAcknowledgements Foreword by Marian Nichols Introduction Terminology 1. Straw Plaiting in Great Britain 2. Straw Plaiting in the Atlantic Islands and North America 3. Straw Plaiting in Europe 4. The Decline of the Straw Plaiting Industry 5. Plaiting Materials 6. Straw Preparation 7. Tools of the Trade 8. Development of Plait Patterns 9. Preparing to Plait 10. Plait Instructions Three, Five and Seven End Plaits Nine and Eleven Ends Basic Plaits Rustic Plaits Piping and Porcupine Purl and Moss Batwing or Vandyke Feather and Wisp Diamond and Wave Brilliant Trimmings Endnotes Conversion Tables Glossary Bibliography Picture Credits Index
£36.00
Indiana University Press Contested Antiquity
Book SynopsisTrade Review"It is fitting that archaeologists, whose profession played a key role in the establishment of Greece as a client state subservient to the European colonial powers, should today be a vocal majority in this extraordinarily rich critical review of archaeology's political role in Greece and Cyprus over the past two centuries. Contested Antiquity transcends the geographical boundaries of its subject, offering a comprehensive, thoroughly documented, and meticulously argued account that will serve for years to come as a model for the investigation of the impact of ideology and politics on serious scholarship."—Michael Herzfeld, Harvard UniversityTable of ContentsAcknowledgmentsIntroduction: Contested Antiquity in Greece and CyprusPart I: Between nationalism, colonialism and crypto-colonialism: Historical perspectives and current implications1. Hellas Mon Amour: Revisiting Greece's National "Sites of Trauma"2. Archaeology and Politics in the Inter-War Period: The Swedish Excavations at Asine3. Contested Perceptions of Archaeological Sites in Cyprus: Communities and their Claims on their Past4. Pressed On in Press: Greek Cultural Heritage in the Public Eye: The Post-War YearsPart II: Spatial metaphors and ethnographic observations: heritage, memory and dissonance5. The Gentrification of Memory: The Past as a Social Event in Thessaloniki of the Early Twenty-first Century6. The Oracle of Dodona: Contestation over a "Sacred" Archaeological Landscape7. Archaeological "Protection Zones" and the Limits of the Possible: Archaeological Law, Abandonment and Contested Spaces in GreecePart III: Competing pasts8. Heritage as Obstacle: Or Which View to the Acropolis?9. Eptapyrgio, a Modern Prison inside a World Heritage Monument: Raw Memories in the Margins of Archaeology10. Contemporary Art and "Difficult Heritage": Three Case Studies from AthensEndnoteIndex
£34.20
University of California Press MoMA Goes to Paris in 1938
Book SynopsisThree Centuries of American Art in 1938 was the Museum of Modern Art's first international exhibition. With over 750 artworks on view in Paris ranging from seventeenth-century colonial portraits to Mickey Mouse and spanning architecture, film, folk art, painting, prints, and sculpture, it was the most comprehensive display of American art to date in Europe and an important contributor to the internationalization of American art. MoMA Goes to Paris in 1938 explores how, at a time when the concept of artworks as masterpieces was very much up for debate, the exhibition expressed a vision of American art and culture that was not only an art historical endeavor but also a formulation of national identity. Caroline M. Riley demonstrates in what ways, at the brink of international war in the politically turbulent 1930s, MoMA collaborated with the US Department of State for the first time to deploy works of art as diplomatic agents.Trade Review"A detailed account of the many contingencies and the vast efforts, planning and negotiation required to stage an exhibition, particularly one on this scale and with an international venue. . . . An impressively thorough account." * Early Popular Visual Culture * "Riley’s contribution to the new scholarship on MoMA is timely and important to understanding the specific impact of the museum’s exhibition program on art history." * Panorama *"This well-researched and richly illustrated book significantly contributes to stress the centrality of museum studies within art and cultural history. Most importantly, it calls attention to the transnational character of ‘national’ imaginaries and the inherent reflexive nature of any cultural practice." * European Review of History: Revue européenne d'histoire *Table of ContentsContents Acknowledgments Introduction 1. What Was Three Centuries of American Art? 2. Loaning across Oceans: Symbolism, Risk, and Value 3. Creating a Contemporary American Art History across Centuries 4. Art on Paper Conclusion Appendix: Tables of Artworks Included in Three Centuries of American Art List of Abbreviations Notes Selected Bibliography List of Illustrations Index
£42.50
Ohio University Press Authentically African Arts and the Transnational
Book SynopsisTogether, the Royal Museum for Central Africa in Tervuren, Belgium, and the Institut des Musées Nationaux du Zaire (IMNZ) in the Congo have defined and marketed Congolese art and culture.Trade Review“This masterful study of Belgian and Congolese collecting and exhibitions of African arts, and the murky heritage politics so implied, offers insights for understanding colonial and postcolonial histories of representation anywhere in the world.”“Authentically African successfully shows how colonial tensions between politics and creativity left their imprint on colonial as well as on postcolonial Congo… this book remains a necessary introduction to some key chapters in the rich and complex entrance of arts premiers into world cultural histories.” * American Historical Review *“This is an important book that fills a gap in our knowledge about museums in this geographical area as well as our understanding of the role of political ideologies, a topic which has been well covered in South Africa, for example, but not as much by scholars in other parts of sub-Saharan Africa. … An impressive analysis.” * Museum Anthropology Review *“This well-informed book is the result of a careful inquiry carried out ‘on the spot’ in Congo, Belgium, and North America. … Authentically African successfully shows how colonial tensions between politics and creativity left their imprint on colonial as well as on postcolonial Congo. … This book remains a necessary introduction to some key chapters in the rich and complex entrance of arts premiers into world cultural histories.” * American Historical Review *“[An] impressive exploration of how and postcolonial powers in former Zaire utilized ‘cultural guardianship’ to justify their political legitimacy and to establish cultural and political economies nationally and internationally.” * African Studies Quarterly *“Authentically African is an impressively researched study of material culture and its institutions in the construction of Congolese cultural and political projects. Van Beurden’s fascinating examination of objects and collections in cultural and political economies makes a significant contribution to several bodies of scholarship, from those focused on material culture, heritage, and identity politics to those concerned with African cultural institutions as part of the global landscape.”
£26.09
Rowman & Littlefield Activating the Art Museum: Designing Experiences
Book SynopsisThis book offers a framework for collaboration between art museum educators and health professionals. It includes advice on selecting meaningful and provocative works of art; models of responsive workshop design, compelling descriptions of gallery experiences; and references to supporting medical literature
£39.90
Vintage Publishing These Silent Mansions
Book Synopsis''A refreshingly original meditation... I wish I had written it myself'' Literary ReviewGraveyards are oases: places of escape, peace and reflection. Liminal sites of commemoration, where the past is close enough to touch. Yet they also reflect their living community - how in our restless, accelerated modern world, we are losing our sense of connection to the dead.Jean Sprackland - the prize-winning poet and author of Strands - travels back through her life, revisiting her once local graveyards. In seeking out the stories of those who lived and died there, remembered and forgotten, she unearths what has been lost.Trade ReviewA wide-ranging, unpredictable and refreshingly original meditation on a huge but widely ignored subject: the relationship between the living and the dead… Exhilarating… This is a lovely book: beautifully written, never lapsing into self-conscious ‘poet’s prose’, always a joy to read. I wish I had written it myself. -- Nigel Andrew * Literary Review *Cemetery tales, filled with fascinating details and told with a poet’s skill… Delightfully morbid… Sprackland roves about history, language, biology, architecture, entomology, iconography and much else in her quest for meaning… [and] the astonishing twist…should justify your reading These Silent Mansions in its entirety. -- Anthony Quinn * Guardian *Shot through with delightful digressions… There is a spare beauty to Sprackland’s prose… These Silent Mansions is a strange and mercurial book; hard to pin down, but even harder to forget. -- Lucy Scholes * i *Sprackland has the poet’s knack for atmosphere and a magician’s ability to conjure up other worlds. She is like a ghostly time traveller… Sprackland is particularly agile, though, at exploring the ways in which a graveyard reflects its community and how, with modern life, we are losing this sense of connection. -- Ann Treneman * The Times *Part social history, part personal meditation and wholly enchanting - as attentive to local and moving details as it is to the fact of mortality itself. -- Andrew Motion
£9.49
The University of Chicago Press Ruling Culture
Book SynopsisTrade Review"In this beautifully written and insightful study of the mutual entanglement between Italy's national art police squad and the deeply entrenched tradition of tomb robbing, Greenland's portrayal of the robbers--in whom Italians see heroic tricksters and traitorous villains by turns--is both sharply analytical and descriptively captivating. She deftly articulates historical and legal detail with a rattling good story."--Michael Herzfeld, author of Evicted from Eternity: The Restructuring of Modern Rome "Ruling Culture provides a detailed and thought-provoking analysis of the construction of Italian national identity. It promises to be a major contribution to our understanding of Italian national identity, the institutional and legal dimensions of heritage, and the disciplinary history of archaeology. Greenland has written a first-rate piece of work and a valuable scholarly contribution."--Joshua Arthurs, author of Excavating Modernity: The Roman Past in Fascist Italy "Ruling Culture is groundbreaking. Greenland addresses the problem of how culture is used by states and various non-state actors to foster allegiance to nations, investigating culture as a key building block of national identity and making a convincing case for the difference between cultural power and ideological power."--Richard Lachmann, author of First Class Passengers on a Sinking Ship: Elite Politics and the Decline of Great PowersTable of ContentsIntroduction: The World’s Greatest Cultural Power 1 Art Squad Agonistes 2 The American Price 3 Distributing Sovereignty: From Fascism to the Art Squad 4 Tomb Robbers and Cultural Power from Below 5 Made in Italy 6 Farewell to the Tomb Robber Acknowledgments Appendix: Methodology Notes References Index
£31.00
Taylor & Francis Ltd The Chemistry and Mechanism of Art Materials
Book SynopsisThis unique book presents an integrated approach to the chemistry of art materials, exploring the many chemical processes involved. The Chemistry and Mechanism of Art Materials: Unsuspected Properties and Outcomes engages readers with historical vignettes detailing examples of unexpected outcomes due to materials used by known artists. The book discusses artists' materials focusing on relevant chemical mechanisms which underlie the synthesis and deterioration of inorganic pigments in paintings, the ageing of the binder in oil paintings, and sulfation of wall paintings as well as the toxicology of these pigments and solvents used by artists. Mechanisms illustrate the stepwise structural transformation of a variety of art materials. Based on the author's years of experience teaching college chemistry, the approach is descriptive and non-mathematical throughout. An introductory section includes a review of basic concepts and provides conTable of ContentsChapter 1 Essential ConceptsChemical Bonding, Solubility, Properties of Solids,Hard and Soft Acids and BasesOxidation-ReductionChemical Reaction MechanismsExperimental Methods Used to Characterize Works of ArtChapter 2 Preparation of Inorganic PigmentsIntroductionBlack PigmentsAntimony BlackCarbon BlacksCobalt BlackIron Oxide, MagnetiteManganese BlackBlue PigmentsAzuriteCerulean BlueEgyptian BluePrussian BlueSmaltUltramarineVerdigrisBrown PigmentsIron (III) Oxide PigmentsLead DioxideGreen PigmentsChromium OxideHydrated Chromium Oxide, ViridianMalachite, see AzuriteParis GreenVerdigrisRed Pigmentsα-Cinnabar and VermilionRed LeadIron (III) Oxide, Hematiteα-Realgar, see OrpimentViolet PigmentsPigment Violet 14White PigmentsAntimony WhiteBarium WhiteLithoponeTitanium WhiteWhite LeadZinc WhiteZinc SulfideYellow PigmentsBismuth VanadateCadmium PigmentsCobalt YellowIron (III) OxideLead ChromateLead Tin Yellow type ILead Tin Yellow type IILead Monoxide, Litharge and MassicotLead Tin Antimonate, Naples YellowOrpimentTitanium YellowChapter 3 Silica, Silicates and AluminosilicatesIntroductionSilicaSilicatesPigment-Silicate InteractionsPottery GlazesAluminosilicatesChapter 4 Discoloration StoriesIntroductionSmaltRed LeadRealgarCinnabarHematiteChrome YellowSilverpointCadmium YellowBlackening of Pigments by H2SUltramarineAzurite and MalachiteMedieval PigmentsChapter 5 Toxicology of Art MaterialsIntroductionOrganicsMethylene ChlorideCarbon TetrachlorideTrichloroethylenen-HexaneN-MethylpyrrolidoneDiisocyanatesAlcohols, Glycols and Glycol EthersMineral SpiritsInorganicsLeadZinc, Cadmium and Mercury Familial PropertiesCadmiumMercurySilverArsenicChromiumChapter 6 Ageing of Oil PaintOxidative Degradation of Oil BinderMetal Soap formationChapter 7 Ageing of Wall PaintingsSecco and Fresco methodsReversal of SulfationDeposition of Water Soluble SaltsDegradation of Oil Binder
£58.89
Taylor & Francis Ltd The Routledge Handbook of Heritage Destruction
Book SynopsisThe Routledge Handbook of Heritage Destruction presents a comprehensive view on the destruction of cultural heritage and offers insights into this multifaceted, interdisciplinary phenomenon; the methods scholars have used to study it; and the results these various methods have produced.By juxtaposing theoretical and legal frameworks and conceptual contexts alongside a wide distribution of geographical and temporal case studies, this book throws light upon the risks, and the realizations, of art and heritage destruction. Exploring the variety of forces that drive the destruction of heritage, the volume also contains contributions that consider what forms heritage destruction takes and in which contexts and circumstances it manifests. Contributors, including local scholars, also consider how these drivers and contexts change, and what effect this has on heritage destruction, and how we conceptualise it. Overall, the book establishes the importance of the need to study Table of Contents1. A path well worn? Approaches for the old problem of heritage destruction; Part 1 Understanding Destruction -- 2. Heritage Destruction in Conflict; 3. Talking about Heritage Destruction in Market Countries; 4. Destruction of Cultural Heritage in Peacetime and International Law; 5. Development of the Law of Armed Conflict as Applied to Cultural Heritage; 6. Heritage Destruction and Human Rights; 7. Heritage Destruction and Genocide: Legal Resistance, Conceptual Resiliency; 8. Methods, Motivations, and Actors: A Risk-based Approach to Heritage Destruction and Protection; Part 2 Interpretations of Destruction – 9. Heritage Destruction, Natural Disasters, and the Environment: Geological Disasters; 10. Heritage Destruction, Natural Disasters, and the Environment: Atmospheric Disasters; 11. Flooded Heritage: The Impact of Dams on Archaeological Sites; 12. On Destruction in Art and Film; 13. Between Heritage and the Readymade—the Imminent Aesthetic of Ai Weiwei; 14. Heritage Predation and the Pursuit of Politics; 15. Post-conflict Recovery Challenges: Affect and Heritage in Post-conflict Cyprus and Italy; 16. Media Narratives, Heritage Destruction, and Universal Heritage: A Case Study of Palmyra; 17. Collateral Damage: The Negative Side Effects of Protecting Cultural Heritage in Conflict Related Situations; 18. Turning Destruction into an Opportunity: Understanding the Construction of Timbuktu’s ‘success story’ by UNESCO; 19. Heritage Destruction from a Humanitarian Perspective; Part 3 Expressions of Destruction -- 20. Cultural Property Destruction and Damage in Two World Wars; 21. Heritage Destruction and its Impact in Scandinavia and the Baltic Region during the Second World War; 22. Case Study: The Wars of Yugoslav Succession; 23. Cambodia: Gods Threatened by the Art Market and Warfare; 24. Destruction of Cultural Heritage in Times of Conflict: The Case of Syria; 25. Iraq: Creative Destruction and Cultural Heritage in the Warscape; 26. Iraqi and Syrian Responses to Heritage Destruction under the Islamic State: Genocide, Displacement, Reconstruction, and Return; 27. Heritage Destruction in the Caucasus with a Specific Focus on the Armenia-Azerbaijan Conflict; 28. Weaponised Heritage: Urbicide by Construction and Destruction in Nablus, Palestine; 29. What is Happening to Egyptian Heritage? The Case of Privately-owned Buildings; 30. Destruction, Development, and Heritage in Melbourne: SX Towers, Southern Cross Hotel, Eastern Market; 31. Case Study: The destruction of Australian Aboriginal Heritage and its Implications for Indigenous Peoples Globally; 32. Destruction of Heritage in Latin America; Part 4 Transformations – 33. Reconsidering Heritage Destruction and Sustainable Development in a Long-Term Perspective.
£215.00
Taylor & Francis Ltd Legacies of an Imperial City
Book SynopsisThis comprehensive history of the Museum of London traces the ways that the relationship between Britain and its imperial past has changed over the course of three decades, providing a holistic approach to galleries' shifts from Victorian nostalgia to equitable representations.At its 1976 opening, the Museum of London differed from other museums in its treatment of empire and colonialism as central to its galleries. In response to the public's evolving social and political attitudes, the museum's 19931994 The Peopling of London' exhibition marked a new approach in creating inclusive displays, which explore the impact of immigration and multiculturalism on British history. Through photos, planning documents, and archival research, this book analyses museums' role in enacting change in the public's understanding of history, and this book is the first to critically engage with the Museum of London's theme of empire, particularly in consideration of recent exhibitions.Table of ContentsPart 1: The Origin Story 1826-1976 1. Introduction: Museums and Empire 2. Prelude to the Museum of London, its origins in the Guildhall and London Museums 1826-1976 3. Empire at the Museum of London, 1976 Part 2: The ‘Peopling of London’ 1993-1994 4. The ‘Peopling of London’ 1989-1993 Concept and Approach 5. The ‘Peopling of London’ 1993-1994 Exhibition and Displays 6. The ‘Peopling of London’ Catalogue and Educational Resources Part 3: Reception and Legacy of ‘Peopling’ 1994-2007 7. Understanding Visitor Responses 8. The Spirit of ‘Peopling’ 1993-2007, Legacies and Echoes 9. Conclusion
£118.75
CRC Press Conservation and Restoration of Built Heritage
Book SynopsisThe word conservation, when used in the context of the preservation of built heritage, implies an intrinsically complex concept that evolved over time, since it has been influenced by the perception of history throughout time. This volume emphasises why an understanding of the cultural evolution of the conservation approach must be considered a prerequisite for architects and engineers if they are to cooperate in full harmony with historic-artistic culture for the preservation of global built heritage.In particular, the volume highlights how, during the second half of the last century, the preservation process also involved engineering â the science of making practical applications of knowledge â which, for a long time, made an uncritical use of techniques and materials and devised interventions on historical heritage that were heavily invasive. The volume also devotes special attention to the problems related to seismic risk, to which Italy, Greece and Portugal are paTable of Contents A brief history of conservation Conservation and restoration in Europe Construction in antiquity Heritage conservation Traditional and innovative materials Seismic risk from emergency to reconstruction Constructive restoration
£999.99
Taylor & Francis Ltd Museums and Wellbeing
Book SynopsisMuseums and Well-being outlines the historical development of well-being within museums and offers a critical engagement with this field from a museum studies perspective. The essential thesis of the book is that well-being is a collective action.The book utilises the Five Ways to Well-being as a model: Connect, Be Active, Keep Learning, Give and Take Notice. Each of these Ways are explored through a specific museum object illustrating the important role collections can play in museum well-being. The book considers how museum well-being, and the austerity project became entwined, and how the COVID-19 pandemic supercharged growth in this field. The book explores such diverse topics as walking, slow art, social capital, Virginia Woolf, body positivity, collective joy, identity, art therapy, yoga, Squid Game, Effective Altruism, mindfulness, gift exchange, the Preston model, the limits of data, sketching, photography, inclusive spaces, and workplace well-being. The bookTable of Contents01 Introduction; 02 Why Well-being Now?; 03 Museums as Spaces of Well-being; 04 Work and the Limitations of Well-being; 05 Introduction to the Five Ways to Well-being Toolkit; 06 Connect; 07 Be Active; 08 Keep Learning; 09 Give; 10 Take Notice; 11 Conclusion: So where to start?; Index.
£34.88
Taylor & Francis OpenAir RockArt Conservation and Management
Book SynopsisWhile much has been achieved in understanding and managing weather effects and erosion phenomena affecting ancient imagery within the relatively protected environments of caves and rock-shelters, the same cannot be said of rock-art panels situated in the open-air. Despite the fact that the number of known sites has risen dramatically in recent decades there are few examples in which the weathering and erosion dynamics are under investigation with a view to developing proposals to mitigate the impact of natural and cultural processes. Most of the work being done in different parts of the world appears to be ad-hoc, with minimal communication on such matters between teams and with the wider archaeological community. This richly illustrated book evaluates rock-art conservation in an holistic way, bringing together researchers from across the world to share experiences of work in progress or recently completed. The chapters focus on a series of key themes: documentation prTable of Contents1. Introduction Timothy Darvill and António Pedro Batarda Fernandes 2. Approaches to the Conservation and Management of Open-Air Rock-Art Panels in England, United Kingdom Timothy Darvill 3. The Preservation and Care of Rock-Art in Changing Environments: A View from Northeastern England, United Kingdom Myra J. Giesen, Aron D. Mazel, David W. Graham, and Patricia B. Warke 4. Pride and Prejudice: The Challenges of Conserving and Managing Rock Art in the Landscape of Northern England, United Kingdom, Through Public Participation Kate E. Sharpe 5. Irish Open-Air Rock-Art: Issues of Erosion and Management Elizabeth Shee Twohig and Ken Williams 6. The Open-Air Rock-Art Site at Leirfall, Central Norway, Within the Context of Northern Scandinavian Rock-Art Conservation and Management Practices Over the Past 50 Years Elizabeth E. Peacock, Eva Lindgaard, Kalle Sognnes, Roar Sæterhaug, and Gordon Turner-Walker 7. Experiences Documenting Petroglyphs at Lake Onega, Russia, 1998–2012 Nadezhda V. Lobanova 8. ‘Preservation by Record’: The Case from Eastern Scandinavia Liliana Janik 9. Aspect and Rock-Art Conservation: Preliminary Meteorological Data Regarding the Côa Valley, Portugal, Open-Air Rock-Art Complex António Pedro Batarda Fernandes 10. Lonely Stones: Preservation of Megalithic Art in the Iberian Peninsula Fernando Carrera Ramírez 11. The Conservation of Spanish Levantine Rock-Art in Aragón, Spain, Using 3-D Laser Scanning Manuel Bea and Jorge Angás 12. Conservation Programs in Chaco Cultural National Historical Park, USA: Outgrowths and Consequences of Recording Projects Jane Kolber and Donna Yoder 13. Managing Chaos: Vandalism Rock-Art at the Okotoks Erratic, Alberta, Canada Jack W. Brink 14. The Conservation Diagnostic Processes in Columbian Rock-Art Research Guillermo Muñoz and Judith Trujillo 15. Conservation of Rock-Art Sites in Northeast Brazil Maria Conceição Soa
£37.99
Taylor & Francis The Routledge Companion to Intangible Cultural
Book SynopsisThis collection provides an in-depth and up-to-date examination of the concept of Intangible Cultural Heritage and the issues surrounding its value to society. Critically engaging with the UNESCO 2003 Convention for the Safeguarding of the Intangible Cultural Heritage, the book also discusses local-level conceptualizations of living cultural traditions, practices and expressions, and reflects on the efforts that seek to safeguard them. Exploring a global range of case studies, the book considers the diverse perspectives currently involved with intangible cultural heritage and presents a rich picture of the geographic, socioeconomic and political contexts impacting research in this area. With contributions from established and emerging scholars, public servants, professionals, students and community members, this volume is also deeply enhanced by an interdisciplinary approach which draws on the theories and practices of heritage and museum studies, anthropology, folklore stuTrade Review"It is a most welcome addition to literature, and a must-have for all who want to deepen their understanding of the scholarly research into and safeguarding practice of Intangible Cultural Heritage. (...) With the publication of this Routledge Companion, Intangible Cultural Heritage has certainly reached a new level of scholarly recognition. And that is a very good thing."- Steven Engelsman, Director, Weltmuseum Wien, Austria"The Routledge Companion to Intangible Cultural Heritgae provides asnapshop- or rather, a whole picture album- of the evolution of a profoundly important cultural policiy and paradigm[...] The editors have assembled here a massive and varied set of essays- 38 individual chapters written by 54 authors, including anthropologists, folklorists, legals scholars, museum professionals, ethomusicologists, and community members."- Michael Dylan Foster, University of California, USATable of ContentsIntroduction Michelle Stefano and Peter DavisA Decade Later: Critical Reflections on the UNESCO-ICH Paradigm1. Development of UNESCO’s 2003 Convention: Creating a New Heritage Protection Paradigm? Janet Blake2. The Examination of Nomination Files under the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage Rieks Smeets and Harriet Deacon3. A Conversation with Richard Kurin4. Placing Intangible Cultural Heritage, Owing a Tradition, Affirming Sovereignty: the Role of Spatiality in the Practice of the 2003 Convention Chiara Bortolloto5. Is Intangible Cultural Heritage an Anthropological Topic? Towards Interdisciplinarity in France Christian Hottin and Sylvie Grenet6. The Impact of UNESCO’s 2003 Convention on National Policy-making: Developing a New Heritage Protection Paradigm? Janet BlakeReality Check: The Challenges Facing ICH Safeguarding7. From the Bottom Up: the Identification and Safeguarding of Intangible Cultural Heritage in Guyana Aron Mazel, Gerard Corsane, Raquel Thomas and Samantha James8. Making the Past Pay? Intangible (Cultural) Heritage in South Africa and Mauritius Rosabelle Boswell9. A Conversation with Yelsy Hernández Zamora on Intangible Cultural Heritage in Cuba10. The Management of Intangible Cultural Heritage in China Tracey L-D Lu11. Ageing Musically: Tangible Sites of Intangible Cultural Heritage Bradley Hanson12. Intangible Cultural Heritage in the Czech Republic: Between National and Local Heritage Petr Janeček13. Damming Ava Mezin: Challenges to Safeguarding Minority Intangible Cultural Heritage in Turkey Sarah Elliott14. Documenting and Safeguarding Intangible Cultural Heritage: the Experience in Scotland Alison M
£54.68
Taylor & Francis Preventive Conservation in Museums
Book SynopsisPreventive Conservation in Museums makes available and comprehensible the diverse literature and ideas of preventive conservation to an audience with a limited scientific background, principally those studying museum studies or engaged in the museum profession. It bridges the gap between the basic museum generated literature and technical and detailed conservation literature. The area of preventative conservation has developed greatly in recent years and has adopted a far more holistic approach. The development of the concepts of risk analysis, management of conservation and how preventative conservation relates to the importance of traditional beliefs and approaches to artefacts have all made an impact on the subject in recent years along with the advance of instrumentation over the last thirty years. The next generation of ideas that will affect preventive conservation practice are just starting to emerge, including: detailed modelling of the environments of buildiTable of ContentsPart I: Holistic Approach to Preventive Conservation Part II: Agents of Deterioration II.1 Physical forces (handling, moving) and Security II.2 Fire & Water (disaster) II.3 Pests II.4 Contaminants (gasses, dust) II.5 Radiation (light) II.6 Temperature & Relative Humidity Part III: Managing Preventive Conservation III.1 Environmental Management III.2 Ethical Considerations III.3 All Together Now III.4 Preventive Conservation: The Future
£51.29
Taylor & Francis Ltd Materials for Conservation
Materials in Conservation is the definitive introduction to the properties of materials used in conservation. The continual struggle of conservators to ameliorate the deterioration of objects has led to increasing use of synthetic polymers. These materials are part of the sophisticated technology that has been developed to augment and often replace traditional materials and methods. Conservators therefore have a wider range of techniques available. However, they must be able to appreciate the potentials and pitfalls of any proposed technique. The first section explains physical and chemical properties which are important in the conservation process, i.e. application, ageing, reversal. The topics covered include molecular weight, glass transition temperature, solubility and solvents, polymerisation and degradation reactions. The second section provides a detailed consideration of the individual materials, current and obsolete, used in conservation, drawing out the fac
£92.14
Museum of New Mexico Press Virgil Ortiz
Book Synopsis
£49.50
Museum of New Mexico Press Harwood Centennial
Book Synopsis
£40.50
Museum of Contemporary Art, Chicago Collective Vision Creating a Contemporary Art
Book Synopsis
£19.00
Cambridge University Press Archaeology as History
Book SynopsisThis Element aims to provide readers with a reflexive and comprehensive overview of what it is that archaeologists do. The goal is to shift the reader's perspective of archaeology away from seeing it as a primarily data gathering field, to a clearer understanding of how archaeologists make and use the data they uncover.Table of ContentsIntroduction; 1. Telling stories about places; 2. Telling stories about things; 3. Telling stories about time; 4. Telling stories about people; 5. Telling stories that change the world; Conclusion; Bibliography.
£17.00
Cambridge University Press Popular Music Heritage Cultural Justice and the
Book SynopsisThis Element analyses the capacity for popular music heritage to enact cultural justice in the deindustrialising cities of Wollongong, Australia; Detroit, USA; and Birmingham, UK. It outlines how the quest for cultural justice manifests in three key ways.Table of Contents1. Introduction; 2. Collection, preservation and archiving; 3. Curation, storytelling and heritage interpretation; 4. Mobilising communities for collective action; 5. Conclusion: a critical approach to cultural justice; References.
£17.00
Taylor & Francis Ltd Curating the Contemporary in the Art Museum
Book SynopsisCurating the Contemporary in the Art Museum investigates the art museum as a space where the contemporary is staged in exhibitions, collecting practices, communication, and policies.Curating the Contemporary in the Art Museum traces the art museum back to the postwar era. Including contributions by established and emerging art historians, academics and curators, the book proposes that the art museum is engaged in the contemporary in a double sense: it (re)presents contemporary art, while the contemporary condition itself also has a significant impact on art and the museum that houses it. Presenting a diverse range of international cases of exhibitions and curatorial practices, which hail primarily from Europe and Scandinavia, the essays examine the politics of staging national, international, and global framings of modernism, as well as the new public spaces shaped in digital practices and changing political frameworks. The book investigates both the seminaTable of ContentsIntroduction: Curating the Contemporary in the Art Museum; Part 1: The Curatorial Now: Performing the Museum; 1. Reform(ulat)ing Infrastructures - Becoming Museum; 2. Dance, Performance and Social Media in the Postdigital Museum; 3. After Institutions; 4. Munchmuseet on the Move and the role of the Contemporary in the Art Museum; 5. Collaborative Curating: Questioning Value Production in the Art Museum through the Project 7 Walks; Part 2: Politics of Curating the Contemporary-Modern in the Art Museum; 6. NowHere: The Curatorial Contemporary; 7. The Rise and Fall of a Nordic Art Institution; 8. Torpedoes and Trees: Staging the Modern Art Collection at the Moderna galerija, Ljubljana; 9. The Politics of Contemporary Art Museums. Calouste Gulbenkian's Modern Collection in Lisbon; 10. What’s Happening? Feminism, the Contemporary, and Curating in the Art Museum; 11. Contemporaneity as a Curatorial Approach: Black Models in New York, Paris and Guadeloupe; Part 3: Mapping Exhibition Histories of the Contemporary; 12. In the Ruins of the Present: Arte Contemporanea at the Galleria Nazionale in Rome, 1944-45; 13. Documenta’s Chronopolitics of the Contemporary, or Un/Curating Nazi Continuities in Werner Haftmann’s Historiographic Practice; 14. Moving the Museum towards the Contemporary? Art in Motion (1961) as testing ground for the "new museum" in three versions; 15. MacLeod: Curating Contrasts: Retrieving Solidarity from the Archives; 16. Escape Attempts or Institutional Transformations? On Moderna Museet’s Information Center Project (1970–73) and the Filialen Experiments (1971-73); 17. "That’s why we call it a model" – Restaging Exhibitions and Participation: Palle Nielsen’s The Model: A Model for a Qualitative Society, 1968/2014
£125.00
Taylor & Francis Ltd The Routledge Handbook of Religious and Spiritual
Book SynopsisThe Routledge Handbook of Religious and Spiritual Tourism provides a robust and comprehensive state-of-the-art review of the literature in this growing sub-field of tourism. This handbook is split into five distinct sections. The first section covers past and present debates regarding definitions, theories, and concepts related to religious and spiritual tourism. Subsequent sections focus on the supply and demand aspects of religious and spiritual tourism markets, and examine issues related to the management side of these markets around the world. Areas under examination include religious theme parks, the UNESCO branding of religious heritage, gender and performance, popular culture, pilgrimage, environmental impacts, and fear and terrorism, among many others. The final section explores emerging and future directions in religious and spiritual tourism, and proposes an agenda for further research. Interdisciplinary in coverage and international inTable of Contents1. Investigating the intersections between religion, spiritualty, and tourism. Section I: Definitions, Theories, and Concepts. 2. Pilgrimages, journeys, and outings: The historical mobilities of religious praxis. 3. The political economy of religious and spiritual tourism. 4. The religious and spiritual dimensions of leisure travel. 5. Religion, spirituality, and wellness tourism. 6. A new spiritual marketplace: Comparing New Age and New Religious Movements in an age of spiritual and religious tourism. 7. Fan pilgrimage, religion, and spirituality. 8. Secular pilgrimages in a post-secular world? Experiential journeys and hope for the future. 9. Pilgrimage, tourism, and peace building. Section II: Spaces and Places. 10. Environment as a sacred space: Religious and spiritual tourism and environmental concerns in Hinduism. 11. Tourism and spirituality: Green places, blue spaces, and beyond. 12. The religious and spiritual appeal of national parks. 13. Religious theme parks. 14. Religious and spiritual retreats. 15. Religious and spiritual world heritage sites. Section III: Motivations, Experiences, and Performance. 16. Travel motivations of pilgrims, religious tourists, and spirituality seekers. 17. Volunteer tourism: A spiritual and religious journey of meaning, transcendence, and connectedness. 18. Experiences along the Camino de Santiago. 19. Gender and performance in the context of religious and spiritual tourism: pilgrimage and sacred mobilities. 20. Issues of authenticity in religious and spiritual tourism. 21. Aftermath: Calculating the effects of pilgrimage. Section IV: Managing religious and spiritual tourism. 22. Socio-political and economic implications of religious and spiritual tourism. 23. The environmental impacts of religious and spiritual tourism. 24. Marketing religious and spiritual tourism experiences. 25. Managing religious and spiritual tourism sites. 26. Managing complex issues in religious and spiritual events, festivals and celebrations. 27. The use of information and communication technologies in religious tourism. 28. Interpreting religious and spiritual tourism destinations/sites. 29. Coexistence between tourists and monks: Managing temple-stay tourism at Koyasan, Japan. 30. Food and religion: Tourism perspectives. 31. Safety, fear, risk, and terrorism in the context of religious tourism. 32. Religious and spiritual tourism: Sustainable development perspectives. Section V: Emerging and Future Directions. 33. Religion, spiritualty, and tourism: Emerging and future directions.
£41.79
