Museology and heritage studies Books
Taylor & Francis Preservation of Archaeological Remains In Situ
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£51.29
Taylor & Francis Displaced Things in Museums and Beyond
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£128.25
Taylor & Francis Displaced Things in Museums and Beyond Loss Liminality and Hopeful Encounters
Book SynopsisDisplaced Things in Museums and Beyond looks anew at the lives, effects and possibilities of things. Starting from the perspectives of things themselves, it outlines a particular, displacement approach to the museum, anthropology and material culture.The book explores the ways in which the objects are experienced in their present, displaced settings, and the implications and potentialities they carry. It offers insights into matters of difference and the hope that may be offered by transformative encounters between persons and things. Drawing on anthropological studies of ritual to conceptualise and examine displacement and its implications and possibilities, Dudley develops her arguments through exploration of displaced objects now in museums and dislocated or exiled from their prior geographical, historical, cultural, intellectual and personal contexts. The bookâs approach and conclusions are relevant far beyond the museum, showing that even in the most difficult of circumstances there is agency, distinction and dignity in the choices and impacts that are made, and that things and places as well as people have efficacy and potency in those choices. In Displaced Things, displacement emerges as fundamental to understanding the lives of things and their relationships with human beings, and the places, however defined, that they make and pass within. The book will be essential reading for academics and students engaged in the study of museums, heritage, anthropology, culture and history.Table of ContentsPrologue; Part I Departures; Chapter 1 Displaced things; Chapter 2 Separating things; Part II Liminal things; Chapter 3 Representational things; Chapter 4 Subjunctive things; Chapter 5 Hopeful things;
£37.99
Taylor & Francis OpenAir RockArt Conservation and Management
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£137.75
Taylor & Francis Ltd Contesting Human Remains in Museum Collections
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£137.75
Taylor & Francis Representing the Sporting Past in Museums and Halls of Fame
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£142.50
Taylor & Francis Intangible Natural Heritage
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£137.75
Taylor & Francis Care and Conservation of Geological Material
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£118.75
Taylor & Francis Ltd Chemical Principles of Textile Conservation
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£199.50
Taylor & Francis Risk Assessment for Object Conservation
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£104.50
Taylor & Francis Ltd Digital Collections Museums and the Information Age Conservation Museology
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£80.74
Taylor & Francis Ltd Upholstery Conservation Principles and Practice Conservation Museology
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£128.25
Taylor & Francis Ltd The Organic Chemistry of Museum Objects ButterworthHeinemann Series in Conservation Museology
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£104.50
Taylor & Francis Ltd Digital Heritage Applying Digital Imaging to Cultural Heritage
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£128.25
Taylor & Francis Conservation of Plastics
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£128.25
Taylor & Francis Natural Materials
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£128.25
Taylor & Francis XRadiography of Textiles Dress and Related Objects
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£128.25
Taylor & Francis Conservation Principles Dilemmas and Uncomfortable Truths
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£128.25
Taylor & Francis The History of Gauged Brickwork Routledge Series in Conservation and Museology
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£128.25
Taylor & Francis Ltd The Arts Management Handbook
Book SynopsisWhether the art form is theater, dance, music, festival, or the visual arts and galleries, the arts manager is the liaison between the artists and their audience. Bringing together the insights of educators and practitioners, this groundbreaker links the fields of management and organizational management with the ongoing evolution in arts management education. It especially focuses on the new directions in arts management as education and practice merge. It uses cases studies as both a pedagogical tool and an integrating device. Separate sections cover Performing and Visual Arts Management, Arts Management Education and Careers, and Arts Management: Government, Nonprofits, and Evaluation. The book also includes a chapter on grants and raising money in the arts.Trade Review'... a welcome addition to the literature on arts management. It provides information that has yet to be explored by combining the more “how to” applications that a manager should consider with a cursory review of policy-based considerations that confront the arts leader.' -- Cecelia Fitzgibbon, The Journal of Arts Management, Law, and SocietyTable of ContentsChapter 1 Introduction, Meg Brindle, Constance DeVereaux; Part 1 Performing and Visual Arts Management; Chapter 2 Facilities Management: Arts Facilities, Patrick Donnelly; Chapter 3 Theater Production Management Guidebook, Kevin Murray; Chapter 4 “Doing It All”, Kira Hoffmann; Chapter 5 An Introduction to Festival Management, Juha Iso-Aho; Chapter 6 Gallery Management, Trudi Van Dyke, Eleanor Striplin; Part 2 Arts Management: Education and Careers; Chapter 7 Through, With, and In, James E. Modrick; Chapter 8 Careers and Internships in Arts Management, Meg Brindle; Part 3 Arts Management: Government, Nonprofits, and Evaluation; Chapter 9 Arts and Cultural Policy, Constance DeVereaux; Chapter 10 Starting a Nonprofit Organization: The Business Side, Kathryn Calafato; Chapter 11 Fund-Raising and Grant-Writing Basics for Arts Managers, Constance DeVereaux; Chapter 12 Evaluation in the Arts, David B. Pankratz;
£42.99
Taylor & Francis Uncertain Images Museums and the Work of Photographs
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£36.99
Taylor & Francis National Museums and Nationbuilding in Europe 17502010
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£36.99
Taylor & Francis Museums Heritage and Indigenous Voice
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£36.99
Taylor & Francis China in Australasia
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£128.25
Taylor & Francis The Living History Anthology
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£128.25
Taylor & Francis Historical Archaeology and Heritage in the Middle East
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£128.25
Taylor & Francis Challenging History in the Museum
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£36.99
Taylor & Francis Libraries Archives and Museums in Transition
Book SynopsisIn this anthology, top scholars researching libraries, archives, and museums (LAM) issues in Scandinavia explore pressing issues for contemporary LAMs.In recent decades, relations between libraries, archives, and museums have changed rapidly: collections have been digitized; books, documents, and objects have been mixed in new ways; and LAMs have picked up new tasks in response to external changes. Libraries now host makerspaces and literary workshops, archives fight climate change and support indigenous people, and museums are used as instruments for economic growth and urban planning. At first glance, the described changes may appear as a divergent development, where the LAMs are growing apart. However, this book demonstrates that the present transformation of LAMs is primarily a convergent development.Libraries, Archives, and Museums in Transition will be essential reading for students, scholars, and practitioners seeking to get on top of the LAM liTable of Contents1. Introduction: libraries, archives, and museums in transition, Part I: Libraries, Archives, and Museums in Scandinavia: History and Policy, 2. Library history of the Scandinavian countries, 3. The history of archives in Scandinavia, 4. A concise history of museums in Scandinavia, 5. LAMs as objects of knowledge and cultural policy: developing synergies, Part II: LAMs and Collections, 6. Do collections still constitute libraries, archives, and museums?, 7. Curating collections in LAMs, 8. Knowledge organization in LAMs, Part III: Challenges for LAMs in the 21st Century, 9. The impact of digitalization on LAMs, 10. Digital communication in LAMs, 11. Learning, literacy, and education in LAMs, 12. LAMs and the participatory turn, 13. Contemporary Scandinavian LAMs and legitimacy, 14. LAMs and community: deepening connections, 15. LAMs as activists? Dilemmas between neutrality and taking a stand, 16. Pursuing sustainable futures through LAMs, Part IV: Conclusion, 17. Differences and similarities between LAMs, and their pursuit of commons challenges
£35.99
Taylor & Francis Ltd Diversity of Belonging in Europe
Book SynopsisDiversity of Belonging in Europe analyzes conflicting notions of identity andbelonging in contemporary Europe. Addressing the creation, negotiation, and (re)use of diverse spaces and places of belonging, the book examines their fascinatingcomplexities in the context of a changing Europe.Taking an innovative interdisciplinary approach, the volume examinesrenegotiations of belonging played out through cultural encounters with differenceand change, in diverse public spaces and contested places. Highlighting theinterconnections between social change and culture, heritage, and memory, thechapters analyze multilayered public spaces and the negotiations over culture andbelonging that are connected to them. Through analyses of diverse case studies, theeditors and authors draw out the significance of the participation or exclusion ofdiffering community, grassroots, and activist groups in such practices and diTable of ContentsIntroduction; Part I: Redefining and negotiating public spaces of belonging; 1. Museums as a public space of belonging? Negotiating dialectics of purpose, presentation and participation; 2. Negotiated belonging: Migrant religious institutions in Warsaw; 3. "Deep Historicization" and Political and Spatio-Temporal "Centrism": Layers of time and belonging in the reconstructed city centres of Berlin and Potsdam; 4. Shaping Europeanness. The European Year of Cultural Heritage 2018 as a new mode of governance: Between coordinative and communicative discourses; 5. The Iceberg, the Stage and the Kitchen: Neglected public places and the role of design- led interventions; 6. Establishing a place in the European cultural space. Grassroots cultural action and practices of self-governance in South East Europe; Part II: Encountering contested belongings in public places; 7. Taxonomies of Pain: Museal Embodiments of Identity and Belonging in Post-communist Romania; 8. Negotiation of belonging of built heritage: Russian and Soviet heritage in Warsaw; 9. In the Centre of Conflict. Negotiating Belonging and Public Space in Post-Unification Berlin Mitte; 10. Encounters through Kahlenberg: Urban traces of transnational right-wing action; 11. Staging claims of belonging in a post-imperial England: Museums, Brexit and the ‘Windrush Scandal’; 12. Redefining collective heritage, identities and belonging: Colonial statues in the times of Black Lives Matter
£35.99
Taylor & Francis Ltd Regulating Transnational Heritage
Book SynopsisThere is a vast body of international and national law that regulates cultural heritage. However, the current regulation remains quite blind to the so called transnational heritage. This is heritage where there is no community recognized in law that it can be directly attributed to and that can be responsible for its safekeeping and preservation. It can also be items of heritage where the claim of ownership is disputed between two or more peoples or communities. Transnational heritage challenges the idea of monolithic, mono-cultural, ethno-national states. There are a number of examples of such cultural heritage, for instance the Buddhist Bamiyan statutes in Afghanistan, Palmyra in Syria, the Jewish heritage of Iraq, or various items that are currently housed in large, often Western, museums, as a result of colonial practices. This book explores the regulation of transnational heritage. By discussing many cases of transnational heritage and the problems that arise due to the laTable of ContentsPrologue 1. Introduction 2. Matter: Current regulation and transnational heritage 3. Movement: Heritage without borders 4. Diversity: Transnational cultural heritage 5. Constellations: The transnational in community 6. Memories: New regulatory approaches Epilogue
£39.99
Taylor & Francis Ltd Curating Interpretation and Museums
Book SynopsisFollowing a period of strategic and ideological change in museums, this book outlines new attitudes in curating and display, education and learning, text and interpretation, access, inclusion, participation, space, and the issues around the sustainability of the encyclopaedic collection. Focused on the contemporary period, the author questions the extent to which the museum visitor has become reliant on interpretative text and examines the development of new museum spaces where visitor interaction and engagement is welcomed. Changes of attitude have transformed our museums into modern spaces that reflect current needs and modern expectations and yet our permanent collections remain relatively unchanged, sometimes an uncomfortable reminder of a time when values, ethics, and attitudes were very different. The author will discuss these conflicts of ideology.Written by a researcher with expertise in museum practice, this shortform book offers a new approach that will be vaTable of Contents1. Collecting, Exhibiting and Curating 2. Interpretation and Text 3. Space and Place 4. The Will to Know. Looking Back … Final Thoughts
£47.49
Taylor & Francis Ltd Innovative Technology in Art Conservation
Book SynopsisInnovative Technology in Art Conservation provides one of the first ever critical assessments of innovation in conservation science and questions what role it should play in conservation and conservation ethics.Written in language understandable for the non-technical reader, the book begins with a brief history of so-called science-based conservation, which is based on chemistry, physics and engineering, and examines how it influences conservation ethics and conservation decisions. It considers the concepts of originality and original appearance, and how people see and perceive objects, looking in particular at the results of the relatively new technology of eye-tracking. Wei then moves on to critically examine advanced technologies such as colour modelling, hyperspectral imaging, texture mapping, virtual retouching and digital reproductions and considers what they offer for determining original appearance of artworks and other cultural heritage objects. The book concludes with some reflections on the future of conservation and science-based conservation, calling for more thoughtful consideration of what it is that conservation scientists are offering, and why and for whom it is being offered.Innovative Technology in Art Conservation is essential reading for academics and students working in conservation and conservation science. The book will also be of interest to the international community of conservators and cultural heritage professionals who must make decisions about whether to use advanced technologies in their practice.Table of ContentsI. Introduction – Conservation science and conservation ethics; II. Original appearance, perception and eye-tracking; III. Color; IV. Surface texture and appearance; V. Digitalization and reproduction technology; VI. The future – a new reality
£49.99
Taylor & Francis Ltd Fallen Monuments and Contested Memorials
Book SynopsisFallen Monuments and Contested Memorials examines how the modification, destruction, or absence of monuments and memorials can be viewed as performative acts that challenge prescribed, embodied narratives in the public realm. Bringing together international, multidisciplinary approaches, the chapters in this volume interrogate the ways in which memorial constructions disclose implicitly and explicitly the proxy battle for public memory and identity, particularly since 2015. Acknowledging the ways in which the past which is given agency through monuments and memorials intrudes into daily life, this volume offers perspectives from researchers that answer questions about the roles of monuments and memorials as persistent, yet mutable, works whose meanings are not fixed but are, rather, subject to processes of continual re-interpretation. By using monuments and memorials as lenses through which to view race, memory, and the legacies of war, power, and subjugation, thisTable of ContentsIntroduction: The Post-Creation Life of Monuments and Memorials, Following Father’s Footsteps: Slavery, Imperialism and the William Ewart Gladstone Memorial Statue in Liverpool City Centre Problematical Benefactors and Founding Fathers: Negotiating Sculptures of MT Steyn and JH Marais at South African Universities Recasting Columbus: Local Contestations Against the Monumentalization of Settler Colonialism "Decolonizing the Streets!" of California through the Removal of Junípero Serra Monuments and Statues A Decolonial and Pedagogic Fall on Tulcan Hill: Between Recasting Public Memory and Place, and Recovering History and Commemoration The Politics of Erasure: De-Commemorating "Comfort Women" in the Philippines Saving Communist Monuments in the Context of De-Communisation in Ukraine: An Examination of Conflicting Narratives From Civil to Culture War: Confederate Statues and Statutes in Nashville, Tennessee (Re) claiming Public Memory: Confederate Monuments and Memorials as Sites of Contestation in the American South Recontextualizing a Campus Monument of George Washington through Collaborative Engagement in the Arts "The Disparity Between Us": Rochester’s Frederick Douglass Memorial and its Inscription on the 21st-Century Landscape Digital Lieux de Mémoire and Milieux de Mémoire: Josephine de Beauharnais and the Digital Afterlife of Toppled Statues Monuments Cast Shadows: Remembering and Forgetting the ‘Dead Survivors’ of Nazi Persecution in Swedish Cemeteries Sono Persone | Ata Janë Njerëz 8.8.1991: Public Mementos and the Political Agency of Absence Deliberation: The Remembrance of Things Cast
£36.99
Taylor & Francis Ltd A Practical Guide to Costumed Interpretation
Book SynopsisA Practical Guide to Costumed Interpretation is just that a book that takes you through the various stages of becoming an historical costumed interpreter. Jackie Lee has worked in this area of heritage interpretation for over twenty years and sets out what it takes to develop the persona for a character from the past. The methods she shares focus on first-person delivery of an historic character. Lee introduces the reader to two new methods she has developed that support character creation and delivery. The three realms highlight the importance of research and making the character believable and the crystal ball which enables the costumed interpreter to look into the future when the occasion demands it. The book is full of practical help on all aspects of the costumed interpreter's craft including costume making and how to prepare personally for stepping out full of confidence ready to engage visitors of all ages.A Practical Guide to CostumedTable of ContentsIntroduction; 1. It’s Not Just Dressing Up; 2. Building Your Character; 3. Who Am I? The Realms; 4. The WOW Factor – The Importance of Costume and Props; 5. Hello Everyone, My Name Is… Techniques for Preparation and Delivery; 6. Working with Different Audiences; 7. Running a Costumed Interpretation Programme; 8. Conclusion; Bibliography; Index.
£29.99
Taylor & Francis Ltd U.S. Museum Histories and the Politics of
Book SynopsisU.S. Museum Histories and the Politics of Interpretation is the first collection to examine the history of museums in the United States through the lens of the political and ideological underpinnings at the heart of exhibitions, collecting, and programming.Including contributions from historians, art historians, anthropologists, academics, and museum professionals, the book argues that museums have always been embedded in the politics and culture of their time â whether that means a reification of hegemonic notions of race, gender, and progress or a challenge to those normative structures. Contributions probe the political nature of collection and interpretation as concept and practice, and museum work as both reflective of and contributing to the politics and circulation of power in different historical moments. As a whole, the volume provides detailed readings of museums that demonstrate the ways in which these trusted cultural institutions have intervened in shifting concepts of nation, community, indigeneity, race, citizenship, inclusion, identity, localism, and memory.U.S. Museum Histories and the Politics of Interpretation makes arguments about the historically and politically rooted nature of cultural production in museums that apply to institutions across the globe. It is essential reading for students and scholars of museum studies, public history, cultural history, art history, and memory.Table of ContentsIntroduction; 1. Indigeneity and Empire in William Clark’s Museum of Indian Curiosities, c.1816–1835; 2. "As an adjunct to the Documents": The Purpose and Politics of Nineteenth-Century History Collections; 3. Collecting Lincoln: Osborn H. Oldroyd and his Lincoln Memorial Collection, in the House Where Lincoln Died; 4. Media Technologies and Salvage Anthropology at the Smithsonian Institution: An exploration of archival documents and museum power relations; 5. Early 20th-century museums of technology and industry: Linking Progress to Capitalism; 6. The Witte Museum and Frontiers of Public History: Building Stories of Anglo Supremacy, 1920s-1940s; 7. Vassar Social Museum’s "Great Idea" Challenges a Nation at War to Live Up to Its Ideals; 8. Black Activism and the Museum in the Interwar Period: A Baltimore Case Study; 9. "All the Art Is White": The Flint Institute of Arts and the Movement from Black Power to Black Lives Matter; 10. Persistence in Error: Science, Society, and the U.S. Museum in an Age of Urgency; 11. Tribal Museums as Domains of Sovereignty; 12. Native Hawaiians and the Bernice Pauahi Bishop Museum: Historical Reckoning, Truth-telling, and Healing; Index.
£128.25
Taylor & Francis Material Culture in Transit
Book SynopsisMaterial Culture in Transit: Theory and Practice constellates curators and scholars actively working with material culture within academic and museal institutions through theory and practice. The rich collection of essays critically addresses the multivalent ways in which mobility reshapes the characteristics of artefacts, specifically under prevailing issues of representation and colonial liabilities. The volume attests to material culture as central to understanding the repercussions of problematic histories and proposes novel ways to address them. It offers valuable reading for scholars of anthropology, museum studies, history and others with an interest in material culture.Table of ContentsList of figures Contributors Preface AcknowledgementsMoving Matter: Worlds f Material Culture Zainabu JalloPart I Museology Representation and Colonial Liabilities1. After Interpretive Dominance Anna Schmid2. "Wo Ist Afrika?": Of Reflexive Museography, and Other (Productive?) Disappointments Sandra Ferracuti3. "Out of Context"- Translocation of West African Artefacts to European Museums: The Case of the Leo Frobenius Collection From Mali Cécile Bründlmayer4. The Museum as a Colonial Archive. The Collection of Victor and Marie Solioz and Its Role in Forgetting the Colonial PastSamuel B. Bachmann5. Museum Collections in Transit: Towards A History of The Artefacts Of The Endeavour Voyage Nicholas ThomasPart II Heuristic Materiality Meanings and Transformations6. "To Give Away My Collection For Free Would Be Nonsense": Decorations And The Emergence Of Ethnology In Imperial Germany Carl Deussen7. Discourse On Objectification And Personification: Modern Forms Of Material Cultural Identity In The Touareg Society Djouroukoro Diallo 8. The Material Culture Of Vodun: Case Studies From Ghana, Togo, Germany And In-BetweenNiklas Wolf 9. Ndambirkus and Ndaokus; Asmat Skulls In Transit Jan Joris Visser 10. On The Art Of Forging Gods: Techniques, Forces And Materials In An Afro-Brazilian Religion. Lucas Marques
£118.75
Taylor & Francis A Theory of Cultural Heritage
Book SynopsisA Theory of Cultural Heritage provides a structured and comprehensive picture of the concept of cultural heritage (CH) and its theoretical and practical derivatives. Arguing that the expanded notion of CH brings with it a number of unresolved conceptual tensions, MuÃoz-ViÃas summarizes the strong and weak points of the current discourse. Gathering together a range of existing views on cultural heritage and its practices, the book provides a dynamic overview of the theoretical underpinnings behind the notion and also considers how these could evolve in the future. By analyzing the conflicting meanings of the term âcultural heritageâ and establishing a more nuanced ontological taxonomy, this book challenges some well-established views and outlines a framework that will allow the reader to better grasp the theoretical and practical complexities of this fascinating notion. A Theory of Cultural Heritage is a thought-provoking and valuable contribution to the existiTable of ContentsPart I. Setting the Background: Chapter 1. How to not be axiological: a brief look at the history of cultural heritage; Chapter 2. (Un)definitions of ICH; Chapter 3. (Un)definitions of CH; Chapter 4. A note on CH practices; Part II. Setting the Limits: Chapter 5. Westerness, colonialism, and CH; Chapter 6. Elitism, authority, and CH; Chapter 7. CH, authenticity, and fabrication; Part III. Notes for a Theory of Cultural Heritage: Chapter 8. The ontologies of cultural heritage; Chapter 9. Notes for a theory of CH.
£36.99
Taylor & Francis Ltd Staging Difficult Pasts
Book SynopsisThis collection of original essays brings together museum, theatre, and performance case studies with a focus on their distinctive and overlapping modes of producing memory for transnational audiences.Whether this is through narrative, object, embodied encounter or a combination of the three, this volume considers distinctions and interactions between memory and history specifically through the lenses of theatre and performance studies, visual culture, and museum and curator studies. This book is underpinned by three areas of research enquiry: How are contemporary theatre makers and museum curators staging historical narratives of difficult pasts? How might comparisons between theatre and museum practices offer new insights into the role objects play in generating and representing difficult pasts? What points of overlap, comparison, and contrast among these constructions of history and memory of authoritarianism, slavery, colonialism, genocide, armed conflict, fascism, and coTable of Contents1. Staging the Story of a People: The Politics of Co-Performance at the National Museum of African American History and CultureJordan Ealey and Leticia Ridley2. Theatricality & Spectacle: The Museum as ObjectBryce Lease3. Curating the Experiential: The Imperial War Museum’s Revised Holocaust Galleries.James Bulgin in conversation with Bryce Lease4. The Meaning of Working Through the Past: Of Awkward Objects and Collateral MemoriesMichal Kobialka5. On Crying Perpetrators and Subversive Laughter: Trans-Affiliative Encounters inside ESMA Memory MuseumCecilia Sosa6. Refracting Difficult Pasts: Temporal Answers and the In-Between.Rabih Mroué in conversation with Michal Kobialka7. Listening to the museum, hearing the mine: Mapa Teatro’s live réplica to modernityGiulia Palladini8. Showcasing Anti-colonial Nationalist Struggles: Museums and Theatre in ContestationBishnupriya Dutt9. ‘It’s art, all it can do is bear witness’: Remembering Histories of Enslavement in Black British Women’s Plays and at the International Slavery MuseumLynette Goddard10. Chile’s Museum of Memory and Human Rights: Long Life to the Theatre!Milena Grass Kleiner and Mariana Hausdorf Andrade11. On the Making of the Oratorio for the DisappearedErika Diettes in conversation with Vikki Bell12. Enforced Disappearance and Silenced Histories: Pedro Almodóvar’s Madres paralelas/Parallel Mothers (2021)Maria M. Delgado13. What Remains: Staging Memory of Enslavement in the Western CapeNadia Davids and Jay Pather in conversation with Bryce Lease14. Marketing a Massacre: When Outdoor Dramas Become Dark TourismKatrina Phillips15. Epilogue - 10 Strategies for Exhibiting Absence & Loss: Objects, Narratives and Trauma on DisplayJoanne Rosenthal
£37.99
Taylor & Francis Ltd Art Exhibition and Erasure in Nazi Vienna
Book SynopsisThis book examines three exhibitions of contemporary art held at the Vienna Künstlerhaus during the period of National Socialist rule and shows how each attempted to culturally erase elements anathema to Nazi ideology: the City, the Jewess and fin-de-siècle Vienna. Each of the exhibits was large scale and ambitious, part of a broader attempt to situate Vienna as the cultural capital of the Reich, and each aimed to reshape cultural memory and rewrite history. Applying illuminating theories on memory studies, collective and public memory, and notions of memoricide, this is the first book in English to focus on visual culture in the period when Austria was erased as a nation and incorporated into the Third Reich as Ostmark. The organization, content and publications surrounding these three exhibits are explored in depth and set against the larger political changes and dangerous ideologies they reflect. The book will be of interest to scholars working in art history, museuTable of Contents1. Introduction: Repression, Revision and the History of Art in Nazi Vienna 2. Austrian Identity, the Anschluss and the Creation of Ostmark 3. Ushering in the Ostmark: Vienna and the Künstlerhaus: Spring 1938 to Spring 1939 4. Erasing the City: Mountains and People of Ostmark: March 3 to April 23, 1939 5. Cultural Politics, Separatism and Baldur von Schirach: Summer 1939 to Spring 1942 6. Erasing the Jewess: The Beautiful Viennese Female Portrait: June 13 to July 12, 1942 7. The Pearl Loses Its Luster: Summer 1942 to Defeat at Stalingrad 8. Erasing the Fin de Siècle: The Gustav Klimt Exhibit, February 7 to March 7 1943 9. The Fall of Vienna and the Künstlerhaus 10. Conclusion
£135.00
Taylor & Francis Ltd Museums as Assemblage
Book SynopsisMuseums as Assemblage offers a new way of thinking about the dynamism of art museums. Using the concept of assemblage, this book unpacks relations between visitors, artists, museum staff, and the museum's nonhuman components, providing an analytical framework that celebrates the complexity of museums today. It takes the Museum of Old and New Art (Mona) in Tasmania as its primary case study but situates it in global trends by drawing on a range of examples from art museums across Australia, New Zealand, Europe, and East Asia. It provides insight into how perceptions around engagement are enabled and constrained in the context of different museums and highlights the necessity of an analytical framework that accommodates the complexity and multiplicity of the contemporary museum landscape. With an emphasis on visitor experience and curatorial strategy, the book is valuable for students and researchers in museum studies, art history, curatorial studiTable of ContentsIntroduction; 1. Contemporary Museum Practice: The Museum of Old and New Art; 2. Museums as Assemblage: Practice and Potential; 3. The Normative Museum: The authoritative voice of the museum and the visitor-as-spectator; 4. The Responsive Museum: Community and Constituents; 5. The Affective Museum: Atmospherics, aesthesis, and the sensorial’ 6. The Emergent Museum: Dynamic, hospitable, disruptive
£49.99
Taylor & Francis Ltd Conflict Cultural Heritage and Peace
Book SynopsisConflict, Cultural Heritage and Peace offers a series of conceptual and applied frameworks to help understand the role cultural heritage plays within conflict and the potential it has to contribute to positive peacebuilding and sustainable development in post-conflict societies.Designed as a resource guide, this general volume introduces the multiple roles cultural heritage plays through the conflict cycle from its onset, subsequent escalation and through to resolution and recovery. In its broadest sense, it questions what role cultural heritage plays within conflict, how cultural heritage is used in the construction and justification of conflict narratives, how are these narratives framed and often manipulated to support particular perspectives, and how we can develop better understandings of cultural heritage and work towards the better protection of cultural heritage resources during conflict. It moves beyond the protection paradigm and recognises that cultural heTable of Contents1.Introduction, 2. Cultural Heritage and the Causes of Violent Conflict Causes, 3.Heritage and Ethnic/ Identity Conflicts, 4. Heritage and Nation Building, 5. Cultural Heritage during Armed Conflict, 6. Cultural Heritage, Peacemaking and Post-Conflict Societies, 7. Cultural Heritage and Peace, 8. Heritage and Conflict Memory, 9. Comparative practice and Environmental Peacebuilding, 10. Conclusion.
£36.99
Taylor & Francis Encountering Nazi Tourism Sites
Book SynopsisEncountering Nazi Tourism Sites explores how the terrible legacy of Nazi criminality is experienced by tourists, bridging the gap between cultural criminology and tourism studies to make a significant contribution to our understanding of how Nazi criminality is evoked and invoked in the landscape of modern Germany. This study is grounded in fieldwork encounters with memorials, museums and perpetrator sites across Germany and the Netherlands, including Berlin Holocaust memorials and museums, the Anne Frank House, the Wannsee House, Wewelsburg Castle and concentration camps. At the core of this research is a respect for each siteâs unique physical, architectural or curatorial form and how this enables insights into different aspects of the Holocaust. Chapters grapple with themes of authenticity, empathy, voyeurism and vicarious experience to better comprehend the possibilities and limits of affective encounters at these sites.This will be of great interest to upTrade Review'By focusing on the nature of remembrance at sites located within Germany, Encountering Nazi Tourism Sites lends a fresh perspective to the emerging study of tourism that commemorates the victims and exposes the perpetrators of the Holocaust. Derek Dalton recalls both the immense bureaucratic apparatus that made mass murder possible, as well as the considerable challenges facing the institutions charged with presenting this difficult history to subsequent generations. His engaging prose recalls both infamous and more obscure locations on the itinerary of Holocaust tourism, showing how each conveys unique lessons – and runs particular risks – in efforts to educate visitors about the nature of state-sponsored brutality.'Professor Daniel P. Reynolds, Grinnell College, Iowa, USA'With his incisive new study, Encountering Nazi Tourism Sites, Derek Dalton once again pushes the boundaries of dark tourism scholarship, highlighting his unique criminological contributions to an evolving field. In his meticulous and eloquent book, he traverses multiple memorial sites, capturing their diversity, and unpacking their challenges, achievements and limitations with staggering clarity. In doing so, Encountering Nazi Tourism Sites eschews simple interpretations of Holocaust tourism and memorialisation, instead offering the reader bold encouragement to think beyond accepted accounts to provide a sweeping scrutiny of complex encounters. This essential book will move the reader with its sensitive analysis of the links between memorials and the foundations of remembrance that at their heart carry the terrible weight of death. Derek Dalton never loses sight of this significance, it drives his inquiry and is an issue carefully balanced throughout the pages of this extraordinary book. This is a searching, compelling and perceptive study of a difficult subject.'Rebecca Scott Bray, Associate Professor of Criminology and Socio-Legal Studies, University of Sydney, AustraliaTable of ContentsIntroduction: Surveying the Holocaust tourism memorial field in Germany. 1 Profane splendour: the Wannsee House. 2 The Topography of Terror: the foundations of Nazi rule. 3 Wewelsburg Castle: against an SS phantasia 4 The Anne Frank House/Museum. 5 Concentration camp tourism in Germany: two encounters 6 The Jewish Museum Berlin: encountering trauma. 7 Berlin Holocaust memorials: marking past atrocity in the space of the city Conclusion: Nazi crime-related tourism in contemporary Germany
£128.25
Taylor & Francis Ltd Reenvisioning the Contemporary Art Canon
Book SynopsisRe-envisioning the Contemporary Art Canon: Perspectives in a Global World seeks to dissect and interrogate the nature of the present-day art field, which has experienced dramatic shifts in the past 50 years.In discussions of the canon of art history, the notion of inclusiveness', both at the level of rhetoric and as a desired practice is on the rise and gradually replacing talk of exclusion', which dominated critiques of the canon up until two decades ago. The art field has dramatically, if insufficiently, changed in the half-century since the first protests and critiques of the exclusion of others' from the art canon. With increased globalization and shifting geopolitics, the art field is expanding beyond its Euro-American focus, as is particularly evident in the large-scale international biennales now held all over the globe. Are canons and counter-canons still relevant? Can they be re-envisioned rather than merely revised? Following an introduction thaTrade Review"The best essays in this collection are well aware of the complex entanglements and disentanglements that lie behind the canonizing process, and many readers will want to read them for that reason."- Jan Gorak, University of Denver, USARe-envisioning the Contemporary Art Canon is a timely, necessary volume, one that asks—across lucid and jargon-free case studies and equally dynamic round-table discussions—whither the place of the art historical canon in a contemporary art world. Answers diverge, and for the better. Taken together the texts model a pluriversal discourse that may well become a standard of its own.Suzanne Hudson, Associate Professor of Art History and Fine Arts, University of Southern California, USARe-envisioning the Contemporary Art Canon is an intellectually astute intervention into the growing literature on contemporary art, its validation and significance within the history of art. Through a series of fascinating essays and well-written introductory sections, this book sets out the premises for a critical account of how contemporary art canons get created in a range of institutional and discursive contexts globally.Jonathan Harris, Professor in Global Art and Design Studies, Birmingham City University, UKRe-envisioning the Contemporary Art Canon is a wonderful contribution that examines art historical canons and the political, social, and ethical forces that shape and reshape them. In examining canons in myriad contexts, this text pressures us to rethink how we understand and categorize art and the artworld in our globalized present. Steven Nelson, University of California, Los Angeles, USAThe concept of the canon is a persistent one; even when considered obsolete, it continues to operate covertly in collecting, exhibition and scholarly practices. This volume brings the concept out into the open for a full and intensive discussion of its problematics and possibilities. At a time when geopolitical, gender and postcolonial perspectives are generating more inclusive methods in curating and art history, Re-envisioning the Contemporary Art Canon provides a compelling argument to not only critique the canon but to strategically reconceive it for the twenty-first century.Jim Drobnick and Jennifer Fisher, Editors, Journal of Curatorial StudiesTable of ContentsIntroduction Re-envisioning the Canon: Are Pluriversal Canons Possible? Ruth E. Iskin Part I: ArtistsIntroductionChapter 1Claude Cahun and Marcel Moore: Casualties of a Backfiring Canon?Tirza True LatimerChapter 2Jean-Michel Basquiat and the American Art CanonJordana Moore SaggeseChapter 3Sheila Hicks and the Consecration of Fiber ArtElissa AutherChapter 4The Elephant in the Church: Ai Weiwei, the Media Circus and the Global CanonWenny TeoChapter 5El Anatsui’s Abstractions: Transformations, Analogies and the New GlobalElizabeth HarneyPart II: Mediums/MediaIntroductionChapter 6The Apotheosis of Video ArtWilliam KaizenChapter 7Performance Art: Part of the Canon?Jennie KleinChapter 8Street Art: Critique, Commodification, CanonizationPaula J. BirnbaumChapter 9New Media Art and Canonization: A Round-Robin ConversationSarah Cook with Karin de WildPart III: Exhibitions, Museums, MarketsIntroductionChapter 10On the Canon of Exhibition HistoryFelix VogelChapter 11Canonizing Hitler’s "Degenerate Art" in Three American Exhibitions, 1939‒1942Jennifer McComasChapter 12Museum RelationsMartha BuskirkChapter 13The Commodification of the Contemporary Artist and High-Profile Solo Exhibition: The Case of Takashi MurakamiRonit MilanoChapter 14Troubling Canons: Curating and Exhibiting Women’s and Feminist Art, A Roundtable DiscussionHelena ReckittChapter 15The Contemporary Art Canon and the Market, A Roundtable DiscussionJonathan T. D. Neil
£36.99
Taylor & Francis Ltd Engaging Transculturality
Book SynopsisEngaging Transculturality is an extensive and comprehensive survey of the rapidly developing field of transcultural studies. In this volume, the reflections of a large and interdisciplinary array of scholars have been brought together to provide an extensive source of regional and trans-regional competencies, and a systematic and critical discussion of the field's central methodological concepts and terms. Based on a wide range of case studies, the book is divided into twenty-seven chapters across which cultural, social, and political issues relating to transculturality from Antiquity to today and within both Asian and European regions are explored. Key terms related to the field of transculturality are also discussed within each chapter, and the rich variety of approaches provided by the contributing authors offer the reader an expansive look into the field of transculturality. Offering a wealth of expertise, and equipped with a selection of illustrations, thTable of ContentsPart I: Delineating Transculturality; Part II: Transcultural Spaces and Agents; Part III: Transcultural Temporalities; Part IV: Transcultural Semantics; Part V: The Transcultural Lens
£204.25
Taylor & Francis Ltd Contemporary Sculpture and the Critique of
Book SynopsisIn this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials often things left on the side of the road, according to the logic and progress of the capitalist machine and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken's OIL (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer's midcareer survey (Musée d'art contemporain, Montréal, 2008), Rachel Harrison's Consider the Lobster (CCS Bard Hessel Museum of Art, 2009), and Liz Magor's The Mouth and Other Storage Facilities (Henry Art Gallery, Seattle, 2008).Trade Review"This book is an argument for paying more attention to the material conditions of sculpture—not as a return to formalism, but as a powerful and necessary tool to cut through the lingo of installation art and the capaciousness of digital culture."- Gloria Sutton, Northeastern University ArtTable of ContentsIntroduction 1. Rachel Harrison: "Consider the Lobster" 2. Isa Genzken: "OIL" 3. Geoffrey Farmer: "Me into Many" 4. Liz Magor: "The Mouth and Other Storage Facilities" Conclusion
£52.24
Taylor & Francis Ltd Heritage Planning
Book SynopsisThis new and substantially revised edition of Heritage Planning: Principles and Process offers an extensive overview of the burgeoning fields of heritage planning and conservation. Positioning professional practice within its broader applied and theoretical contexts, the authors provide a firm foundation for understanding the principles, history, evolution, debates, and tools that inform heritage planning, while also demonstrating how to effectively enact these processes. Few published works focus on the practice of heritage planning. The first edition of this book was developed to fill this gap, and this second edition builds upon it. The book has been expanded in scope to incorporate new research and approaches, as well as a wide range of international case studies. New themes reflect the emerging recognition that sustainability, climate resilience, human rights, social justice, and reconciliation are fundamental to the future of planning. Heritage Planning isTrade Review'Kalman and Létourneau’s revised Heritage Planning is an important work appearing at just the right time. This volume situates heritage conservation as a dynamic professional practice in contemporary society, while establishing clear and comprehensive frameworks for project-centered work. It manages to be a sophisticated scholarly treatment as well as a practical professional reference. The reach of examples is global; and it connects to issues of great urgency (sustainability, resilience, public health, indigenous societies). Practitioners and educators alike will find this an extremely valuable volume.'—Randall Mason, Weitzman School of Design, University of Pennsylvania, Philadelphia, Pennsylvania'The best book on built heritage planning just got better. Heritage Planning is extensively illustrated and packed with information for students and practitioners alike. The new edition is re-organized and augmented for classroom use, while retaining the global coverage and best practices that make it a valuable reference for heritage professionals.'—David Gordon, School of Urban and Regional Planning, Queen’s University, Kingston, Ontario'One of the key objectives of critical heritage studies has been to identify and consider the social, political and ethical implications of heritage planning and conservation practices. By contextualizing the practicalities of heritage planning within broader interdisciplinary debates, this important textbook will be an important resource for those working toward building more equitable and inclusive heritage practices.'—Laurajane Smith, Centre for Heritage and Museum Studies, Australian National University, CanberraKalman and Létourneau’s revised Heritage Planning is an important work appearing at just the right time. This volume situates heritage conservation as a dynamic professional practice in contemporary society, while establishing clear and comprehensive frameworks for project-centered work. It manages to be a sophisticated scholarly treatment as well as a practical professional reference. The reach of examples is global; and it connects to issues of great urgency (sustainability, resilience, public health, indigenous societies). Practitioners and educators alike will find this an extremely valuable volume.—Randall Mason, Weitzman School of Design, University of Pennsylvania, Philadelphia, PennsylvaniaThe best book on built heritage planning just got better. Heritage Planning is extensively illustrated and packed with information for students and practitioners alike. The new edition is re-organized and augmented for classroom use, while retaining the global coverage and best practices that make it a valuable reference for heritage professionals.—David Gordon, School of Urban and Regional Planning, Queen’s University, Kingston, OntarioOne of the key objectives of critical heritage studies has been to identify and consider the social, political and ethical implications of heritage planning and conservation practices. By contextualizing the practicalities of heritage planning within broader interdisciplinary debates this important textbook will be an important resource for those working toward building more equitable and inclusive heritage practices. —Laurajane Smith, Centre for Heritage and Museum Studies, Australian National University, CanberraTable of ContentsINTRODUCTION The nature of heritage planning Organization of the heritage sector PART 1: PRINCIPLES Regulating heritage Conservation charters and conventions Ethics and human rights Sustainability and resilience Best practices PART 2: PROCESS Understanding the historic place Community engagement Value and significance Managing change The Heritage Plan
£35.14
Taylor & Francis Ltd The Routledge Companion to Cultural Property
Book SynopsisThe Routledge Companion to Cultural Property contains new contributions from scholars working at the cutting edge of cultural property studies, bringing together diverse academic and professional perspectives to develop a coherent overview of this field of enquiry. The global range of authors use international case studies to encourage a comparative understanding of how cultural property has emerged in different parts of the world and continues to frame vital issues of national sovereignty, the free market, international law, and cultural heritage. Sections explore how cultural property is scaled to the state and the market; cultural property as law; cultural property and cultural rights; and emerging forms of cultural property, from yoga to the national archive. By bringing together disciplinary perspectives from anthropology, archaeology, law, Indigenous studies, history, folklore studies, and policy, this volume facilitates fresh debate and broadens our understanding of thiTable of Contents1. IntroductionHaidy Geismar and Jane AndersonPart OneLegal Orderings of Cultural Property2. Heritage vs. Property: Contrasting Regimes and Rationalities in the Patrimonial FieldValdimar Tr. Hafstein and Martin Skrydstrup3. The Criminalisation of the Illicit Trade in Cultural PropertyAna Filipa Vrdoljak 4. Implementation of the 1970 UNESCO Convention by the United States and Other Market NationsPatty Gerstenblith5. Protection not Prevention: The Failure of Public Policy to Prevent the Looting and Illegal Trade of Cultural Property from the Mena Region (1990-2015) Neil Brodie6. A Paradox of Cultural Property: NAGPRA and (Dis)PossessionSusan BentonPart TwoMuseums, Archives and Communities7. NAGPRA, CUI and Institutional Will Rae Gould8. Betting on the Raven: Ethical Relationality and Nuxalk Cultural PropertyJennifer Kramer9. Whose Story is This? Complexities and Complicities of Using Archival FootageFred Myers10. The Archive of the Archive: the Secret History of the Laura Boulton CollectionAaron Fox11. Touching the Intangible: Reconsidering Material Culture in the Realm of Indigenous Cultural Property ResearchGeorge NicholasPart ThreeLocal Histories12. On the Nature of Patrimonio: Cultural Property in Mexican ContextsSandra Rozental13. Making and Unmaking Heritage Value in ChinaShu Li Wang and Michael Rowlands14. Object Movement: UNESCO, Language and the Exchange of Middle Eastern ArtifactsMorag Kersel15. Cultures of Property: Ghanaian Culture in Intellectual and Cultural PropertyBoatema BoatengPart FourCultural Property Beyond the State16. Culture as a Flexible Concept for the Legitimation of Policies in the European UnionStefan Groth and Regina Bendix17. The Bible as Cultural Property? A Cautionary TaleNeil Asher Silberman18. Being pre-Indigenous: Kin, Accountability and Cultural Property Beyond TraditionPaul Tapsell19. Frontiers of Cultural Property in the Global SouthRosemary CoombeSection FiveNew and Experimental Forms of Cultural Property20. Who Owns Yoga? Transforming Traditions as Cultural PropertySita Reddy21.Bones, Documents and DNA: Cultural Property at the Margins of the LawLee Douglas22. Collaborative Encounters in Digital Cultural Property: Tracing Temporal Relationships of Context and LocalityJane Anderson and Maria Montenegro23. Animating Language: Continuing Inter-Generational Indigenous Language KnowledgeShannon Faulkhead, John Bradley and Brent McKee24. Ancestors for Sale in Aotearoa New ZealandMarama Muru Lanning
£204.25
Taylor & Francis Ltd Curating Art
Book SynopsisCurating Art provides insight into some of the most socially and politically impactful curating of historical and contemporary art since the late 1990s. It offers up a museological framework for understanding watershed developments of curating in art museums.Representing the plurality of theory and practice around the expanded field of relational curating, the book focuses on curating that prioritises the quality of relationships between people and objects, between institutions and people and among people. It has wide international breadth, with particularly strong representation in East and Southeast Asia, including four papers never before translated into English. This Asian cluster illuminates the globalisation of the field and challenges dichotomies of East and West while acknowledging distinctions within specific, but often transnational, cultural spheres. The compelling philosophical perspectives and case studies included within <Table of Contents1. Curating as a relational practice Janet Marstine and Oscar Ho Hing KayPart I ExpertiseIntroduction to Part IJanet MarstineGroundwork2. Curation is SpreadingHajime Nariai3. Who is HUO? David Balzer Connoisseurship4. From connoisseurship to technical art history: the evolution of the interdisciplinary study of artMaryan W. Ainsworth Curatorial vision and institutional history5. ‘Electronic Refractions II’ at the Studio Museum in HarlemSusan E. Cahan6. On quality: curators at the San Francisco Museum of Modern Art (1935-2010)Richard Cándida-Smith Provenance7. Faked biographies: the remake of antiquities and their sale on the art marketBrigitta Hauser-Schäublin and Sophorn Kim8. Renewing Nazi-era provenance research efforts: case studies and recommendationsNancy KarrelsExhibition-making and the canon9. Aestheticized installations for modernism, ethnographic art and objects of everyday life [excerpt]Mary Anne Staniszewski10. Eloquent walls and argumentative spaces: displaying late works of DegasRichard Kendall11. Feminist perspectives on curatingDorothee RichterLinking past to present12. The Battle over ‘The West as America’Alan Wallach13. Curating contemporary art: narrating the past and reflecting on the individual and timeVivian Ting Wing YanPart II EngagementIntroduction to Part IIJanet MarstineGroundwork14. Masterpieces and the critical museumKatarzyna Murawska-MuthesiusThe processes of cultural translation15. From entangled objects to engaged subjects: knowledge translation and cultural heritage regenerationLea S. McChesney16. The ‘fourth world’ theory in Wonil Rhee’s curating: focusing on post-colonialismKim Sung-Ho Artists as curators17. The book in which we learn to read: contemporary artists and their place within historical museumsJasper Sharp18. Curatorial relationalityBeatrice von Bismarck 19. No good time for an exhibition: reflections on the Picasso in Palestine project, Part IMichael BaersRelational practice with publics20. Other people’s stories: bringing public-generated photography into the contemporary art museumAreti Galani and Alexandra Moschovi21. The unexpected guest: food and hospitality in contemporary Asian ArtFrancis MaravillasNegotiating the local and the global22. The right to be wrongHoward N. Fox23. Homegrown: The origins of performance art in MyanmarNathalie Johnston24. From object to subject: conceptualizing ‘The Future of Tradition-The Tradition of Future’Avinoam ShalemNavigating the pressures of censorship25. Encounters with censorshipNgũgĩ wa Thiong’o26. Art is not bioterrorism: the criminalization of critical cultural and intellectual productionFaith Wilding Part III PlatformsIntroduction to Part IIIJanet MarstineGroundwork27. The roving eye: Southeast Asian art’s plural views on self, culture and nationIola Lenzi28. Experiments in integrated programmingSally Tallant29. The transmedia museumJenny KiddBlurring the boundaries between performance, programme and exhibition30. ‘The Play’: reassembling African arts in the West’Joshua I. Cohen31. Museum for the people? Two joint projects for Haiti and CongoBogumil Jewsiewicki Appropriating the apparatus of the institution32. Trading Place: Museum of contemporary artKao Chien-Hui33. MockstitutionsGregory SholetteCurating interstitial spaces34. Invading the medias: Selma and Sofiane Ouissi’s ‘Dream City’Rachida Triki35. Bishan Project: restarting the rural reconstruction movementOu Ning New models of curating in a network culture36. Reconfiguring curation: noninstitutional new media curating and the politics of cultural productionPatrick Lichty37. The politics of contemporary curating: a network perspectiveJoasia Krysa
£35.99