Material culture Books

Book Synopsis'If you love Indiana Jones, this is the real thing' DAN SNOW'A thrilling investigation' SUZANNAH LIPSCOMB'Alive with the spirit of adventure' SIR RANULPH FIENNESThrough eight sensational stories of discovery, Professor Michael Scott traces the evolution of modern archaeology from colonial expeditions to today's cutting-edge digs, unearthing traps, curses and buried treasure along the way. We uncover why different periods and places have caught our attention and imaginations at different times. We meet the characters, some celebrated and some forgotten, who found world-famous discoveries like the Rosetta Stone, the Terracotta Warriors and Machu Picchu. We investigate ancient human footprints, stunning shipwrecks, mythical princesses and surprising rituals as keyholes to the wonders of past civilisations. And we unravel how archaeological finds have often become emblems of modern fascinations and dilemmas.Crossing millions of years, trekking from the jungles of South America to the frozen highlands of Central Asia, X Marks the Spot reveals how much the discovery of our past is intertwined with the concerns of our present and why X never, ever marks the spot.'Fascinating' GREG JENNER'An essential read for anyone with even a fleeting interest in exploring the past' JANINA RAMIREZTrade ReviewIf you love Indiana Jones, this is the real thing. Michael Scott celebrates the fusion of scholarship and adventure in a book full of both. -- DAN SNOWThrough eight of history's most audacious acts of discovery, Michael Scott tells us the story of archaeology itself. This is a thrilling investigation of humankind's obsession with the physical remains of its past. -- SUZANNAH LIPSCOMBA fascinating book; both as a greatest hits compendium of archaeological breakthroughs, and as a subtle examination of how "discovery" has evolved. In tracing Archaeology's journey, Professor Michael Scott shows that "discovery" often required more than just courage, persistence, and talent, but also geopolitical pressure, local knowledge, dubious ethical choices, and pure blind luck! -- GREG JENNERDo you wish you knew more about some of the most fascinating archaeological discoveries made around the world? Then pick up Michael Scott's fabulous, learned, smart and never-dusty new book immediately. It's wonderful. -- NATALIE HAYNESMichael Scott tells these stories in an affable, scholarly and accessible way with an expert eye, giving us incisive portraits of the fascinating, often difficult and driven characters who expanded the frontiers of knowledge, whilst also examining their actions in light of our modern values and debates about restitution, display and ongoing scholarly investigation -- MICHAEL WOODAn essential read for anyone with even a fleeting interest in exploring the past. Michael weaves a world around each discovery, which tells us as much about modern attitudes as it does about the ancient civilisations unearthed. I couldn't put it down! -- JANINA RAMIREZAlive with the spirit of adventure, X Marks the Spot captures pioneering moments in history and takes readers to the thrilling peaks of discovery. -- Sir Ranulph FiennesVivid, pacey and full of fascinating detail, X Marks the Spot is a riveting adventure through time, propelled by Michael Scott's excellent scholarship and accessible writing style. -- ALICE LOXTONScott has written a book that should be on the shelves of every aspiring young archaeologist. Across eight discoveries, he lays out in great detail their importance in understanding our history ... With X Marks the Spot, we're now fortunate to have a book to inspire the next generation. * Aspects of History magazine *Endlessly fascinating and thought-provoking, this book is as satisfying a find as any of the archaeological discoveries that it charts. Highly recommended. -- TRACY BORMANMichael Scott deftly captures the trials and triumphs of archaeology, from the privations of life on a dig to the thrill of discovery. Wide-ranging in time and space, X Marks the Spot is a fascinating mix of history, biography and - above all - adventure. -- TOBY WILKINSON, author of A World Beneath the SandsWho knew that there may be a further 6000 suits of armour yet to uncover in addition to the Chinese imperial Terracotta Warriors already unearthed? Or that the Rosetta Stone contains not three but four inscribed texts? All that and much much more is known and beautifully related here by the indefatigable Michael Scott, famous both as an archaeological scholar and as a communicator, an Indiana Jones de nos jours and for our time. X Marks the Spot hits the spot. -- PROFESSOR PAUL CARTLEDGEA lively journey across centuries and continents ... by focusing on the individuals who made such remarkable discoveries, Scott also investigates what their aims and motivations tell us about the ways in which we view the past. * History Revealed * masterful storyteller. These days, serious archaeology sometimes shies away from tales of exploration and adventure. The colonial overtones and sensational headlines are too much of a risk, and too raw for a discipline steeped in difficult imperial origins. In X Marks The Spot, Michael Scott manages to pull off an inspired feat - to capture the excitement and wonder of discovery, but to situate these astonishing tales in their complex, messy historical realities. It's a page-turner and eye-opener. It will inspire you to wonder more at the world and its people - both present and past. -- MARY-ANN OCHOTAA gripping account of some of history's most extraordinary archaeological discoveries. Filled with larger than life figures that give Indiana Jones a run for his money. A triumph of a book!Stylish, witty, and informed by wide ranging scholarship, X Marks the Spot tells intensely exciting stories, while illuminating the profound links between the past and the present. An absolute joy to read.Scott explores the wonder and excitement of our love affair with the past, unearthing extraordinary lost cultures, and celebrating those determined men and women who work in often gruelling conditions to help bring them to light, the common thread that binds humanity across space and time becomes increasingly apparent. Scott's enthusiasm is palpable, and his compelling, charismatic book will undoubtedly inspire a whole new generation of future archaeologists. Who knows what they will find?I was thoroughly absorbed by Michael Scott's wonderful new book - a generous, warm retelling of eight world-changing archaeological finds, from the Rosetta Stone to the Altai Princess via Machu Picchu. It's a tour de force of scholarship and an unputdownable read. -- DR KATHERINE SCHOFIELD, King's College LondonThe fascinating story of how archaeological digs are never simply fact-finding missions but are driven by the same present-day concerns that we find in any other human activity. An impressive piece, with an incisive analysis of a broad sweep of examples, all written in an engaging and lively style. -- DR JERRY TONER, University of CambridgeMichael Scott meticulously explores eight different discoveries from the Rosetta Stone in Egypt to the unravelling of the Keros Enigma. He explains how the discovery of the past is always creating a shifting appreciation of who we are across the background of the rich tapestry of human history. I much enjoyed and learned a great deal from this book.A rollicking read, full of fascinating detail and unexpected twists. -- NAOISE MAC SWEENEY, Professor of Archaeology, University of ViennaIn archaeology context is vital for understanding the evidence and in this book Michael Scott deftly unravels the historical context surrounding these seminal discoveries in a hugely enjoyable, incisive, and readable way. -- Dr Sophie HayArchaeology is about more than finds, it's discovering them and reacting to them. X Marks the Spot tells us who does that and why: stories within stories, all told by a master storyteller: in the immortal words of Howard Carter, 'Wonderful things!' -- Lindsey DavisA vibrant take on key modern archaeological finds and the colourful characters who made them... A breathless account of some of the most audacious adventures from the Enlightenment tradition of treasure hunting, and a sharp, insightful look at the deeper politics behind the treasure that archaeologists find ... so enjoyable ... This awareness of the many factors that underpin our knowledge of the past is what elevates X Marks the Spot, making it a volume well worth reading. -- Brenna Hassett * BBC History Magazine *

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Book Synopsis'If you love Indiana Jones, this is the real thing' DAN SNOW'Fascinating' GREG JENNER'A thrilling investigation' SUZANNAH LIPSCOMB'An essential read for anyone with even a fleeting interest in exploring the past' JANINA RAMIREZUncovering the physical remains of our past is a quintessential human itch; the pursuit of every society from the ancients through to today. But the stories behind archaeological exploration and discovery - what we look for when, what we end up finding, and what we then do with it - tell us as much about ourselves today as they do about the past.Through eight sensational stories of discovery, Professor Michael Scott traces the evolution of modern archaeology from colonial expeditions to today's cutting-edge digs, unearthing traps, curses and buried treasure along the way. We uncover why different periods and places have caught our attention and imaginations at different times. We meet the characters, some celebrated and some forgotten, who found world-famous discoveries like the Rosetta Stone, the Terracotta Warriors and Machu Picchu. We investigate ancient human footprints, stunning shipwrecks, mythical princesses and surprising rituals as keyholes to the wonders of past civilisations. And we unravel how archaeological finds have often become emblems of modern fascinations and dilemmas.Crossing millions of years, trekking from the jungles of South America to the frozen highlands of Central Asia, X Marks the Spot reveals how much the discovery of our past is intertwined with the concerns of our present and why X never, ever marks the spot.Trade ReviewIf you love Indiana Jones, this is the real thing. Michael Scott celebrates the fusion of scholarship and adventure in a book full of both. -- DAN SNOWThrough eight of history's most audacious acts of discovery, Michael Scott tells us the story of archaeology itself. This is a thrilling investigation of humankind's obsession with the physical remains of its past. -- SUZANNAH LIPSCOMBA fascinating book; both as a greatest hits compendium of archaeological breakthroughs, and as a subtle examination of how "discovery" has evolved. In tracing Archaeology's journey, Professor Michael Scott shows that "discovery" often required more than just courage, persistence, and talent, but also geopolitical pressure, local knowledge, dubious ethical choices, and pure blind luck! -- GREG JENNERDo you wish you knew more about some of the most fascinating archaeological discoveries made around the world? Then pick up Michael Scott's fabulous, learned, smart and never-dusty new book immediately. It's wonderful. -- NATALIE HAYNESMichael Scott tells these stories in an affable, scholarly and accessible way with an expert eye, giving us incisive portraits of the fascinating, often difficult and driven characters who expanded the frontiers of knowledge, whilst also examining their actions in light of our modern values and debates about restitution, display and ongoing scholarly investigation -- MICHAEL WOODAn essential read for anyone with even a fleeting interest in exploring the past. Michael weaves a world around each discovery, which tells us as much about modern attitudes as it does about the ancient civilisations unearthed. I couldn't put it down! -- JANINA RAMIREZAlive with the spirit of adventure, X Marks the Spot captures pioneering moments in history and takes readers to the thrilling peaks of discovery. -- Sir Ranulph FiennesVivid, pacey and full of fascinating detail, X Marks the Spot is a riveting adventure through time, propelled by Michael Scott's excellent scholarship and accessible writing style. -- ALICE LOXTONScott has written a book that should be on the shelves of every aspiring young archaeologist. Across eight discoveries, he lays out in great detail their importance in understanding our history ... With X Marks the Spot, we're now fortunate to have a book to inspire the next generation. * Aspects of History magazine *Endlessly fascinating and thought-provoking, this book is as satisfying a find as any of the archaeological discoveries that it charts. Highly recommended. -- TRACY BORMANMichael Scott deftly captures the trials and triumphs of archaeology, from the privations of life on a dig to the thrill of discovery. Wide-ranging in time and space, X Marks the Spot is a fascinating mix of history, biography and - above all - adventure. -- TOBY WILKINSON, author of A World Beneath the SandsWho knew that there may be a further 6000 suits of armour yet to uncover in addition to the Chinese imperial Terracotta Warriors already unearthed? Or that the Rosetta Stone contains not three but four inscribed texts? All that and much much more is known and beautifully related here by the indefatigable Michael Scott, famous both as an archaeological scholar and as a communicator, an Indiana Jones de nos jours and for our time. X Marks the Spot hits the spot. -- PROFESSOR PAUL CARTLEDGEA lively journey across centuries and continents ... by focusing on the individuals who made such remarkable discoveries, Scott also investigates what their aims and motivations tell us about the ways in which we view the past. * History Revealed * masterful storyteller. These days, serious archaeology sometimes shies away from tales of exploration and adventure. The colonial overtones and sensational headlines are too much of a risk, and too raw for a discipline steeped in difficult imperial origins. In X Marks The Spot, Michael Scott manages to pull off an inspired feat - to capture the excitement and wonder of discovery, but to situate these astonishing tales in their complex, messy historical realities. It's a page-turner and eye-opener. It will inspire you to wonder more at the world and its people - both present and past. -- MARY-ANN OCHOTAA gripping account of some of history's most extraordinary archaeological discoveries. Filled with larger than life figures that give Indiana Jones a run for his money. A triumph of a book!Stylish, witty, and informed by wide ranging scholarship, X Marks the Spot tells intensely exciting stories, while illuminating the profound links between the past and the present. An absolute joy to read.Scott explores the wonder and excitement of our love affair with the past, unearthing extraordinary lost cultures, and celebrating those determined men and women who work in often gruelling conditions to help bring them to light, the common thread that binds humanity across space and time becomes increasingly apparent. Scott's enthusiasm is palpable, and his compelling, charismatic book will undoubtedly inspire a whole new generation of future archaeologists. Who knows what they will find?I was thoroughly absorbed by Michael Scott's wonderful new book - a generous, warm retelling of eight world-changing archaeological finds, from the Rosetta Stone to the Altai Princess via Machu Picchu. It's a tour de force of scholarship and an unputdownable read. -- DR KATHERINE SCHOFIELD, King's College LondonThe fascinating story of how archaeological digs are never simply fact-finding missions but are driven by the same present-day concerns that we find in any other human activity. An impressive piece, with an incisive analysis of a broad sweep of examples, all written in an engaging and lively style. -- DR JERRY TONER, University of CambridgeMichael Scott meticulously explores eight different discoveries from the Rosetta Stone in Egypt to the unravelling of the Keros Enigma. He explains how the discovery of the past is always creating a shifting appreciation of who we are across the background of the rich tapestry of human history. I much enjoyed and learned a great deal from this book.A rollicking read, full of fascinating detail and unexpected twists. -- NAOISE MAC SWEENEY, Professor of Archaeology, University of ViennaIn archaeology context is vital for understanding the evidence and in this book Michael Scott deftly unravels the historical context surrounding these seminal discoveries in a hugely enjoyable, incisive, and readable way. -- Dr Sophie HayArchaeology is about more than finds, it's discovering them and reacting to them. X Marks the Spot tells us who does that and why: stories within stories, all told by a master storyteller: in the immortal words of Howard Carter, 'Wonderful things!' -- Lindsey DavisA vibrant take on key modern archaeological finds and the colourful characters who made them... A breathless account of some of the most audacious adventures from the Enlightenment tradition of treasure hunting, and a sharp, insightful look at the deeper politics behind the treasure that archaeologists find ... so enjoyable ... This awareness of the many factors that underpin our knowledge of the past is what elevates X Marks the Spot, making it a volume well worth reading. -- Brenna Hassett * BBC History Magazine *

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Book SynopsisFrom the cabinets of wonder of the Renaissance to the souvenir collections of today, selecting, accumulating, and organizing objects are practices that are central to our notions of who we are and what we value. Collecting, both private and institutional, has been instrumental in the consolidation of modern notions of the individual and of the nation, and numerous studies have discussed its complex political, social, economic, anthropological, and psychological implications. However, studies of collecting as practiced in colonized cultures are few, since the role of these cultures has usually been understood as that of purveyors of objects for the metropolitan collector. Collecting from the Margins: Material Culture in a Latin American Context seeks to counter the historical understanding of collecting that posits the metropolis as collecting subject and the colonial or postcolonial society as supplier of collectible objects by asking instead how collecting has been practiced and understood in Latin America. Has collecting been viewed or portrayed differently in a Latin American context? Does the act of collecting, when viewed from a Latin American perspective, unsettle the way we have become accustomed to think about it? What differences, if any, arise in the activity of collecting in colonized or previously colonial societies? Spanning the period after the independence wars until the 1980s, this collection of ten essays addresses a broad range of examples of collecting practices in Latin America. Collecting during the nineteenth century is addressed in discussions of the creation of the first national museums of Argentina and Colombia in the post-independence period, as well as in analyses of the private collections of modernistas such as Enrique Gómez Carrillo, Rubén Darío, José Asunción Silva, and Delmira Agustini at the end of the nineteenth century and the beginning of the twentieth. The practice of collecting in the twentieth century is discussed in analyses of the self-described revolutionary practices of Oswald de Andrade, Augusto de Campos and the films of Ruy Guerra, as well as the polemical collections of Pablo Neruda, and the unsettling collections portrayed in Gabriel García Márquez’s One Hundred Years of Solitude.Table of ContentsA Note on Translations List of Illustrations Acknowledgments Introduction by María Mercedes Andrade Chapter 1: Sacking the Botanical Expedition: Natural and Military History in the First Museum of Colombia by Felipe Martínez-Pinzón Chapter 2: An “Immense Museum” or an “Immense Tomb?” War and the Rhetoric of Continuity in the Writings of Francisco Moreno by Javier Uriarte Chapter 3: Of bayaderas, congaïs, and fumerías: “Virtual” Collecting in De Marsella á Tokio: Sensaciones de Egipto, la India, la China y el Japón, by Enrique Gómez Carrillo by Olga Vilella Chapter 4: “That heteroclite assembly”: Collecting, Modernity, and “The Savage Mind” in De sobremesa by María Mercedes Andrade Chapter 5: Postcards, Autographs, and Modernismo: Rubén Darío on Popular Collecting and Textual Practices by Andrew Reynolds Chapter 6: Delmira Agustini, Gender, and the Poetics of Collecting by Shelley Garrigan Chapter 7: “I have put all I possess at the disposal of the people’s struggle”: Pablo Neruda as Collector, Translator, and Poet by Kelly Austin Chapter 8: Antropofagia, Bricolage, Collage: Oswald de Andrade, Augusto de Campos and the Author as Collector by Fernando Pérez Villalón Chapter 9: From the Space of the Wunderkammer to Macondo’s Wonder Rooms: The Collection of Marvels in Cien años de soledad by Jerónimo Arellano Chapter 10:Collecting Revisited (and Left Behind): The Treasure Chambers in Ruy Guerra’s Eréndira and Portugal S.A. by Ilka Kressner Index About the Contributors

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Book SynopsisAgain, Dangerous Visions: Essays in Cultural Materialism brings together twenty-six essays charting the development of Andrew Milner's distinctively Orwellian version of cultural materialism between 1981 and 2015. The essays address three substantive areas: the sociology of literature, cultural materialism and the cultural politics of the New Left, and utopian and science fiction studies. They are bookended by two conversations between Milner and his editor J.R. Burgmann, the first looking back retrospectively on the development of Milner's thought, the second looking forward prospectively towards the future of academia, the political left and science fiction.Table of ContentsAcknowledgements List of Figures and Tables Introduction Andrew Milner and J.R. Burgmann: An Interview Part 1 Sociology of Literature1 Sociology and Literature 2 The "English" Ideology: Literary Criticism in England and Australia 3 The Protestant Epic and the Spirit of Capitalism 4 On the Beach: Apocalyptic Hedonism and the Origins of Postmodernism 5 Loose Canons and Fallen Angels 6 Dissenting, Plebeian, but Belonging, Nonetheless: Bourdieu and Williams 7 Deconstructing National Literature: Comparative Literature, Cultural Studies and Critical Theory 8 It's the Conscience Collective, Stupid: Philosophical Aesthetics and the Sociology of Art 9 Science Fiction and the Literary Field 10 World Systems and World Science Fiction Part 2 Cultural Materialism11 Considerations on English Marxism 12 Literature, History and Post-Althusserianism 13 The Revolutions in Favour of Capital14 Cultural Materialism, Culturalism and Post-Culturalism: The Legacy of Raymond Williams 15 Cultural Studies and Cultural Hegemony: Comparing Britain and Australia 16 Class and Cultural Production: The Intelligentsia as a Social Class 17 Left Out? Marxism, the New Left and Cultural Studies 18 From Media Imperialism to Semioterrorism Part 3 Science Fiction19 Utopia and Science Fiction in Raymond Williams 20 Darker Cities: Urban Dystopia and Science Fiction Cinema 21 Postmodern Gothic: Buffy, The X-Files and the Clinton Presidency 22 Framing Catastrophe: The Problem of Ending in Dystopian Fiction 23 Archaeologies of the Future: Jameson's Utopia or Orwell's Dystopia? 24 Time Travelling: Or, How (Not) to Periodise a Genre 25 The Sea and Eternal Summer: An Australian Apocalypse 26 Ice, Fire and Flood: Science Fiction and the Anthropocene Andrew Milner co-authored with J.R. Burgmann, Rjurik Davidson and Susan Cousin Conclusion: Towards 2050 Andrew Milner and J.R. Burgmann: A Dialogue Bibliography Index

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Book Synopsis Eighteenth-century gentleman scholars collected antiquities. Nineteenth-century nation states built museums to preserve their historical monuments. In the present world, heritage is a global concern as well as an issue of identity politics. What does it mean when runic stones or medieval churches are transformed from antiquities to monuments to heritage sites? This book argues that the transformations concern more than words alone: They reflect fundamental changes in the way we experience the past, and the way historical objects are assigned meaning and value in the present. This book presents a series of cases from Norwegian culture to explore how historical objects and sites have changed in meaning over time. It contributes to the contemporary debates over collective memory and cultural heritage as well to our knowledge about early modern antiquarianism.Trade Review ‘"The case studies supply the overall argument with a desirable empirical specificity; they deepen and enrich it, while they at the same time challenge common generalizations, current theories and habitual ways of thinking. This works on two parallel levels: the empirical cases are lifted out of their immediate contexts and used to examine and discuss theoretical arguments, and then carried back to shed new light on their historical settings." · Nordic Museology “Eriksen is a lucid writer. Her case studies are highly informative and reveal a detailed knowledge of Norway’s past that few scholars could match.“ · Museum Anthropology “…a very important book on the difference between antiquities and heritage and the different sense of time, history, and chronology involved.” · Lynn A. Hunt, UCLA “The author succeeds in bridging the gap between the history of antiquarianism and the present field of heritage studies... explain[ing]...the transformation of the relations to time from the 18th century up to the present…There is a good balance between the empirical part of the enquiry and its theoretical dimension.” · François Hartog, EHESS, Paris “It is a very sophisticated and well written manuscript on an important topic within the humanities.” · Birgitta Svensson, Stockholm UniversityTable of Contents Acknowledgements Introduction Research Questions and Perspectives Between Heritage Studies and Antiquarianism The Scope and Content of the Book Chapter 1. Heritage and Cultural Memory Regimes of Historicity The Cult of Monuments Chapter 2. In Search of Ancient Heroes Topographies and the Space of Experience What’s in a Name? The Implications of Space Hallingdal and Thrace A Familiar Realm Chapter 3. Antiquarianism and Epistemic Virtue Facts from Stones From Mortar to Grammar Epistemic Virtues Schøning, the Historian Chapter 4. Ruins and Time Rudera: Decay, Vestiges and Remains Ruin Romanticism Sensibility and National Glory Chapter 5. Mediaeval Monuments The Discovery of the Stave Churches Material Evidence – a New Approach J.S. Dahl and the Society for the Preservation of Norwegian Ancient Monuments History and the Nation A Change of Regimes? Chapter 6. Museums to Preserve Our Past Systems, Specimens and Antiquities National Awakening Between Temporality and Topography Conflicts and Invisibilities Museums and History Chapter 7. Monuments and Memorials From Royal Glory to Civic Virtue Standing Stones and Universal Values All of Us – Resistance as a Collective Project Time Witnesses At the Museum Chapter 8. Cultural Property, Cultural Heritage Bring Him Home! From Property to Heritage Unique, but Not Particular Chapter 9. Heritage Today Cultural Heritage in the Age of Digitalisation – Heritage Year 2009 The Heritage of Everyday Life Doing Heritage From Change to Choice – by Way of a Conclusion References Index

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Book Synopsis Metaphor, as an act of human fancy, combines ideas in improbable ways to sharpen meanings of life and experience. Theoretically, this arises from an association between a sign—for example, a cattle car—and its referent, the Holocaust. These “sign-vehicles” serve as modes of semiotic transportation through conceptual space. Likewise, on-the-ground vehicles can be rich metaphors for the moral imagination. Following on this insight, Vehicles presents a collection of ethnographic essays on the metaphoric significance of vehicles in different cultures. Analyses include canoes in Papua New Guinea, pedestrians and airplanes in North America, lowriders among Mexican-Americans, and cars in contemporary China, Japan, and Eastern Europe, as well as among African-Americans in the South. Vehicles not only “carry people around,” but also “carry” how they are understood in relation to the dynamics of culture, politics and history.Trade Review “The essays in this collection offer fresh perspectives on the social role of transportation. I appreciated the weight given to Pacific cultures, which are not as common in conversations about mobility writ large. Though they do undoubtedly use anthropological methods and ask anthropological questions, they also model innovative ways for discussing how technologies enable their drivers and passengers to engage in an embodied relationship to the past.” · Technology and Culture “…the book succeeds in demonstrating that vehicles of all sorts may powerfully affect our ways of looking at the world, even as they help us travel through it.” · Transfers “This edited volume compiles a set of original ethno-graphic case studies focusing on the diverse ways vehicles that convey people through geospatial territory and also convey metaphorical meanings and constructions of the moral…while there has been plenty of attention given to what vehicles signify, there has been little given to how vehicles signify, which is precisely where this book.” · Anthropos “This volume, Vehicles, is exceptionally important not only for anthropology but for other scientific fields as well. It addresses a core human activity, driving, which appears likely to become a relic of, primarily, the 20th century.” · Anthropological Notebooks “This book offers ethnographic journeys into the daily work of cultural imaginations by giving attention to what is generally neglected: their vehicles. Not only functional supports or futile material dresses, cars, boats or planes are here delightedly addressed as morale-boosting devices engaged in situated social relations… These essays show that vehicular units are always participation units—they are always vernacular units of cultural agency.” · Pierre Lanoy, Université Libre de Bruxelles “…An excellent and original volume, a fine example of what comparative anthropology can achieve. Furthermore, in addition to its main topic and objectives (about particular metaphors, what they ‘do’ and how they ‘work’), it addresses key issues in the study of objects, material culture, and techniques, namely the involvement of materiality in non-verbal communication.” · Pierre Lemonnier, Université d'Aix-MarseilleTable of Contents List of Figures Acknowledgements Introduction: Charon's Boat and Other Vehicles of Moral Imagination David Lipset PART I: PERSONS AS VEHICLES Chapter 1. Living Canoes: Vehicles of Moral Imagination among the Murik of Papua New Guinea David Lipset Chapter 2. Cars, Persons, and Streets: Erving Goffman and the Analysis of Traffic Rules Richard Handler PART II: VEHICLES AS GENDERED PERSONS Chapter 3. "It's Not an Airplane, It's My Baby": Using a Gender Metaphor to Make Sense of Old Warplanes in North America Kent Wayland Chapter 4. Is Female to Male as Lightweight Cars Are to Sports Cars?: Gender Metaphors and Cognitive Schemas in Recessionary Japan Joshua Hotaka Roth PART III: EQUIVOCAL VEHICLES Chapter 5. Little Cars that Make Us Cry: Yugoslav Fića as a Vehicle for Social Commentary and Ritual Restoration of Innocence Marko Živković Chapter 6. “Let’s Go F.B.!”: Metaphors of Cars and Corruption in China Beth E. Notar Chapter 7. Barrio Metaxis: Ambivalent Aesthetics in Mexican American Lowrider Cars Ben Chappell Chapter 8. Driving into the Light: Traversing Life and Death in a Lynching Reenactment by African-Americans Mark Auslander Afterword: Quo Vadis? James W. Fernandez Notes on Contributors Index

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Book Synopsis If memory was simply about past events, public authorities would never put their ever-shrinking budgets at its service. Rather, memory is actually about the present moment, as Pierre Nora puts it: “Through the past, we venerate above all ourselves.” This book examines how collective memory and material culture are used to support present political and ideological needs in contemporary society. Using the memorialization of the Troubles in contemporary Northern Ireland as a case study, this book investigates how non-state, often proscribed, organizations have filled a societal vacuum in the creation of public memorials. In particular, these groups have sifted through the past to propose “official” collective narratives of national identification, historical legitimation, and moral justifications for violence.Trade Review “Viggiani’s text is a thorough examination of many of the iconic artefacts of a forty-year-long conflict that has shaped the politics and memories of generations of people from all sides of The Troubles. In addition to her text, she has developed an extensive website which more fully examines the quantitative data she has collected… her work will not only add to the compendium of extant work but expand our existing knowledge on memorialization in areas of conflict and recovery.” ·Journal of Anthropological Research “This is an excellent book that makes a major contribution by presenting the most comprehensive study yet written on the meaning and significance, past and present, of the ubiquitous political memorials that mark the urban terrain of one of the most famously politically divided cities in the world.” · CritCom – Council for European Studies “Viggiani successfully chronicles both intergroup and intragroup forces and rivalries, while also exploring the makers and receivers of the emplaced narratives produced by multiple actors. The book is a valuable contribution to the anthropology of memory and of materiality, and it is also a timely reminder of the presence and prominence of substate and non-state agents in a world where it is often still assumed that states have a monopoly not only on power but on knowledge.” · Anthropology Review Database “This is an excellent piece of work, one of the best of its kind. The ethnographic approach, with the actual testimonies, is very well done.” · Jack Santino, Bowling Green State University “This is an excellent account of the reproduction of collective memory and its associated narratives. It delves into the nature and construction of memory and the related forms of propaganda and myth making therein. The inquiry into the construction of memorialization is vital for any scholar of divided societies, nation-building and community construction. The book is important in that it not only describes the processes of such construction but also pinpoints an analysis of the interpretation of meaning.” · Peter Shirlow, Queen’s University BelfastTable of Contents List of Figures List of Tables Foreword by Hastings Donnan Acknowledgments List of Abbreviations Introduction: Memorials as Silent Extras or Scripted Actors? Book Outline Chapter 1. Collective Memory and the Politics of Memorialisation: a Theoretical Overview Memory in the Social World: Collectiveness versus Individuality The Shaping of Collective Memory: Present versus Past Lieux de Mémoireas Conveyors of Social Memory Politicised Remembering: the Nexus between Memory and Power The Politics of War Memory and Commemoration The Memory Makers and the Projection of Narratives about the Past Methodological Framework Database of Memorials Survey of Local Population Interviews Commemorations Chapter 2. The Armalite and the Paintbrush: a Brief History of Memorialization of the Troubles in Northern Ireland Commemorating during the Troubles Funerals and Communal Burials Annual Commemorations The Mural Painting Tradition in Northern Ireland The Early Years Armed Struggle and Party-political Murals Post-ceasefire and Peace Process Murals The 1998 Agreement and the ‘Boom’ of Permanent Memorialization Post-Agreement Murals Permanent Memorials Memorials to Paramilitary Combatants Memorials to Civilian Casualties Memorials to Security Forces Memorials in Government Buildings, Party Offices, Workplaces and Churches Commemorative Banners and Memorial Bands Memorial Publications, Commemorative Pamphlets and Oral History Projects Memorial Prizes, Awards and Trophies Post-conflict Commemorations Peace or Cross-community Memorials Chapter 3. The ‘Landscape of Memorialization’ in Belfast: Spatial and Temporal Reflections ‘New’ Cultural Geography and the Concept of Landscape as ‘Text’ Belfast and the Ethnicization of Space The Spatial Dimension of Memorialization Memorials as Territorial Markers Memorials as Aide-Mémoires Memorials as Sacred Places The Temporal Dimension of Memorialization Memorials: End of the War or Continuation through Different Means? Memorials: still here or never again? Memorials as Identity ‘Crutches’ Chapter 4. The ‘Memory Makers’ and the Projection of Narratives of the Troubles Individual ‘Stories’ versus the Collective ‘History’ of the Troubles: the Power of the Narrative Republican and Loyalist Memorials: the Projection of Opposing Narratives of The Troubles Two Imagined Communities: Creating a Symbolic National Identification Cherry-picking from History: Opposing Versions of a Shared Past Ancestries of Resistance: Manufacturing Genealogies Forgetting to Remember: Social Amnesia and Euphemization Delegitimizing the Enemy: Demonization and Stigmatization Talkative Dead Bodies: the Politics of Commemorations Chapter 5. The Clonard Martyrs Memorial Garden: Constructing a Dominant Republican Narrative The 1998 Agreement and the Prisoners’ ‘Issue’: the Formation of Ex-prisoners’ Groups The Greater Clonard Ex-Prisoners’ Association Enlisting the ‘Unsung Heroes’ in the Republican Narrative: Local History and Memorial Projects The Clonard Martyrs Memorial GardeN Planning Permission and Relationship with Local Authorities Funding, Building Materials and Manpower Construction of a Successful Dominant Narrative: Iconography, Language and Historical Selection Perpetuating Collective Memory: Periodic cCommemorations in Clonard Chapter 6. The IRSP/INLA Teach Na Fáilte Memorial Committee: Constructing a Sectional Republican Narrative The IRSP/INLA Teach Na Fáilte Memorial Committee Reclaiming a Place in History for the INLA: the 1981 Hunger Strike Advancing a Sectional Narrative of the Troubles: the Belfast Teach Na Fáilte’s Memorial Programme Unveiling ceremonies Provisional Republican and Republican Socialist Commemorations Opposing the Dominant Republican Narrative: Post-1998 Republican Socialist Rhetoric Chapter 7. The 1913 UVF and the Myth of the Somme: Constructing a Loyalist ‘Golden Age’ ‘Lest We Forget’: Loyalist Landscape of Memorialization ‘From the Battlefields of the Somme to the Barricades of the Shankill’: Borrowing Legitimacy Mainstream Unionism, Republicanism and the Modern UVF Narrative Disraeli Street: an Iconic Cluster of Memory Loyalist Commemorations in Memory of Paramilitary Casualties Changing with the History Tune: the Evolution of the UVF Narrative Chapter 8. The UDA Sandy Row Memorial Garden: Attempting a Narrative of Symbolic Accretion ‘You Are now Entering Loyalist Sandy Row’ Tiptoeing through History in Search of Illustrious ‘Forefathers’ The Sandy Row Memorial Garden: Attempting to Appropriate the Myth of the Somme Lay Out and Iconography Role of Families in the Memorial Process Remembrance Day ‘What the World Needs now Is Love, Sweet love’: 2007 UDA Remembrance Sunday ‘Awakening the Sleeping Giant’: Macro and Micropolitics at Commemorations Chapter 9. Dissecting Consensus: Memory Receivers and the Narrative’s ‘Hidden Transcript’ Paramilitary Groups and Local Communities: a Complex Relationship Coexisting in Ambivalence: Memorials and Local Residents Consultation and ‘Ownership’ Cohabiting the Same Space Reasons behind Memorialization Social Memory Territorialization Historical Change Politico-ideological Exercise Chapter 10. The Memory of the Dead: Seeking Common Ground? At Last, a Common Ground in Northern Ireland? Appendix A: List of Memorials Appendix B: Emblems and Flags Bibliography Index

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Book Synopsis Despite the wide interest in material culture, art, and aesthetics, few studies have considered them in light of the importance of the social imagination - the complex ways in which we conceptualize our social surroundings. This collection engages the “material turn” in the arts, humanities, and social sciences through a range of original contributions on creativity in diverse global and contemporary social settings. The authors engage with everyday objects, art, rituals, and ethnographic exhibitions to analyze the relationship between material culture and the social imagination. What results is a better understanding of how the material embodies and influences our idea of the social world.Trade Review “In this volume, Fuglerud and Wainwright and their contributors break new theoretical ground in the study of human-object relationships in a synthesis of ideational and material studies. The new material perspective of Objects and Imagination succeeds in synthesizing physical and ideational perspectives with a collection of ethnographic studies grounded in social imaginaries which lays new foundations for the study of human-object relations.” · Anthropological Forum “All in all, Objects and Imagination is a compelling collection of perspectives and understandings of the relationships between humans and objects that accounts for both materiality and collective imaginaries.” · Social Anthropology “The volume offers a valuable new addition to recent publications on material culture by introducing the concept of the imaginary as a framework for the study of objects…With a variety of case studies in different regional settings it deals with the ‘enchantment of materiality’ (Naguib in the volume), the meaningfulness of objects, their sensual and emotional capacities, and the negotiation of value in their representation or movement across cultural regimes.” · Barbara Plankensteiner, Weltmuseum WienTable of Contents List of Illustrations Introduction Øivind Fuglerud & Leon Wainwright PART I: MUSEUMS Chapter 1. Contemporary Iroquois Art between Ethnographic Museum, Art Gallery and Global Market Place: Reflections on the Politics of Identity and Representation Sylvia S. Kasprycki Chapter 2. De-connecting Relations: Exhibitions and Objects as Resistance Peter Bjerregaard Chapter 3. Materializing Islam and the Imaginary of Sacred Space Saphinaz-Amal Naguib PART II: PRESENCE Chapter 4. Visible While Away: Migration, Personhood and the Movement of Money amongst the Mbuke of Papua New Guinea Anders Emil Rasmussen Chapter 5. Being there while Being here: Long-distance Aesthetics and Sensations in Tamil National Rituals Stine Bruland Chapter 6. Food Presentations Moving Overseas: Ritual Aesthetics and Everyday Sociality in Tonga and among Tongan Migrants Arne Aleksej Perminow Chapter 7. Imaginations at War: The Ephemeral and the Fullness of Life in Southwest China Katherine Swancutt Chapter 8. How Pictures Matter. Religious Objects and the Imagination in Ghana Birgit Meyer PART III: ART Chapter 9. Art as Empathy: Imaging Transfers of Meaning and Emotion in Urban Aboriginal Australia Fiona Magowan Chapter 10. Transvisionary Imaginations: Artistic Subjectivity and Creativity in Tamil Nadu Amit Desai and Maruška Svašek Chapter 11. An Indian Cocktail of Value/s and Desire: On the ‘Artification’ of Whisky and Fashion Tereza Kuldova Notes on Contributors Index

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Book Synopsis Despite the wide interest in material culture, art, and aesthetics, few studies have considered them in light of the importance of the social imagination - the complex ways in which we conceptualize our social surroundings. This collection engages the “material turn” in the arts, humanities, and social sciences through a range of original contributions on creativity in diverse global and contemporary social settings. The authors engage with everyday objects, art, rituals, and ethnographic exhibitions to analyze the relationship between material culture and the social imagination. What results is a better understanding of how the material embodies and influences our idea of the social world.Trade Review “In this volume, Fuglerud and Wainwright and their contributors break new theoretical ground in the study of human-object relationships in a synthesis of ideational and material studies. The new material perspective of Objects and Imagination succeeds in synthesizing physical and ideational perspectives with a collection of ethnographic studies grounded in social imaginaries which lays new foundations for the study of human-object relations.” · Anthropological Forum “All in all, Objects and Imagination is a compelling collection of perspectives and understandings of the relationships between humans and objects that accounts for both materiality and collective imaginaries.” · Social Anthropology “The volume offers a valuable new addition to recent publications on material culture by introducing the concept of the imaginary as a framework for the study of objects…With a variety of case studies in different regional settings it deals with the ‘enchantment of materiality’ (Naguib in the volume), the meaningfulness of objects, their sensual and emotional capacities, and the negotiation of value in their representation or movement across cultural regimes.” · Barbara Plankensteiner, Weltmuseum WienTable of Contents List of Illustrations Introduction Øivind Fuglerud & Leon Wainwright PART I: MUSEUMS Chapter 1. Contemporary Iroquois Art between Ethnographic Museum, Art Gallery and Global Market Place: Reflections on the Politics of Identity and Representation Sylvia S. Kasprycki Chapter 2. De-connecting Relations: Exhibitions and Objects as Resistance Peter Bjerregaard Chapter 3. Materializing Islam and the Imaginary of Sacred Space Saphinaz-Amal Naguib PART II: PRESENCE Chapter 4. Visible While Away: Migration, Personhood and the Movement of Money amongst the Mbuke of Papua New Guinea Anders Emil Rasmussen Chapter 5. Being there while Being here: Long-distance Aesthetics and Sensations in Tamil National Rituals Stine Bruland Chapter 6. Food Presentations Moving Overseas: Ritual Aesthetics and Everyday Sociality in Tonga and among Tongan Migrants Arne Aleksej Perminow Chapter 7. Imaginations at War: The Ephemeral and the Fullness of Life in Southwest China Katherine Swancutt Chapter 8. How Pictures Matter. Religious Objects and the Imagination in Ghana Birgit Meyer PART III: ART Chapter 9. Art as Empathy: Imaging Transfers of Meaning and Emotion in Urban Aboriginal Australia Fiona Magowan Chapter 10. Transvisionary Imaginations: Artistic Subjectivity and Creativity in Tamil Nadu Amit Desai and Maruška Svašek Chapter 11. An Indian Cocktail of Value/s and Desire: On the ‘Artification’ of Whisky and Fashion Tereza Kuldova Notes on Contributors Index

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Book Synopsis One of the most influential anthropological works of the last two decades, Alfred Gell’s Art and Agency is a provocative and ambitious work that both challenged and reshaped anthropological understandings of art, agency, creativity and the social. It has become a touchstone in contemporary artifact-based scholarship. This volume brings together leading anthropologists, archaeologists, art historians and other scholars into an interdisciplinary dialogue with Art and Agency, generating a timely re-engagement with the themes, issues and arguments at the heart of Gell’s work, which remains salient, and controversial, in the social sciences and humanities. Extending his theory into new territory – from music to literary technology and ontology to technological change – the contributors do not simply take stock, but also provoke, critically reassessing this important work while using it to challenge conceptual and disciplinary boundaries.Trade Review “…profound scholarly reflections on the distributed effects of Alfred Gell’s endeavor to identify an anthropological theory of …a captivating pendant piece to Gell’s original publication. Itis not meant as a guidebook to understanding Gell’s work; rather it is a collection of complex studies that capture distinct engagements with Gell’s ideas around an anthropology of art.“ · Material World “Chua and Elliott have pulled together an excellent volume to address a real problem in the interdisciplinary discussions of art… While I think the volume is most useful for those teaching arts-oriented disciplines, it is also a valuable volume for those thinking through curatorial choices in regard to ethnographic and art objects.” · Museum AnthropologyTable of Contents List of Illustrations Preface List of Contributors Introduction: Adventures in the Art Nexus Liana Chua and Mark Elliott Chapter 1. Threads of Thought: Reflections on Art and Agency Susanne Küchler Chapter 2. Technologies of Routine and Enchantment Chris Gosden Chapter 3. Figuring out Death: Sculpture and Agency at the Mausoleum of Halicarnassus and the Tomb of the First Emperor of China Jeremy Tanner Chapter 4. The Network of Standard Stoppages Alfred Gell Chapter 5. Gell’s Duchamp/Duchamp’s Gell Simon Dell Chapter 6. Music: Ontology, Agency, Creativity Georgina Born Chapter 7. Literary Art and Agency? Gell and the Magic of the Early Modern Book Warren Boutcher Chapter 8. Art, Performance and Time¹s Presence: Reflections on Temporality in Art and Agency Eric Hirsch Chapter 9. Epilogue Nicholas Thomas Bibliography Index

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Book SynopsisThe Alhambra is one of the most famous archaeological sites worldwide, yet knowledge of it remains very partial, focussing on the medieval palaces. This book addresses that imbalance, examining the adjacent urban and industrial zone. The Alhambra is one of the most famous archaeological sites worldwide, yet knowledge of the complex remains very partial, focussing on its medieval Nasrid palaces. Other aspects of the site are virtually unknown, not only to the general public but to archaeologists and historians as well. The Royal Workshops of the Almambra addresses this imbalance, examining the urban and industrial zone adjacent to the palaces. Once the most densely populated and extensive area of the complex, this zone, the Secano, contained houses, tanneries, and workshops including a considerable number of pyrotechnological facilities for the production of metal, glass and ceramic items. Presenting the results of the Royal Workshops of the Alhambra (UNESCO World Heritage Site) project, the book gives a much-needed insight into the industrial sector of the Alhambra. Crucially, the project focusses on the early modern era, when the manufacture of ceramic, glass and metal actually reached their peak. The opening chapters set the archaeological work and the Secano in context and discuss the methodology for archaeological investigation of pyrotechnological activity; while further chapters present the results of the research. Drawing on both traditional and ground-breaking survey and excavation techniques, the book provides an invaluable wide-lens picture of the palatial city.Table of ContentsList of Illustrations List of Contributors Foreword. Jesús Bermúdez López Introduction. Alberto García Porras & Chloë N. Duckworth Chapter 1. The Secano: the city of the Alhambra. María del Carmen Jiménez Roldán Chapter 2. A holistic and reflexive methodology for the archaeological investigation of pyrotechnological activity in the Alhambra. David J. Govantes-Edwards, Alberto García Porras, Chloë N. Duckworth & Eleonora Montanari Chapter 3. The modern kilns. José Manuel Ríos Jiménez & Miguel Busto Zapico Chapter 4. Geophysical and geochemical exploration of the industrial areas in the Alhambra. Kate Welham, Derek Pitman, Hayden Scott-Pratt, Josie Hagan, Chris Casswell, Ashley Green, Chloë N. Duckworth & Eleonora Montanari Chapter 5. The excavation of the area of the Secano in the Alhambra: Trench 1. Moisés Alonso Valladares & Alberto García Porras Chapter 6. The excavation of the area of the Secano in the Alhambra: Trench 2. Ben Moore & Eleonora Montanari Chapter 7. The pottery. Laura Martín Ramos, María José Peregrina Sánchez & Saúl Guerrero Rivero Chapter 8. Glass in the excavation of the Secano, the Alhambra. Almudena Velo Gala, Chloë N. Duckworth & David J. Govantes-Edwards Chapter 9. Furnaces at full blast: the demand for architectural ceramics for construction in the Alhambra (16th and 17th centuries). María Elena Díez Jorge Conclusions. Contributors

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Book SynopsisFar from simply being a centre of military and economic activity, the Ottoman Empire represented a vivid and flourishing cultural realm. The artefacts and objects that remain from all corners of this vast empire illustrate the real and everyday concerns of its subjects and elites and, with this in mind, Suraiya Faroqhi, one of the most distinguished Ottomanists of her generation, has selected 40 of the most revealing, surprising and striking.Each image - reproduced in full colour - is deftly linked to the latest historiography, and the social, political and economic implications of her selections are never forgotten. In Faroqhi's hands, the objects become ways to learn more about trade, gender and socio-political status and open an enticing window onto the variety and colour of everyday life, from the Sultan's court, to the peasantry and slavery. Amongst its faiences and etchings and its sofras and carpets, A Cultural History of the Ottomans is essential reading for all those interested in the Ottoman Empire and its material culture. Faroqhi here provides the definitive insight into the luxuriant and varied artefacts of Ottoman world.Trade ReviewSurayia Faroqhi, ottomanista affermata e attenta ai molteplici aspetti dell’artigianato, delle corporazioni e dei consumi in quel mondo articolato che è stato l’impero ottomano, ritorna con questa “Cultural history of the Ottomans…” sull’argomento, guardando soprattutto alla cultura materiale, affrontata in un rapporto costante con la storia economica, le relazioni internazionali, il mondo dell’arte e la storia della mentalità. La prima considerazione è che ci si trova di fronte a un contesto, quello ottomano, che non si è confrontato solo con l’Europa – in ciò che transfer tecnologico, apparato manifatturiero e correnti artistiche avevano rappresentato – ma ha guardato in molteplici direzioni, non ultimo quel mondo orientale che sicuramente per arti e tecniche non era stato certo inferiore al modello occidentale. L’impero ottomano era stato dunque in grado non solo di mediare tra influssi intercontinentali complessi ma anche, secondo le conclusioni della Faroqhi, di sottolineare la propria originalità. Certamente l’Autrice riconosce che in alcuni ambiti, come l’arte della stampa e la diffusione del libro, l’Occidente avrebbe rappresentato un esempio non sempre seguito dal mondo islamico, un aspetto questo che avrebbe giocato negativamente in un successivo confronto rispetto al mondo occidentale e a una successiva “affermazione” economica e istituzionale di quest’ultimo. E’ altrettanto vero però che l’articolata produzione di beni di lusso orientali (tappeti ottomani e persiani, seterie e porcellane cinesi, cotoni indiani, lavorazioni del cuoio e delle armi) aveva sicuramente rappresentato una corrente economica e artistica a cui il mercato europeo aveva costantemente guardato. Una dovuta attenzione è rivolta ai rapporti veneto-ottomani (considerati in uno scambio pressoché paritario sia sotto il profilo manifatturiero che artistico), ma è tutto il contesto internazionale che è stato analizzato con acribia e rara sensibilità dalla Faroqhi. Si è guardato dunque sia all’influsso francese (nella costruzione di palazzi e giardini) che a quello asburgico (la metallurgia e gli orologi di Augusta e Norimberga), come a quello indiano e cinese. Si è sottolineato ad esempio come i cotoni indiani fossero presenti da lunga data nel mercato interno ottomano attraverso la mediazione egiziana. Gli argomenti sono stati presentati con un approccio multidisciplinare in densi capitoli, traendo vantaggio da ciò che le conoscenze museali, tecnologiche, artistiche, letterarie possono darci, non dimenticando ciò che la storia della mentalità poteva significare nella costruzione del manufatto e dell’oggetto nobiliare. Un solo esempio è quello che ci è dato dal concetto di “dono” negli scambi diplomatici e nei rapporti internazionali. O ancora come le tre religioni (il cristianesimo, coniugato nella corrente armena e ortodossa, l’ebraismo e l’islamismo) avessero dei correlati precisi nel mondo artistico e manifatturiero. L’artefatto e la cultura materiale hanno permesso in definitiva alla Faroqhi di trasportarci in modo esemplare all’interno del cibo e della sua storia; nel sistema di moda e nell’abbigliamento, quali si svolgevano all’interno di classi sociali e di gruppi etnici molto diversi tra loro (una contrapposizione tra musulmani e le altre popolazioni rimase purtuttavia immanente); nell’approvvigionamento idrico delle città ottomane e di Istanbul in particolare; nella difesa di fronte ai pericoli che gli elementi naturali (“earth, water, air and fire”) rappresentavano. Un mondo ottomano che è stato rappresentato dall’iconografia occidentale (ma anche orientale, risultando molto incisivo l’influsso persiano) talvolta in modo artefatto e di maniera, attraverso modelli ripetitivi, non essendo sempre facile per gli “occidentali” e i veneziani di penetrare all’interno di moschee e di palazzi imperiali al fine di raffigurare in modo realistico i sultani dell’epoca e i loro costumi: turbanti, scarpe di seta, spade riccamente articolate. Non diversamente peraltro dall’iconografia europea i sultani erano spesso rappresentati come guerrieri vittoriosi a cavallo, anche se in realtà pacifici e attenti a politiche interne e legislative. Un mondo in definitiva di “artefacts” elitari (ma non solo, come abbiamo rilevato precedentemente), carico di storia e riflesso di una cultura identitaria e originale appassionante. Sappiamo da tempo che una supposta contrapposizione tra “Oriente” e “Occidente” fosse molto più articolata di quanto il confronto bellico ed economico potesse farci concludere. I rapporti, talvolta ostili talvolta diplomatici talvolta non belligeranti tra Venezia e il mondo ottomano sono in questo senso un ottimo esempio. Lo studio della Faroqhi ci ha offerto materiale abbondante e ricco di risvolti economici e artistici su cui riflettere, ricordandoci quanto l’attenzione che solitamente rivolgiamo alle nobiltà e ai contesti europei non deve risultare minore nei confronti di questo mondo. -- Salvatore Ciriacono * Nuova Rivista Storica, Turcica 49, 2018. *Table of ContentsList of Illustrations Acknowledgements Note on Transliteration Introduction Chapter 1 Re-using the work of past times and foreign lands Chapter 2 The Ottoman Sultan: victorious and pious Chapter 3 Society and its divisions Chapter 4 A world of three religions Chapter 5 Making war and peace: fighting, gift-giving and the delineation of borders Chapter 6 Eating and drinking, mostly from precious objects Chapter 7 Piles and piles of textiles and leathers Chapter 8 Earth, Water, Air and Fire: The gifts and perils of nature Conclusion Glossary Time-Line Bibliography

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Book Synopsis If memory was simply about past events, public authorities would never put their ever-shrinking budgets at its service. Rather, memory is actually about the present moment, as Pierre Nora puts it: “Through the past, we venerate above all ourselves.” This book examines how collective memory and material culture are used to support present political and ideological needs in contemporary society. Using the memorialization of the Troubles in contemporary Northern Ireland as a case study, this book investigates how non-state, often proscribed, organizations have filled a societal vacuum in the creation of public memorials. In particular, these groups have sifted through the past to propose “official” collective narratives of national identification, historical legitimation, and moral justifications for violence.Trade Review “Viggiani’s text is a thorough examination of many of the iconic artefacts of a forty-year-long conflict that has shaped the politics and memories of generations of people from all sides of The Troubles. In addition to her text, she has developed an extensive website which more fully examines the quantitative data she has collected… her work will not only add to the compendium of extant work but expand our existing knowledge on memorialization in areas of conflict and recovery.” ·Journal of Anthropological Research “This is an excellent book that makes a major contribution by presenting the most comprehensive study yet written on the meaning and significance, past and present, of the ubiquitous political memorials that mark the urban terrain of one of the most famously politically divided cities in the world.” · CritCom – Council for European Studies “Viggiani successfully chronicles both intergroup and intragroup forces and rivalries, while also exploring the makers and receivers of the emplaced narratives produced by multiple actors. The book is a valuable contribution to the anthropology of memory and of materiality, and it is also a timely reminder of the presence and prominence of substate and non-state agents in a world where it is often still assumed that states have a monopoly not only on power but on knowledge.” · Anthropology Review Database “This is an excellent piece of work, one of the best of its kind. The ethnographic approach, with the actual testimonies, is very well done.” · Jack Santino, Bowling Green State University “This is an excellent account of the reproduction of collective memory and its associated narratives. It delves into the nature and construction of memory and the related forms of propaganda and myth making therein. The inquiry into the construction of memorialization is vital for any scholar of divided societies, nation-building and community construction. The book is important in that it not only describes the processes of such construction but also pinpoints an analysis of the interpretation of meaning.” · Peter Shirlow, Queen’s University BelfastTable of Contents List of Figures List of Tables Foreword by Hastings Donnan Acknowledgments List of Abbreviations Introduction: Memorials as Silent Extras or Scripted Actors? Book Outline Chapter 1. Collective Memory and the Politics of Memorialisation: a Theoretical Overview Memory in the Social World: Collectiveness versus Individuality The Shaping of Collective Memory: Present versus Past Lieux de Mémoireas Conveyors of Social Memory Politicised Remembering: the Nexus between Memory and Power The Politics of War Memory and Commemoration The Memory Makers and the Projection of Narratives about the Past Methodological Framework Database of Memorials Survey of Local Population Interviews Commemorations Chapter 2. The Armalite and the Paintbrush: a Brief History of Memorialization of the Troubles in Northern Ireland Commemorating during the Troubles Funerals and Communal Burials Annual Commemorations The Mural Painting Tradition in Northern Ireland The Early Years Armed Struggle and Party-political Murals Post-ceasefire and Peace Process Murals The 1998 Agreement and the ‘Boom’ of Permanent Memorialization Post-Agreement Murals Permanent Memorials Memorials to Paramilitary Combatants Memorials to Civilian Casualties Memorials to Security Forces Memorials in Government Buildings, Party Offices, Workplaces and Churches Commemorative Banners and Memorial Bands Memorial Publications, Commemorative Pamphlets and Oral History Projects Memorial Prizes, Awards and Trophies Post-conflict Commemorations Peace or Cross-community Memorials Chapter 3. The ‘Landscape of Memorialization’ in Belfast: Spatial and Temporal Reflections ‘New’ Cultural Geography and the Concept of Landscape as ‘Text’ Belfast and the Ethnicization of Space The Spatial Dimension of Memorialization Memorials as Territorial Markers Memorials as Aide-Mémoires Memorials as Sacred Places The Temporal Dimension of Memorialization Memorials: End of the War or Continuation through Different Means? Memorials: still here or never again? Memorials as Identity ‘Crutches’ Chapter 4. The ‘Memory Makers’ and the Projection of Narratives of the Troubles Individual ‘Stories’ versus the Collective ‘History’ of the Troubles: the Power of the Narrative Republican and Loyalist Memorials: the Projection of Opposing Narratives of The Troubles Two Imagined Communities: Creating a Symbolic National Identification Cherry-picking from History: Opposing Versions of a Shared Past Ancestries of Resistance: Manufacturing Genealogies Forgetting to Remember: Social Amnesia and Euphemization Delegitimizing the Enemy: Demonization and Stigmatization Talkative Dead Bodies: the Politics of Commemorations Chapter 5. The Clonard Martyrs Memorial Garden: Constructing a Dominant Republican Narrative The 1998 Agreement and the Prisoners’ ‘Issue’: the Formation of Ex-prisoners’ Groups The Greater Clonard Ex-Prisoners’ Association Enlisting the ‘Unsung Heroes’ in the Republican Narrative: Local History and Memorial Projects The Clonard Martyrs Memorial GardeN Planning Permission and Relationship with Local Authorities Funding, Building Materials and Manpower Construction of a Successful Dominant Narrative: Iconography, Language and Historical Selection Perpetuating Collective Memory: Periodic cCommemorations in Clonard Chapter 6. The IRSP/INLA Teach Na Fáilte Memorial Committee: Constructing a Sectional Republican Narrative The IRSP/INLA Teach Na Fáilte Memorial Committee Reclaiming a Place in History for the INLA: the 1981 Hunger Strike Advancing a Sectional Narrative of the Troubles: the Belfast Teach Na Fáilte’s Memorial Programme Unveiling ceremonies Provisional Republican and Republican Socialist Commemorations Opposing the Dominant Republican Narrative: Post-1998 Republican Socialist Rhetoric Chapter 7. The 1913 UVF and the Myth of the Somme: Constructing a Loyalist ‘Golden Age’ ‘Lest We Forget’: Loyalist Landscape of Memorialization ‘From the Battlefields of the Somme to the Barricades of the Shankill’: Borrowing Legitimacy Mainstream Unionism, Republicanism and the Modern UVF Narrative Disraeli Street: an Iconic Cluster of Memory Loyalist Commemorations in Memory of Paramilitary Casualties Changing with the History Tune: the Evolution of the UVF Narrative Chapter 8. The UDA Sandy Row Memorial Garden: Attempting a Narrative of Symbolic Accretion ‘You Are now Entering Loyalist Sandy Row’ Tiptoeing through History in Search of Illustrious ‘Forefathers’ The Sandy Row Memorial Garden: Attempting to Appropriate the Myth of the Somme Lay Out and Iconography Role of Families in the Memorial Process Remembrance Day ‘What the World Needs now Is Love, Sweet love’: 2007 UDA Remembrance Sunday ‘Awakening the Sleeping Giant’: Macro and Micropolitics at Commemorations Chapter 9. Dissecting Consensus: Memory Receivers and the Narrative’s ‘Hidden Transcript’ Paramilitary Groups and Local Communities: a Complex Relationship Coexisting in Ambivalence: Memorials and Local Residents Consultation and ‘Ownership’ Cohabiting the Same Space Reasons behind Memorialization Social Memory Territorialization Historical Change Politico-ideological Exercise Chapter 10. The Memory of the Dead: Seeking Common Ground? At Last, a Common Ground in Northern Ireland? Appendix A: List of Memorials Appendix B: Emblems and Flags Bibliography Index

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Book Synopsis Metaphor, as an act of human fancy, combines ideas in improbable ways to sharpen meanings of life and experience. Theoretically, this arises from an association between a sign—for example, a cattle car—and its referent, the Holocaust. These “sign-vehicles” serve as modes of semiotic transportation through conceptual space. Likewise, on-the-ground vehicles can be rich metaphors for the moral imagination. Following on this insight, Vehicles presents a collection of ethnographic essays on the metaphoric significance of vehicles in different cultures. Analyses include canoes in Papua New Guinea, pedestrians and airplanes in North America, lowriders among Mexican-Americans, and cars in contemporary China, Japan, and Eastern Europe, as well as among African-Americans in the South. Vehicles not only “carry people around,” but also “carry” how they are understood in relation to the dynamics of culture, politics and history.Trade Review “The essays in this collection offer fresh perspectives on the social role of transportation. I appreciated the weight given to Pacific cultures, which are not as common in conversations about mobility writ large. Though they do undoubtedly use anthropological methods and ask anthropological questions, they also model innovative ways for discussing how technologies enable their drivers and passengers to engage in an embodied relationship to the past.” · Technology and Culture “…the book succeeds in demonstrating that vehicles of all sorts may powerfully affect our ways of looking at the world, even as they help us travel through it.” · Transfers “This edited volume compiles a set of original ethno-graphic case studies focusing on the diverse ways vehicles that convey people through geospatial territory and also convey metaphorical meanings and constructions of the moral…while there has been plenty of attention given to what vehicles signify, there has been little given to how vehicles signify, which is precisely where this book.” · Anthropos “This volume, Vehicles, is exceptionally important not only for anthropology but for other scientific fields as well. It addresses a core human activity, driving, which appears likely to become a relic of, primarily, the 20th century.” · Anthropological Notebooks “This book offers ethnographic journeys into the daily work of cultural imaginations by giving attention to what is generally neglected: their vehicles. Not only functional supports or futile material dresses, cars, boats or planes are here delightedly addressed as morale-boosting devices engaged in situated social relations… These essays show that vehicular units are always participation units—they are always vernacular units of cultural agency.” · Pierre Lanoy, Université Libre de Bruxelles “…An excellent and original volume, a fine example of what comparative anthropology can achieve. Furthermore, in addition to its main topic and objectives (about particular metaphors, what they ‘do’ and how they ‘work’), it addresses key issues in the study of objects, material culture, and techniques, namely the involvement of materiality in non-verbal communication.” · Pierre Lemonnier, Université d'Aix-MarseilleTable of Contents List of Figures Acknowledgements Introduction: Charon's Boat and Other Vehicles of Moral Imagination David Lipset PART I: PERSONS AS VEHICLES Chapter 1. Living Canoes: Vehicles of Moral Imagination among the Murik of Papua New Guinea David Lipset Chapter 2. Cars, Persons, and Streets: Erving Goffman and the Analysis of Traffic Rules Richard Handler PART II: VEHICLES AS GENDERED PERSONS Chapter 3. "It's Not an Airplane, It's My Baby": Using a Gender Metaphor to Make Sense of Old Warplanes in North America Kent Wayland Chapter 4. Is Female to Male as Lightweight Cars Are to Sports Cars?: Gender Metaphors and Cognitive Schemas in Recessionary Japan Joshua Hotaka Roth PART III: EQUIVOCAL VEHICLES Chapter 5. Little Cars that Make Us Cry: Yugoslav Fića as a Vehicle for Social Commentary and Ritual Restoration of Innocence Marko Živković Chapter 6. “Let’s Go F.B.!”: Metaphors of Cars and Corruption in China Beth E. Notar Chapter 7. Barrio Metaxis: Ambivalent Aesthetics in Mexican American Lowrider Cars Ben Chappell Chapter 8. Driving into the Light: Traversing Life and Death in a Lynching Reenactment by African-Americans Mark Auslander Afterword: Quo Vadis? James W. Fernandez Notes on Contributors Index

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Book SynopsisThis book is about how water becomes people – or, put another way, how people and water flow together and shape each other. While the focus of the book is on the relationships held between water and people, it also has a broader message about human relationships with the environment generally – a message that illustrates not only that people are existentially entangled with the material world, but that the materials of the world shape, determine and enable humans to be ‘humans’ in the ways that they are. Offering a selection of anthropological examples from Kenya, Wales and Spain to illustrate how water’s materiality coproductively generates the way people are able to engage with water, this book uses cross-disciplinary perspectives to provide and promote a new analytic – one that encourages ethical, holistic and sustainable relationships with the world around us. This approach challenges representations that ignore, sidestep or are blind to the fleshy materiality of being human, and aims to encourage a re-imagining of the world that acknowledges humanity as intrinsically active-with and part of the fabric of the collection of materials we call planet Earth.Table of ContentsAcknowledgements Preface Part One Chapter 1: Introduction The direction and purpose: New Materialities Materiality/Material Culture/ New Materialities Why water? People: bodies and water Agency Chapter 2: Water Behaviours: A Brief Ethnography of Water What is water? First light, then water Being liquid: physics, classifications, breaking the law and transformation How can one know water? Liquid behaviours The importance of movement: molecular sociology Solvents and solutions But how does water move? Circles, cycles and snakes The earth and the air Water: the shape of life and when water is human Chapter 3: Resource or Source: How to Approach Water in the Time of Climate Change Part Two Chapter 4: Introduction to Part Two Chapter 5: The Giriama in Kenya: Living with Drought Water practices: rain, roofs, rivers and water basins Headcarrying: water shaping gendered bodies Giriama conceptions of water Fu ha mwenga: fluidity and identity Watery identities Identity solutions: blending place, power and water MaKaya: home from home Giriama waters and authenticity: understanding the materiality of water Chapter 6: Lanjaron, Spain Slow water: glaciers, ice and snow The Moorish influence: hydrologers Invisible waters Not all waters are equal Mineral water: healing and destruction Change: festivities and water The ritual Chapter 7: Welsh Water: The Resourcefulness of Water Establishing Welsh water: then and now The language of water Discourses of deluge Water relationships, powers and control Memories of floods and flooding Water and memory: remember Tryweryn Yma o hyd (Still here) Chapter 8: Concluding Remarks References Index

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Book SynopsisWhat role do material objects play in the in-situ, embodied and spatial circumstances of interaction? How do people organize their embodied conduct with regard to such objects, and how is this consequential in and for their work practices? In this volume, contributors focus on these questions in terms of connections between ongoing courses of interaction within work practices, object materiality and mobility in space, bodily movement and manipulation of objects, and language. The chapters in this book address a broad range of settings and actions (including dressmaking, foreign language teaching, international business meetings and forklift driving) where a variety of objects become relevant.Trade ReviewThis multidisciplinary collection, from respected and experienced researchers, not only extends prior work on social interaction but constitutes a critique of past research that has programmatically ignored the materiality that research subjects use or make relevant in the course of their activity. * Curtis LeBaron, Brigham Young University, USA *Reading this collection may change how you take your shoes back for repair and it will certainly, if you are researching interaction, bring objects to the centre of your attention. Across a stimulating array of settings it charts objects’ place in progressing, spatialising and designing actions, and being the achievement of actions themselves. * Eric Laurier, University of Edinburgh, UK *Nothing shows more vividly than this book how much the study of communication has changed: the production of meaning and the making of the material world are now understood to be intricately intertwined at every moment, and that intertwining has become the focus of rigorous and systematic research. * Jürgen Streeck, The University of Texas at Austin, USA *Through a systematic and detailed examination of objects’ categorical and sequential consequences for actions and interactions, this volume will interest researchers and practitioners in language and social interaction, communication and discourse and related disciplines. -- Zeng Xiaorong and Chen Zeyuan, Jiangxi Agricultural University, China * Discourse Studies 22(3) *Table of ContentsIntroduction. Dennis Day and Johannes Wagner: Objects, Bodies and Work Practice Transcription Conventions Part 1: The Role of Objects for the Progressivity of Action Chapter 1. Maurice Nevile: Objects of Agreement - Placing Pins to Progress Collaborative Activity in Custom Dressmaking Chapter 2. Anne-Sylvie Horlacher: Workplace Asymmetries and Object-Passing in Hair Salons Chapter 3. Chiara M. Monzoni, Basil Sharrack, Markus Reuber: Informing and Demonstrating: Manipulating Objects and Patients’ Participation in Shared-Decision-Making Part 2: Spatial Aspects of Objects in Interaction Chapter 4. Dennis Day and Gitte Rasmussen: Interactional Consequences of Object Possession in Institutional Practices Chapter 5. Elwys De Stefani: Ordering and Serving Coffee in an Italian Café: How Customers Obtain ‘Their’ Coffee Part 3: Objects in the Service of Preparing for a Possible Future Chapter 6. Trine Heinemann and Barbara Fox: Dropping Off or Picking Up?: Professionals’ Use of Objects as a Resource for Determining the Purpose of a Customer Encounter. Chapter 7. Maurice Nevile and Johannes Wagner: Objects in Motion: ‘I’m Just Behind You’ and Other Warnings in Forklift Truck Driving Part 4: Objects as Interactional Accomplishments Chapter 8. Mie Femø Nielsen: Adjusting or Verbalizing Visuals in ICT Mediated Professional Encounters Chapter 9. Spencer Hazel and Kristian Mortensen: Designedly Incomplete Objects as Elicitation Tools in Classroom Interaction Chapter 10. Giolo Fele: Olfactory Objects. Recognizing, Describing, and Assessing Smells During Professional Tasting Sessions Postscript. Aug Nishizaka: Thing and Space

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Book Synopsis Departing from an ethnographic collection in London, From Storeroom to Stage traces the journey of its artefacts back to the Romanian villages where they were made 70 years ago, and to other places where similar objects are still in use. The book explores the role that material culture plays in the production of value and meaning by examining how folk objects are mobilized in national ideologies, transmissions of personal and family memory, museological discourses, and artistic acts.Trade Review “A good book… The author’s ethnographic work brings a unique perspective on these issues.” • Adam Drazin, University College LondonTable of Contents List of Figures Acknowledgements PART I: OBJECTS DEFINED Introduction: Where a Collection Can Take You Chapter 1. Framing the Object PART II: OBJECTS KEPT Chapter 2. Unfolding the Past: The Context of the Archives Chapter 3. Out of the Wardrobes PART III: OBJECTS IN PLACE Chapter 4. Bringing It All Back Home Chapter 5. Houses of Modernity Chapter 6. Reconfigurations of the Public Space PART IV: OBJECTS ON STAGE Chapter 7. The Boundaries of Folclor Chapter 8. Folklore Stars Conclusion: What Does ‘Folklore’ Do? References Index

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Book SynopsisMedical knowledge manifests in materials, and materials are integral to the reproduction of medical knowledge. From the novice student to the expert practitioner, those who study and work in and around medicine rely on material guidance in their everyday practice and as they seek to further their craft. Students, just as experts, pore over textbooks, photographs and films. They put up and copy down chalkboard illustrations, manipulate plastic models and inspect organic specimens fixed in formalin. They pass through grand university libraries and try not to contaminate anything in cramped surgical theatres. Students, just as experts, learn within an expansive material culture of medicine, they learn from explicitly educative materials, from the workaday tools used for diagnosis and in treatment, they learn in everyday spaces and as part of sprawling infrastructures. While the specific constellation of material varies across time and space, many materials have remained constant, key actors in the spread of medical practices and in the steady, global expansion of biomedical frameworks of health and disease. This collection focuses on the materials, objects, tools and technologies which facilitate the reproduction of medical knowledge and often reify understandings of medical science. The training of doctors is changing rapidly in response to technological development as well to the evolving needs and expectations of patients. Medical schools are beginning to respond to these challenges through curricula redesign and the purchase or endorsement of new teaching aids, simulations and pedagogies. Often, this means that medical schools are embracing the digital at the expense of older teaching materials. Medical education is at a critical juncture and there is momentum to radically rethink its approaches. This collection offers a reflection on these challenges by presenting an innovative and expansive overview of the role of materiality in the training of doctors and in the social reproduction of medicine in general. Experimental in form, and with ethnographic, museological and historical cases, and traces from around the world, this edited volume is the first to fully explore the matter of medical education in the modern world. Supported by the European Research Council under the European Union’s Horizon 2020 research and innovation programme. An academic text, it will be most relevant to academics and graduate students in the fields of health and material culture, but will also have a wider readership with those working on medical education and knowledge and medical historyTrade Review'A commendable feature of the collection’s exploration is the bringing together of contributions from historians, anthropologists, artists and curators, educators, surgeons and pathologists. In doing so, the collection offers interdisciplinary investigations and equips the reader with a thoughtful and critical understanding of educative technologies. [...] Overall, the collection is meticulously researched and well-written. It is a rewarding book as it is creative and experimental in its approach, and engages with new and familiar topics from interdisciplinary perspectives. The collection will certainly be a key text in inviting and guiding researchers to study the material culture of medicine’s objects of teaching.' -- Rory du Plessis, Social History of Medicine'What is novel in the collection is its invention and ingenuity in trying to reach new audiences outside of Science and Technology Studies (STS). Doctors, artists and educators all feature as authors and participants in the essays, and often essays find experimental ways to explore the terrains of medical education. Uniting these various interlocutors is the consideration of how materials shape knowing. [...] There is a degree to which to know something one must do that something. To know how to steer a boat, one should get as close to the rudder as possible, should feel more closely the way that the water pushes against the instrument as it carves through its surface. One can’t learn at a distance. In Making Sense of Medicine, this collection suggests that we need to reposition ourselves, move our hand closer to the rudder. I am inclined to agree.' -- Max Perry, The PolyphonyTable of ContentsIntroduction: What Matters in Medical Education? – John Nott and Anna Harris ARCHITECTURE / Designing a Discipline: Architecture for Pathology in the Interwar Period – Annmarie Adams ART / Objectivity, Art and Medical Images – Sally Wyatt BALLOONS / Lessons from a Balloon – Christine den Harder and Anna Harris CADAVERS / The Geography of the Dead and the Movement of the Living: Kinetic Consciousness and the Limits of the Cadaver – Rachel Prentice CHALKBOARDS / Anatomy of the Chalkboard – Rachel Vaden Allison CIGARETTE PAPERS / The Cigarette Paper, the Embroiderer, and the Gendered Craft of Vascular Surgery – Paul Craddock CIRCULATION / Circulated Concepts, Images and Objects – Harro van Lente DISSECTING ROOMS / ‘The Lady Anatomist’: Fragmented Bodies, Photographic Assemblage and the ‘Art’ of Dissection at Woman's Medical College of Pennsylvania, 1895–98 – Jessica M. Dandona FILM / ‘See For Yourself’: Autopsy Film as Audio-Visual Mediation of Learning Experiences, c.1928–1962 – Christian Bonah and Joel Danet FILM / ‘Now We Are Going to Look at a Piece of Film’: Projecting Medicine in Twentieth Century Medical Education – Angela Saward GARDENS / Groundwork for Planetary Health: Reimagining Gardens in Medical Education – Stacey Langwick and Mary Mosha GLOVES / The Context of Touch: Gloves and the Pelvic Exam – Kelly Underman HANDBOOKS / Chinese Medical Illustrations and Communist Materialism, 1950-1966 – Lan Li HEARTS / The Heart of the Simulated Matter: Interprofessional Training Practices of Clinical Care – Ivana Guarrasi ILLUSTRATIONS / Performed with Care: Enacting Accuracy in Medical Illustration – Drew Danielle Belsky ILLUSTRATIONS / Material Images: Flesh on Paper in Twentieth-Century Surgical Drawing – Harriet Palfreyman ILLUSTRATIONS / The Radford Collection: Exploring and Experiencing the Mid-Nineteenth-Century Midwifery Lecture – Rebecca Whiteley LABOUR / Invisible Work – Sally Wyatt MICROSCOPES / The Virtual Microscope: Tracing Knowledge of Human Microstructure Through Digital Images – R. Claire Aland, Nicole Shepherd, Belinda Swyny and Mary-Louise Roy Manchadi MUSEUMS / The Pathology Museum at Korle Bu – Robert Kumoji and John Nott NURSERVERS / The Nurserver – David Theodore PHOTOGRAPHS / Typologies of Fatness: Constitutional Photography in Western Medicine, c.1930-60 – Anne Katrine Kleberg Hansen PLACE, AND AFFECT / Matters of Place and Affect – Rachel Vaden Allison and John Nott PROPS / Props in Breaking Bad News Simulation – Kaisu Koski and Kirsten Ostherr RADIOGRAPHS / Lasers, Screens and Models: The Material Assemblages of Learning Pattern Recognition in Radiography Education – Peter D. Winter SIMULATIONS / Simulations in Health Professions Education – Andrea Wojcik SKULLS / Medical Museums, Materiality, and the Traumatic Brain Injury of Phineas Gage – Denielle Elliott with Dominic Hall STETHOSCOPES / This Thing, A Stethoscope – Claire Wendland TEXTILES / Materialities of Surgery: Learning Through Thread – Roger Kneebone and Fleur Oakes ULTRASOUNDS / Developing Ultrasound: Knowledge Dissemination and Technological Change, 1945-1980 – Jakob Lehne WOUNDS / The Fake Wound: Thinking Through Materials in Osce Simulations – Andrea Wojcik, Victor Mogre, Anthony Amalba, Celia Yamile Rodriguez and Francis A. Abantanga ZEBRAS / Zebras, not Horses: On Limits and Margins of Biomedical Knowledge – Candida F. Sanchez Burmester Notes on Contributors Index

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Book Synopsis The Sonderkommando—the “special squad” of enslaved Jewish laborers who were forced to work in the gas chambers and crematoria of Auschwitz-Birkenau—comprise one of the most fascinating and troubling topics within Holocaust history. As eyewitnesses to and unwilling abettors of the murder of their fellow Jews, they are the object of fierce condemnation even today. Yet it was a group of these seemingly compromised men who carried out the revolt of October 7, 1944, one of the most celebrated acts of Holocaust resistance. This interdisciplinary collection assembles careful investigations into how the Sonderkommando have been represented—by themselves and by others—both during and after the Holocaust.Trade Review “Overall, the collection offers exciting and also new perspectives on the representations of the Sonderkommando and it will be interesting for researchers from different disciplines.” • H-Soz-Kult “This is yet another outstanding book from Nicholas Chare and Dominic Williams. Each chapter offers an interesting perspective and keen insights into the Sonderkommando, the Scrolls of Auschwitz, and Holocaust representation, and I came away with new appreciation for them all.” • Sarah Cushman, Northwestern University “Testimonies of Resistance is an important volume that addresses a topic that has not been explored in sufficient depth so far, connecting it to crucial debates on the “gray zone,” resistance, and moral action. It is a vital contribution to the field of Holocaust Studies and beyond.” • Svenja Bethke, University of LeicesterTable of Contents List of Figures and Tables Foreword Anne Karpf Acknowledgements Note on Transliteration Introduction: Testimonies of Resistance Nicholas Chare and Dominic Williams Part I: Historical and Ethical Questions of Representation Chapter 1. Knowing Cruelty: The Negation of Death and Burial in SS Violence Griselda Pollock Chapter 2. What Makes the Grey Zone Grey? Blurring Factual and Ethical Judgements of the Sonderkommando Dominic Williams Part II: Witnessing from the Heart of Hell Chapter 3. Farewell Letter from the Crematorium: On the Authorship of the First Recorded ‘Sonderkommando-Manuscript’ and the Discovery of the Original Letter Andreas Kilian Chapter 4. To Read the Illegible: Techniques of Multispectral Imaging and the Manuscripts of the Jewish Sonderkommando of Auschwitz-Birkenau Pavel Polian and Aleksandr Nikityaev Chapter 5. ‘Like a True Greek’: The Last Will and Testimony of Marcel Natzari K.E. Fleming Chapter 6. Disinterred Words: The Letters of Herman Strasfogel and Marcel Nadjary Nicholas Chare, Ersy Contogouris and Dominic Williams Chapter 7. The Letter of Herman Strasfogel Translated by Ersy Contogouris Chapter 8. The Letter of Marcel Nadjary Translated by Ersy Contogouris Chapter 9. The Religious Life of Sonderkommando Members inside the Killing Installations in Auschwitz-Birkenau Gideon Greif Part III: Retrospective Representations Chapter 10. Doubly Cursed: The Sonderkommando in the Documents of the International Tracing Service Dan Stone Chapter 11. Enduring Witness: David Olère’s Visual Testimony Carol Zemel Chapter 12. The Sonderkommando and the Auschwitz-Birkenau Memorial Museum Dominic Williams and Isabel Wollaston Chapter 13. Early and Late Testimonies of the Sonderkommando Survivors Gideon Greif Chapter 14. From Special Operations Executive to Sonderkommando: Sebastian Faulks and the Anxiety of Invention Sue Vice Chapter 15. Out of the Plan, Out of the Plane 2: Stripping, Fourth Letter to Gerhard Richter Georges Didi-Huberman Chapter 16. Greeks in the Birkenau Sonderkommando: Representation and Reality Steven Bowman Part IV: Cinema and the Sonderkommando Chapter 17. ‘We Did Something’: Framing Resistance in Cinematic Depictions of the Sonderkommando Barry Langford Chapter 18. ‘We Can’t Know What We’re Capable Of ’: Approaching the ‘Grey Zone’ in Holocaust Film Adam Brown Chapter 19. The Sonderkommando on Screen Philippe Mesnard Afterword: Tracing Topographies of Memory and Mourning Victor Jeleniewski Seidler Index

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Book Synopsis Discussing multiple aspects of material culture and domestic consumption, this book tackles the relationship between the trajectories and biographies of people, families, houses and objects and how they intertwine and produce each other. Focusing on the life stories of a group of European and Catholic Brahmin Goan families of the colonial elite who left Mozambique after the country's independence in 1975, the book shows how material culture interferes with structuring dimensions of migratory experiences, in the management of family memories, ties and networks of belonging, as well as in the social dynamics of positioning, hierarchy and distinction.Table of Contents List of Illustrations Foreword Caroline Brettell Acknowledgements Introduction Chapter 1. Movement, Materiality and Domestic Life: An Anthropological Approach Chapter 2. The Portuguese Third Empire: Colonialism, Revolution and Late Decolonization Chapter 3. Migrating to Africa: New Contexts, New Peoples, Old Social Issues Chapter 4. Life in Colonial Mozambique: A Domestic Material Culture Approach Chapter 5. Out of Africa: The Materiality of Loss and Displacement Chapter 6. Life in Democratic Portugal: A Domestic Material Culture Approach Conclusion References Index

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Book Synopsis A range of meaningful objects—exhibits of human remains or live people, fetishes, objects in a Catholic Museum, exotic photographs, commodities, and computers—demonstrate a subordinate modern consciousness about powerful objects and their ‘life’. The Spirit of Matter discusses these objects that move people emotionally but whose existence is often denied by modern wishful thinking of ‘mind over matter’. It traces this mindset back to Protestant Christian influences that were secularized in the course of modern and colonial history.Trade Review “I consider this to be a brilliant piece of research creating a highly original intervention in material culture studies. In particular the debates on materiality and matter and the intellectual history of the concept of fetishism and its transformation of meaning in Europe from the 16th century to the present.” • Michael Rowlands, University College London “[A book] with considerable value. It is a compelling read, that has some important interventions to make concerning the nature of the material within modernity.” • Jon Mitchell, University of SussexTable of Contents List of Figures Preface Acknowledgments Part I: Introduction Chapter 1. The Auto-Icon, or: What a Secularist Relic Says about Modern Dematerializations Chapter 2. Towards a Methodology of the Concrete Part II: Fetish and the Fear of Matter Chapter 3. The Spirit of Matter: On Fetish, Rarity, Fact and Fancy Chapter 4. The Modern Fear of Matter: Reflections on the Protestantism of Victorian Science Part III: Do Catholics See Things Differently? Chapter 5. Trophy and Wonder, or: Bodies at the Exhibition Chapter 6. Africa Christo! The Materiality of Photographs in Dutch Catholic Mission Propaganda, 1946-1960 Chapter 7. “I am Black, but Comely”: Mission, Modernity and the Power of Objects in the Afrika Museum, Berg en Dal Chapter 8. Conclusion: The Powers of Miming “Africa” Part IV: The Time of Things Chapter 9. Things in Time: Commodity Fetishism before Advertising Chapter 10. False Consciousness? The Rise of Advertising In Lieu of a Conclusion: The Future of Things References Index

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