Material culture Books

Book SynopsisFrom the The New York Times best-selling author of Cod and Salt, a definitive history of paper and the astonishing ways it has shaped today’s world.Trade Review"The history of paper is a history of cultural transmission, and Kurlansky tells it vividly in this compact, well-illustrated book." -- The New York Times"Kurlansky’s book is published with a deckle edge finish, a process that replaces the regular clean-cut trim of a page with a jagged, pulped roughness... It is a beautiful thing to hold and feel, and it presents a fine argument for the retention of paper as an aesthetically lusty object, let alone one that’s thrived through centuries of change." -- The Observer"Kurlansky expertly argues a case for its [paper's] continuing survival." -- The Scotsman"Kurlansky... explains how something so simple came to play such a vital part in history." -- The Sunday Business Post"Paper is not what you would call a learned book, but one learns an awful lot from it, all packaged in Kurlansky’s whipsmart prose." -- The Times

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Book SynopsisTrade Review"One of the virtues of Whitfield’s approach is that she is able to range far and wide among the various peoples, cultures, and polities of Eurasia and Africa. Though half of her ten chapters deal with objects that were excavated within the present-day boundaries of China—a reflection of the longstanding Sinocentric bias in the field of Silk Road studies—Whitfield goes to great lengths to contextualize these finds within broader Eurasian networks of exchange far outside of China." * Silk Road Journal *"Whitfield certainly seems to have identified a theme worth pursuing: the objects of the Silk Road are fascinating and a single object can encompass within it huge swathes, geographical and chronological, of human history." * Asian Review of Books *"In Silk, Slaves, and Stupas, Susan Whitfield reminds her readers once again why she so thoroughly deserves her reputation as one of the most accomplished of all Silk Road scholars. [The book] demonstrates the author's command of all facets of Silk Road studies, and also her ability to unfold the story of this important period and process in word history by moving seamlessly from the particular to the general, from a single object to an entire field of research." * Central Asian Survey *‘Whitfield’s new book provides us with a brilliant example of how material history should be written.’ * Journal of Asian Studies *"...this is an impressive and comprehensive work, one that can easily be envisaged as a primer for a university course that introduces the principal themes of the Silk Roads. There is much here too, though, for more established scholars working in part or all of this field thanks to Whitfield's research, which is up to date with the latest thinking on manumission of slaves, on the construction of Buddhist stupas, or the techniques of glass making. Susan Whitfield has written a rather wonderful book; it will serve as a gateway that will inspire future generations of scholars to follow in her footsteps." * Journal of Medieval Worlds *"The level of detailed evidence that [Whitfield] unearths . . . is both impressive and enticing." * Journal of World History *"A page-turner comparable to a good detective story." * International Institute for Asian Studies *"All these [Silk Road] objects have intriguing stories to tell, and Susan Whitfield succeeds impressively in giving them a voice." * New Global Studies *"Kaleidoscopic. . . . A pleasure to explore and will delight readers from a wide sphere." * Asian Perspectives: The Journal of Archaeology and the Pacific *Table of ContentsList of Illustrations Acknowledgments Note on Transliteration and Names Introduction 1 • A Pair of Steppe Earrings 2 • A Hellenistic Glass Bowl 3 • A Hoard of Kushan Coins 4 • Amluk Dara Stupa 1 5 • A Bactrian Ewer 6 • A Khotanese Plaque 7 • The Blue Qur?an 8 • A Byzantine Hunter Silk 9 • A Chinese Almanac 10 • The Unknown Slave Bibliography Index

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Book SynopsisTrade Review"With its copious fine illustrations and lucid exposition, this is an extraordinary resource for the teacher of Greek archaeology."---Robin Osborne, World Archaeology"In this significant reinterpretation, Arrington convincingly maintains that material culture and knowledge did not flow from East to West just through multiethnic elites; it also flowed through the interactions of non-elites."---C. C. Kolb, Choice Reviews"In his wonderfully stimulating book, Nathan Arrington has the people on the margins of 7th-century Attica have their voices roaring back into the debate. . . . [It] should be read by anyone interested in the subaltern perspective, artistry and pottery, as well as the historiography behind many of the discipline’s accepted assumptions."---Roy van Wijk, The Classical Journal"This is an inspiring book. It is not only well researched, nicely illustrated and elegantly written, but it offers a whole range of new perspectives on the Protoattic style and its wider context, with the objects themselves (and their agency) taking center stage."---Maximilian Rönnberg, Bryn Mawr Classical Review"Thought-provoking and ambitious…[t]his unconventional volume – beautifully phrased and engagingly written – is very clear and well structured, with numerous high-quality images helping readers to follow [Arrington’s] descriptions and readings of the vases."---Adriano Orsingher, The Classical Review"[A] beautifully written book, based on substantial and thorough research. . . . Moving away from the “Orientalizing” paradigm, Arrington succeeds in bringing to the forefront artists, immigrants, and multicultural communities, while challenging the elite connotations of the Proto-Attic pottery. This book, well produced and richly illustrated, is a positive contribution to the literature on seventh-century BCE Attica for students and scholars alike."---Vicky Vlachou, American Journal of Archaeology"[F]ascinating and ground-breaking. . . . [Athens at the Margins] is an intelligent, very well written, and well-presented book."---Conor Trainor, Sehepunkte

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Book SynopsisTrade Review"Winner of the Ralph Gomory Prize, Business History Conference""Finalist for the PROSE Award in European History, Association of American Publishers""[A] sweeping economic, social and cultural history of central Europe. . . . unorthodox and engaging."---Marc Levinson, Wall Street Journal"A wide-ranging and thorough study. . . . this is a riveting story, well told . . . by Marchand, who illuminates so much in an original and entertaining way."---Tim Blanning, Literary Review"As Suzanne Marchand shows in her meticulous new book, porcelain has been integral to German life since its reinvention in Saxony in 1708." * The Economist *"As an economic-business history, Marchand's work is a landmark achievement. . . . Porcelain is a monumental achievement in scope and breadth in illuminating porcelain's European beginnings and its increasingly fragile position in the markets of the present."---Megan Brandow-Faller, Central European History"Marchand paints a colourful picture of the day-to-day life of porcelain factories."---Caroline McCaffrey-Howarth, Apollo"To weave together cultural, economic, and social history so masterfully takes great historiographical experience and skill. All those who are interested in nineteenth-century German intellectual history admire Suzanne Marchand’s books on the reception of classical antiquity and orientalism. Now she has surprised us with something completely new"---Jürgen Osterhammel, Frankfurter Allgemeine Zeitung"Marchand, a specialist in German history, writes with clarity."---Norma Clarke, Times Literary Supplement"The remarkable achievement of Suzanne Marchand’s new book, Porcelain, which focuses especially on Germany, is that she moves beyond the celebrated age of discovery in the eighteenth century...to explore modern manufacture and diffusion across a broader consumer society in the nineteenth and twentieth centuries .... While Meissen lies at the center of Marchand’s book, one of its great strengths is the broader survey of German porcelain manufacturing."---Larry Wolff, Journal of Modern History

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Book SynopsisTrade Review"Winner of the Ralph Gomory Prize, Business History Conference""Finalist for the PROSE Award in European History, Association of American Publishers""[A] sweeping economic, social and cultural history of central Europe. . . . unorthodox and engaging."---Marc Levinson, Wall Street Journal"A wide-ranging and thorough study. . . . this is a riveting story, well told . . . by Marchand, who illuminates so much in an original and entertaining way."---Tim Blanning, Literary Review"As Suzanne Marchand shows in her meticulous new book, porcelain has been integral to German life since its reinvention in Saxony in 1708." * The Economist *"As an economic-business history, Marchand's work is a landmark achievement. . . . Porcelain is a monumental achievement in scope and breadth in illuminating porcelain's European beginnings and its increasingly fragile position in the markets of the present."---Megan Brandow-Faller, Central European History"Marchand paints a colourful picture of the day-to-day life of porcelain factories."---Caroline McCaffrey-Howarth, Apollo"To weave together cultural, economic, and social history so masterfully takes great historiographical experience and skill. All those who are interested in nineteenth-century German intellectual history admire Suzanne Marchand’s books on the reception of classical antiquity and orientalism. Now she has surprised us with something completely new"---Jürgen Osterhammel, Frankfurter Allgemeine Zeitung"Marchand, a specialist in German history, writes with clarity."---Norma Clarke, Times Literary Supplement"The remarkable achievement of Suzanne Marchand’s new book, Porcelain, which focuses especially on Germany, is that she moves beyond the celebrated age of discovery in the eighteenth century...to explore modern manufacture and diffusion across a broader consumer society in the nineteenth and twentieth centuries .... While Meissen lies at the center of Marchand’s book, one of its great strengths is the broader survey of German porcelain manufacturing."---Larry Wolff, Journal of Modern History"N/A"---Monika Poettinger, Austrian History Yearbook

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Book SynopsisTrade Review"Rarities of these Lands is a rich reflection on the gap between the enchanting facade we call the Dutch Golden Age, on display...in every exhibition of 17th-century Dutch painting, and the riches, rarities and loot in the warehouse behind."---Timothy Brook, Times Literary Supplement"Claudia Swan’s masterful study explores the Dutch taste for consumption, and the means by which distant lands were reached and foreign goods accessed, first by seizing and plundering Portuguese and Spanish cargoes, then by engaging in war and conquest. . . . Rarities of these Lands provides a rich narrative about the circulation of exotic material culture and the history of collecting in the seventeenth century."---Annemarie Jordan Gschwend, Journal of the History of Collections"The early modern phenomenon of the kunstcamer or rariteytencamer (cabinets of curiosities) is a recurrent theme for Swan, and indeed each chapter might be likened to its own self-contained kunstcamer, packed with amazing images and a wide array of intriguing anecdotes. . .All of these wonders and more await the reader in lavishly illustrated pages."---Ellsworth Hamann, CAA Reviews"Rarities of these Lands is a magnificent achievement. . . . [It] integrate[s] art historical and historical perspectives on the history of a single country into a compelling tale of global connections and entanglements."---Maarten Prak, Early Modern Low Countries ​​​​​​​"Rarities of these Lands not only makes important claims about the founding of the Dutch Republic but also speaks to the interdependence of commerce, art, and political self-fashioning among populations across the early modern world. . . . Rich in formal analysis, the passages describing individual works of art are beautifully articulated. . . . An essential work."---Dawn Odell, Historians of Netherlandish Art Reviews"Swan’s prose brings to life encounters in the Dutch Republic and overseas, as she introduces foreign visitors, travelers, and diplomats who were captured in text and images as they exchanged the types of goods discussed and depicted in this richly illustrated volume.—Marsely Kehoe, Renaissance Quarterly"

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Book SynopsisBy tracing the footprint of a unremarkable object across the globe, this book provides new ways of thinking about globalisation.Trade Review'A journey through globalisation's backroads ... Innovative, insightful, and by turns disturbing and inspiring' -- Professor Craig Calhoun, Director of the London School of Economics and Political Science'If you are invited to Davos, shiny shoes, high heels or ski boots may be in order. For understanding much of the rest of the world, Caroline Knowles shows, you think better with flip-flops' -- Ulf Hannerz, Emeritus Professor of Social Anthropology, Stockholm UniversityTable of ContentsSeries Preface Acknowledgements Prologue 1. Navigating the Territories of the Trail 2. Oil – Maps beneath the Sand 3. Choreographies of Petrochemistry 4. Plastic City 5. Plastic Village 6. Making Flip-Flops 7. Logistics, Borderlands and Uncertain Landings 8. Markets 9. Urban Navigation in Flip-Flops 10. Rubbish 11. Globalisation Revisited Notes Maps Index

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Book SynopsisBy tracing the footprint of a unremarkable object across the globe, this book provides new ways of thinking about globalisation.Trade Review'A journey through globalisation's backroads ... Innovative, insightful, and by turns disturbing and inspiring' -- Professor Craig Calhoun, Director of the London School of Economics and Political Science'If you are invited to Davos, shiny shoes, high heels or ski boots may be in order. For understanding much of the rest of the world, Caroline Knowles shows, you think better with flip-flops' -- Ulf Hannerz, Emeritus Professor of Social Anthropology, Stockholm UniversityTable of ContentsSeries Preface Acknowledgements Prologue 1. Navigating the Territories of the Trail 2. Oil – Maps beneath the Sand 3. Choreographies of Petrochemistry 4. Plastic City 5. Plastic Village 6. Making Flip-Flops 7. Logistics, Borderlands and Uncertain Landings 8. Markets 9. Urban Navigation in Flip-Flops 10. Rubbish 11. Globalisation Revisited Notes Maps Index

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Book SynopsisInvestigates how electronic devices we use affect our consciousness, both as individuals and classes.Trade Review'Our obsession with gadgets is a key token of how deeply computer-based connection is now embedded in everyday life and consciousness. Joss Hands offers a highly thoughtful and theoretically astute reading of the possibilities for human reflexivity and agency that still remain' -- Nick Couldry, Professor of Media, Communications and Social Theory, London School of Economics'A Swiss army knife of a book, unfolding tools to convert digital devices from exploitation and isolation to meaning and connection. Joss Hands gives us a handheld manifesto for gadget communism' -- Sean Cubitt, Goldsmiths University of London'Takes the seemingly apolitical and trivial concept of 'the gadget' and transforms it into a fascinating path to explore not only the most recent phase of capitalist techno-fetishism, but also, with exemplary radical experimentalism, the blasphemous idea of 'gadget communism'' -- Nick Dyer-Witheford, University of Western OntarioTable of ContentsSeries Preface Acknowledgements Introduction 1. The Question Concerning Gadgets 2. Gadget Materialism 3. Gadget Brain 4. Gadget Consciousness 5. Gadget Action 6. Gadget Futures Bibliography Index

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Book SynopsisInvestigates how electronic devices we use affect our consciousness, both as individuals and classes.Trade Review'Our obsession with gadgets is a key token of how deeply computer-based connection is now embedded in everyday life and consciousness. Joss Hands offers a highly thoughtful and theoretically astute reading of the possibilities for human reflexivity and agency that still remain' -- Nick Couldry, Professor of Media, Communications and Social Theory, London School of Economics'A Swiss army knife of a book, unfolding tools to convert digital devices from exploitation and isolation to meaning and connection. Joss Hands gives us a handheld manifesto for gadget communism' -- Sean Cubitt, Goldsmiths University of London'Takes the seemingly apolitical and trivial concept of 'the gadget' and transforms it into a fascinating path to explore not only the most recent phase of capitalist techno-fetishism, but also, with exemplary radical experimentalism, the blasphemous idea of 'gadget communism'' -- Nick Dyer-Witheford, University of Western OntarioTable of ContentsSeries Preface Acknowledgements Introduction 1. The Question Concerning Gadgets 2. Gadget Materialism 3. Gadget Brain 4. Gadget Consciousness 5. Gadget Action 6. Gadget Futures Bibliography Index

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Book SynopsisUnpacks the political economy of new science and technology projects, and the implications for a utopian futureTrade Review'Disorientates us, showing us how the reality of things is contingent and contestable, never losing sight of what is at stake' -- Sarah Kember, Professor of New Technologies of Communication, Goldsmiths University, Director of Goldsmiths PressTable of ContentsList of Figures Acknowledgements Series Preface 1. Introduction: Problems With Objects 2. The Shadow of Genomics 3. Biosensory Experiences, Data and the Interfaced Self 4. Smart Grids: Energy Futures, Carbon Capture and Geoengineering 5. Real Fantasies: De-Extinction and In Vitro Meat 6. Unreal Objects and Political Realities Bibliography Index

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Book SynopsisAn introduction to the sociology of money, foregrounding how money embodies social relationsTrade Review'An extremely knowledgeable account of existing theories of money' -- Jens Beckert, author of Imagined 'Futures: Fictional Expectations and Capitalist Dynamics' (Harvard University Press, 2016)'A well-argued exploration of the history and nature of money ... Thorough and comprehensive' -- Mary Mellor, author of Money: Myths, Truths and Alternatives (Policy Press, 2019)Table of ContentsPreface 1. Economic Theories of Money – and Their Critiques 1.1. Barter, Exchange and Money 1.2. Objective versus Subjective Theories of Value 1.3. The Improbability of Exchange 2. Money’s Unlikely Origins 2.1. Gift-exchange and ceremonial monies 2.2. Money and (the End of) Violence 2.3. Economies of Sacrifice 2.4. Secrets of the Coin 3. Money and Finance 3.1. Time and Money 3.2. The Logic of Financial Markets 4. The Politics of Money 4.1. The Foundations and Fundamental Problems of Contemporary Money 4.2. Private Monies (or Bitcoin) 4.3. Sovereign Money 4.4. Central Bank Independence and the Inescapable Politicality of Money 5. Money and Society 5.1. Alienation and Freedom 5.2. Money and Functional Differentiation References Index

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Book SynopsisAn introduction to the sociology of money, foregrounding how money embodies social relationsTrade Review'An extremely knowledgeable account of existing theories of money' -- Jens Beckert, author of Imagined 'Futures: Fictional Expectations and Capitalist Dynamics' (Harvard University Press, 2016)'A well-argued exploration of the history and nature of money ... Thorough and comprehensive' -- Mary Mellor, author of Money: Myths, Truths and Alternatives (Policy Press, 2019)Table of ContentsPreface 1. Economic Theories of Money – and Their Critiques 1.1. Barter, Exchange and Money 1.2. Objective versus Subjective Theories of Value 1.3. The Improbability of Exchange 2. Money’s Unlikely Origins 2.1. Gift-exchange and ceremonial monies 2.2. Money and (the End of) Violence 2.3. Economies of Sacrifice 2.4. Secrets of the Coin 3. Money and Finance 3.1. Time and Money 3.2. The Logic of Financial Markets 4. The Politics of Money 4.1. The Foundations and Fundamental Problems of Contemporary Money 4.2. Private Monies (or Bitcoin) 4.3. Sovereign Money 4.4. Central Bank Independence and the Inescapable Politicality of Money 5. Money and Society 5.1. Alienation and Freedom 5.2. Money and Functional Differentiation References Index

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Book SynopsisDaniel Miller is one of the leading anthropologists in Britain today and is well known for his work on material culture This new book is a manifesto for the study of material culture.Trade Review"Miller deftly displays a talent for the uncluttered presentation of ideas,largely eschewing complexity without compromising the integrity of his arguments. By constantly placing his fieldwork centre-stage, Miller allows the empirical realities of ethnography to bolster his key proposals and repeatedly encourages readers to question and reflect upon material culture and their relationships with their own ‘stuff'". Journal of the Anthropological Society of Oxford "[Stuff] really is a little gem. Timely, well-written and highly accessible, it is a concise and grounded resource in the struggle to analyse the complexities of contemporary cultural life ... For undergraduates and general critical readers alike, it will be a welcome and thought-provoking reminder that the material world of things we have created, and which in turn helps to create us, needs to be understood dialectically - for better and for worse." Times Higher Education "[T]here are fascinating things here: a seven-page description of how a woman who wears a sari navigates daily life through the garment; a portrait of council tenants as "artists" redecorating their flats in different ways; and analyses of fashion, furnishing and "mobile phone relationships" in Jamaica. When Miller is focused on the details, the writing hums with empathetic colour and detail." The Guardian "This is a unique book that comes from a unique scholar. In this one volume, one can see the power of material culture as a means to study culture and society more generally. The specifics are informative and the larger formulations profound. The writing is consistently clear - at times, endearing - and the content brilliant." Harvey Molotch, New York University "This book fizzes and sparkles with ideas and intelligence. Professor Miller develops his dialectical theory of material culture with enviable clarity. Readers are encouraged by his captivating style and lightly-worn scholarship to the frontiers of the subject: they will never look at their stuff in the same way again." Ray Pahl, University of EssexTable of ContentsAcknowledgements vi Prologue: My Life as an Extremist 1 1 Why Clothing is not Superficial 12 2 Theories of Things 42 3 Houses: Accommodating Theory 79 4 Media: Immaterial Culture and Applied Anthropology 110 5 Matter of Life and Death 135 Notes 157 Index 165

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Book SynopsisThe History of Cycling in Fifty bikes tells the story of the bicycle through 50 iconic machines

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Book SynopsisThis beautifully illustrated book takes the reader on a journey through natural history and shows the richness of animal life on our planet like you’ve never seen it before.

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Book SynopsisThe story of ocean liners brought to life by objects and ephemera, revealing life on board, luxury and magnificence, and peril and disaster

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Book SynopsisA treasure trove of gardening information in 50 often little known objects that have transformed the way we think about and work our gardens today.

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Book SynopsisWhy do we see the world the way we do? An unusual history of sight across 500 million years.Trade Review'I was entranced from the first paragraph. A magnificently readable survey of so much that in the human experience is profound and profoundly important to us ... Every page elicits at least one “ah” “ooh” or “wow!”, usually all three at once. Authoritative without being dry, academic or difficult, fluent and fun without being facetious or over simple As Far As The Eye Can See is a remarkable achievement.' -- Stephen Fry 'In his book, Sapiens, Yuval Noah Harari gave us a portrait of our broad family history. As Far as the Eye Can See paints a picture that is more intimate, closer both physically and in time.' -- Tristan Gooley, author of The Natural Navigator 'A wonderful, wide-ranging, totally gripping account of the evolution of seeing, from the firelight shadows of 1 million BC to the age of Netflix. Well worth casting your eye over, if only to find out how - and why - you are able to do that ...' -- Giles Coren, presenter, columnist 'From the first fires to the Facebook age, As Far as the Eye Can See takes us on an elegant, sweeping and wholly fascinating tour through human history.' -- Peter Moore, best-selling author of The Weather Experimentand Endeavour'I was entranced from the first paragraph. A magnificently readable survey of so much that in the human experience is profound and profoundly important to us ... Every page elicits at least one “ah” “ooh” or “wow!”, usually all three at once. Authoritative without being dry, academic or difficult, fluent and fun without being facetious or over simple As Far As The Eye Can See is a remarkable achievement.' -- Stephen Fry 'In his book, Sapiens, Yuval Noah Harari gave us a portrait of our broad family history. As Far as the Eye Can See paints a picture that is more intimate, closer both physically and in time.' -- Tristan Gooley, author of The Natural Navigator 'A wonderful, wide-ranging, totally gripping account of the evolution of seeing, from the firelight shadows of 1 million BC to the age of Netflix. Well worth casting your eye over, if only to find out how - and why - you are able to do that ...' -- Giles Coren, presenter, columnist 'From the first fires to the Facebook age, As Far as the Eye Can See takes us on an elegant, sweeping and wholly fascinating tour through human history.' -- Peter Moore, best-selling author of The Weather Experiment and Endeavour

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Book SynopsisThe story of the world’s most famous liner, told through a fascinating selection of important objects

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Book SynopsisFamous for its spa heritage, Regency architecture, schools and colleges and annual Festivals, Cheltenham was also once home to many notable inhabitants, including Gustav Holst, composer of ''The Planets'', Edward Jenner, the pioneer of the smallpox vaccine and Edward Wilson, the Antarctic explorer. Compiled by the former Museum and Collections Manager at Cheltenham Art Gallery & Museum, and based on the Museum''s rich collections, this new book features 100 objects that each help to tell the fascinating story of Cheltenham and demonstrate the importance of objects in understanding our past. This book will appeal to everyone interested in finding out more about the people, places and past life of Cheltenham through the objects and printed ephemera of times gone by.

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Book SynopsisAlthough cars and roads promised freedom, they offered drivers a curated view of the landscape. This book takes readers on a journey through the history of roads, highways, and motoring in British Columbia's Interior, a remote landscape composed of plateaus and interlocking valleys, soaring mountains and treacherous passes.Trade ReviewRead British Columbia by the Road backwards. Or forwards. It doesn’t matter. Like the highways themselves, you can drive Ben Bradley’s bright, engaging work on automobility, identity, and landscape in British Columbia’s Interior in different directions. Stop to visit an open-air museum or take a picture of a striking vista. You’ll get to where you’re going. -- Blair Stein, University of Oklahoma * BC Studies, Issue 199, Fall 2018 *Through refreshing and in-depth research, author Ben Bradley … offers up an engaging road trip through time and space, guiding the reader along the twisting, turning, climbing, curated, landscape of the circa 1925 to 1970 British Columbia Interior highway system, where myriad man-made, natural, and historic vistas unfold…. British Columbia by the Road is delightfully interactive, in that the author encourages the reader to slip behind the wheel … [and] an excellent read, [that] serves to shed light on the numerous forces and underpinnings which were at play in the development of the BC Interior highway system. -- David P. Stephens * Material Culture Review *Bradley’s study offers fresh perspectives on tourism promotion, park development, political culture, and public history. Befitting a study focusing on driving’s visual culture, the book has superb maps and photographs … British Columbia by the Road provides a much-needed and sustained analysis of key developments in the province’s interior and is clearly a “must read” for BC historians. For those less engaged and less familiar with the province’s history, it offers valuable and nuanced insights into the political, environmental, and economic history of North America—particularly the regional impact of automobility. -- Michael Dawson, St Thomas University * Histoire Sociale/Social History *[British Columbia by the Road] succeeds admirably in achieving its goals and it will be of interest to a wide variety of scholars far beyond the bounds of British Columbia … the book is a terrific example of detailed, very placeful historical geographical research which succeeds in connecting western Canada’s particular story with a broader argument about how political imperatives, infrastructure investment, and the new technology of the automobile conspired to shape the economic geographies and place identities of many localities across North America and beyond. -- William Wyckoff, Montana State University, USA * Journal of Historical Geography *One of the ways that we experience our past is by driving through it. We hop into our automobiles and motor through the backcountry, stopping along the way at a wide variety of historical markers, parks, and viewpoints to refresh our memories or learn something new. This “public pedagogy” goes a long way to informing the ideas we have about our province’s history and it is the subject of Ben Bradley’s new book … British Columbia by the Road is refreshingly free of jargon and smoothly written; it also presents a thought-provoking new perspective on the history of B.C.’s interior. -- Daniel Francis * BC Booklook *Ben Bradley’s book British Columbia by the Road is a significant contribution to the history of North American automobility … [This] is a highly readable book that can be read not only for its academic merits, but also as a travel book! -- Maude Flamand-Hubert * NiCHE (Network in Canadian History & Environment) *Bradley shows that a regional focus can be an effective way to connect landscape, environmental, tourism, and mobility history. -- Review by Kyle Shelton, Rice University * Pacific Northwest Quarterly, Volume 109, Number 2 *Table of ContentsIntroduction: Automobility and the Making of New Kinds of ExperienceRoute A: A Drive through Nature1 Toward a Park in the Cascade Mountains2 Behind the Scenery in Manning Park3 The Politics of Roads and Parks in the Big Bend Country4 The Failure of Hamber Park and the Big Bend HighwayRoute B: Paths to the Past5 Tracing the Route of the Cariboo Wagon Road6 Changing Times and Crisis amidst Prosperity7 On the Road for the 1958 Centennial8 Mixed Fortunes in the BC Old RushConclusion: Looking Back on British Columbia by the RoadNotesBibliographyIndex

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Book SynopsisBy offering behind-the-scenery glimpses of how boosters and builders modified the BC landscape and shaped what drivers and tourists could view from the comfort of their vehicles, this book confounds the idea of “freedom of the road.”Trade ReviewRead British Columbia by the Road backwards. Or forwards. It doesn’t matter. Like the highways themselves, you can drive Ben Bradley’s bright, engaging work on automobility, identity, and landscape in British Columbia’s Interior in different directions. Stop to visit an open-air museum or take a picture of a striking vista. You’ll get to where you’re going. -- Blair Stein, University of Oklahoma * BC Studies, Issue 199, Fall 2018 *Through refreshing and in-depth research, author Ben Bradley … offers up an engaging road trip through time and space, guiding the reader along the twisting, turning, climbing, curated, landscape of the circa 1925 to 1970 British Columbia Interior highway system, where myriad man-made, natural, and historic vistas unfold…. British Columbia by the Road is delightfully interactive, in that the author encourages the reader to slip behind the wheel … [and] an excellent read, [that] serves to shed light on the numerous forces and underpinnings which were at play in the development of the BC Interior highway system. -- David P. Stephens * Material Culture Review *Bradley’s study offers fresh perspectives on tourism promotion, park development, political culture, and public history. Befitting a study focusing on driving’s visual culture, the book has superb maps and photographs … British Columbia by the Road provides a much-needed and sustained analysis of key developments in the province’s interior and is clearly a “must read” for BC historians. For those less engaged and less familiar with the province’s history, it offers valuable and nuanced insights into the political, environmental, and economic history of North America—particularly the regional impact of automobility. -- Michael Dawson, St Thomas University * Histoire Sociale/Social History *[British Columbia by the Road] succeeds admirably in achieving its goals and it will be of interest to a wide variety of scholars far beyond the bounds of British Columbia … the book is a terrific example of detailed, very placeful historical geographical research which succeeds in connecting western Canada’s particular story with a broader argument about how political imperatives, infrastructure investment, and the new technology of the automobile conspired to shape the economic geographies and place identities of many localities across North America and beyond. -- William Wyckoff, Montana State University, USA * Journal of Historical Geography *One of the ways that we experience our past is by driving through it. We hop into our automobiles and motor through the backcountry, stopping along the way at a wide variety of historical markers, parks, and viewpoints to refresh our memories or learn something new. This “public pedagogy” goes a long way to informing the ideas we have about our province’s history and it is the subject of Ben Bradley’s new book … British Columbia by the Road is refreshingly free of jargon and smoothly written; it also presents a thought-provoking new perspective on the history of B.C.’s interior. -- Daniel Francis * BC Booklook *Ben Bradley’s book British Columbia by the Road is a significant contribution to the history of North American automobility … [This] is a highly readable book that can be read not only for its academic merits, but also as a travel book! -- Maude Flamand-Hubert * NiCHE (Network in Canadian History & Environment) *Bradley shows that a regional focus can be an effective way to connect landscape, environmental, tourism, and mobility history. -- Review by Kyle Shelton, Rice University * Pacific Northwest Quarterly, Volume 109, Number 2 *Table of ContentsIntroduction: Automobility and the Making of New Kinds of ExperienceRoute A: A Drive through Nature1 Toward a Park in the Cascade Mountains2 Behind the Scenery in Manning Park3 The Politics of Roads and Parks in the Big Bend Country4 The Failure of Hamber Park and the Big Bend HighwayRoute B: Paths to the Past5 Tracing the Route of the Cariboo Wagon Road6 Changing Times and Crisis amidst Prosperity7 On the Road for the 1958 Centennial8 Mixed Fortunes in the BC Old RushConclusion: Looking Back on British Columbia by the RoadNotesBibliographyIndex

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Book SynopsisThe notion of retrieving a bit of the past-by owning a material piece of it-has always appealed to humans. Often our most prized possessions are those that have had a long history before they came into our hands. Part of the pleasure we gain from the...Trade ReviewRosenstein's Antiques: The History of an Idea is a marvelous surprise, a connoisseur's introduction to a conceptual category, the antique, demonstrably inseparable from the life of the arts, critically important for the philosophy of art, as well as for intelligently informed appreciation, puzzlingly neglected, as subtle and as complex a notion as might be pertinently added at this late date: all brought together in a delightfully informal and meticulous conversation that appears almost incapable of exhausting its fresh examples and distinctions. -- Joseph Margolis * Journal of the History of Philosophy *

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Book SynopsisBeads are one of the great New Orleans symbols, as much a signifier of the city as a pot of scarlet crawfish or a jazzman’s trumpet. The first in a new LSU Press series exploring facets of Louisiana’s iconic culture, Mardi Gras Beads delves into the history of this celebrated New Orleans artefact.

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Book SynopsisAt first glance, the Ford Foundation and the black power movement would make an unlikely partnership. After the Second World War, the renowned Foundation was the largest philanthropic organization in the United States and was dedicated to projects of liberal reform. Black power ideology, which promoted self-determination over color-blind assimilation, was often characterized as radical and divisive. But Foundation president McGeorge Bundy chose to engage rather than confront black power''s challenge to racial liberalism through an ambitious, long-term strategy to foster the social development of racial minorities. The Ford Foundation not only bankrolled but originated many of the black power era''s hallmark legacies: community control of public schools, ghetto-based economic development initiatives, and race-specific arts and cultural organizations.In Top Down, Karen Ferguson explores the consequences of this counterintuitive and unequal relationship between the liberalTrade Review"Vigorously argued and thoroughly grounded in research from the extensive Ford Foundation archives, this important book carefully traces the roots of the Foundation's 'developmental separatism' as well as the evolving contours of social and political thought within the black public sphere, effectively putting the two forms of separatism in dialogue with one another." * Alice O'Connor, University of California, Santa Barbara *"Karen Ferguson's Top Down is a provocative and often brilliant history of the single most important philanthropic institution in the long civil rights era. The Ford Foundation and similar philanthropies, she argues compellingly, shaped Black Power and other radical movements of the 1960s and 1970s." * Felicia Kornbluh, University of Vermont *Table of ContentsIntroduction PART I. SIZING UP THE URBAN CRISIS Chapter 1. Modernizing Migrants Chapter 2. The Social Development Solution PART II. TRANSFORMING THE GHETTO Chapter 3. Developmental Separatism and Community Control Chapter 4. Black Power and the End of Community Action PART III. CULTIVATING LEADERSHIP Chapter 5. Multiculturalism from Above Chapter 6. The Best and the Brightest Epilogue. The Diminishing Expectations of Racial Liberalism Notes Index Acknowledgments

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Book SynopsisArgues that the field of rhetoric's recent attention to material objects should go further than simply open a new line of inquiry. To maximize the interdisciplinary turn to things, rhetoricians must seize the opportunity to reimagine and perhaps resolve rhetoric's historically problematic relationship to physical reality and ontology.Trade Review“With this volume, Barnett and Boyle go beyond the reach of the speaker-audience-purpose model of human communication to include material objects. The book comprises four parts: 'The New Ontology of Persuasion,' 'Writing Things,' 'Seeing Things,' and 'Assembling Things.' The contributors—an impressive group of scholars ranging from experts to doctoral candidates—offer essays that explore objects as vibrant agents of persuasion and not just passive nonverbal tools. In a particularly intriguing chapter titled 'The Things They Left Behind: Toward an Object-Oriented History of Composition,' Kevin Rutherford and Jason Palmeri encourage the reader to engage in an empathetic dialogue with nonhuman historical objects: for example, history might be read differently if one examined the writing desks of important figures. This book has deep implications for the present materialist turn in the humanities. Unique for its ontological synthesis of rhetorical theory and nonverbal communication, this volume would be useful as a companion reader to a range of courses in rhetoric—from the basic course to advanced seminars—and it would be excellent complementary reading for courses in nonverbal communication. Summing Up: Highly recommended.” - CHOICE“Many scholars are writing and thinking about rhetoric’s materiality, and this collection’s emphasis on ontology is one of the most popular ways of engaging the subject. The essays in Rhetoric, Through Everyday Things address a notoriously difficult set of theoretical problems in a way that will be approachable for advanced undergraduate and graduate students as well as more advanced scholars in rhetoric. I can imagine it being of great interest to scholars in both communication and English departments.” - Greg Dickinson, coeditor of Places of Public Memory: The Rhetoric of Museums and Memorials and author of Suburban Dreams: Imagining and Building the Good Life""This volume is an important and capacious contribution to the arrival of 'thing theory' in rhetorical studies. The tensions across chapters will make this a lively text for discussion. It will be taught and cited for the coming years, and I commend the editors for assembling such a thorough collection of essays."" - Debra Hawhee, author of Moving Bodies: Kenneth Burke at the Edges of Language and Rhetoric in Tooth and Claw: Animals, Language, Sensation

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Book SynopsisA book about ownership. It begins with an essay about being given a man's furniture while he's on trial for murder and follows with essays that question corporeal, familial, and intellectual forms of ownership. Mining her own life and those of others, Sarah Viren considers the contingencies of ownership alongside the realities of loss in this debut essay collection.Trade ReviewWith wonderfully precise and evocative prose, Sarah Viren takes us deeply into her search for her very self. . . . MINE is not only moving, it is instructive and nourishing in a way that only art can deliver. This book is a gem."" - Andre Dubus III, author of House of Sand and Fog""Sarah Viren is a writer of extraordinary wisdom and grace. . . . I am always taken aback, in the end, when her essays—cunningly, imperceptibly—gather within themselves such stunning emotional power."" - Kerry Howley, author of Thrown""Ultimately a book about belonging, this nimble, beautiful collection helps us better understand ‘what we call ours but is never really ours to begin with."" - Ryan Van Meter, author of If You Knew Then What I Know Now

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Book SynopsisColour permeates contemporary visual and material culture and affects our senses beyond the superficial encounter by infiltrating our perceptions and memories and becoming deeply rooted in thought processes that categorise and divide along culturally constructed lines. Colour exists as a cultural as well as psycho-physical phenomenon and acquires a multitude of meanings within differing historical and cultural contexts. The contributors examine how colour becomes imbued with specific symbolic and material meanings that tint our constructions of race, gender, ideal bodies, the relationship of the self to others and of the self to technology and the built environment. By highlighting the relationship of colour across media and material culture, this volume reveals the complex interplay of cultural connotations, discursive practices and socio-psychological dynamics of colour in an international context.Trade Review “The anthology forms part of a critical yet visionary tradition of interdisciplinary studies on colour. [It] shows that much is to be gained by analyzing colour beyond the symbolic. of a collection…and [by] moving beyond entrenched binaries.” · Journal of Design HistoryTable of Contents Acknowledgements Introduction: Beyond the Language of Colour Chris Horrocks PART I: COLOUR AND VISUAL CULTURE Chapter 1. Ad Reinhardt: ‘Colour Blinds’ Michael Corris Chapter 2. The Eye Is a Sphincter (Who’s Afraid of the Postmodern Monochrome?) Antony Hudek Chapter 3. Colour Soundings: After the Tone of Francis Bacon Nicholas Chare Chapter 4. Capturing the Ephemeral. Colour as a Bridge between Art and Science Mary Pearce PART II: COLOUR AND MATERIAL CULTURE Chapter 5. Colour in Gardens: a question of class or gender? Beverley Lear Chapter 6. Critical Remarks on the Colour/Form Relation: Creating a Middle Ground Kiki Karatheodoris Chapter 7. Heidegger’s Pixel: Digital Colour as ‘Standing Reserve’ Chris Horrocks Chapter 8. The Disillusion of the Image: Cinematography, Colour, Sound and Desire Liz Watkins PART III: COLOUR, TEXT AND RACE Chapter 9. Chromatic Ambivalence: Colouring the Albino Charlotte Baker Chapter 10. Toussaint Louverture and Haitian Historiography: A Pigmentocratic Approach Charles Forsdick Chapter 11. “Linda Morenita”: Skin Colour, Beauty and the Politics of Mestizaje in Mexico Monica Moreno Index

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Book SynopsisViv Golding is Director of Research Students and Senior Lecturer in the School of Museum Studies, University of Leicester. Her most recent publication is Learning at the Museum Frontiers: Identity Race and Power and she is currently working on two Arts and Humanities Research Council-funded projects 'Behind the Looking Glass: 'Other' Cultures Within Translating Cultures' and 'Mapping Faith and Place in Leicester', and a Daiwa project 'Museum Literacy'. Wayne Modest is currently Head of the Curatorial Department at the Tropenmuseum in Amsterdam. Previously he has been Keeper of Anthropology at the Horniman Museum and Director of the Museums of History and Ethnography at the Institute of Jamaica. Recent publications include 'Slavery and the (Symbolic) Politics of Memory in Jamaica: Rethinking the Bicentenary' in Laurajane Smith et al. (ed) Representing Enslavement and Abolition in Museums: Ambiguous Engagements.Trade Review[Museums and Communities] supplies the current state of the theoretical and practical activity in museum studies. It shows that museums have made efforts to open themselves to diverse groups interested in creating new systems of representation. The authors remind us that artists' interventions in museums urge curators to be more responsible and involved, allowing for effective dialogue with communities within disputed histories. * Perspective (Bloomsbury translation) *Museums and Communities thoroughly and unflinchingly interrogates the widely touted goal of collaborative museum work, providing a realistic assessment of the risks and pitfalls, but also the incredible rewards that come with a deep curatorial commitment to working collaboratively. * William Wood, Associate Professor of Anthropology, University of Wisconsin-Milwaukee, USA *All too often museums invoke the idea of “community” in naïve and uncritical ways. Here at last is an attempt to complicate this construction, unpick its politics, and explore its dynamics in the context of museum exhibition, engagement and outreach. This book has much to teach us about how museums imagine their communities and reminds us of the need to develop more sophisticated approaches to collaborative museology. * Paul Basu , University College London, UK *Table of ContentsList of Illustrations List of Contributors Acknowledgements Introduction - Viv Golding, University of Leicester, UK Part One: Community Matters? Collaborative Museums: Curators, Communities, Collections - Viv Golding, University of Leicester, UK The City, Race, and the Creation of a Common History at the Virginia Historical Society - Eric Gable, University of Mary Washington, USA Negotiating the Power of Art: Tyree Guyton and Detroit Communities - Bradley L. Taylor, University of Michigan, USA Learning to Share Knowledge: Collaborative Projects In Taiwan - Marzia Varutti, University of Leicester, UK Community Engagement, Curatorial Practice and Museum Ethos in Alberta Canada - Bryony Onciul, Newcastle University, UK Co-Curating with Teenagers at the Horniman Museum - Wayne Modest, Tropenmuseum, the Netherlands Part Two: Sharing Authority? Museums, Migrant Communities and Intercultural Dialogue in Italy - Serena Iervolino, University of Leicester, UK Community Consultation and the Redevelopment of Manchester Museum's Ancient Egypt Galleries - Karen Exell, University College London, Qatar, Doha 'Shared Authority': Collaboration, Curatorial Voice and Exhibition Design in Canberra Australia - Mary Hutchison, Humanities Research Centre, Australian National University, Australia One Voice to Many Voices?: Displaying Polyvocality in an Art Gallery - Rhiannon Mason, Chris Whitehead, and Helen Graham, Newcastle University, UK A Question of Trust: Addressing Historical Injustices with Romani-people - Åshild Andrea Brekke, Arts Council, Norway Part Three: Audiences and Social Justice? Audience Experiences? Creolising the Museum: Humour, Art and Young Audiences - Viv Golding, University of Leicester, UK Museums and Civic Engagement: Children Making a Difference - Elizabeth Wood, Indiana University-Purdue University, USA Community Consultation in the Museum: The 2007 Bicentenary of Britain's Abolition of the Slave Trade - Kalliopi Fouseki, University College London, UK and Laurajane Smith. Australian National University, Australia Interpreting the Shared Past Within the World Heritage Site of Göreme, Cappadocia Turkey - Elizabeth Carnegie, University of Sheffield, UK and Hazel Tucker, University of Otago, New Zealand Testimony, Memory and Art at the Jewish Holocaust Museum Melbourne Australia - Andrea Witcomb, Deakin University, Australia Afterword - A View from the Bridge in Conversation with Susan Pearce - Kirstin James, University of Leicester, UK, Petrina Foti, University of Leicester, UK and the Editors Index

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Book SynopsisDavid Evans is Lecturer in Sociology and Research Fellow of the Sustainable Consumption Institute at the University of Manchester, UK.Trade ReviewA short, lively and very stimulating book ... [and] an excellent example of recent research practices in the field of consumption and everyday lives. * Review of Agricultural, Food and Environmental Studies *Evans draws on studies of consumption and materials culture alongside social science perspectives on everyday life and the home to get to the bottom of why we waste food ... Simply put, food is wasted when people do not want to eat it anymore. However, Evans suggests that ‘food' becomes 'waste' through a complex and anxiety-laden process’, and therefore should not be taken as evidence of households not caring about the food that they waste ... Food Waste is aimed at social scientists and students, but could be of benefit to those in the waste industry wanting to take a different look at why we waste food. * Resource *Food Waste is both relevant and timely, offering new insights into ‘the role of material culture in shaping’ everyday practices of food consumption, and thereby, food waste production … Evans challenges normative views of wastefulness … demonstrating that households are undeniably aware of their production of (and discomfort with) food waste. Furthermore, he argues that food waste is more usefully conceptualised in relation to norms of caring that constitute feeding a family and loved ones than as an ‘end of pipe’ problem to be fixed by households, consumers and public waste management systems … Food Waste is a well-written and well-researched book, grappling with big questions about the transformation of food into waste. In it Evans provides an accessible account of the complexity of household food acquisition and disposal practices and offers a perceptive categorical framework upon which further academic work on food waste might build. * Sociological Review *Evans’ book provides a refreshingly non-judgmental exploration of the practices that lead consumers to waste food. ... A highly accessible, thought provoking and concise work, that offers a conceptual framework that will no doubt organize and position future studies of household food waste. * Cultural Sociology *David Evans has set a strong foundation for continuing research into waste scholarship ... Overall this book is at the forefront of looking into […] how home food takes steps into becoming waste in the environment. Evans’ has managed to provoke curiosity about other realms that lie undiscovered in the breadth of waste scholarship. * Journal of Agricultural and Environmental Ethics *The real-life stories in the book make the messages compelling, as the reader can easily relate to the examples that we have all lived in our own families. ... The author also presents many practical solutions to this problem [of food waste] that currently is under appreciated in the agricultural and food systems community. * Agroecology and Sustainable Food Systems *At last a book about waste that does not browbeat and blame consumers! Instead Evans asks fundamental questions that are usually buried under the moral weight of garbage and trash. His careful ethnography brings a blast of fresh air to a timeless and complex problem. -- Richard Wilk, Provost Professor of Anthropology, Indiana University, USAFood and waste are words that are seldom brought together in ways that do not involve morals and moralising. In this book, Evans shows why an understanding of food waste requires going beyond morality. This is material culture studies at its best, an important contribution to a growing body of work on divestment with profound implications for policy makers. -- Nicky Gregson, Professor of Human Geography, Durham University, UKEvans persuasively shows that problems with food 'waste' have little to do with poor planning and uninformed consumers and everything to do with the structures of daily life and ideas about 'proper' eating. This excellent book challenges conventional wisdom and opens up possibilities for rethinking consumer choice and responsible consumption. -- Melissa L. Caldwell, Professor of Anthropology, University of California, Santa Cruz, USATable of ContentsAcknowledgments Prologue: The Social Life (and Death) of Food 1. Bringing Waste to the Table 2. Ordinary Domestic Practice: Conceptualizing, Researching, Representing 3. Contextualising Household Food Consumption 4. Anxiety, Routine and Over-provisioning 5. The Gap in Disposal: From Surplus to Excess? 6. Bins and Things 7. Gifting, Re-use and Salvage Conclusion: Living with Food, Reducing Waste Notes Bibliography Index

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Book SynopsisKaren Tranberg Hansen is Professor of Anthropology at Northwestern University, USA.D. Soyini Madison is Professor of Performance Studies with affiliate appointments in the Department of Anthropology and African American Studies at Northwestern University, USA.Trade ReviewNot only does this multidisciplinary edited volume cast its geographic sweep as broad as a continent, it jumps into the centre of a conceptual Venn diagram. -- Siobhan Magee, University of Edinburgh, UK * Journal of the Royal Anthropological Institute *This book will appeal to those interested in how people in Africa use dress and fashion to engage relentlessly and innovatively with themselves and the world. Some papers, such as the one on wax-print cloths in colonial and post-colonial Togo, could be used as interesting case studies for business school students. * Textile Research Centre *Table of ContentsContents List of Illustrations List of contributors Acknowledgments Introduction. Karen Tranberg Hansen, Northwestern University, USA PART IDressed Bodies and Power 1. Dressing for Success: The Politically Performative Quality of an Igbo Woman's Attire. Misty L. Bastian, Franklin & Marshall College, USA 2. Fashionability in Colonial and Postcolonial Togo. Nina Sylvanus, Northeastern University, USA 3. Branding Festive Bodies: Corporate Logos and Chiefly Image T-shirts in Ghana. Lauren Adrover, Northwestern University, USA PART IIMaterial Culture, Visual Recognition, and Display 4. Bazin Riche in Dakar, Senegal: Altered Inception, Use, and Wear. Kelly Kirby, University of Michigan, USA 5. Fashioning People, Crafting Networks: Multiple Meanings in the Mauritanian Veil (Mala?fa). Katherine Wiley, Indiana University, USA 6. The Hijab as Moral Space in Northern Nigeria. Elisha P. Renne, University of Michigan, USA PART III. Connecting Worlds through Dress 7. Dressing the Colonial Body: Senegalese Rifleman in Uniform. Keith Rathbone, Northwestern University, USA 8. Ghana Boys in Mali: Fashion, Youth, and Travel. Victoria L. Rovine, University of Florida, USA 9. Forging Connections, Performing Distinctions: Youth, Dress, and Consumption in Niger. Adeline Masquelier, Tulane University, USA 10. Fashion, Transnationality, and Swahili Men. Tina Mangieri, SIT, USA PART IVTransculturated Bodies 11. Photography, Poetry, and the Dressed Bodies of Léopold Sédar Senghor. Leslie W. Rabine, University of California, Davis, USA 12. Transculturated Displays: International Fashion and West African Portraiture. Candace M. Keller, Michigan State University, USA 13. Spectacular Dress: Africanisms in the Fashions and Performances of Josephine Baker, 1925-1975. Bennetta Jules-Rosette, University of California, San Diego, USA 14. Dressing Out-of-Place: From Ghana to Obama Commemorative Cloth on the American Red Carpet. D. Soyini Madison, Northwestern University, USA Index

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Book SynopsisAmanda Ravetz is Senior Research Fellow at MIRIAD, Manchester Metropolitan University, UK. Alice Kettle is Senior Research Fellow at MIRIAD, Manchester Metropolitan University, UK. Helen Felcey is Programme Leader for MA Design at Manchester School of Art, Manchester Metropolitan University, UK.Trade ReviewCollaboration Through Craft is a ground-breaking book. It sets out what we have known for some time but nobody has yet articulated – that the crafts are distinguished by their collaborative nature and the willingness of makers to share experience, knowledge and skills. From its insightful introduction, which eloquently sets the context for craft as a collaborative process and experience, this book’s collection of essays maps the hugely diverse territory of contemporary crafts via the framing mechanism of collaboration. -- Matthew Partington, V&A Museum Senior Research Fellow, University of West England, UKNothing is ever made without collaboration. Yet we continue to believe that every work is the product of a single hand. This book turns the belief in single-handed creation on its head. It shows that collaboration is not incidental to the crafting of things but the very power that drives it forward. Together, the contributors succeed in raising craft from its backward-looking association with traditional skills to where it belongs, as a dynamic, generative principle at the core of social and cultural life. -- Tim Ingold, University of Aberdeen, UKThis book is a compelling critical appraisal of the friction and risk in collaboration, posing new forms of collaborative expertise through craft that are both challenging and immensely productive. These 16 chapters have deep relevance to makers in art, design, and craft as well as educators and practitioners within any field where working together is essential. This is an extraordinary resource! -- Anne Wilson, Professor Department of Fiber and Material Studies, School of the Art Institute of Chicago, USACollaboration through Craft adds to the growing number of publications that investigate and describe contemporary craft theory and practice […] This book would be a good acquisition for institutions or individuals wanting an overview of the breadth of contemporary ideas in collaborative craft and for artists who are interested in exploring collaborative possibilities. Summing Up: Recommended. Lower-level undergraduates and above; general readers. -- L. L. Kriner, Berea College * CHOICE *Table of Contents1. Collaboration Tthrough Craft: An Introduction Amanda Ravetz, Alice Kettle and Helen Felcey Part 1: Modes of collaborating 2. Collaboration: A Creative Journey or a Means to an End? Lesley Millar 3. Making Anew... Collaboration and Dynamic Change Helen Carnac 4. Triangulation Theory, Working as Three Jane Webb, David Gates, Alice Kettle 5. The Creation of a Collective Voice Brass Art: Chara Lewis, Kristin Mojsiewicz, Anneké Pettican Part 2: The Generative Power of Craft 6. Catalytic Clothing and Tactility Factory: Crafted Collaborative Connections Trish Belford 7. The Aesthetic of Waste: Exploring the Creative Potential of Re-cycled Ceramic Waste David Binns 8. Designing Collaboration: Evoking Dr Johnson Through Craft and Interdisciplinarity Jason Cleverly, Tim Shear 9. Skinship: An Exchange of Material Understanding Between Plastic Surgery and Pattern Cutting Rhian Solomon Part 3: Institutional Collaborations 10. Department 21: The Craft of Discomfort Stephen Knott 11. Skills in the Making Simon Taylor, Rachel Payne 12. Project Dialogue Barbara Hawkins and Brett Wilson 13. A Question of Value: Re-thinking the Mary Greg Collection Sharon Blakey and Liz Mitchell Part 4: Collaboration in an Emerging World 14. Expanded Battle Fields Allison Smith 15. Crafts and the Contemporary in South Asia Barney Hare Duke & Jeremy Theophilus 16. Circling Back Into That Thing We Cast Forward Judith Leemann and Shannon Stratton 17. Craft Knowledge and the Craft of Human Life: A South Asian Residency CJ O'Neill and Amanda Ravetz 18. Epilogue: A Response Glenn Adamson

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Book SynopsisVanessa Brown is a Senior Lecturer responsible for Design Culture and Context in the School of Art and Design (Department of Fashion, Knit and Textiles) at Nottingham Trent University, UK.Trade ReviewBrown delivers a fascinating explication of an iconic fashion accoutrement: sunglasses. She discusses how they have served as a popular cultural signifier, particularly since the 1920s, and explains their purportedly ‘cool’ quality … This short but insightful volume explores the influence of urban developments, the early turn to goggles and then eventually to Ray-Ban aviators, and the ultimate evolution of ‘modern cool.’ … According to Brown, sunglasses also were linked with African Americans, the femme fatale, white hipsters, the Beats, and late modernity … Likening shades to Breton’s top hat and Robinson’s bowler, Brown offers that they stand as ‘the ultimate symbol of the age.’ A thoroughly intriguing account. Summing Up: Highly recommended. All levels/libraries. -- R. C. Cottrell, California State University, Chico * CHOICE *An original contribution to the field ... The book gives an effective discussion of the various meanings of sunglasses as signifiers and draws some interesting examples from film and photography. * Journal of Design History *Table of Contents1. Introduction 2. Sunglasses and Modernity: Why do Modern Eyes Need Shading? 3. Sunglasses and Speed 4. Sunglasses and the Hi-tech Body 5. From Sunlight to Fashbulbs: Sunglasses, Success, Celebrity and Glamour 6. Sunglasses and the Other – Race, Gender, the Blind and the Outlaw 7. The Spread of Outsider Cool: 1950s – Present 8. Sunglasses and the Absence of Meaning 9. Conclusion 10. Timeline (1750 to 1960s) Bibliography Index

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Book SynopsisChristina Riggs is a Senior Lecturer in the department of Art History and World Art Studies, University of East Anglia, UK.Trade ReviewEach chapter of this book represents one lecture from a series delivered in 2012 at All Souls College, Oxford …With 79 pages of notes and bibliography, the extensive research behind this book is well documented … The issues discussed go beyond the art historical. Riggs covers the psychology of entombing, hiding, and revealing in artistic, religious, and political contexts. Summing Up: Recommended. Upper-division undergraduates through researchers/faculty; general readers. -- N. J. Mactague, Aurora University * CHOICE *This is a work of passion, poetically written and convincingly argued, which highlights the crucial role played by textiles, wrapping and concealment in the structuring of ancient Egyptian society. -- Sarah Griffiths * Ancient Egypt *An original and powerful volume ... Riggs provides a (very) critical history of Egyptology and related curatorial practices. The result is a book that not only wears its erudition lightly, but also challenges the legitimacy and apparent exceptionality of what it is that Egyptologists do. Opening Egyptology’s “black box,” Riggs makes a major contribution to understanding what that box might contain, in addition to how this understanding might change our perceptions of “ancient Egypt” and scholarly practices related to it. -- William Carruthers * Museum Anthropology Review *Dr Riggs’ book contains much of interest, presented in an ingenious way that raises issues that might not otherwise have easily sprung to mind and which should indeed be considered by anyone dealing with the study of the ancient world. -- Aidan Dodson * ASTENE Bulletin 63 *Riggs is, undeniably, spot-on with many of her observations. She is deliberately provocative and hopefully this book – an affordable paperback that [could] reach a wide audience – will not simply be dismissed as ‘trendy’ by the Establishment she critiques ... it should please the author that the book – perhaps the single most important on the subject of ‘Egyptology’ as a discipline of the last ten years – is already on the set reading list of archaeology students at Manchester University. -- Campbell Price * Egyptian Archaeology *Unwrapping Ancient Egypt is a riveting review and critique of Egyptological scholarship, studying a time-honored subject against a critical analysis of traditional western scientific approaches. Christina Riggs’ masterful intertwining of critical theory and thorough analysis provides important new insights. -- Willeke Wendrich, Professor of Egyptian Archeology, UCLA, USAChristina Riggs takes us on a lively exploration of Egyptology's prize finds and ably offers a fresh approach to familiar mummies and their textile bindings. As a means by which the dead and objects were sanctified and transformed, textile wrappings are presented as a structuring principle in ancient Egyptian society and discourse. -- Susanna Harris, ERC Research Associate, PROCON Project, UCL, UKThrough its focus on concealment and revelation, this beautifully written book raises ‘mummification’ from the realms of obscurity and curiosity, relocating it within a politics of the body that sheds light on both the deep past and contemporary practices of collection and display. It is an important contribution that cuts across the fields of art history, Egyptology, archaeology, anthropology, cultural heritage, material culture, and museum studies. -- David Wengrow, Professor of Comparative Archaeology, University College London, UKMore poetry than prose, embroidered with details gleaned from her extensive knowledge and experience as an Egyptologist and museum curator, Riggs’ interwoven tale of two Egypts skillfully employs the metaphor of wrapping, the past (wrapped/concealed) and the perceived past (unwrapped/revealed), as a common thread that binds both worlds. -- Lorelei H. Corcoran, Professor and Director of the Institute of Egyptian Art & Archeology, University of Memphis, USAThis book is a distinctive and significant contribution to the fields of Egyptology, anthropology, art history, and cultural studies. It is simultaneously a study of ancient Egypt and modern Western culture. In particular, the author examines the ancient Egyptian mortuary practices of wrapping and shrouding bodies, and the modern archaeological and museological practices of unwrapping bodies. -- Robert Preucel, Director of the Haffenreffer Museum of Anthropology and Professor of Anthropology at Brown University, USATable of ContentsList of Illustrations Acknowledgments Preface Desecration Revelation Mummification Linen Secrecy Sanctity Afterword Notes References Index

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Book SynopsisThe third edition of Crusader Archaeology updates previous editions to include coverage of important recent work in the field. It examines what life was like for European settlers and travellers to the crusader states during the centuries of Latin rule.Examining past, recent and ongoing archaeological discoveries, and research in the field from Israel, Jordan, Syria, Turkey and Cyprus, this volume includes recent findings and approaches including new exploration work in urban sites such as Jerusalem, Acre and Caesarea, new work on industrial sites and new discoveries in research including DNA studies, the field of weaponry and many other topics. It covers such topics as settlement types, fortification, daily life, day-to-day activities, warfare, religious life, arts, industry, leisure pursuits, building technology, agriculture, medicine, death and burial. It considers, in all these fields, the manner in which the Frankish population was influenced by the local and neigTable of Contents1 Background: The Crusades and Outremer; 2 The city and urban life; 3 The rural landscape; 4 The defence of the Latin East; 5 Frankish ecclesiastical architecture; 6 Frankish domestic architecture; 7 Crafts and minor arts; 8 The fine arts; 9 Building techniques and materials; 10 Medicine; 11 Burials; Postcript

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Book SynopsisPart materialist manifesto, part empirical case study, and part methodological guide, The Matter of History develops a radical new post-anthropocentric understanding of the past that explains how powerful organisms and things pushed diverse nations and cultures towards a global 'Great Convergence'.Trade Review'In this original, important, and beautifully written book, LeCain develops a neo-materialist theory of history to illuminate the environmental histories of seemingly disparate subjects: copper mines, silkworms, and longhorn cattle. Using insights from evolutionary theory, animal studies, and the anthropocene, LeCain shows how the cultural and the material are deeply interwoven in every aspect of resource extraction.' Nancy Langston, Michigan Technological University'By putting things front and center, LeCain challenges us to rethink our most basic assumptions about how we write history in the twenty-first century. He offers us both a lucid guide to a wide range of materialist theories and a set of fascinating examples.' Linda Nash, University of Washington'The Matter of History constitutes the first successful attempt to create an historical narrative truly grounded in a non-anthropocentric ethos, both in terms of its theoretical premises and of its methodological choices … a valuable example of an historical research able to interpret past events in order to read the present time.' Claudio de Majo, Global Environment'[A] profound and provocative book … thoughtful critique of antimaterialist history with an equally thoughtful summary of recent scholarship … [LeCain] argues convincingly that giving animals, plants, and minerals credit for shaping the world will allow us to write a more accurate and interesting history.' Steven Lubar, Technology and Culture'[The Matter of History] easily counts among the ten most fascinating books that I have read over the last decade.' Stefan Berger, Journal of Social History and the History of Social Movements'A fresh, provocative, and profound book … [The Matter of History] pushes environmental-history methodology to a new level of engagement with all actors of the material world.' Anne Norton Greene, Journal of Interdisciplinary History'The Matter of History constitutes the first successful attempt to create an historical narrative truly grounded in a non-anthropocentric ethos, both in terms of its theoretical premises and of its methodological choices.' Caludio de Majo, Global EnvironmentTable of Contents1. Fellow travelers: the non-human things that make us human; 2. We never left Eden: the religious and secular marginalization of matter; 3. Natural born humans: a neo-materialist theory and method of history; 4. The longhorn: the animal intelligence behind American open range ranching; 5. The silkworm: the innovative insects behind Japanese modernization; 6. The copper atom: conductivity and the great convergence of Japan and the West; 7. The matter of humans: beyond the Anthropocene and towards a new humanism.

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Book SynopsisRazzall offers close readings of literary texts alongside artefacts from chests to book-bindings and reliquaries, to reveal the importance of the box as object and idea in early modern culture. This book is for students and researchers in English Literature, History, and Art History, as well as book historians and librarians.Table of Contents1. Chests of the Mind in Early Modern England; 2. The Renaissance of the Box: Metaphors of Interpretation; 3. The Word in a Box: Reforming the Book; 4. How to Read a Reliquary; 5. 'Because This Box We Know': Embodying the Box.

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Book SynopsisOrigination: The Geographies of Brands and Branding offers innovative theoretical and conceptual frameworks relating to the ways that actors create meaning and value in commodity brands and branding through processes of geographical association. Provides innovative conceptualization and theorization to facilitate an understanding of the geographical dimensions of brands and branding Challenges current interpretations of brands as vehicles of homogenization in globalization Establishes the theoretical and conceptual foundations of a more geographically sensitive approach through rigorous empirical examination of the under-researched geographical differentiation of commodity brands and branding Presents innovative new research and analysis of the socio-spatial biographies of the Newcastle Brown Ale, Burberry and Apple brands Forges strong new connections between political and cultural economy approaches within geography Trade Review“Overall, Origination presents a promising conceptual and research framework capable of revealing the multiple facets of brand geographies.” (Consumption Markets & Culture, 1 December 2015) Table of ContentsSeries Editor Preface viii Acknowledgements ix Permissions x List of Tables xi List of Figures xii 1 Introduction 1 2 The Geographies of Brands and Branding 23 3 Origination 59 4 ‘Local’ Origination … Newcastle Brown Ale 88 5 ‘National’ Origination … Burberry 112 6 ‘Global’ Origination … Apple 139 7 Territorial Development 171 8 Conclusions 194 References 207 Index 224

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Book SynopsisJohn and Elizabeth Newson were well known for their studies of child rearing, which have combined a rigorous research methodology with sympathetic insights into family life and a lively approach to scientific reporting. Path-breaking', brilliant', seminal', outstanding', fascinating', enthralling' and enchanting' are some of the adjectives used by critics to describe their previous books. They now turn their attention to toys, the pegs on which children hang their play', a study for which they are uniquely qualified. Not only had they long experience in normal child development: they had been actively involved for many years in research and training in remedial play for disabled children, their research unit was a major influence in the phenomenal development of the toy libraries self-help movement, they designed for and advised the toy industry, and they had their own family-run specialist toyshop. With this background, it is not surprising that their book on toys andTable of ContentsAcknowledgements. 1. Why Toys? 2. People as Playthings: Lap and Cradle Play 3. Toys for the First Two Years: A Developmental Progression 4. Some Timeless Toys and Play Equipment 5. Props for Fantasy 6. Miniature Worlds 7. Play and Playthings for the Handicapped Child 8. Using Toys for Developmental Assessment 9. Using Toys and Play Remedially 10. Toys and Play for the Sick Child 11. Toys Through Time and Space. Notes. List of Suppliers. Further Reading. Index.

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Book SynopsisIn this volume Anthi Andronikou explores the social, cultural, religious and trade encounters between Italy and Cyprus during the late Middle Ages, from ca. 1200 -1400, and situates them within several Mediterranean contexts. Revealing the complex artistic exchange between the two regions for the first time, she probes the rich but neglected cultural interaction through comparison of the intriguing thirteenth-century wall paintings in rock-cut churches of Apulia and Basilicata, the puzzling panels of the Madonna della Madia and the Madonna di Andria, and painted chapels in Cyprus, Lebanon, and Syria. Andronikou also investigates fourteenth-century cross-currents that have not been adequately studied, notably the cult of Saint Aquinas in Cyprus, Crusader propaganda in Santa Maria Novella in Florence, and a unique series of icons crafted by Venetian painters working in Cyprus. Offering new insights into Italian and Byzantine visual cultures, her book contributes to a broader understandinTable of Contents1. A prosopography of encounters; 2. Southern Italy, Cyprus and the Holy Land: a tale of parallel aesthetics?; 3. Deconstructing myths: transmutations of Madonna and Panagia between Italy and Cyprus; 4. Thomas Aquinas, the Dominicans and artistic patronage in trecento Cyprus; 5. The peregrinations of a Cypriot king in Italian material culture, 1362-1368; 6. Art in the interstices: hybrid Italian panels and Cypriot nobility.

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Book SynopsisRitual has long been a central concept in anthropological theories of religious transmission. Ritual, Performance and the Senses offers a new understanding of how ritual enables religious representations - ideas, beliefs, values - to be shared among participants.Focusing on the body and the experiential nature of ritual, the book brings together insights from three distinct areas of study: cognitive/neuroanthropology, performance studies and the anthropology of the senses. Eight chapters by scholars from each of these sub-disciplines investigate different aspects of embodied religious practice, ranging from philosophical discussions of belief to explorations of the biological processes taking place in the brain itself. Case studies range from miracles and visionary activity in Catholic Malta to meditative practices in theatrical performance and include three pilgrimage sites: the Church of the Holy Sepulchre in Jerusalem, the festival of Ramlila in Ramnagar, India and the mountain shriTrade Review"Bull and Mitchell provide a truly thought-provoking collection of essays by renowned authors widely influential in the fields of performance studies, sensory/sound studies, and cognitive neuroscience/neurophysics. It is a must-read for all interested in ritual plain and simple as well as for all interested in the complex interplay of cognition, senses, and performance. - Reading Religion This is an excellent collection of articles that are both theoretically and empirically rich and offer innovative approaches to long-standing concepts. - Religion and Society: Advances in Research The book is highly recommendable to anthropologists working on all fields ... It provides a productive entry into debates that will probably shape the future of our discipline as it moves beyond the constraints of a 'science of culture'. - Anthropos [This] book has been carefully curated to ensure that the points of interest ... speak to readers from across the fields of performance studies, anthropology, neuroanthropology and beyond. - HARTS & Minds"Table of ContentsIntroductionJon P. Mitchell and Michael Bull, University of Sussex, UKRitual Action Shapes Our Brains: an Essay in NeuroanthropologyRobert Turner, Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, GermanyPlace-making in the 'Holy of Holies': the Church of the Holy Sepulchre, JerusalemTrevor Marchand, School of Oriental and African Studies, UKThe Importance of Repetition: Ritual as Extension of MindGreg Downey, Macquarie University, AustraliaDivine Intervention: Ontology, Cognition and Performance in Maltese Visionary PhenomenaJon P. Mitchell, University of Sussex, UKMaking 'Sense' in Embodied/Enactive Modes of Actor Training and PerformancePhilip Zarrili, University of Exeter, UKRamlila and SpaceRichard Schechner, Tisch School of the Arts, NYU, USAExploring the Andean Sensory Model: Knowledge, Memory and the Experience of PilgrimageZoila Mendoza, University of California, Davis, USASensation and TransmissionDavid Howes, Concordia University, CanadaAfterwordSarah Pink, Loughborough University, UKBibliographyIndex

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Book SynopsisTextile design inhabits a liminal space spanning art, design and craft. This book explores how textile design bridges the decorative and the functional, and takes us from handcrafting to industrial manufacture. In doing so, it distinguishes textiles as a distinctive design discipline, against the backdrop of today's emerging design issues.With commentaries from a range of international design scholars, the book demonstrates how design theory is now being employed in diverse scenarios to encourage innovation beyond the field of design itself. Positioning textiles within contemporary design research, Textile Design Theory in the Making reveals how the theory and practice of textile design exist in a synergistic, creative relationship.Drawing on qualitative research methods, including auto-ethnography and feminist critique, the book provides a theoretical underpinning for textile designers working in interdisciplinary scenarios, uniting theory and texts from the fields of anthropolTrade ReviewDelving into the interstices of textile design and textile making, Igoe’s richly conceived and generously formed text offers a new paradigm for textile design practices … suggesting an oscillating space that is as rich as it is discursive as it is rigorous. * Catherine Dormor, Royal College of Art, UK *Igoe has partnered her voice with a refreshingly original set of contributors who each move the discourse of textile design beyond generic design vocabulary through unapologetic narration of the personal and particular. * Jessica Hemmings, University of Gothenburg, Sweden *Igoe poetically layers the too-long unspoken words which locate the impulses that have driven generations of textile researchers and makers. The next generation can draw on this brilliant book to confidently amplify their political and personal matrixial voices. * Rebecca Earley, University of the Arts London, UK *Table of ContentsList of Figures List of Contributors Acknowledgements Introduction Chapter 1: Too much to tell Chapter 2: Matrixial meaning Chapter 3: Talking textiles: A story Chapter 4: Design, thinking and textile thinking Mesh One Chapter 5: Translating and transforming Chapter 6: The translation paradigm for design culture (Elena Caratti and Daniela Calabi) Mesh Two Chapter 7: A story of hard and soft; Modernism and textiles as design Chapter 8: The gendered textile design discipline Chapter 9: Taking on textile thinking (Marion Lean) Chapter 10: Tracing back to trace forwards: what does it mean/take to be a Black textile designer (Rose Sinclair) Mesh Three Chapter 11: Paraphernalia and playing for design Chapter 12: Patterns of objects (Tom Fisher) Mesh Four Chapter 13: Design problems and designing pleasure Chapter 14: Design does not solve problems (Mark Roxburgh) Chapter 15: Elevated Surfaces Epilogue: Toing and Froing: on creating an oscillation-based practice (Marianne Fairbanks) Glossary of terms Contributors References References Index

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Book SynopsisEighteenth-century women told their life stories through making. With its compelling stories of women's material experiences and practices, Material Lives offers a new perspective on eighteenth-century production and consumption. Genteel women's making has traditionally been seen as decorative, trivial and superficial. Yet their material archives, forged through fabric samples, watercolours, dressed prints and dolls' garments, reveal how women used the material culture of making to record and navigate their lives.Material Lives positions women as makers' in a consumer society. Through fragments of fabric and paper, Dyer explores an innovative way of accessing the lives of otherwise obscured women. For researchers and students of material culture, dress history, consumption, gender and women's history, it offers a rich resource to illuminate the power of needles, paintbrushes and scissors.Trade ReviewThere is something deeply moving about encountering eighteenth-century women via the things they stitched, wore, cut, drew and painted. Richly detailed, evocative and precise – as well as beautifully illustrated – Material Lives has much in common with the intricate, creative women's work that Dyer studies in this book. * Hannah Greig, University of York, UK *Serena Dyer’s lavishly illustrated and brilliantly researched book calls for us to rethink the immense cultural power of the “needles, brushes, glue and scissors” that four Georgian women used to fashion new versions of history. It is a compelling read. * Alison Matthews David, Ryerson University, Canada *A meticulous, insightful and intimate reconstruction of how four genteel women recorded and memorialized their lives through ‘material life writing’ ... [and] a compelling vision of women’s engagement in the eighteenth-century world of goods as knowledgeable, skilful and creative makers. * Karen Harvey, University of Birmingham, UK *This splendid book portrays the unforgettable world of female imagination, skill and artistic talent that shaped consumer identity in the eighteenth century. * Giorgio Riello, University of Warwick, UK *Material Lives offers a brilliant re-evaluation of eighteenth-century women’s lives through their craft practices. Organised around four rich case studies, Dyer’s book eloquently questions the presumed primacy of the textual archive and models an innovative interdisciplinary methodology that has far-reaching repercussions for the study of women’s history. * Jennie Batchelor, University of Kent, UK *Table of ContentsList of Illustrations List of Charts and Tables Acknowledgements List of Abbreviations 1. Introduction: Making Material Lives Material Life Writing The Consumer Culture of Making Four Material Lives 2. Material Accounting: A Sartorial Account Book Barbara Johnson (1738–1825) Educating Barbara Johnson Accounting for Herself Material Literacy A Chronicle of Fashion 3. Dress of the Year: Watercolours Ann Frankland Lewis (1757–1842) Sartorial Timekeeping and the Fashion Plate Accomplishment and Creative Practice Society and Fashionable Display Selfhood, Emotion and the Mourning Watercolours 4. Adorned in Silk: Dressed Prints Sabine Winn (1734–1798) Paper Textiles, Dress and the Dressed Print Sabine Winn’s Dressed Prints Print and Making at Nostell 5. Fashions in Miniature: Dolls Laetitia Powell (1741–1801) The Powell Dolls Mimetic Dolls and Miniature Selves Dolls as Sartorial Social Narrators 6. Conclusion: Material Afterlives Glossary Bibliography Index

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Book SynopsisAlison Slater is Senior Lecturer in Design History at Manchester School of Art, Dept. of Art & Performance, Manchester Metropolitan University, UK. She has contributed to the journal Critical Studies in Fashion and Beauty and her PhD research features in the BBC Radio 4 documentary Rags to Riches.Susan Atkin is Deputy Division Head for Fashion Design at Manchester Fashion Institute, Manchester Metropolitan University, UK. She was previously the designer-owner of womenswear label Electricity.Elizabeth Kealy-Morris is Senior Lecturer in Dress and Belonging at Manchester Fashion Institute, Manchester Metropolitan University, UK. Her research into body dressing work has featured in The Guardian.Trade ReviewThis exciting and interdisciplinary collection of new essays pursues and develops a neglected theme: the presence, role, and importance of individual and cultural memory in the tings we wear ... The essays are individual, substantial, and represent a serious and valuable contribution to the critical theorization and practice of remembrance in and through fashion, clothing, and textiles. * Malcom Barnard, Loughborough University, UK *A diverse and insightful set of perspectives, this anthology reinforces the relevance of auto/biographical memories as a method to explore the motivations and meanings of everyday garments. Profound and poignant insights unfold as the past reverberates in the present through material engagement with clothes. * Hazel Clark, Parsons School of Design, New York, USA *Table of ContentsList of Illustrations List of Contributors Acknowledgements Introduction by Alison Slater, Susan Atkin, and Elizabeth Kealy-Morris Concepts 1. Personal Objects and Dress as Instruments for Anchoring the Self, Remembering the Past, and Enhancing Well-Being by Soljana Çili Histories 2. Remembering Respectability: Collective Memories of Working-Class Dress in Wartime Lancashire by Alison Slater 3. Memories of Making: Home Sewing in Socialist Hungary by Zsofia Juhasz 4. Nostalgia, Myth and Memories of Dress: The Cultural Memory of Madchester by Susan Atkin Objects 5. Wardrobes and Soundtracks: Resources for Memories of Youth by Jo Jenkinson 6. Ken Tynan’s Tommy Nutter Jacket as ‘Materialized Memory’ by Ben Whyman 7. Soft Murmurings: Sensing Memories in Collections of Dress by Jane Webb Practices 8. ‘The American Look’: Memories of Not Fitting In by Elizabeth Kealy-Morris 9. Black/White/Yellow by Elizabeth Chin 10. Cloth(ing) Memories: Rituals of Grieving by Lesley Beale References Index

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