Literature: history and criticism Books

Book SynopsisProust and the Arts brings together expert Proustians and renowned interdisciplinary scholars in a major reconsideration of the novelist's complex relation to the arts. It examines many of Proust's key models in painting and music, and explores his engagement with modern artistic fields from fashion to photography.Table of Contents1. Introduction; Part I. Art's Way: 2. Primitives and primitive arts in the Recherche Nathalie Mauriac Dyer; 3. 'Some dear or sad fantasy': faith, idolatry, infidelity Sophie Duval; 4. I am [not] a painting: how Chardin and Moreau dialogue in Proust's writing Christie McDonald; Part II. Apprenticing and Integrating: 5. Art and craft in Marcel Proust's life and work Virginie Greene; 6. 'Those blessed days': Ruskin, Proust, and Carpaccio in Venice Susan Ricci Stebbins; 7. 'Cette douceur, pour ainsi dire wagnérienne': musical resonance in Proust's Recherche John Hamilton; Part III. Expanding the Arts: 8. Proust and archeological discovery Kazuyoshi Yoshikawa; 9. Swann's gift, Odette's face: photography, money and desire in À la recherche du temps perdu Suzanne Guerlac; 10. Oriane's artful fashions Caroline Weber; 11. Glass and clay: Proust and Gallé Elaine Scarry; Part IV. Perceiving and Transforming: 12. Proust's eye Françoise Leriche; 13. Sound and music in Proust: what the Symbolists heard Sindhumathi Revuluri; 14. Inside a red cover: Proust and the art of the book Evelyne Ender and Serafina Lawrence; Part V. Creative Identities: 15. Proust and the Marx Brothers Elisabeth Ladenson; 16. Proust, Jews, and the arts Maurice Samuels; 17. 'Irregular' kin: Madeleine Lemaire and Reynaldo Hahn in Les plaisirs et les jours François Proulx; 18. The day Proust recognized he was a great writer Antoine Compagnon; Bibliography.

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Book SynopsisThe Cambridge Introduction to Postmodernism surveys the full spectrum of postmodern culture - high and low, avant-garde and popular, famous and obscure - across a range of fields, from architecture and visual art to fiction, poetry, and drama. It deftly maps postmodernism's successive historical phases, from its emergence in the 1960s to its waning in the first decades of the twenty-first century. Weaving together multiple strands of postmodernism - people and places from Andy Warhol, Jefferson Airplane and magical realism, to Jean-FranÃois Lyotard, Laurie Anderson and cyberpunk - this book creates a rich picture of a complex cultural phenomenon that continues to exert an influence over our present 'post-postmodern' situation. Comprehensive and accessible, this Introduction is indispensable for scholars, students, and general readers interested in late twentieth-century culture.Table of Contents1. Before postmodernism; 2. Big bang; 3. The major phase: peak postmodernism, 1973–90; 4. Interregnum, 1989–2000; 5. After postmodernism.

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Book SynopsisThis book selects central moments in the literary reception of the Works and Days in antiquity, studies these moments in sophisticated depth, and pays particular attention to Hesiod's importance as the founding father of 'didactic literature'. It will appeal to all those with a serious interest in ancient literature.Table of Contents1. Reading Hesiod; 2. A didactic poem?; 3. Hesiod and the symposium; 4. Plutarch's Works and Days, and Proclus', and Hesiod's; 5. Aesop and Hesiod; 6. Hesiod's style: towards an ancient analysis.

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Book SynopsisPro Marco Caelio is perhaps Cicero's best-loved speech and has long been regarded as one of the best surviving examples of Roman oratory. Speaking in defence of the young aristocrat Marcus Caelius Rufus on charges of political violence, Cicero scores his points with wit but also with searing invective directed at a supporter of the prosecution, Clodia Metelli, whom he represents as seeking vengeance as a lover spurned by his client. This new edition and detailed commentary offers advanced undergraduates and graduate students, as well as scholars, a detailed analysis of Cicero's rhetorical strategies and stylistic refinements and presents a systematic account of the background and significance of the speech, including in-depth explanations of Roman court proceedings.Trade Review'… a welcome addition to the Cambridge Greek and Latin Classics series … clear and elucidating … one of a series of outstanding commentaries on Cicero that [Dyke] has given us.' Jane W. Crawford, The Classical ReviewTable of ContentsIntroduction; Text; Commentary.

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Book SynopsisJohn Ruskin (1819â1900), one of the leading literary, aesthetic and intellectual figures of the middle and late Victorian period, and a significant influence on writers from Tolstoy to Proust, has established his claim as a major writer of English prose. This collection of essays brings together leading experts from a wide range of disciplines to analyse his ideas in the context of his life and work. Topics include Ruskin's Europe, architecture, technology, autobiography, art, gender, and his rich influence even in the contemporary world. This is the first multi-authored expert collection to assess the totality of Ruskin's achievement and to open up the deep coherence of a troubled but dazzling mind. A chronology and guide to further reading contribute to the usefulness of the volume for students and scholars.Trade Review'This is a timely and well-crafted work, demonstrating in a persuasive and subtle way how worthwhile it is to revisit and re-evaluate John Ruskin.' Languages and LiteratureTable of Contents1. Introduction Francis O'Gorman; Part I. Places: 2. Edinburgh-London-Oxford-Coniston Keith Hanley; 3. The Alps Emma Sdegno; 4. Italy Nicholas Shrimpton; 5. France and Belgium Cynthia Gamble; Part II. Topics: 6. Art Lucy Hartley; 7. Architecture Geoffrey Tyack; 8. Politics and economics Nicholas Shrimpton; 9. Nation and class Judith Stoddart; 10. Religion Francis O'Gorman; 11. Sex and gender Sharon Aronofsky Weltman; 12. Technology Alan Davis; Part III. Authorship: 13. Ruskin and Carlyle David R. Sorensen; 14. Lecturing and public voice Dinah Birch; 15. Diary journals, correspondence, autobiography and private voice Martin Dubois; 16. Creativity Clive Wilmer; Part IV. Legacies: 17. Political legacies Stuart Eagles; 18. Cultural legacies Marcus Waithe; Guide to further reading.

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Book SynopsisClair Wills's The Best Are Leaving is an important and wide-ranging study of representations of Irish emigrant culture and of Irish immigrants in Britain in post-war Europe. It analyses stereotypes of the Irish across a range of discourses, including official documents; sociological texts; documentary fiction and memoir; and Irish realist fiction, drama, and film.Trade Review'Sharp and illuminating … [Wills'] study is deeply impressive in the scope of its learning and the range of its sympathies.' Sunday Business Post'A fine study of an absorbing subject.' Irish Mail on Sunday'… Wills has written a thoughtful, open-minded and lucid book that shows that the 'great silence' which enveloped commentary on the Irish language in independent Ireland often characterized the emigrant experience too. One of the most moving and beautiful aspects of this compelling narrative is Wills's account of her own mother and of her attempts to negotiate for her family between two exacting cultures. She succeeded magnificently - and one outcome is this valuable and necessary book.' Breac'[This] book … brings to the forefront an often overlooked era in twentieth-century Irish culture … [the author shows us] that this period of departure and radical social change deserves the same rigorous engagement that so frequently attends to global political concerns and earlier twentieth-century periods in Ireland … Wills' focus brings insight and originality born from top-notch research throughout the book.' Maria McGarrity, Irish Literary SupplementTable of Contents1. The best are leaving: fitness, marriage, and the crisis of the national family; 2. Pink witch: women, modernity, and urbanisation; 3. British paddies: realism and the Irish immigrant; 4. The vanishing Irish: assimilation, ethnicisation, and literary caricature; 5. Clay is the flesh: looking at manual labour.

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Book SynopsisThe Poetics of Insecurity turns the emerging field of literary security studies upside down. Rather than tying the prevalence of security to a culture of fear, Johannes Voelz shows how American literary writers of the past two hundred years have mobilized insecurity to open unforeseen and uncharted horizons of possibility for individuals and collectives. In a series of close readings of works by Charles Brockden Brown, Harriet Jacobs, Willa Cather, Flannery O''Connor, and Don DeLillo, Voelz brings to light a cultural imaginary in which conventional meanings of security and insecurity are frequently reversed, so that security begins to appear as deadening and insecurity as enlivening. Timely, broad-ranging, and incisive, Johannes Voelz''s study intervenes in debates on American literature as well as in the interdisciplinary field of security studies. It fundamentally challenges our existing explanations for the pervasiveness of security in American cultural and political life.Trade Review'The Poetics of Insecurity is an impressive and accomplished work that analyzes a range of American narratives from the early Republic to our present moment to show how an interest in and exploration of 'security' has been central to American literature and culture. Voelz makes contributions to multiple fields, including not only American literature broadly construed, but also narrative theory; it also joins a growing body of work exploring the intersections of the literary with non-literary conceptions of security, and contributes to recent work focused on chance and/or accident in American literary history.' Steven Belletto, Lafayette College, Pennsylvania'The strength of Voelz's readings lies in their attentiveness to the ambivalent affective dimensions of insecurity, the intermingling of fear and desire that accompanies the contemplation of an uncertain future.' Deborah Thurman, The Review of English StudiesTable of Contents1. Introduction: security and the uncertain worlds of fiction; 2. The virtue of uncertainty: securing the republic in Arthur Mervyn; 3. Harriet Jacobs's imagined community of insecurity; 4. Willa Cather and the security of radical contingency; 5. Cold War liberalism and Flannery O'Connor's 'The Displaced Person'; 6. In the future, toward death: finance capitalism and security in DeLillo's cosmopolis; Epilogue.

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Book SynopsisJane Austen is renowned for the economy of her art: for the close focus of her romantic plots and the precision of her writing style. Exploring that economy stylistically and structurally, this book traces Austen''s keen interest in narrative form. Anne Toner pinpoints techniques that are fundamental to the distinctiveness of Austen''s fiction, many of which have been little explored to date. Toner argues that Austen''s conciseness in terms of plotting, narrative description and in the depiction of dialogue also contributed to her innovations in representing thought, expanding the novel''s capacity to depict consciousness. Narrative and rhetorical features are presented clearly and accessibly and will open up new ways of thinking about prose style with implications for the study of fiction beyond Austen''s own.Trade Review'… in each of her chapters on the formal features of Austen's style, Toner demonstrates how the effort of writing small worked to inspire some of Austen's biggest ideas and thus to shape nineteenth-century fiction.' Megan Quinn, www.review19.org'This telescoping is well represented in discussion of Mansfield Park and of free direct discourse … the notes, bibliography, and index are extensive and provide welcome entry into the critical discussion around Austen studies and the 18th-century novel … Highly recommended.' R. Shapiro, Choice'Explicating the very long history of critical reception of Austen's exemplary, modern economy of style - its concision of plot for character, for example - Toner under-takes a detailed and thorough grammatical investigation of how exactly Austen achieves her fêted economy, and to what ends.' Kate Singer, The Wordsworth CircleTable of Contents1. Structure: selection, connection, and the picturesque; 2. Language: apophatic Austen (not saying things and saying so); 3. Dialogue: Austen's missing speakers and the case for free direct discourse.

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Book SynopsisHow did physicians come to dominate the medical profession? Lyn Bennett challenges the seemingly self-evident belief that scientific competence accounts for physicians'' dominance. Instead, she argues that the whole enterprise of learned medicine was, in large measure, facilitated by an intensely classical education that included extensive training in rhetoric, and that this rhetorical training is ultimately responsible for the achievement of professional dominance. Bennett examines previously unexplored connections among writers and genres as well as competing livelihoods and classes. Engaging the histories of rhetoric, medicine, literature, and culture throughout, she goes on to focus specifically on the work of women who professed as well as practiced medicine. Pointing to some of the ways women''s writing shapes realities of body, mind, and spirit as it negotiates social, cultural, and professional ideologies of gender, this book offers an important corrective to some long-held belTrade Review'Lyn Bennett's … detailed new book offers an original perspective on the development of the medical profession in the seventeenth century.' Aurélie Griffin, Modern Language ReviewTable of ContentsIntroduction. 'Their plausible rhetoric'; Part I. Rhetoric and Medicine: 1. 'Another mans profession': physicians and clerics; 2. 'Onely the learned': physicians, empirics, and women; 3. 'An eloquent tongue': physicians and patients; Part II. The Woman Writer: 4. 'Publishing those truthes': women and affliction; 5. 'Hard words and rhetoricall phrases': women and learned medicine; 6. 'A bare physician stuft with words': women and domestic healing.

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Book SynopsisFrances Burney is primarily known as a novelist and playwright, but in recent years there has been an increased interest in the medical writings found within her private letters and journals. John Wiltshire advocates Burney as the unconscious pioneer of the modern genre of pathography, or the illness narrative. Through her dramatic accounts of distinct medical events, such as her own infamous operation without anaesthetic, to those she witnessed, including the ''madness'' of George III and the inoculation of her son against smallpox, Burney exposes the ethical issues and conflicts between patients and doctors. Her accounts are linked to a range of modern narratives in which similar events occur in the changed conditions of the public hospital. The genre that Burney initiated continues to make an important contribution to our understanding of medical practice in the modern world.Table of ContentsAcknowledgements; Note on short titles; Introduction; 1. Frances Burney's long and extraordinary life: 1752–1840; 2. The King, the court and 'madness': 1788–9; 3. Aftermath: 1789–91; 4. An inoculation for smallpox: 1797; 5. 'A mastectomy': 1811; 6. Fighting for life: 'the last illness and death of General D'Arblay': 1818; 7. 'Between hope, trust and truth'; 8. Across the centuries; Notes; Bibliography; Index.

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Book SynopsisThere is an increasingly widespread sense that Europe is in crisis. Notions of a shared European identity and a common European culture appear to be losing their purchase. This crisis is often seen as a conflict between a cosmopolitan and a nationalist idea of Europe. The reality is, however, considerably more complex, as the long history of the idea of Europe reveals. In The Idea of Europe: A Critical History, Shane Weller explores that history from its origins in classical antiquity to the present day. Drawing on a wide range of sources, he demonstrates that, all too often, seemingly progressive ideas of Europe have been shaped by Eurocentric, culturally supremacist, and even racist assumptions. Seeking to break with this troubling pattern, Weller calls for an idea of Europe shaped by a spirit of self-critique and by an openness to those cultures that have for so long been dismissed as non-European.Trade Review'This marvelous book provides a masterful history of the idea of Europe from classical antiquity to the present day. It takes someone with exceptionally sharp analytical skills to expose the ways in which the many advocates of European values and a united Europe have struggled to think beyond their own national-cultural identifications and to free themselves from a Eurocentric idea of Europe. Weller's book is a superb attempt not only to assess the idea of Europe critically, but also to propose a new way of imagining the European that takes full account of its troubled past.' Dirk Van Hulle, University of Oxford'The Idea of Europe is the history of an idea that is as complex as it is contradictory and ambiguous. Shane Weller's new book critically uncovers these contradictions – universalism and nationalism, diversity and unity, civilization and barbarism – and the many attempts to overcome them. The book is a tour de force. It follows the idea of Europe from Aristotle to Husserl, from Montesquieu to Turgenev and Orhan Pamuk, and it helps us to think Europe in all its complexity and, maybe, to move beyond the pitfalls of Eurocentrism, Euro-supremacism, and Euro-universalism.' Jan Loop, University of Copenhagen'Highly recommended.' B. T. Browne, Choice Connect'Weller's critical history of the idea of Europe is an important corrective to the self-mythologisation of the EU. It should be read especially by 'pro-Europeans' who continue to invoke the Enlightenment as if it were not implicated in European barbarism.' Hans Kundnani, The New StatesmanTable of Contents1. Myths of Europa: from Classical Antiquity to the Enlightenment; 2. A Great Republic of Cultivated Minds: 1712–1815; 3. Nationalism and Universalism: 1815–1848; 4. The Russia Question; 5. Homo Europaeus:1848–1918; 6. The European Spirit: 1918–1933; 7. A New European Order: 1933–1945; 8. Unity in Diversity: 1945–1989; 9. Other Europes; 10. Europe Against Itself: 1989 to the Present Day.

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Book SynopsisGreek culture matters because its unique pluralistic debate shaped modern discourses. This ground-breaking book explains this feature by retelling the history of ancient literary culture through the lenses of canon, space and scale. It proceeds from the invention of the performative ''author'' in the archaic symposium through the ''polis of letters'' enabled by Athenian democracy and into the Hellenistic era, where one''s space mattered and culture became bifurcated between Athens and Alexandria. This duality was reconfigured into an eclectic variety consumed by Roman patrons and predicated on scale, with about a thousand authors active at any given moment. As patronage dried up in the third century CE, scale collapsed and literary culture was reduced to the teaching of a narrower field of authors, paving the way for the Middle Ages. The result is a new history of ancient culture which is sociological, quantitative, and all-encompassing, cutting through eras and genres.Trade Review'… this work opens a new path for future scholarship. This engaging … volume deserves a wide audience among classicists.' P. E. Ojennus, Choice'This volume is an amazing achievement, a commanding synthesis, a vast compendium of pages, an argument that demands to be contested. Every Classicist should read it.' Jaś Elsner, Bryn Mawr Classical ReviewTable of ContentsAcknowledgments; General introduction; Part I. Canon: 1. Canon: the evidence; 2. Canon in practice: the polis of letters; Part II. Space: 3. Space, the setting: the making of an Athens-against-Alexandria Mediterranean; 4. Space in action: when worlds diverge; Part III. Scale: 5. A quantitative model of ancient literary culture; 6. Scale in action: stability and its end; Coda to the book; Bibliography; Index.

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Book SynopsisIn this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, freemason dramatists invented the new genre of domestic tragedy, a Table of ContentsIntroduction: dramatizing enlightenment; 1. Addison, Steele and enlightened sentiment; 2. Fair captives and spiritual dragooning: Islam and toleration on stage; 3. The black legend, noble savagery and indigenous voice; 4. The Masonic Invention of domestic tragedy; 5. Local savagery: the Enlightenment countryside on stage; Afterword.

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Book SynopsisOffers new perspectives on Synge's well-known plays by situating them in less familiar historical contexts. Exploring concepts of performance, modernity and progress, this book opens up Synge criticism to the insights of performance studies. It will be of interest to scholars and students of Irish studies, English drama, theatre and performance.Trade Review'Lecossois's fresh perspective is extremely relevant to performance studies and Irish studies … recommended.' W. S. Brockman, ChoiceTable of Contents1. Staging authenticity; 2. The spectacle of modernity; 3. Performing the repertoire; 4. 'Queer bodies': counter-modern modes of embodiment; 5. Unresolved temporalities; 6. Creative failures.

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Book SynopsisUnsettling the usual ways we think about the relationship between religion and secularism, and focusing on scenes where the Bible shows up as a physical object in eighteenth-century English fiction, this book powerfully argues that the English novel rose with the Bible, not after it.

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Book SynopsisWhen the term ''dinosaur'' was coined in 1842, it referred to fragmentary British fossils. In subsequent decades, American discoveriesincluding Brontosaurus and Triceratopsproved that these so-called ''terrible lizards'' were in fact hardly lizards at all. By the 1910s ''dinosaur'' was a household word. Reimagining Dinosaurs in Late Victorian and Edwardian Literature approaches the hitherto unexplored fiction and popular journalism that made this scientific term a meaningful one to huge transatlantic readerships. Unlike previous scholars, who have focused on displays in American museums, Richard Fallon argues that literature was critical in turning these extinct creatures into cultural icons. Popular authors skilfully related dinosaurs to wider concerns about empire, progress, and faith; some of the most prominent, like Arthur Conan Doyle and Henry Neville Hutchinson, also disparaged elite scientists, undermining distinctions between scientific and imaginative writing. The rise of the Table of Contents1. Reclaiming Authority: Henry Neville Hutchinson, Popular Science, and the Construction of the Dinosaur; 2. Reinventing Wonderland: Jabberwocks, Grotesque Monsters, and Dinosaurian Maladaptation; 3. Rearticulating the Nation: Transatlantic Fiction and the Dinosaurs of Empire; 4.Rediscovering Lost Worlds: Arthur Conan Doyle and the Modern Romance of Palaeontology

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Book SynopsisGreat art is about emotion. In the eighteenth century, and especially for the English stage, critics developed a sensitivity to both the passions of a performance and what they called the transitions between those passions. It was these pivotal transitions, scripted by authors and executed by actors, that could make King Lear beautiful, Hamlet terrifying, Archer hilarious and Zara electrifying. James Harriman-Smith recovers a lost way of appreciating theatre as a set of transitions that produce simultaneously iconic and dynamic spectacles; fascinating moments when anything seems possible. Offering fresh readings and interpretations of Shakespearean and eighteenth-century tragedy, historical acting theory and early character criticism, this volume demonstrates how a concern with transition binds drama to everything, from lyric poetry and Newtonian science, to fine art and sceptical enquiry into the nature of the self.Trade ReviewCriticism, Performance and the Passions in the Eighteenth Century is an impressive study of the theory and practice of eighteenth-century acting. Focusing on 'transition' as a key component of the actor's art, James Harriman-Smith offers us a new way to understand and appreciate the emotional power of theatrical performance in the age of David Garrick. Conceptually astute and deeply immersed in primary sources, his book is a major contribution to British theatre history. Richard Schoch, Queen's University BelfastHarriman-Smith's strikingly original work is on the performance of 'transitions' – emotional turns from one passion to another – in the long eighteenth century. Using information gathered from plays, letters, manuals on speaking and acting, promptbooks, periodicals and paintings, Theatre and the Passions in the Eighteenth Century: The Art of Transition shows how 'jolts' in the passions affected everything from David Garrick's performances to the writing of lyric odes and the construction of Shakespeare criticism. The extraordinary insights offered by this book will transform our understanding performance and text in the eighteenth-century. Tiffany Stern, University of Birmingham'The Art of Transition is a welcome and even thrilling book because it offers its reader a new word for thinking about - and through that word, a new way of reading - the eighteenth-century archive.' David Francis Taylor, The Scriblerian and the Kit-CatsTable of Contents1. Dramatic Transition; 2. Zara; 3. Odes; 4. King Lear; 5. Dramatic Character.

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Book SynopsisBibliographers have been notoriously ''hesitant to deal with liturgies'', and this volume bridges an important gap with its authoritative examination of how the Book of Common Prayer came into being. The first edition of 1549, the first Grafton edition of 1552 and the first quarto edition of 1559 are now correctly identified, while Peter W. M. Blayney shows that the first two editions of 1559 were probably finished on the same day. Through relentless scrutiny of the evidence, he reveals that the contents of the 1549 version continued to evolve both during and after the printing of the first edition, and that changes were still being made to the Elizabethan revision weeks after the Act of Uniformity was passed. His bold reconstruction is transformative for the early Anglican liturgy, and thus for the wider history of the Church of England. This major, revisionist work is a remarkable book about a remarkable book.Table of Contents1. From Henry VIII to the first Edwardian prayer book; 2. The second Edwardian prayer book; 3. Mary's reign and Elizabeth's first Parliament; 4. Richard Grafton's edition (STC 16291); 5. The first Jugge-and-Cawood edition (STC 16292); 6. The preliminaries: collaboration and cancels; 7. The orphaned ordinal; 8. The third and fourth editions; 9. The quarto and octavo editions; 10. The 1561 revision of the calendar; 11. Concluding summary.

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Book SynopsisDrawing on a rich array of twenty-first-century speculative fiction, this book demonstrates how the commodification of life through biotechnology has far-reaching implications for how we think of personhood, agency, and value. Sherryl Vint argues that neoliberalism is reinventing life under biocapital. She offers new biopolitical figurations that can help theoretically grasp and politically respond to a distinctive twenty-first-century biopolitics. This book theorizes how biotechnology intervenes in the very processes of biological function, reshaping life itself to serve economic ends. Linking fictional texts with material examples, Biopolitical Futures in Twenty-First-Century Speculative Fiction shows how these practices are linked to new modes of exploitative economic relations that cannot be redressed by human rights. It concludes with a posthumanist reframing of the value of life that grounds itself elsewhere than in capitalist logics, a vision that, in a Covid age, might become fundamental to a new politics of ecological relations.Trade Review'… rich and compelling … the larger political and ethical ramifications of Vint's project in Biopolitical Futures could not be more urgent or clear.' Hugh C. O'Connell, Science Fiction StudiesTable of ContentsIntroduction: neoliberalism and the reinvention of life; 1. Suspending death, reinventing life: the immortal vessel; 2. The new flesh: vital machines and reimagining the human; 3. Capital reproduction: maternity and productivity; 4. Surplus value: transplantation and fungible life; 5. Life industries: vitality as commodity; 6. Living to work: biocapital, synthetic biology, and the precaritization of labor; 7. Life optimized: pharmaceutical health and disposable bodies; 8. Surplus vitality and posthuman possibilities; Conclusion: capitalism, biopolitics, and a new body politic.

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Book SynopsisPhonographs, tapes, stereo LPs, digital remix - how did these remarkable technologies impact American writing? This book explores how twentieth-century writers shaped the ways we listen in our multimedia present. Uncovering a rich new archive of materials, this book offers a resonant reading of how writers across several genres, such as John Dos Passos, Langston Hughes, William S. Burroughs, and others, navigated the intermedial spaces between texts and recordings. Numerous scholars have taken up remix - a term co-opted from DJs and sound engineers - as the defining aesthetic of twenty-first century art and literature. Others have examined modernism''s debt to the phonograph. But in the gap between these moments, one finds that the reciprocal relationship between the literary arts and sonic technologies continued to evolve over the twentieth century. A mix of American literary history, sound studies, and media archaeology, this interdisciplinary study will appeal to scholars, students,Table of ContentsIntroduction: Resonant Reading: Listening to American Literature After the Phonograph; 1. Ears Taut to Hear: John Dos Passos Records America; 2. Ethnographic Transcription and the Jazz Auto/Biography: Alan Lomax, Jelly Roll Morton, Zora Neale Hurston, and Sidney Bechet; 3. Press Play: Jack Kerouac, William S. Burroughs, and the Tape Recorder; 4. The Stereophonic Poetics of Langston Hughes and Amiri Baraka; 5. From Cut-Up to Mashup: Literary Remix in the Digital Age, feat. Kevin Young, and Chuck Palahniuk; A Post-Electric Postscript: Recording and Remix Onstage.

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Book SynopsisThe sixteen women discussed in this collection were world-makers whose craft influenced cultural practice so incisively that their shaping authority can be traced far beyond their moment. For scholars and students of English literature, this volume shows why Renaissance culture cannot be rightly understood when women writers are ignored.Trade Review'This fine compilation of essays should prove of interest to scholars in numerous fields, especially literary scholars.' Heidi Olson Campbell, Renaissance and ReformationTable of ContentsIntroduction; The literary contours of women's world-making Brandie R. Siegfried and Pamela S. Hammons; Part I. Early Modern Women Framing the Modern World: 1. Erotic origins: genesis, the passion, and Aemilia Lanyer's Queer temporality Erin Murphy; 2. Aphra Behn's fiction: transmission, editing, and canonization Paul Salzman; 3. From aisling vision to Irish queen: the reimergence of Gráinne Ní Mháille in Europe's revolutionary period Brandie R. Siegfried; 4. Reframing the picture: screening early modern women for modern audiences Lisa Walters and Naomi Miller; Part II. Remaking the Literary World: 5. Uncloseted: geography and early modern women's dramatic writing Marion Wynne-Davies; 6. Lucy Hutchinson's memoirs as auto-biography Laura DeFurio; 7. Commonplace genres, or women's interventions in non-traditional literary forms: Madame de Sablé, Aphra Behn, and the maxim Victoria E. Burke; 8. Form, formalism, and literary studies: the case of Margaret Cavendish Lara Dodds; Part III. Connecting the Social Worlds of Religion, Politics, and Philosophy: 9. Royalism and resistance: the personal and the political in Anne, Lady Halkett's Meditations, 1660–1699 Suzanne Trill; 10. Hester Pulter's dissolving worlds Marshelle Woodward; 11. The feminist worlds of Margaret Cavendish David Cunning; 12. Augustus reigns, but poets still are low: Aphra Behn's world in the emperor of the moon (1687) Elaine Hobby; Part IV. Rethinking Early Modern Types and Stereotypes: 13. Learning to imitate women: male education and the grammar of female experience Catherine Loomis; 14. Mothers and widows: world-making against stereotypes in early modern English women's manuscript writings Pamela Hammons; 15. Queer virgins: nuns, reproductive futurism, and early modern English culture Jaime Goodrich; 16. Defensor Feminae: Aemilia Lanyer and Rachel Speght Elizabeth Hodgson; 17. Margaret Cavendish's Melancholy identity: gender and the evolution of a Genre Tina Skouen and Henriette Kolle.

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Book SynopsisThe creation of texts preserves culture, literature, myth, and society, and provides invaluable insights into history. Yet we still have much to learn about the history of how those texts were produced and how the production of texts has influenced modern societies, particularly in smaller nations like Wales. The story of publishing in Wales is closely connected to the story of Wales itself. Wales, the Welsh people, and the Welsh language have survived invasion, migration, oppression, revolt, resistance, religious and social upheaval, and economic depression. The books of Wales chronicle this story and the Welsh people''s endurance over centuries of challenges. Ancient law-books, medieval manuscripts, legends and myths, secretly printed religious works, poetry, song, social commentary, and modern novels tell a story of a tiny nation, its hardy people, and an enduring literary legacy that has an outsized influence on culture and literature far beyond the Welsh borders.Table of Contents1. Introduction; 2. Welsh History and Identity; 3. Poetry, Literacy, and Manuscripts; 4. Early Welsh Printing; 5. The Industrial Era; 6. Resistance and Renaissance; 7. Conclusion: Into the Electronic Age.

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Book SynopsisAncient epics remain a fount of inspiration for poets, dramatists, and musicians not only because they tell good stories in an aesthetically beautiful way, but also because they speak to contemporary hearts and minds still wrestling with timeless issues of human limitation, passion, violence, and uses and abuses of power.Trade Review"[King] also draws connections between the works so the reader can see the epics in the context of their genre and historical period." (CHOICE, February 2010) “Provides a comprehensive idea [of] ancient epic, showing how this literary genre is not only an invaluable cultural asset in itself, but the bearer of messages and values far remote or dead … .The brilliant and dense general introduction identifies the preliminary concepts necessary to address the overall theme of the book … .Truly admirable consistency [and] effort [for] a topic so broad and multifaceted. The fact that the text is addressed to an audience of non-specialists … does not reduce … the scope and importance: on the contrary. Ancient Epic is the result of a well-calibrated balance between methodological rigor [and] accuracy of content … .This volume, which deserves to be considered among the best introductions to ancient epic appeared in recent years, has all the characteristics to … fascinate a very wide number of readers (not necessarily native English speakers) who want to know epic poetry.” (Bryn Mawr Classical Review, February 2010) "If you already enjoy the Classical epics, you should read this to challenge your assumptions. If you aren't familiar with Classical epic, you should read this to learn about the topic. Ancient Epic straddles beautifully the need to provide value for people who have already read the epics and the needs of a reader unacquainted with the genre." (N.S. Gill, About.com)Table of ContentsChronologies viii Map x Introduction 1 1 The Epic of Gilgamesh 14 2 The Context of Homeric Epic 33 3 The Iliad 52 4 The Odyssey 81 5 The Argonautika of Apollonios of Rhodes 106 6 The Context of Roman Epic 125 7 The Aeneid of Virgil 143 8 The Metamorphoses of Ovid 172 Appendix: Chart of Olympian Gods and their Akkadian Counterparts 189 Glossary of Greek and Latin terms 192 Index 193

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Book SynopsisCatullus is one of the liveliest and most appealing Roman poets. His emotion, charm, and apparent spontaneity resonate with readers as strongly today as in antiquity. This sophisticated literary and historical introduction brings Catullus to life for the modern reader and presents his poetry in all its variety of emotions, subjects, and styles.Table of ContentsList of Figures viii Preface ix 1 Introduction: The Young Poet in Rome 1 2 Poetry Books 22 3 The Catullan Persona 45 4 What Makes It Poetry 72 5 Poetic Architecture 100 6 Songs for Mixed Voices: Allusions, Intertexts, and Translations 133 7 Receiving Catullus 1: From Antiquity through the Sixteenth Century 166 8 Receiving Catullus 2: England and America 194 Appendix 1 Catullus' Meters 222 Appendix 2 Glossary of Metrical and Rhetorical Terms 223 Bibliography 225 General Index 235 Index of Catullus' Poems 242

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Book SynopsisA Companion to Thomas Hardy brings together new essays on all aspects of Thomas Hardy s work by thirty of the world s most distinguished Hardy scholars.Trade Review“Perhaps Hardy the poet needs a separate Companion. If it matched this one in the quality of writing and usefulness to the student, it would be a treasure.” (Victorian Studies, 1 October 2012)Table of ContentsNotes on Contributors viii List of Abbreviations xiv Introduction 1 Keith Wilson Part I The Life 5 1 Hardy as Biographical Subject 7 Michael Millgate Part II The Intellectual Context 19 2 Hardy and Philosophy 21 Phillip Mallett 3 Hardy and Darwin: An Enchanting Hardy? 36 George Levine 4 Hardy and the Place of Culture 54 Angelique Richardson 5 “The Hard Case of the Would-be-Religious”: Hardy and the Church from Early Life to Later Years 71 Pamela Dalziel 6 Thomas Hardy’s Notebooks 86 William Greenslade 7 “Genres are not to be mixed. . . . I will not mix them”: Discourse, Ideology, and Generic Hybridity in Hardy’s Fiction 102 Richard Nemesvari 8 Hardy and his Critics: Gender in the Interstices 117 Margaret R. Higonnet Part III The Socio-Cultural Context 131 9 “His Country”: Hardy in the Rural 133 Ralph Pite 10 Thomas Hardy of London 146 Keith Wilson 11 “A Thickness of Wall”: Hardy and Class 162 Roger Ebbatson 12 Reading Hardy through Dress: The Case of Far From the Madding Crowd 178 Simon Gatrell 13 Hardy and Romantic Love 194 Michael Irwin 14 Hardy and the Visual Arts 210 J. B. Bullen 15 Hardy and Music: Uncanny Sounds 223 Claire Seymour Part IV The Works 239 16 The Darkening Pastoral: Under the Greenwood Tree and Far From the Madding Crowd 241 Stephen Regan 17 “Wild Regions of Obscurity”: Narrative in The Return of the Native 254 Penny Boumelha 18 Hardy’s “Novels of Ingenuity” Desperate Remedies, The Hand of Ethelberta, and A Laodicean: Rare Hands at Contrivances 267 Mary Rimmer 19 Hardy’s “Romances and Fantasies” A Pair of Blue Eyes, The Trumpet-Major, Two on a Tower, and The Well-Beloved: Experiments in Metafiction 281 Jane Thomas 20 The Haunted Structures of The Mayor of Casterbridge 299 Julian Wolfreys 21 Dethroning the High Priest of Nature in The Woodlanders 313 Andrew Radford 22 Melodrama, Vision, and Modernity: Tess of the d’Urbervilles 328 Tim Dolin 23 Jude the Obscure and English National Identity: The Religious Striations of Wessex 345 Dennis Taylor 24 “. . . into the hands of pure-minded English girls”: Hardy’s Short Stories and the Late Victorian Literary Marketplace 364 Peter Widdowson 25 Sequence and Series in Hardy’s Poetry 378 Tim Armstrong 26 Hardy’s Poems: The Scholarly Situation 395 William W. Morgan 27 That’s Show Business: Spectacle, Narration, and Laughter in The Dynasts 413 G. Glen Wickens Part V Hardy the Modern 431 28 Modernist Hardy: Hand-Writing in The Mayor of Casterbridge 433 J. Hillis Miller 29 Inhibiting the Voice: Thomas Hardy and Modern Poetics 450 Charles Lock 30 Hardy’s Heirs: D. H. Lawrence and John Cowper Powys 465 Terry R. Wright Index 479

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Book SynopsisAn absorbing survey of poetry written in one of the most revolutionary eras in the history of British literature This comprehensive survey of British Romantic poetry explores the work of six poets whose names are most closely associated with the Romantic eraWordsworth, Coleridge, Blake, Keats, Byron, and Shelleyas well as works by other significant but less widely studied poets such as Leigh Hunt, Charlotte Smith, Felicia Hemans, and Letitia Elizabeth Landon. Along with its exceptional coverage, the volume is alert to relevant contexts, and opens up ways of understanding Romantic poetry. The Romantic Poetry Handbook encompasses the entire breadth of the Romantic Movement, beginning with Anna Laetitia Barbauld and running through to Thomas Lovell Beddoes and John Clare. In its central section Readings' it explores tensions, change, and continuity within the Romantic Movement, and examines a wide range of individual poems and poets through sensitive, attentive and accessible analyses.Trade Review“It is a beautifully written and well-organized textbook, which will be of great value to undergraduates in English departments around the world…O’Neill and Callaghan are to be commended for the deft way they combine close reading and scholarship in these delightful essays” -- The Year’s Work in English Studies, Volume 98 (2019)Table of ContentsContents Acknowledgements viii Part 1 Introduction 1 Part 2 Timeline of the Late Eighteenth Century and Romantic Period 21 Part 3 Biographies 47 Anna Laetitia Barbauld (1743–1825) 49 Thomas Lovell Beddoes (1803–1849) 51 William Blake (1757–1827) 54 Robert Burns (1759–1796) 57 Lord George Gordon Byron (1788–1824) 59 John Clare (1793–1864) 61 Samuel Taylor Coleridge (1772–1834) 63 Felicia Hemans (1793–1835) 66 (James Henry) Leigh Hunt (1784–1859) 69 John Keats (1795–1821) 72 Letitia Elizabeth Landon (1802–1838) 74 Thomas Moore (1779–1852) 77 Mary Robinson (1758–1800) 80 Percy Bysshe Shelley (1792–1822) 82 Charlotte Smith (1749–1806) 85 Robert Southey (1774–1843) 87 William Wordsworth (1770–1850) 90 Ann Yearsley (1753–1806) 93 Part 4 Readings 95 First]Generation Romantic Poets 95 Anna Laetitia Barbauld, ‘Epistle to William Wilberforce, Esq., on the Rejection of the Bill for ­Abolishing the Slave Trade’; ‘The Rights of Woman’; Eighteen Hundred and Eleven, A Poem 97 Charlotte Smith, Elegiac Sonnets 101 Charlotte Smith, Beachy Head 107 Ann Yearsley, ‘Poem on the Inhumanity of the Slave]trade’; ‘Bristol Elegy’ 110 William Blake, Songs of Innocence and of Experience 115 William Blake, The Marriage of Heaven and Hell ; The Book of Urizen ; ‘The Mental Traveller’ 124 Mary Robinson, Sappho and Phaon 132 Robert Burns, Lyrics 137 William Wordsworth and S. T. Coleridge, Lyrical Ballads 144 William Wordsworth, ‘Resolution and Independence’; ‘Ode: Intimations of Immortality’; ‘Elegiac Stanzas, Suggested by a Picture of Peele Castle in a Storm, Painted by Sir George Beaumont’; ‘Surprized by Joy’ 152 William Wordsworth, The Prelude 163 William Wordsworth, The Excursion 174 Samuel Taylor Coleridge, Conversation Poems: ‘The Eolian Harp’, ‘This Lime]Tree Bower My Prison’, ‘Frost at ­Midnight’, and ‘Dejection: An Ode’ 179 Samuel Taylor Coleridge, The Rime of the Ancient Mariner ; Kubla Khan; ‘The Pains of Sleep’; Christabel 187 Robert Southey, Thalaba the Destroyer and The Curse of Kehama 196 Second]Generation Romantic Poets 203 Thomas Moore, Irish Melodies 205 Leigh Hunt, The Story of Rimini 211 Lord Byron, Lara ; ‘When We Two Parted’; ‘Stanzas to Augusta’; Manfred 215 Lord Byron, Childe Harold’s Pilgrimage 223 Lord Byron, Don Juan, Cantos 1–4 232 Percy Bysshe Shelley, Queen Mab ; Alastor; Laon and Cythna [The Revolt of Islam] 242 Percy Bysshe Shelley, ‘Hymn to Intellectual Beauty’; ‘Mont Blanc’; ‘Ozymandias’; ‘Ode to the West Wind’; the late poems to Jane Williams 251 Percy Bysshe Shelley, ­Prometheus Unbound; Adonais; The Triumph of Life 260 John Keats, Endymion ; ‘Sleep and Poetry’; The Sonnets 268 John Keats, Hyperion and The Fall of Hyperion 277 John Keats, The 1820 Volume 284 Third]Generation Romantic Poets 295 John Clare: Lyrics 297 Felicia Hemans, Records of Woman: With Other Poems 304 Letitia Elizabeth Landon, ‘Love’s Last Lesson’; ‘Lines of Life’; ‘Lines Written under a Picture of a Girl Burning a Love]Letter’; ‘Sappho’s Song’; ‘A Child Screening a Dove from a Hawk. By Stewardson’ 311 Thomas Lovell Beddoes, Death’s Jest]Book and Lyrics 318 Part 5 Further Reading 325 General Critical Reading 327 Anna Laetitia Barbauld (1743–1825) 328 Thomas Lovell Beddoes (1803–1849) 328 William Blake (1757–1827) 329 Robert Burns (1759–1796) 329 Lord George Gordon Byron (1788–1824) 329 John Clare (1793–1864) 330 Samuel Taylor Coleridge (1772–1834) 330 Felicia Hemans (1793–1835) 331 (James Henry) Leigh Hunt (1784–1859) 331 John Keats (1795–1821) 331 Letitia Elizabeth Landon (1802–1838) 331 Thomas Moore (1779–1852) 332 Mary Robinson (1758–1800) 332 Percy Bysshe Shelley (1792–1822) 332 Charlotte Smith (1749–1806) 333 Robert Southey (1774–1843) 333 William Wordsworth (1770–1850) 333 Ann Yearsley (1753–1806) 334 Index

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Book SynopsisAn absorbing survey of poetry written in one of the most revolutionary eras in the history of British literature This comprehensive survey of British Romantic poetry explores the work of six poets whose names are most closely associated with the Romantic eraWordsworth, Coleridge, Blake, Keats, Byron, and Shelleyas well as works by other significant but less widely studied poets such as Leigh Hunt, Charlotte Smith, Felicia Hemans, and Letitia Elizabeth Landon. Along with its exceptional coverage, the volume is alert to relevant contexts, and opens up ways of understanding Romantic poetry. The Romantic Poetry Handbook encompasses the entire breadth of the Romantic Movement, beginning with Anna Laetitia Barbauld and running through to Thomas Lovell Beddoes and John Clare. In its central section Readings' it explores tensions, change, and continuity within the Romantic Movement, and examines a wide range of individual poems and poets through sensitive, attentive and accessible analyses.Trade Review“It is a beautifully written and well-organized textbook, which will be of great value to undergraduates in English departments around the world…O’Neill and Callaghan are to be commended for the deft way they combine close reading and scholarship in these delightful essays” -- The Year’s Work in English Studies, Volume 98 (2019)Table of ContentsAcknowledgements viii Part 1 Introduction 1 Part 2 Timeline of the Late Eighteenth Century and Romantic Period 21 Part 3 Biographies 47 Anna Laetitia Barbauld (1743–1825) 49 Thomas Lovell Beddoes (1803–1849) 51 William Blake (1757–1827) 54 Robert Burns (1759–1796) 57 Lord George Gordon Byron (1788–1824) 59 John Clare (1793–1864) 61 Samuel Taylor Coleridge (1772–1834) 63 Felicia Hemans (1793–1835) 66 (James Henry) Leigh Hunt (1784–1859) 69 John Keats (1795–1821) 72 Letitia Elizabeth Landon (1802–1838) 74 Thomas Moore (1779–1852) 77 Mary Robinson (1758–1800) 80 Percy Bysshe Shelley (1792–1822) 82 Charlotte Smith (1749–1806) 85 Robert Southey (1774–1843) 87 William Wordsworth (1770–1850) 90 Ann Yearsley (1753–1806) 93 Part 4 Readings 95 First-Generation Romantic Poets 95 Anna Laetitia Barbauld, ‘Epistle to William Wilberforce, Esq., on the Rejection of the Bill for ­Abolishing the Slave Trade’; ‘The Rights of Woman’; Eighteen Hundred and Eleven, A Poem 97 Charlotte Smith, Elegiac Sonnets 101 Charlotte Smith, Beachy Head 107 Ann Yearsley, ‘Poem on the Inhumanity of the Slave-trade’; ‘Bristol Elegy’ 110 William Blake, Songs of Innocence and of Experience 115 William Blake, The Marriage of Heaven and Hell ; The Book of Urizen ; ‘The Mental Traveller’ 124 Mary Robinson, Sappho and Phaon 132 Robert Burns, Lyrics 137 William Wordsworth and S. T. Coleridge, Lyrical Ballads 144 William Wordsworth, ‘Resolution and Independence’; ‘Ode: Intimations of Immortality’; ‘Elegiac Stanzas, Suggested by a Picture of Peele Castle in a Storm, Painted by Sir George Beaumont’; ‘Surprized by Joy’ 152 William Wordsworth, The Prelude 163 William Wordsworth, The Excursion 174 Samuel Taylor Coleridge, Conversation Poems: ‘The Eolian Harp’, ‘This Lime-Tree Bower My Prison’, ‘Frost at ­Midnight’, and ‘Dejection: An Ode’ 179 Samuel Taylor Coleridge, The Rime of the Ancient Mariner ; Kubla Khan; ‘The Pains of Sleep’; Christabel 187 Robert Southey, Thalaba the Destroyer and The Curse of Kehama 196 Second-Generation Romantic Poets 203 Thomas Moore, Irish Melodies 205 Leigh Hunt, The Story of Rimini 211 Lord Byron, Lara ; ‘When We Two Parted’; ‘Stanzas to Augusta’; Manfred 215 Lord Byron, Childe Harold’s Pilgrimage 223 Lord Byron, Don Juan, Cantos 1–4 232 Percy Bysshe Shelley, Queen Mab ; Alastor; Laon and Cythna [The Revolt of Islam] 242 Percy Bysshe Shelley, ‘Hymn to Intellectual Beauty’; ‘Mont Blanc’; ‘Ozymandias’; ‘Ode to the West Wind’; the late poems to Jane Williams 251 Percy Bysshe Shelley, ­Prometheus Unbound; Adonais; The Triumph of Life 260 John Keats, Endymion ; ‘Sleep and Poetry’; The Sonnets 268 John Keats, Hyperion and The Fall of Hyperion 277 John Keats, The 1820 Volume 284 Third-Generation Romantic Poets 295 John Clare: Lyrics 297 Felicia Hemans, Records of Woman: With Other Poems 304 Letitia Elizabeth Landon, ‘Love’s Last Lesson’; ‘Lines of Life’; ‘Lines Written under a Picture of a Girl Burning a Love-Letter’; ‘Sappho’s Song’; ‘A Child Screening a Dove from a Hawk. By Stewardson’ 311 Thomas Lovell Beddoes, Death’s Jest-Book and Lyrics 318 Part 5 Further Reading 325 General Critical Reading 327 Anna Laetitia Barbauld (1743–1825) 328 Thomas Lovell Beddoes (1803–1849) 328 William Blake (1757–1827) 329 Robert Burns (1759–1796) 329 Lord George Gordon Byron (1788–1824) 329 John Clare (1793–1864) 330 Samuel Taylor Coleridge (1772–1834) 330 Felicia Hemans (1793–1835) 331 (James Henry) Leigh Hunt (1784–1859) 331 John Keats (1795–1821) 331 Letitia Elizabeth Landon (1802–1838) 331 Thomas Moore (1779–1852) 332 Mary Robinson (1758–1800) 332 Percy Bysshe Shelley (1792–1822) 332 Charlotte Smith (1749–1806) 333 Robert Southey (1774–1843) 333 William Wordsworth (1770–1850) 333 Ann Yearsley (1753–1806) 334 Index 335

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Book SynopsisAfter Globalization offers a new way of thinking about globalization -- both what it was and how it still operates as a social narrative. In lively and unflinching prose, the authors argue that contemporary thought about the world is disabled by a fatal flaw: the inability to think an after to globalization.Trade Review“Summing Up: Recommended. Upper-division undergraduates and above.” (Choice, 1 August 2012)Table of ContentsAcknowledgments A Prixecis: The Argument 1 Part I: The Afterlife of Globalization a. Nothing Can Save Us 5 b. From Globalization to Anti-Americanism 9 c. From Anti-Americanism Back to Globalization 15 d. “I face the World as it is”: On Obama 29 e. Of and After: Two Narratives of the Global 34 f. Seven Theses after Globalization 44 g. Something’s Missing 57 Part II: The Limits of Liberalism a. After Globalization, or, Liberalism after Neoliberalism 69 b. Neoliberals Dressed in Black: Richard Florida 77 c. The Anecdotal American: Thomas Friedman 100 d. Confidence Game: Paul Krugman 114 e. The Non-Shock Doctrine: Naomi Klein 134 f. The Limits of Hollywood: Michael Clayton 152 Part III: The Global Generation a. Next Generation 171 b. From Anti-Americanism to Globalization 173 c. A Map of the World 179 d. Biogeographies 207 e. Can’t Get There from Here 218 Conclusion: “Oh, Don’t Ask Why!” 225 Index 239

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Book SynopsisA Companion to African American Literature presents a comprehensive overview of the field from the eighteenth century to the present day. Embracing the full range of African American literature, essays explore forms, themes, genres, historical contexts, and major authors, and present the latest critical approaches.Trade ReviewA master archivist and historian of African American literature, Gene Jarrett has assembled a compelling new collection of essays for this necessary addition to the study of African American writing and thought. The volume offers a comprehensive survey of the African American canon, but also goes in new directions, giving fresh emphasis to the earliest writing of African Americans as well as to the exciting field of Latino/-a writing in the African Diaspora. This is a field-defining collection.”—Henry Louis Gates, Jr., Harvard University “A Companion to African American Literature is a pathbreaking collection that will revolutionize the study of African American literature and literary culture. Written by leading established and emerging scholars in the field, the essays both provide a comprehensive overview of African American literary trends and preoccupations and challenge our conventional understanding of racial and national identities, literary genres, and intertextual influences. Accessible yet scholarly, this volume will be of enormous value to scholars, students, and general readers.”—Valerie Smith, Princeton University “Presenting a comprehensive overview of the field from the 20th cen-tury to the present, A Companion to African American Literature, ed. Gene Andrew Jarrett (Wiley-Blackwell), provides readers with a fairly comprehensive overview of one of America’s richest literary traditions.” (American Literary Scholarship, 2012)Table of ContentsNotes on Contributors viii Introduction 1 Gene Andrew Jarrett Part I. The Literatures of Africa, Middle Passage, Slavery, and Freedom: The Early and Antebellum Periods, c.1750–1865 9 1. Back to the Future: Eighteenth-Century Transatlantic Black Authors 11 Vincent Carretta 2. Africa in Early African American Literature 25 James Sidbury 3. Ports of Call, Pulpits of Consultation: Rethinking the Origins of African American Literature 45 Frances Smith Foster and Kim D. Green 4. The Constitution of Toussaint: Another Origin of African American Literature 59 Michael J. Drexler and Ed White 5. Religion in Early African American Literature 75 Joanna Brooks and Tyler Mabry 6. The Economies of the Slave Narrative 90 Philip Gould 7. The 1850s: The First Renaissance of Black Letters 103 Maurice S. Lee 8. African American Literary Nationalism 119 Robert S. Levine 9. Periodicals, Print Culture, and African American Poetry 133 Ivy G. Wilson Part II. New Negro Aesthetics, Culture, and Politics: The Modern Period, 1865–c.1940 149 10. Racial Uplift and the Literature of the New Negro 151 Marlon B. Ross 11. The Dialect of New Negro Literature 169 Gene Andrew Jarrett 12. African American Literary Realism, 1865–1914 185 Andreá N. Williams 13. Folklore and African American Literature in the Post-Reconstruction Era 200 Shirley Moody-Turner 14. The Harlem Renaissance: The New Negro at Home and Abroad 212 Michelle Ann Stephens 15. Transatlantic Collaborations: Visual Culture in African American Literature 227 Cherene Sherrard-Johnson 16. Aesthetic Hygiene: Marcus Garvey, W.E.B. Du Bois, and the Work of Art 243 Mark Christian Thompson 17. African American Modernism and State Surveillance 254 William J. Maxwell Part III. Reforming the Canon, Tradition, and Criticism of African American Literature: The Contemporary Period, c.1940–Present 269 18. The Chicago Renaissance 271 Michelle Yvonne Gordon 19. Jazz and African American Literature 286 Keith D. Leonard 20. The Black Arts Movement 302 James Edward Smethurst 21. Humor in African American Literature 315 Glenda R. Carpio 22. Neo-Slave Narratives 332 Madhu Dubey 23. Popular Black Women’s Fiction and the Novels of Terry McMillan 347 Robin V. Smiles 24. African American Science Fiction 360 Jeffrey Allen Tucker 25. Latino/a Literature and the African Diaspora 376 Theresa Delgadillo 26. African American Literature and Queer Studies: The Conundrum of James Baldwin 393 Guy Mark Foster 27. African American Literature and Psychoanalysis 410 Arlene R. Keizer Name Index 421 Subject Index 442

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Book SynopsisBuilding on the strength of Keith Walker s acclaimed The Poems of John Wilmot, Earl of Rochester (1984), leading scholar Nicholas Fisher presents a thoroughly revised and updated edition of the work of one the greatest Restoration wits.Table of ContentsList of Illustrations viii Note on This Edition ix Acknowledgments x Chronology xii Introduction xvii Further Reading xxviii Abbreviations xxxii Poems Juvenilia 1 Love Poems 5 Translations 56 Prologues and Epilogues 61 Satires and Lampoons 68 Poems to Mulgrave and Scroope 111 Epigrams, Impromptus, Jeux d’esprit, etc. 131 Poems Less Securely Attributed to Rochester 138 Lucina’s Rape or the Tragedy of Vallentinian 161 Index of Proper Names 253 Index of Titles and First Lines 257

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Book SynopsisThis exciting new Companion explores the interactions between Europe and other peoples of both the New and Old worlds during the English Renaissance, and their effect on the literature, culture, art, and history of the period.Table of ContentsList of Illustrations ix Notes on Contributors x Acknowledgments xvi Introduction: The Global Renaissance 1 Jyotsna G. Singh Part I: Mapping the Global 29 1 The New Globalism: Transcultural Commerce, Global Systems Theory, and Spenser’s Mammon 31 Daniel Vitkus 2 “Travailing” Theory: Global Flows of Labor and the Enclosure of the Subject 50 Crystal Bartolovich 3 Islam and Tamburlaine’s World-picture 67 John Michael Archer 4 Traveling Nowhere: Global Utopias in the Early Modern Period 82 Chloë Houston Part II: “Contact Zones” 99 5 The Benefi ts of a Warm Study: The Resistance to Travel before Empire 101 Andrew Hadfield 6 “Apes of Imitation”: Imitation and Identity in Sir Thomas Roe’s Embassy to India 114 Nandini Das 7 A Multinational Corporation: Foreign Labor in the London East India Company 129 Richmond Barbour 8 Where was Iceland in 1600? 149 Mary C. Fuller 9 East by North-east: The English among the Russians, 1553–1603 163 Gerald MacLean 10 The Politics of Identity: William Adams, John Saris, and the English East India Company’s Failure in Japan 178 Catherine Ryu 11 The Queer Moor: Bodies, Borders, and Barbary Inns 190 Ian Smith Part III: Networks of Exchange: Traveling Objects 205 12 Guns and Gawds: Elizabethan England’s Infi del Trade 207 Matthew Dimmock 13 Cassio, Cash, and the “Infidel 0”: Arithmetic, Double-entry Bookkeeping, and Othello’s Unfaithful Accounts 223 Patricia Parker 14 Seeds of Sacrifice: Amaranth, the Gardens of Tenochtitlan and Spenser’s Faerie Queene 242 Edward M. Test 15 “So Pale, So Lame, So Lean, So Ruinous”: The Circulation of Foreign Coins in Early Modern England 262 Stephen Deng 16 Canary, Bristoles, Londres, Ingleses: English Traders in the Canaries in the Sixteenth and Seventeenth Centuries 279 Barbara Sebek 17 “The Whole Globe of the Earth”: Almanacs and Their Readers 294 Adam Smyth 18 Cesare Vecellio, Venetian Writer and Art-book Cosmopolitan 305 Ann Rosalind Jones Part IV: The Globe Staged 323 19 Bettrice’s Monkey: Staging Exotica in Early Modern London Comedy 325 Jean E. Howard 20 The Maltese Factor: The Poetics of Place in The Jew of Malta and The Knight of Malta 340 Virginia Mason Vaughan 21 Local/Global Pericles: International Storytelling, Domestic Social Relations, Capitalism 355 David Morrow Index 378

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Book SynopsisThis revised edition of A History of Old English Literature draws extensively on the latest scholarship to have evolved over the last decade. The text incorporates additional material throughout, including two new chapters on Anglo-Saxon manuscripts and incidental and marginal texts.Trade Review"A new generation of students and their professors will undoubtedly apprecite the currency of what has proven to be a widely respected, comprehensive historical treatment of Old English literature." (Choice, 1 December 2013)Table of ContentsList of IIIustrations vi Preface to the First Edition (2003) vii Preface to the Second Edition ix Abbreviations x Introduction Anglo-Saxon England and Its Literature: A Social History 1 1 The Chronology and Varieties of Old English Literature 42 2 Anglo-Saxon Manuscripts 58 3 Literature of the Alfredian Period 83 4 Homilies 112 5 Saints’ Legends (Rachel S. Anderson) 133 6 Biblical Literature 157 7 Liturgical and Devotional Texts 177 8 Legal Texts 211 9 Scientific and Scholastic Texts 227 10 Wisdom Literature and Lyric Poetry 241 11 Germanic Legend and Heroic Lay 278 12 Additions, Annotations, and Marginalia 329 Conclusion Making Old English New: Anglo-Saxonism and the Cultural Work of Old English Literature 354 Works Cited 367 Index 481

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Book SynopsisProvides a detailed map of contemporary critical theory in Renaissance and Early Modern English literary studies beyond Shakespeare A Handbook of English Renaissance Literary Studies is a groundbreaking guide to the contemporary engagement with critical theory within the larger disciplinary area of Renaissance and Early Modern studies. Comprising commissioned contributions from leading international scholars, it provides an overview of literary theory, beyond Shakespeare, focusing on most major figures, as well as some lesser-known writers of the period. This book represents an important first step in bridging the divide between the abundance of titles which explore applications of theory in Shakespeare studies, and the relative lack of such texts concerning English Literary Renaissance studies as a whole, which includes major figures such as Marlowe, Jonson, Donne, and Milton. The tripartite structure offers a map of the critical landscape so that students can appreciate the breadtTable of ContentsAcknowledgments viii Notes on Contributors ix Introduction 1John Lee Part I Conditions of Subjectivity 13 1 Gender 15Catherine Bates 2 Love and Friendship 29James M. Bromley 3 Race and Colonization 43Jean E. Feerick 4 Agency and Choice 56John Lee 5 Religion and the Religious Turn 70Julia Reinhard Lupton 6 Desire and Representation 86Simon Ryle 7 Service 101David Schalkwyk 8 The Body and Its Lives 115William W.E. Slights 9 Objects and Things 130Julian Yates Part II Places, Spaces, and Forms 145 10 The Market 147David J. Baker 11 Nature and the Non]Human 159Bruce Boehrer 12 Nation and Archipelago 173Willy Maley 13 London 190Ian Munro 14 The Church 206Anne M. Myers 15 The Republic of Letters and the Commonwealth of Learning 220Joanna Picciotto 16 Romance 235Benedict S. Robinson 17 The Court 249Lauren Shohet 18 The Household 265Mary E. Trull Part III Practices and Theories 279 19 Rhetorics of Similitude 281Judith H. Anderson 20 Publication 295Joshua Eckhardt 21 Authorship 310Jane Griffiths 22 Reading 324Mary Ann Lund 23 Science and Early Modern Literature 337Howard Marchitello 24 Representation 353Patricia Phillippy 25 Historiography 368Nicholas Popper 26 Devotion 382Timothy Rosendale 27 The Book 396Helen Smith 28 Travel and Chorography 411Angus Vine Index 426

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Book SynopsisFocusing on major and emerging playwrights, institutions, and various theatre practices this Concise Companion examines the key issues in British and Irish theatre since 1979.Trade Review“This volume provides valuable insight into the issues and practices of contemporary theater. Summing Up: Highly recommended. Upper-division undergraduates through faculty and professionals.” (Choice, 1 January 2014)Table of ContentsList of Illustrations ix Notes on Contributors x Acknowledgements xiii Introduction 1 Nadine Holdsworth and Mary Luckhurst Part I National Politics and Identities 5 1 Europe in Flux: Exploring Revolution and Migration in British Plays of the 1990s 7 Geoff Willcocks 2 ‘I’ll See You Yesterday’: Brian Friel, Tom Murphy and the Captivating Past 26 Claire Gleitman 3 Black British Drama and the Politics of Identity 48 D. Keith Peacock 4 Northern Irish Drama: Speaking the Peace 66 Tom Maguire Part II Sites, Cities and Landscapes 85 5 The Production of ‘Site’: Site-Specific Theatre 87 Fiona Wilkie 6 Staging an Urban Nation: Place and Identity in Contemporary Welsh Theatre 107 Heike Roms 7 The Landscape of Contemporary Scottish Drama: Place, Politics and Identity 125 Nadine Holdsworth Part III The Body, Text and the Real 147 8 The Body’s Cruel Joke: The Comic Theatre of Sarah Kane 149 Ken Urban 9 Physical Theatre: Complicite and the Question of Authority 171 Helen Freshwater 10 Verbatim Theatre, Media Relations and Ethics 200 Mary Luckhurst Part IV Science, Ethics and New Technologies 223 11 Theatre and Science 225 David Higgins 12 From the State of the Nation to Globalization: Shifting Political Agendas in Contemporary British Playwriting 245 Dan Rebellato 13 Theatre for a Media-Saturated Age 263 Sarah Gorman Index 283

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Book SynopsisThis companion to America?s greatest woman poet showcases the diversity and excellence that characterize the thriving field of Dickinson studies.Table of ContentsNotes on Contributors viii Abbreviations of Frequently Cited Sources xv Acknowledgments xvi Introduction 1Martha Nell Smith and Mary Loeffelholz Part I: Biography – the Myth of “the Myth” 9 1 Architecture of the Unseen 11Aife Murray 2 Fracturing a Master Narrative, Reconstructing “Sister Sue” 37ngrid Satelmajer 3 Public, Private Spheres: What Reading Emily Dickinson’s Mail Taught me about Civil Wars 58Martha Nell Smith 4 “Pretty much all real life”: The Material World of the Dickinson Family 79Jane Wald Part II: The Civil War – Historical and Political Contexts 105 5 “Drums off the Phantom Battlements”: Dickinson’s War Poems in Discursive Context 107Faith Barrett 6 The Eagle’s Eye: Dickinson’s View of Battle 133Renée Bergland 7 “How News Must Feel When Traveling”: Dickinson and Civil War Media 157Eliza Richards Part III: Cultural Contexts – Literature, Philosophy, Theology, Science 181 8 Really Indigenous Productions: Emily Dickinson, Josiah Holland, and Nineteenth-Century Popular Verse 183Mary Loeffelholz 9 Thinking Dickinson Thinking Poetry 205Virginia Jackson 10 Dickinson and the Exception 222Max Cavitch 11 Dickinson’s Uses of Spiritualism: The “Nature” of Democratic Belief 235Paul Crumbley 12 “Forever – is Composed of Nows –”: Emily Dickinson’s Conception of Time 258Gudrun M. Grabher 13 God’s Place in Dickinson’s Ecology 269Nancy Mayer Part IV: Textual Conditions: Manuscripts, Printings, Digital Surrogates 279 14 Auntie Gus Felled It New 281Tim Morris 15 Reading Dickinson in Her Context: The Fascicles 288Eleanor Elson Heginbotham 16 The Poetics of Interruption: Dickinson, Death, and the Fascicles 309Alexandra Socarides 17 Climates of the Creative Process: Dickinson’s Epistolary Journal 334Connie Ann Kirk 18 Hearing the Visual Lines: How Manuscript Study Can Contribute to an Understanding of Dickinson’s Prosody 348Ellen Louise Hart, with Sandra Chung 19 “The Thews of Hymn”: Dickinson’s Metrical Grammar 368Michael L. Manson 20 Dickinson’s Structured Rhythms 391Cristanne Miller 21 A Digital Regiving: Editing the Sweetest Messages in the Dickinson Electronic Archives 415Tanya Clement 22 Editing Dickinson in an Electronic Environment 437Lara Vetter Part V: Poetry & Media – Dickinson’s Legacies 453 23 “Dare you see a soul at the White Heat?”: Thoughts on a “Little Home-keeping Person” 455Sandra M. Gilbert 24 Re-Playing the Bible: My Emily Dickinson 462Alicia Ostriker 25 “For Flash and Click and Suddenness–”: Emily Dickinson and the Photography-Effect 471Marta L. Werner 26 “Zero to the Bone”: Thelonious Monk, Emily Dickinson, and the Rhythms of Modernism 490Joshua Weiner Index of First Lines 496 Index of Letters of Emily Dickinson 500 Index 503

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