Literary theory Books
Taylor & Francis Ltd Blue Ecocriticism and the Oceanic Imperative
Book SynopsisThis book initiates a conversation about blue ecocriticism: critical, ethical, cultural, and political positions that emerge from oceanic or aquatic frames of mind rather than traditional land-based approaches. Ecocriticism has rapidly become not only a disciplinary legitimate critical form but also one of the most dynamic, active criticisms to emerge in recent times. However, even in its institutional success, ecocriticism has exemplified an ocean deficit. That is, ecocriticism has thus far primarily been a land-based criticism stranded on a liquid planet. Blue Ecocriticism and the Oceanic Imperative contributes to efforts to overcome ecocriticism's ocean-deficit. The chapters explore a vast archive of oceanic literature, visual art, television and film, games, theory, and criticism. By examining the relationships between these representations of ocean and cultural imaginaries, Blue Ecocriticism works to unmoor ecocriticism from its land-based anchors.Trade Review"Blue Ecocriticism and the Oceanic Imperative calls for ecocriticism to take to the sea, offering an indispensable guide to navigating between the many disciplinary and methodological currents arising in the blue humanities. The scope of the book, alone, is impressive--Dobrin assembles a vast archive of oceanic literature, visual art, television and film, games, theory and criticism, making this an invaluable resource and potent provocation for the environmental humanities, animal studies, and the emerging blue humanities." – Dr. Stacy Alaimo, Professor of English, Environmental Studies Core Faculty Member, University of Oregon, USA"As Ishmael might’ve said, it is the easiest thing in the world for a book to look as if it had a great secret in it. ‘Blue Ecocriticism’ actually does: its expansive, sophisticated and entertaining account of Ocean as a dominant, threatened material-semiotic actor on Earth offers a digestible remedy for ecocritics’ ‘ocean deficit disorder.’ Be it eco-cosmopolitanism, oceanography or Object Oriented Ontology, Dobrin knows the ropes." – Greg Garrard, Professor of Environmental Humanities, Associate Dean of Research and Graduate Studies, Canada "With the publication of Blue Ecocriticism and the Oceanic Imperative Sid Dobrin takes the stage of humanistic scholarship on the marine environment with a highly engaging introduction to the changing conditions and conceptions of the human relationship to the world’s oceans. Dobrin’s impassioned and insightful work ups the ante for current ecocritical scholarship by calling for (and demonstrating) an oceanic commitment that is both intellectual and personal as well as local, global, and ongoing. By going all in with his oceanic scholarship, Dobrin demonstrates why the rest of us should, too." – Daniel Brayton, Julian W. Abernethy Chair of Literature, Director, Environmental Studies Program, USA"Blue Ecocriticism and the Oceanic Imperative calls for ecocriticism to take to the sea, offering an indispensable guide to navigating between the many disciplinary and methodological currents arising in the blue humanities. The scope of the book, alone, is impressive--Dobrin assembles a vast archive of oceanic literature, visual art, television and film, games, theory and criticism, making this an invaluable resource and potent provocation for the environmental humanities, animal studies, and the emerging blue humanities." – Dr. Stacy Alaimo, Professor of English, Environmental Studies Core Faculty Member, University of Oregon, USA"As Ishmael might’ve said, it is the easiest thing in the world for a book to look as if it had a great secret in it. ‘Blue Ecocriticism’ actually does: its expansive, sophisticated and entertaining account of Ocean as a dominant, threatened material-semiotic actor on Earth offers a digestible remedy for ecocritics’ ‘ocean deficit disorder.’ Be it eco-cosmopolitanism, oceanography or Object Oriented Ontology, Dobrin knows the ropes." – Greg Garrard, Professor of Environmental Humanities, Associate Dean of Research and Graduate Studies, Canada "With the publication of Blue Ecocriticism and the Oceanic Imperative Sid Dobrin takes the stage of humanistic scholarship on the marine environment with a highly engaging introduction to the changing conditions and conceptions of the human relationship to the world’s oceans. Dobrin’s impassioned and insightful work ups the ante for current ecocritical scholarship by calling for (and demonstrating) an oceanic commitment that is both intellectual and personal as well as local, global, and ongoing. By going all in with his oceanic scholarship, Dobrin demonstrates why the rest of us should, too." – Daniel Brayton, Julian W. Abernethy Chair of Literature, Director, Environmental Studies Program, USAExcerpt from review in Ecocene Cappadocia Journal of Environmental Humanities, 2.2, 2021"…Blue Ecocriticism and The Oceanic Imperative achieves more than it sets out to do in the first place, not only hitting blue ecocritical waves to the shores of earth-based ecoliteracies but also redirecting vegan studies’ and animal studies’ rivers into the deep waters of blue humanities. The imperative of rerouting critical interest is urgent for ecocriticism that seems to lack so far both a theoretical framework for and an unscaled interest towards the ocean, as the book aptly explains throughout its chapters. It is, I believe, urgent for vegan studies to join the blue frontier together with land-based ecocriticism and to set sail for blue-oriented representations of nonhuman world." -- Gülşah Göçmen, Aksaray University, TurkeyTable of Contents 1. Unearthing Ecocriticism 2. Scaling the Ocean 3. Object Ocean 4. Seeing Ocean 5. Protein Economies 6. Blue Frontiers
£37.99
Taylor & Francis Ltd The Routledge Handbook of Reenactment Studies
Book SynopsisThe Routledge Handbook of Reenactment Studies provides the first overview of significant concepts within reenactment studies. The volume includes a co-authored critical introduction and a comprehensive compilation of key term entries contributed by leading reenactment scholars from Europe, North America, and Australia. Well into the future, this wide-ranging reference work will inform and shape the thinking of researchers, teachers, and students of history and heritage and memory studies, as well as cultural studies, film, theater and performance studies, dance, art history, museum studies, literary criticism, musicology, and anthropology.Table of ContentsGeneral Introduction (Vanessa Agnew, Jonathan Lamb and Juliane Tomann) 1. Affect/Emotion (Martin Luecke and Juliane Brauer) 2. Art (Roger Benjamin) 3. Audience/Observers/ Participants (Nicolle Lamerichs) 4. Authenticity (Stephen Gapps) 5. Conjecture (Vanessa Agnew) 6. Corroboration (Jonathan Lamb) 7. Dance (Amanda Card) 8. Documentary (Stella Bruzzi) 9. Embodiment/Body (Amanda Card) 10. Evidence (Paul Pickering) 11. Experience (Anja Schwarz) 12. Experimentation (Anna Zalewska) 13. Expertise/Amateurism (Anna Braedder) 14. Gender (Jonathan Lamb) 15. Heritage (Donna Landry) 16. Historically informed music practice (Kate Bowan) 17. History of the Field (Ulf Otto) 18. Live Action Role Play (David Simkins) 19. Living History (David Dean) 20. Martyrdom (Martin Treml) 21. Material Culture/Objects (Stefanie Samida) 22. Materialization of the Past (Katrina Schlunke) 23. Mediality (Maria Muhle) 24. Memory/Commemoration (Juliane Tomann) 25. Mimesis (Kader Konuk) 26. Narrative (Inke Arns) 27. Nostalgia (Jonathan Schroeder) 28. Performance/Performativity (Katherine Johnson) 29. Pilgrimage (Kamila Baraniecka-Olszewska) 30. Practices of Reenactment (Alexander Cook) 31. Production of Historical Meaning (Scott Magelssen) 32. Realism (Jonathan Lamb) 33. Reenacting Indigeneity (Penny Edmonds) 34. Representation (Inke Arns) 35. Ritual (Anja Dreschke) 36. Subcultures (Mads Daugbjerg) 37. Suffering (Jonathan Lamb) 38. Tourism (Bodil Petersson)
£204.25
Taylor & Francis Ltd Using Critical Theory
Book SynopsisExplaining both why theory is important and how to use it, Lois Tyson introduces beginning students of literature to this often daunting field in a friendly and readable style. The new edition of this textbook is clearly structured with chapters based on major theories frequently covered both in courses on literature and on critical theory. Key features include: coverage of major theories including reader-response theory, New Criticism (formalism), psychoanalysis, Marxism, feminism, lesbian/gay/queer theories, African American theory, and postcolonial theory practical demonstrations of how to use these theories to interpret short literary works selected from canonical authors including William Faulkner and Alice Walker a chapter on reader-response theory that shows students how to use their personal responses to literature while avoiding typical pitfalls sections on cultural criticism for each chapter that use our selected theories tTable of Contents1. Critical theory and you 2. Using concepts from reader-response theory to understand our own literary interpretations 3. Using concepts from New Critical theory to understand literature 4. Using concepts from psychoanalytic theory to understand literature 5. Using concepts from Marxist theory to understand literature 6. Using concepts from feminist theory to understand literature 7. Using concepts from lesbian, gay, and queer theories to understand literature 8. Using concepts from African American theory to understand literature 9. Using concepts from postcolonial theory to understand literature 10. Holding on to what you’ve learned Appendices
£35.99
Taylor & Francis Ltd Neoliberalism
Book SynopsisThanks to the rise of neoliberalism over the past several decades, we live in an era of rampant anxiety, insecurity, and inequality. While neoliberalism has become somewhat of an academic buzzword in recent years, this book offers a rich and multilayered introduction to what is arguably the most pressing issue of our times. Engaging with prominent scholarship in media and cultural studies, as well as geography, sociology, economic history, and political theory, author Julie Wilson pushes against easy understandings of neoliberalism as market fundamentalism, rampant consumerism, and/or hyper-individualism. Instead, Wilson invites readers to interrogate neoliberalism in true cultural studies fashion, at once as history, theory, practice, policy, culture, identity, politics, and lived experience. Indeed, the book's primary aim is to introduce neoliberalism in all of its social complexity, so that readers can see how neoliberalism shapes their own lives, as well as our political hoTrade Review"Equal parts history, analysis and manifesto, Neoliberalism dissects the competitive, free market logic that defines our era.Wilson engages a dazzling range of theory and research in a highly accessible fashion, and brings this material to life with examples from schooling, popular media culture and politics. Especially geared to youth, this remarkable textbook shows how the rising inequalities and anxieties associated with neoliberalism can be resisted."-Laurie Ouellette, University of Minnesota Twin Cities"This book is both a brilliant intellectual intervention and a vital teaching resource. Julie Wilson shows how abstract theories of neoliberalism relate to our everyday life experiences, offering us a range of critical tools for understanding neoliberal culture and pointing to how we might construct alternatives." -Jo Littler, City University of LondonTable of ContentsIntroductionLiving in CompetitionPart I: Critical FoundationsChapter OneA New Hegemony: The Rise of NeoliberalismChapter TwoNeoliberal Truths and Consequences: The Four DsChapter ThreeThe Cultural Powers of Neoliberalism: A Case Study Part II: Neoliberal Culture Chapter FourThe Hustle: Self-Enterprise and Neoliberal LaborChapter FiveThe Moods of Enterprise: Neoliberal Affect and the Care of the SelfChapter SixEnterprising Democracy: Neoliberal Citizenship and the Privatization of PoliticsConclusionLiving in Common
£28.99
Taylor & Francis Ltd Fantasy
Book SynopsisFantasy provides an invaluable and accessible guide to the study of this fascinating field. Covering literature, film, television, ballet, light opera and visual art and featuring a historical overview from Ovid to the Toy Story franchise, this book takes the reader through the key landmark moments in the development of fantasy criticism. This comprehensive guide examines fantasy and politics, fantasy and the erotic, quest narratives and animal fantasy for children. The versatility and cultural significance of fantasy is explored, alongside the important role fantasy plays in our understanding of the real', from childhood onwards. Written in a clear, engaging style and featuring an extensive glossary of terms, this is the essential introduction to Fantasy.Table of Contents1. Defining Fantasy 2. A Historical Overview of Fantasy: Ovid to Game Boy 3. Animal Fantasy for Children 4. Fantasy Quests 5. Fantasy and Politics 6. Fantasy and the Erotic
£24.51
Taylor & Francis Ltd Radical Utopianism and Cultural Studies
Book SynopsisIn Radical Utopianism and Cultural Studies, John Storey looks at the concept of utopianism from a cultural studies perspective and argues that radical utopianism can awaken the political promise of cultural studies. Between the Preface and the Postscript, there are seven chapters that explore different aspects of radical utopianism. The book begins with a definition of what radical utopianism means, with its productive combination of defamiliarization and desire. From there, it considers Thomas More's invention of the concept of utopia with its double articulation of what is and what could be, Herbert Marcuse's utopian rereading of Sigmund Freud's concept of repression, Gerrard Winstanley and the Diggers, the Paris Commune, and the Haight-Ashbury counterculture. In the final chapter, Storey examines two versions of utopian capitalism: retro and post. Although the main focus here is on Donald Trump's presidential elTrade ReviewIn Radical Utopianism and Cultural Studies, John Storey has delivered a breath of fresh revolutionary air into the miasma of respectable co-optation that has engulfed this once radical project. When Stuart Hall and others developed the framework and methodology of cultural studies, they were creating new interdisciplinary ways to study and intervene in the "terrible interconnection between culture and society" (Hall). Unfortunately, the regression imposed on the scholarly sphere by the neoliberal rise to power from the 1980s onward has managed to temper and tame this project. Too often reduced to little more than an academic field, the radical intellectual work of cultural studies has collapsed within a precarious university atmosphere that encourages collaboration and careerism. In this book, Storey brings the critical apparatus of utopian theory and method (especially as developed in the tradition of Marx, Ernst Bloch, Fredric Jameson, Ruth Levitas, and others) to revive and regenerate the transgressive and transformative of which this project is capable. I urge all cultural studies scholars and teachers to buy this book. I urge all who are interested in not only understanding the world but in changing it to buy this book.Tom Moylan, University of LimerickTable of ContentsPreface Cultural Studies and Utopian DesireChapter 1 Radical Utopianism: Defamiliarization and DesireChapter 2 The Happy Place That Exists NowhereChapter 3 Herbert Marcuse and the Great RefusalChapter 4 Gerard Winstanley and the Law of RighteousnessChapter 5 The Paris Commune: Storming HeavenChapter 6 The Chimes of Freedom Flashing: The Haight-Ashbury CountercultureChapter 7 Utopian Capitalism: Retro and PostPostscript Making Hope and History Rhyme
£36.99
Taylor & Francis Ltd The Stylistic Development of Keats
Book SynopsisThis study, first published in 1945, gives a precise description of the unfolding of a great poet's craftsmanship and suggests alignments of the technical progression with the changes of the mind.Metrical analysis is given in order to throw light on Keats' general stylistic development using the simplest terminology and in a traditional manner. Earlier English prosodic writings are referred to throughout in order to place the style and development in the context of the period. Arranged chronologically, each chapter looks at a particular work or group of works drawing together evidence about Keats' poetic direction.This classic work from a well-known Keats scholar is an important enlightening contribution within the extensive study of Keats' poetry and letters.Table of ContentsPart 1: The Apprenticeship 1. The Early Sonnets 2. The Early Couplets 3. Isabella Part 2: Intensity and Restraint 1. A "Principle of Melody in Verse" 2. Hyperion 3. The Eve of St Agnes 4. The Later Sonnets 5. The Odes of May, 1819 Part 3: An Uncompleted Transition 1. Lamia 2. The Fall of Hyperion 3. To Autumn. Appendices
£33.99
Taylor & Francis Ltd The Plural Psyche
Book SynopsisPluralism can bridge the gaps that have opened up between personal experience, psychotherapy, and cultural criticism. In The Plural Psyche: Personality, Morality and the Father, a provocative, much praised and widely discussed book, Andrew Samuels lays bare the political implications of the personal struggle everyone has to hold their many inner divisions together. He also shows how pluralism can inspire new thinking in many areas including moral process, the construction of gender, and the role of the father in the development of sons and daughters. In addition, there are innovative chapters on clinical work, focusing on imagery and on countertransference. These themes come to life in a way that makes a significant contribution to debates about psychotherapy, gender, parenting and difference. This Classic Edition of The Plural Psyche includes a new introduction by the author. Trade Review‘Very relevant to important depth psychological controversies and even to important general political arguments of the present day … original and stimulating.’ - British Journal of Psychiatry‘A way to deal creatively, but by no means softly, with differing views of the psyche. … A first rate job … interesting, valuable and stimulating … lively and consciousness expanding.’ - Journal of Analytical PsychologyTable of ContentsIntroduction to the Classic Edition. Preface. The Plural Psyche. Personality and the Imaginal Network. Parental Images and the Self-monitoring Psyche. A Relation Called Father. The Father and his Children. Beyond the Feminine Principle. Gender and the Borderline. The Image of the Parents in Bed. Countertransference and the Mundus Imaginalis. The Alchemical Metaphor. Original Morality in a Depressed Culture. The Diversity of Psychology and the Psychology of Diversity.
£40.84
Taylor & Francis Ltd Word Unheard
Book SynopsisEliot's Four Quartets is arguably the finest long poem in modern English literature. It is also one that presents considerable problems of interpretation. In Word Unheard, first published in 1969, Blamires aims to unravel some of these problems by guiding the reader line by line through the poem, blending paraphrase with commentary. Blamires pays particular attention to the philosophical and theological dimensions of the poem and to its multifarious personal, historical and literary allusions. This title will be of interests to students of literature. Table of ContentsIntroductory Note; Burnt Norton; East Coker; The Dry Salvages; Little Gidding; Appendix I; Appendix II; Appendix III; Index
£32.99
Taylor & Francis Ltd The Žižek Dictionary
Book SynopsisSlavoj Žižek is the most popular and discussed philosopher in the world today. His prolific writings – across philosophy, psychoanalysis, political and social theory, film, music and religion – always engage and provoke. The power of his ideas, the breadth of his references, his capacity for playfulness and confrontation, his willingness to change his mind and his refusal fundamentally to alter his argument – all have worked to build an extraordinary international readership as well as to elicit much critical reaction. The Žižek Dictionary brings together leading Žižek commentators from across the world to present a companion and guide to Žižekian thought. Each of the 60 short essays examines a key term and, crucially, explores its development across Žižek’s work and how it fits in with other concepts and concerns. The dictionary will prove invaluable both to readers coming to Žižek for the first time and to those already embarked on the Žižekian journey.Trade Review"This is an extremely useful resource: the advantage of a "dictionary," or a concise encyclopedia, in this case, is that readers may hop around at will. For instance, one could begin with Žižek's entry on himself, found at the end of the book. This volume provides assistance to this approach by providing, at the end of each individual entry, recommendations for other entries…Overall…the quality of the offerings is uniformly high. This volume will appeal to a wide range of readers. Summing Up: Highly recommended." - D. W. Sullivan, Metropolitan State University of Denver, in CHOICETable of ContentsIntroduction, Rex Butler 1. Act, Sheila Kunkle 2. Althusser, Geoffrey Pfeifer 3. Badiou, Lucy A. Bell 4. Biopolitics, Fabio Vighi 5. Bureaucracy, Eero Laine 6. Butler, Judith, Kristine Klement 7. Capitalism, Chris McMillan 8. Class/Antagonism, Ceren Özselçuk and Yahya Madra 9. Cognitivism/Neuroscience, Adrian Johnston 10. Communism, Matthew Flisfeder 11. Concrete Universality, Wendell Kisner 12. Deleuze, Emmanuelle Wessels 13. Democracy, Matthew Sharpe 13. Derrida, Andrea Hurst 14. Descartes, Jonathan Murphy 15. Desire/Drive, Henrik Jøker Bjerre 16. Ecology, Daniel Hourigan 17. Economics, Chris Cowley 18. Enjoyment, Glyn Daly 19. Ethics, James Penney 20. Fantasy, Adam Cottrel 21. Fetish/Fetishistic Disavowal, Paul Taylor 22. Four Discourses, Yen-Ying Lai 23. Freud, Tony Thwaites 24. Hegel, Robert Sinnerbrink 25. Heidegger, Thomas Brockelman 26. Historicism/Historicity, Kirk Boyle 27. Hitchcock, Laurence Simmons 28. Ideology, Geoff Boucher 29. Inherent Transgression, Christine Evans 30. Interpellation/Identification, Robert Pfaller 31. Jew, Gabriel Tupinambá 32. Judaism/Christianity, Frederick Depoortere 33. Kant, Kelsey Wood 34. Lacan, Sean Homer 35. Laclau/Hegemony, Jan de Vos 36. Law, Jodi Dean 37. Lenin, Paul Kellogg 38. Liberalism/Multiculturalism, Antonio Garcia 39. Lynch, David, Ravindran Gopalan 40. Marx, Min Yang 41. Master-Signifier, David Gunkel 42. Milbank, John, Adam Kotsko 43. Nazism/Stalinism, Yong Wang 44. Negativity, George Garcia 45. Objet petit a/Sublime Object, Christopher W. Haley 46. Other/Big Other, Cindy Zeiher 47. Parallax, George Elerick 48. Real, Symbolic, Imaginary, Duane Rousselle 49. Schelling, Joseph Carew 50. September 11, Marc Acherman 51. Sexual Difference/Formulae of Sexuation, Kirsten Hyldgaard 52. Speculative Realism, Carlos Gomez 53. Subject, Rex Butler 54. Symptom, Todd McGowan 55. Truth, Marc de Kesel 56. Theology, Marcus Pound 57. Unconscious, Daniel Bristow 58. Universal/Particular, Randall Terada 59. Vanishing Mediator, Ian Buchanan 60. Wagner, James Little 61. Yugoslavia/Nationalism, Katerina Kolozova 62. Žižek, Slavoj Žižek. Index
£36.99
Taylor & Francis Ltd Jacques Derrida: Key Concepts
Book SynopsisJacques Derrida: Key Concepts presents a broad overview and engagement with the full range of Derrida's work - from the early phenomenological thinking to his preoccupations with key themes, such as technology, psychoanalysis, friendship, Marxism, racism and sexism, to his ethico-political writings and his deconstruction of democracy. Presenting both an examination of the key concepts central to his thinking and a broader study of how that thinking shifted over a lifetime, the book offers the reader a clear, systematic and fresh examination of the astounding breadth of Derrida's philosophy.Table of Contents1. Jacques Derrida: A Biographical Note Mauro Senatore 2. The Auto-bio-thanato-heterographical Maebh Long 3. Supplement Robert Bernasconi 4. Suspension Anne C. McCarthy 5. Religion Kevin Hart 6. Ecology Timothy Morton 7. Ethics: an (ir)responsibility Nicole Anderson 8. Teletechnology Robert Briggs 9. Friendship Samir Haddad 10. Sexual Immunities and the Sexual Sovereign Penelope Deutscher 11. Democracy and Sovereignty Alex Thomson 12. On Time, and Temporisation; on Temporalisation and History Joanna Hodge 13. When It Comes to Mourning Michael Naas 14. Race Claire Colebrook 15. Auto-Affection Leonard Lawlor 16. Literature Jeffrey T. Nealon 17. Politics Niall Lucy 18. Reading: Derrida and the Non-Future Tom Cohen. Index
£29.70
Cambridge University Press The Cambridge Companion to Feminist Literary Theory Cambridge Companions to Literature
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£28.89
Cambridge University Press Voices of Modernity Language Ideologies and the Politics of Inequality 21 Studies in the Social and Cultural Foundations of Language Series Number 21
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£36.09
Cambridge University Press James Joyce and the Politics of Egoism
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£37.99
Cambridge University Press Narrative Religion and Science
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£23.99
Cambridge University Press The Cambridge Companion to Science Fiction
Book SynopsisScience fiction is at the intersection of numerous fields. It is a literature which draws on popular culture, and which engages in speculation about science, history, and all types of social relations. This volume brings together essays by scholars and practitioners of science fiction, which look at the genre from these different angles. After an introduction to the nature of science fiction, historical chapters trace science fiction from Thomas More to more recent years, including a chapter on film and television. The second section introduces four important critical approaches to science fiction drawing their theoretical inspiration from Marxism, postmodernism, feminism and queer theory. The final and largest section of the book looks at various themes and sub-genres of science fiction. A number of well-known science fiction writers contribute to this volume, including Gwyneth Jones, Ken MacLeod, Brian Stableford Andy Duncan, James Gunn, Joan Slonczewski, and Damien Broderick.Trade Review'Overall, the volume is a major achievement. There's no other book like it on the market, and it will surely become the first point of reference for students coming to the study of SF. The Cambridge Companion to Science Fiction is highly recommended.' Alien Online'The Cambridge Companion to Science Fiction … appears to be structured as an undergraduate teaching resource, although one accessible to both the interested lay reader and to readers and fans with more than a basic knowledge of sf. This, in itself, is something of a feat, and that the Companion pulls it off admirably is a credit to its editors and contributors.' Vector'This is a solid, intelligent, sophisticated scholarly assessment from a major academic publisher. Every bit the intellectual equal of other titles in the Cambridge series, it will likely become one of the most referenced secondary works in the study of sf, especially in pedagogical contexts.' Science Fiction Studies'… an ideal introductory companion for the uninitiated … a range of interesting themes … This book is thought provoking, informative and intelligent. It successfully reveals the critical intricacy of this much-maligned genre … This is an excellent addition to any collection supporting the study of modern English literature and a superb source book for librarians seeking to develop the definitive science fiction collection.' Reference Reviews'… this is a coherent, well-edited collection, which covers all of the bases and is more than fit for purpose. The production of the book alone, given its scope, must have been a mammoth task and the fact that the whole comes together so well does real credit to its editors.' Foundation'A thoughtful compilation of ideas about the genre, a bit of history, some politics and good guides make The Cambridge Companion to Science Fiction (Cambridge, £24.99) worth the read.' New Scientist'… this is one of the best literary companions I have discovered … a comprehensive and clearly accessible guide to current sf writing … Science fiction does what so few of such reader's guides manage. it coveys both rigorous academic erudition and a genuine love and interest in the subject … will do much for the academic study of science fiction in future years.' English'… it does an excellent job cataloguing and condensing in a mere 300 pagesthe basics as well as some current trends in Science Fiction (Studies). … the book suceeds in offering a comprehensive and inspiring introduction to Science Fiction (Studies). Next to the many brilliant essays it collects it's greatest strength lies in the rich topical surveys of sf literature each contribution supplies, whetting the reader's appetite for these novels which might otherwise slip her/his attention.' Anglia'… a comprehensive analysis of a literary genre which stands at the intersection of numerous fields. … it retains coherence in style and purpose throughout …' Revue d'études anglophonesTable of ContentsList of contributors; Foreword; Acknowledgements; Chronology; Introduction: reading science fiction Farah Mendlesohn; Part I. The History: 1. Science fiction before the genre Brian Stableford; 2. The magazine era: 1926–1960 Brian Attebery; 3. New wave and backwash: 1960–1980 Damien Broderick; 4. Science fiction from 1980 to the present John Clute; 5. Film and television Mark Bould; 6. Science fiction and its editors Gary K. Wolfe; Part II. Critical Approaches: 7. Marxist theory and science fiction Istvan Csicsery-Ronay, Jr; 8. Feminist theory and science fiction Veronica Hollinger; 9. Postmodernism and science fiction Andrew M. Butler; 10. Science fiction and queer theory Wendy Pearson; Part III. Sub-Genres and Themes: 11. The icons of science fiction Gwyneth Jones; 12. Science fiction and the life sciences Joan Slonczewski and Michael Levy; 13. Hard science fiction Kathryn Cramer; 14. Space opera Gary Westfahl; 15. Alternate history Andy Duncan; 16. Utopias and anti-utopias Edward James; 17. Politics and science fiction Ken MacLeod; 18. Gender in science fiction Helen Merrick; 19. Race and ethnicity in science fiction Elisabeth Anne Leonard; 20. Religion and science fiction Farah Mendlesohn; Further reading; Index.
£25.64
Cambridge University Press The Cambridge Companion to Critical Theory
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Cambridge University Press Gender and Language in British Literary Criticism 1660 1790
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Cambridge University Press Romanticism Aesthetics and Nationalism
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Cambridge University Press National Identity in Russian Culture
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Cambridge University Press Material Modernism
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Cambridge University Press Ethics and Aesthetics in European Modernist Literature
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Cambridge University Press Spanish Romantic Literary Theory 5 Cambridge Studies in Latin American and Iberian Literature Series Number 5
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Cambridge University Press Virgil and the Augustan Reception
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Cambridge University Press Shakespeares Ovid
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Cambridge University Press Virginia Woolf and the Visible World
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Cambridge University Press The Cultural Politics New Criticism
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Cambridge University Press Joyce Derrida Lacan and the Trauma of History
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Cambridge University Press Rhetoric and Courtliness in Early Modern Literature
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Cambridge University Press Consumerism Amer Girl Lit 18601940 134 Cambridge Studies in American Literature and Culture Series Number 134
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Cambridge University Press Knowledge Indiff Eng Romantic Prose 55 Cambridge Studies in Romanticism Series Number 55
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Cambridge University Press James Joyce Sexuality and Social Purity
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Cambridge University Press Isaiahs Christ in Matthews Gospel 123 Society for New Testament Studies Monograph Series Series Number 123
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Cambridge University Press Henry James and Queer Modernity
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Cambridge University Press Declamation Paternity and Roman Identity
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Cambridge University Press James Joyce and the Difference of Language
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Cambridge University Press Women Modernism and Performance
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Cambridge University Press Beckett and Poststructuralism
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Cambridge University Press Translation Studies
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Cambridge University Press Law and Literature Possibilities and Perspectives
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Cambridge University Press Wordsworth Dialogics and the Practice of Criticism 2 Literature Culture Theory Series Number 2
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Cambridge University Press The End of Literary Theory
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Cambridge University Press Literature and Rationality
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Cambridge University Press Touch and Intimacy in First World War Literature
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Cambridge University Press Ethics Theory and the Novel
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Cambridge University Press People of God in the Apocalypse Discourse Structure and Exegesis 128 Society for New Testament Studies Monograph Series Series Number 128
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Cambridge University Press Culture Technology and the Creation of Americas National Parks 137 Cambridge Studies in American Literature and Culture Series Number 137
Book SynopsisGrusin investigates how the establishment of national parks participated in the production of American national identity after the Civil War. He explores the origins of America's three major parks - Yosemite, Yellowstone and Grand Canyon - in relation to other forms of landscape representation in the late nineteenth century.Trade Review"The evidence (Grusin) invokes is fascinating, and serves to freshly illuminate the cultural landscape from which our first national parks emerged. Recommended." M.A. Olshan, Alfred University, CHOICE"Grusin presents historians with a fresh outlook on the parks that will inspire further creative efforts." - James Pritchard, Iowa State UniversityTable of ContentsList of illustrations; Preface and acknowledgments; Introduction - reproducing nature: the technology of national parks; 1. Recreating Yosemite: landscape, nationalism, and the nature of aesthetic agency; 2. Representing Yellowstone: art, science, and fidelity to nature; 3. Recognizing the Grand Canyon: naming, sublimity, and the limits of mediation; Conclusion - remediating nature: national parks as mediated public space; Notes; Index.
£32.29
Cambridge University Press Sources of Dramatic Theory
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£42.74