Literary theory Books
Taylor & Francis Kenneth Burke Rhetoric and Ideology Critics of the Twentieth Century
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Taylor & Francis Ltd Latin American Literature Symptoms Risks and Strategies of Poststructuralist Criticism
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Taylor & Francis Marxs Concept of Money Routledge Studies in the History of Economics
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Taylor & Francis Ltd History in the Discursive Condition
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Taylor & Francis Ltd Routledge Library Editions Literature and Sexuality
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Taylor & Francis Cervantes and the Early Modern Mind
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Taylor & Francis Ltd Anima and Africa Jungian Essays on Psyche Land and Literature
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Taylor & Francis Ltd Anima and Africa Jungian Essays on Psyche Land and Literature
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Taylor & Francis Rewriting the American Soul
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Taylor & Francis Law and Enjoyment
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Taylor & Francis Emotions Through Literature
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Taylor & Francis Fundamental Concepts of Childrens Literature Research
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Taylor & Francis Ltd The Environmental Unconscious in the Fiction of Don DeLillo Studies in Major Literary Authors
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Taylor & Francis Ltd Pynchon and the Political Studies in Major Literary Authors
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Taylor & Francis Ltd The Therapeutic Imagination
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Taylor & Francis Identity and Form in Contemporary Literature
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Taylor & Francis Thinking Poetry
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Taylor & Francis Greek Tragedy into Film Routledge Library Editions Film and Literature
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Taylor & Francis Filming Literature The Art of Screen Adaptation Routledge Library Editions Film and Literature
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Taylor & Francis The Routledge Companion to Anglophone Caribbean Literature
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Taylor & Francis Ltd The Aphorism and Other Short Forms
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Taylor & Francis Islam in Perspective RLE Politics of Islam
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Taylor & Francis NineteenthCentury Poetry
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Taylor & Francis NineteenthCentury Poetry
Book SynopsisThis engaging volume provides readers with the essential criticism on nineteenth-century poetry, organised around key areas of debate in the field. The critical texts included in this volume reflect both a traditional and modern emphasis on the study of poetry in the long nineteenth century. These are then tied up by a newly written essay summarising the ideas and encouraging further study and debate.The book includes: sections on Periodization; What is Poetry?'; Politics; Prosody; Forms; Emotion, feeling, affect; Religion; Sexuality; and Science work by writers such as William Wordsworth, S. T. Coleridge, Percy Shelley, Christina Rossetti, Matthew Arnold and Gerard Manley Hopkins critics and historians including Isobel Armstrong, Richard Cronin, Jason Rudy, Joseph Bristow and Gillian Beer Detailed introductions and critical commentary by Francis O'Gorman, Rosie Miles, Stefano Evangelisto, Natalie Hoffman, Martin Dubois, Gregory Tate Table of ContentsIntroduction, Emma Mason Part 1: Periodization Introduction, Francis O’Gorman 1. Preface to Poems, Matthew Arnold 2. Romanticism as a "Modern Tradition", Robert Langbaum 3. Poetry and its Times, Matthew Reynolds 4. Rhythm and Will, Matthew Campbell 5. E. C. Stedman and the Invention of Victorian Poetry, Michael C. Cohen Part 2: ‘What is poetry?’ Introduction, Rosie Miles 6. A Defence of Poetry, P. B. Shelley 7. What is poetry?, J. S. Mill 8. Introduction, Eric Griffiths 9. What kind of a critical category is "women’s poetry"?, Marion Thain 10. Female Picturesque and Colonial Settings in the Gift Books, Serena Baiesi Part 3: Politics Introduction, Ankhi Mukherjee 11. Elizabeth Barrett Browning, Angela Leighton 12. Introduction, Isobel Armstrong 13. Introduction, Mike Sanders 14. Introduction, Matthew Bevis 15. Introduction, Mary Ellis Gibson Part 4: Prosody Introduction, Natalie Hoffman 16. XVIII: Language of Metrical Composition, S. T. Coleridge 17. English Metrical Law, Coventry Patmore 18. Investigation of Sound as Artistic Material, Sidney Lanier 19. Prosody Wars, Meredith Martin 20. Rhyme's End, Adela Pinch Part 5: Forms Introduction, Martin Dubois 21. Poetics, E. S. Dallas 22. Ancient or Modern, Ancient and Modern, J. R. Watson 23. Introduction, Herbert Tucker 24. The Sonnet and the Lyric Sequence, Joseph Phelan 25. The Divided Self and the Dramatic Monologue, Richard Cronin Part 6: Emotion, feeling, affect Introduction: Emma Mason 26. Preface to the Lyrical Ballads, William Wordsworth 27. Lecture 1, John Keble 28. The role and treatment of emotion in Victorian criticism of poetry, Isobel Armstrong 29. Coleridge to Wilde, Adam Potkay 30. Soul: Inside Hopkins, William Cohen Part 7: Religion Introduction: Jonathan Herapath 31. Tracts 80 and 87: On Reserve, Isaac Williams 32. The Face of the Deep, Christina Rossetti 33. Hopkins, J. Hillis Miller 34. Robert Browning’s Sacred and Legendary Art, Charles LaPorte 35. Introduction, Kirstie Blair Part 8: Sexuality Introduction, Stefano Evangelisto 36. The Poetry of Sorrow, Manley Hopkins 37. The Fleshly School of Poetry, Robert Buchanan 38. Sexual Inversion: Studies in the Psychology of Sex, Havelock Ellis 39. Wilde’s fatal effeminacy, Joseph Bristow 40. Introduction, Yopie Prins Part 9. Science Introduction, Gregory Tate 41. Science Versus Poetry, William Chambers and Robert Chambers 42. Thoughts on a Pebble, or a First Lesson in Geology, G. A. Mantell 43. Helmholtz, Tyndall, Gerard Manley Hopkins: Leaps of the Prepared Imagination, Gillian Beer 44. Introduction, Jason Rudy 45. Poetry and Science & Nature as Culture, Culture as Society, Ashton Nichols
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Taylor & Francis Freud
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Taylor & Francis Dramatic Monologue Routledge Revivals
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Taylor & Francis Dramatic Monologue Routledge Revivals
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Taylor & Francis Ltd The Chamber of Maiden Thought Psychology Revivals
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Taylor & Francis Ltd Literature Migration and the War on Terror
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Taylor & Francis Ltd (Sales) English and Englishness New Accents
Table of ContentsIntroduction: English and popular culture; Chapter 1 English literature and cultural identities; Chapter 2 English, the state, and cultural policy; Chapter 3 English as a masculine profession; Chapter 4 English, culture, and democracy; Conclusion: Fiction, culture, and society; Notes; References Index;
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Taylor & Francis Ltd Literature Politics and Theory New Accent
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Taylor & Francis Ltd Remembering Dionysus
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Taylor & Francis Ltd Remembering Dionysus
Book SynopsisDionysus, god of dismemberment and sponsor of the lost or abandoned feminine, originates both Jungian psychology and literature in Remembering Dionysus. Characterized by spontaneity, fluid boundaries, sexuality, embodiment, wild nature, ecstasy and chaos, Dionysus is invoked in the writing of C. G. Jung and James Hillman as the dual necessity to adopt and dismiss literature for their archetypal vision of the psyche or soul. Susan Rowland describes an emerging paradigm for the twenty-first century enacting the myth of a god torn apart to be re-membered, and remembered as reborn in a great renewal of life. Rowland demonstrates how persons, forms of knowing and even eras that dismiss Dionysus are torn apart, and explores how Jung was Dionysian in providing his most dismembered text, The Red Book. Remembering Dionysus pursues the rough god into the Sublime in the destruction of meaning in Jung and Jacques Lacan, to a re-membering of sublime feminine crTrade ReviewPerhaps it is a staple of a living organic mythology that periodically it be remembered anew, complete with all the divinities that inhabit and inhibit it as the myth continues to flourish. Susan Rowland’s fine lyrical study returns to recalibrate the value of two related schools of a psychology of soul by opening them to a conversation with the mytho-poetic imagination. Her own mythodology is framed by the god Dionysus, both a force and a presence who dismembers, remembers and in so doing engenders new ways of imagining what we thought we knew. Her original work dares us to enter a cross-disciplinary discourse that awakens us to the familiar. - Dennis Patrick Slattery, Ph.D.; author of Riting Myth, Mythic Writing and Creases in Culture: Essays Towards a Poetics of Depth‘In this new work Susan Rowland has given us a true gem. One of the foremost contemporary scholars in Jungian studies, Rowland has produced another remarkably engaging, erudite volume that continues to take depth psychological approaches out of the consulting room and into a larger world. The intersection of literature and myth being woven here is also artfully integrated into the emerging holistic paradigm associated with complexity studies. Rowland creatively advances Jungian studies revealing the depths of its transdisciplinary possibilities through her exploration of archetypal themes manifesting as Dionysian.’ - Joe Cambray, Ph.D., Provost, Pacifica Graduate Institute; Past-President, IAAP‘That Jung was an intellectual in the tradition of Nietzsche, who dismembered his relation to the academy in order to create, in equally epigrammatic fashion, an intuitive critique of the very foundations of our understanding, not just of the texts by which we live, but of the way our lives have become texts, has been crucially grasped by Jung’s most antischolastic follower, James Hillman. It is Susan Rowland, however, who makes good on the claim that this method of analysis has a future within the rigorous discipline of literary studies. One can only hope that she will be read with as open a mind as she displays in these well-wrought, lapidary chapters. Refocusing literary theory through a Dionysian rather than Apollonian lens, she identifies as her subject the vivifying experience of reading itself.’ - John Beebe, author of Energies and Patterns in Psychological Type: The reservoir of consciousness (Routledge, 2017)'Susan Rowland is herself a paragon of interdisciplinary scholarship, who has brought Jungian depth psychology into critical, creative relationship with literary studies, gender studies, cultural studies, eco-criticism, and much more. In the present book she uses the myth of Dionysus, importantly culminating in the god’s marriage to the mortal Ariadne, as a zone of energy and awareness from which to argue against disciplinary and epistemological hegemonies and the cultural dismemberment they perpetuate. Performing as well as comprehending psychological insights from Jung and Hillman, Rowland champions transdisciplinarity, vitality, and the multiplicity and open-endedness of knowledge and being.' - Professor Roderick Main, University of Essex'Susan Rowland's new study expands on a Dionysian concept as she defines it toward a transcendent discussion of genre, aligning it to the god, and finessing her theme that Jung was writing novels, the highest form for her, and epitomising the feminine. Establishing this and demonstrating it in her characteristic and brilliant close-up analyses of text, which is her forte, makes this is a satisfying and enigmatic work.’ - Leslie Gardner PhD, co-founder of international literary agency Artellus, and founder member of IAJS, Fellow at the Centre Psychoanalytic Studies at the University of Essex, UK“In an early example of this kind of transdisciplinary method, Rowland imagines the complementary nature of close reading and active imagination. Despite the supposed scientific nature of active imagination and the literary source of close reading, she finds both to be complementary means of interpretation, ways of awakening the soul buried within the data.” - Richard M. Gray, PhD, Research Director for the Research and Recognition Project, Faculty of the Touro School of Osteopathic MedicinePerhaps it is a staple of a living organic mythology that periodically it be remembered anew, complete with all the divinities that inhabit and inhibit it as the myth continues to flourish. Susan Rowland’s fine lyrical study returns to recalibrate the value of two related schools of a psychology of soul by opening them to a conversation with the mytho-poetic imagination. Her own mythodology is framed by the god Dionysus, both a force and a presence who dismembers, remembers and in so doing engenders new ways of imagining what we thought we knew. Her original work dares us to enter a cross-disciplinary discourse that awakens us to the familiar. - Dennis Patrick Slattery, Ph.D.; author of Riting Myth, Mythic Writing and Creases in Culture: Essays Towards a Poetics of Depth‘In this new work Susan Rowland has given us a true gem. One of the foremost contemporary scholars in Jungian studies, Rowland has produced another remarkably engaging, erudite volume that continues to take depth psychological approaches out of the consulting room and into a larger world. The intersection of literature and myth being woven here is also artfully integrated into the emerging holistic paradigm associated with complexity studies. Rowland creatively advances Jungian studies revealing the depths of its transdisciplinary possibilities through her exploration of archetypal themes manifesting as Dionysian.’ - Joe Cambray, Ph.D., Provost, Pacifica Graduate Institute; Past-President, IAAP‘That Jung was an intellectual in the tradition of Nietzsche, who dismembered his relation to the academy in order to create, in equally epigrammatic fashion, an intuitive critique of the very foundations of our understanding, not just of the texts by which we live, but of the way our lives have become texts, has been crucially grasped by Jung’s most antischolastic follower, James Hillman. It is Susan Rowland, however, who makes good on the claim that this method of analysis has a future within the rigorous discipline of literary studies. One can only hope that she will be read with as open a mind as she displays in these well-wrought, lapidary chapters. Refocusing literary theory through a Dionysian rather than Apollonian lens, she identifies as her subject the vivifying experience of reading itself.’ - John Beebe, author of Energies and Patterns in Psychological Type: The reservoir of consciousness (Routledge, 2017)'Susan Rowland is herself a paragon of interdisciplinary scholarship, who has brought Jungian depth psychology into critical, creative relationship with literary studies, gender studies, cultural studies, eco-criticism, and much more. In the present book she uses the myth of Dionysus, importantly culminating in the god’s marriage to the mortal Ariadne, as a zone of energy and awareness from which to argue against disciplinary and epistemological hegemonies and the cultural dismemberment they perpetuate. Performing as well as comprehending psychological insights from Jung and Hillman, Rowland champions transdisciplinarity, vitality, and the multiplicity and open-endedness of knowledge and being.' - Professor Roderick Main, University of Essex'Susan Rowland's new study expands on a Dionysian concept as she defines it toward a transcendent discussion of genre, aligning it to the god, and finessing her theme that Jung was writing novels, the highest form for her, and epitomising the feminine. Establishing this and demonstrating it in her characteristic and brilliant close-up analyses of text, which is her forte, makes this is a satisfying and enigmatic work.’ - Leslie Gardner PhD, co-founder of international literary agency Artellus, and founder member of IAJS, Fellow at the Centre Psychoanalytic Studies at the University of Essex, UKTable of ContentsIntroduction: Getting Started with C. G. Jung, James Hillman and Literature. The Feminine, Dionysus and Transdisciplinary. Dionysus Ignored or How to Save Jung from The Red Book. Dionysus Remembered or Saving The Red Book from Jung. Dionysus and Magic: The Zoe of ‘Active Imagination’ for/as ‘Close Reading’. Dionysus, Dismembering and the Sublime: ‘Feminine’ Creativity in Destruction in Jung and Lacan. Dionysus Liberated?: Revisioning Psychology (and Literature) with James Hillman. Conclusion: Dionysus Reborn in Psychology and Literature.
£49.39
Taylor & Francis Understanding and Treating Patients in Clinical Psychoanalysis
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Taylor & Francis Understanding and Treating Patients in Clinical Psychoanalysis
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Taylor & Francis Discourse The Basics
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Taylor & Francis Ltd French Political Travel Writing in the Interwar Years Radical Departures Routledge Research in Travel Writing
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Taylor & Francis Ltd Encyclopedia of Literature and Criticism
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Taylor & Francis Carnivalizing Difference Bakhtin and the Other Routledge Harwood Studies in Russian and European Literature
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Taylor & Francis Ltd I A Richards His Critics V10
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Taylor & Francis Ltd Telling Stories
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Taylor & Francis Criticism in Society
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Taylor & Francis Ltd Metafiction New Accents
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Taylor & Francis Ltd Psychoanalytic Criticism
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Taylor & Francis Locating Transnational Ideals 28 Routledge Research in Postcolonial Literatures
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Taylor & Francis Ltd Performing Race and Torture on the Early Modern Stage
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Taylor & Francis Ltd Critical Approaches to American WorkingClass Literature
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Taylor & Francis Ltd Dickens Journalism and Nationhood
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