Literary theory Books

3289 products


  • Cambridge University Press Technology in Irish Literature and Culture

    15 in stock

    a huge range and FREE tracked UK delivery on ALL orders.

    15 in stock

    £80.75

  • Cambridge University Press The Cambridge Companion to the Black Body in American Literature

    15 in stock

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    15 in stock

    £67.50

  • Cambridge University Press Queering Medieval Latin Rhetoric

    15 in stock

    Book SynopsisStudents of classical rhetoric and medieval literature alike will find here a fresh approach to questions of sexual identity long debated by historians. Townsend's engaging, accessible close readings of medieval Latin poetry, prose romance, and monastic devotional texts combine philological precision with insights drawn from queer theory.Table of ContentsIntroduction: The Subversive Silences of Medieval Latin Rhetoric; Passing over Queerness: Sexual Heterodoxy in Walter of Châtillon's Alexandreis; Reticence and Desire in the Devotional Works of Aelred of Rievaulx; The Deadly Play of Speech and Silence in Apollonius of Tyre; Hiding What Must Be Hidden: Skirting the Scandal of the Amazon Subject.

    15 in stock

    £17.99

  • Cambridge University Press Queering Medieval Latin Rhetoric

    15 in stock

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    15 in stock

    £56.99

  • Cambridge University Press Jane Austen and Other Minds

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    15 in stock

    £71.25

  • Cambridge University Press Authorship and Publishing in the Humanities

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    £15.51

  • Cambridge University Press White Literary Taste Production in Contemporary Book Culture

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    15 in stock

    £15.51

  • Cambridge University Press The New Joyce Studies

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    15 in stock

    £71.25

  • Cambridge University Press Deep History Climate Change and the Evolution of Human Culture

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    £17.00

  • Cambridge University Press Literature Science and Public Policy

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    £80.75

  • Cambridge University Press The Shapes of Stories

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    £17.00

  • Cambridge University Press Realism and the Novel

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    £85.50

  • Cambridge University Press The Cambridge Companion to Literature and Animals

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    £66.50

  • Cambridge University Press Literature and Medicine

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    £85.50

  • Cambridge University Press The Cambridge Introduction to Jacques Lacan

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    15 in stock

    £67.50

  • Cambridge University Press Aging Earth

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    £17.00

  • Cambridge University Press This Will Not Be Generative

    15 in stock

    Book SynopsisAttends to thesemiotics of ecological writings via Caribbean literary studies and black critical theory. Closely reading texts by Donna Haraway, Monique Allewaert, and Lisa Wells,it exposeshowthe language of tentacles and tendrils, an assumptive 'we,' and redemptive sympathy or 'care' disguises extraction from black people and blackness.Table of Contents1. Exergue; 2. Introduction; 3. The Seduction; 4. The Disillusionment; 5. Recoil and The Speculative; References.

    15 in stock

    £17.00

  • Cambridge University Press Edible Arrangements

    15 in stock

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    15 in stock

    £80.75

  • Cambridge University Press Ancient Greek Texts and Modern Narrative Theory

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    15 in stock

    £80.75

  • Cambridge University Press Climate Change Literacy

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    15 in stock

    £17.00

  • Cambridge University Press The Analogical Reader

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    15 in stock

    £90.25

  • Cambridge University Press The Nation in British Literature and Culture

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    15 in stock

    £85.50

  • Cambridge University Press The Philosophy of Literary Translation

    15 in stock

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    15 in stock

    £80.75

  • Cambridge University Press Blue Humanities

    15 in stock

    Book SynopsisBy drawing on oceanography (marine sciences) and limnology (freshwater sciences), social sciences, and the environmental humanities, the field of the blue humanities critically examines the planet's troubled seas and distressed freshwaters from various socio-cultural, literary, historical, aesthetic, ethical, and theoretical perspectives.Table of ContentsIntroduction; 1. The Blue Humanities: Crisscrossing Boundaries; 2. Troubled Seas: Oceanic Imagination; 3. Troubled Seas: Scientific Accounts; 4. Distressed Freshwaters; 5. Epilogue.

    15 in stock

    £17.00

  • Cambridge University Press Space and Literary Studies

    15 in stock

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    15 in stock

    £85.50

  • Cambridge University Press Disability the Body and Radical Intellectuals in

    15 in stock

    Book SynopsisThe book is a study of the ways that white radicals deployed the physical and literary image of amputation during the Civil War and Reconstruction to argue for full Black citizenship and against a national reconciliation that reimposed white supremacy. It gives readers a new way to think about the Civil War and Reconstruction.

    15 in stock

    £28.50

  • Cambridge University Press Insurgent Cultures

    15 in stock

    Book SynopsisMoving beyond the normative frames of terrorism and counter-terrorism, this book shows how world literatures from the Global South can be used to examine the multiple modalities of violence that pervade contemporary world politics, such as communalism, factionalism, peasant wars, banditry, nationalist struggles, resource wars and acts of vengeance. The comparative approach of this book enables a theoretical realignment of insurgency from the mobilization of violence for grand, mythic, and ideological causes ? as seen through the eyes of the state ? to the violence for small causes, namely, the splintered violence conjured under conceptual rubrics such as divine violence, intimate violence, routine violence, everyday violence, inherited violence, and subterranean violence. Analyzing novels, autobiographies, journalistic accounts from key regions, such as Nigeria, Myanmar (Burma), India, and the Middle East, Insurgent Cultures provides a new understanding of the narratives of violence in the Global South. This title is also available as Open Access on Cambridge Core.

    15 in stock

    £76.50

  • Cambridge University Press Old Delhis Parallel Book Bazaar

    15 in stock

    Book SynopsisThis Element looks at Old Delhi''s Daryaganj Sunday Book Market, popularly known as Daryaganj Sunday Patri Kitab Bazaar, as a parallel location for books and a site of resilience and possibilities. The first section studies the bazaar''s spatiality - its location, relocation, and respatialisation. Three actors play a major role in creating and organising this spatiality: the sellers, the buyers, and the civic authorities. The second section narrativizes the biographies of the booksellers of Daryaganj to offer a map of the hidden social and material networks that support the informal modes of bookselling. Amidst order and chaos, using their specialised knowledge, Daryaganj booksellers create distinctive mechanisms to serve the diverse reading public of Delhi. Using ethnography, oral interviews, and rhythmanalysis, this Element tells a story of urban aspirations, state-citizen relations, official and unofficial cultural economies, and imaginations of other viable worlds of being and believing.

    15 in stock

    £15.51

  • Cambridge University Press The Cambridge Companion to Australian Poetry

    15 in stock

    Book SynopsisThe first major critical survey on Australian poetry, this volume investigates poetry's key role in debates around colonialism, nationalism, cultural diversity, and the environment. Individual chapters examine Aboriginal writing and the archive, print culture, poetry and activism, the verse novel, performance poetries, and digital poetries.

    15 in stock

    £67.50

  • Cambridge University Press Nonhuman Subjects

    15 in stock

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    15 in stock

    £47.49

  • Cambridge University Press Indigenous Knowledge and Material Histories

    15 in stock

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    15 in stock

    £47.49

  • Cambridge University Press Theology and the Mythic Sensibility

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    15 in stock

    £81.00

  • Cambridge University Press The Cambridge Companion to British Literature and Empire

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    15 in stock

    £76.00

  • Cambridge University Press Gender and Literary Geography

    15 in stock

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    15 in stock

    £47.49

  • Cambridge University Press Behaviour Beyond the Text and the Morality Clause

    15 in stock

    Book SynopsisA morality clause allows contracting parties to terminate a contractual agreement with those who exhibit behaviour deemed unacceptable. Established in 1920s Hollywood, these contractual clauses are now found in twenty-first-century publishing agreements. This Element investigates the presence of the morality clause in the UK book publishing industry in relation to an increased focus on author behaviour beyond the text in the twenty-first-century, examining the way it operates within the publishing field in the context of behaviour perceived to be ''problematic''. It asserts the clause is perceived to be needed due to the emergence of social media and twenty-first-century social contexts combining to impact the author-reader relationship which, in turn, leads to author behaviour acting as a paratextual threshold to their work. This Element presents an analysis of the morality clause in practice, concluding the clause has the potential to further the power imbalance between author and publisher.

    15 in stock

    £15.51

  • Cambridge University Press The BrickandMortar Bookstore in Contemporary India

    15 in stock

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    15 in stock

    £14.00

  • Cambridge University Press Descartes and the NonHuman

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    15 in stock

    £47.49

  • Cambridge University Press The Invention of Colonialism

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    15 in stock

    £52.25

  • Cambridge University Press The Search for a Science of Verse 1880 to the Present

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    15 in stock

    £85.50

  • Cambridge University Press Lacan Psychoanalysis and Comedy

    15 in stock

    Book SynopsisThis collection of essays explores laughter, humor, and the comic from a psychoanalytic perspective. Edited by two leading practicing psychoanalysts and with original contributions from Lacanian practitioners and scholars, this cutting-edge volume proposes a paradigm swerve, a Freudian slip on a banana peel. Psychoanalysis has long been associated with tragedy and there is a strong warrant to take up comedy as a more productive model for psychoanalytic practice and critique. Jokes and the comic have not received nearly as much consideration as they deserve given the fundamental role they play in our psychic lives and the way they unite the fields of aesthetics, literature, and psychoanalysis. Lacan, Psychoanalysis and Comedy addresses this lack and opens up the discussion.Table of ContentsIntroduction Patricia Gherovici and Manya Steinkoler; Part I. The Laughing Cure: 1. Sarah's laughter: where babies and humor come from Manya Steinkoler; 2. Psychoanalysis as Gai Saber: towards a new episteme of laughter Dany Nobus; 3. Laughing about nothing: Democritus and Lacan Patricia Gherovici; 4. The surplus jouissance of the joke: from Freud to Lacan Marcel Drach; 5. Can you spare a laugh? Lacan, Freud, and Marx on the economy of jokes Jean Michel Rabaté; 6. Mother Pumper and the analyst's donuts Jamieson Webster; 7. Not in the humor: bulimic dreams Carol Owens; Part II. Comedy on the Couch: 8. Psychoanalysis and tragicomedy: Measure for Measure after Zizek's Lacanian dialectics Geoff Boucher; 9. Comedy and the agency of the letter in A Midsummer Night's Dream Matthew Sharpe; 10. Jane Austen's wit-craft Molly Rothenberg; 11. The sexual politics of comedy: Henry James's 'The Chaperon' Sigi Jöttkandt; 12. Power in the closet: and its coming out Alenka Zupančič; Part III. He Who Laughs Last, Laughs Last: Epilogue: repetition, repetition, repetition: Richard Prince and the three R's Simon Critchley.

    15 in stock

    £76.99

  • Cambridge University Press The Cambridge Companion to Ulysses

    15 in stock

    Book SynopsisFew books in the English language seem to demand a companion more insistently than Ulysses. This volume offers fourteen concise and highly accessible essays by accomplished scholars that explore this masterpiece of world literature. It also includes numerous resources to aid both new and returning readers on their own Odyssean journey through the novel.Table of Contents1. Writing Ulysses Michael Groden; 2. Reception history Joseph Brooker; 3. Afterlife Jonathan Goldman; 4. Beginnings Scarlett Baron; 5. Character, plot, myth Margot Norris; 6. Setting: Dublin 1904/1922 Enda Duffy; 7. Endings Maud Ellmann; 8. City circuits: 'Aeolus' and 'Wandering Rocks' Michael Rubenstein; 9. Memory: 'Sirens' Marjorie Howes; 10. Interruption: 'Cyclops' and 'Nausicaa' Sean Latham; 11. Difficulty: 'Oxen of the Sun' and 'Circe' Cheryl Herr; 12. Intertextuality Brandon Kershner; 13. Bodies Vike Plock; 14. Symbols and things Paul Saint-Amour.

    15 in stock

    £22.79

  • Cambridge University Press Literary Criticism from Plato to Postmodernism

    15 in stock

    Book SynopsisThis book offers a history of literary criticism from Plato to the present, arguing that this history can best be seen as a dialogue among three traditions - the Platonic, Neoplatonic, and the humanistic, originated by Aristotle.Trade Review'James Seaton is the only writer discussing the humanist tradition who has sufficient depth of learning to take it back to its origins in Plato and Aristotle. He has shown more clearly than anyone else the paradox of postmodernist theory that nothing can be certain except the postmodernists' own certainty that nothing is certain. This book is sui generis because he offers a practical alternative to the current reign of 'theory' and 'cultural studies'. His characteristic virtues as an essayist and literary critic - discrimination, undogmatic flexibility and vast learning - come through with great force in this book. Seaton is a writer deserving - no, demanding - serious attention.' Edward Alexander, University of Washington'This book discusses one of the most pressing issues besetting literary studies in higher education - the disengagement of the field from the cultural norms and interests of the American public. James Seaton approaches the issue in a scholarly manner, outlining two intellectual traditions that relate to the trend. The first charts a progressive disconnection of the literary critic from the reading public, and Seaton assigns it significant blame for the sliding fortunes of literary studies. The second exemplifies humanistic inquiry that takes literature as a special cultural object, incorporating theory but striving to integrate it into discourse that is accessible to educated laypersons while aiming to communicate with general readers and align intellectual values with bourgeois values. Seaton aims to steer literary scholars and teachers away from the first lineage and toward the second. We need this argument.' Mark Bauerlein, Emory University, Atlanta'… [Seaton's] take on the recent history of literary criticism returns important voices to the conversation. He also issues a timely call for well-written literary criticism …' Steven Knepper, The Hedgehog Review'… profound and crisply written … Seaton builds a strong case for humanism, and it is all the stronger because he follows his own rule of academic integrity.' Gary Saul Morson, The New Criterion'… a much-needed reassessment of the two major traditions of Western literary criticism. … [it] is among the most thoughtful and informed recent assessments of the present state of literary criticism … one can only express deep appreciation for the author's painstaking efforts. … Seaton has produced a superb analysis of some of the most pressing of critical issues. … It is a book that has much to offer to all students of the humanities.' Jeffrey Folks, Modern Age'… Seaton can turn a phrase with the best of them … [he has] his own unique style that remains as accessible to the educated layperson as it is to professional scholars of literature. … Held to his own high standards, Seaton succeeds: his chapters force you to consider what role literature has played in your own development, and how that role might play out in the lives of others.' Allen Mendenhall, The University BookmanTable of ContentsIntroduction; 1. Plato and Neoplatonism; 2. Romanticism and modernism; 3. Theory and cultural studies; 4. Aristotle and the humanistic tradition; 5. Edmund Wilson and Lionel Trilling; 6. Democracy, popular culture, and Ralph Ellison; 7. Literary criticism, the humanities, and liberal education.

    15 in stock

    £31.90

  • Cambridge University Press A History of Feminist Literary Criticism

    15 in stock

    Book SynopsisFeminism has transformed the academic study of literature, fundamentally altering the canon of what is taught and setting new agendas for literary analysis. In this authoritative history of feminist literary criticism, leading scholars chart the development of the practice from the Middle Ages to the present. The first section of the book explores protofeminist thought from the Middle Ages onwards, and analyses the work of pioneers such as Wollstonecraft and Woolf. The second section examines the rise of second-wave feminism and maps its interventions across the twentieth century. A final section examines the impact of postmodernism on feminist thought and practice. This book offers a comprehensive guide to the history and development of feminist literary criticism and a lively reassessment of the main issues and authors in the field. It is essential reading for all students and scholars of feminist writing and literary criticism.Trade Review'Written with a consistently lucid and engaging tone, it accomplishes a dual goal in providing a compelling introduction for students of the discipline and putting forward a range of fresh intellectual insights.' Christine Lees, The Times Literary Supplement'In fact, there could be no stronger testament to the continued relevance and importance of feminist literary criticism than this fresh and up-to-date examination of women's writing, gender and politics from the Middle Ages to the present.' Lisa Regan, Feminist Theory'[The text] is designed to serve an introductory function, but goes beyond acquainting readers with the major strands and debates of feminist literary criticism. … Indeed, this work can serve as a reference and provide points for further debate to more advanced students and scholars.' Bonnie Kime Scott, Review of English StudiesTable of ContentsIntroduction Gill Plain and Susan Sellers; Part I. Pioneers and Protofeminism: Introduction Gill Plain; 1. Medieval feminist criticism Carolyn Dinshaw; 2. Feminist criticism in the Renaissance and seventeenth century Helen Wilcox; 3. Mary Wollstonecraft and her legacy Susan Manly; 4. The feminist criticism of Virginia Woolf Jane Goldman; 5. Simone de Beauvoir and the demystification of woman Elizabeth Fallaize; Part II. Creating a Feminist Literary Criticism: Introduction Gill Plain and Susan Sellers; 6. Literary representations of women Mary Eagleton; 7. A history of women's writing Helen Carr; 8. Autobiography and personal criticism Linda Anderson; 9. Black feminist criticism Arlene Keizer; 10. Lesbian feminist criticism Caroline Gonda; 11. Men in feminism Calvin Thomas; Part III. Poststructuralism and Beyond: Introduction Gill Plain and Susan Sellers; 12. Feminist criticism and poststructuralism Claire Colebrook; 13. Feminist criticism and psychoanalysis Madelon Sprengnether; 14. French feminist criticism and writing the body Judith Still; 15. Postcolonial feminist criticism Chris Weedon; 16. Feminist criticism and queer theory Heather Love; 17. Feminist criticism and technologies of the body Stacy Gillis; Postscript: flaming feminism? Susan Gubar; Bibliography.

    15 in stock

    £29.44

  • Cambridge University Press Literature in the Digital Age An Introduction Cambridge Introductions to Literature Paperback

    15 in stock

    Book SynopsisLiterature in a Digital Age: An Introduction guides readers through the most salient theoretical, interpretive, and creative possibilities opened up by the shift to digital literary forms such as e-books, digital archives, and electronic literature. While Digital Humanities (DH) has been hailed as the 'next big thing' in literary studies, many students and scholars remain perplexed as to what a DH approach to literature entails, and skeptical observers continue to see literature and the digital world as fundamentally incompatible. In its argument that digital and traditional scholarship should be placed in dialogue with each other, this book contextualizes the advent of the digital in literary theory, explores the new questions readers can ask of texts when they become digitized, and investigates the challenges that fresh forms of born-digital fiction pose to existing models of literary analysis.Table of Contents1. Is literature dying in the digital age?; 2. Digitization; 3. Born digital; Coda: print in the digital age.

    15 in stock

    £22.99

  • Cambridge University Press Image and Imagination

    15 in stock

    Book SynopsisThis selection from the writings of C. S. Lewis gathers together forty book reviews, never before reprinted, as well as four major essays which have been unavailable for many decades. A fifth essay, ''Image and Imagination'', is published for the first time. Taken together, the collection presents some of Lewis''s finest literary criticism and religious exposition. The essays and reviews substantiate his reputation as an eloquent and authoritative critic across a wide range of literature, and as a keen judge of contemporary scholarship, while his reviews of The Hobbit and The Lord of the Rings will be of additional interest to scholars and students of fantasy.Trade Review'C. S. Lewis [was] one of the very best critics writing in English in the twentieth century, vivid, provoking, and eloquent, as well as deeply learned in the literature of Europe from the ancient classics to his own time, with a special mastery of medieval and Renaissance poetry. He is now popularly better known for his fiction and his religious writings than his literary criticism. But it is his gifts as a critic which will endure as his truly pre-eminent legacy. Like Samuel Johnson, on whose personality and writings Lewis modelled himself, he is a commentator whose insights and opinions are enriching even when one disagrees with them, raising central questions and offering challenging perspectives … There is no essay by Lewis on any writer that does not provoke attention and inspire awe at his energy and clarity of mind.' Claude Rawson, Yale University'Almost nothing Lewis wrote is without apercu, often unexpected, always cogently expressed.' Times Literary SupplementTable of ContentsPart I. Reflections on Literature; Part II. The Inklings; Part of The Lord of the Rings); Part of The Lord of the Rings); The Return of the King (being the Third Part of The Lord of the Rings); Part of The Lord of the Rings); Part III. Reflections on Christianity; Part IV. Classical Literature; Part V. Medieval and Renaissance Literature; Part VI. Milton and Later English Literature.

    15 in stock

    £16.99

  • Cambridge University Press The Truth about Romanticism Pragmatism And Idealism In Keats Shelley Coleridge 83 Cambridge Studies in Romanticism Series Number 83

    15 in stock

    Book SynopsisHow have our conceptions of truth been shaped by romantic literature? This question lies at the heart of this examination of the concept of truth both in romantic writing and in modern criticism. The romantic idea of truth has long been depicted as aesthetic, imaginative and ideal. Tim Milnes challenges this picture, demonstrating a pragmatic strain in the writing of Keats, Shelley and Coleridge in particular, that bears a close resemblance to the theories of modern pragmatist thinkers such as Donald Davidson and JÃrgen Habermas. Romantic pragmatism, Milnes argues, was in turn influenced by recent developments within linguistic empiricism. This book will be of interest to readers of romantic literature, but also to philosophers, literary theorists, and intellectual historians.Trade Review"This very original, timely and deftly-written study joins a conspicuous body of critical work on British romantic literature and pragmatics....an engaging and fascinating reading of three major poets of British Romanticism." -Annalisa Volpone, NBOL 19"“Clearly written, with a stimulating breadth of research and depth of scholarship, Milnes' work provides an important link between modern linguistic/pragmatic philosophy and romantic/empiricist poetics. Recognizing precedent study in “the discourse of communicative rationality,” Milnes cites often and judiciously Kathleen Wheeler, Paul Hamilton, and Angela Esterhammer as central to the “the pragmatic, future-directed accent of romantic literature” -William C. Horrell,Wordsworth Circle"This very original, timely and deftly-written study joins a conspicuous body of critical work on British romantic literature and pragmatics….Milnes' book offers an engaging and fascinating reading of three major poets of British Romanticism.” -Annalisa Volpone,NBOL-19Table of ContentsIntroduction: the pragmatics of romantic idealism; 1. Romanticising pragmatism: dialogue and critical method; 2. Pragmatising romanticism: radical empiricism from Reid to Rorty; 3. This living Keats: truth, deixis, and correspondence; 4. An unremitting interchange: Shelley, elenchus, and the education of error; 5. The embodiment of reason: Coleridge on language, logic, and ethics; Conclusion.

    15 in stock

    £31.90

  • Cambridge University Press The Cambridge Companion to The Waste Land

    15 in stock

    Book SynopsisT. S. Eliot''s The Waste Land is often considered to be the most important poem written in English in the twentieth century. The poem dramatically shattered old patterns of form and style, proposed a new paradigm for poetry and poetic thought, demanded recognition from all literary quarters, and changed the ways in which it was possible to approach, read, or write poetry. The Waste Land helped to define the literary and artistic period known as modernism. This Companion is the first to be dedicated to the work as a whole, offering fifteen new essays by international scholars and covering an extensive range of topics. Written in a style that is at once sophisticated and accessible, these fresh critical perspectives will serve as an invaluable guide for scholars, students, and general readers alike--Table of Contents1. 'The world has seen strange revolutions since I died': The Waste Land and the Great War Jean-Michel Rabaté; 2. Geographies of space: mapping and reading the cityscape Spencer Morrison; 3. 'Mixing/memory and desire': what Eliot's biography can tell us Lyndall Gordon; 4. Religions east and west in The Waste Land Barry Spurr; 5. Popular culture in The Waste Land David E. Chinitz and Julia E. Daniel; 6. Form, voice, and the avant-garde Michael Levenson; 7. Dialectical collaboration: editing The Waste Land Jewel Spears Brooker; 8. Doing tradition in different voices: pastiche in The Waste Land Michael Coyle; 9. Gender and obscenity in The Waste Land Rachel Potter; 10. Trauma and violence in The Waste Land Richard Badenhausen; 11. Psychology, psychoanalysis, and new subjectives in The Waste Land Eve Sorum; 12. The Waste Land as ecocritique Gabrielle McIntire; Coda: The Waste Land's afterlife: the poem's reception in the twentieth century and beyond Tony Cuda.

    15 in stock

    £22.79

  • Cambridge University Press The Cambridge Introduction to Satire

    15 in stock

    Book SynopsisIn satire, evil, folly, and weakness are held up to ridicule - to the delight of some and the outrage of others. Satire may claim the higher purpose of social critique or moral reform, or it may simply revel in its own transgressive laughter. It exposes frauds, debunks ideals, binds communities, starts arguments, and evokes unconscious fantasies. It has been a central literary genre since ancient times, and has become especially popular and provocative in recent decades. This new introduction to satire takes a historically expansive and theoretically eclectic approach, addressing a range of satirical forms from ancient, Renaissance, and Enlightenment texts through contemporary literary fiction, film, television, and digital media. The beginner in need of a clear, readable overview and the scholar seeking to broaden and deepen existing knowledge will both find this a lively, engaging, and reliable guide to satire, its history, and its continuing relevance in the world.Table of ContentsPart I: 1. What is satire?; 2. What isn't satire?; Part II: 3. Classical origins; 4. Renaissance satire: rogues, clowns, fools, satyrs; 5. Enlightenment satire: the prose tradition; 6. Verse satire from Rochester to Byron; Part III. Transition: Satire and the Novel: 7. Small worlds: the comedy of manners; 8. Unfortunate travelers: the picaresque; 9. The Menippean novel; 10. Satire and popular culture since 1900; Epilogue: Charlie Hebdo, satire and the politics of community.

    15 in stock

    £25.64

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