Literary theory Books
Taylor & Francis Theorising Oliver Jeffersâ Picturebooks
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£50.34
Taylor & Francis Comedy in Literature and Popular Culture
Book SynopsisComedy in Literature and Popular Culture: From Aristophanes to Saturday Night Live explores works of comedy from the past 2,500 years.James V. Morrison discusses works including those of Aristophanes and Plautus, Shakespeare and Moliere, and modern comic writers, performers, and cartoonists, such as Thomas Nast, P. G. Wodehouse, Charlie Chaplin, and Jerry Seinfeld, asking the following questions: Is comedy a mirror of our lives? Is it âœfunny âcuz itâs true?â Or is it funny because it ignores reality? Should we distinguish between the plot of a comic play and the jokes found in it? Are the jokes just there to make us laugh or are the jokes as essential as the plot? Do memories of satirical portrayals on the comic stage displace recollections of the historical person? By juxtaposing works from different cultures and time periods, the book demonstrates a universal recourse to certain familiar techniques, situations, and char
£35.14
Taylor & Francis Ltd The Order of Destruction
Book SynopsisThis book studies sugarcane monoculture, the dominant form of cultivation in the colonial Caribbean, in the later 1600s and 1700s up to the Haitian Revolution. Researching travel literature, plantation manuals, Georgic poetry, letters, and political proclamations, this book interprets texts by Richard Ligon, Henry Drax, James Grainger, Janet Schaw, and Toussaint Louverture.As the first extended investigation into its topic, this book reads colonial Caribbean monoculture as the conjunction of racial capitalism and agrarian capitalism in the tropics. Its eco-Marxist perspective highlights the dual exploitation of the soil and of enslaved agricultural producers under the plantation regime, thereby extending Marxist analysis to the early colonial Caribbean. By focusing on textual form (in literary and non-literary texts alike), this study discloses the bearing of monoculture on contemporary writers' thoughts. In the process, it emphasizes the significance of a literary tradition
£36.99
Taylor & Francis Ltd Essays on The Glass Menagerie
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£47.49
Taylor & Francis Mapping World Anglophone Studies
Book SynopsisThis book explores core issues in the emerging field of World Anglophone Studies. It shows that traditional frameworks based on the colonial and imperial legacies of English need to be revised and extended to understand the complex adaptations, iterations, and incarnations of English in the contemporary world.The chapters in this volume make three significant interventions in the field: First, they showcase the emergence of Anglophone literatures and cultures in parts of the world not traditionally considered Anglophone â Cuba, the Arab world, the Balkan region, Vietnam, Algeria, and Belize, among others Second, they feature new zones of contact and creolization between Anglophone literatures, cultures, and languages such as Swahili, Santhali, Ojibway, and Hindi, as well as Anglophone representations of colonial encounters and contemporary experiences in non-Anglophone settings such as Cuba, Angola, and Algeria And finally, the volume turns to An
£35.14
Taylor & Francis David Copperfield Unbound
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£37.99
Taylor & Francis How the Irish Became White Supremacists
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£137.75
Taylor & Francis Translation Pornography Performativity
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£49.99
Taylor & Francis Ltd Reading the Racial Encounter in MultiMedia Texts
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£50.34
Cambridge University Press Must We Mean What We Say
Book SynopsisIn this classic collection of wide-ranging and interdisciplinary essays, Stanley Cavell explores a remarkably broad range of philosophical issues from politics and ethics to the arts and philosophy. The essays explore issues as diverse as the opposing approaches of ''analytic'' and ''Continental'' philosophy, modernism, Wittgenstein, abstract expressionism and Schoenberg, Shakespeare on human needs, the difficulties of authorship, Kierkegaard and post-Enlightenment religion. Presented in a fresh twenty-first century series livery, and including a specially commissioned preface, written by Stephen Mulhall, illuminating its continuing importance and relevance to philosophical enquiry, this influential work is now available for a new generation of readers.Table of ContentsPreface to this edition Stephen Mulhall; Preface to updated edition of Must We Mean What We Say?; Foreword. An audience for philosophy; 1. Must we mean what we say?; 2. The availability of Wittgenstein's later philosophy; 3. Aesthetic problems of modern philosophy; 4. Austin at criticism; 5. Ending the waiting game: a reading of Beckett's Endgame; 6. Kierkegaard's On Authority and Revelation; 7. Music discomposed; 8. A matter of meaning it; 9. Knowing and acknowledging; 10. The avoidance of love: a reading of King Lear; Thematic index; Index of names.
£84.17
Cambridge University Press The Late Sigmund Freud
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£94.73
Cambridge University Press Popular Fiction and Brain Science in the Late Nineteenth Century 78 Cambridge Studies in NineteenthCentury Literature and Culture Series Number 78
Book SynopsisIn the 1860s and 1870s, leading neurologists used animal experimentation to establish that discrete sections of the brain regulate specific mental and physical functions. These discoveries had immediate medical benefits: David Ferrier's detailed cortical maps, for example, saved lives by helping surgeons locate brain tumors and haemorrhages without first opening up the skull. These experiments both incited controversy and stimulated creative thought, because they challenged the possibility of an extra-corporeal soul. This book examines the cultural impact of neurological experiments on late-Victorian Gothic romances by Robert Louis Stevenson, Bram Stoker, H. G. Wells and others. Novels like Dracula and Dr Jekyll and Mr Hyde expressed the deep-seated fears and visionary possibilities suggested by cerebral localization research, and offered a corrective to the linearity and objectivity of late Victorian neurology.Trade Review"Popular Fiction and Brain Science in the Late Nineteenth Century establishes the genre of the gothic romance as a vital component of Victorian scienti*c culture, indisputably demonstrates the importance of literary products as primary sources for interpreting the history of neurology, and sets an impeccably high standard for scholarship in both literary studies and the history of science, medicine, and technology." -Stephen Casper, Project MuseTable of ContentsIntroduction: cerebral localization and the late Victorian Gothic romance; Part I. Reactionaries: 1. Robert Louis Stevenson's Jekyll and Hyde and the double brain; 2. Bram Stoker's Dracula and cerebral automatism; Part II. Materialists: 3. Photographic memory in the works of Grant Allen; Part III. Visionaries: 4. H. G. Wells and the evolution of the mad scientist; 5. Marie Corelli and the neuron; Epilogue; Looking forward.
£33.13
Cambridge University Press The Annals of Tacitus Book 4
Book SynopsisA full edition of Book 4 of Tacitus' Annals, which covers the years AD 2328 when, under the influence of his henchman Sejanus, the emperor Tiberius famously changed for the worse and withdrew to the island of Capri.Trade Review"A.J. Woodman's magnificent commentary on Book 4 is the capstone to his outstanding career as a scholar of Roman historiography, and especially of Tacitus, and it brings the scholarly coverage of these books on the reign of Tiberius to a triumphant conclusion." --Times Literary SupplementTable of ContentsPreface; References and abbreviations; Introduction; Text; Commentary; Indexes.
£29.99
Cambridge University Press Novel Theory and Technology in Modernist Britain
Book SynopsisModernism reshaped novel theory, shifting criticism away from readers'' experiences and toward the work as an object autonomous from any reader. Novel Theory and Technology in Modernist Britain excavates technology''s crucial role in this evolution and offers a new history of modernism''s vision of the novel. To many modernists, both novel and machine increasingly seemed to merge into the experiences of readers or users. But modernists also saw potential for a different understanding of technology - in pre-modern machines, or the technical functioning of technologies stripped of their current social roles. With chapters on Henry James, Ford Madox Ford, Wyndham Lewis, and Rebecca West, Novel Theory argues that in these alternative visions of technology, modernists found models for how the novel might become an autonomous, intellectual object rather than a familiar experience, and articulated a future for the novel by imagining it as a new kind of machine.Trade Review'… Fielding offers a valuable discussion of modernist theories of the novel that renews ongoing debates over aesthetic divisions between high culture and mass culture, while also showing how these theories are often modulated through discourses of technology. Her knowledge of narrative theory and modernist aesthetics is impressive, and her readings make important contributions to the scholarship on James, Ford, Lewis, and West. Her extensive research also draws attention to figures such as Percy Lubbock and Q. D. Leavis who helped to shape the ways in which modernist novelists thought about form. Fielding's book brings into focus a fascinating debate over the aesthetics and epistemology of the modern novel as a technology for knowing.' Andrew Gaedtke, Modernism/modernity'Novel Theory and Technology in Modernist Britain is an exacting study … Fielding admirably succeeds in carrying her own readers through this patient analysis of the formal strategies and critical theories the four writers (Henry James, Ford Madox Ford, Wyndham Lewis, and Rebecca West) she analyzes developed to mount a 'resistance to reading'.' Damien Keane, Twentieth-Century Literature'This is the value of Fielding's intervention: it is almost tailor-made for answering [Michaela] Bronstein's call for clear alternatives to the context-based historicist approaches to modernism, even as Fielding is interested in making arguments about changes in literature over time.' Shawna Ross, The Year's Work in English StudiesTable of ContentsIntroduction. Readers and machines in modernist novel theory; 1. Point of view as projector: Henry James, Percy Lubbock, and the modernist management of reading; 2. What carries the novel: Ford Madox Ford, Impressionist connectivity, and the telephone; 3. 'Every age has been 'a machine age'': Wyndham Lewis and the novel's technological temporality; 4. From empathy to the super-cortex: Rebecca West's technics of the novel; Conclusion. Novel theory and technology in late Modernism.
£75.59
Cambridge University Press The Cambridge Handbook of Intercultural
Book SynopsisA highly interdisciplinary overview of the wide spectrum of current international research and professional practice in intercultural communication, this is a key reference book for students, lecturers and professionals alike. Key examples of contrastive, interactive, imagological and interlingual approaches are discussed, as well as the impact of cultural, economic and socio-political power hierarchies in cultural encounters, essential for contemporary research in critical intercultural communication and postcolonial studies. The Handbook also explores the spectrum of professional applications of that research, from intercultural teaching and training to the management of culturally mixed groups, facilitating use by professionals in related fields. Theories are introduced systematically using ordinary language explanations and examples, providing an engaging approach to readers new to the field. Students and researchers in a wide variety of disciplines, from cultural studies to linguistics, will appreciate this clear yet in-depth approach to an ever-evolving contemporary field.Trade Review'Distinguishing itself from an already crowded field of reference resources, The Cambridge Handbook of Intercultural Communication is comprehensive, well organized, and bridges disciplines. With its in-depth examination of theoretical frames germane to this broad field, the handbook will be valuable for scholars in the fields of linguistics, psychology, education, business, and the many other fields in which global connectedness and culture are core concepts … This handbook will be valuable across the scholarly spectrum.' D. M. Moss, Choice'Overall, this is a well-edited book, which deserves appreciation for its breadth and focus, and the way how it managed to transfer the debates of power relations to contemporary monocultural settings. Based on original contributions to the field, The Handbook takes a genuinely interdisciplinary approach and will certainly inspire future research in the field of intercultural communication.' Zsuzsanna Zsubrinszky, LINGUIST ListTable of ContentsIntroduction Guido Rings and Sebastian M. Rasinger; Part I. Introducing Intercultural Communication: 1. What is culture? Werner Delanoy; 2. What is intercultural communication? Jan D. ten Thije; 3. Rethinking intercultural competence Jürgen Bolten; 4. Interculturality or transculturality? Heinz Antor; Part II. Theoretical Approaches: 5. Critical intercultural communication and the digital environment Thomas K. Nakayama; 6. From shared values to cultural dimensions: a comparative review Elizabeth A. Tuleja and Michael Schachner; 7. Towards integrative intercultural communication Liisa Salo-Lee; 8. The power of literature Birgit Neumann; 9. Psychoanalytic approaches to memory and intercultural communication Jolanta A. Drzewiecka; 10. Sociological approaches Uttaran Dutta and Judith N. Martin; 11. Introducing intercultural ethics Richard Evanoff; Part III. Methods: 12. Decolonizing gender and intercultural communication in transnational contexts Lara Martin Lengel, Yannick Kluch and Ahmet Atay; 13. Migration in the digital social mediasphere Peter Stockinger; 14. Linguistic politeness Claus Ehrhardt; 15. Contemporary literature and intercultural understanding Gesine Lenore Schiewer; 16. Enhancing intercultural skills through storytelling Stephan Wolting; 17. Cinema as intercultural communication Joanne Leal; 18. Intercultural memory and violence in Jewish literature Verena Dolle; 19. Intercultural communication in social work practice Antonio López Peláez and Emilio José Gómez Ciriano; 20. Intercultural education in study abroad contexts Jane Jackson; 21. Intercultural communication in the courtroom: the doctrine of public policy Bertil Cottier; Part IV. Application: 22. Intercultural communication in the context of the hyper-mobility of the school population within and outside Europe Emmanuelle le Pichon; 23. Culture and management Marie-Thérèse Claes; 24. Language and othering in contemporary Europe Anne Ife; 25. Black British writing: Benjamin Zephaniah's didactic poetics Deirdre Osborne; 26. Cultural encounters in contemporary Latin American cinema: intersections of transnationality Sarah Barrow; 27. Religion and intercultural communication Margaret Littler; 28 Irish-English cultural encounters in the diaspora Bronwen Walter; 29. Intercultural dimensions in academic mobility: South Korea and Spain F. Manuel Montalbán, Francisco M. Llorente and Evelina Zurita; Part V. Assessment: 30. Defining, developing and assessing intercultural competence Darla K. Deardorff; 31. Effects of social media use on cultural adaptation Stephen M. Croucher and Ming Li; 32. A constructivist approach to assessing intercultural communication competence Milton J. Bennett.
£30.99
Cambridge University Press Climate and American Literature
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£93.99
Cambridge University Press Modernism Empire World Literature
Book SynopsisAfter World War I, American, Irish and then Caribbean writers boldly remade the world literary system long dominated by Paris and London. Responding to literary renaissances and social upheavals in their own countries and to the decline of war-devastated Europe, émigré and domestic-based writers produced dazzling new works that challenged London''s or Paris''s authority to ?x and determine literary value. In so doing, they propounded new conceptions of aesthetic accomplishment that were later codi?ed as ''modernism''. However, after World War II, an assertive American literary establishment repurposed literary modernism to boost the cultural prestige of the United States in the Cold War and to contest Soviet conceptions of ''world literature''. Here, in accomplished readings of major works and essays by Henry James, Ezra Pound, W. B. Yeats, T. S. Eliot, James Joyce, F. Scott Fitzgerald, Eugene O''Neill and Derek Walcott, Joe Cleary situates Anglophone modernism in terms of the rise andTrade Review'Joe Cleary's Modernism, Empire, World Literature is that rare of gems; a book that synthesizes a wide range of materials into a succinct and clear argument that also manages to illuminate original pathways through the main debates in the field. The book reminds us of the best in literary criticism that we have been used to in the likes of Edward Said, Frederic James, J. Hillis Miller, and a handful of others.' Ato Quayson, Stanford University'In this compelling book, Joe Cleary traces the Anglophone genealogy of contemporary world literature. His masterful and rich readings of key modernist works carefully locate them within their literary fields while showing them at the same time to be part of a mighty struggle of erstwhile provincials to take on the metropole and establish their literary, political, and economic preminence in the world. Truly world literature for the Anglophone age.' Francesca Orsini, SOAS University of London'This book has a dazzling trajectory. It crosses the territories of the republic of letters and of modernism. It surveys the strategic power shifts of the last two centuries in the Anglophone world between English, Irish and American literatures. It analyses and compares many of the great literary works in which these transfers and transitions were made. Literary criticism and intellectual history are interwoven here with such subtlety that the boundaries that once separated them vanish in a fusion that, long-needed by both, has at last been achieved.' Seamus Deane, University of Notre Dame'This incisive work from Cleary (English, Yale) offers a new and innovative way of framing the discussion of modernism … This volume will interest scholars of both modernism and postcolonialism … Highly recommended.' A. P. Pennino, Choice MagazineTable of Contents1. 'A Language That Was English': Peripheral Modernisms and the Remaking of the Republic of Letters in the Age of Empire; 2. 'It Uccedes Lundun': Logics of Literary Decline and 'Renaissance' from Tocqueville and Arnold to Yeats and Pound; 3. 'The Insolence of Empire': The Fall of the House of Europe and Emerging American Ascendancy in The Golden Bowl and The Waste Land; 4. Contesting Wills: Joyce, Yeats, Goethe, Shakespeare and Mimetic Rivalries in Ulysses; 5. 'That Huge Incoherent Failure of a House': Antinomies of American Ascendancy in The Great Gatsby and Long Day's Journey into Night; 6. 'Cities that open like The World's Classics': Omeros and Epic Impasse in the Neoliberal World Literary System.
£34.99
Cambridge University Press Reading Peer Review
Book SynopsisThis Element describes for the first time the database of peer review reports at PLOS ONE, the largest scientific journal in the world, to which the authors had unique access. Specifically, this Element presents the background contexts and histories of peer review, the data-handling sensitivities of this type of research, the typical properties of reports in the journal to which the authors had access, a taxonomy of the reports, and their sentiment arcs. This unique work thereby yields a compelling and unprecedented set of insights into the evolving state of peer review in the twenty-first century, at a crucial political moment for the transformation of science. It also, though, presents a study in radicalism and the ways in which PLOS''s vision for science can be said to have effected change in the ultra-conservative contemporary university. This title is also available as Open Access on Cambridge Core.Table of Contents1. Peer Review and its discontents; 2. The radicalism of PLOS; 3. New technologies, old traditions?; 4. PLOS, institutional change, and the future of peer review.
£15.53
Cambridge University Press The Spaces of Bookselling
Book SynopsisThe spaces of bookselling have as many stories to tell as do the books for sale. This Element focuses primarily on bookselling in the United States from the 19th through the 21st centuries and examines three key bookselling spaces-the store, the street, and the catalogue.Table of Contents1. Introduction; 2. Stores: Constructing Meaning in the Bookstore; 3. Streets: Books, Boundaries, and Belonging; 4. Pages: Navigating Bookseller Catalogues; 5. Epilogue: Making Space.
£15.51
Cambridge University Press Tragedy and Postcolonial Literature
Book SynopsisThis book examines tragedy and tragic philosophy from the Greeks through Shakespeare to the present day. It explores key themes in the links between suffering and ethics through postcolonial literature. Ato Quayson reconceives how we think of World literature under the singular and fertile rubric of tragedy. He draws from many key works Oedipus Rex, Philoctetes, Medea, Hamlet, Macbeth, and King Lear to establish the main contours of tragedy. Quayson uses Shakespeare''s Othello, Chinua Achebe, Wole Soyinka, Tayeb Salih, Arundhati Roy, Toni Morrison, Samuel Beckett and J.M. Coetzee to qualify and expand the purview and terms by which Western tragedy has long been understood. Drawing on key texts such as The Poetics and The Nicomachean Ethics, and augmenting them with Frantz Fanon and the Akan concept of musuo (taboo), Quayson formulates a supple, insightful new theory of ethical choice and the impediments against it. This is a major book from a leading critic in literary studies.Trade Review'… [This book] is a powerful insight, suggestive enough, one would have thought, to fuel a book-length inquiry into the distinctiveness of postcolonial tragedy.' Rajeswari Sunder Rajan, Modern Philology'The book's connections to the fields of literature, philosophy, and history are apparent, as is its layered, meticulously crafted thesis. Relevant and applicable to a variety of critical reassessments in various fields within the humanities. Recommended.' J. Neal, Choice'The contribution of Ato Quayson's book is undoubtedly found in the dialogue and the pooling of plural knowledge, reporting on the suffering and ethnic discriminations of which colonized populations have been victims.' Jean Zaganiaris, Anabases (translated from French)JeanTable of Contents1. Introduction. Tragedy and the maze of moments; 2. Shakespeare: Ethical cosmopolitanism and Shakespeare's Othello; 3. Chinua Achebe: History and the conscription to colonial modernity in Chinua Achebe's rural novels; 4. Wole Soyinka: Ritual dramaturgy and the social imaginary in Wole Soyinka's tragic theatre; 5. Tayeb Salih: Archetypes, self-authorship, and melancholia: Tayeb Salih's Seasons of Migration to the North; 6. Toni Morrison: Form, freedom and ethical choice in Toni Morrison's Beloved; 7. J. M. Coetzee: On moral residue and the affliction of second thoughts: J.M. Coetzee's Waiting for the Barbarians; 8. Arundhati Roy: Enigmatic variations, language games and the arrested bildungsroman: Arundhati Roy's The God of Small Things; 9. Samuel Beckett: Distressed embodiment and the burdens of boredom: Samuel Beckett's Postcolonialism; 10. Conclusion: Postcolonial tragedy and the question of method.
£41.32
Cambridge University Press Nature and Literary Studies
Book SynopsisNature and Literary Studiessupplies a broad and accessible overview of one of the most important and contested keywords in modern literary studies. Drawing together the work of leading scholars of a variety of critical approaches, historical periods, and cultural traditions, the book examines nature''s philosophical, theological, and scientific origins in literature, as well as how literary representations of this concept evolved in response to colonialism, industrialization, and new forms of scientific knowledge. Surveying nature''s diverse applications in twenty-first-century literary studies and critical theory, the volume seeks to reconcile nature''s ideological baggage with its fundamental role in fostering appreciation of nonhuman being and agency. Including chapters on wilderness, pastoral, gender studies, critical race theory, and digital literature, the book is a key resource for students and professors seeking to understand nature''s role in the environmental humanities.Table of ContentsIntroduction: the Nature of Literature Peter Remien and Scott Slovic; Part I. Origins: 1. The book of nature Rebecca Davis; 2. Pastoral Terry Gifford; 3. Wilderness Debbie Lee; 4. Lucretian materialism Brent Dawson; 5. Natural philosophy Mary Thomas Crane; 6. Natural history Ashton Nichols; Part II. Development: 7. Romantic nature Marc Cladis; 8. The sublime Michele Speitz; 9. Toward a transatlantic philosophy of nature Samantha Harvey; 10. Indigenous naturecultures Rayson K. Alex; 11. Postcolonial nature Philip Aghoghovwia; 12. Extinction Timothy Sweet; 13. Nature in the Anthropocene Ken Hiltner; Part III. Applications: 14. Nature, gender, sexuality Greta Gaard; 15. Nature and race John Gamber; 16. The nature of animality Michael Lundblad; 17. Cultivating nature Shiuhhuah Serena Chou; 18. Narrating nature Erin James; 19. Digital nature Lai-Tze Fan; 20. Toxic nature Pramod K. Nayar; 21. Messages from within Serenella Iovino.
£89.99
Palgrave Macmillan Sexuality and the Gothic Magic Lantern Desire
Book SynopsisThis fascinating study explores the multifarious erotic themes associated with the magic lantern shows, which proved the dominant visual medium of the West for 350 years, and analyses how the shows influenced the portrayals of sexuality in major works of Gothic fiction. Trade Review"A compelling (and - why not?) sexy addition to the burgeoning scholarship on the true underpinnings of Gothic fiction, theater, and film. This book also helps elucidate the history of cinematic forms, the filiations of Romanticism across the nineteenth century, and the history of sexuality and its deployment in changing symbols. In addition, as a contribution to the ongoing development of New Historicist/Cultural Studies, it juxtaposes different media from the same era to show how each affects and is affected by the other in "associations" that enable the modern reader "to discover a forgotten intermedial world of allusion"." - Jerrold E. Hogle, Review 19 (2015) "Focusing on the Gothic magic lantern and its associations with the erotic, there is much more here which serves to provide an improved understanding of the responses of contemporary writers, artists and other commentators to the magic lantern show. Similarly the author interconnects with the erotic content to be found in a great deal of early lantern imagery [ ] It provides a refreshingly different view of lantern history, and is therefore highly recommended." - Mervyn Heard, The Magic Lantern Society Journal (2015)Table of ContentsList of Figures List of Tables Acknowledgements Preface Introduction 1. Sex and the Ghost-Show: the Early Ghost Lanternists, Friedrich Schiller's Die Geisterseher /Ghost-seer , Matthew Lewis's The Monk and E-G Robertson's Convent Fantasmagori e 2. Byron: Incest, Voyeurism and the Phantasmagoria 3. Charlotte Brönte's Villette , Forbidden Desire and Lanternicity in the Domestic Gothic 4. Sheridan Le Fanu's Carmilla (1872), 'Ambiguous Alternations': Lesbian Desire in the Lanternist Novella 5. Lanternist codes and Sexuality in Dracula and The Lady of the Shroud Conclusion
£98.99
Palgrave Macmillan Sensational Pleasures in Cinema Literature and
Book SynopsisThis international collection focuses on the phallic character of classic and contemporary literary and visual cultures and their invasive nature. It focuses on thrillers, horror cinema, sexual art and photography, erotic literature, female and male body politics, queer pleasures, gender/cross-gender/transgenderism, CCTV and phallic ethnicities.Table of ContentsContents Notes on Contributors Introduction: The Phallic: "An Object of Terror and Delight"; Gilad Padva and Nurit Buchweitz PART I: FORBIDDEN SPECTATORSHIP AND VISCERAL IMAGERIES 1. The Unpardoned Gaze: Forbidden Erotic Vision in Greek Mythology; Rachel Gottesman 2. The Haptic Eye: On Nan Goldin's Scopophilia; Lorrain Dumenil 3. The Peepshow and the Voyeuse: Colette's Challenge to Patriarchy and the Male Gaze; Marion Krautkaher-Ringa 4. The Monstrous Nonheteronormative: A Queer Positioning within American Horror Films By the Male Gaze; Matthew Martin 5. Bearing Witness to the Unbearable: The Ethics of the Gaze in Irréversible; Kathleen Scott PART II: PHALLIC AND ANTI-PHALLIC FANTASIES 6. Pornographic Images of Transmasculinity; Finn Ballard 7. 'Look Closer': Sam Mendes' Visions of White Men; Ruth Heholt 8. Between the Joy of the Woman Castrator and the Silence of the Woman Victim: Following the Exhibition The Uncanny XX; Sigal Barkai 9. Zack Snyder's Impossible Gaze: The Fantasy of 'Looked-at-ness' Manifested in Sucker Punch (2011); Alexander Sergeant 10 In-Between Complicity and Subversion: D. M. Thomas's Charlotte, Or, A Reflection of/on 'Pornographic' Literature and Society; Fanny Delnieppe PART III: BLEEDING MASCULINITIES 11. "There's No Losing It:' Disability and Voyeurism in Rear Window and Vertigo; Laura Christiansen 12. The Vaginal Apocalypse: Phallic Trauma and the End of the World in Romeo is Bleeding; James D. Stone 13. Ambiguous Exposures: Gender Bending Muscles in the 1930s Physique Photographs of Tony Sansone and Sports Photographs of Babe Didrikson; Jacqueline Brady 14. Reframing Gender and Visual Pleasure: New Signifying Practices in Contemporary Cinema; Francis Pheasant-Kelly PART IV: SURVEILLANCE AND BIG BROTHERS 15. Voyeurism and Surveillance: A Cinematic and Visual Affair; Mira Perampalam 16. Thrust and Probe: The Phallic Blade, The Physician, and the Voyeuristic Pleasures of Violent Penetration; Brenda S. Gardenour PART V: GAPS AND CRACKS 17. Seeing Red: The Female Body and the Body of the Text in Hitchcock's Marnie; Inbar Shaham 18. Pictura in Arcana: the Traumatic Real as In/visible Crack Lysane Fauvel 19. The Female Body in Frederick Sandys's Paintings, or, The Sublimation of Desire; Virginie Thomas
£80.99
Palgrave MacMillan Us Womens Poetry and Popular Culture Modern and Contemporary Poetry and Poetics
Book SynopsisBridging feminist and cultural studies, the book shows how British and American women poets often operate as cultural insiders. Individual chapters reassess major figures (H.D., Gwendolyn Brooks, Sylvia Plath), alternative modernist poets (Edith Sitwell, Stevie Smith), and contemporary poets (Ai, Carol Ann Duffy).Trade Review"Bryant (Univ. of Florida) offers a lively interrogation of 'women's poetry' situated within and outside of constructions of popular, contemporary Western culture. Coalescing the poetry of H.D., Stevie Smith, Sylvia Plath, Gwendolyn Brooks, and Carol Ann Duffy with the complexities of a mainstream market comprising domestic advertising, juvenile literature, film, and tabloid journalism, Bryant's provocative work refutes historical conceptions of women's poetry as oppositional to popular culture. Rather, this refreshing fusion of feminist and cultural studies probes the dynamics of women infusing popular culture with poetry written by 'cultural insiders' to chronicle this delicate and complex interplay of popular culture and women's poetry. Summing Up: Essential. Lower-division undergraduates through faculty." - CHOICE 'Fact: These days, the most exciting academic work on nineteenth- and twentieth-century poetry is being done by women critics and scholars .The most recent example of such scholarship comes from P&PC hero and University of Florida English professor Marsha Bryant. They are studying poetries in the plural (not Poetry) as cultural forces and as ways of thinking linked both to the everyday and the ideal, with sources in mass, popular, and counter cultures, computers and archives, transnational circuits of exchange, and public and political spheres.' - Poetry and Popular Culture 'In her coda, Bryant envisions a new relationship between poetics and cultural studies. She argues that critics should not only analyze the popular contexts that inform women's poetry, but also the early cultural studies texts that 'often articulate a poetics of popular culture.' In each of her chapters, Bryant models the ways that this type of inquiry necessitates the interpretation of a wide range of cultural texts. In its scope and method, Women's Poetry and Popular Culture is a vital contribution to women's poetry studies and postwar poetry studies.' - Tulsa Studies in Women's Literature 'Byrant's book ultimately calls for a significant widening of the women's poetry canon broader acceptance of a range of themes by women poets and a more sophisticated set of reading pratices that take into account this writing as not simply oppositional, parodic, or critical . . . At once a monograph and a manifesto, Women's Poetry is irreverent, immensely readable, and, frankly, a lot of fun.' - Twentieth-Century Literature "She [Bryant] effectively illustrates that poetry and popular culture are interconnected and should be studied in relation to one another . . . Bryant's close readings of the poems and strong supporting evidence make it difficult to find a weakness in Women's Poetry and Popular Culture. The book strikes a good balance between formal literary criticism and cultural studies while mostly remaining accessible to readers who may not be familiar with each of the many literary, feminist, and cultural studies theorists with whom Bryant is in conversation." - Women's StudiesTable of ContentsCinemaScope Poetics: H.D., Helen, and Historical Epic Film The Poetry Picture Book: Stevie Smith and Children's Culture Uneasy Alliances: Gwendolyn Brooks, Ebony, and Whiteness Everyday Ariel: Sylvia Plath and the Dream Kitchen Killer Lyrics: Ai, Carol Ann Duffy, and the Media Monologue Key Notes: Manifesto for Women's Poetry Studies
£40.49
Palgrave MacMillan UK Postcolonial Witnessing Trauma Out of Bounds
Book SynopsisPostcolonial Witnessing argues that the suffering engendered by colonialism needs to be acknowledged more fully, on its own terms, in its own terms, and in relation to traumatic First World histories if trauma theory is to have any hope of redeeming its promise of cross-cultural ethical engagement.Trade ReviewOne of Times Higher Education's Books of 2013 "Bridging the gap between Jewish and postcolonial studies, Stef Craps's new postcolonial reading of the work of Sindiwe Magona, David Dabydeen, Fred D'Aguair, Caryl Phillips and Anita Desai covers exciting new ground in trauma theory. Challenging the hegemonic framings of the dominant 'trauma aesthetic,' Craps broadens our understanding of traumatic experience by examining literary works that depict life under South African apartheid, the Middle Passage, the links between histories of black and Jewish suffering and those between the Holocaust and colonialism. This is a fine study and a welcome addition to the field of trauma studies." - Dr Victoria Burrows, English Department, The University of Sydney, Australia "In this beautifully and clearly written book, Stef Craps leads trauma theory away from its Eurocentric past and towards a decolonized future. Arguing that the traumas of non-Western populations should be acknowledged for their own sake and on their own terms, Postcolonial Witnessing demonstrates through its exemplary discussion of literary texts including the works of Anita Desai and Caryl Phillips, how literary analysis can become a part of that process. Timely, provocative and destined to be widely read, this book makes a path-breaking contribution to memory, trauma, and literary studies." - Professor Susannah Radstone, University of East London, UK "'Stef Craps's excellent study calls for the decolonizing of trauma theory and begins from the premise that its founding texts have failed to live up to the promise of cross-cultural ethical engagement. In a carefully argued thesis, he accuses trauma theory of Eurocentric bias in four crucial ways . . . Overall, this short book advances an eloquent plea to rethink trauma from a postcolonial perspective in order to listen to the suffering of Others beyond the western purview and, thereby, in Craps's words, "remain faithful to the ethical foundation of the field"." - Journal of Postcolonial Writing 'Despite the seriousness of the topic, the clarity and flow of Craps's writing makes Postcolonial Witnessing a joy . . . This is a book that engages with current debates in a lively and interesting way and is sure to be of interest to scholars of trauma, postcolonialism, cultural memory studies and related fields. Its clear structure and thorough consideration of foundational and recent literature, including an excellent index and bibliography, will also make it a useful text to those who are new to the topic. In fact, the book's strong argument, clear structure and engaging prose make Postcolonial Witnessing an example of what an academic text should be.' - Dialogues on Historical Justice and Memory ''Stef Craps' Postcolonial Witnessing: Trauma Out of Bounds is a text that has, without a doubt, pushed the field of trauma studies towards a more positive and critical direction of analysis and ethical engagement . . . A fundamental leap in the right dirction, Postcolonial Witnessing opens a path for new, more generative theorizations of trauma.'' - Emmanuel Martinez, Rutgers, The State University of New Jersey, US "Stef Craps' Postcolonial Witnessing: Trauma Out of Bounds is a timely and much needed corrective to the polarised debate - particularly in postcolonial studies - around the uses and abuses of trauma theory. . . . I strongly recommend Postcolonial Witnessing to anyone interested in future applications of trauma theory in various fields of study, especially postcolonial literature.' - Fred Ribkoff, Postcolonial Text "Stef Craps's Postcolonial Witnessing: Trauma Out of Bounds attempts to adapt the rather recent advances of trauma theory to postcolonial theory and despite its flaws, it is one of the more important texts on trauma theory in recent time... overall it is a very strong look at trauma studies." Henry James Morello, The Comparatist Shortlisted for the 2014 ESSE Book Award "Craps makes a compelling case for the need to expand the current event-based model to 'alternative conceptualizations of trauma' proposed by postcolonial critiques, such as 'insidious trauma,' 'continuous traumatic stress,' 'cumulative trauma,' or 'oppression-based trauma.'... His skillful analysis of these texts is particularly relevant for scholars of literature, but Craps also weaves into his readings insights gained from the theoretical literature... Craps' fine study..." Björn Krondorfer, theologie.geschichte 'Stef Craps's Postcolonial Witnessing: Trauma Out of Bounds serves as a wonderful starting point for anyone interested in recent critical paths in trauma studies. Not only does it give a good overview and critique of foundational early work by such scholars as Cathy Caruth, Shoshana Felman, Dori Laub, Dominic LaCapra, and Geoffrey H. Hartman, but it also brings together the work of many recent scholars who, like the author of this monograph, have noted trauma studies' exclusions of various groups and types of traumatic experiences. In covering this vast amount of critical territory and doing so with adept and cogent arguments, Postcolonial Witnessing proves itself a particularly useful and important introduction to the field for both students and other scholars seeking entry." - Veronica Austen, Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée ". . . successful engagement with postcolonial theory and memory studies . . . There is an unquestionable sincerity of critical engagement with the very vast body of literature both critics discuss. They explain theoretical ideas with a clarity and conciseness that indicates their extensive knowledge of scholarship in the area. In the tradition of effective postcolonial critique, the authors also mention the literary and social implications of their work. For Craps this involves an 'inclusive and culturally sensitive trauma theory' that opens up the possibility of 'a more just future' . . . Scholars and students of contemporary postcolonial literature will find these books useful as maps of the fields of cross-cultural and memory studies." - Kanika Batra, WasafiriTable of ContentsAcknowledgements Introduction The Trauma of Empire The Empire of Trauma Beyond Trauma Aesthetics Ordinary Trauma in Sindiwe Magona's Mother to Mother Mid-Mourning in David Dabydeen's 'Turner' and Fred D'Aguiar's Feeding the Ghosts Cross-Traumatic Affiliation Jewish/Postcolonial Diasporas in the Work of Caryl Phillips Entangled Memories in Anita Desai's Baumgartner's Bombay Conclusion Notes Bibliography Index
£40.49
Palgrave MacMillan UK Creating Postcolonial Literature African Writers and British Publishers
Book SynopsisUsing case studies, this book explores the publishing of African literature, addressing the construction of literary value, relationships between African writers and British publishers, and importance of the African market. It analyses the historical, political and economic conditions framing the emergence of postcolonial literature.Trade Review“This hugely informative, clearly written, book will be of obvious interest to scholars of African literature, postcolonial theory, and material cultures of the book. … While demonstrating what archival material can bring to the study of inequalities in the global literary marketplace, Davis’s study will encourage its readers to question and explore, in fresh ways, how the experience of literature is underpinned by the material conditions of its production and circulation.” (Ruth Bush, Research in African Literatures, Vol. 47 (1), Spring, 2016)CHOICE Outstanding Academic Title 2014 "Not since Graham Huggan's The Postcolonial Exotic has there been a book that so comprehensively examines the ways in which international publishers attempt to shape the literary expectations of readers of African literatures. This book will inspire postcolonial scholars to research the material conditions in which authors work, and to expand the framework of literary scholarship beyond 'close reading' to ask questions about how African literatures were brought to print in the mid- to late- twentieth century." - Professor Steph Newell, Co-Director (Centre for Colonial and Postcolonial Studies), University of Sussex, UK "Caroline Davis makes an eloquent and for the most part compelling case for her arguments, and this is a fascinating, meticulously researched, and richly documented study that sheds new light on the emergence of postcolonial African literary publishing, and at the same time offers an exhaustive analysis of the historical, political and economic context of British publishing in Africa in general" - African Research & Documentation, Journal of SCOLMA "I need a higher count of words to praise this essential study, which contains excellent case studies I cannot account for here studies of the acquisition, editing, and marketing of a variety of types of works. The whole book is indispensable. I cannot recommend it more highly." - Sarah Brouillette, Postcolonial Studies "Creating Postcolonial Literature makes a valuable contribution to both African and postcolonial literary studies for its careful and nuanced exploration of a too-often neglected example of early Europhone publishing from the continent. Throughout its course, Davis identifies numerous continuities and discrepancies from previous studies of postcolonial publishing, enabling the study to illustrate deftly the creation and persistence of a hierarchical system of literary relations. The study is particularly insightful in its consistent and in-depth use of archival sources, demonstrating the complexity which negotiating African literatures has entailed in its early years, both between African writers and British publishers, as the title of the study supposes, but also among editorial staff themselves... a significant entry into the emerging field of postcolonial book history, with clear implications for how we conceptualize the consecration of literary value in world literatures." - Madhu Krishnan, Interventions "Davis (Oxford Brookes University, UK) makes a significant contribution to African studies, the history of book culture, and literacy studies with this volume. She documents, in fascinating detail, the often neocolonial relationship between Oxford University Press (OUP) and postcolonial African writers, with specific focus on OUP's "Three Crowns Books" series. By virtue of meticulous research in archives in England, Nigeria, Kenya, and South Africa, along with interviews, she writes authoritatively about OUP's financial strategy in working with African writers; which authors are approved for publication and why; what kind of revisions/censorship OUP editors impose; why certain texts were selected for marketing to schools and to the Bantu education system in South Africa; and what one can learn from paratextual material, e.g., exotic book covers, blurbs, publicity. By way of case studies, she provides specific information about several writers, including Wole Soyinka, Athol Fugard, Raymond Sarif Easmon, Léopold Sédar Senghor, Obi Egbuna, and several others. She underpins her sophisticated analysis with the theories of Edward Said, Pascale Casanova, and Pierre Bourdieu. The volume is enriched by 20 illustrations, an extensive bibliography, and a thorough index. Summing Up: Highly recommended. All readers." - E. R. Baer, Gustavus Adolphus College, CHOICE "...this is a fascinating, meticulously researched, and richly documented study that sheds new light on the emergence of postcolonial African literary publishing, and at the same time offers an exhaustive analysis of the historical, political and economic context of British publishing in Africa..." - Hans Zell, African Research and Documentation "[R]evealing... meticulously told" - James Currey, African Literature Today "There exists today a considerable body of research, which is constantly being augmented, on provision of what is read from publishing houses in Africa... The most recent addition to this body of literature is Caroline Davis' excellent book Creating Postcolonial Literature: African Writers and British Publishers" - Walter Bgoya, speaking at the Africa Studies Association UK conference, Sussex University, September 2014 "Davis's approach to her material, which includes paratextual analysis, interviews, and extensive archival work, is rigorous but also judicious, especially in the portraits she draws of the various series editors and branch managers and the different ways they interpreted and in some cases contested the OUP's African 'mission.' In providing such an exhaustive but also nuanced critical history, this fine book demands that we rethink the vexed issue of neocolonialism in British publishing in postcolonial Africa." James Graham, SHARP News "The history of publishing in Africa has not received sufficient academic attention... This book makes an important contribution to our understanding of the nature of OUP's contribution to that process, and identifies the tensions and ambiguities of an enterprise that was caught between the desire to bring quality literature to the African reading public and the need to secure the profits of a 'charitable organisation' that was committed to providing major financial support for its parent university." Peter Kallaway, Journal of Southern African Studies "Davis's close work in the OUP archive represents a very welcome contribution to postcolonial book history." Asha Rogers, Wasafiri "Creating Postcolonial Literature is an excellent addition to a growing body of scholarship on postcolonial literary production... Davis weaves an engaging portrait of the people, decisions and strategies that account for the success of OUP in Africa through sophisticated analyses of archival information, including letters, financial reports and interviews." Grace A. Musilah, AfricaTable of ContentsList of Illustrations Acknowledgements List of Abbreviations 1. Introduction PART I: OXFORD UNIVERSITY PRESS IN AFRICA, 1927-1980 2. The Vision for OUP in Africa 3. 'The Obligation to be Profitable': OUP in West Africa 4. 'The Call to Duty': OUP in East Africa 5. Publishing under Apartheid: OUP in South Africa 6. Conclusion to Part I PART II: THE THREE CROWNS SERIES, 1962-1976 7. The History of Three Crowns 8. Judging African Literature 9. Editing Three Crowns 10. Publishing Wole Soyinka 11. Publishing Athol Fugard 12. Conclusion Bibliography Index
£40.49
Taylor & Francis Ngugi wa Thiongo Gender and the Ethics of
Book SynopsisTrade Review'Brendon Nicholls revisits old issues such as gender and nationalism in African literature with freshness and deploys historical context in his reading of Ngugi's texts with amazing discrimination. His book compels us to look at the politics of translation in African literature with new insights and to see translation as a source of creative energy and agency, rather than the space within which "original" meaning or the autochthon is violated'. James Ogude, University of the Witwatersrand, South Africa and author of Ngugi’s Novels and African History ’... the book provides readers with a clear grasp of the subject matter... Recommended.’ Choice 'A well-researched and highly theoretical monograph...' Review of English Studies '... very informed and illuminating analysis.' WasafiriTable of ContentsContents: Introduction; A topography of 'woman'; Clitoridectomy and Gikuyu nationalism; The landscape of insurgency; Reading against the grain (of wheat); Paternity, illegitimacy and intertextuality; The neocolony as a prostituted economy; Conclusion - prostituting translation: an ethics of postcolonial reading; Bibliography; Index.
£49.99
Taylor & Francis Ltd EighteenthCentury Thing Theory in a Global Context
a huge range and FREE tracked UK delivery on ALL orders.
£43.99
Taylor & Francis Ltd Routledge Revivals Gulliver and the Gentle Reader 1991
a huge range and FREE tracked UK delivery on ALL orders.
£120.00
Taylor & Francis Medieval Literature The Basics
Book SynopsisMedieval Literature: The Basics is an engaging introduction to this fascinating body of literature. The volume breaks down the variety of genres used in the corpus of medieval literature and makes these texts accessible to readers. It engages with the familiarities present in the narratives and connects these ideas with a contemporary, twenty-first century audience. The volume also addresses contemporary medievalism to show the presence of medieval literature in contemporary culture, such as film, television, games, and novels. From Dante and Chaucer to Christine de Pisan, this book deals with questions such as: What is medieval literature? What are some of the key topics and genres of medieval literature? How did it evolve as technology, such as the printing press, developed? How has it remained relevant in the twenty-first century? Medieval Literature: The Basics is an ideal introduction for students coming to tTable of ContentsIntroduction: Manuscripts, Castles, and Quests: Diving into Medieval Literature 1. How to Wield a Sword in the Middle Ages: Medieval Literature and War 2. Chivalry is not Dead: Medieval Literature and Love 3. Meeting Monsters on the Map: Medieval Literature of Space and Time 4. Touching Heaven: The Literature of Religion 5. The Most Extreme: Iconic Authors of the Middle Ages 6. Game of Texts: The Magic of Medieval Literature Today
£24.32
Taylor & Francis Ltd The Political and Social Thought of F.M. Dostoevsky
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£156.66
Taylor & Francis Ltd Tolstoys What is Art
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£110.00
Taylor & Francis Ltd Tolstoy
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£156.66
Cambridge University Press Nietzsche and Literary Studies
Book SynopsisThis book offers a complete guide to Nietzsche's writings, which draw on two and a half millennia of literary and philosophical history and have inspired a further century of responses from literary writers and philosophers.
£80.75
Cambridge University Press The African Heritage of Latinx and Caribbean
Book SynopsisThrough extensive Romance Languages archival and field research, this book challenges eurocentric notions of World Literature to create a 'Latin-African' literary history that interweaves the influential voices of African, Caribbean, and Latinx/Chicanx authors. This book bridges the long-neglected distance between hemispheric and African studies.Trade Review'By rehabilitating and privileging the African archive in her account of Latinx/Caribbean relations, Sarah Quesada's book provides a fresh and very welcome instalment to debates about Pan-Africanism. But here, Pan-Africanism is more than just an aspirational political project, long distracted by the cynical pragmatism of political leaders. Rather, it is a work of re-animation that will redefine African and African diasporic relations through a well-grounded and nuanced humanities perspective. This book is a magnificent gift offering.' Ato Quayson, Stanford University'Beautifully written, well researched and bold in its formulations, The African Heritage of Latinx and Caribbean Literature is an important intervention in the reading of Latinx and Latin American literature, widely defined. The brilliance of the book is manifest in the analysis, in which the Sarah Quesada unearths discreet connections to Africa and unfolds them into an ambitious and successful re-cartography of the Atlantic through a Latin America-Africa axis that is very persuasive and unique.' Ignacio Sanchez Prado, Washington University in St. Louis'Sarah Quesada has written a BIG book, both in its scholarly import and geographic scope. Quesada finally centers Africa in study of the Black Atlantic. She also redresses its exclusion of Latin America - a region that received three-quarters of enslaved Africans during the colonial period - while making plain why Latinx literature has always been a world literature. Reading comparatively and with laser focus across four languages, dozens of colonial archives, and three continents, Quesada traces the textual memory and political internationalism that has thrived for over eighty years among authors and political actors from the US Southwest, the Dominican Republic, Haiti, Cuba, Colombia, and Benin, Nigeria, Senegal, and the Democratic Republic of Congo. Quesada presents the reader with the beating nexus of cultural, political, and aesthetic Latin-Africa, in vivid and engaging prose, such as only a generational thinker can accomplish. Afrolatinidad is redefined in her capable hands.' María Josefina Saldaña-Portillo, New York University'Quesada's The African Heritage of Latinx and Caribbean Literature transforms Paul Gilroy's notion of The Black Atlantic into an Afro-Latino Atlantic…Quesada is able to make a hopeful argument for the possibility of fiction - whether traditional print novels or heritage site oral storytelling - to helpfully respond to and potentially transform the path wrought by this real and symbolic violence.' Tom McEnaney, University of California, BerkeleyTable of Contents1. Fear: Junot Díaz's zombies and les contorsions extraordinaires in 'Monstro'; 2. Commodification: Badagry and the African safari of Achy Obejas's Ruins; 3. Obliteration: Gabriel García Márquez and his Angolan chronicles of a 'Latin-African' death foretold; 4. Archival distortion: The Chicano-Congo Relación of Tomás Rivera and Rudolfo Anaya.
£67.50
Palgrave Macmillan Modernist Nowheres
Book SynopsisModernist Nowheres explores connections in the Anglo-American sphere between early literary modernist cultures, politics, and utopia. Foregrounding such writers as Conrad, Lawrence and Wyndham Lewis, it presents a new reading of early modernism in which utopianism plays a defining role prior to, during and immediately after the First World War.Trade Review"Modernist Nowheres addresses an enduring and wide-ranging set of canonical modernist writers in Conrad, Lewis, Lawrence, Wells and Ford, and delves into the archives to mobilize less well-known material to support the argument. It is an engaging and provocative contribution to this burgeoning branch of modernist studies." - Andrew Frayn, Ford Madox Ford Society newsletterTable of ContentsAcknowledgements Introduction: Maps Worth Glancing At Meliorism and Edwardian Modernity Questions of Perfectibility Forlorn Hopes and The English Review Magnetic Cities and Simple Lives Individualism, Happiness, and Labour Vorticism and the Limits of BLAST Satire, Impressionism, and War Idealisms and Contingencies Conclusion Bibliography Index
£40.49
Palgrave Macmillan British Romanticism and the Catholic Question
Book SynopsisThe debate over extending full civil rights to British and Irish Catholics not only preoccupied British politics but also informed the romantic period''s most prominent literary works. This book offers the first comprehensive, interdisciplinary study of Catholic Emancipation, one of the romantic period''s most contentious issues.Trade Review'The meticulous research and probing readings in Michael Tomko's book show how unsettling the issue of Catholic Emancipation was for the major writers of the Romantic periods. It is a stunning contribution to our larger sense of the complexity surrounding issues of toleration and secularization; still more, it makes the most convincing case yet for Catholicism's centrality in Romantic politics and literary production.' - Professor Mark Canuel, University of Illinois at Chicago, USA 'This is a rich and rewarding study...The reader comes away with a refreshed, more complicated picture of nineteenth-century romanticism, a thorough understanding of the "Catholic Question" and its controversial nature, and much encouragement to consider the role of religious identity in the formation of nation-states.' - Maria Lamonaca, New Books on Literature 19 '...thoughtful study...' -True Principles 'Though not the final word on the subject, Tomko's book has the clear merit of persuading readers of its importance. It will also provide them with a strong encyclopaedic basis and with possible reading strategies on which to base their own investigations into an unduly neglected aspect of British Romantic culture.' - Raphaël Ingelbien, University of LeuvenTable of ContentsList of Illustrations Acknowledgements List of Abbreviations Introduction: The Spirits of the Age The Purgatorial Politics of the Catholic Question History, Sympathy, and Sectarianism in Elizabeth Inchbald's A Simple Story Wordsworth and Superstition Shelley's Conflicted Campaign for Catholic Emancipation Scott's Ivanhoe and the Saxon Question Conclusion: 'The Anxious Hour'— England in 1829 Works Cited Notes Index
£40.49
Palgrave Macmillan Novel Minds
Book SynopsisEighteenth-century philosophy owes much to the early novel. Using the figure of the romance reader this book tells a new story of eighteenth-century reading. The impressionable mind and mutable identity of the romance reader haunt eighteenth-century definitions of the self, and the seductions of fiction insist on making an appearance in philosophy.Trade Review'Novel Minds delivers a nuanced understanding of the instabilities and uncertainties of the consciousness shaped by reading imagined in eighteenth-century philosophy and narrative prose. In a lively and engaging style, Tierney-Hynes brings the writings of significant writers into interesting conversation with each other.' - Ros Ballaster, Professor of 18th Century Studies, University of Oxford, UKTable of ContentsAcknowledgements Introduction: From Passions to Language: The Transformation of the Imagination Locke: Metaphorical Romances Behn: Romance from the Stage to the Letter Shaftesbury: Conversation and the Psychology of Romance Hume: Reading Romances, Writing the Self Richardson: How to Read Romance Notes Bibliography Index
£67.49
Palgrave Macmillan American Authorship and Autobiographical Narrative
Book SynopsisThis book explores the conflicted relationship writers have with their public image, particularly when they have written about their personal lives. D''Amore analyzes the autobiographical works of Norman Mailer, John Edgar Wideman, and Dave Eggers in light of theories of authorship, autobiography, and celebrity.Trade Review'American Authorship and Autobiographical Narrative makes an important and timely contribution to criticism through a careful, well-informed exploration of the relationships between authorship and celebrity in the contemporary United States. D'Amore offers shrewd analyses of the contested intersections of privacy and publicity inherent in the life writing of Norman Mailer, John Wideman, and Dave Eggers and in their ascension to iconic status in the literary world.' - William L. Andrews, E. Maynard Adams Professor of English, University of North Carolina at Chapel HillTable of ContentsNorman Mailer's Existential Autobiography Process and Play in 'Great Time': John Edgar Wideman's Interactive Autobiographical Project 'But Self-Awareness Is Sincerity': Authorship and Exposure, Irony and Earnestness, Dave Eggers and A Heartbreaking Work of Staggering Genius
£40.49
Palgrave MacMillan UK Joseph Conrad and Popular Culture
Book SynopsisThis highly original study opens up a new dimension to Joseph Conrad by revealing his lifelong fascination with the popular culture of his day.Trade Review'Donovan is to be praised both for the care and detail of his excavation of popular culture in Conrad's oeuvre and for the lucidity with which he presents his results...Not only does this volume provoke renewed interest in its subject matter, but it also stands as a paradigm in its meticulous research, so that the combination provides that novel and most welcome thing - a riveting new work of Conrad scholarship.' - The Conradian 'What strikes the reader in this volume is Donovan's appreciation of Conrad's life and works, and his ability to bind together Conrad's innumerable subtle reflections on the emerging dominance of popular culture. This work is one of the most readable and informative studies of Conrad to appear in many years, an example of what rigorous scholarship and fine writing can achieve.' - English Literature in Transition 'Donovan's rewarding new study .... successfully demonstrates how thoroughly Conrad's fiction is permeated by the material traces of popular culture. ... Each of its extended readings and biographical anecdotes serves both to consolidate and to invite reconsideration of the new face of Conrad that has emerged in Victorian and modernist studies over the past few decades. The aura of this new face deserves many more such studies.'- Victorian StudiesTable of ContentsContents List of Illustrations Acknowledgements Abbreviations Introduction Visual Entertainment Tourism Advertising Magazine Fiction Conclusion Notes Bibliography Index
£40.49
Palgrave MacMillan UK Reading Sensations in Early Modern England
Book SynopsisHow did Renaissance literature affect readers' minds, bodies and souls? In what ways did the history of literary experience overlap with the history of humours and emotions? This book argues that a new aesthetic vocabulary based on the theory of the passions was formulated in the Renaissance to describe the affective power of literature.Trade Review'Reading Sensations in Early Modern England is a slim volume, but a valuable one...its clear argument and elegant execution make it a rewarding read.' - Erin Sullivan, Medical HistoryTable of ContentsAcknowledgements Introduction The Word and the Flesh in Early Modern England Beneath the Skin: George Puttenham, Sir Philip Sidney and the Experience of English Poetry Arming the Reader: Sir Philip Sidney and the Literature of Choler 'These Spots are but the Letters': John Donne and the Medicaments of Elegy Eating his Words: Thomas Coryat and the Art of Indigestion Touching Stories: Richard Braithwait, Thomas Cranley and the Origins of English Pornography Afterword Bibliography Index
£40.49
Palgrave MacMillan UK Visionary Materialism in the Early Works of William Blake
Book SynopsisIncorporating the most recent discoveries concerning Blake's heritage and cultural context, Visionary Materialism in the Early Works of William Blake: The Intersection of Enthusiasm and Empiricism proposes a radical new reading of his early works, that sees them taking enlightenment ideas to heights never dreamed of by Locke and Priestley.Trade Review'This work can serve as an excellent resource for scholars interested in Blake's materialism, and it also demonstrates the necessity of value of conjectural leaps in humanities research.' - Marcel O'Gorman, RomanticismTable of ContentsAcknowledgements- A Note on Texts and Illustrations Introduction: Blake and his Traditions PART 1: EXPERIENCES OF EMPIRICISM Blake and Locke: Friendship and Enmity Closet and Cavern Priestley and the Material Soul PART 2: THE TREE OF MYSTERY Obscurity and the Sublime Infinity: Causes and Consequences The Corporealisation of Thought 'Surgeing Sulphureous Fluid': The Case of Urizen PART 3: RIGHT REASON AND 'SENSE SUPERNATURAL' 'Where Else is Heaven': The Ranting Impulse and Inner Light The Spiritual Substance The Abyssal Eye PART 4: THE OPENING EYE 'He Conversed with Angels' Divine Vision as Political Force PART 5: THE ARK OF GOD 'What is Man!' The First Principle Perception, Liberty and Organic Light The Bounding Line Outlining the Vessels of Eternity PART 6: THE SUBLIME ACT Incarnations and Inheritance Index
£40.49
Palgrave MacMillan UK A Black British Canon
Book SynopsisThis much-needed collection examines the formation of a black British canon including writers, dramatists, film-makers and artists. Contributors including John McLeod, Michael McMillan, Mike Phillips and Alison Donnell discuss the textual, political and cultural history of black British and the term 'black British' itself.Table of ContentsList of Illustrations Acknowledgements Notes on Contributors Introduction: G.Low & M.Wynne-Davies Foreword: Migration, Modernity and English Writing: Reflections on Migrant Identity and Canon Formation; M.Phillips PART I: INTERROGATING THE CANON 'The Ghost of Other Stories': Salman Rushdie and a Black British Canon?; J.Procter Not Good Enough or Not Man Enough?: Beryl Gilroy as the Anomaly in the Evolving 'Black British Canon'; S.Courtman In the Eyes of the Beholder: Diversity and the Cultural Politics of Canon Re-Formation in Britain; F.Folorunso in conversation with G.Low & M.Wynne-Davies PART II: NEW LANGUAGES OF CRITICISM Fantasy Relationships: Black British Canons in a Transnational World; J.McLeod 'New Forms': Towards a Critical Dialogue with Black British 'Popular' Fictions; A.Wood PART III: GENEALOGIES AND INTERVENTIONS Texts of Cultural Practice: Black Theatre and Performance in the UK; M.McMillan Canon Questions: Art in 'Black Britain'; L.R.Wainwright 'Sharing Connections': From West Indian to Black British; G.Low Afterword: In Praise of a Black British Canon and the Possibilities of Representing the Nation 'Otherwise'; A.Donnell Index
£40.49
Palgrave MacMillan UK Defining Literary Criticism
Book SynopsisOutlining the controversies that have surrounded the academic discipline of English Literature since its institutionalization in the late nineteenth century, this important book draws on a range of archival sources.Trade Review'Thoughtful, well written and offering fresh perspectives on writers as diverse as A. C. Bradley and Virginia Woolf...[a] delightful book.' - Times Literary SupplementTable of ContentsAcknowledgements Introduction PART ONE: INSTITUTIONS Histories of English: The Critical Background English in the Universities PART TWO: PHILOSOPHIES AND PRACTITIONERS Critics and Professors Criticism and the Modernists: Woolf, Murry, Orage Methods and Institutions: Eliot, Richards and Leavis PART THREE: CURRENT DEBATES Revising English: Theory and Practice Conclusion Bibliography Index
£40.49
Palgrave MacMillan Us Women and Race in Contemporary U.S. Writing
Book SynopsisThis study discovers how contemporary writers have imagined possible relationships between African American and white women that overcome the stereotypical patterns of racism, using novels and autobiographies and focusing on works by William Faulkner, Lillian Hellman, Audre Lorde, Kaye Gibbons, Elizabeth Cox, Sherley Anne Wiliams, and Toni MorrisonTrade Review'This is a solid study of 'the complexities of interracial friendship' among black and white women in a variety of American literary texts. Reames presents a sobering argument about the lasting legacies of racial antagonism as well as the ways in which a range of American women writers work to critique and reimagine ideas and practices of racial difference.' - Eric Gary Anderson, George Mason University 'In this important new work, Reames presents cogent analysis of relationships between African American and white women, both in and through American literature.By examining an impressiverange of texts, Reames demonstrates how the tensions between black women and white women cannot begin tobesolved until white women work to become more aware of their whiteness.By interrogating literary depictions of relationships between black and white women, she exploreshow thoughtful readers - especially white feminists - can learn to raise their consciousnesses as they read works by and about black women and thus seek to prevent a reinscription of racist hegemony.While engaging her predecessors, Reames's original perspectives provide a needed addition to scholarship on race and gender dynamics in American literature.' - Kristine Yohe, Associate Professor of English, Northern Kentucky UniversityTable of ContentsIntroduction 'Sisters in Sin' : William Faulkners's Requiem for a Nun 'The Image of you, True or False, Last[s] a Lifetime' : Lillian Hellman's Memories of Black Women 'The Very House of Difference' : Audre Lorde's Autobiographies 'Just This Side of Colored' : Ellen Foster and Night Talk 'Girl from a Whole Other Race' : Toni Morrison's 'Recitatif,' Beloved, and Paradise Conclusion
£40.49
Palgrave MacMillan Us Whiteness Otherness and the Individualism Paradox from Huck to Punk
Book SynopsisTraber reexamines the practice of self-marginalization in Euro-American literature and popular culture that depict whites adopting varied markers of otherness to disengage from the dominant culture.Trade Review"How does the marginalized individual become the national type? Through a series of nuanced readings of key American texts, Daniel Traber expertly traces the ambiguous cultural politics where outlaws confirm mainstream culture, and otherness is re-appropriated and reconfigured as the heart of the national project. A deft and discerning application of recent cultural theory - itself implicated in the romanticization and neutralization of otherness - this book has telling consequences for American and literary studies, as well as for the fields of cultural studies and whiteness studies." - Nick Mansfield, Macquarie University; Author of Subjectivity: Theories of the Self from Freud to Haraway 'This book makes a very clear, and even relentless, argument about the long history of literatures which present instances of White characters 'evading whiteness' and seeking common ground elsewhere (amongst Native Americans, African Americans, the rural and urban poor, etc.). Not only are some of the largest theoretical names of the last thirty years front and center, but Traber has successfully understood these works to the point where he can offer critiques and new insights of them. I love the reach of this book: each and every chapter has been carefully researched on its own, and made to fit within the parameters of the broader idea. It is as if a hidden America has been revealed in these pages.' - Scott Michaelsen, Michigan State University; Author of The Limits of Multiculturalism: Interrogating the Origins of American Anthropology 'Through trenchant readings of celebrated American narratives from Mark Twains Adventures of Huckleberry Finn to Alex Cox's Repo Man, Traber traces the paradoxical power of liberal individualism, an ideology that celebrates autonomy and individuality even as it serves as the grounds for conformity. Traber shows how writers and thinkers who attempt to dramatize alternatives to individualist ideology often find the ground of resistance shifted out from under them by US culture's uncanny ability to incorporate otherness and marginality. Traber's study offers a cautionary tale to those critics and theorists who would celebrate the power of hybridity and marginality without sufficiently acknowledging the continuing cultural efficacy of individualist modes of thought and representation." - Cyrus R. K. Patell, New York University; Author of Negative Liberties: Morrison, Pynchon, and the Problem of Liberal IdeologyTable of ContentsThey're After Us!': Criminality and Hegemony in Huckleberry Finn Stephen Crane and Maggie's White Other One of None: Quasi-Hybridity in The Sun Also Rises Back to the Future: Suttree (and The Pioneers) L.A. Punk's Sub-Urbanism Repo Man, Ambivalence, and the Generic Mediation Whither Agency?
£40.49
Palgrave MacMillan Us Gay and Lesbian Historical Fiction
Book SynopsisThe first extensive study of gay and lesbian historical fiction, this book demonstrates how the highly popular sub-genre helps us understand gay and lesbian history. It shows not only why the sub-genre should be taken more seriously by historians but also how it implicitly works to ameliorate divisions between Christianity and homosexuality.Trade Review"Considered the first full-length study of its kind, Norman W. Jones's Gay and Lesbian Historical Fiction defends its subject matter from criticisms of anachronisms, like including gay characters before such terms existed . . . Jones's study is a foundational step in the right direction." - Modern Fiction Studies"An astute reader, prodigiously well-read, Jones discovers inside queer historical novels the powerful ghosts of Christianities pronounced dead - ghosts who guard still the mysteries of articulate desire.He urges us not to exorcise them.He shows instead how to coax such scorching angels with the riddles of re-imagined memories." - Mark D. Jordan, Asa Griggs Candler Professor of Religion at Emory University; Author of The Invention of Sodomy in Christian Theology and The Ethics of Sex "This book succeeds splendidly on several different fronts. Jones has internalized every arcane turn in queer studies of the past fifteen years, yet writes with scrupulous clarity. More than an engaging and incisive analysis of gay and lesbian historical fiction, it is an original and significant contribution to gay and lesbian histories, and even to religious studies, Jones brilliantly uncovering the intimate interconnections between coming-out and conversion narratives. The result is a transdisciplinary and post-theoretical tour de force." - Stephen D. Moore, Author of God s Gym: Divine Male Bodies of the Bible and God s Beauty Parlor: And Other Queer Spaces in and around the BibleTable of ContentsCan We Talk? Spot the Homo: Definitions Revisionist Histories from Mysterious Hauntings Coming-Out Stories as Conversion Narratives Chosen Communities: Familiar Stories from Strange Bedfellows Romancing the Past: The Uses of Identification
£40.49
Palgrave Macmillan English Renaissance Literature and Contemporary Theory
Book SynopsisThe Idolatrous State of Exception in John Donne's Poetry and Prose God's Extimacy: Divine Excess and Baroque Monads in the Poetry of Richard Crashaw Tarrying with Chaos: Radical Evil and John Milton's Paradise Lost God beyond Essence: The Event of Love in the Poetry and Prose of Thomas TraherneTrade Review'This new work pushes the 'return to religion' into a 'return to theory,' pursued via exegetical and philosophical frameworks firmly located in the period of study, but with their roots and branches leading far wider than any 'contextual' approach could adequately map. In Cefalu's study, engagement with theology brings forward concepts, concerns and modes of reading that are born out of specific historical situations, traumas and debates, but are not reducible to them, modeling a theoretical approach to literature that is hermeneutically grounded in the very stuff of Western literariness (namely, its religious tropes, rhythms, and figures). Cefalu's chosen paradigm for encountering 'the sublime objects of theology' is Lacanian psychoanalysis, in the cultural and ethical spin given to it in the masterful work of Slavoj i ek and other members of the Slovenian school, including Mladen Dolor and Alenka Zupancic. This is a very timely book.' - Julia Reinhard Lupton, Professor of English and Comparative LiteratureTable of ContentsThe Idolatrous State of Exception in John Donne's Poetry and Prose God's Extimacy: Divine Excess and Baroque Monads in the Poetry of Richard Crashaw Tarrying with Chaos: Radical Evil and John Milton's Paradise Lost God beyond Essence: The Event of Love in the Poetry and Prose of Thomas Traherne
£40.49
