Literary studies: poetry and poets Books
The New York Review of Books, Inc Chinese Poetic Writings
Book Synopsis
£15.29
State University of New York Press Mary Barnard
a huge range and FREE tracked UK delivery on ALL orders.
£26.12
Broadview Press Ltd The Odyssey: Selections
Book SynopsisThis new edition of Homer’s epic poem is designed with the needs of undergraduate students in mind. The selections, totalling almost half the full work, include all the most famous and most frequently taught episodes. The edition features numerous explanatory footnotes, an illuminating introduction, a glossary of names (with a guide to pronunciation), maps, examples of scenes from the Odyssey depicted in ancient art, and a range of other background materials that help set Homer’s classic in its historical and literary context.Trade Review“This is a lovely translation—clear and accessible: it captures the flow of the Greek, it is accurate in handling subtle nuances of that language, and it gives the story a brisk and powerful pace. This significantly shortened edition conveys the essential elements of the story and should be especially welcome for some readers and classroom settings.” — Miles Beckwith, Iona College“Ian Johnston’s abridged version of his translation of Homer’s Odyssey is an accessible and highly convenient text for use on courses of many different kinds. Comprising forty per cent of the original poem, the text both captures the essential elements of the narrative and makes it manageable for courses with other texts. The introduction is both brief and mostly complete in its range, and is supported by an excellent glossary and collection of parallel literary texts.” — Murray McArthur, University of WaterlooTable of Contents Introduction The Gods Odysseus A Note on Poetic Form and on the Translation Map The Odyssey Book One: Athena Visits Ithaca Book Two: Telemachus Prepares for His Voyage Book Three: Telemachus Visits Nestor in Pylos Book Four: The Suitors Plan to Kill Telemachus Book Five: Odysseus Leaves Calypso's Island Book Six: Odysseus and Nausicaa Book Seven: Odysseus at the Court of Alcinous in Phaeacia Book Eight: Odysseus is Entertained in Phaeacia Book Nine: Ismarus, the Lotus Eaters, and the Cyclops Book Ten: Aeolus, the Laestrygonians, and Circe Book Eleven: Odysseus Meets the Shades of the Dead Book Twelve: The Sirens, Scylla and Charybdis, the Cattle of the Sun Book Thirteen: Odysseus Leaves Phaeacia and Reaches Ithaca Book Fourteen: Odysseus Meets Eumaeus Book Fifteen: Telemachus Returns to Ithaca Book Sixteen: Odysseus Reveals Himself to Telemachus Book Seventeen: Odysseus Goes to the Palace as a Beggar Book Eighteen: Odysseus and Irus the Beggar Book Nineteen: Eurycleia Recognizes Odysseus Book Twenty: Odysseus Prepares for his Revenge Book Twenty-One: The Contest with Odysseus's Bow Book Twenty-Two: The Killing of the Suitors Book Twenty-Three: Odysseus and Penelope Book Twenty-Four: Zeus and Athena End the Fighting In Context Literary Contexts from Xenophanes, Fragments (c. fifth century bce) from Pindar, Nemean 7 (c. fifth century bce) from Plato, The Republic (c. 380 bce) from Aristotle, Poetics (c. 335 bce) from Longinus?, On the Sublime (c. 1st century ce) from Demetrius?, On Style (c. 1st century ce) The Odyssey in Ancient Art Maps Glossary
£13.95
Academic Studies Press Centuries Encircle Me with Fire: Selected Poems
Book SynopsisOsip Mandelstam (1891-1938) is widely regarded as one of the twentieth century's most influential poets. This collection, compiled, translated, and edited by poet and scholar Ian Probstein, provides Anglophone audiences with a powerful selection of Mandelstam's most beloved and haunting poems. Both scholars and general readers will gain a deeper understanding of his poetics, as Probstein situates each poem in its historical and literary context. The English translations presented here are so deeply immersed in the Russian sources and language through the ear of a Russian-born Probstein who has spent most of his adult life in the US, that they provide reader's with a Mandelstam unseen any translations that precede it. Table of ContentsAcknowledgementsA Note on the TextOsip Mandelstam: “Centuries encircle me with fire”On Translating MandelstamОсип Мандельштам (1891–1938)Osip Mandelstam (1891–1938)Из книги «Камень» (стихотворения 1908–1915)From Stone (poems of 1908–1915)Дано мне тело—что мне делать с ним . . .I am given a body—what should I . . .Я ненавижу свет . . .I hate the light . . .Паденье—неизменный спутник страха . . .The fall is a constant companion of fear . . .Айя-СофияHagia Sophia. . . На луне не растет . . .. . . Not a single blade . . .ПосохThe WandУничтожает пламень . . .The fire destroys . . .Из книги «Tristia» (стихотворения 1916–1922)From Tristia (poems of 1916–1922)ДекабристA DecembristКогда в тёплой ночи замирает . . .When a feverish forum of Moscow . . .Прославим, братья, сумерки свободы . . .Hail, brothers, let us praise our freedom’s twilight . . .TristiaTristiaНа каменных отрогах Пиэрии . . .On steep stony ridges of Pieria . . .Сёстры тяжесть и нежность, одинаковы ваши приметы . . .Sisters, heaviness and tenderness, your traits are akin . . .Вернись в смесительное лоно . . .Go back to the incestuous womb . . .Веницейской жизни, мрачной и бесплодной . . .The meaning of fruitless and gloomy . . .За то, что я руки твои не сумел удержать . . .Because I could not hold your hands in mine . . .Из книги «Стихотворения» (1928 г., стихотворения 1921–1925 гг.)From Poems (1928, poems of 1921–1925)С розовой пеной усталости у мягких губ . . .With the pink foam of fatigue around soft lips . . .ВекThe AgeНашедший подковуThe Horseshoe FinderГрифельная одаThe Slate OdeЯзык булыжника мне голубя понятней . . .Clearer than pigeon’s talk to me is stone’s tongue . . .А небо будущим беременно . . .And the Sky is Pregnant with the Future . . .1 января 1924January 1, 1924Нет, никогда, ничей я не был современник . . .No, I’ve never been anyone’s contemporary . . .Я буду метаться по табору улицы тёмной . . .I’ll rush along a gypsy camp of a dark street . . .Из Новых cтихотворений 1930–1934 гг.From New Poems of 1930–1934Армения1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12Armenia1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12На полицейской бумаге верже. . .On the police laid paper the night. . .Не говори никому . . .Don’t tell it anyone—forget . . .Колючая речь Араратской долины . . .A prickly speech of the Ararat Valley . . .Как люб мне натугой живущий . . .How dear to me are those people . . .Дикая кошка—армянская речь . . .A wild cat—the Armenian speech . . .Я скажу тебе с последней . . .I will tell you this, my lady . . .За гремучую доблесть грядущих веков . . .For the thunderous courage of ages to come . . .Нет, не спрятаться мне от великой муры . . .No, I won’t be able to hide from a great mess . . .НеправдаUntruthПолночь в Москве. Роскошно буддийское лето . . .Midnight in Moscow. A Buddhist summer is lavish . . .Отрывки из уничтоженных стихов1 | 2 | 3 | 4Excerpts from Destroyed Poems1 | 2 | 3 | 4Еще далеко мне до патриарха . . .I am far from being as old as patriarch . . .Сегодня можно снять декалькомани . . .Today we can take decals . . .ЛамаркLamarckИмпрессионизмImpressionismБатюшковBatiushkovДайте Тютчеву стрекóзу . . .Give Tiutchev a dragonfly . . .АриостAriostoНе искушай чужих наречий, но постарайся их забыть . . .Do not tempt foreign tongues—attempt forgetting them, alas . . .Квартира тиха как бумага . . .An apartment is quiet as paper . . .Давай же с тобой, как на плахе . . .Let’s start preparing for the scaffold . . .Мы живём, под собою не чуя страны . . .We live without feeling our country’s pulse . . .Восьмистишия1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11Octaves1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11Стихи памяти Андрея БелогоTo the Memory of Andrei BelyУтро 10 января 19341 | 2 | 3The Morning of January 10, 19341 | 2 | 310 января 1934 [вариант 2]January 10, 1934 [version 2]Из Воронежских тетрадей (стихотворения 1935–1937)From the Voronezh Notebooks (poems of 1935–1937)Из Первой тетрадиFrom the First NotebookПусти меня, отдай меня, Воронеж . . .Let go, Voronezh, raven-town . . .Я должен жить, хотя я дважды умер . . .I have to live though I died twice . . .Лишив меня морей, разбега и разлета . . .Having deprived me of seas, flight, and space . . .День стоял о пяти головах. Сплошные пять суток . . .The day was five-headed: five unbreakable days . . .Еще мы жизнью пóлны в высшей мере . . .We are still sentenced to life . . .Римских ночей полновесные слитки . . .Solid gold bars of the Roman nights . . .За Паганини длиннопалым . . .They run like a gypsy throng . . .Исполню дымчатый обряд . . .I’ll fulfill a dim rite . . .Из Второй тетрадиFrom the Second NotebookНе у меня, не у тебя—у них . . .Not I, not you—but they . . .Улыбнись, ягненок гневный с Рафаэлева холста . . .Smile, angry lamb from Rafael’s canvas, don’t rage . . .Дрожжи мира дорогие . . .World’s golden yeast, our dear . . .Еще не умер ты, еще ты не один . . .You haven’t died yet. You are not alone . . .Что делать нам с убитостью равнин . . .What should we do with murdered plains . . .Вооруженный зреньем узких ос . . .Armed with the vision of narrow wasps . . .Из Третьей тетрадиFrom the Third NotebookСтихи о неизвестном солдатеVerses on the Unknown SoldierСквозь эфир десятично-означенный . . .Through the ether of ten-digit zeroes . . .Для того ль должен череп развиться . . .Should the skull develop its brow . . .Для того ль заготовлена тара . . .Is the packaging of charm stored . . .Я молю, как жалости и милости . . .I beg like compassion and grace . . .Я скажу это начерно, шёпотом . . .I will say it in draft and in whisper . . .Может быть, это точка безумия . . .It might be the point of insanity . . .Не сравнивай: живущий несравним . . .A living man’s unique: do not compare . . .Чтоб, приятель и ветра и капель . . .To help a friend of rain and wind . . .Гончарами велик остров синий . . .A blue island, green Crete is extolled . . .Длинной жажды должник виноватый . . .A guilty debtor of a long-time thirst . . .О, как же я хочу . . .Oh, how I madly crave . . .Нереиды мои, нереиды! . .My nereids, oh, my nereids! . . .Флейты греческой тэта и йота . . .Greek flute’s theta and iota . . .На меня нацелилась груша да черемуха . . .I’m under fire of a bird cherry tree and a pear tree . . .[Стихи к H<аталии> Е. Штемпель]1 | 2[Poems for N Е. Shtempel]1 | 2AbbreviationsBibliographyPublications of Works by Osip E. MandelstamTranslations into EnglishTranslations of Osip Mandelstam’s Poems into Other LanguagesCriticism
£78.19
University of Alberta Press Anarchists in the Academy: Machines and Free
Book SynopsisDani Spinosa takes up anarchism’s power as a cultural and artistic ideology, rather than as a political philosophy, with a persistent emphasis on the common. She demonstrates how postanarchism offers a useful theoretical context for poetry that is not explicitly political—specifically for the contemporary experimental poem with its characteristic challenges to subjectivity, representation, authorial power, and conventional constructions of the reader-text relationship. Her case studies of sixteen texts make a bold move toward politicizing readers and imbuing literary theory with an activist praxis—a sharp hope. This is a provocative volume for those interested in contemporary poetics, experimental literatures, and the digital humanities. Case Studies Jim Andrews Christian Bök Mez Breeze John Cage Andy Campbell Robert Duncan Kenneth Goldsmith Susan Howe Jackson Mac Low Erín Moure [Erin Mouré] Harryette Mullen bpNichol Vanessa Place Juliana Spahr Brian Kim Stefans W. Mark Sutherland Darren WershlerTrade Review"Anarchists in the Academy is required reading for anyone in the field of contemporary and experimental poetry and the digital humanities." -- Weldon Hunter“Dani Spinosa makes compelling arguments for a post-anarchist literary theory that sheds light on politicized reading practices fostered by both innovative print-based and digital poets. … Anarchists in the Academy reveals that the effort to find new ways of apprehending electronic literature, machine writing, and reader engagement is a fertile endeavour that offers rich rewards, and this book will certainly be an indispensable resource for scholars interested in the politics of reading in an ever-expanding digital culture." -- Orchid Tierney * University of Toronto Quarterly, Summer 2020 *Table of ContentsIntroduction 1 Precursors to Digital Writing Jackson Mac Low Is Something Something John Cage Making Excessive Noise Robert Duncan Plagiarizing bpNichol for the Curious Viewer/Reader 2 Feminism, Print, Machines Susan Howe Sleeping in the Library Erín Moure’s Name in Quotation Marks Juliana Spahr Prefers Both Harryette Mullen Making Kimchee in a Museum 3 Easy Concepts Kenneth Goldsmith Talking to Himself Vanessa Place Without Serifs Christian Bök Obsolesces the Avant-Garde Darren Wershler andor Any Number of Readers 4 Digital Interventions Jim Andrews Drifts Apart W. Mark Sutherland Puts the Cedar in Abecedarian Brian Kim Stefans Alphabetizes Dreams Andy Campbell, Mez Breeze, and the Constrict(l)ure of Code Conclusion
£19.79
Auckland University Press Contemporary New Zealand Poets in Performance
Book SynopsisAfter the stunning success of ""Classic New Zealand Poets in Performance AUP"" and editors Jack Ross and Jan Kemp now present readings on two CDs from a later generation of 27 poets born from 1944 to 1958. These are the great poets of the 1960s and 1970s such as Ian Wedde, Bill Manhire, Sam Hunt, Jan Kemp, Alan Brunton, as well as some whose names were made more recently such as Bernadette Hall, Stephanie de Montalk, Anne French and Keri Hulme. The CDs of the poets reading their own work are accompanied by a book of the texts of the poems reproducing them exactly as read, as well as brief biographies and bibliographies of each poet. The poets are arranged chronologically by date of birth and each reads for approximately five minutes in recordings made chiefly in 1974 and/or 2004. They were chosen for the quality and significance of their work and their commitment to voice and performance as an integral part of their poetry.
£27.96
Auckland University Press Simply by Sailing in a New Direction
Book SynopsisAllen Curnow (1911–2001) is widely recognised as one of the most distinguished poets writing in English in the second half of the twentieth century. From Valley of Decision (1933) to The Bells of Saint Babel's (2001) he defined and redefined how poetry might discover the possibilities of a world seen afresh. Through relationships with writers from Dylan Thomas to C. K. Stead he influenced the changing shape of modern poetry. And in criticism and anthologies like the Penguin Book of New Zealand Verse he helped identify the distinctive imaginative preoccupations that made New Zealand's writing and culture different from elsewhere. By the time of his death at the age of ninety, he had completed a body of work unique in this country and increasingly recognised internationally. This major biography introduces readers to Allen Curnow's life and work: from a childhood in a Christchurch vicarage, through theological training, journalism and university life, marriages and children, and on to an international career as a writer of poetry, plays, satire and criticism. The book lucidly identifies the shifting textures of Curnow's writing and unravels the intersections between life and words. The result of over a decade's research and writing, Simply by Sailing in a New Direction offers deep insight into the development of New Zealand literature and culture.
£52.50
HarperCollins India The Iliad
Book SynopsisPortraying a masterful depiction of the tussle between fate and free will, The lliad is a classic ode to the power of the human spirit, the pains and pleasures of being mortal and the terrible consequences of war.
£10.92
Academic Studies Press Shaping the Jewish Enlightenment: Solomon Dubno
Book SynopsisDrawing from diverse multilingual sources, Krzemień delves into Solomon Dubno's life (1738–1813), unraveling complexities of the Haskalah movement's ties to Eastern European Jewish culture. Dubno, a devout Polish Jew and adept Hebrew grammarian, played a pivotal role in Moses Mendelssohn's endeavor to translate the Bible into German with a modern commentary (Biur). The book explores Dubno's library, mapping the intellectual realm of a Polish Maskil in Western Europe. It assesses his influence on Mendelssohn's project and the reasons behind their divergence. Additionally, it analyzes Dubno's poetry, designed to captivate peers with the Bible's linguistic beauty. The outcome portrays early Haskalah as a polyvocal, polycentric creation shaped by diverse, occasionally conflicting, visions, personalities, and egos.Trade Review“This wonderful and comprehensive study of one of the less known but prominent and moderate agents of Jewish modernity helps us understand the complexity of the modern Jewish cultural project in the eighteenth century. Dubno, committed to tradition, represents the multifarious phenomenon of the Jewish Diaspora in Europe which included individuals with heterogeneous views. The book is a major contribution to the new scholarship on the Jewish Enlightenment, justly emphasizing the East European origins of the Haskalah.”— Shmuel Feiner, The Samuel Braun Chair for the History of the Jews in Germany, Bar Ilan University“This is a much, much needed and important book, impressively wide yet precise in source basis, innovative yet crystal-clear in analysis, and bold yet convincing in argumentation. Through the intellectual biography of a maskil, Talmudist, and Hebraist, Solomon Dubno, this impressive study helps us understand much more: the trajectories of the Jewish Enlightenment and the complex interrelation between East and Central European versions of the Haskalah in both their intellectual and social dimensions. A must-read for anybody interested in early modern and modern Jewish culture, both Western and Eastern.”— Marcin Wodziński, Professor of Jewish history and literature, University of WrocławTable of ContentsA Note from the EditorsPreface: Zuzanna Krzemień at University College LondonA Note on the Presentation of Source MaterialsIntroduction Eastern European participation in the Jewish Enlightenment: the lessons of one life A Jewish scholar's life between Volhynia, Berlin, and Amsterdam Re-orientations: the scope and limits of Jewish intellectual transformation in the Age of Enlightenment Dubno, Hebrew Literature, and the Haskalah Chapter outline1. Solomon Dubno's Booklists Introduction Book collecting in early modern times The content of Solomon Dubno’s library General overview Methods of book collecting Maskilic works Non-Jewish books and works on Christianity Rabbinic literature Authors with the largest number of books in Dubno’s booklist Philosophy Poetry and belles lettres History and contemporary Jewish conflicts Grammar Science Dubno’s collexConclusion2. Dubno and the Biur Project The publication of the Biur The conflict between Mendelssohn and Dubno Dubno’s role in the publication of the Biur The authorship of Alim li-terufah The Biur and the Jewish tradition of biblical textual criticism The Biur as a debate with Christianity The reaction to the publication of the Biur Speculations regarding Dubno’s withdrawal from the Biur project Dubno’s own Pentateuch edition Conclusion3. Dubno and the Renewal of Hebrew Language The study of Hebrew grammar among Ashkenazi Jewry Dubno’s views on Hebrew grammar The status of the Hebrew language in the maskilic community Enlightenment thinkers’ views on language Dubno’s belief in the divine nature of Hebrew Dubno’s view of the German Pentateuch translation Conclusion4. Dubno’s Poetry and Belles Lettres Introduction Maskilic Hebrew poetry in the eighteenth century “Yuval ve-Na’aman” Dubno’s poetry Works wrongly attributed to Dubno ConclusionConclusionsBibliographyAppendixSe’u enekhemShir kashur min me’ah yetedotShir na’eh al midat ha-ḥanupah
£89.09
Academic Studies Press Comrade Whitman
Book Synopsis
£96.29
Academic Studies Press Comrade Whitman
Book Synopsis
£27.54
Academic Studies Press Contemporary Translation in Transition
Book Synopsis
£72.24
McGill-Queen's University Press The Swan of the Well by Titia Brongersma
Book SynopsisAcclaimed as Sappho reborn by the circle of humanist intellectuals centred around Groningen University in the Netherlands, the brilliant seventeenth-century Dutch poet Titia Brongersma published her only book, The Swan of the Well, in 1686. This is the first complete English translation of the work.Trade Review"The Swan of the Well by Titia Brongersma offers an attractive and thorough study through its insights into Brongersma as a writer and person, the cultural depths revealed by Eric Miller, and the skilful translation of the texts." Lia van Gemert, University of Amsterdam
£77.35
Harvard University, Asia Center Du Fu Transforms
Book SynopsisLucas Bender considers Du Fu's pivotal role in the transformation of Chinese poetic understanding over the last millennium. Du Fu anticipated important philosophical transitions from the late-medieval into the early-modern period and laid the template for a new and perduring paradigm of poetry's relationship to ethics.Trade ReviewInformative and insightful, with articulate arguments and nuanced explications. …In this day and age, it takes tremendous courage, assiduous scholarship, and fresh thinking to write an excellent book on Du Fu’s poetry. Bender’s is one such book. -- Xiaoshan Yang * Journal of the American Oriental Society *A well-researched, beautifully executed work, Bender’s book has succeeded in unfolding an innovative and complex narrative of Du Fu’s transformation… [A] valuable and timely contribution to our understanding of this iconic poet, inviting students of traditional Chinese poetry and literature to further explore the perennial and dynamic tension between tradition and the individual talent. -- Ji Hao * Tang Studies *
£46.71
Harvard University Press The Poem Is You
Book SynopsisThe variety of contemporary American poetry leaves many readers overwhelmed. Critic, scholar, and poet Stephanie Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, she presents 60 poems, each with an original essay explaining how the poem works, why it matters, and how it speaks to other parts of art and culture.Trade ReviewIt is refreshing to find a book that gives equal weight and relish to avant-garde minimalism, New Formalism, and so many of the stations in between…The poems Burt selects would alone comprise a valuable anthology of the American poetry of its time, and [she] is an entertaining, thought-provoking and eager guide to them, keen to ask all the questions that occur to [her] in [her] reading, and to engage with the chicanery of thought it engenders. Each essay is obviously a product of enjoyment, and encourages us to treat poems with the same enthusiasm—to embrace difficulty and difference in exchange for the articulate and involved pleasure that poetry, of all the arts, can best provide. -- Rory Waterman * Times Literary Supplement *[Burt] approaches a stunning variety of verse with the obsessiveness and knowledge of a scholar and a fan. Burt is an ideal guide for this trip through contemporary American poetry…Burt’s close readings are sharp and illuminating…The death of poetry has been proclaimed time and time again. But the sixty universes that Burt uncovers in these poems show us how alive poetry is, and how it needs to be read and appreciated for all its weirdness and cacophonous music…Whether you dip in and out of this book over months or read it all in a matter of days, it will help you pay better attention to the nuances, difficulties, identities, and music in American poetry…What comes through here is Burt's sheer, voracious love of contemporary poetry, and it's infectious. This book is a series of doors that all lead back to the poems themselves, and it will likely be used in classrooms across America. At least I hope so. -- Gibson Fay-LeBlanc * Bookforum *A fabulous guide…Each poem is introduced by an essay sketching out how it works, why it matters, how it speaks to the wider worlds of art and culture. * The Guardian *The Poem Is You is a collection of knowledgeable, useful and affectionately committed short essays on sixty recent poems by sixty American poets…[Burt writes with] unselfconscious erudition, light touch, even tone. -- Caleb Klaces * Poetry Review *Throughout, the style of Burt’s writing is as relaxed and inviting as its content is trenchant and learned. If the sheer capaciousness of contemporary American poetry is one of its defining features, Burt’s achievement here is to have been an enviably capacious critic, responding to the event of each poem in labile and unpredictable ways. -- Benjamin Madden * Australian Book Review *Drawing on endlessly deep wells of enthusiasm and acuity, The Poem Is You offers not so much a sequence of explanations as a series of invitations: Burt is more intent on describing how to think about a particular poem than on telling us what to think. Unpredictable yet unfailingly useful, The Poem Is You is a joyous book. -- James Longenbach, author of The Virtues of PoetryThis is a splendid book. Many critics and poets have published essays or reviews of contemporary poetry, but Burt is doing something else here. She lavishes the poems with extraordinarily nimble, alert, luminous attention. It’s hard to think of a better introduction to contemporary American poetry. -- Jahan Ramazani, author of Poetry and Its Others: News, Prayer, Song, and the Dialogue of GenresPoet and critic Burt’s ambitious anthology of recent poems by American authors, from 1981 to 2015, creates a coherent body of work out of the vast landscape of recent American poetry. Burt’s 60 selections are eclectic, mingling instantly recognizable names (John Ashbery, Adrienne Rich) with newer talents (Lucia Perillo, Claudia Rankine.)…Burt’s many ways of looking at a poem will inspire new students and accomplished poets, especially as many of [her] meditations circle the question of what poetry does, or should do: making readers pay attention, ask questions, and experience new things. Burt’s formidable breadth of knowledge about the practice of poetry, from Virgil up to 2015, allows [her] to make nimble connections among authors and establish an ars poetica for current American lyric poetry, an impressive feat given the diverse selection just within this book. * Publishers Weekly *[Burt’s] critique is not only accessible to most all readers, but it also shows [her] depth of knowledge and love of American poetry. [Her] essays are very good at finding the meaning of the work while placing each poem in context within the landscape of poetry…This book is for anyone interested in the state of American poetry today. -- Jeremy Spencer * Library Journal *
£26.96
Princeton University Press Hosts and Guests
Book SynopsisTrade Review"Nate Klug’s Hosts and Guests examines the sometimes uneasy, shifting economies between what serves as host and what is hosted in an array of contexts, from the Anthropocene to mother and fetus. . . . But it is perhaps in his delicate, intricate syntactical suspensions and arrangements, as much as in his arresting image systems, that Klug conveys the beautiful struggle of risking love and belief in bodies seemingly made to be lost to us."---Lisa Russ Spaar, Los Angeles Review of Books"Klug is writing some of the strongest poetry you can find in American letters these days. Stoically fierce and vividly alert. The signature surfaces of a Nate Klug poem . . . are often somehow simultaneously beautifully smooth and a little edgy. But they are also chiseled and efficient, and these qualities together are a sign of the richness in the depths they signify."---Jesse Nathan, McSweeney's"Intelligent, wry, learned, and at times witty . . . Klug bears witness to the fruitful cross-pollinations of contemporary poetry and contemporary religious faith…he is worth watching. - Library Journal""Klug is a poet of attention for whom metre is a slow-mo technology that lets you notice what’s in front of you. But he also finds words for interiority, helping you notice emotions that get lost in the rush of the everyday. - James K.A. Smith, Image Journal newsletter""Klug, at his best, can marry image, movement, and melody into precise order… I find myself…so refreshed by the poems of Hosts and Guests. - Christian Detisch, 32poems.com""Quirky and philosophical. . . . the poems in Hosts and Guests are . . . both exploratory and concise; they wander without filler or clutter. Klug’s descriptions are sharp, subtle, perceptive. . . . Here is the startling opposite of dogma’s violence: a free thinker who keeps running into God despite his disavowals."---Caroline Pittman, Threepenny Review
£14.24
Stanford University Press Auden and the Muse of History
Book SynopsisConcentrating on W. H. Auden's work from the late 1930s, when he seeks to understand the poet's responsibility in the face of a triumphant fascism, to the late 1950s, when he discerns an irreconcilable "divorce" between poetry and history in light of industrialized murder, this startling new study reveals the intensity of the poet's struggles with the meanings of history. Through meticulous readings, significant archival findings, and critical reflection, Susannah Young-ah Gottlieb presents a new image and understanding of Auden's achievement and reveals how his version of modernism illuminates urgent contemporary issues and theoretical paradigms: from the meaning of marriage equality to the persistence of fascism; from critical theory to psychoanalysis; from precarity to postcolonial studies. "The muse does not like being forced to choose between Agit-prop and Mallarmé," Auden writes with characteristic lucidity, and this study elucidates the probity, humor, and technical skill with which his responses to historical reality in the mid-twentieth century illuminate our world today. Trade Review"The beauty of Gottlieb's copiously productive engagement with Auden's 'marriage of inconvenience' between the poetic and the historic lies in her refusal to offer us any consolation in the turbulence of meanings or morals. In staying with Auden's anxiety of tone and temper, Gottlieb reveals her own integrity as an impeccable scholarly reader with a fine understanding of the give and take, the ebb and flow, of the performance of poetic justice."—Homi K. Bhabha, Harvard University"Auden and the Muse of History brings new depths to Auden studies, while bringing Auden's work into sharp and revelatory focus. Gottlieb shows how the poems speak forcefully to today's world, while also showing how deeply rooted they were in the world where they were written."—Edward Mendelson, Columbia UniversityTable of ContentsIntroduction: Introduction 1. States of Marriage 2. Poetry, Prose, and a Forgotten Practice 3. "Civilization Must Be Saved" Interlude: Interlude: The Falling Empire 4. Isotopes of Love 5. From Poem to Volume 6. Anthropology, Hell, "Goodbye" Coda: Closing and Opening Thoughts
£23.39
University Press of Mississippi Conversations with W. S. Merwin
Book SynopsisConversations with W. S. Merwin is the first collection of interviews with former United States Poet Laureate W. S. Merwin (b. 1927). Spanning almost six decades of conversations, the collection touches on such topics as Merwin's early influences (Robert Graves and Ezra Pound), his location within the twin poles of Walt Whitman and Henry David Thoreau, his extraordinary work as a translator, as well as his decades-long interest in environmental conservation. Anticipating the current sustainability movement and the debates surrounding major and minor literatures, Merwin was, and still is, a visionary. At age eighty-eight, he is among the most distinguished poets, translators, and thinkers in the United States. A major link between the period of literary modernism and its contemporary extensions, Merwin has been a force in American letters for many decades, and his translations from the Spanish, French, Italian, Japanese, and other languages, have earned him unanimous praise and admiration. Merwin also wrote at the forefront of literature's environmental advocacy and early on articulated concerns about ecology and sustainability. Now, for the first time, Conversations with W. S. Merwin offers insight into the various dimensions of Merwin's thought by treating his interviews as a self-standing category in his oeuvre. More than casual narratives that interpret the occasional poem or relay an occasional experience, they afford literary and cultural historians a view into the larger through-lines of Merwin's thinking.
£81.75
Boydell & Brewer Ltd Duino Elegies: A New Translation and Commentary
Book SynopsisA new translation of Rilke's great work with close readings of each of the ten elegies elucidating how their poetic attributes constitute their meaning. Rilke continues to be the most read and discussed German poet of the modern period. The Duino Elegies, together with the Sonnets to Orpheus, remain his greatest achievement. The themes of the ten elegies - and the conceptual world unique to Rilke from which they emerge - can best be understood through their poetic form: their imagery and neologistic formations, their angular syntax, their abrupt changes of tone and linguistic register, their use of multiple personae and speaking voices, and the often-ironic self-presentation of the author. Commentators, however, have often treated these features as mere formal devices that we can somehow see through to get to what really matters, that is, to what Rilke has to say about the human condition or the meaning of life, to his philosophy or worldview. On the contrary, they are constitutive of meaning in the elegies, and understanding them is crucial to our experience of reading Rilke's work. The purpose of this book is to make such features visible and to explain them to the reader as clearly as possible. This is the first full-length book in English devoted to the elegies in over thirty years. It offers an entirely new translation of each elegy, paired with the original German text, and a close reading of each.Table of ContentsContents Acknowledgments Note on the Translation Works Frequently Cited Introduction Elegy 1 Elegy 2 Elegy 3 Elegy 4 Elegy 5 Elegy 6 Elegy 7 Elegy 8 Elegy 9 Elegy 10 Bibliography Index
£89.25
Bucknell University Press,U.S. Reading Homer's Iliad
Book SynopsisWe still read Homer’s epic the Iliad two-and-one-half millennia since its emergence for the questions it poses and the answers it provides for our age, as viable today as they were in Homer’s own times. What is worth dying for? What is the meaning of honor and fame? What are the consequences of intense emotion and violence? What does recognition of one’s mortality teach? We also turn to Homer’s Iliad in the twenty-first century for the poet’s preoccupation with the essence of human life. His emphasis on human understanding of mortality, his celebration of the human mind, and his focus on human striving after consciousness and identity has led audiences to this epic generation after generation. This study is a book-by-book commentary on the epic’s 24 parts, meant to inform students new to the work. Endnotes clarify and elaborate on myths that Homer leaves unfinished, explain terms and phrases, and provide background information. The volume concludes with a general bibliography of work on the Iliad, in addition to bibliographies accompanying each book’s commentary.Trade Review“This book will likely find a wide audience of readers looking to read the Iliad for the first time or to become more intimate with its depths. Myrsiades brings a lifetime of reading and teaching Homer to the task of initiating new audiences to the Iliad.”— Joel Christensen, coauthor of Homer: A Beginner's Guide “An in-depth and engaging overview for students and scholars seeking a deeper understanding of the Iliad’s story. The many thoughtful insights into tradition-based narrative patterns reveal an author who possesses an intimate and long-lived relationship with the epic.”— Andrew Porter, author of Agamemnon, the Pathetic Despot: Reading Characterization in Homer “A clear and insightful commentary on the Iliad. Close attention to ancient Greek terms is joined to generously humane interpretation. New and returning readers of the Homeric epic will profit from this meticulously detailed and thematically comprehensive work.”— Jonathan S. Burgess, author of Homer “A clear and insightful commentary on the Iliad. Close attention to ancient Greek terms is joined to generously humane interpretation. New and returning readers of the Homeric epic will profit from this meticulously detailed and thematically comprehensive work.”— Jonathan S. Burgess, author of Homer “An in-depth and engaging overview for students and scholars seeking a deeper understanding of the Iliad’s story. The many thoughtful insights into tradition-based narrative patterns reveal an author who possesses an intimate and long-lived relationship with the epic.”— Andrew Porter, author of Agamemnon, the Pathetic Despot: Reading Characterization in Homer “This book will likely find a wide audience of readers looking to read the Iliad for the first time or to become more intimate with its depths. Myrsiades brings a lifetime of reading and teaching Homer to the task of initiating new audiences to the Iliad.”— Joel Christensen, coauthor of Homer: A Beginner's GuideTable of ContentsList of Illustrations Introduction: The Poem, the Poet, and the Myth 1 Achilles’ Wrath Exposed: Il. 1 (Days One to Twenty-One) Book 1 2 The First Battle: Il. 2–7 (Days Twenty-Two to Twenty-Four) Book 2 Book 3 Book 4 Book 5 Book 6 Book 7 3 The Second Battle: Il. 8–10 (Day Twenty-Five) Book 8 Book 9 Book 10 4 The Third Battle: Il. 11–18 (Day Twenty-Six) Book 11 Book 12 Book 13 Book 14 Book 15 Book 16 Book 17 Book 18 5 The Fourth Battle: Il. 19–23 (Day Twenty-Seven) Book 19 Book 20 Book 21 Book 22 Book 23 6 Achilles’ Wrath Concluded: Il. 24 (Days Twenty-Eight to Fifty-Three) Book 24 Appendix A: Days Covered by the Iliad Narrative Appendix B: Character Names in the Iliad Appendix C: Place-Names in the Iliad Appendix D: Greek Terms Cited Acknowledgments Notes General Bibliography Index
£32.40
Broadview Press Ltd The Broadview Anthology of Victorian Poetry and
Book SynopsisThe Broadview Anthology of Victorian Poetry and Poetic Theory is the most comprehensive collection of poetry from the period ever published. Included are generous selections from the work of all major poets, and a representation of the work of virtually every poet of significance, from Thomas Ashe at the beginning of the era to Charlotte Mew at its end. The work of Victorian women poets features very prominently, with extensive selections not only from canonical poets such as Elizabeth Barrett Browning and Christina Rossetti, but also from poets such as Augusta Webster for which high claims have recently been made by critics. The anthology reflects (and will contribute to) the ongoing reassessment of the canon that is central to English Studies today; in all, sixty-six poets are represented.The editors have included complete works wherever feasible — including the complete texts of Tennyson’s In Memoriam and of a number of other long poems. A headnote by the editors introduces the work of each poet, and each selection has been newly annotated.The inclusion of twenty-five selections of the poetic theory from the period is an important feature rounding out the anthology.This anthology is also available in a concise edition.Trade Review“What we have needed has been the Victorian poetic texts, by many writers—and here they are, splendidly assembled! Thank you.” — William N. Rogers, San Diego State University“I’m excited about the appearance of this comprehensive anthology—especially about its inclusion of so many full-text long poems.” — Peter W. Sinnema, University of Alberta“A long overdue collection that balances representative and canonical works with traditionally under-represented ones.” — Barbara Gates, University of DelawareTable of ContentsPOETRYAnonymousA New Song on the Birth of the Prince of WalesAshe, Thomas (1770-1835)Corpse-BearingTo Two BereavedLandor, Walter Savage (1775-1864)For An Epitaph At FiesoleIanthe LeavesDying Speech of an Old PhilosopherDeath’s LanguageHer NameA Foreign RulerClare, John (1793-1864)“I Am”An Invite to EternityThe Old YearThe YellowhammerSonnet: “I Am”Stanzas “The passing of a dream”“There is a charm in Solitude that cheers”Stanzas “Black absence hides upon the past”The Winters SpringAn Anecdote of LoveTo Miss B.“The thunder mutters louder…”Hemans, Felicia (1793-1835)The Suloite MotherThe Lady of The CastleTo WordsworthCasabianca Properzia RossiThe Memorial PillarThe Grave of a PoetessThe Image In LavaThe Indian With His Dead ChildThe Rock of Cader IdrisHenry, James“Two hundred men and eighteen killed … ”Hood, Thomas (1799-1845)The Song of the ShirtBarnes, William (1801-1886)Uncle an’ AuntPolly Be-En Upzides Wi’ TomThe Vaïces that Be GoneChildhoodThe TurnstileJay A-Pass’dLandon, Letitia .E. (1802-1838) from The Improvisatrice AdvertisementSappho’s Song Erinna“Preface” to The Venetian Bracelet, The Lost Pleiad, A History of the Lyre, and Other PoemsThe Nameless GraveThe FactoryCarthageFelicia HemansRydal Water and Grasmere LakeInfanticide in Madagascar R.E. Egerton Warburton (1804-1891)Past and PresentElizabeth Barrett Browning (1806-1861) The Romaunt of the PageLady Geraldine’s CourtshipThe Dead PanThe Cry of the ChildrenA Man’s RequirementsSonnets From the Portuguese IIIXXIIXXIXXLIII The Runaway Slave at Pilgrim’s PointAurora Leigh 1st Book2nd Book5th Book A Curse for a Nation (Prologue)A Musical Instrument Frederick Tennyson (1807-1898)Old AgeCaroline Norton (1808-1877)from Voice From the FactoriesThe Creole GirlThe Poet’s ChoiceSonnet IVSonnet VIII (To My Books)Sonnet XI The WeaverEdward FitzgeraldRubáiyát of Omar KhayyámTennyson, Alfred (1809-1892)MarianaSupposed Confessions of a Second-Rate Sensitive MindThe PoetThe Poet’s MindThe MysticThe KrakenThe Lady of ShalottTo ——. With the following Poem [Palace of Art]The Palace of ArtThe HesperidesThe Lotos-Eaters (107)The Two VoicesSt Simeon StylitesUlyssesTiresiasThe Epic [Morte d’Arthur]Morte d’Arthur“Break, break, break”Locksley HallThe Vision of SinIn Memoriam A.H.H. (33)The Charge of the Light BrigadeMaudTithonusThe Higher Pantheism“Flower in the crannied wall”Crossing the BarIdylls of the KingThe Coming of ArthurLancelot and ElaineBrowning, Robert (1812-1889) My Last DuchessSoliloquy of the Spanish CloisterJohannes Agricola in MeditationPorphyria’s LoverPictor Ignotusthe Lost LeaderThe Bishop Orders His Tomb at Saint Praxed’s ChurchThe LaboratoryLove Among the RuinsFra Lippo LippiA Toccata of Galuppi’sBy the Fire-SideAn Epistle Containing the Strange Medical Experience of Karshish, the Arab Physician”Childe Roland to the Dark Tower Came”The Statue and the BustHow It Strikes a ContemporaryThe Last Ride TogetherBishop Blougram’s ApologyAndrea del SartoOld Pictures in FlorenceIn a BalconySaulCleonTwo in the CampagnaA Grammarian’s FuneralDîs Aliter Visum or Le Byron de Nos JoursAbt VoglerRabbi Ben EzraCaliban Upon Setebos; or, Natural Theology in the IslandThe Ring and the BookThe Ring and the Book: Book I Count Guido Franceschini: Book VPompilia: Book VIGuido: Book XI Prologue (to Asolando)Development Lear, Edward (1812-1888)The Owl and the PussycatThe Dong with a Luminous NoseHow Pleasant to Know Mr. LearBrontë, Charlotte (1816-1855)The MissionaryMaster and PupilOn the Death of Emily Jane BrontëOn the Death of Anne BrontëReason“The house was still—the room was still”The Lonely Lady"Is this my tomb, this humble stone”"Obscure and little seem my way”Brontë, Emily Jane (1818-1848)“Riches I hold in light esteem”To ImaginationPlead For MeRemembranceThe Prisoner“No coward soul is mine”Stanzas—“Often rebuked, yet always back returning”A Farewell to Alexandria“Long neglect has worn away”“The night is darkening round me”“What winter floods, what showers of spring”“She dried her tears, and they did smile”Cook, Eliza (1818-1889)LinesThe WatersThe Ploughshare of Old EnglandThe Old Arm-ChairSong of the Red IndianSong of The Ugly MaidenMy Old Straw HatLines Written for the Sheffield Mechanics Exhibition, 1846A Song For The WorkersMy Ladye LoveClough, Arthur Hugh (1819-1861)Duty—that’s to say complyingQui Laborat, OratThe Latest Decalogue“Say not the struggle nought availeth”Amours de VoyageEliot, George (1819-1880) “O, May I Join the Choir Invisible”The Spanish Gypsy Book IBook III ArmgartBrother and Sister Sonnets IIIIIIIVVVIVIIVIIIIXX Brontë, Anne (1820-1849)A Fragment—“Maiden, thou wert thoughtless once”Lines Written at Thorp Green“My soul is awakened, my spirit is soaring”A Word to the CalvinistsThe Captive DoveViews of LifeSelf-CommunionThe BluebellDreamsA Voice from the DungeonIngelow, Jean (1820-1897)Supper At The MillRemonstranceA Lily And A LuteGladys And Her IslandOn The Borders of Cannock ChaseGreenwell, Dora (1821-1882)The SingerThe Railway StationThe Picture and the ScrollThe Broken ChainOld LettersTo Elizabeth Barrett Browning in 1851To Elizabeth Barrett Browning in 1861One FlowerA ScherzoA Song to Call to RemembranceSperanza (Lady Wilde) (1821?-1896)The Voice of the PoorA RemonstranceA Lament For the PotatoFatalityCorinne’s Last Love-SongTristan and IsoldeThe Poet’s DestinyAn Appeal to IrelandArnold, Matthew (1822-1888)To a Gipsy Child by the Sea-ShoreThe Strayed RevellerResignationThe Forsaken MermanTo Marguerite—ContinuedStanzas in Memory of the Author of “Obermann”Empedocles on EtnaMemorial VersesDover BeachThe Buried LifeStanzas from the Grande ChartreuseThe Scholar-GipsyPhilomelaThyrsisPatmore, Coventry (1823-1896)The ToysMagna est VeritasThe Angel in the HouseAllingham, William (1824-1889)The Fairies“Four Ducks on a Pond”WritingExpressDobell, Sydney (1824-1874)The Botanist’s VisionTo the Authoress of “Aurora Leigh”PerhapsTwo Sonnets on the Death of Prince AlbertMacDonald, George (1824-1905)Professor NoctutusNo End of No-StoryProcter, Adelaide Anne (1825-1864)The Cradle Song of the PoorIncompletenessMy Picture GalleryAn AppealThe Jubilee of 1850HomelessA Woman’s QuestionA Woman’s AnswerA Woman’s Last WordEnvyA Legend of ProvencePhilip and MildredCollins, MortimerLotos EatingBigg, J. Stantyon (1828-1865)An Irish PictureMassey, Gerald (1828-1907)Hope On, Hope EverThe Cry of the UnemployedA Song in the City“As proper mode of quenching legal lust…”WomankindMeredith, George (1838-1909)Modern LoveLucifer in StarlightRossetti, Dante Gabriel (1828-1882) The Blessed DamozelMy Sister’s SleepJennyThe PortraitThe WoodspurgeThe Ballad of Dead LadiesA Last ConfessionThe Sea-LimitsFoundAt the Sunrise in 1848The House of Life: A Sonnet Sequence “A Sonnet is a moment’s monument,—”Nuptial SleepThe PortraitSilent NoonWillowwoodThe Soul’s SphereThe LandmarkAutumn IdlenessThe Hill SummitOld and New ArtSoul’s BeautyBody’s BeautyA SuperscriptionThe One Hope Munby, Arthur (1828-1910)The Serving MaidPost MortemA Husband’s EpisodesT’ Runawaa Lass“Followers Not Allowed”Woman’s RightsSiddal, Elizabeth (1829-1862)The Lust of the EyesWorn OutAt LastLove and HateBrown, T.E. (1830-1870)A Sermon at ClevedonRossetti, Christina (1830-1894)Goblin MarketA BirthdayAfter DeathAn Apple GatheringEcho“No, Thank you, John”SongUphillA Better Resurrection“The Iniquity of the Fathers Upon the Children”Monna Innominata 1 - 14“For Thine Own Sake, O My God”In an Artist’s StudioCarroll, Lewis (1832-1898)JabberwockyThe Walrus and the CarpenterThe Hunting of the SnarkMorris, William (1834-1896)The Defence of GuinevereThe Haystack in the FloodsRiding TogetherNear AvalonAn ApologyA Garden by the SeaThe End of MayThomson, James (1834-1882)The City of Dreadful NightE.B.B. 1861A Real Vision of SinWarren, John Leicester (Lord de Tabley) (1835-1895)The Strange ParableA Song of Faith ForswornEchoes of HellasL’EnvoiConclusionBraddon, Mary Elizabeth (1837-1915)Queen GuinevereAt LastWaitingUnder GroundWakingSwinburne, Algernon Charles (1837-1909)Atalanta in CalydonLaus VenerisThe Triumph of TimeItylusAnactoriaHymn to ProserpineThe LeperDoloresThe Garden of ProserpineHerthaA Forsaken GardenAt A Month’s EndAve Atque ValeA Jacobite’s FarewellThe Lake of GaubeWebster, Augusta (1837-1894) CirceA CastawayMother and Daughter Sonnets Sonnet VI - VIISonnet IXSonnet XIISonnet XIII - XVII The Wind’s Tidings In August 1870To-DayHer MemoriesA Coarse MorningNot To BeOnceThe Old Dream Hardy, Thomas (1840-1928)HapNeutral TonesA Broken AppointmentThe Darkling ThrushThe Self-UnseeingIn TenebrisThe Minute Before MeetingNight in the Old HomeThe Something that Saved HimAfterwardsA Young Man’s ExhortationSnow in the SuburbsIn a WoodDowden, Edward (1843-1913)BurdensLeonardo’s “Monna Lisa”EuropaSeeking GodIn a June NightBridges, Robert (1844-1930)London SnowOn a Dead ChildHopkins, Gerard Manley (1844-1899)The Wreck of the DeutschlandGod’s GrandeurThe WindhoverPied BeautyHarrahing in HarvestThe Caged SkylarkPeaceFelix Randal“As kingfishers catch fire, dragonflies draw flame”The Leaden Echo and the Golden EchoSpelt from Sibyl’s LeavesCarrion Comfort“No worst, there is none”“To seem the stranger lies my lot, my life”“I wake and feel the fell of dark, not day”“Patience, hard thing! the hard thing but to pray”“My own heart let me more have pity on”Tom’s GarlandHarry PloughmanIt was a hard thing to undo this knotLee-Hamilton, Eugene (1845-1907) The Keys of the ConventIntroduction (Picciola)The New MedusaThe RaftTo the MuseRiver BabbleTwilightWhat the Sonnet IsSunken GoldThe Ever Young IIIIII The Mandolin Field, MichaelPrefaceDrawing of Roses and VioletsLa GiocondaThe Birth of VenusA PortraitA “Sant’ Imagine”The MagdalenA Pen-Drawing of Leda“Death, men say, is like a sea”“Ah, Eros doth not always smite”“Sometimes I do despatch my heart”An Apple-Flower“Solitary Death, make me thine own”“A curling thread”A Spring Morning By the SeaLove’rsquo;s Sour Leisure“It was deep April, and the morn”NoonAn Aeolian HarpCyclamensMeynell, Alice (1847-1922) A Letter from a Girl to Her Own Old AgeIn February A Poet’s Fancies The Love of NarcissusTo Any PoetUnlikned The ShepherdessParentageCradle-Song at TwilightIn Manchester SquareMaternityA Study Before LightAbout NoonAt Twilight A Father of WomenThe Threshing MachineReflections (I) In Ireland(II) In “Othello”(III) In Two Poets Dolben, Digby Mackworth (1848-1867)A SongA Poem Without A NameAfter Reading AeschylusGood FridaySister DeathPro CastitateHenley, William Ernest (1849-1903)WaitingMallock, William H. (1849-1923)Christmas Thoughts, by a Modern ThinkerStevenson, Robert Louis (1850-1894)Bed in SummerTravelThe Land of CounterpaneThe Land of Story-booksRequiemThe Celestial Surgeon“I have trod the upward and the downward slope”“So live, so love, so use that fragile hour”“I saw red evening through the rain”Wilde, Oscar (1854-1900) RequiescatHélas!Impressionsle jardinla mer Symphony in Yellow Davidson, John (1857-1909)Thirty Bob a WeekA Ballad of a NunA Ballad in Blank VerseA Northern SuburbA Woman and Her SonYuletideRobinson, A. Mary F. (1857-1944)The Scape-GoatThe IdeaDarwinismAn Orchard at AvignonLove, Death, and ArtArt and LifeSongNeurastheniaTo My MuseStephen, J.K. (1859-1907)In the BacksThompson, Francis (1859-1907)The Hound of HeavenColeridge, Mary (1861-1907)IX — The Other Side Of A MirrorXIV — ReginaXXVII — Winged WordsLX — MarriageLXIII — In Dispraise of the MoonLXXVI — The White WomenXCVII — The Fire LampCXIV — To the writer of a poem on a bridgeCXCI — Tar Ublia Chi Bien EimaCCVI — A Clever WomanLevy, Amy (1861-1889)XantippeFelo De SeTo a Dead PoetA Minor PoetMagdalenA London Plane-TreeLondon PoetsOn The ThresholdIn The Black ForestTo Vernon LeeTo E.Kipling, Rudyard (1865-1889)Gentlemen-RankersIn the Neolithic AgeRecessionalThe White Man’s BurdenIfGray, JohnThe BarberPoemDowson, Ernest (1867-1900)Nuns of the Perpetual AdorationNon Sum Qualis Eram Bonae Sub Regno CynaraeVillanelle of SunsetTo One in BedlamBenedictio DominiAd Manus PuellaeTerre PromiseSpleenVitae summa brevis spem nos vetat incohare longamJohnson, Lionel (1867-1902)The Dark AngelSummer StormDeadThe EndNihilismThe DarknessIn a WorkhouseBagley WoodThe Destroyer of a SoulThe Precept of SilenceA ProselyteMew, Charlotte (1869-1909) The Farmer’s BrideThe FêteIn Nunhead CemeteryKenMadeleine In ChurchThe Road To KérityI Have Been Through The GatesThe CenotaphV. R. I. i. January 22nd, 1901ii. January 2nd, 1901 POETIC THEORYFox, William Johnson (1786-1864)Tennyson — Poems, Chiefly Lyrical — 1830 Pub. 1831Hallam, Arthur Henry (1811-1833)On some of the Characteristics of Modern Poetry and on the Lyrical Poems of Alfred Tennyson Pub. 1831Landon, Letitia E. (1802-1838)On the Ancient and Modern Influence of Poetry Pub. 1832Mill, John Stuart (1806-1873)“What is poetry?”“Two kinds of poetry” Pub. January and October 1833Taylor, Sir Henry (1800-1886)Preface to Philip Van Artevelde Pub. 1834Rossetti, Dante Gabriel (1828-1882)Hand and Soul Pub. 1850Browning, Robert (1812-1889)An Essay on Percy Bysshe Shelley Pub. 1851Clough, Arthur HughRecent English Poetry: A Review of Several Volumes of Poems by Alexander Smith, Mathew Arnold, and othersArnold, Matthew (1822-1888)Preface to the 1853 Edition of Poems Pub. 1853Massey, Gerald (1828-1907)Preface to the Third Edition of Babe Christabel Pub. 1854Ruskin, John (1819-1900)Of the Pathetic Fallacy Pub. 1856Arnold, Matthew (1822-1888)The Function of Criticism at the Present Time Pub. 1864Bagehot, Walter (1826-1877)Wordsworth, Tennyson, and Browning; or, Pure, Ornate, and Grotesque Art in English Poetry Pub. 1864Morley, JohnMr. Swinburne’s New Poems: Poems and BallardsDallas, Eneas Sweetland (1828-1879)The Secrecy of Art Pub. 1888Buchanan, Robert (1841-1901)The Fleshly School of Poetry: Mr. D.G. Rossetti Pub. 1871Rossetti, Dante Gabriel (1828-1882)The Stealthy School Of Criticism Pub. 1871Swinburne, Algernon Charles (1837-1909)Under The Microscope Pub. 1872Pater, Walter (1839-1890)Preface to The Renaissance: Studies in Art and Poetry Pub. 1873Hopkins, Gerard Manley (1844-1889)Author’s Preface Pub. 1883Levy, AmyJames Thompson: A Minor PoetWhistler, James McNeill (1834-1903)Ten O’Clock Pub. 1890Morris, WilliamOf the Origins of Ornamental ArtWilde, Oscar (1854-1900)The Critic as Artist Pub. 1890Symons, Arthur (1865-1945)The Decadent Movement in Literature Pub. 1893The Symbolist Movement In Literature Pub. 1899Meynell, AliceTennysonRobert BrowningThe Rhythm of LifeRobins, ElizabethWoman’s SecretHardy, Thomas (1840-1928)Apology Pub. 1922INDEXESIndex of First LinesIndex of Authors and Titles
£70.30
Faber & Faber Selected Poems
Book SynopsisReflects the wealth of forms, the rhetorical and tonal range, and the variousness of content in Auden's poetry. This volume also includes examples of Auden's mastery of light verse: the self-descriptive sequence of haiku called 'Profiles', the barbed wartime quatrains of 'Leap Before You Look', or 'Funeral Blues' itself.
£15.29
NeWest Press My Beloved Wager: Essays from a Writing Practice
Book SynopsisMy Beloved Wager gathers essays by noted poet and translator Erín Moure, and records a quarter century of writing practice emerging from a city of exhilarating poetic and translatory possibility: Montreal. In her essays and linguistic-sculptural interventions on what poetry makes possible, Moure reveals why she has placed her bets on poetry as a way of life. In these works, the richness of poetry is laid bare as Moure challenges us to think more deeply about who we are as speakers, readers, writers, and citizens of the world.
£17.99
HarperCollins Publishers Inc How to Read Poetry Like a Professor
Book SynopsisTrade Review“[An] accessible guide… [Foster’s] discussion of symbolism is particularly effective and may help readers learn to actually enjoy the experience of interpreting a poem… Students struggling to understand poetry, or even English instructors struggling to teach it, could benefit immensely from Foster’s guidance.” — Publishers Weekly “Foster’s enthusiasm is infectious…he has clearly enjoyed teaching and sharing his love of literature with his students during his long career. How to Read Poetry Like a Professor is not unlike that freshman English class that everyone vies to enroll in—entertaining and informative without being intimidating. The curriculum is on point, and in the end, you’ll have the tools to truly ‘get’ poetry, with all its manifest themes and variations.” — BookPage
£10.44
Houghton Mifflin Rules for the Dance Handbook for Writing and
Book Synopsis
£14.44
HarperCollins Publishers Inc The Captain is Out to Lunch
Book SynopsisA book length collaboration between two underground legends, Charles Bukowski and Robert Crumb. Bukowski's last journals candidly and humorously reveal the events in the writer's life as death draws inexorably nearer, thereby illuminating our own lives and natures, and to give new meaning to what was once only familiar. Crumb has illustrated the text with 12 full-page drawings and a portrait of Bukowski.
£14.30
Yale University Press Heinrich Heine
Book SynopsisA rich, provocative, and lyrical study of one of Germany’s most important, world-famous, and imaginative writerTrade Review“A portrait of the poet as a crusader for truth and beauty in a world where both were in short supply.”—Adam Kirsch, Wall Street Journal“Prochnik provides a jaunty narrative of Heine’s schooldays in Bonn and Göttingen, journalistic career in Berlin, and twenty-five-year exile in Paris, detailing his literary feuds, scraps with censors, and unwavering belief in political liberty.”—New Yorker“Prochnik gives ample space to Heine’s emotional life [and] Heine’s attitude to his Jewish heritage proves to be a rewarding topic. . . . It is impossible to read about Heine without thinking how wonderful it would have been to meet him.”—Jonathan Rée, Literary Review“It is a highly recommendable study . . . told beautifully by Prochnik, and the book is a fitting addition to Yale University Press’s Jewish Lives series.”—Andreas Hess, Society“George Prochnik draws the historical background of Heine’s life with care and powerfully evokes a Jewish life in 19th century Germany with all its complexities, frustrations, and contradictions. Prochnik’s scrupulous analysis of the artist’s prose and poems allows for a deep understanding of this brilliant and tormented man.”—Anka Muhlstein, author of The Pen and the Brush
£18.04
Random House USA Inc The Divine Comedy
Book Synopsis
£29.75
The University of Chicago Press Unoriginal Genius
Book SynopsisExplores a new development in contemporary poetry: the repurposing of other people's words in order to make new works, by framing, citing, and recycling already existing phrases, sentences, and even full texts. This book concludes with a discussion of Kenneth Goldsmith's conceptualist book "Traffic".
£21.00
Penned in the Margins The East Edge: Nightwalks with the Dead Poets of
Book SynopsisHeadstones are sliding earthwards. An urban fox forages for slugs. A jogger disappears into a forest of sycamores as high-rise blocks glister with the last of the sun. Follow Chris McCabe into the nocturnal world of Tower Hamlets Cemetery Park in search of the lost and forgotten poets of the East End. In The East Edge, McCabe leaves the safety of streetlights behind and walks in the footsteps of William Morris and W.G. Sebald through one of London's most enigmatic Victorian cemeteries. Stealing through the shadows, McCabe discovers stories of maritime disasters and the war dead, veers off the path with contemporary poet Stephen Watts, and trawls the archives to uncover one of London's overlooked mavericks, the career criminal-turned-poet William 'Spring' Onions. McCabe's lyrical prose and trademark dark wit are interrupted by a 'disembodied essay', spoken by a poltergeist who has returned to haunt his master's house. In this, the third instalment of McCabe's journey through London's Magnificent Seven, the stakes are raised as he places himself into the foreground of the cemetery as a performer. Can the burial grounds become a space for live theatre? Will the voices of the dead rise to meet the living? What ghosts emerge when darkness falls?
£11.77
Liverpool University Press Poetic World of Emily Bronte: Poems from the
Book SynopsisEmily Bronte is known as a novelist, but she was first and equally a poet. Before during and after writing Wuthering Heights, she wrote poetry. Indeed, she wrote virtually nothing else for us to read -- no other work of fiction or correspondence. Her poems, however, fill this void. They are varied, lyrical, intriguing, and innovative, yet they are not well known. This book brings an unjustifiably marginalised poet out of the shadows and presents her poetry in a way that enables readers, even those who shy away from poetry, to appreciate her work. Unlike any other collection of Bronte's poetry, this volume arranges selected poems by thematic topic: nature, mutability, love, death, captivity and freedom, hope and despair, imagination, and spirituality. It provides literary and biographical information on each topic and interpretations, explanations, and insights into each poem. Fans of Wuthering Heights wanting more from Emily Bronte will discover that her poetry is as memorable and powerful as her novel. This book is for all who appreciate poetry, especially from the golden age of 19th century verse. The exploration of Emily Bronte's poetic world allows a greater and different understanding of Wuthering Heights and insights into Bronte's fascinating mind.
£28.79
Oneworld Publications Kahlil Gibran: Man and Poet
Book SynopsisKahlil Gibran’s bestselling poetic masterpiece, The Prophet, originally published in 1923, continues to inspire millions worldwide with its timeless words of love and mystical longing. Yet Gibran’s genius went much further than this, to produce over twenty literary works, in both English and Arabic, as well as over 500 works of art, all characterized by an otherworldly beauty. Going beyond the many myths that surround Gibran, this incisive biography charts his colourful life, his dramatic love affairs, and his artistic achievements, to present a fascinating and unique portrait of this remarkable man.Trade Review"If you enjoy Gibran’s style, you will relish that of Bushrui and Jenkins." * The Daily Telegraph *"Breaks new ground" * The New York Times *Table of ContentsBeginnings (1883-1895); the new world (1895-1898); returning to the roots (1898-1902); overcoming tragedy (1902-1908); the city of light (1908-1910); the poet-painter in search (1910-1914); the madman (1914-1920); a literary movement is born (1920); a strange little book (1921-1923); the master poet (1923-1928); the return of the wanderer (1929-1931).
£12.34
Prospect Books The Treatise of Walter of Bibbesworth
Book Synopsis
£18.00
University of Minnesota Press Anthropocene Poetics: Deep Time, Sacrifice Zones,
Book SynopsisHow poetry can help us think about and live in the Anthropocene by reframing our intimate relationship with geological time The Anthropocene describes how humanity has radically intruded into deep time, the vast timescales that shape the Earth system and all life-forms that it supports. The challenge it poses—how to live in our present moment alongside deep pasts and futures—brings into sharp focus the importance of grasping the nature of our intimate relationship with geological time. In Anthropocene Poetics, David Farrier shows how contemporary poetry by Elizabeth Bishop, Seamus Heaney, Evelyn Reilly, and Christian Bök, among others, provides us with frameworks for thinking about this uncanny sense of time.Looking at a diverse array of lyric and avant-garde poetry from three interrelated perspectives—the Anthropocene and the “material turn” in environmental philosophy; the Plantationocene and the role of global capitalism in environmental crisis; and the emergence of multispecies ethics and extinction studies—Farrier rethinks the environmental humanities from a literary critical perspective. Anthropocene Poetics puts a concern with deep time at the center, defining a new poetics for thinking through humanity’s role as geological agents, the devastation caused by resource extraction, and the looming extinction crisis. Trade Review"The Anthropocene spells trouble: not only with respect to the global environmental changes, largely for the worse, to which it refers; but also in terms of the troublesome nature of the word itself. David Farrier’s brilliant elucidation of a multi-faceted ‘Anthropocene poetics’ delves into these troubles with great philosophical, scientific, social-ecological and aesthetic discernment. Whilst acknowledging the limited efficacy of poetry in response to the immense challenges of our perilous times, his carefully contextualized close readings of exemplary texts do indeed demonstrate how literature, and other art forms, can ‘help to frame the ground on which we stand as we consider which way to turn.’ This is, moreover, not only a work about poetry: it is also an exquisitely poetic work of scholarship."—Catherine Rigby, Bath Spa University, author of Dancing with Disaster "In Anthropocene Poetics, David Farrier ventures into a poetics of the Anthropocene and calls for the need to create ‘an Anthropocenic literary imagination.’ Exploring the Anthropocene conundrums and dysphorias with avant-garde and lyric poetry, Anthropocene Poetics will certainly change the way we perceive deep time as well as our understanding of the poem. Imagine a creative becoming enfolded by the new poetics of deep and thick time!"—Serpil Oppermann, Cappadocia University "The Anthropocene needs poetry. With its vorticular temporalities, swift shifts in scale, enmeshment of the human and the nonhuman, and constant challenges to the adequacy of language, this age of ecological crisis may never be better understood by any other technology—even as the Anthropocene changes what we understand a poem to do. David Farrier’s brilliant new book is a rapturous meditation on ecocriticism, time, the limits of human comprehension, and the power of the humanities in a turbulent era."—Jeffrey Jerome Cohen, author of Stone: An Ecology of the Inhuman"A beautiful textual exploration of Anthropocentric art, experiments, and other visual attempts to capture the vastness of time in terms humans can understand."—Philosophy in Review"Like a poem, Farrier creates an exquisite form within which ideas grow, point, echo, and develop to where the linear progression blossoms into a nonlinear realm of thought."—Humanimalia"Farrier advances poetry as a crucial tool for applying the generative imagination to the complex environmental crises of this unfolding era. Readers and scholars of contemporary ecopoetry will find Anthropocene Poetics both a useful guide to the work of challenging poetic experimentalists and an incisive treatise on poetry in our time."—ISLE"Anthropocene Poetics assembles a curious and thoughtful collection of poetic and artistic vignettes forcing us to reconsider what it means to be human in the Anthropocene."—Literary Research "It is worth asking what these nimble and informative tools can learn from poetry’s attentive intensity, just as it is worth carefully listening out." —H-Net Reviews Table of ContentsContentsAcknowledgmentsIntroduction: Life Enfolded in Deep Time1. Intimacy: The Poetics of Thick Time2. Entangled: The Poetics of Sacrifice Zones3. Swerve: The Poetics of Kin MakingCoda: Knots in TimeIndex
£17.99
Harvard University Press The Poems of Christopher of Mytilene and John
Book SynopsisPoems of Christopher of Mytilene and John Mauropous collects the varied Byzantine Greek verses of these witty and vibrant poets their epigrams, satires, encomia, polemics, and more in English for the first time.
£26.96
University of Toronto Press The Complete Poetry of Giacomo da Lentini
Book SynopsisThis volume presents the first translation in English of the complete poetry of Giacomo da Lentini, the first major lyric poet of the Italian vernacular. He was the leading exponent of the Sicilian School (c.1220-1270) as well as the inventor of the sonnet. Featuring illustrations and new English translations of some forty lyrics, Richard Lansing revives the work of a pioneer of Italian literature, a poet who helped pave the way for later writers such as Dante and Petrarch. Giacomo da Lentini is hailed as the earliest poet to import the Occitan tradition of love poetry into the Italian vernacular. This edition of Giacomo fills a gap in the canon of translations of Italian literature in English and serves as a vital reference source for students as well as scholars and teachers interested in the literature of the romance languages.Trade Review"This volume deserves to be commended as an elegant, comprehensive, and well- contextualized edition of Giacomo’s poetry. Thanks to Lansing and Kumar’s efforts here, a much broader readership will now be able to evaluate the innovative poetry of Giacomo on its own terms and in light of its own specific cultural and intellectual context." -- Tristan Kay * Speculum *Table of ContentsAcknowledgments Introduction Bibliography Lyrics Canzoni and Discordo 1. Madonna, dir vo voglio (My lady, I wish to tell you) 2. Meravigliosa-mente (Extraordinarily) 3. Guiderdone aspetto avere (I hope for recompense) 4. Amor non vole ch’io clami (Love will not let me seek) 5. Dal core mi vene (From my heart comes) 6. La ’namoranza disïosa (The love full of desire) 7. Ben m’è venuto prima cordoglienza (Indeed I felt deep grief at once, my fair) 8. Donna, eo languisco (My Love, I suffer and don’t know what hope) 9. Troppo son dimorato (Too long have I resided) 10. Non so se ’n gioia mi sia (I do not know if thoughts of love) 11. Uno disïo d’amore sovente (So frequently an amorous desire) 12. Amando lungiamente (In loving for so long) 13. Madonna mia, a voi mando (My lady fair, I send to you) 14. S’io doglio no è meraviglia (It’s no surprise I grieve) 15. Amore, paura m’incalcia (O Love, fear presses me) 16. Poi no mi val merzé né ben servire (Since neither mercy nor performing deeds) 17. Dolce coninzamento (I sing a sweet preamble) Tenzone with the Abbot of Tivoli 18a. Ai deo d’amore (O god of Love, I pray you see) 18b. Feruto sono isvarïatamente (I have been wounded differently) 18c. Qual om riprende altrui (One who rebukes another frequently) 18d. Cotale gioco rnai non fue veduto (A game like this has not been seen) 18e. Con vostro onore facciovi uno ’nvito (I honor you and send you this appeal) Tenzone with Jacopo Mostacci and Pier della Vigna 19a. Solicitando un poco meo savere (To stimulate my intellect) 19b. Però ch’Amore non si pò vedere (Because Love is not visible) 19c. Amore è uno disio che ven da core (Love’s a desire that issues from the heart) Sonnets 20. Lo giglio quand’è colto tost’è passo (The lily fades as soon as it is picked) 21. Sì come il sol che manda la sua spera (Just like the sun that sends its rays) 22. Or come pote sì gran donna entrare (How can so great a lady pass) 23. Molti amadori la lor malatia (Many lovers bear their malady) 24. Donna, vostri sembianti mi mostraro (My lady, your expressions raised in me) 25. Ogn’omo ch’ama de’ amar so ’nore (A lover must protect his name) 26. A l’aire claro ò vista ploggia dare (On clear days I have seen it rain) 27. Io m’aggio posto in core a Dio (I’ve set my heart on serving God) 28. Lo viso mi fa andare alegramente (Her face creates my happiness) 29. Eo viso e son diviso da lo viso (I see, but only from afar, her face) 30. Sì alta amanza à pres’a lo me’ core (A love so noble seized my heart) 31. Per sofrenza si vince gran vetoria (Through patience victories are won) 32. Certo me par che far dea bon signore (It seems quite clear a noble lord should base) 33. Sì como ’l parpaglion ch’a tal natura (Just as the butterfly in nature’s grasp) 34. Chi non avesse mai veduto foco (If one had never seen a flame of fire) 35. Diamante, né smiraldo, né zafino (No diamond, sapphire, emerald) 36. Madonna à ’n se vertute con valore (The virtue of my lady is) 37. Angelica figura e comprobata (Angelic figure manifest) 38. Quand’om à un bon amico leiale (When someone has a good and loyal friend) Lyrics of dubious attribution D.1. Membrando l’amoroso dipartire (Remembering my loving fond farewell) D.2. Lo badalisco a lo specchio lucente (Before a shiny mirror the basilisk) D.3. Guardando basalisco velenoso (Looking at the deadly basilisk) Notes Illustrations Index of First Lines
£19.79
Harvard University Press The Dada Painters Poets An Anthology 2e
Book SynopsisThis incomparable collection of essays, manifestos, and illustrations offers the authentic answer to the question What is Dada? Prepared by Motherwell in collaboration with such major Dada figures as Marcel Duchamp, Jean Arp, and Max Ernst, the book creates a composite picture of Dadaits convictions, antics, and spirit.Trade ReviewThe single most instructive book on Dada… [T]he items collected are readable, pungent, and representative. It is one of those ‘essential works’ on twentieth-century art. -- T. J. ClarkTable of ContentsAcknowledgments Foreword by Jack Flam Preface Introduction, by Robert Motherwell List of Illustrations PART I: PRE-DADA 1. Exhibition at the independents, by Arthur Cravan: 1914 2. Arthur Cravan and American Dada, by Gabrielle Buffet-Picabia: 1938 3. Memories of an Amnesic (Fragments), by Erik Satie: 1912-13 i. What I Am ii. The Day of a Musician PART II: EN AVANT DADA: A HISTORY OF DADISM, by Richard Huelsenbeck: 1920 PART III: DADA FRAGMENTS, by Hugo Ball: 1916-17 PART IV: MERZ, by Kurt Schwitters: 1920 PART V: A DADA PERSONAGE Two Letters, by Jacques Vache (to Andre Breton): 1917-18 PART VI: SEVEN DADA MANIFESTOES, by Tristan Tzara: 1916-20 1. Manifesto of Mr. Antipyrine 2. Dada Manifesto 1918 3. Proclamation without Pretension 4. Manifesto of mr. aa the anti-philosopher 5. Manifesto on feeble love and bitter love Supplement: how I became charming delightful and delicious Colonial Syllogism PART VII: HISTORY OF DADA, by Georges Ribemont-Dessaignes: 1931 PART VIII: THE DADA SPIRIT IN PAINTING, by Georges Hugnet: 1932 and 1934 1. Zurich and New York 2. Berlin (1918-22) 3. Cologne and Hanover 4. Dada in Paris PART IX: THREE DADA MANIFESTOES, by Andre Breton: Before 1924 1. For Dada 2. Two Dada Manifestoes 3. After Dada PART X: MARCEL DUCHAMP, by Andre Breton: 1922 New York Dada, edited by Marcel Duchamp and Man Ray New York, April 1921. Facsimile PART XI: DADA FRAGMENTS FROM ZURICH Notes from a Dada Diary, by Jean (Hans) Arp. 1932 monsieur duval vases with umbilical cords sketch for a landscape End of the World, by Richard Huelsenbeck: 1916 PART XII: DADA FRAGMENTS FROM PARIS (Two Poems), by Paul Eluard: 1921 Project for a History of Contemporary Literature, by Louis Aragon: 1922 Facsimile The Magnetic Fields, by Andre Breton and Philippe Soupault: 1920 PART XIII: FROM THE ANNALS OF DADA 1. Zurich Chronicle, by Tristan Tzara: 1915-19 2. Collective Dada Manifesto, by Richard Huelsenbeck: 1920 3. Lecture on Dada, by Tristan Tzara: 1922 PART XIV: SOME MEMORIES OF PRE-DADA: PICABIA AND DUCHAMP, by Gabrielle Buffet-Picabia: 1949 La Pomme de Pins, edited by Francis Picabia St. Raphael February 25, 1922. Facsimile PART XV: THEO VAN DOESBURG AND DADA, by Kurt Schwitters: 1931 PART XVI: DADA LIVES! by Richard Huelsenbeck: 1936 PART XVII: DADA X Y Z..., by Hans Richter: 1948 PART XVIII: DADA WAS NOT A FARCE, by Jean (Hans) Arp: 1949 Sophie, by Jean (Hans) Arp: 1946 Appendices A. The Dada Case, by Albert Gleizes: 1920 B. A Letter on Hugnet's "Dada Spirit in Painting," by Tristan Tiara: 1937 C. Marcel Duchamp: Anti-Artist, by Harriet and Sidney Janis: 1945 D. Sound-Rel 1919, and Birdlike 1946, by Raoul Hausmann Bibliography Did Dada Die? a Critical Bibliography by Bernard Karpel (Librarian, Museum of Modern Art, New York) Index to Bibliography Addenda: Dada Alive and Well, by Benard Karpel: 1981 Additional Bibliography Dada Manifesto 1949, by Richard Huelsenbeck An Introduction to Dada, by Tristan Tzara General Index
£34.16
Broadview Press Ltd Charlotte Smith: The Major Poetic Works
Book SynopsisImmensely popular with contemporary readers, Smith’s major poetic works are foundational poetic texts of the Romantic period. Smith’s innovations in poetic form have also placed her at the forefront of twenty-first century scholarship on the period. This edition presents her three major poetic works — Elegiac Sonnets (1784-1800), The Emigrants (1793), and Beachy Head (1807). They also remain major texts for thinking through such questions as the relationship between public and private; the ethical treatment of refugees and other persecuted people; the position of women in a patriarchal society; and the usefulness of science as a way of making sense of a complex and ever-changing world.This Broadview edition includes a new critical introduction which takes into account the developments in scholarship on Smith’s work and women’s writing over the past three decades, and it provides readers with a wealth of contextual material for understanding the writer and the social and literary environment within which she wrote, including key works by her precursors and contemporaries, selections from her letters, and reviews of her poetry.Trade Review“This welcome edition of Smith’s poetry renders her verse readily comprehensible to those new to it while simultaneously fostering ongoing scholarship. It provides all of the major poems and deftly situates them within multiple illuminating contexts, including a vital appendix that details how Elegiac Sonnets grew across successive editions. The editors’ lucid introduction to Smith’s life, career, and verse offers an innovative account of the poetic persona that won her popular attention. A scrupulous editorial framework consisting of informative footnotes, the illustrations to Elegiac Sonnets, and valuable appendices will facilitate study of her work at every level. This edition will contribute to flourishing attention to Smith’s poetry among those pursuing feminist, historicist, ecocritical, and formalist approaches to the period.” —Sarah Zimmerman, Fordham University“In their introduction to this invaluable edition, Claire Knowles and Ingrid Horrocks make a strong case for the vital importance of Charlotte Smith’s poetry to both the literary and the socio-political history of the Romantic era. They also show her to be a cosmopolitan poet whose internationalist perspectives and sympathies resonate today. Smith scholars will welcome the comprehensive bibliography as well as the breakdown of the nine Elegiac Sonnets editions that clarifies the publication history of this evolving work. The judiciously chosen appendices reveal Smith as a lodestone of late-eighteenth-century British culture—a writer who revived the English sonnet, mastered blank verse, earned the respect of reviewers, and inspired countless fellow poets to honor her in verse.” —Kari Lokke, University of California, Davis“Together Claire Knowles and Ingrid Horrocks are ideal editors for a new, much-needed, paperback edition of Charlotte Smith’s major poetic works … Romanticists will welcome Knowles and Horrocks’s equally affordable and expertly edited volume.” — Elizabeth A. Dolan, European Romantic Review “Charlotte Smith: The Major Poetic Works is a well-contoured new Broadview volume edited by Claire Knowles and Ingrid Horrocks. The ‘major poetic works’—Elegiac Sonnets, The Emigrants and the posthumous Beachy Head—set one another off to advantage, showcasing Smith’s formal and perspectival versatility, not to mention the dramatic flair and sense of irony that enliven her fiction and plays. Knowles and Horrocks capably survey the Smith criticism that has accumulated in the three decades since her initiation into the Romantic canon. … The poems themselves are thoughtfully edited, while the appendices lay out a rich context for Smith’s work, fulfilling the editors’ expressed ‘hope’ that their own readers will ‘gain a sense of the writer herself and a better understanding of the powerful reaction she evoked from the late-eighteenth- and early-nineteenth-century reading public’ (p. 42). Appendix B is especially nourishing: well-chosen selections from John Thelwall, Mary Robinson, and Coleridge place Smith in the context of contemporary debate about the ‘legitimate sonnet.’” — Jayne Lewis, Recent Studies in the Restoration and Eighteenth CenturyTable of Contents Appendix A: Key precursors and contemporaries Thomas Gray, “Sonnet on the Death of Mr Benjamin West” (1775) From William Cowper, The Task (1785) William Bowles, “Sonnet VIII. To the River Itchin, near Winton,” from Fourteen Sonnets, Elegiac and Descriptive (1789) Jane West, “On the Sonnets of Mrs. Charlotte Smith,” from Miscellaneous Poems, and a Tragedy (1791) From Frances Burney, Brief Reflections Relative to the Emigrant French Clergy (1793) Mary Robinson, “Sonnet XLIII,” Sappho and Phaon (1796) From William Wordsworth, The Prelude, Book One (1798-99) Anne Bannerman, “Sonnet VII,” from Poems of Anne Bannerman (1800) From Erasmus Darwin, The Temple of Nature; or, the Origin of Society: A Poem, with Philosophical notes (1803) John Keats, “Sonnet VII: When I have fears that I may cease to be,” from Life, Letters and Literary Remains of John Keats (1848) Appendix B: Contemporaries on Smith and the sonnet John Thelwell, “An Essay on the ENGLISH SONNET; illustrated by a comparison between the Sonnets of MILTON and those of CHARLOTTE SMITH,” European Magazine (1792) Mary Robinson, from “Preface” to Sappho and Phaon (1796) Samuel Taylor Coleridge, from “Introduction to the Sonnets,” Poems (1797) Appendix C: Selections from Smith’s letters related to her poetry To William Davies, 25 April 1797 To Joel Barlow, 3 November 1792 To Joseph Johnson, 12 July 1806 Appendix D: Selected reviews of Smith’s major poems Review of Elegiac Sonnets (1784) in the Monthly Review Review of Elegiac Sonnets (1786) in the Gentleman’s Magazine Review of The Emigrants (1793) in the European Magazine Review of The Emigrants (1793) in the Monthly Review Review of Beachy Head (1807) in British Critic Appendix E: Poetry about Smith appearing in newspapers and magazines Anonymous, “Sonnet to Mrs. Smith” D, “Sonnet to Mrs. SMITH, on reading her Sonnets lately published” “Pastor Fido,” “On passing the retreat of Charlotte Smith near Chichester, in Sussex” “Ticklepitcher,” “Ode to Charlotte Smith” “Oberon” (Mary Robinson), “Sonnet to Mrs Charlotte Smith on Hearing That Her Son Was Wounded at the Siege of Dunkirk.” Appendix F: Tables of Contents for the volumes of Elegiac Sonnets published during Smith’s lifetime
£19.90
Occasional Papers Boooook The Life and Work of Bob Cobbing
Book Synopsis
£16.15
W W Norton & Co Ltd Apocalypse and Other Poems
£9.99
HarperCollins Publishers THE POEMS OF CATULLUS
a huge range and FREE tracked UK delivery on ALL orders.
£999.99
Farrar, Straus & Giroux Inc The Poetry of Pablo Neruda
Book SynopsisThe Poetry of Pablo Neruda offers the most comprehensive English-language collection ever by the greatest poet of the twentieth century--in any language (Gabriel García Márquez).In his work a continent awakens to consciousness. So wrote the Swedish Academy in awarding the Nobel Prize to Pablo Neruda, the author of more than thirty-five books of poetry and one of Latin America''s most revered writers, lionized during his lifetime as the people''s poet.This selection of Neruda''s poetry, the most comprehensive single volume available in English, presents nearly six hundred poems, scores of them in new and sometimes multiple translations, and many accompanied by the Spanish original. In his introduction, Ilan Stavans situates Neruda in his native milieu as well as in a contemporary English-language one, and a group of new translations by leading poets testifies to Neruda''s enduring, vibrant legacy among English-speaking writers and readers t
£22.50
Farrar, Straus and Giroux The White Goddess
Book Synopsis
£20.00
HarperCollins Selected Poems
Book Synopsis
£11.02
LUP - Voltaire Foundation Alexis Piron Poete 16891773 Ou La Condition
Book SynopsisTable of ContentsRemerciements Présentation Liste des abréviations I. Un grand homme de province à Paris (1689-1773) Introduction: Piron, un Voltaire provisoire 1. Années dijonaises (1689-1719) 2. Prologue parisien (1719-1727)3. Melpomène et Thalie (1727-1745) 4. La difficile condition d'auteur 5. Le Bourguignon, un type de lettré au dix-huitième siècle 6. Heurs et malheurs 'd'un ouvrier dramatique' (1745-1754) 7. 'Adieux de M. Piron aux Muses' (1754-1773) 8. Un indifférent railleur II. Etude de l'œuvre Introduction 9. Piron, versificateur 10. Piron épistolier et chroniqueur de la vie parisienne 11. Piron, auteur dramatique: l'Opéra-Comique et la petite comédie en vaudevilles 12. Piron, auteur dramatique: le Théâtre-Français Post-face Annexe: répertoires des écrits pironiens Bibliographie Index
£99.57
Picador USA Why Homer Matters A History
Book Synopsis
£20.00
Cambridge University Press Stesichorus The Poems Cambridge Classical Texts and Commentaries Book 54
Book SynopsisThis edition of Stesichorus is the first full-scale treatment that this important ancient Greek poet has ever received. Presenting a newly constituted text and apparatus, it takes full advantage of recent manuscript discoveries and developments of scholarship to analyse his work and to assess its poetic value and historical significance.Trade Review'A work of truly formidable scholarship … it is hard to see how it will ever be superseded … Cambridge University Press must also be congratulated on a production of the very highest standard.' Colin Leach, Classics For All (classicsforallreviews.wordpress.com)'The rich work of Davies and Finglass … is very thoroughly researched, as it is to be expected from such distinguished editors … The sections on mythological traditions are particularly rich, devoting plentiful space to literary and visual testimonies … This is a very substantial and serious work, making for the first time available all the fragments with a critical edition and full scale commentary. Anyone interested in Greek literature and culture should be grateful to the editors for their endeavour.' G. B. D'Alessio, Bryn Mawr Classical Review'[In] this extensive and outstanding work … Davies and Finglass engage in a meticulous effort aimed at disentangling the multiple complexities that surround Stesichorus, a lyric poet shrouded in the mist of time and myth … Davies and Finglass offer an elegant and panoramic view of Stesichorus' poetry in time and space, justifying his fame and merit. This work is of a high calibre, and deserves warm commendation.' E. Tsitsibakou-Vasalos, Classical Review'This work will be an indispensable tool for anyone reading Stesichorus at any level of proficiency.' D. T. Benediktson, Exemplaria ClassicaTable of ContentsIntroduction; Text and critical apparatus; Commentary.
£153.90
MP-CUA Catholic Uni of Amer An Introduction to the Study of Medieval Latin
Book SynopsisDag Norberg's analysis and interpretation of medieval Latin versification, which was published in French in 1958 and remains the standard work on the subject, appears in here English, with a detailed, scholarly introduction by Jan Ziolkowski that reviews developments since its initial publication.
£26.06
