Literary studies: plays and playwrights Books
Bloomsbury USA 3pl Understanding The Tempest
Book SynopsisWhile The Tempest has always been one of Shakespeare's most entertaining and enchanting plays, it continues to stir up passionate debate throughout the world because of its ideas and attitudes toward race, class, political power, and colonialism.Table of ContentsAcknowledgments Introduction Dramatic Analysis The New World: The Discoverer and the Discovered Magic: Religion, Art, and Science Power: Legitimacy and Treachery Society: Marriage and the Court Performance and Interpretation Contemporary Applications Anti-Corporate Globalization The Paranormal and Fantasy Index
£44.10
Taylor & Francis Ltd The Routledge Anthology of Womens Theatre Theory
Book SynopsisThe Routledge Anthology of Women''s Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women's writing within, and also reframes the field's male-defined and male-dominated traditions. Its collection of documents demonstrates women's consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with materials that often lie outside established production and publication venues. This alternative tradition of theatre writing that emerges allows contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artTable of Contents1. FIVE MEDIEVAL WOMEN: St. Perpetua (c. 185–203), Hildegard of Bingen (1098–1179), Hadewijch (c. 1200–1250), Katherine Sutton (d. 1376), Margery Kempe (c. 1373–1438)Andrew Galloway2. HROTSVIT OF GANDERSHEIM (c. 935–1002)Andrew Galloway3. MARGARET LUCAS CAVENDISH (c.1623–1673)Sujata Iyengar and Mikaela Warner4. APHRA BEHN (1640–1689)Joseph Roach5. ANNE FINCH (1661–1720)Christina Black6. SUSANNA CENTLIVRE (c. 1669–1723)Gillian Skinner7. CHARLOTTE LENNOX (1729–1804)Elizabeth Kraft8. CHARLOTTE CHARKE (1713–1760)Molly Marotta9. FRANCES BURNEY (1752–1840)Serena Baiesi10. HANNAH COWLEY (1743–1809)Melinda C. Finberg and Angela Escott11. LADY EGLANTINE WALLACE (c. 1754–1803)Lilla Maria Crisafulli12. SALLY SIDDONS (1775–1803)Laura Engel13. ELIZABETH INCHBALD (1753–1821)Lisa A. Freeman14. JOANNA BAILLIE (1762–1851)Thomas C. Crochunis15. FELICIA HEMANS (1793–1835)Diego Saglia16. ADELAIDE O’KEEFFE (1776–1865)Donelle Ruwe17. SARAH SIDDONS (1755–1831)Daniel O’Quinn18. “ANONYMOUS”Marjean D. Purinton19. MARY RUSSELL MITFORD (1787–1855)Serena Baiesi20. AMELIA CHESSON (1833–1902)Tracy C. Davis21. FRANCES A. KEMBLE (1809–1893)Catherine Burroughs22. OLIVE LOGAN (1839–1909)Merritt Denman Popp23. MICHAEL FIELD [KATHARINE HARRIS BRADLEY (1846–1914) AND EDITH EMMA COOPER (1861–1913)]Jill R. Ehnenn24. CHARLOTTE PERKINS GILMAN (1860–1935)Andrew Tolle25. PHYLLIS ROBBINS (1883–1972)Kim Marra26. LADY AUGUSTA GREGORY (1852–1932)Marjorie Howes27. EDITH CRAIG (1869–1947)Katharine Cockin28. CHRISTOPHER ST. JOHN (1871–1960)Lesley Ferris29. BINODINI DASI (1862–1941)Aparna Dharwadker30. FLORENCE KIPER (1886–1976)Sharon Friedman31. MAY ISABEL FISK (1872–1955)Jennifer Schmidt32. DJUNA BARNES (1892–1982)Nick Salvato33. SOPHIE TREADWELL (1885–1970)Jerry Dickey34. VIRGINIA WOOLF (1882–1941)Shilo McGiff 35. ELIZABETH ROBINS (1862–1952)Joanne Gates36. LENA ASHWELL (1872–1957)Maggie Gale37. CONSTANCE ROURKE (1885–1941)Charlotte M. Canning38. CORNELIA OTIS SKINNER (1899–1979)Jennifer Schmidt39. GERTRUDE STEIN (1874–1946)Scott W. Klein 40. SUSAN GLASPELL (1876–1948)J. Ellen Gainor and Elizabeth A. Osborne41. HALLIE FLANAGAN (1889–1969)Elizabeth A. Osborne42. JOAN LITTLEWOOD (1914–2002)Fatine Bahar Karlidağ 43. ALICE CHILDRESS (1916–1994)Meenakashi Ponnuswami44. ANN JELLICOE (1927–2017)Kate Pierson45. BARBARA ANN TEER (1937–2008)La Donna L. Forsgren46. JUDITH MALINA (1926–2015)Kate Bredeson47. ROSE YUEN OW (1895–?)Krystyn Moon48. MARGUERITE DURAS (1914–1996)Shelley Orr49. MEGAN TERRY (1932–2023)Maya Roth50. DOROTHY HEWETT (1923–2002)Aoise Stratford51. MARÍA IRENE FORNÉS (1930–2018)Linda Ben-Zvi52. JANE CHAMBERS (1937–1983)Sara Warner53. ELFRIEDE JELINEK (b.1946)Anke Charton54. SUE-ELLEN CASE (b.1942)Penny Farfan55. ADRIENNE KENNEDY (b.1931)Maya E. Roth56. LIZ LOCHHEAD (b.1947)Aoise Stratford57. CONSTANCE CONGDON (b.1944)Ryan Platt58. ELIZABETH MACLENNAN (1938–2015)Gioia Angeletti59. MONSTROUS REGIMENT (1975–1993)Elaine Aston60. JILL DOLAN (b.1957)Jessica Del Vecchio61. THE DIVINA PROJECT (1989–1998)Juliet Guzzetta62. NEHAD SELAIHA (1945–2017)Marvin Carlson 63. PEGGY PHELAN (b.1959)Daniel Sack64. SUZAN-LORI PARKS (b.1963)Kristen Wright65. KATE BORNSTEIN (b.1948)Kara Raphaeli66. ELIN DIAMOND (b. 1948)Jen-Scott Mobley67. HÉLÈNE CIXOUS (b.1937)Rachel Morris Watson68. MĨCERE GĨTHAE MŨGO (1942–2023)Kellen Hoxworth69. DIANE GLANCY (b.1941)Birgit Däwes70. LOIS WEAVER (b.1949)Benjamin Gillespie71. JUDITH THOMPSON (b.1954)Erica Stevens Abbitt72. CHERRÍE MORAGA (b.1952)Lindsay Cummings73. AMAL ALLANA (b.1947)Aparna Dharwadker74. NAOMI WALLACE (b.1960)Lindsay B. Cummings75. MOJISOLA ADEBAYO (b.1971)Kellen Hoxworth76. LAUREN GUNDERSON (b.1982)Noelia Hernando-Real77. SARAH RUHL (b.1974)Amy Muse78. ELAINE ASTON (b.1958)Geraldine Harris79. DAME HARRIET WALTER (b.1950)Rosemary Malague80. CATHERINE KODICEK (b.1972)Katherine Gurnos-Davies81. SPIDERWOMAN THEATER (1976–) AND MURIEL MIGUEL (b.1937)Lilian Mengesha82. EMMA RICE (b.1967)Siouxsie Easter83. PAULA VOGEL (b.1951)Meghan Brodie84. ELAINE ROMEROJimmy A. Noriega85. VELINA HASU HOUSTON (b.1957)Eunha Na86. QUIARA ALEGRÍA HUDES (b.1977) and GABRIELA SERENA SANCHEZJ. Ellen Gainor87. WINSOME PINNOCK (b.1961)Gabriele Griffin88. TAKEMOTO KOSHIKÔ (b.1953)Maki Isaka89. ÉMILIE MONNET (b.1979)Lindsay LaChance
£35.14
WW Norton & Co Shakespeares Songbook
Book SynopsisA remarkable work that recovers the songs Shakespeare's audiences actually heard and brings them to life through performance.Trade Review"A wonderfully concise and informative guide to the songs and ballads. . . . The first complete collection." -- Times Literary Supplement
£35.99
WW Norton & Co The Jew of Malta
Book Synopsis
£15.20
WW Norton & Co The Duchess of Malfi
Book SynopsisThe great English Renaissance tragedy—violent, powerful, unforgettable—in a freshly edited and annotated student edition.
£19.82
WW Norton & Co The Oresteia
Book Synopsis“This critical edition provides a lavish and fulsome picture of ancient Greek tragedy’s most significant surviving document.” —Johanna Hanink, Brown University
£12.99
WW Norton & Co A Midsummer Nights Dream A Norton Critical
Book SynopsisThis Norton Critical Edition of one of Shakespeare’s best-loved comedies is based on the First Quarto text with variants from the First Folio.
£12.99
Heinemann Educational Books Spring Awakening
Book SynopsisWedekind's play about adolescent sexuality is as disturbing today as when it was first produced
£13.10
Bloomsbury Publishing PLC The Seagull
Book SynopsisTwo years after its disastrous opening in 1896, "The Seagull" was successfully revived at the Moscow Art Theatre. Checkhov's self-mocking description of the play was: "A comedy - 3F, 6M, four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love".
£12.71
Bloomsbury Publishing PLC Oh What A Lovely War
Book SynopsisFully annotated student edition of a modern classic
£13.10
Pearson Education Limited Heinemann Advanced Shakespeare Measure for
Book SynopsisA "Heinemann Advanced Shakespeare" version of the play "Measure for Measure", designed for A Level students. Aimed at bridging the gap between GCSE and A Level, the work includes notes to help students understand the text, space for students' own annotation and activities and assignments.
£15.84
Faber & Faber The Theatrical Notebooks of Samuel Beckett
Book SynopsisThis volume completes the publication of this series of notebooks, the plays in question being Play, Come and Go, Eh Joe, Footfalls, That Time and What Where.
£32.00
Pearson Education Richard II York Notes Advanced everything you
Book SynopsisYork Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.Table of Contents Study methods Introduction to the text Summaries with critical notes Themes and techniques Textual analysis of key passages Author biography Historical and literary background Modern and historical critical approaches Chronology Glossary of literary terms
£7.99
Pearson Education Saint Joan everything you need to catch up study and prepare for the 2025 and 2026 exams
a huge range and FREE tracked UK delivery on ALL orders.
£7.99
Bloomsbury Publishing PLC The School for Scandal
Book SynopsisAnn Blake is Honorary Fellow at the School of Communication, Arts and Critical Enquiry, La Trobe University, Victoria, Australia
£11.67
Bloomsbury Publishing PLC Ghosts Student Editions
Book SynopsisGhosts is Ibsen''s formidably realistic play about the effects of previous generations on the young, a stinging satire on contemporary Norwegian society and morality, and a haunting tragedy that, more than a century since it premiered, still retains its power to shock. In Ibsen''s study of the lingering poison in a marriage based on a lie, Osvald Alving returns from Paris to his mother''s home, carrying with him a dreadful secret. His mother''s delight at having him home soon turns to horror and grief. The corruption that she had hoped to spare him from when sending him away from the influence of his depraved father has in fact infected his whole body in the form of syphillis. In Mrs Alving and her son''s distrust of conventional religion and mores and Oswald''s anguish with life, Ibsen created a thoroughly modern and provocative work that created widespread outrage and shock when first produced in 1881. ''Meyer''s translations of Ibsen are a major Trade Review'Ghosts is a forboding litany of sins past which unravel to lay bare a series of creeping consequences that damn everyone involved, unwittingly or not.' Neil Cooper, Herald, 18.5.09 'Ibsen has the extraordinary capacity for building up tension like the force of water gathering behind a fracturing dyke. When the walls finally break, the ensuing flood is irresistible.' Mark Brown, Sunday Herald, 24.5.09 'Ibsen's most notable foray into the nature/nurture debate' Steve Cramer, Financial Times, 26.5.09 'When Ibsen's 1881 drama was first staged, the play didn't just tread on one taboo, it bravely waded through a messy bog of them.' Maxie Szalwinska, Sunday Times, 2.8.09
£11.45
Bloomsbury Publishing PLC Oedipus the King
Book SynopsisA Student Edition of Sophocles' greatest tragedy in Don Taylor's acclaimed translation. With full commentary, notes and questions for further study this is the perfect edition for every student of drama, literature and classics.
£11.45
Manchester University Press Sarah Kane in Context
Book SynopsisFirst collection of essays, by some of the leading scholars in their field on one of the most controversial and influential dramatists who emerged during the In-Yer Face' generation of British dramatists in the 1990s. Essential, wide-ranging, European guide to Kane for students and scholars of Theatre Studies or English Literature. -- .Table of ContentsContentsIntroduction(Laurens De Vos and Graham Saunders)Part I: Surrounding Voices1. Reviewing the fabric of Blasted(Elaine Aston)2. Sarah Kane before Blasted: the monologues(Dan Rebellato)3. ‘Looks like there’s a war on’: Sarah Kane’s Blasted, political theatre and the Muslim Other(Aleks Sierz)4. Staging Power: the politics of sex and death in Seneca’s Phaedra and Kane’s Phaedra’s Love(Zina Giannopoulou)5. The Beckettian world of Sarah Kane(Graham Saunders)6. Cruelty, violence and rituals in Sarah Kane’s plays(Stefani Brusberg-Kiermeier)7. Sarah Kane, experiential theatre and the revenant avant-garde(Clare Wallace)Part II: Subjectivity, Responsibility and Representation8. The voice of Kane(Ehren Fordyce)9. ‘I love you now’: time and desire in the plays of Sarah Kane(Robert I. Lublin)10. Sarah Kane and Antonin Artaud: cruelty towards the subjectile(Laurens De Vos)11. Posthumanist identities in Sarah Kane(Julie Waddington)12. Neither here nor there: theatrical space in Kane’s work(Annette Pankratz)13.‘Victim. Perpetrator. Bystander’: critical distance in Sarah Kane’s Theatre of Cruelty(Hillary Chute)14. Sarah Kane’s Phaedra's Love: staging the implacable(Peter A. Campbell)15. Under the surface of things. Sarah Kane’s Skin and the medium of theatre(Mateusz Borowski) 16. ‘We are anathema’ – Sarah Kane’s plays as postdramatic theatre v. the ‘Dreary and repugnant tale of sense’(Eckart Voigts-Virchow)Epilogue‘The mark of Kane’(Edward Bond)References List of Contributors Index
£18.99
Oxford University Press Shakespeare Made Easy Hamlet
Book SynopsisThe Shakespeare Made Easy series aims to take the fear out of Shakespeare. By having Shakespearean and Modern English facing each other, pupils will find it easier to comprehend the text. Through discussion of the life, work and theatre of Shakespeare pupils can gain a more rounded understanding of these classic works.
£17.33
Orion Publishing Co The Age of Shakespeare
Book Synopsis'The greatest literary scholar of his generation' (Independent) explains how the history of the Elizabethan era is the backdrop to William Shakespeare and his plays.
£9.99
Arizona Center for Medieval & Renaissance Studies,US The Merchant of Venice
Book SynopsisAn updatedversion ofTheMerchant of Venicethat speaks to our contemporary reckoning with racism and injustice. Elise Thoron's translation of Shakespeare's searingTheMerchant of Venicecuts straight to the heart of today's fraught issues of social justice and systemic racism. Thoron's clear, compelling contemporary verse translationretainsthe power of the original iambic pentameter while allowing readers and audiences to fullycomprehendand directly experience the brutal dilemmas of Shakespeare's Venice,whereprejudice and privilege reign unchallenged. As the author of three acclaimed music-theater works on the Jewishexperience andinformed by her work directingcross-culturalprojects in locations as different as Russia, Japan, Cuba, and New York City, Thoron brings to herMerchantanimmediacythat speaks directly to the present reckoning with race in America. This translation was written as part of the Oregon Shakespeare Festival's Play On! project, which commissioned new translations of thirTrade Review"This translation is easy to read, but retains the iambic pentameter and flow of an original Shakespeare. Overall, very well done." * Seattle Book Review *
£9.81
Arizona Center for Medieval & Renaissance Studies,US Titus Andronicus
Book SynopsisShakespeare's tragic story of revenge is reimagined for the twenty-first century. One of Shakespeare's goriest plays, Titus Andronicus traces the fall of the Andronicus family in ancient Rome. Clinging to the ways of the past, Titus desperately seeks to remain loyal to the throne as his world crumbles around him. Amy Freed's translation of Titus Andronicus is careful and meticulous, making small but mighty changes in moments that enhance the drama of each scene. Freed's version gives this extraordinary play an even faster track on which to run. This translation of Titus Andronicus was written as part of the Oregon Shakespeare Festival's Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from The Bard in language accessible to modern audiences while never losing the beauty of Shakespeare's verse.Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgroTable of ContentsAct 1Act 2Act 3Act 4Act 5
£9.81
Ibis Press Shakespeare and the Stars
Book SynopsisTo celebrate the 400th anniversary of Shakespeare''s death, this book offers fresh and exciting insights into the ever-popular works of the world''s greatest playwright. It specifically highlights Shakespeare''s use of the archetypal language of astrological symbolism in both obvious and subtle ways. Such references would have been commonly known in Shakespeare''s time, but their deeper significance is lost to modern-day playgoers and readers. The most unique aspect of this book is the revelation that many of Shakespeare''s plays are entirely keyed to a specific zodiacal sign and its associated (or ruling) planet. Shakespeare''s audience would have immediately grasped their significance in revealing character, foreshadowing the plot and establishing key themes for each play.The first half of the book provides necessary background for understanding the plays by describing the synthesis of both classical and Christian ideas in Shakespeare''s time. The seven planets were considered an int
£26.10
Cambridge University Press Shakespeares Visionary Women
Book SynopsisThis Element interrogates the scepticism that Shakespeare's visionary women face and considers the ways in which they perform the truth of their experiences to a hostile onstage audience. It concludes that prophecy gives women a brief access to political conversations in which they are not welcome as they wrest narrative control from male speakers.Table of Contents1. Introduction: given to lie; 2. The art of dissuasion; 3. Ambitious visions and/as sinful thought; 4. Believe not every spirit; 5. Sooth-Dreams; 6. Conclusion: looking back; References.
£17.00
Cambridge University Press Shakespeare and Neurodiversity
Book SynopsisShakespeare and Neurodiversity argues that the Shakespeare classroom should be a place where neurodivergent learners flourish. This Element addresses four key areas: questions of reasonable adjustments, the pace of learning, the issue of diagnosis, and Shakespearean neurodivergent futures in education. Throughout, the Element provides activities and theoretical explanations to enable students and educators to understand how these four areas of Shakespeare education have often been underpinned by ableism, but can now become sources of neurodivergent flourishing.
£17.00
Taylor & Francis Ltd Contemporary Australian Playwriting
Book SynopsisContemporary Australian Playwriting provides a thorough and accessible overview of the diverse and exciting new directions that Australian Playwriting is taking in the twenty-first century.In 2007, the most produced playwright on the Australian mainstage was William Shakespeare. In 2019, the most produced playwright on the Australian mainstage was Nakkiah Lui, a Gamilaroi and Torres Strait Islander woman. This book explores what has happened both on stage and off to generate this remarkable change. As writers of colour, queer writers, and gender diverse writers are produced on the mainstage in larger numbers, they bring new critical directions to the twenty-first century Australian stage. At a politically turbulent time when national identity is fractured, this book examines the ways in which Australia's leading playwrights have interrogated, problematised, and tried to make sense of the nation. Tracing contemporary trends, the book takes a thematic approach tTrade Review'Everyone working in the performing arts in Australia, or hoping to, should read this book. Stephen Carleton and Chris Hay have combined to produce vivid snapshots of the Australian stage from 2007 to 2020: a long but radical decade when the voices of new playwrights and creations of new directors and performers moved from the margins to the mainstage and changed our theatre forever.'Richard Fotheringham, Emeritus Professor of Theatre History, University of Queensland, Australia.'This vibrant investigation of recent mainstage drama in Australia is ingeniously structured to provide detailed interpretation of playwriting from 2007 until 2020, with extended, highly illuminating conversations between key playwrights embedded in each chapter. The major preoccupations and challenges of the nation are explored in this compelling study. This is a text for anyone interested in Australian theatre and its seismic shifts in recent times, which offers invaluable reading for students, practitioners and scholars.'Professor Anne Pender, Kidman Chair in Australian Studies, University of Adelaide, Australia.Table of ContentsIntroduction: Re-visioning the Nation on the Mainstage 1. Re-visioning the Comedy 1a. "Fuck Western classics": Anchuli Felicia King and Michelle Law in Conversation 2. Postmigrant Plays in Australia 2a. "Writing into otherness": Michele Lee and S. Shakthidharan in Conversation 3. Re-visioning Political Theatre and ‘Aussie Naturalism’ 3a. "We’re very anti-politics": Angela Betzien and Patricia Cornelius in Conversation 4. Theatre of the Anthropocene 4a. "We’re a teenage species": Andrew Bovell and David Finnigan in Conversation 5. Re-visioning Landscape from the Regions 5a. "Sorry about the swearing": Mary Anne Butler and Angus Cerini in Conversation 6. Adapt, or Else 6a. "I don’t adapt, I write": Kate Mulvany and Tom Wright in Conversation 7. Imagined Lives 7a. "You gotta glitter it up": Tommy Murphy and Alana Valentine in Conversation 8. Telling Stories in Person 8a. "I’m a polite visitor in this world": Glace Chase and Lally Katz in Conversation 9. Conclusion: Australian Playwriting in Lockdown
£34.99
Taylor & Francis Ltd The Radical Act of Listening Making Documentary
Book SynopsisThe Radical Act of Listening: Making Documenatry and Investigative Theatre explores best practices in the field of Documentary and Investigative theatre and offers readers a how-to guide for making their own work, written by a leading practitioner in the field.This book looks at how listening can radically bring about change through documentary and investigative theatre. It examines the mechanics and value of listening and how theatre practitioners can use these skills to create theatre. What does it mean to really listen, especially during a time when everyone is shouting? Can we listen without an agenda? Can we take what we hear and find ethical ways to share it with others so that we capture nuance, complexity, contradiction, i.e., all things human? In exploring these questions, author KJ Sanchez shares conversations with peers and fellow artists who work in the fields of interview-based and non-fiction art practices, to look at what it takes to be a great li
£31.99
Cambridge University Press Greek Memories
Book SynopsisGreek Memories aims to identify and examine the central concepts underlying the theories and practices of memory in the Greek world, from the archaic period to Late Antiquity, across all the main literary genres, and to trace some fundamental changes in these theories and practices.Table of ContentsIntroduction Luca Castagnoli and Paola Ceccarelli; Part I. Archaic and Early Classical Configurations of Memory: 1. Women and memory: the Iliad and the Kosovo cycle Lilah Grace Canevaro; 2. Speaking in the wax tablets of memory Peter Agócs; Part II. Memory and Forgetting in the Classical Period: 3. Economies of memory in Greek tragedy Paola Ceccarelli; 4. Aristophanes and his Muses, or memory in a comic key Silvia Milanezi; 5. Memory, the orators and the public in fourth-century BC Athens Mirko Canevaro; 6. The place and nature of memory in Greek historiography Catherine Darbo-Peschanski; 7. Lyric oblivion: when Sappho taught Socrates how to forget Andrea Capra; 8. Socratic forgetfulness and Platonic irony Ynon Wygoda; 9. Memory and recollection in Plato's Philebus: use and definitions R. A. H. King; 10. Is memory of the past? Aristotle and the objects of memory Luca Castagnoli; Part III. Hellenistic Configurations of Memory: 11. Hellenistic Cultural Memory: Helen and Menelaus between heroic fiction, ritual practice and poetic praise of the royal power (Theocritus 18) Claude Calame; 12. Physics, memory, ethics: the Epicurean road to happiness Emidio Spinelli; Part IV. The Imperial Period: Continuity and Change: 13. Claudius Aelianus: memory, mnemonics, and literature in the age of Caracalla Steven D. Smith; 14. Plotinus on memory, recollection and discursive thought Riccardo Chiaradonna; 15. Plotinus: remembering and forgetting Stephen R. L. Clark; Part V. Envoi: 16. Greek philosophers on how to memorise – and learn Maria Michela Sassi.
£29.99
Cambridge University Press As You Like It
Book SynopsisMichael Hattaway''s Introduction to this bestselling edition of As You Like It accounts for what makes this popular play both innocent and dangerous. This third edition includes a new section on recent critical interpretations, including sections on ecocriticism, peace studies, and myths of gender, on recent as well as past stage productions and films of the play, as well as fresh illustrations. An appendix on an early court performance in 1599, commentary on the play''s language, the book trade, and the discursive cultures of its time, as well as an updated reading list are also included.Table of ContentsIntroduction; Note on the text; List of characters; The play; Textual analysis; Appendixes; 1. An early court performance?; 2. Extracts from Shakespeare's principal source, Lodge's Rosalind; 3. The songs; Reading list.
£12.29
John Wiley & Sons Inc Playwriting For Dummies
Book SynopsisGetting a play written and produced is a daunting process. From creating story ideas, formatting the script, to marketing and financing your project, and incorporating professional insights on writing, there are plenty of ins and outs that every aspiring playwright needs to know.Table of ContentsIntroduction. Part I: Catching the Playwriting Bug. Chapter 1: Introducing the Art and Craft of Playwriting. Chapter 2: Living the Life of a Playwright. Chapter 3: What Makes a Play. Chapter 4: Starting with an Idea. Chapter 5: Finding Your Play's Theme. Part II: Creating a Blueprint for Your Play. Chapter 6: Putting Your Story in Focus. Chapter 7: Creating Full and Rich Characters. Chapter 8: Dialogue: The Most Important Tool in Your Toolbox. Chapter 9: Practical Considerations: Staging, Cast, and Audience. Part III: The Nuts and Bolts of Putting Your Story Together. Chapter 10: The Beginning: Finding a Starting Point for Your Play. Chapter 11: The Middle: Developing Your Story Line. Chapter 12: The Climax: Bringing the Confl ict to a Head. Chapter 13: The Resolution: Wrapping It All Up. Chapter 14: Giving the Musical Special Consideration. Part IV: The Show Must Go On. Chapter 15: Getting Your Play Read and Making Revisions. Chapter 16: Rehearsals and Premieres: Nail Biting 101. Chapter 17: Promoting Your Play and Getting a Production. Part V: The Part of Tens. Chapter 18: Ten Things Every Playwright Should Know. Chapter 19: Ten Hallmarks of a Great Play. Chapter 20: Ten Playwrights You Should Know and Emulate. Appendix: Formatting a Script. Index.
£17.09
Wiley-Blackwell Shakespeares Theatre
Book Synopsis
£30.35
Cambridge University Press The Merchant of Venice
Book SynopsisFor this updated edition of one of Shakespeare's most problematic plays, Tom Lockwood has added a new introductory section on the latest scholarly trends, performance and adaptation practices which have occurred over the last two decades.Table of ContentsIntroduction; Note on the text; List of characters; The play; Supplementary note; Textual analysis; Appendix: Shakespeare's use of the Bible in The Merchant of Venice; Revised reading list.
£12.29
Cambridge University Press Shakespeares Lady Editors
Book SynopsisThe basic history of the Shakespearean editorial tradition is familiar and well-established. For nearly three centuries, men most of them white and financially privileged ensconced themselves in private and hard-to-access libraries, hammering out ''their'' versions of Shakespeare''s text. They produced enormous, learnèd tomes: monuments to their author''s greatness and their own reputations. What if this is not the whole story? A bold, revisionist and alternative version of Shakespearean editorial history, this book recovers the lives and labours of almost seventy women editors. It challenges the received wisdom that, when it came to Shakespeare, the editorial profession was entirely male-dominated until the late twentieth century. In doing so, it demonstrates that taking these women''s work seriously can transform our understanding of the history of editing, of the nature of editing as an enterprise, and of how we read Shakespeare in history.Trade Review'Fascinating insights into a hitherto unacknowledged contribution to our understanding of Shakespeare.' Greg Doran, Artistic Director of the RSC'I have read Molly Yarn's book with much pleasure and profit. It is full of interesting insights and sidelights and revealing sociological commentary. It is diligently and scrupulously researched, with a compelling narrative that brings together biography and bibliography (I love the phrase 'bio-bibliography') and foregrounds many hard working women editors, some of them leading multiple lives, who have been hitherto overlooked in the history of Shakespeare editing and criticism. She is not afraid, in her own word, to disclose the 'intimate' discoveries she has made, about herself and her subjects while working on this timely topic. It's an important and very readable contribution to Shakespeare studies.' Margaret Drabble'This is much more than a biography of forgotten and undervalued female editors of Shakespeare in the 19th and 20th centuries. It is a biography of what we value (or decide not to value ) in textual studies; it is a gripping account of female education in the United States and the United Kingdom; it is a chronicle of social circles and patronage; and it is a collection of deftly-told stories. Together these ingredients make for a compelling and illuminating read.' Laurie Maguire, University of Oxford'Few scholarly studies combine original research that opens a whole new field of enquiry and fascinates the non-specialist reader with a topic that is both relatable and deeply moving. Shakespeare's 'Lady Editors' is one of them. Molly Yarn embarked on her search for women editors of Shakespeare, assuming she would find a handful beyond the few 'household' names known to Shakespeare specialists. In fact, her careful archival work has revealed the names, biographies, and editorial achievements of sixty-nine women who edited Shakespeare in the UK and the US before 1950. Readers of Shakespeare's 'Lady Editors' will find in this book the first sustained critical assessment of a small army of women, whose editorial labour was quite literally lost, due to the disqualifying effect of their gender. Yarn does not only recover their labour but shows how influential it is in complementing and redefining our understanding of the official editorial tradition of Shakespeare.' Sonia Massai, King's College London'Shakespeare's 'Lady Editors' is a quite wonderful book. With extraordinary skill Molly Yarn has retrieved the history of the work of generations of women editors of Shakespeare, the story of whose labours has largely been lost to scholarly history. Yarn's scholarship is deeply impressive, but it is worn lightly and her book is energetically written, immensely readable and deeply engaging. The volume is an indispensable resource for anyone interested in the history of Shakespeare editing and the over-looked role of generations of women scholars in helping to construct and reframe the Shakespeare text. A thoroughly excellent volume.' Andrew Murphy, Trinity College Dublin'Molly G. Yarn's meticulously researched monograph considers the numerous women who edited Shakespeare in the nineteenth and early twentieth centuries, and thus shaped the history of Shakespearian transmission.' Georgina Wilson, Times Literary SupplementTable of ContentsPrologue: The Mystery of Mrs Valentine; 1. 'We Have Lost Our Labour': Recovering Women Editors of Shakespeare; 2. 'It is My Lady's Hand': Female Collaborators and Ambiguous Literary Labour; 2a. Sidenote: On Women Editing Not-Shakespeare (or Not Editing); 3. 'Give Ear, Sir, to My Sister': Women Editors and Scholarly Networks in America; 3a. Sidenote: A Primer on Early Student Editions of Shakespeare; 4. 'This Story the World May Read in Me': Biography and Bibliography; 5.'We Happy Few': Women and the New Bibliography; Epilogue.
£31.49
Bloomsbury Publishing PLC Studying Shakespeare Adaptation
Book SynopsisShakespeare's plays have long been open to reimagining and reinterpretation, from John Fletcher's riposte to The Taming of the Shrew in 1611 to present day spin-offs in a whole range of media, including YouTube videos and Manga comics. This book offers a clear route map through the world of adaptation, selecting examples from film, drama, prose fiction, ballet, the visual arts and poetry, and exploring their respective political and cultural interactions with Shakespeare''s plays. 36 specific case studies are discussed, three for each of the 12 plays covered, offering additional guidance for readers new to this important area of Shakespeare studies.The introduction signals key adaptation issues that are subsequently explored through the chapters on individual plays, including Shakespeare's own adaptive art and its Renaissance context, production and performance as adaptation, and generic expectation and transmedial practice. Organized chronologically, the chapters cover the mostTrade ReviewEntertaining and illuminating … This volume is of great value and provides an excellent introduction to Shakespeare in an adaptation that seems especially suited to those studying at the undergraduate level, offering not just an entry point into the plays discussed but many suggestions for further reading and research. * Cahiers Élisabéthains *[Combines] a broad thematic scope with a thorough and up-to-date scholarly background, presented in a reader-friendly style that makes the book accessible not only for the initiate, but also for students and even the educated general reader … [Provides] the reader with refreshing insights into each play’s afterlife, often highlighting unexpected thematic connections between works not commonly discussed together. * Journal of Adaptation in Film & Performance *Offering readers a window into the afterlives of Shakespeare’s plays across a stunning range of time, culture, and media, Studying Shakespeare Adaptation: From Restoration to YouTube is an indispensable guide to the cultural and critical contexts that define our understanding of the Bard past, present, and future. * Courtney Lehmann, University of the Pacific, USA *Table of ContentsIntroduction Chapter 1 Titus Andronicus Chapter 2 Richard III Chapter 3 A Midsummer Night’s Dream Chapter 4 Romeo and Juliet Chapter 5 The Merchant of Venice Chapter 6 Hamlet Chapter 7 Othello Chapter 8 King Lear Chapter 9 Macbeth Chapter 10 Cymbeline Chapter 11 The Winter’s Tale Chapter 12 The Tempest Conclusion References Index
£22.79
Bloomsbury Publishing PLC Lucy Light and Tumble Tuck
Book SynopsisDo you get to design your boobs? Is it like Build-A-Bear?Meet Lucy and Jess; two best friends who obsess over boys, booze and their boobs. But when her mother dies of breast cancer, Lucy is forced to make a decision that will change her body forever. A story that spans ten years, Lucy Light is a powerful duologue between two women that offers a nostalgic look at our relationship with our bodies, the hereditary nature of cancer, and the strength of female friendships.My front crawl is a bit f***ing feminineTumble Tuck is a funny, brutal and honest one person piece about body image, mental health and relationships, that seeks to examine what it means to be successful in a world where medals matter.In these two complementary new plays, Sarah Milton offers up two strong female led narratives with dynamic, complex characters.This edition was published to coincide with the London production of Lucy Light at The Vault Festival 2019.Trade Review4 Stars This is an absorbing and important hour of theatre. * The Stage on Lucy Light *5 Stars Lucy Light is an absorbing, truthful, and poignant hour of theatre. Sarah Milton's writing is raw and incredibly important * The National Student *With an admirable lightness of touch, Milton steers her characters into darker psychological terrain...compelling story, deftly told. * The Stage on Tumble Tuck *5 Stars Milton’s physicality takes us to the pool and beyond...Energetic and engaging * Theatre Full Stop on Tumble Tuck *
£13.93
Bloomsbury Publishing PLC Early Modern German Shakespeare Titus Andronicus
Book SynopsisThis open access book provides translations of early German versions of Titus Andronicus and The Taming of the Shrew. The introductory material situates these plays in their German context and discusses the insights they offer into the original English texts.English itinerant players toured in northern Continental Europe from the 1580s. Their repertories initially consisted of plays from the London theatre, but over time the players learnt German, and German players joined the companies, meaning the dramatic texts were adapted and translated into German. There are four plays that can legitimately be considered as versions of Shakespeare's plays. The present volume (volume 2) offers fully-edited translations of two of them: Tito Andronico (Titus Andronicus) and Kunst über alle Künste, ein bös Weib gut zu machen / An Art beyond All Arts, to Make a Bad Wife Good (The Taming of the Shrew). For the other two plays, Der Bestrafte BrudermordTable of ContentsList of Illustrations Acknowledgements Preface Introduction to Tito Andronico (Titus Andronicus) The Relationship of Tito Andronico to Titus Andronicus Issues of Race in Tito Andronico The Source of Tito Andronico The Peacham Drawing Titus and Vespasian and the Ur-Titus The Chapbook Prose History and the Ballad German Titus Plays in the Seventeenth Century Textual Introduction The Engelische Comedien vnd Tragedien of 1620 and 1624 Friedrich Menius and the 1620 Engelische Comedien vnd Tragedien The 1620 Engelische Comedien vnd Tragedien and Their Theatrical Origins Conclusion The 1620/1624 Engelische Comedien vnd Tragedien: Extant Copies Editorial History Introduction to Kunst über alle Künste, ein bös Weib gut zu machen (The Taming of the Shrew) The Relationship of Kunst über alle Künste to The Taming of the Shrew Characters and Plot: Correspondences and Differences Adapting the Plot of The Taming of the Shrew Soliloquies and Asides Verbal, Cultural and Dramatic Language The Taming of the Shrew in German in the Seventeenth Century Textual Introduction The Early Editions and Their Contexts: Publication, Paratext and Authorship The Order of Publication of the Two Editions of 1672 Extant Copies of the Early Editions Editorial History A note on the translations A note on the commentary and collation TITO ANDRONICO IN ENGLISH TRANSLATION KUNST ÜBER ALLE KÜNSTE, EIN BÖS WEIB GUT ZU MACHEN IN ENGLISH TRANSLATION Appendix: Doubling charts for Tito Andronico and Kunst über alle Künste, ein bös Weib gut zu machen Abbreviations and references Index
£82.50
Bloomsbury Publishing PLC ERIS
Book SynopsisYou know what would really fuck them off? If you went out there and found the least suitable, most inappropriate, most outrageous hunk of a man that this fine city has to offer, and the pair of you rock up to that church service in May, arm in arm. Seán is feeling wronged because his boyfriend Tim has been excluded from a family wedding back home in Ireland. What does it matter that they've just broken up? The problem for his family is that Tim is femme, fabulous and worst of all, English. Spurred on by righteous anger, Seán is determined to do something about it. As Greek myths, hook-up apps, and the musical stylings of Sinéad O'Connor collide, Seán launches into his hunt for the most disruptive plus-one possible.
£10.79
Bloomsbury Publishing PLC Shakespeare and Digital Pedagogy
Book SynopsisShakespeare and Digital Pedagogy is an international collection of fresh digital approaches for teaching Shakespeare. It describes 15 methodologies, resources and tools recently developed, updated and used by a diverse range of contributors in Great Britain, Australia, Asia and the United States. Contributors explore how these digital resources meet classroom needs and help facilitate conversations about academic literacy, race and identity, local and global cultures, performance and interdisciplinary thought. Chapters describe each case study in depth, recounting needs, collaborations and challenges during design, as well as sharing effective classroom uses and offering accessible, usable content for both teachers and learners.The book will appeal to a broad range of readers. College and high school instructors will find a rich trove of usable teaching content and suggestions for mounting digital units in the classroom, while digital humanities and education specialists will fiTrade ReviewTo read this volume is to encounter the richly generative creativity and expansive pedagogical imagination of scholar-teachers who have gathered at the nexus of Shakespeare and Digital Pedagogy. Carefully curated by Henderson and Vitale, the essays collected here provide inspiring case studies and generalizable strategies of wide interest to literary scholars and practitioners in educational development. The volume illuminates the many affordances of digital technologies in the classroom (physical and virtual) while asserting the winning claim that Shakespearean pedagogies are at their best when active, co-creative, and fully inclusive—indeed, one of the advantages of digital technology is the potential to diminish hierarchies of power and inspire co-creative action as a path to meaningful and persistent interpretation. The volume will be warmly welcomed and widely embraced. -- Elliott Visconsi, University of Notre Dame, USATable of ContentsList of figures Notes on contributors Foreword Michael Witmore (Folger Shakespeare Library, USA) Introduction Diana E. Henderson (MIT, USA) and Kyle Sebastian Vitale (Temple University USA) Part One Teaching Academic and Digital Literacy 1. Shakespeare Students as Scribes: Documenting the Classroom through Collaborative Digital Note-taking Cyrus Mulready (SUNY New Paltz, USA) 2. The Shakespeare CoLab: a Digital Learning Environment for Shakespeare Studies Rachael Deagman Simonetta, with Melanie Lo (both University of Colorado, Boulder, USA) 3. ‘Reading Strange Matters’: Digital Approaches to Early Modern Transnational Print History Kathryn Vomero Santos (Trinity University, USA) Part Two Teaching Diversity, Equity, and Inclusion 4. (Early) Modern Literature: Crossing the ‘Sonic Color Line’ David Sterling Brown (Binghamton University USA) 5. Diversifying Shakespeare: Intersections of Technology and Identity Meg Lota Brown and Kyle DiRoberto (both University of Arizona, USA) 6. The British Black and Asian Shakespeare Performance Database: Reclaiming Theatre History Jami Rogers (University of Warwick, UK) 7. Reading Interculturality in Class: Contextualising Global Shakespeares in and through A|S|I|A Eleine Ng-Gagneux (National University of Singapore, Singapore) Part Three. Teaching with Traditional and Modern Archives 8. Shakespeare at Basecamp Kristen Poole with Jake Cohen (University of Delaware, USA) 9. The Victorian Illustrated Shakespeare Archive: Art to Enchant Michael John Goodman (Cardiff University, UK) 10. Student-Curated Archives and the Digital Design of Shakespeare in Performance Marcia McDonald, Joel Overall, and Jayme M. Yeo (all Belmont University, USA) Part Four Teaching in Hybrid and Online Learning Environments 11. Performance and Pedagogy: The Global Shakespeares Online Merchant of Venice Course Sarah Connell (Northeastern University, USA) 12. Translating Shakespeare from Scene to Screen, and Back Again: Digital Tools for Teaching Richard III Loreen Giese (Ohio University, USA) 13. Dividing the Kingdoms: Interdisciplinary Methods for Teaching Shakespeare to Undergraduates Jaime Goodrich (Wayne State University, USA), with Sarah Noble (Berkley, Michigan, USA) Part Five Teaching in Web 3.0 14. Mapping the Global Absent in Shakespeare: Lessons Learned from a Student-Faculty Collaboration John S. Garrison with Ahon Gooptu (both Grinnell College, USA) 15. Shakespeare Reloaded’s Shakeserendipity Game: Pedagogy at the Edge of Chaos Liam E. Semler (University of Sydney, Australia) A Closing Note Diana E. Henderson and Kyle Sebastian Vitale
£21.84
Bloomsbury Publishing PLC The Cheviot the Stag and the Black Black Oil
Book SynopsisJohn McGrath was born in Birkenhead, Cheshire, in 1935. After national service and Oxford University, he wrote and directed for theatre and television, as well as writing for cinema. Early work included Z-Cars for BBC-TV (1962), Events While Guarding the Bofors Gun (1966) and the screenplay for Billion Dollar Brain (1976). In 1971, together with Elizabeth MacLennan, he co-founded the 7:84 Theatre Company, which divided into Scottish and English companies in 1973 with McGrath remaining as Artistic Director of both. During his career McGrath wrote over 60 plays, including Fish in the Sea(1972), The Cheviot, the Stag and the Black, Black Oil (1973), Blood Red Roses (1980), Border Warfare (1989), Watching for Dolphins (1992) and, most recently, HyperLynx (2001). He was twice Visiting Fellow in Theatre at Cambridge University. His previous books include A Good Night Out(1981), The Bone Won't Break (1990) andTrade ReviewArguably the single most important show in the whole history of Scottish theatre. * Scotsman *As play it has everything, and it throws it at you in generous handfuls; laughter, farce, drama, live song and dance, finely researched political intent. . . . a love song to a beautiful, damaged culture and a warning of the dangers of unchecked capitalism it still rings astonishingly true. * Independent *[McGrath] was Britain's Brecht, Scotland's Dario Fo . . . A creative powerhouse who was often out of fashion, but never out of action . . . Today, few speak, far less make theatre, with such ideological intent. * Guardian *Table of ContentsForeword by Kate McGrath The Play
£18.06
Bloomsbury Publishing PLC National Theatre Connections 2020
Book SynopsisNational Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year.This anthology brings together 9 new plays by some of the UK''s most prolific and current writers and artists alongside notes on each of the texts exploring performance for schools and youth groups. Wind / Rush Generation(s) by Mojisola Adebayo This is a play about the British Isles, its past and its present. Set in a senior common room, in a prominent university, a group of 1st year undergraduates are troubled, not by the weight ofTable of Contents1. Introduction to National Theatre Connections 2. Wind / Rush Generation(s) by Mojisola Adebayo 3. Directors Notes on The Changing Room by Chris Bush 4. Tuesday by Alison Carr 5. A series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly 6. THE IT by Vivienne Franzmann 7. The Marxist in Heaven by Hattie Naylor 8. Look Up by Andrew Muir 9. Crusaders by Frances Poet 10. Witches Can’t Be Burned by Silva Semerciyan 11. Dungeness by Chris Thompson Directors notes follow each of the 10 plays.
£20.89
Bloomsbury Publishing PLC Shakespeare and Geek Culture
Book SynopsisFrom fantasy and sci-fi to graphic novels, from boy scouts to board games, from blockbuster films to the cult of theatre, Shakespeare is everywhere in popular culture. Where there is popular culture there are fans and nerds and geeks. The essays in this collection on Shakespeare and Geek Culture take an innovative approach to the study of Shakespeare's cultural presences, situating his works, his image and his brand to locate and explore the nature of that geekiness that, the authors argue, is a vital but unrecognized feature of the world of those who enjoy and are obsessed by Shakespeare, whether they are scholars, film fans, theatre-goers or members of legions of other groupings in which Shakespeare plays his part.Working at the intersections of a wide range of fields including fan studies and film analysis, cultural studies and fantasy/sci-fi theory the authors demonstrate how the particularities of the connection between Shakespeare and geek culture generate new insights iTrade ReviewA great contribution to Shakespeare scholarship, especially those chapters which present informative, inspiring, and transformative ways fandom culture could be of use to Shakespeare studies. * Sederi Yearbook *Table of ContentsA. Geek Culture and Fiction 1. Shakespeare, Tolkien and Geeking Out, by Andrew James Hartley (University of North Carolina, USA) 2. “’I opened a door; that is all’: Neil Gaiman’s Decidedly Human Shakespeare in The Sandman.” by Emily Leverett (University of North Carolina, USA) 3. Shakespeare Unfocused in Time: Collective Memory and Anachronism in Terry Pratchett’s Wyrd Sisters, by Kyle Pivetti (University of Norwich, UK) 4. May the Bard Be with You: The Presence or Absence of Shakespeare’s Language in SciFi/Fantasy Adaptations , by Ann Martinez (Kent State University, USA) 5. “Questions of Time and Tense”: Shakespeare’s Past and Science Fiction’s Future, by Andrew Tumminia (Spring Hill College, USA) B. Geek Culture and the Shakespeare Sandbox 6. “Let’s kill Claudius in the church!”: Fan Fiction and Wish Fulfillment in Ryan North’s To Be or Not to Be and Romeo and/or Juliet, by Johnathan H. Pope ( Memorial University of Newfoundland, Canada) 7. Hiddleston-Shakespeare-Coriolanus: Rhizomatic Crossings in Fanfic, by Stephen O’Neill (Maynooth University, Ireland) 8. The Bard is dead, long live the Bard: Geek Bardolatry, the Death of the Author and Kill Shakespeare, by Douglas M. Lanier (University of Newfoundland, USA) 9. “There Lies the Substance”: Rediscovering Richard in Geek Culture, by Valerie M. Fazel (Arizona State University, USA) and Louise Geddes (Adelphi University, USA) 10. On eating paper and drinking ink, by Matt Kozusko (Ursinus College, USA) C. Pastimes, Gaming and Shakespeare 11. Shakespeare and the Renaissance of Board Games: Appropriation, Agency, and the Geek, by Vernon Dickson (Florida International University, USA) 12. Boy Scouting with the Bard, by M. Tyler Sasser (University of Alabama, USA) 13. The Play of Gender Is The Thing: Geeky Shakespeare and the Power of What If?, by Jessica McCall (Delaware Valley University, USA) 14. Witcher 3: Wild Hunt as Shakespearean Theater, by Rebecca Bushnell (University of Pennsylvania, USA) D. Film, Theatre and Geek Culture 15. Vulnerable Geek Masculinity in Recent Shakespeare on Film, by Keith M. Botelho (Kennesaw State University, USA) 16. Shakespearean Whedon and Whedonesque Shakespeare, by Jennifer Flaherty (Georgia College, USA) 17. Worst. Lear. Ever.: Early Modern Drama and Geek Hermeneutics, by James D. Mardock (University of Nevada, USA) 18. I Can Geek Upon Occasion: Shakespeare and Theatrical Geekery, by Peter Holland (University of Notre Dame, USA) Notes References Index
£26.96
Bloomsbury Publishing PLC Euripides Children of Heracles
Book SynopsisThis book is an accessible guide through the many twists and turns of Euripides' Children of Heracles, providing several frameworks through which to understand and appreciate the play. Children of Heracles follows the fortunes of Heracles' family after his death. Euripides confronts characters and audience alike with an extraordinary series of plot twists and ethical challenges as the persecuted family of refugees struggles to find asylum in Athens before taking revenge on its enemy Eurystheus. It is a fast-paced story that explores the nature of power and its abuse, focusing on the appropriate treatment and behaviour of the powerless and the obligations and limitations of asylum. The audience must continually re-evaluate the play's moral dimensions as the characters respond to complications that range from the fantastic to the frighteningly realistic.Yoon situates Children of Heracles in its literary context, showing how Euripides constructs a unique kind of tragiTrade ReviewYoon opens up this play’s neglected riches in crisp, lucid, and precise prose. * Greece & Rome *With [an] earnest and well-executed plea for readers and theatre-goers to appreciate this relatively neglected play for what it has to offer rather than succumb to the weight of a long, but receding, history of negative critical reception, Yoon fulfils the aims of a Bloomsbury Companion admirably. * The Classical Review *Table of ContentsList of figures Preface Chapter 1: Action and expectation Chapter 2: Summing the parts Chapter 3: Heracles and other imagined figures Chapter 4: The power of the weak Chapter 5: Then and now Appendix: Fragments Selected chronology Guide to Further Reading Notes Bibliography Index
£23.74
Bloomsbury Publishing PLC Staging America
Book SynopsisThis book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.Many of the American playwrights who dominated the 20th century are no longer with us: Edward Albee, Arthur Miller, Sam Shepard, Neil Simon, August Wilson and Wendy Wasserstein. A new generation, whose careers began in this century, has emerged, and done so when the theatre itself, along with the society with which it engages, was changing. Capturing the cultural shifts of 21st-century America, Staging America explores the lives and works of 8 award-winning playwrights including Ayad Akhtar, Stephen Adly Guirgis, Young Jean Lee and Quiara Alllegría Hudes whose backgrounds reflect the social, religious, sexual and national diversity of American society. Each chapter is devoted to a single playwright and provides an overview of their career, a description and critical evaluation of their work, as well as a sense of their reception. Drawing on primary sources, incTrade Review[Bigsby’s] writing is a breath of fresh air … the kind of volume that one could recommend to any theatre lover, especially those with an interest in American drama and dramatists today. * British Theatre Guide *Christopher Bigsby’s Staging America: Twenty-First Century Dramatists is a beautifully written book, one brimming with fresh critical insights. What is immediately obvious is his utter command of his material. The book will appeal to theatergoers and scholars interested American dramatists whose works define selected public issues of a nation as reflected through the private anxieties of its citizens ... Bigsby’s book has the panoptic reach and cultural depth to make it one of the major coordinates in contemporary American drama scholarship, an area which he has helped re-think and remap over the years. * Modern Drama *Bigsby's probing of the playwrights' diverse backgrounds reveals an interesting commonality: most expressed a sense of double identity, having grown up as Americans within the larger society yet also as outsider observers of that society. Well-chosen epigraphs head each chapter and point to crucial insights. The literary criticism is balanced by brief assessments of theater reviewers' responses … Summing Up: Recommended. With reservations. Upper-division undergraduates through faculty and professionals. * CHOICE *Table of ContentsIntroduction 1. Ayad Akhtar 2. David Auburn 3. Stephen Adly Guirgis 4. Quiaia Allegría Hudes 5. Young Jean Lee 6 Bruce Norris 7. J.T. Rogers 8. Christopher Shinn Notes About the Author Index
£22.79
Bloomsbury Publishing (UK) Cape
Book SynopsisInua Ellams: Born in Nigeria in 1984, Inua is an internationally touring poet, playwright, performer, graphic artist & designer. He is an ambassador for the Ministry of Stories and has published four books of poetry: Candy Coated Unicorns and Converse All Stars', Thirteen Fairy Negro Tales' 'The Wire-Headed Heathen' and '#Afterhours'. His first play The 14th Tale was awarded a Fringe First at the Edinburgh International Theatre Festival and his fourth Barber Shop Chronicles sold out its run at England's National Theatre. He is currently touring 'An Evening With An Immigrant' and working on The Half God of Rainfall a new play in verse. In graphic art & design, online and in print, he tries to mix the old with the new, juxtaposing texture and pigment with flat shades of colour and vector images. He lives and works from London, where he founded the Midnight Run, a nocturnal urban excursion. He is a Fellow of the Royal Society of Literature.Trade ReviewIt feels like a very contemporary piece which will resonate with young people and which could easily be linked to current events and news for literacy events. * Teaching English *Table of Contents1. Introduction and Teacher Resources by Synergy Theatre Project 2. Cape Playtext
£10.99
Bloomsbury Publishing PLC Hamlet The State of Play
Book SynopsisThis collection brings together emerging and established scholars to explore fresh approaches to Shakespeare's best-known play. Hamlet has often served as a testing ground for innovative readings and new approaches. Its unique textual history surviving as it does in three substantially different early versions means that it offers an especially complex and intriguing case-study for histories of early modern publishing and the relationship between page and stage. Similarly, its long history of stage and screen revival, creative appropriation and critical commentary offer rich materials for various forms of scholarship. The essays in Hamlet: The State of Play explore the play from a variety of different angles, drawing on contemporary approaches to gender, sexuality, race, the history of emotions, memory, visual and material cultures, performativity, theories and histories of place, and textual studies. They offer fresh approaches to literary and cultural analysis, offer Table of ContentsList of Illustrations Series Preface Introduction: Sonia Massai (King’s College London) and Lucy Munro (King’s College London) Chapter 1: Hamlet’s Touch of Picture: Kaara L. Peterson (Miami University, USA) Chapter 2: Remembering Ophelia: Theatrical Properties and the Performance of Memory in Shakespeare’s Hamlet: Kathryn M. Moncrief (Worcester Polytechnic Institute, USA) Chapter 3: “Tragedians of the City”: Hamlet and Urban Exile: Kelly Stage (University of Nebraska, Lincoln, USA) Chapter 4: Code Black: Whiteness and Unmanliness in Hamlet: David Sterling Brown (SUNY Binghamton, USA) Chapter 5: Character Fictions in Hamlet: Jay Farness (Northern Arizona University, USA) Chapter 6: Q1 Hamlet and the Sequence of Creation of the Texts: Charles Adams Kelly (Howland Research) and Dayna Leigh Plehn (Howland Research, USA) Chapter 7: The Hamlet First Quarto: Traces of Performance?: William Nigel Dodd (ADD, USA) Chapter 8: “You must wear your rue with a difference”: Gertrude, Ghazala, and the Sati in Haider’: Pompa Banerjee (University of Colorado, Denver, USA) Chapter 9: ‘Most Eloquent Music’ (and Multiple Texts): The 2017 Glyndebourne Opera of Hamlet : Ann Thompson (King’s College London, UK) and Neil Taylor (Roehampton University, UK) Notes References Index
£28.99
Bloomsbury Publishing PLC The Inequalities
Book SynopsisHe is a Chekhov of our time: holding his characters with as much humanity, compassion, humor and love - but without holding back his scathing indictment of deeply entrenched, systemic injustices and inequities.' - David SchwimmerThe Inequalities combines three plays from British author and director Alexander Zeldin into a trilogy that tells new stories of love, compassion and resilience for our time of austerity.Contextualised with an essay before each play and an in-depth interview with the author, Zeldin's three pieces present intimate stories of work, home and community in a radical form of realism. Written after extensive research across the United Kingdom, and involving people affected by the central themes of the plays, The Inequalities goes beyond social chronicle, achieving a timeless portrait of humanity under duress. This is theatre that goes behind the mirror of our time to reveTrade ReviewThis is the National's play of the year - and then some * Evening Standard on LOVE *This desolate, quietly intense devised drama gets under your skin and into your bones... unforgettable * The Times on Beyond Caring *Gripping, amusing, uncomfortable, desperately moving. Zeldin shows us friction…but also kindness and dignity and lots of love without turning sugary * The Times (on Love) *Table of Contents1. Foreword by Rufus Norris 2. Introductory essay to Beyond Caring 3. BEYOND CARING 4. The Beyond Caring Bookshelf 5. Introductory essay to LOVE 6. LOVE 7. The LOVE Bookshelf [1pp] 8. Introductory essay to FAITH, HOPE AND CHARITY 9. FAITH, HOPE AND CHARITY [96pp] 10. The FAITH, HOPE AND CHARITY Bookshelf [1pp] 11. Interview with Alexander Zeldin on Process, edited by Faye Merralls
£23.74
Bloomsbury Publishing PLC Beyond The Canons Plays for Young Activists
Book SynopsisNominated for Outstanding Drama Education Resource at the 2024 Music & Drama Education AwardsA first-of-its-kind anthology, Beyond The Canon's Plays for Young Activists combines plays, toolkits, and an online guide to empower young people into activism. With award-winning plays from the UK's most revolutionary female writers of colour, as well as bespoke multimedia learning guides, this collection offers young global activists aged 16+, as well as teachers and creatives at any level, the opportunity to diversify their education and enhance their understanding of politically driven plays, world politics and social justice. Unique in how it amplifies these selected award-winning plays by incorporating learning guides that accommodate different learning styles (be they visual, auditory, reading/writing and kinaesthetic), Beyond The Canon dares readers to take a deeper dive into the world of the play, be inspired by the themes and provocations anTrade ReviewThese are genuinely groundbreaking plays, full of provocations and rich sources of discussion, both in and out of the classroom … The watching, studying and reading of these plays can contribute to those aspirations being realised, encourage students to take a deeper and more clear-eyed view of our shared history and cultural assumptions, and ultimately help them step out of their comfort zones. -- John Dabell * Teach Secondary Magazine *Table of Contents1. About Beyond The Canon Limited 2. Introduction by Simeilia Hodge-Dallaway 3. Introduction Sarudzayi Marufu 4. Beyond The Canon’s Top Tips for Approaching Politically Charged Plays: Creating a Safe Space 5. Interview with and Biography of Mojisola Adebayo 6. Muhammad Ali and Me by Mojisola Adebayo - Playscript 7. Muhammad Ali and Me - Learning Resource written by Award-Winning Writer and Co-Founder at Black Lives Black Words International Project, Reginald Edmund 8. Interview with and Biography of Hannah Khalil 9. A Museum in Baghdad by Hannah Khalil 10. A Museum in Baghdad - Learning Resource written by Director, Dramaturg and Education Associate for RSC Chris White 11. Interview with and Biography of Amy Ng 12. Acceptance by Amy Ng 13. Acceptance - Learning Resource Written by the Author 14. Continue the Conversation 15. References and Inspirations
£20.89
Bloomsbury Publishing PLC Kieran Hurley Plays 1
Book SynopsisMulti-award-winning Scottish playwright Kieran Hurley has been making waves since the early 2010s with his vivid storytelling and searing honesty, creating plays acutely concerned with society and community, and deeply enmeshed in Scotland''s local political context. Tracking the evolution of Hurley''s work from his early solo shows to his later large-cast plays and featuring an introduction by Scottish theatre critic Joyce McMillan, this is an exciting collection showcasing one of the UK''s most exciting creators of politically-engaged theatre. The plays collected are:Hitch (2010): a previously unpublished solo show about Hurley''s hitchhiking trip to the 2009 G8 meeting in L''Aquila, exploring the meaning of political protest.Beats (2012): a coming-of-age story exploring the aftermath of the 1994 Criminal Justice Act outlawing raves. It was adapted into a film in 2019, garnering nominations for BIFA Best Debut Screenplay and WGGB Best Screenplay.Heads Up (2016): Trade ReviewGripping, truthful and engaged … Mouthpiece reaffirms Kieran Hurley’s place as a hugely talented playwright for today. * The Stage on Mouthpiece *A tremendous piece of storytelling that takes us back to 1994… One of the best shows of the Edinburgh Festival last year. * The Guardian on Beats *Table of ContentsIntroduction by Joyce McMillan Plays 1. Hitch 2. Beats 3. Heads Up 4. Mouthpiece 5. The Enemy
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