Literary studies: plays and playwrights Books

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Book SynopsisIn the 1920s a distinctively American detective fiction emerged from the pages of pulp magazines. The \u201chard-boiled\u201d stories published in Black Mask, Dime Detective, Detective Fiction Weekly, and Clues featured a new kind of hero and soon challenged the popularity of the British mysteries that held readers in thrall on both sides of the Atlantic. In Hard-Boiled Erin A. Smith examines the culture that produced and supported this form of detective story through the 1940s. Relying on pulp magazine advertising, the memoirs of writers and publishers, Depression-era studies of adult reading habits, social and labor history, Smith offers an innovative account of how these popular stories were generated and read. She shows that although the work of pulp fiction authors like Dashiell Hammett, Raymond Chandler, and Erle Stanley Gardner have become \u201cclassics\u201d of popular culture, the hard-boiled genre was dominated by hack writers paid by the word, not self-styled artists. Pulp magazine editors and writers emphasized a gritty realism in the new genre. Unlike the highly rational and respectable British protagonists (Miss Marple and Hercule Poirot, for instance), tough-talking American private eyes relied as much on their fists as their brains as they made their way through tangled plotlines. Casting working-class readers of pulp fiction as \u201cpoachers,\u201d Smith argues that they understood these stories as parables about Taylorism, work, and manhood; as guides to navigating consumer culture; as sites for managing anxieties about working women. Engaged in re-creating white, male privilege for the modern, heterosocial world, pulp detective fiction shaped readers into consumers by selling them what they wanted to hear - stories about manly artisan-heroes who resisted encroaching commodity culture and the female consumers who came with it. Commenting on the genre\u2019s staying power, Smith considers contemporary detective fiction by women, minority, and gay and lesbian writers.Trade Review"Picking up a classic 'hard-boiled' detective novel by Dashiell Hammet or Raymond Chandler-or even modern-day Sara Paretsky-is an entirely different experience after reading Smith's fascinating book. Now the pages of these novels and their close cousins, the pulp magazines, have become rich canvases for working out struggles over readers' class and consumer identities." -Lizabeth Cohen, Harvard University "Not until Erin Smith's innovative study have we had such a fully-grounded look at the imagined community of working-class fraternity, masculinity, and consumerism through which pulp audiences interpreted the 'fast-talking' heroes of hard-boiled detective fiction. A lively, engaging book that ranges from the linguistics to the sartorial dimensions of the genre, from labor to cultural capital, from advertising copy to literary theory." -Christopher P. Wilson, author of Cap Knowledge: Police Power and Cultural Narrative in Twentieth Century America "Hard-Boiled [is] a valuable contribution to the study of American literature between the wars." -Modern Fiction Studies "Erin Smith's Hard-Boiled is an extremely interesting and well-written analysis of the pulp magazines." -American Literature "Hard-Boiled ably demonstrates that detective pulp fiction functioned contradictorily, simultaneously empowering its readers and keeping them in line. Moreover, Smith's careful research persuasively reconstructs the proletarian readers who left no written records of their experience, thus making a substantial contribution to the field of working-class studies." -The Journal of American History "One of the few works of pure American Studies that I have as yet encountered, Hard-Boiled is a work of interdisciplinary scholarship..." -Journal of Social History "...offers a thoroughly inventive approach to sensational crime fiction... Smith's deft readings demonstrate the often surprising ambiguity of the pulps' gender, labor, and consumer politics." -Novel: A Forum on FictionTable of ContentsCONTENTS Acknowledgments Introduction PART I: Reconstructing Readers 1. The Hard-Boiled Writer and the Literary Marketplace 2. The Adman on the Shop Floor: Workers, Consumer Culture, and the Pulps PART II: Reading Hard-Boiled Fiction 3. Proletarian Plots 4. Dressed to Kill 5. Talking Tough 6. The Office Wife Afterword Notes Index

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Book SynopsisIn the 1920s a distinctively American detective fiction emerged from the pages of pulp magazines. The \u201chard-boiled\u201d stories published in Black Mask, Dime Detective, Detective Fiction Weekly, and Clues featured a new kind of hero and soon challenged the popularity of the British mysteries that held readers in thrall on both sides of the Atlantic. In Hard-Boiled Erin A. Smith examines the culture that produced and supported this form of detective story through the 1940s. Relying on pulp magazine advertising, the memoirs of writers and publishers, Depression-era studies of adult reading habits, social and labor history, Smith offers an innovative account of how these popular stories were generated and read. She shows that although the work of pulp fiction authors like Dashiell Hammett, Raymond Chandler, and Erle Stanley Gardner have become \u201cclassics\u201d of popular culture, the hard-boiled genre was dominated by hack writers paid by the word, not self-styled artists. Pulp magazine editors and writers emphasized a gritty realism in the new genre. Unlike the highly rational and respectable British protagonists (Miss Marple and Hercule Poirot, for instance), tough-talking American private eyes relied as much on their fists as their brains as they made their way through tangled plotlines. Casting working-class readers of pulp fiction as \u201cpoachers,\u201d Smith argues that they understood these stories as parables about Taylorism, work, and manhood; as guides to navigating consumer culture; as sites for managing anxieties about working women. Engaged in re-creating white, male privilege for the modern, heterosocial world, pulp detective fiction shaped readers into consumers by selling them what they wanted to hear - stories about manly artisan-heroes who resisted encroaching commodity culture and the female consumers who came with it. Commenting on the genre\u2019s staying power, Smith considers contemporary detective fiction by women, minority, and gay and lesbian writers.Trade Review"Picking up a classic 'hard-boiled' detective novel by Dashiell Hammet or Raymond Chandler-or even modern-day Sara Paretsky-is an entirely different experience after reading Smith's fascinating book. Now the pages of these novels and their close cousins, the pulp magazines, have become rich canvases for working out struggles over readers' class and consumer identities." -Lizabeth Cohen, Harvard University "Not until Erin Smith's innovative study have we had such a fully-grounded look at the imagined community of working-class fraternity, masculinity, and consumerism through which pulp audiences interpreted the 'fast-talking' heroes of hard-boiled detective fiction. A lively, engaging book that ranges from the linguistics to the sartorial dimensions of the genre, from labor to cultural capital, from advertising copy to literary theory." -Christopher P. Wilson, author of Cap Knowledge: Police Power and Cultural Narrative in Twentieth Century America "Hard-Boiled [is] a valuable contribution to the study of American literature between the wars." -Modern Fiction Studies "Erin Smith's Hard-Boiled is an extremely interesting and well-written analysis of the pulp magazines." -American Literature "Hard-Boiled ably demonstrates that detective pulp fiction functioned contradictorily, simultaneously empowering its readers and keeping them in line. Moreover, Smith's careful research persuasively reconstructs the proletarian readers who left no written records of their experience, thus making a substantial contribution to the field of working-class studies." -The Journal of American History "One of the few works of pure American Studies that I have as yet encountered, Hard-Boiled is a work of interdisciplinary scholarship..." -Journal of Social History "...offers a thoroughly inventive approach to sensational crime fiction... Smith's deft readings demonstrate the often surprising ambiguity of the pulps' gender, labor, and consumer politics." -Novel: A Forum on FictionTable of ContentsCONTENTS Acknowledgments Introduction PART I: Reconstructing Readers 1. The Hard-Boiled Writer and the Literary Marketplace 2. The Adman on the Shop Floor: Workers, Consumer Culture, and the Pulps PART II: Reading Hard-Boiled Fiction 3. Proletarian Plots 4. Dressed to Kill 5. Talking Tough 6. The Office Wife Afterword Notes Index

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Book SynopsisWhat is the effect of a 'nation'? In this age of globalization, is it dead, dying, only dormant? The essays in this groundbreaking volume use the arts in Mexico to move beyond the national and the global to look at the activity of a community continually re-creating itself within and beyond its own borders. Mexico is a particularly apt focus, partly because of the vitality of its culture, partly because of its changing political identity, and partly because of the impact of borders and borderlessness on its national character. The ten essays collected here look at a wide range of aesthetic productions especially literature and the visual arts that give context to how art and society interact.Steering a careful course between the nostalgia of nationalism and the insensitivity of globalism, these essays examine modernism and postmodernism in the Mexican setting. Individually, they explore the incorporation of historical icons, of vanguardism, and of international influence. From Diego Rivera to Elena Garro, from the Tlateloco massacre to the Chiapas rebellion, from mass-market fiction to the film "Aliens", the contributors view the many sides of Mexican life as relevant to the creation of a constantly shifting national culture. Taken together, the essays look both backward and forward at the evolving effect of the Mexican nation. Author note: Carl Good is Assistant Professor of Spanish at Emory University. John V. Waldron is an independent scholar living in Connecticut.Trade Review"Broad enough to appeal to a wide audience of Mexicanists, while at the same time focused around a specific set of issues, The Effects of the Nation is a strong collection of essays, both well-conceived and well written. The dual focus on literature and visual art strengthens the book by suggesting connections among various Mexican intellectual circles and the cultural industries. The result should appeal to both literary scholars and art historians." --Claire Fox, author of The Fence and the River: Culture and Politics at the U.S.-Mexican Border "The diversity of these essays reveals an interlocking strength built upon a common thematic, without coming across individually as narrowly construed or atomized. There is a wonderful overlap as well as tension between the essays, notably in the ways that the authors approach the question of representation and power in the Mexican national (and transnational) space. The publication of this collection will come at a fortuitous moment, when academic interest in Mexican studies is breaking free of earlier agendas." --Eric Zolov, Assistant Professor of Latin American History at Franklin and Marshall College and author of Refried Elvis: The Rise of the Mexican Counterculture "The essays in this book use the arts in Mexico to move away from the national and the global, to look at the activity of a community continually recreating itself within and beyond its own borders. The essays examine a wide range of aesthetic productions--especially literature and the visual arts--that give context to how art and society interact." --Hispanic OutlookTable of ContentsIntroduction: Ungoverned Specificities Carl Good 1. Mexican Art on Display Olivier Debroise 2. Mathias Goeritz: Emotional Architecture and Creating a Mexican National Art Juan Bruce-Novoa 3. Corporeal Identities in Mexican Art: Modern and Postmodern Strategies Karen Cordero Reiman 4. Elena Poniatowska's Querido Diego, te abraza Quiela: A Revision of Her Story Susan C. Schaffer 5. "Un octubre manchado se detiene": Memory and Testimony in the Poetry of David Huerta Jacobo Sefami 6. Aesthetic Criteria and the Literary Market in Mexico: The Changing Shape of Quality, 1982-1994 Danny J. Anderson 7. Un hogar insolito: Elena Garro and Mexican Literary Culture Rebecca E. Biron 8. Rene Derouin: Dialogues with Mexico Montserrat Gali Boadella 9. Unhomely Feminine: Rosina Conde Debra A. Castillo 10. The Postmodern Hybrid: Do Aliens Dream of Alien Sheep? Rolando Romero About the Contributors Index

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Book SynopsisWhat is the effect of a \u0022nation\u0022? In this age of globalization, is it dead, dying, or only dormant? The essays in this groundbreaking volume use the arts in Mexico to move beyond the national and the global to look at the activity of a community continually re-creating itself within and beyond its own borders. Mexico is a particularly apt focus, partly because of the vitality of its culture, partly because of its changing political identity, and partly because of the impact of borders and borderlessness on its national character. The ten essays collected here look at a wide range of aesthetic productions -- especially literature and the visual arts -- that give context to how art and society interact. Steering a careful course between the nostalgia of nationalism and the insensitivity of globalism, these essays examine modernism and postmodernism in the Mexican setting. Individually, they explore the incorporation of historical icons, of vanguardism, and of international influence. From Diego Rivera to Elena Garro, from the Tlateloco massacre to the Chiapas rebellion, from mass-market fiction to the film Aliens, the contributors view the many sides of Mexican life as relevant to the creation of a constantly shifting national culture. Taken together, the essays look both backward and forward at the evolving effect of the Mexican nation.Trade Review"Broad enough to appeal to a wide audience of Mexicanists, while at the same time focused around a specific set of issues, The Effects of the Nation is a strong collection of essays, both well-conceived and well written. The dual focus on literature and visual art strengthens the book by suggesting connections among various Mexican intellectual circles and the cultural industries. The result should appeal to both literary scholars and art historians." -Claire Fox, author of The Fence and the River: Culture and Politics at the U.S.-Mexican Border "The diversity of these essays reveals an interlocking strength built upon a common thematic, without coming across individually as narrowly construed or atomized. There is a wonderful overlap as well as tension between the essays, notably in the ways that the authors approach the question of representation and power in the Mexican national (and transnational) space. The publication of this collection will come at a fortuitous moment, when academic interest in Mexican studies is breaking free of earlier agendas." -Eric Zolov, Assistant Professor of Latin American History at Franklin and Marshall College and author of Refried Elvis: The Rise of the Mexican Counterculture "The essays in this book use the arts in Mexico to move away from the national and the global, to look at the activity of a community continually recreating itself within and beyond its own borders. The essays examine a wide range of aesthetic productions-especially literature and the visual arts-that give context to how art and society interact." -Hispanic OutlookTable of ContentsIntroduction: Ungoverned Specificities - Carl Good 1. Mexican Art on Display - Olivier Debroise 2. Mathias Goeritz: Emotional Architecture and Creating a Mexican National Art - Juan Bruce-Novoa 3. Corporeal Identities in Mexican Art: Modern and Postmodern Strategies - Karen Cordero Reiman 4. Elena Poniatowska's Querido Diego, te abraza Quiela: A Revision of Her Story - Susan C. Schaffer 5. "Un octubre manchado se detiene": Memory and Testimony in the Poetry of David Huerta - Jacobo Sefami 6. Aesthetic Criteria and the Literary Market in Mexico: The Changing Shape of Quality, 1982-1994 - Danny J. Anderson 7. Un hogar insolito: Elena Garro and Mexican Literary Culture - Rebecca E. Biron 8. Rene Derouin: Dialogues with Mexico - Montserrat Gali Boadella 9. Unhomely Feminine: Rosina Conde - Debra A. Castillo 10. The Postmodern Hybrid: Do Aliens Dream of Alien Sheep? - Rolando Romero About the Contributors Index

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Book SynopsisThe 1590s were black years for England. The queen was old, the succession unclear, and the treasury empty after decades of war. Amid the rising tension, William Shakespeare published a pair of poems dedicated to the young Earl of Southampton: Venus and Adonis in 1593 and The Rape of Lucrece a year later. Although wildly popular during Shakespeare's lifetime, to modern readers both works are almost impenetrable. But in her enthralling new book, the Shakespearean scholar Clare Asquith reveals their hidden contents: two politically charged allegories of Tudor tyranny that justified--and even urged--direct action against an unpopular regime. The poems were Shakespeare's bestselling works in his lifetime, evidence that they spoke clearly to England's wounded populace and disaffected nobility, and especially to their champion, the Earl of Essex.Shakespeare and the Resistance unearths Shakespeare's own analysis of a political and religious crisis which would shortly erupt in armed rebellion on the streets of London. Using the latest historical research, it resurrects the story of a bold bid for freedom of conscience and an end to corruption which was erased from history by the men who suppressed it. This compelling reading situates Shakespeare at the heart of the resistance movement, and sees him correctly identifying the factors that would before long plunge the country into civil war.

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Book SynopsisThis is a comprehensive guide to the writing career of the author of ""Angels in America"".""Understanding Tony Kushner"" surveys the acclaimed writings of the author of the Pulitzer Prize - winning drama ""Angels in America"" and coauthor of the Academy Award-nominated screenplay for the film ""Munich"". Viewing Kushner as a sociopolitical dramatist in the tradition of Henrik Ibsen, George Bernard Shaw, and Bertolt Brecht, James Fisher guides readers through Kushner's influences and creations to map the importance of the writer's body of work in expanding the postmodern literary and cultural landscapes. After grounding his discussions in Kushner's early plays, ""A Bright Room Called Day"" and ""Hydriotaphia"", or ""The Death of Dr. Brown"", Fisher engages with the two plays of ""Angels in America"" to identify the major themes to be revisited in subsequent works. Fisher reads the depiction of the clash of values in the mid-1980s in Angels as Kushner's placement of humanity's fate at the nexus of divergent views on morality, politics, religion, history, gender, and sexuality, views that complicate individual and national identity and beg the overarching question, is change to be embraced or challenged? Fisher concludes with an exploration of how Kushner moves his themes from stage to screen in Munich and the forthcoming film Lincoln, both directed by Steven Spielberg.

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Book SynopsisAnnual collection of essays, this year treating works by Donne, Shakespeare, Marvell, and Spenser, among other topics. Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The conference accepts papers on all subjects relating to the Renaissance -- music, art, history, literature, etc. -- from scholars all over North America and the world. Of the nine essays in the 2002 volume, three have to do with John Donne; among the topics here are Donne and Pietro Aretino, Donne and "All the World," andauthorial intention in the Holy Sonnets. Two essays deal with Shakespeare, specifically the discourse of dilution in 2 Henry IV and the Ovidian underworld in Othello. Other essays treat Marvell and the temporality of paranoia; poetry, patronage, and identity in Spenser's The Faerie Queene; and the visual culture of the Elizabethan prodigy house. Contributors: Nicholas Crawford, Dennis Flynn, Heather Hirschfeld, Pamela Royston Macfie, Anne E. McIlhaney, Graham Roebuck, Gary Stringer, James M. Sutton, Alzada Tipton. M. Thomas Hester is professor of English at North Carolina State UniversityTable of ContentsPastoral Community and the Hooks of Memory: The Mnemonic Landscape of Izaak Walton's Compleat Angler (1653)Compleat Angler (1653) - Anne E. McIlhaney Marvell and the Temporality of Paranoia - Heather Hirschfeld Familiar Letters: Donne and Pietro Aretino - Dennis A. Flynn The Discourse of Dilution in 2 Henry IV - Nicholas Crawford John Donne and "All the World" - Graham Roebuck Poetry, Patronage, and Identity in the Dance of the Graces, Book VI of The Faerie Queene - Alzada Tipton The "Allurement of Liking" and the "Contention of the Eyes": Decoding the Visual Culture of the Elizabethan Prodigy House - James M. Sutton Discovering Authorial Intention in the Manuscript Sequences of Donne's Holy Sonnets - Gary Stringer

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Book SynopsisCutting-edge criticism on major aspects of Goethe's best-known work. Undisputedly a canonical work, Goethe's Faust is also the key to understanding its author, one of European civilization's most complex figures. Written over several decades, the work spans both Goethe's life and an age of enormous social, political, philosophical, and artistic change - even revolution. In this volume, Goethe scholars and experts from Europe and North America explore major aspects of this fascinating work, offering a cutting-edge guide to both reader and scholar. Contributors: Ritchie Robertson, Martin Swales, Alberto Destro, Osman Durrani, Ellis Dye, John R. Williams, Anthony Phelan, Franziska Schößler, Peter D. Smith, Cyrus Hamlin, R.H. Stephenson, David Luke, Robert David McDonald Paul Bishop is William Jacks Chair of Modern Languages at the University of Glasgow.Trade ReviewEach essay presents an interesting aspect of Faust research, and the volume as a whole can be used as a very informative reference work. * GERMAN STUDIES REVIEW *...as a coherent, accessible, often masterful introduction to a vast and complex work, this volume fulfills its promise....There is, without question, an awe-inspiring critical sovereignty and breadth in this book. * GOETHE YEARBOOK *Table of ContentsIntroduction: Reading Faust Today - Paul Bishop Literary Techniques and Aesthetic Texture in Faust - Ritchie Robertson The Character and Characterization of Faust - Martin Swales The Guilty Hero, or the Tragic Salvation of Faust - Alberto Destro The Character and Qualities of Mephistopheles - Osman Durrani Figurations of the Feminine in Goethe's Faust - Ellis Dye - DECEASED IN 2017 The Problem of the Mothers - John R. Williams The Classical and the Medieval in Faust II - Anthony Phelan Progress and Restorative Utopia in Faust II and Wilhelm Meisters Wanderjahre - Franziska Schößler "Was die Welt im Innersten zusammenhält": Scientific Themes in Goethe's Faust - Peter Smith Goethe's Faust and the Philosophers - Cyrus Hamlin The Diachronic Solidity of Goethe's Faust - R.H. Stephenson Translating Faust: A Personal Statement - F.D. Luke Faust: The Play in Production - Robert David MacDonald

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Book SynopsisA reassessment of genre that fills a major gap in Goethe's oeuvre and initiates a radically new reading of Faust. Goethe has long been enshrined as the greatest German poet, but his admirers have always been uneasy with the idea that he did not produce a great epic poem. A master in all the other genres and modes, it has been felt, should have done so. Arnd Bohm proposes that Goethe did compose an epic poem, which has been hidden in plain view: Faust. Goethe saw that the Faust legends provided the stuff for a national epic: a German hero, a villain (Mephistopheles), a quest (to know all things), a sublime conflict (good versus evil), a love story (via Helen of Troy), and elasticity (all human knowledge could be accommodated by the plot). Bohm reveals the care with which Goethe draws upon such sources as Tasso, Ariosto, Dante, and Vergil. In the microcosm of the "Auerbachs Keller" episode Faust has the opportunity to find "what holds the world together in its essence" and to end his quest happily, but he fails. He forgets the future because he cannot remember what epic teaches. His course ends tragically, bringing him back to the origin of epic, as he replicates the Trojans' mistake of presuming to cheat the gods. Arnd Bohm isAssociate Professor of English at Carleton University, Ottawa.Trade ReviewWinner of the 2007 CHOICE Outstanding Academic Title Award * . *A bold undertaking by a careful scholar, this book displays an impressive grasp of its supporting materials. Bohm challenges readers to view Faust in interesting new ways and supports his discussion with extraordinary footnotes. ... Imaginative comparisons with earlier epics furnish new insights. ... The final pages of the book offer an excellent summary. * CHOICE *Bohm has brought considerable new light to the intertextual archaeology of Faust and thereby has lent new impulses to Faust criticism. His subtle philological study belongs therefore in the library of any serious Faust reader. * MONATSHEFTE *Goethe's Faust and European Epic is an ambitious book, setting out to demonstrate 'that Faust properly belongs in the sequence of works ... that together constitute the system of European epic.'... Bohm's treatment of the European epic as a dynamic system does a good job of drawing out the aspects of that vast system that are most promising for a reading of Faust, and of allowing these to stand as representative features of the tradition. * CHRISTIANITY AND LITERATURE *[A] work of extraordinary complexity and sophistication.. When it comes to intimate knowledge and understanding of Goethe's great work and its place amid European letters, [Bohm] ranks with the best. * SEMINAR *The strength of the book lies ... in its deceptively broad learnedness. It deals not only with the history of the epic tradition, but also ... with the great corpus of recent English-language research on the epic of the Renaissance and of the Empire, with the hermeneutics of the epic, and with the interrelationship of natural sciences, magic, and mysticism in the early modern period. * GOETHE JAHRBUCH *Table of ContentsIntroduction Goethe's Epic Ambitions The System of European Epic Faust and Epic History The Roots of Evil "Auerbachs Keller" and Epic History Faust as a Christian Epic The Epic Encyclopedia Postscript: Lest We Forget Works Cited Index

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Book SynopsisAt last an engaging and highly readable guide to the works and significance of Goethe. The year 1999 saw the 250th anniversary of the birth of Johann Wolfgang von Goethe, Germany's greatest writer. Appropriately, literary scholars within Germany and beyond paid tribute to this remarkable talent. But a number of commentators also noted that Goethe is often revered rather than read, known of rather than known. This study remedies this state of affairs by offering an introduction to Goethe and his works for the English-speaking reader -- now inpaperback and with all quotations. The authors concentrate on the literary work and offer analyses that represent an impassioned, but by no means uncritical, advocacy -- one that seeks to persuade both academic critics and general readers alike that Goethe is one of the key figures of European modernity. To an extent that is virtually unique in modern literature, Goethe was active in a whole number of literary genres. He was a superb poet, unrivaled in the variety of his expressive modes, and in his ability to combine intellectual sophistication withexperiential immediacy. He also wrote short stories and novels throughout his life, ranging from the The Sorrows of Young Werther, to The Elective Affinities. He was also a highly skilled dramatist, both in the historical mode and in the classical verse-drama. Above all else, Goethe is the author of Faust: a work that attempts -- and achieves -- more than any other modern European drama. Martin Swales is Professor of German at University College London. Erika Swales is College Lecturer and Fellow of King's College, Cambridge.Trade ReviewRecipient of CHOICE Outstanding Academic Title Award, 2002 * . *Presents a judicious corrective, not only to the tradition of uncritical adulation of Goethe as a cultural monument, but also to some twentieth-century caricatures of Goethe as an escapist poet of untroubled serenity and comforting affirmation. -- John R. Williams, University of St. AndrewsAn invaluable companion reference. * LIBRARY BOOKWATCH *[I]mmense in scale, succinct in its explicit and elaborate readings of Goethe texts, and profound in its assessments of Goethe's accomplishments as a writer. * GERMAN QUARTERLY *An example of excellent scholarship, sensitivity, and attention to the * . *The authors pack in an astonishing number of stimulating suggestions ... For this reader, the close readings of selected poems were outstanding, as were the discussions of 'Goetz,' 'Egmont,' 'Iphigenie,' and 'Tasso,' which put forward concentrated and arresting arguments about each play. * BRITISH JOURNAL OF 18TH-c. STUDIES *...a very good and often thought-provoking read...Mature, experienced, and considered opinions on important works of Goethe. * GERMAN STUDIES REVIEW *Table of ContentsPreface Introduction Poetry Narrative Fiction Drama Faust Goethe's Discursive Writings Conclusion Notes Works Consulted and Works for Further Reading Index

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Book SynopsisA comprehensive advanced introduction to and scholarly commentary on the work of the Swiss writer Max Frisch, one of the leading German-language dramatists and novelists of the late twentieth century. One of the most influential German-language writers of the late twentieth century, Max Frisch (1911-1991) not only has canonical status in Europe, but has also been well received in the English-speaking world. English translationsof his works are available in multiple recent editions. Frisch was a recipient of both the Büchner Award (1958), and the Peace Prize of the German Book Trade (1976); his body of work explores questions of identity, alienation, and ethics in modern society. He is best known for the plays Andorra (1961), a seminal drama that examines indifference and mass psychology in the context of the Shoah and continues to be produced by theaters around the world, and Biedermann und die Brandstifter (1958), another worldwide success and one of the most frequently used texts in advanced undergraduate German courses in the United States, as well as for his novels Stiller (1954), Homo Faber (1957), and Mein Name sei Gantenbein (1964). Yet Frisch has only recently begun to receive the sustained scholarly attention he deserves: neither a comprehensive introductory volume to nor a collaborative handbook on the works of Frisch is available in English, a situation that this volume redresses. Contributors: Régine Battiston, Klaus van den Berg, Olaf Berwald, Amanda Charitina Boyd, Céline Letawe, Walter Obschlager, John D. Pizer, Beatrice Sandberg, Caroline Schaumann, Frank Schaumann, Walter Schmitz, Margit Unser, Daniel de Vin, Ruth Vogel-Klein, Paul A. Youngman. Olaf Berwald is Professor of German and Chair of the Departmentof Foreign Languages at Kennesaw State University.Trade ReviewThis companion volume will prove rewarding for students and scholars of Frisch's work and for those familiar with Frisch's ?ction and non-fiction. [It] provides the student and scholar with fresh insights, new critical approaches, and an overview of the secondary literature. * MONATSHEFTE *Given the canonical status enjoyed by Max Frisch . . . , this volume has been a long time coming. It enhances in particular the relatively scant English-speaking secondary literature on Frisch. . . . The volume as a whole offers the reader a well-rounded picture of Frisch's works, their literary context and influences, and thematic affinities with the works of other writers. . . . With some particularly discerning contributions, the volume is an important and informative contribution to Frisch studies in English. . . . [E]ither in hardback or as an e-book, it is a handsome Companion and an essential library acquisition. -- Siobhán Donovan * MODERN LANGUAGE REVIEW *This is a true companion to the works of Max Frisch . . ., not, as some 'companions' are, a collection of loosely connected conference papers assembled as an afterthought. There are informative chapters on all the genres Frisch worked in . . . . Frisch's speeches and essays are [also] discussed. . . . Highly recommended. * CHOICE *Table of ContentsIntroduction: Max Frisch in the Twenty-First Century Max Frisch's Early Plays Spielraum in Max Frisch's Graf Öderland and Don Juan: Transparency as Mode of Performance Max Frisch's Biedermann und die Brandstifter and Die große Wut des Philipp Hotz Max Frisch's Andorra: Balancing Act between Pattern and Particular Eternal Recurrence in Life and Death in Max Frisch's Late Plays Max Frisch's Early Fiction From Life to Literature: Max Frisch's Frisch's Tagebücher "Writing in order to be a stranger to oneself": Max Frisch's Stiller Cybernetic Flow, Analogy, and Probability in Max Frisch's Homo Faber The Ends of Blindness in Max Frisch's Mein Name sei Gantenbein Max Frisch's Montauk. Eine Erzählung Man, Culture, and Nature in Max Frisch's Der Mensch erscheint im Holozän "My life as a man. Everyman": Max Frisch's Blaubart. Erzählung Max Frisch's Essays and Speeches Frisch's Major Works Select Bibliography Notes on the Contributors Index

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Book SynopsisIn Harold Bloom's New York Times bestselling Shakespeare: The Invention of the Human, the world's foremost literary critic theorized on the authorship of the historic play Hamlet. In this engaging new stand-alone work, he offers a full and warmly personal account of the play itself, explores its extraordinary impact throughout the history of western literature, and seeks to uncover the mystery at its heart.

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Book Synopsis"The indispensable critic on the indispensable writer." -Geoffrey O'Brien, New York Review of Books A landmark achievement as expansive, erudite, and passionate as its renowned author, this book is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. Preeminent literary critic-and ultimate authority on the western literary tradition, Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarships: that Shakespeare not only invented the English language, but also created human nature as we know it today.Trade Review"The most original literary critic in America." --The New York Times"No critic in the English language since Samuel Johnson has been more prolific." --The Paris Review"Bloom is all literature, (he) positively lives it." --Alfred Kazin

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Book SynopsisThis book examines the late sixteenth- and early seventeenth-century engagement with a crucial part of Britain's past, the period between the withdrawal of the Roman legions and the Norman Conquest. A number of early modern plays suggest an underlying continuity, an essential English identity linked to the land and impervious to change. This book considers the extent to which ideas about early modern English and British national, religious, and political identities were rooted in cultural constructions of the pre-Conquest past.Trade Review"In the context of Brexit, as the rethinking of Europe and its borders is very much part of an enterprise bound up with memory of conquest, empire, and independence, this is a book that will get students reading, critics thinking, and people talking." Willy Maley, University of Glasgow "Hopkins concludes her compelling study with the statement that there 'is a recurrent acknowledgment that a purely British identity is no longer possible (if indeed it ever was), because bloodlines have been diluted by wave after wave of invasion, but there is also a sense of a link between land and identity' (191). Hers is a book that presents a wealth of material and offers intriguing insights on questions of identity, succession, legitimacy, but also on how early modern writers viewed the distant past and gave it political significance." --Nicole Nyffenegger, University of Bern, SwitzerlandTable of ContentsIntroduction Part One: Legacies "Bisson Conspectuities": Language and National Identity in Shakespeare's Roman Plays Profit and Delight? Magic and the Dreams of a Nation "A Borrowed Blood for Brute": From Britain to England Part Two: Ancestors and Others Queens and the British History Dido in Denmark: Danes and Saxons on the Early Modern English Stage Valiant Welshwomen: When Britain Came Back Athelstan, the Virgin King Conclusion Works Cited

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Book SynopsisShakespeare, Antony and Cleopatra, and the Nature of Fame is a characterological study offering new perspectives on Antony and Cleopatra, the most ambiguous of Shakespeare's plays. It also offers new insights about the origins and nature of Shakespeare's imperishable fame. Wide-ranging in its concerns, this monograph promises to make an essential difference in the way scholars view characterizations, fame, Shakespeare's reputation, and the eminence of the celebrated figures of the play.Table of Contents1. Introduction: Viewing Shakespeare's Kinetic Characterizations 2. Antony and Cleopatra in Seventeenth-Century Contexts 3. "Immortal Longings": Shakespeare's Perspective on Fame 4. Standards of Measure in Antony and Cleopatra 5. "The Varying Shore": Changing Perceptions, Sustaining Illustriousness 6. "A Pair So Famous": Achieving Permanent Renown 7. Shakespeare's Imperishable Fame Bibliography and Further Reading Index

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Book SynopsisThe Philosopher's English King offers a close reading of the Henriad, presenting Shakespeare's teaching on political authority and contributing to the burgeoning scholarship on Shakespeare as a political thinker. This book on Shakespeare's Henriad studies the tetralogy as a work of political thought. Leon Harold Craig, author of two previous volumes on Shakespeare's political thought, argues that the four plays present Shakespeare'steaching on the problem of legitimacy, or who has the right to rule -- one of the perennial questions of political philosophy. Offering original interpretations of each of the plays, Craig discusses the demise of divine right inRichard II, political upheaval and disputed rule in Henry IV, Parts 1 and 2, and the attempt to reestablish legitimacy on a new basis in Henry V. While focusing especially on the plays' various interpretive puzzles,Craig shows how the four plays constitute one narrative, culminating in the rule of England's most famous warrior king, Henry V, whose brilliant achievements were undone by ill fortune. Craig concludes with an epilogue on what might have been had Henry lived to consolidate his conquest of France and unify it with England under a single crown. Supported by a wealth of scholarship, both historical and critical, The Philosopher's English King makes a major contribution to the burgeoning scholarship on Shakespeare as a political thinker, providing further evidence for why the poet deserves to be recognized as a philosopher in his own right. Leon Harold Craig is professor emeritus of political science at the University of Alberta.Trade ReviewI consider this one of the best books ever written on Shakespeare's Henriad. The level of scholarship is second to none. Each chapter is as good as the next. The book is never uneven, and Craig's passion for his subject matter and his desire to share his knowledge with his readers is evident throughout. Not only does one gain many valuable insights into these plays, we are also encouraged to read Shakespeare philosophically, as I am certain Shakespeare wished to be read. * VOEGELINVIEW *Supported by the author's learned command of the relevant English history, this analysis not only serves as a comprehensive overview of the plays' events but also shows how paying attention to even the most minute details and minor characters can shed light on Shakespeare's central figures and plot lines. Highly recommended. * CHOICE *Dissenting from Craig requires the disputant's exercising his utmost capacities for philosophical reflection. . . . Because Craig rightly conceives the philosophic poet. * REVIEW OF POLITICS *In The Philosopher's English King Leon Craig once again proves the value of taking Shakespeare seriously as a political thinker. Drawing parallels with important political philosophers, such as Plato, Machiavelli, and Hobbes, Craig illumines some of the darker corners of Shakespeare's history plays and offers a comprehensive interpretation of the tough-minded teaching on kingship they embody. -- Paul A. Cantor, University of VirginiaTable of ContentsAcknowledgments Prologue Begins the Woefullest Division: The Tragic Reign of King Richard II A Punishing of Mistreadings: The Turbulent Reign of King Henry IV Proceeds The Noble Change Long Purposed: The Turbulent Reign of King Henry IV Concludes A Curious Mirror of Christian Kings: The Brief Glorious Reign of King Henry V An Alternative Epilogue: Imagining What Might Have Been Notes Bibliography Index of Names

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume.These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: The introduction to the original Kittredge Edition Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. Select Bibliography & Filmography Images from major productions, for comparison and scene study.

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: - The original introduction to the Kittredge Edition - Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. - Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. - Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. - How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." - Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. - Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. - Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: - The original introduction to the Kittredge Edition - Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. - Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. - Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. - How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." - Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. - Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. - Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: - The original introduction to the Kittredge Edition - Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. - Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. - Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. - How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." - Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. - Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. - Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

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Book Synopsis George Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen).Features of each edition include: The original introduction to the Kittredge Edition Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. Select Bibliography & Filmography Film stills from major productions, for comparison and scene study.

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: - The original introduction to the Kittredge Edition - Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. - Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. - Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. - How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." - Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. - Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. - Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: - The original introduction to the Kittredge Edition - Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. - Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. - Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. - How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." - Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. - Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. - Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

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Book Synopsis

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: - The original introduction to the Kittredge Edition - Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. - Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. - Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. - How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." - Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. - Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. - Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

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Book Synopsis

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: - The original introduction to the Kittredge Edition - Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. - Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. - Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. - How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." - Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. - Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. - Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

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Book SynopsisGeorge Lyman Kittredge''s insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishmentsall of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain their original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials.

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: - The original introduction to the Kittredge Edition - Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. - Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. - Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. - How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." - Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. - Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. - Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: - The original introduction to the Kittredge Edition - Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. - Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. - Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. - How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." - Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. - Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. - Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

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Book Synopsis George Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: The original introduction to the Kittredge Edition Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some include time chronologies within the plays. Topics for Discussion and Further Study. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: - The original introduction to the Kittredge Edition - Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. - Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. - Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. - How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." - Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. - Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. - Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: - The original introduction to the Kittredge Edition - Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. - Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. - Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. - How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." - Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. - Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. - Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

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Book Synopsis

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: - The original introduction to the Kittredge Edition - Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. - Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. - Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. - How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." - Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. - Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. - Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

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Book Synopsis

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume.These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: The original introduction to the Kittredge Edition Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some include time chronologies within the plays. Topics for Discussion and Further Study. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. Select Bibliography & Filmography Each New Kittredge edition also includes photos from major productions, for comparison and scene study.

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Book Synopsis George Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: The original introduction to the Kittredge Edition Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. Select Bibliography & Filmography Each New Kittredge edition also includes film stills from major productions, for comparison and scene study.

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: - The original introduction to the Kittredge Edition - Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. - Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. - Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. - How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." - Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. - Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. - Select Bibliography & Filmography Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.

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Book Synopsis The New Kittredge ShakespeareCymbelineoffers the text of the play, and glosses, as prepared by William Kittredge for hisComplete Works of William Shakespeare. Hannah C. Wojciehowski''s performance notes and additional textual notes offer readers a streamlined reading experience aimed at helping them understand the play and envision how key "interpretive junctures" in it have been, and might yet be, performed on stage or screen. Wojciehowski''s Introduction brilliantly illuminates the play''s plot and lyricism as well as its treatment in recent stage and screen productions--including Michael Almereyda''sCymbeline(2014). In "How to ReadCymbelineas Performance" an interview with James Loehlin, Director of the Shakespeare at Winedale program at the University of Texas, offers practical reflections on making the leap from reading this challenging play to imagining its performance. Notes on Names, Pronunciation, and Language; ACymbelineTimeline; Topics for Discussion and Further Study; and Bibliography and Filmography are also included.

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Book Synopsis

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishmentsall of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain their original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. These plays are being made available by Focus Publishing with the permission of the Kittredge heirs.

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Book Synopsis George Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: The original introduction to the Kittredge Edition Editor's Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play's performance history on stage and screen. Explanatory Notes. The explanatory notes either expand on Kittredge's superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare's sometimes demanding language. Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare's words allow the reader to envision the work "off the page." Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare's life. Some of the Chronologies include time chronologies within the plays. Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions' Introduction. Select Bibliography & Filmography Each New Kittredge edition also includes film stills from major productions, for comparison and scene study.

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Book SynopsisGeorge Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishmentsall of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain their original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials.

Read more less

Book Synopsis George Lyman Kittredge''s insightful editions of Shakespeare have endured in part because of this eclecticism, his diversity of interests, and his wide-ranging accomplishmentsall of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. These plays are being made available by Focus with the permission of the Kittredge heirs.

Read more less