Literary studies: plays and playwrights Books

Book SynopsisPlutarch''s Life of Caesar deals with the best known Roman of them all, Julius Caesar, and his vivid narrative covers most of the major events of the last generation of the Republic, as well as painting an insightful picture of this man who sacrificed everything for power. Pelling''s volume gives a new translation of the Life together with a full introduction and running commentary on the events it describes. Culminating in the crossing of the Rubicon, Caesar''s victory in the Civil War, and finally his assassination on the Ides of March, 44 BC, it goes on to trace the first stages of the new phase of civil war which followed and, in its turn, led to the establishment of the principate. The volume also discusses both the historical and the literary aspects of the Life, relating it both to the broader history of the Republic and to Plutarch''s other works, especially the Life of Alexander with which it forms a pair of Parallel Lives. A separate section of the Introduction also discussTrade Review[an] awe-filling, exemplar of how decades of excellent scholarship have produced a book that will be in use for many decades, and generations, to come. * Brad L. Cook, Bryn Mawr Classical Review *Table of ContentsLIST OF MAPS ; ABBREVIATIONS ; INTRODUCTION ; 1. Plutarch and the Caesars ; 2. TheLife of Caesar ; a) Biography and History ; b) Alexander and Caesar: Pair and Series ; 3. Sources and Methods ; a) Gathering the Material ; b) The Sources ; c) Remoulding the Material ; 4. Plutarch and Roman Politics ; 5. Caesar and Julius Caesar: Plutarch and Shakespeare ; TRANSLATION ; COMMENTARY ; INDEXES ; Names ; General Index

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Book SynopsisMolière (1622-73) combined all the traditional elements of comedy—wit, slapstick, spectacle and satire—with a deep understanding of character to create richly sophisticated dramas which have always delighted audiences. Most are built around dangerously deluded and obsessive heroes such as The Would-Be Gentleman and The Misanthrope who threaten to blight the lives of those around them. Such Foolish Affected Ladies and Those Learned Ladies (both newly translated for this edition) expose the extravagant, fashionable fads and snobbery of the Parisian smart set, while the story of the falsely devout Tartuffe and his devoted disciple Orgon attracted huge controversy for its attack on religious hypocrisy. Finally, The Doctor Despite Himself forms a hilarious chapter in Molière's long-standing vendetta against the medical profession. Like Shakespeare, Molière was a true man of the theatre whose comedies blend sharp insight into human nature with Table of Contents"Such Foolish Affected Ladies"; "Tartuffe"; "The Misanthrope"; "The Doctor Despite Himself"; "The Would-Be Gentleman"; "Those Learned Ladies".

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Book SynopsisThe world can and will go on without us but I have to think that we have made this world a better place. That we have left it richer, wiser than had we not chosen the way of art.The 1996 Tony Award winner for Best Play.Terrence McNally''s Master Class presents the legendary opera diva, Maria Callas, as she puts aspiring young singers through their paces in a series of master classes. Both moving and entertaining, this theatrical tour de force dramatizes the Callas phenomenon and is an unembarrassed, involving meditation on Callas''s life and the nature of her art. Such subjects are not easily dramatized, certainly not with this brio. (New York Times)After opening on Broadway in 1995 with Zoe Caldwell and Audra McDonald, the play premiered in London in 1997 with Patti LuPone. It was last revived on Broadway and in the West End in 2011-12 starring Tyne Daly.Trade ReviewMcNally's well-crafted, quip-filled drama — which depicts Callas teaching at Juilliard, circa 1971 (her voice was virtually destroyed by then) — is less a biography and more a love letter to La Divina. * Entertainment Weekly *Terrence McNally's brusque and brilliant rendering of Callas is the sort of meaty role actresses love to sink teeth and claws into * New York Daily News *

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Book SynopsisTo thine own text be trueLisa Peterson's translation ofHamletinto contemporary American English makes the play accessible to new audiences while keeping the soul of Shakespeare's writing intact. Lovers of Shakespeare's language take heart: Lisa Peterson's translation ofHamletinto contemporary American English was guided by the principle of First, do no harm. Leaving the most famous parts ofHamletuntouched, Peterson untied the language knots that can make the rest of the play difficult to understand in a single theatrical viewing. Peterson's translation makesHamletaccessible to new audiences, drawing out its timeless themes while helping to contextualize To be, or not tobe:that is the question, and Something is rotten in the state of Denmark, so that contemporary audiences can feel their full weight. This translation ofHamletwas written as part of the Oregon Shakespeare Festival's Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translati

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Book SynopsisThe Life of William Shakespeare is a fascinating and wide-ranging exploration of Shakespeare's life and works focusing on oftern neglected literary and historical contexts: what Shakespeare read, who he worked with as an author and an actor, and how these various collaborations may have affected his writing.Trade Review“Two of the Mighty dead have been brought back to life in exemplary fashion: Shakespeare in Lois Potter’s The Life of William Shakespeare: A Critical Biography, which very cleverly uses expert theatre-knowledge as a way of making her enigmatic subject seem plausibly substantial; and Keats in Nicholas Roe’s John Keats: A New Life, which puts the poet properly in his place.” (The Guardian, 24 November 2012) “This study will have wide appeal to readers who wish to expand their appreciation of the works of William Shakespeare. Summing Up: Highly recommended. Upper-division undergraduates through faculty; general readers.” (Choice, 1 November 2012) “A richly suggestive, undogmatic book in which Lois Potter ranges across the entire canon and the period that helped produce it.” (Around the Globe, 1 October 2012) “Lois Potter’s Life of William Shakespeare, ranks with the most distinguished examples of its kind … Her achievement lies in her catholicity, her simultaneous commitment to matters personal, historical, theatrical, literary, cultural. She exhibits an absolute command of the available facts, a lifetime’s acquaintance with the works gained in teaching and playgoing, an unparalleled familiarity with theatrical history from 1567 to the present, and a talent for connecting the fictional and the actual.” (Times Literary Supplement, 10 August 2012)Table of ContentsList of Illustrations vi Preface and Acknowledgments vii List of Abbreviations x The Shakespeare Family Tree xii 1 “Born into the World”: 1564–1571 1 2 “Nemo SibiNascitur”: 1571–1578 21 3 “Hic et Ubique”: 1578–1588 40 4 “This Man’s Art and That Man’s Scope”: 1588–1592 64 5 “Tigers’ Hearts”: 1592–1593 86 6 “The Dangerous Year”: 1593–1594 106 7 “Our Usual Manager of Mirth”: 1594–1595 134 8 “The Strong’st and Surest Way to Get”: Histories, 1595–1596 162 9 “When Love Speaks”: Tragedy and Comedy, 1595–1596 181 10 “You Had a Father; Let Your Son Say So”: 1596–1598 201 11 “Unworthy Scaffold”: 1598–1599 231 12 “These Words Are Not Mine”: 1599–1601 258 13 “Looking Before and After”: 1600–1603 277 14 “This Most Balmy Time”: 1603–1605 300 15 “Past the Size of Dreaming”: 1606–1609 330 16 “Like an Old Tale”: 1609–1611 360 17 “The Second Burden”: 1612–1616 384 18 “In the Mouths of Men”: 1616 and After 414 Bibliography 443 Index 475

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Book Synopsis'The power of Shakespeare lies in his evidently conscious knowledge, skill and understanding of how to work with the alchemical potential in the human soul in the crafting of his plays. Each play is made as an exquisitely unique transformative device for the education of the soul."Books carry on conversations across the thresholds of time and space', writes Josie Alwyn in her introduction. This book is the fruit of her 'conversation' with Brien Masters - a collaboration that began more than twenty years ago, when she was learning to be a Waldorf teacher. They open their discussions with the broader theme of the role and 'mission' of drama in human development, before focusing on the central topic: the potential for metamorphosis inherent in Shakespeare's plays. This creative, birth-giving, transformative essence of Shakespeare - the esoteric core of his work - is vitally important to our times, they suggest, and contributes to the ongoing cultural education of the human soul.Published to commemorate the 400th anniversary of Shakespeare's death, Educating the Soul offers an overview of Shakespeare's journey as a playwright in the context of evolving human consciousness. The heart of the book features nine essays on Shakespeare's most performed plays. Just as the middle act of a Shakespearian drama gives a point of transformation, so these essays represent the central, unfolding dialogue that took place between the writers as the book developed. This section is followed by an in-depth study of Hamlet, that sees the story as a learning process, deeply strengthened by the primary character's own education and changing consciousness. Finally, the book explores the theme of transformation through The Tempest and in relation to the archetypal 'tree of life'. Accessible to all, the motifs of the various chapters in this book are woven lightly together, enabling the reader to follow the contents in sequence, or to dip in and pick up the threads at any point.

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Book SynopsisThis second edition of Macbeth offers a thorough reconsideration of one of Shakespeare's most popular plays. Edited and introduced by A. R. Braunmuller, this edition features a new introductory section on recent productions of the play, including cinematic versions by Kurosawa and Roman Polanski.Trade Review'This updated edition of Macbeth reveals thorough research, it is conscientiously annotated, and it appears a superb tool for researchers and students involved in Shakespeare scholarship.' Year's Work in English StudiesTable of ContentsIntroduction: Macbeth in legend, Macbeth in history; Macbeth in the mind; Macbeth in performance; Macbeth in the mind and in performance; Recent performances and adaptations; Note on the text; List of characters; The play; Supplementary notes; Textual analysis; Appendixes: 1. Casting Macbeth; 2. Additional text and music; 3. Relineation of the Folio; Reading list.

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Book SynopsisThis is the first biography of Denis Johnston, barrister, theatre director, film-maker, pioneering television producer, war correspondent, essayist and celebrated playwright. Johnston was of Ulster Presbyterian stock, born into Edwardian Dublin, where he was briefly held hostage in his family home at Lansdowne Road during the 1916 Rising. Son of a Supreme Court judge, he was schooled at St Andrew’s in Dublin, in Edinburgh and Christ’s College, Cambridge, and at Harvard University. He made the name of the Gate Theatre in 1929 with his astonishing first play The Old Lady Says ‘No!’, created the radio epic ‘Lillibulero’ for the BBC in Belfast, and earned an OBE for his war reporting from North Africa, Yugoslavia and Buchenwald. In 1950 he decamped to New York and taught for many years at colleges in Massachusetts, founding the Poets’ Theatre in Boston. An Irishman of wide horizons and wit, and a prodigal dissenter, his multi-faceted life illuminates the cultural history of the past century. He was turbulently married to the actresses Shelah Richards and Betty Chancellor, and had four children, among them the novelist Jennifer Johnston. In this masterly biography, Adams draws upon Johnston’s copious and intimate diaries, letters and uncompleted autobiography deposited in Trinity College, Dublin, cataloguing the ‘untidy museum’ of his subject’s past. The result is an enthralling narrative of the extraordinary secret life of a complex, self-doubting individual, which brings new light to bear on one of the twentieth century’s most original Irish writers.Trade Review‘Bernard Adams has produced a terrific biography of a truclent maverick’ – Neil Donnelly, Irish Independent ‘This excellent biography will undoubtedly stimulate further interest in the work while providing fitting tribute to a remarkable Irishman.’ – P.J. Mathews, Irish Times ‘A masterly biography. Rarely was a biographer better served by his subject. Johnston was an enthusiastic archivist who left a wealth of secret diaries, autobiographical writings and recordings, scrapbooks and unpublished memoirs in his wake. These sources are judiciously used and amplified by the author’s keen sense of Johnston’s milieu to provide an intriguing narrative of a fascinating life.’ – P.J. Mathews, Irish Times ‘Bernard Adams sets out from a secure base and he tells his story of Johnston’s life fluently.’ -W.J. McCormack, Sunday Business Post ‘Denis Johnston: A Life is clearly a labour of love. It is also a thoroughly good read.’ – Emer O’Kelly, Sunday Independent

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Book SynopsisThe first truly continentally representative collection of modern African drama in any language, this Norton Critical Edition includes plays from Egypt, Algeria, the Republic of South Africa, Nigeria, Ethiopia, Ghana, and Kenya.

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Book SynopsisThe text, with few departures, is that of the First Quarto (1598) edition of the play.Table of ContentsPreface A Note on the Text Abbreviated Genealogy of the Mortimers and the House of Lancaster The Text of 1 Henry IV Contexts and Sources COMPOSITION AND PUBLICATION Excerpt from the 1598 Quarto ONE PLAY OR TWO? Harold Jenkins – The Structural Problem in Shakespeare’s “Henry the Fourth” Paul Yachnin – History, Theatricality, and the “Structural Problem” in the Henry IV Plays FALSTAFF OR OLDCASTLE? Gary Taylor – The Fortunes of Oldcastle David Scott Kastan – [Reforming Falstaff] ORIGINS Peter Saccio – [Shakespearean History and the Reign of Henry IV] Edward Hall – Henry, Prince of Wales Raphael Holinshed – Elizabeth and the Uniting of the Two Houses Anonymous – An Homilee against disobedience and wylful rebellion Raphael Holinshed – The Chronicles of England Samuel Daniel – The Ciuile Wars The Famous Victories of Henry the Fifth Criticism John Dryden – The Composition of a Character Samuel Johnson – [Falstaff] Elizabeth Montagu – [Hal, Falstaff, and Taste] Maurice Morgann – An Essay on the Dramatic Character of Sir John Falstaff John Dover Wilson – The Falstaff Myth Arthur C. Sprague – Gadshill Revisited E.M.W. Tillyard – The Second Tetralogy Henry Ansagar Kelly – [Providence and Progaganda] Graham Holderness – [Tillyard, History, and Ideology] Sigurd Burckhardt – [Symmetry and Disorder] John Wilders – [Knowledge and Misjudgement] Stephen Greenblatt – [Theater and Power] Scott McMillin – [Performing 1 Henry IV] David Scott Kastan – “The King Hath Many Marching in His Coats,” or, What Did You Do in the War, Daddy? C. L. Barber – [Mingling Kings and Clowns] Michael Bristol – [The Battle of Carnival and Lent] Samuel Crowl – [Welles and Falstaff] Patricia Parker – [Fat Lady Falstaff] Coppélia Kahn – [Masculine Identities] Gus Van Sant – [My Own Private Idaho] Susan Wiseman – [Shakespeare in Idaho] Jean E. Howard and Phyllis Rackin – [Gender and Nation] Christopher Highley – [Defining the Nation] Barbara Hodgdon – [Endings] Selected Bibliography

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Book SynopsisThe acclaimed Pelican Shakespeare series, now repackaged in award-winning modern covers to inspire Shakespearians of all ages.

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Book SynopsisMichael Pennington's solo show about Shakespeare, Sweet William, has been acclaimed throughout Europe and in the US as a unique blend of showmanship and scholarship. In this book, he deepens his exploration of Shakespeare's life and work - and the connection between the two - that lies at its heart. It is illuminated throughout by the unrivalled insights into the plays that Pennington has gained from the twenty thousand hours he has spent working on them as a leading actor, an artistic director and a director - and as the author of three previous books on individual Shakespeare plays. With practical analysis, wonderfully detailed and entertaining interpretations of characters and scenes, and vivid reflections on Shakespeare's theatre and ours, the result is a masterclass of the most enjoyable kind for theatregoers, professionals, students and anyone interested in Shakespeare. This book was published in hardback as Sweet William: Twenty Thousand Hours With Shakespeare. 'A brilliant and intimate insider's guide to Shakespeare from one of our greatest classical actors' Gregory Doran 'Michael Pennington is a great Shakespearian actor who writes with the authority of an academic. His book analyses the plays, the characters and the playwright's life. It will intrigue, entertain and challenge students, actors and their audiences' Ian McKellen 'Rich and informative, and something that will be mined for many years to come by anyone interested in Shakespeare and in British theatre' Professor James Shapiro 'Shakespeare comes wonderfully to life in Michael's beautifully written book' Rupert Everett 'Irresistibly readable' Peter Brook Trade Review'Pennington's blend of scholarship and practical experience gives him an edge over critics with a purely academic knowledge... It's like chatting to an immensely knowledgeable and entertaining actor in The Dirty Duck at Stratford: a raconteur full of theatrical anecdotes, waspish asides, and provocative insights' * Drama magazine *'I can't remember when I learned so much from a single volume as I have from Michael Pennington's engaging, absorbing, congenial, informative new book Sweet William... Sometimes he's anecdotal, often lyrical, always thoughtful and occasionally laugh-aloud funny. Pennington's book is a must-read for anyone interested in Shakespeare from almost any angle - actor, drama student, teacher, director, technician, literature student or audience member' * The Stage *'The most important and best set of original Shakespeare essays that I have read in over thirty years... Pennington is blessed with an ideal combination of talents and experiences... a wonderful book' * Speaking English *

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Book SynopsisFor teachers and lovers of Shakespeare, ShakesFear and How to Cure It provides a comprehensive approach to the challenge and rewards of teaching Shakespeare and gives teachers both an overview of each of Shakespeare's 38 plays and specific classroom tools for teaching it. Written by a celebrated teacher, scholar and director of Shakespeare, it shows teachers how to use the text to make the words and the moments come alive for their students. It refutes the idea that Shakespeare's language is difficult and provides a survey of the plays by someone who has lived intimately with them on the page and on the stage.Trade ReviewShakesFear and How to Cure It: The Complete Handbook for Teaching Shakespeare is written from the perspective of someone who has seemingly spent his entire adult life entrenched in the world of Shakespeare. Ralph Alan Cohen’s authority is undisputed, and as such, he conveys knowledge that is insightful, practical, and, above all else, immensely useful for teaching and learning. Cohen has taken his decades of experience and created a manual of sorts to help educators learn different (perhaps better) ways to approach teaching Shakespeare in the classroom … [Early] chapters show Cohen’s ability to connect and engage with the reader in a way that feels like talking with a colleague. The content is rich with practical and helpful advice, and his language is comfortable and easy to follow … A fantastic resource for educators. Although new(er) Shakespeare teachers will probably benefit the most, I do believe the book can provide new perspectives and ideas for experienced teachers as well. Cohen has a gift for communication, allowing ShakesFear to be accessible and useful to a wide audience. * American Reference Books Annual *What fun it must be to have Cohen as a teacher! ... [His] compelling book offers us a haven. * Times Higher Education *Table of ContentsPART ONE : The Teacher Chapter 1. How I Learned to Stop Worrying and Love the Bard Chapter 2. Seven Deadly Misconceptions Chapter 3: Ten Don’ts Chapter 4. Ten Do’s Chapter 5: Shakespeare Is Hard Chapter 6: Shakespeare Is Boring PART TWO: The Plays: 38 short chapters Annotated list of available video Index

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Book SynopsisThis collection brings together four of Graham''s most successful and entertaining plays, each representing a relationship with a theatre with which he has worked and introduced by the author. One of the plays, Sons of York, has never before been published, but earned James Graham a nomination for the Empty Space Mark Marvin Award.A History of Falling Things is a gentle love story about a young man and woman forced to confront their fears of the outside world and discover what really matters to their lives. Tory Boyz is a fast-paced, political comedy about prejudice and ambition in Westminster, looking at homosexuality in the British Conservative party, both today and in the past.As Ben, self-employed, skint and emotionally vulnerable, begins to stitch together the patchwork quilt that was the Tax Year 2009/2010, he relives a year that was both hilarious and tragic, all mixed up in one shoe box of receipts. The Man is an affectionate and funny portrait of anTrade ReviewThe prodigiously talented James Graham * British Theatre Guide *Table of ContentsIntroduction, A History of Falling Things, Tory Boyz, The Man, The Whisky Taster, Sons of York

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Book SynopsisReissue of the all-time best-selling Methuen Modern Play in the new Methuen Student Edition cover styleTrade Review'Some of Delaney's themes may feel dated but her writing still glitters dangerously and wittily. A Taste of Honey remains a passionate statement about real people trapped in poverty, deprived of ambition and vulnerable to manipulation by the fickleness of others.' Independent, (19 November 2008) 'Brawling, boozing, teenage pregnancy and fractured families: Shelagh Delaney's benchmark drama, first staged by Joan Littlewood in London in 1958, has lost none of its relevance 50 years on... The quirkiness and passion of Delaney's young voice still rings out... It remains passionate and pungent.' The Times, (19 November 2008) 'Its raw eloquence, sometimes almost lyrical, its tough, swaggering humour...its frank brutality and unblinking humanity.' Sunday Times, (23 November 2008)

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Book SynopsisThe Philosopher's English King offers a close reading of the Henriad, presenting Shakespeare's teaching on political authority and contributing to the burgeoning scholarship on Shakespeare as a political thinker. This book on Shakespeare's Henriad studies the tetralogy as a work of political thought. Leon Harold Craig, author of two previous volumes on Shakespeare's political thought, argues that the four plays present Shakespeare'steaching on the problem of legitimacy, or who has the right to rule -- one of the perennial questions of political philosophy. Offering original interpretations of each of the plays, Craig discusses the demise of divine right inRichard II, political upheaval and disputed rule in Henry IV, Parts 1 and 2, and the attempt to reestablish legitimacy on a new basis in Henry V. While focusing especially on the plays' various interpretive puzzles,Craig shows how the four plays constitute one narrative, culminating in the rule of England's most famous warrior king, Henry V, whose brilliant achievements were undone by ill fortune. Craig concludes with an epilogue on what might have been had Henry lived to consolidate his conquest of France and unify it with England under a single crown. Supported by a wealth of scholarship, both historical and critical, The Philosopher's English King makes a major contribution to the burgeoning scholarship on Shakespeare as a political thinker, providing further evidence for why the poet deserves to be recognized as a philosopher in his own right. Leon Harold Craig is professor emeritus of political science at the University of Alberta.Trade ReviewI consider this one of the best books ever written on Shakespeare's Henriad. The level of scholarship is second to none. Each chapter is as good as the next. The book is never uneven, and Craig's passion for his subject matter and his desire to share his knowledge with his readers is evident throughout. Not only does one gain many valuable insights into these plays, we are also encouraged to read Shakespeare philosophically, as I am certain Shakespeare wished to be read. * VOEGELINVIEW *Supported by the author's learned command of the relevant English history, this analysis not only serves as a comprehensive overview of the plays' events but also shows how paying attention to even the most minute details and minor characters can shed light on Shakespeare's central figures and plot lines. Highly recommended. * CHOICE *Dissenting from Craig requires the disputant's exercising his utmost capacities for philosophical reflection. . . . Because Craig rightly conceives the philosophic poet. * REVIEW OF POLITICS *In The Philosopher's English King Leon Craig once again proves the value of taking Shakespeare seriously as a political thinker. Drawing parallels with important political philosophers, such as Plato, Machiavelli, and Hobbes, Craig illumines some of the darker corners of Shakespeare's history plays and offers a comprehensive interpretation of the tough-minded teaching on kingship they embody. -- Paul A. Cantor, University of VirginiaTable of ContentsAcknowledgments Prologue Begins the Woefullest Division: The Tragic Reign of King Richard II A Punishing of Mistreadings: The Turbulent Reign of King Henry IV Proceeds The Noble Change Long Purposed: The Turbulent Reign of King Henry IV Concludes A Curious Mirror of Christian Kings: The Brief Glorious Reign of King Henry V An Alternative Epilogue: Imagining What Might Have Been Notes Bibliography Index of Names

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Book SynopsisShakespeare and London: A Dictionary is a topographical reference book of all the London locations, allusions and colloquial terms mentioned in Shakespeare's complete works. For many years critics have argued that Shakespeare did not engage with the city in which he lived, however London''s topography and life is present in all his work, in its language, its locations and its characters. This dictionary offers a concise and fascinating insight into the city''s impact on the Shakespearean imagination and provides readers with a wide-ranging guide to early modern London, its contemporary meanings and the ways in which Shakespeare employs these throughout the canon.Table of ContentsList of Figures Acknowledgements Series Editor's Preface List of Abbreviations List of Headwords Introduction A-Z Bibliography Index

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Book SynopsisAvailable for the First Time in Paperback!ÞFrom Aristotle's ÊPoeticsÊ to Vaclav Havel the debate about the nature and function of theatre has been marked by controversy. Daniel Gerould's landmark work ÊTheatre/Theory/TheatreÊ collects history's most influential Eastern and Western dramatic theorists ä poets playwrights directors and philosophers ä whose ideas about theatre continue to shape its future. In complete texts and choice excerpts spanning centuries we see an ongoing dialogue and exchange of ideas between actors and directors like Craig and Meyerhold and writers such as Nietzsche and Yeats. Each of Gerould's introductory essays shows fascinating insight into both the life and the theory of the author. From Horace to Soyinka Corneille to Brecht this is an indispensable compendium of the greatest dramatic theory ever written.

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Book SynopsisThis book is about a mad king and a mad duke. With original and iconoclastic readings, Richard van Oort pioneers the reading of Shakespeare as an ethical thinker of the "originary scene," the scene in which humans became conscious of themselves as symbol-using moral and narrative beings. Taking King Lear and Measure for Measure as case studies, van Oort shows how the minimal concept of an anthropological scene of origin—the "originary hypothesis"—provides the basis for a new understanding of every aspect of the plays, from the psychology of the characters to the ethical and dialogical conflicts upon which the drama is based. The result is a gripping commentary on the plays. Why does Lear abdicate and go mad? Why does Edgar torture his father with non-recognition? Why does Lucio accuse the Duke in Measure for Measure of madness and lechery, and why does Isabella remain silent at the end? In approaching these and other questions from the perspective of the originary hypothesis, van Oort helps us to see the ethical predicament of the plays, and, in the process, makes Shakespeare new again.Trade Review"This is criticism of the highest order, whose long, careful readings of King Lear and Measure for Measure are in dialogue with the finest readers of Shakespeare for the past century." —Blair Hoxby, Stanford University"A rigorous yet highly readable attempt to understand Shakespeare and neoclassical drama in general in new terms, Shakespeare's Mad Men demonstrates in admirable detail the analytical power of generative anthropology wielded by a powerful intelligence."—Eric Gans, University of California, Los Angeles"Attentive to both the ruses of bad faith and the truths disclosed by Shakespeare's language, van Oort addresses our human predicament as symbol-making creatures whose search for love is troubled by the ceaseless drive for mastery."—Julia Reinhard Lupton, University of California, Irvine"van Oort's reading is nothing less than a stunning provocation."—Amir Khan, Shakespeare Quarterly"[R]eaders... will find value and pleasure in van Oort's compelling readings, and his clear style makes complex concepts pleasingly accessible."—Molly G. Yarp, Times Literary Supplement"Eminently readable, Shakespeare's Man Men attempts to engage and explain the larger questions the plays raise, particularly why characters behave the way they do and make the choices they do. The readings are original and offer exciting ways to engage with the plays. Highly recommended."—K. J. Wetmore Jr., CHOICETable of ContentsIntroduction 1. The King's Last Potlatch 2. The Judge, the Duke, His Wife, and Her Lover Conclusion

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Book Synopsis'Playwright David Ireland challenges people to draw lines between what they find funny and what they find outrageous' (Sydney Morning Herald) This first collection of plays by David Ireland brings together three of his most successful hits that have enjoyed numerous productions around the world alongside two previously unpublished plays: Half a Glass of Water: 'The dialogue is brutal and tender, horrific and humorous ... this is a tough, challenging work, undercut by Ireland's trademark black humour, which asks questions of what a successful post-conflict society looks like.' (Independent) The End of Hope: 'A freewheeling, majestically entertaining, all-too-brief hour that touches on everything from religion and identity to body dysmorphia' (Times) Cyprus Avenue: 'The most shocking play on the London stage ... a blackly comic examination of sectarian hatred and a subversive drama that has never been more relevant' (Gu

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Book SynopsisTable of ContentsAct 1Act 2Act 3Act 4Act 5

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Book SynopsisRosa Andújar is Deputy Director and Lecturer in Liberal Arts at King's College London, UK. She has co-edited two volumes which address her research expertise in ancient Greek tragedy and its modern reception: Paths of Song: The Lyric Dimension of Greek Tragedy (2018) and Greeks and Romans on the Latin American Stage (2020).Luis Alfaro is a Chicano writer/performer known for his work in poetry, theatre, short stories, performance and journalism. Alfaro held a six-season tenure as the Mellon Playwright-in-Residence at the Oregon Shakespeare Festival (2013-2019). He was a member of the Playwright's Ensemble at Chicago's Victory Gardens Theatre (2013-2020). Alfaro is the recipient of a MacArthur Foundation Fellowship, popularly known as a genius grant, presented to people who have demonstrated expertise and exceptional creativity in their respective fields. Alfaro is a Joyce Foundation Fellow. In 2019, Alfaro was awarded the PEN America/Laura Pels IntTrade ReviewIn these plays, Luis brilliantly transplants Sophocles’s Electra and Oedipus and Euripides’s Medea into the modern-day streets of Los Angeles and New York. In doing so, he gives voice to the rich, complex lives of the Chicanx and Latinx communities and neighborhoods that he knows and loves. This book is a must-own for any student and lover of contemporary, American plays. * LA Review of Books *A Bloomsbury translation: In this way, the entire book constitutes more than a simple collection of Alfaro's plays. Each of the sections of the anthology reiterates the creation of an archive ... Andújar's work thus contributes to the preservation of the memory of these communities which have turned to the theatre as a venue through which to tell and connect their own stories with other cultures, geographies and temporalities, constantly and necessarily crossing all kinds of borders. * Latin American Theatre Review *Andújar not only offers a richly annotated introduction at the beginning of this volume: each of the three plays also begins with a separate introduction that contextualizes the dramatic work in a way that is both enthralling and enlightening … A must-read for any student and fan of contemporary theatre. And for those of us who have a particular love of Chicanx and Latinx drama, this volume will bring immeasurable reading pleasure and enlightenment. * La Bloga *From the opening scene, the cultural combination is intoxicating … A fascinating trilogy. * British Theatre Guide *Equipped with Andújar’s excellent introduction to Alfaro’s work generally and to each adaptation, plus a production history and interview with Alfaro, this book not only makes the scripts of three very successful plays available for the first time for everyone, but also presents a unique and fascinating way of engaging with the ancient Greek dramas of which Alfaro’s plays are adaptations. * Skenè: Journal of Theatre and Drama Studies *A welcome addition to the bookshelves of those with an interest in the afterlives of Athenian tragedy ... The volume as a whole exemplifies the way in which collaboration between academics and practitioners enhances classical reception studies: this reviewer would be delighted to see more contemporary classical reception texts being given similar treatment. * Greece & Rome *Table of ContentsEditor’s Acknowledgements List of Illustrations 1. Luis Alfaro’s Griego Drama: An Introduction 2. Electricidad: A Chicanx Tragedy between Family and Feminism 3. Electricidad 4. Blind Love and the Chains of Destiny: Oedipus el Rey 5. Oedipus el Rey 6. Mojada: Dramatizing Latinx Migrations 7. Mojada 8. Production History 9. Glossary 10. Interview with Luis Alfaro 11. Further Reading

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Book SynopsisEach book in this established series contains the full and complete text, and is designed to motivate and encourage students who may be writing on these challenging writers for the first time. It contains useful notes to add depth and knowledge to students'' understanding, comments to explain literacy and historical allusions, tasks to help students explore themes and issues, and suggestions for further reading.

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Book SynopsisCoriolanus is perhaps the most brilliant political play ever written. Set in Ancient Rome, it remains a gripping psychological study of the relationship between personality and politics. The introduction to this new edition considers Shakespeare''s adaptation of his historical material (Plutarch''s Lives) in relation to the social and political conditions in London and Stratford at the time of the play''s composition, also offering new evidence that it was written in 1608. Professor Parker examines the play''s history and particularly its staging at the Blackfriars theatre, where it was probably the first of Shakespeare''s plays to be presented and for which it may have been written. A thorough commentary pays special attention to the needs of actors and directors. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the mostTrade Review'Stanley Wells' OUP Complete Works of Shakespeare is now eight years old and has spawned a new Oxford Shakespeare which appears now in splendidly affordable volumes in that nonpareil of libraries of good reading The World's Classics.' The Oxford Times * English Studies Offprint from vol.77 Number 1, January 1996 *

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Book SynopsisHenry V, the climax of Shakespeare''s sequence of English history plays, is an inspiring, often comic celebration of a young warrior-king. But it is also a study of the costly exhilarations of war, and of the penalties as well as the glories of human greatness.Introducing this brilliantly innovative edition, Gary Taylor shows how Shakespeare shaped his historical material, examines controversial critical interpretations, discusses the play''s fluctuating fortunes in performance, and analyses the range and variety of Shakespeare''s characterization. The first Folio text is radically rethought, making original use of the First Quarto (1600). ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to c

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Book SynopsisTrade Review`authoritatively tackles one of the most textually troubling plays' Sunday Times'Stanley Wells' OUP Complete Works of Shakespeare is now eight years old and has spawned a new Oxford Shakespeare which appears now in splendidly affordable volumes in that nonpareil of libraries of good reading The World's Classics.' The Oxford Times

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Book SynopsisPart of the "Heinemenn Advanced Shakespeare" series of plays for A Level students, this version of "Hamlet" includes notes which should bridge the gap between GCSE and A Level, and space for students' own annotation. The text includes activities and assignments after each act.

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Book SynopsisBertolt Brecht (1898-1956) is acknowledged as one of the great dramatists whose plays, work with the Berliner Ensemble and writing have had a considerable influence on the theatre. His landmark plays include The Threepenny Opera and, while exiled from Germany and living in the USA, such masterpieces as Life of Galileo, Mother Courage and The Caucasian Chalk Circle.Trade ReviewOne of the greatest poets and dramatists of our century Observer

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Book SynopsisThe Taming of the Shrew is unique among Shakespeare's plays and is a perennial and compelling success in the theatre. Its reception is marked, however, by ongoing polarized debate over the meaning and worth of the play. This edition disengages Shakespeare's exuberant and disturbing marital farce from the tangled history of its reception. It views the two sixteenth-century Shrew plays as textually independent but theatrically interdependent and so includes the full text of The Taming of A Shrew in an appendix. While the Introduction and Commentary focus on the critical and theatrical debate surrounding the play, the original and comprehensive editing of the playtext makes available a 'different' Shrew, more open to the reader's interpretation than is usually the case. Barbara Hodgdon is a distinguished feminist scholar whose reading of the play offers a stimulating array of ideas and questions about this enduringly popular yet challenging comedy.Trade Review'a spry, supple introduction to the play...Hodgson's performance history is particularly impressive: closely aligned to the breadth of critical readings, but suggesting the comedy's challenges and even, its charms.' * Plays International (February 2011) *'Barbara Hodgdon is a distinguished feminist scholar whose reading of the play offers a stimulating array of ideas and questions about this enduringly popular yet challenging comedy.' * Sardines Magazine (Autumn 2010) *

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Book SynopsisDavid Scott Kastan lucidly explores the remarkable richness and the ambitious design of King Henry IV Part 1 and shows how these complicate any easy sense of what kind of play it is. Conventionally regarded as a history play, much of it is in fact conspicuously invented fiction, and Kastan argues that the non-historical, comic plot does not simply parody the historical action but by its existence raises questions about the very nature of history. The full and engaging introduction devotes extensive discussion to the play's language, indicating how its insistent economic vocabulary provides texture for the social concerns of the play and focuses attention on the central relationship between value and political authority.Trade Review'It is the superbly generous girth of Shakespeare's Henry IV plays that makes them so remarkable' * Charles Spencer, Daily Telegraph, 15.07.10 *'Shakespeare's story of a troubled usurper, a rebel age, a dissolute prince and his Falstaff.' * Libby Purves, The Times, 16.07.10 *'This is Shakespeare's masterpeice where diseaeses are turned to commodity, the hostess is eaten out of house and home, citizens are urged to construe the time to their neccessities, and white hairs ill become a fool and jester.' * Michael Coveney, Independent, 16.07.10 *

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Book SynopsisAnd now I will unclaspe a Secret booke, And to your quicke conceyving Discontents, Ille reade you Matter, deepe and dangerous As full of peril and adventurous Spirit...- William Shakespeare, "King Henry IV", Part I. Whilst Shakespeare's genius is universally recognized, there is a hidden, secretive side to his work that is little known: the fact that he made use of a mysterious code that figures widely in the esoteric literature of the Elizabethan and Jacobean periods. The Bard of Avon was a master of such encoding, and his methods were continued, in the Folio of 1623 and in his various memorials, by those who had known him. However, Shakespeare was not the inventor of this code. Among the many arcane authors who made use of it before him was Michel Nostradamus, the famous French prophet and savant. As David Ovason reveals, many leading esoteric writers - alchemists, occultists and Rosicrucians - contributed to this 'Secret booke'. Among the more outstanding English literary figures who used the code were the mysterious adviser to Elizabeth I, John Dee, the turbulent author of "The Alchemist, Ben Jonson", and the more classically-minded Edmund Spenser, whose poem "The Faerie Queene" is the best-known esoteric work of the period. "Shakespeare's Secret Booke" reveals many other literary figures who together form a remarkable underground literary movement, including the most influential esotericist of the period, Jacob Boehme, and alchemists such as the English polymath Robert Fludd. Another was Shakespeare's contemporary, the youthful Johann Valentin Andreae, credited as author of "The Chymical Wedding" - a Rosicrucian work replete with sophisticated examples of encoding. The fact that all these writers used the same or similar encoding points to a secret teaching designed to be recognized by initiates. Ovason explores and, for the first time, reveals what Shakespeare alluded to as 'a Secret booke'.Table of ContentsIntroduction Chapter One The Secret Number Hamlet and ghosts - The Sonnets - The Tempest - Authors of the Secret booke - George Sandys - Four encoded portraits - Abraham Cowley - Love's Labour's Lost - William Blake - Robert Fludd - The two cupids Chapter Two Shakespeare's Curse Stone Shakespeare's tomb - Washington Irving - Ben Jonson - Francis Bacon - The curse-stone code - Samuel Ireland - The code unravelled Chapter Three Some Rosicrucian WorkS Ethan Allen Hitchcock - Shakespeare's tomb code - Liber M Mysterium Magnum - D.L.S. - Magica - Khunrath's Amphitheatrum - The Mystic Rose - The Phoenix, or Hermes Bird - Flaming Rose - Robert Fludd - Tabula Smaragdina - Atalanta fugiens Chapter Four The Sacred Monas of John Dee John Dee - Monas Hieroglyphica - John Milton - The Alchemist of Jonson - Alpha, Omega and Crux - Daniel Mylius - Saint Luke and Saint Matthew - Two Children - Michelangelo Chapter Five The Rosicrucian Code The Rosicrucian Temple of Schweighardt - Johann Valentin Andreae - Ezechiel Foxcroft - The Chymical Wedding - Pearls before swine - The Fifth Day - Naked Venus - The encoded script above the Venus - The Tree and the Fruit - The code within a code - Atman, Buddhi and Manas - Fludd's diagram of the secret Ternary - The Paracelsian Three Principles - Salt - Sulphur - Mercury - A Rosicrucian diagram of the secret Ternary Chapter Six Nostradamus his Codes Nostradamus - Propheties - First two quatrains - Iamblichus - Language of the Birds - Michael Maier - Jocus Severus - Quatrain 3:3 - The Battle of Lepanto - Pierre l'Estoile - Urbanus VIII - Bees - A 33-encoded quatrain Chapter Seven The Ego in Strife: Law & Boehme Portrait of Jacob Boehme - William Law - The Clavis - An Illustration of the Deep - Thomas Heywood - Michelangelo's Creation of Adam - Charles Bovelles - Das Auge and the A - Reincarnation diagram - Der Weeg zu Christo - Vesica Piscis Conclusion Picture section

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisShakespeare's poems, aside from the enduring appeal of the Sonnets, are much less familiar today than his plays, despite being enormously popular in his lifetime. This Introduction celebrates the achievement of Shakespeare as a poet, providing students with ways of understanding and enjoying his remarkable poems. It honours the aesthetic and intellectual complexity of the poems without making them seem unapproachably complicated, outlining their exquisite pleasures and absorbing enigmas. Schoenfeldt suggests that today's readers are better able to analyze aspects of the poems that were formerly ignored or the source of scandal - the articulation of a fervent same-sex love, for example, or the incipient racism inherent in a hierarchy of light and dark. By engaging closely with Shakespeare's major poems - 'Venus and Adonis', 'Lucrece', 'The Phoenix and the Turtle', the Sonnets and 'A Lover's Complaint' - the Introduction demonstrates how much these extraordinary poems still have to say tTrade Review"Schoenfeldt's volume has all the merits of a first-rate lecture series. It provides the facts, engages judiciously with current scholarship, and models exacting readings of target texts." --Recent Studies of the English RenaissanceTable of Contents1. Shakespeare and English poetry; 2. Shakespeare's banquet of sense: 'Venus and Adonis'; 3. 'My tongue shall utter all': constraint and complaint in 'Lucrece'; 4. Mysteries of the Sonnets; 5. 'All in war with time': progeny, poetry, and entropy in the Sonnets; 6. Friendship and love, darkness and lust: desire in the Sonnets; 7. Solitary and mutual flames: 'A Lover's Complaint' and 'The Phoenix and the Turtle'; 8. Passionate pilgrims: fantasies of Shakespearean authorship; Further reading.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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