Literary studies: general Books

Book SynopsisA working father whose life no longer feels like his own discovers the transforming powers of great (and downright terrible) literature in this laugh-out-loud memoir.Andy Miller had a job he quite liked, a family he loved and no time at all for reading. Or so he kept telling himself. But, no matter how busy or tired he was, something kept niggling at him. Books. Books he'd always wanted to read. Books he'd said he'd read, when he hadn't. Books that whispered the promise of escape from the 6.44 to London. And so, with the turn of a page, began a year of reading that was to transform Andy's life completely.This book is Andy's inspirational and very funny account of his expedition through literature: classic, cult and everything in-between. Crack the spine of your unread Middlemarch', discover what The Da Vinci Code' and Moby-Dick' have in common (everything, surprisingly) and knock yourself out with a new-found enthusiasm for Tolstoy, Douglas Adams and The Epic of Gilgamesh'. The Year ofTrade Review‘Like nothing else I have ever read – a combination of criticism and memoir that is astute, tender, funny and often wickedly ironic’ Peter Conrad, Observer ‘Very funny … this is “High Fidelity” for bookworms’ Christian House, Daily Telegraph ‘Brilliant. All these books should count themselves lucky to have been read by Andy Miller’ Stewart Lee ‘A readable, often funny account … This is much more than a succession of verdicts on famous books. It’s also an autobiography told through books … reminiscent both in style and perceptiveness of Nick Hornby. Miller’s theme is that books aren’t separate from life … Perhaps one book never changed anyone’s life; but 50 of them can.’ Brandon Robshaw, Independent ‘Hilarious and touching … If you don’t like to read, this book is probably not for you, but Dan Brown remains on sale’ Jenny Colgan, author of ‘Welcome to Rosie Hopkins’ Sweetshop of Dreams’ ‘I loved this book … challenging, controversial and very funny’ David Nobbs, author of ‘The Fall and Rise of Reginald Perrin’ ‘Andy Miller is a very funny writer. And this hymn to reading is a delight. The chapter on Herman Melville and Dan Brown had me howling with pleasure. PS. It will also make you feel a bit well-read’ Matt Haig, author of ‘The Humans’ ‘Brilliant’ Lucy Mangan, author of ‘My Family and Other Disasters’ ‘Andy Miller was leading a normal life of quiet desperation when he discovered that he was no longer reading with any plan or pleasure. Usually books about books as therapy are resistible but “The Year of Reading Dangerously” is a sweet exception. Amiable, circumstantial, amusing, charming’ The Times ‘A witty self-help guide to managing one’s bookshelves’ TLS ‘Like Bill Bryson being locked in the British Library for his own good, “The Year of Reading Dangerously” is clever, inspiring and – shh! – laugh-out-loud funny’ Neil Perryman, author of ‘Adventures with the Wife in Space’ ‘By turns witty and profound’ Daily Telegraph

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Book Synopsis''The best book on the subject I''ve read. Quite brilliant'' Tony Jordan, creator/writer, Life on Mars, HustleWe all love stories. But why do we tell them? And why do all stories function in an eerily similar way? John Yorke, creator of the BBC Writers'' Academy, has brought a vast array of drama to British screens. Here he takes us on a journey to the heart of storytelling, revealing that there truly is a unifying shape to narrative forms - one that echoes the fairytale journey into the woods and, like any great art, comes from deep within. From ancient myths to big-budget blockbusters, he gets to the root of the stories that are all around us, every day.''Marvellous'' Julian Fellowes ''Terrifyingly clever ... Packed with intelligent argument'' Evening Standard ''The most important book about scriptwriting since William Goldman''s Adventures in the Screen Trade'' Peter Bowker, writer, Blackpool, Occupation, Eric Trade ReviewBrimmingly insightful ... fresh, enlightening and accessible ... a gripping read from beginning to end -- Robert Collins * Sunday Times *Terrifyingly clever ... Packed with intelligent argument * Evening Standard *So detailed and engaging is his methodology that any consumer of books, plays, TV or films will find the experience enhanced; and scriptwriters themselves will find useful guidance - because when you know the why, the how is natural -- Robert Epstein * Independent on Sunday *This is a marvellous analysis of screenwriting and, with any luck, should help a great many people achieve their dreams -- Julian Fellowes, writer/creator of Downton AbbeyAnother book on screenwriting! Oh, how I wanted to hate it! I didn't. I loved it. Much of it was fresh to me. And always interesting, always intelligent and, for a writer, always rewarding -- Jimmy McGovern, screenwriter, The Street and The AccusedIn an industry full of so called script gurus and snake oil salesmen, at last there's a book about story that treats writers like grown ups. This isn't about providing us with an ABC of story or telling us how to write a script by numbers. It's an intelligent evaluation into the very nature of storytelling and is the best book on the subject I've read. Quite brilliant -- Tony Jordan, screenwriter, Life on Mars and HustleEven for a convinced sceptic, John Yorke's book, with its massive field of reference from Aristotle to Glee, and from Shakespeare to Spooks, is a highly persuasive and hugely enjoyable read. It would be hard to beat for information and wisdom about how and why stories are told -- Dominic Dromgoole, Artistic Director, The Globe TheatreThis book is intelligent, well written, incisive and, most of all, exciting. It is the most important book about scriptwriting since William Goldman's Adventures in the Screen Trade -- Peter Bowker, screenwriter, Blackpool, Occupation and Eric & ErniePart 'How-to' manual, part 'why-to' celebration, Into The Woods is a wide-reaching and infectiously passionate exploration of storytelling in all its guises ... exciting and thought-provoking -- Emma Frost, screenwriter, The White Queen and ShamelessInto The Woods is an amazing achievement. It has a real depth and understanding about story, a fantastically broad frame of reference and it's interesting and absorbing throughout. Full of incredibly useful insights, every TV writer should read the first chapter alone -- Simon Ashdown, series consultant, EastEndersTesting the adage that "in theory there's no difference between theory and practice but in practice there is", this is a love story to story -- erudite, witty and full of practical magic. It's by far the best book of its kind I've ever read. I struggle to think of the writer who wouldn't benefit from reading it -- even if they don't notice because they're too busy enjoying every page -- Neil Cross, creator/writer of Luther, Crossbones and writer of Dr Who, MI5Books on story structure are ten a penny but Mistah Yorke's is the real deal -- Kathryn FlettAll script-writers will want to read Into The Woods. All plots and archetypes BUSTED -- Caitlin MoranGot to say Into The Woods by John Yorke is marvellous. The prospect of another screenwriting book made me yawn, but its terrific ... It's a great read, wise and cogent, and a must for all screenwriters -- David EldridgeA mind-blower ... an incredibly dense but very readable tome about the art of storytelling ... Really worth a read -- Lenny Henry * The Independent *I don't always enjoy books on writing, but Into the Woods by John Yorke is brilliant on story structure. -- Ken Follett, author of 'The Pillars of the Earth'In his brimmingly insightful, stimulating study of how stories work, Yorke compellingly unpicks how a whole range of films, plays, novels and fairy tales all display the same archetypal structures . . . His book, in telling scores of stories in such a fresh, enlightening and accessible manner, is a gripping read from beginning to end * Sunday Times *The best book on the subject [of storytelling] I've read, tells us everything we need to know about it. Yorke's analysis is superb * London Evening Standard *A mightily impressive opus, both hugely informative and highly educational. I love the way it's populated with so many examples - the many combinations of both mass market and the slightly more esoteric giving a something-for-everyone feeling. A brilliant work -- Peter James, best-selling author of NOT DEAD ENOUGH and LOOKING GOOD DEADYorke sets out to analyse the patterns behind storytelling, explaining why the fundamentals of narrative have remained the same from Aristotle to Aaron Sorkin. A great starting point for anyone wanting to create a story * Stuff Magazine *I've just read a book about professional writing which has genuinely helped me. It's for those who are serious about avoiding bad 'How To' books and want to raise their game, and it's more intelligent than most of the others. John Yorke's Into The Woods: How Stories Work And Why We Tell Them is a genuine game-changer and has helped me put past bad habits to rest -- Christopher Fowler, Author of Bryant and MayInto The Woods is utterly brilliant -- Ed Cumming * Daily Telegraph *Love storytelling? You need this inspiring book. John Yorke dissects the structure of stories with a joyous enthusiasm allied to precise, encyclopaedic knowledge. Guaranteed to send you back to your writing desk with newfound excitement and drive -- Chris Chibnall, creator and writer of Broadchurch and The Great Train RobberyInto The Woods is brilliant. One of the best books on script writing out there . . . I loved the book. Inspiring -- Dominic Mitchell, creator and writer of In The FleshThere is no end of books that instruct us on how to write the perfect screenplay, but few that delve more deeply into the art of storytelling than this erudite volume * Financial Times *Its strength is Yorke's acute perception of the wellsprings of universal narrative structures relevant to all artistic activities * The Times *Terrific . . . It's a great read, wise and cogent, and a must for all screenwriters -- David Eldridge, writer of Festen and In BasildonIt's a great read. It makes me smile and say 'Yes!' aloud. Only this and PG Wodehouse do that -- Lucy Gannon, writer/creator of Soldier Soldier, Peak Practice, Frankie, The Best Of MenNot How 2 Write them but how stories work. John Yorke's Into the Woods: A 5 Act Journey into Story is brilliant, illuminates & explains -- Susan Hill, Author, The Woman In Black, I’m The King Of The CastleI'm only 70 pages into John Yorke's Into the Woods but it's already helped me crack two stories -- Andy Diggle, former editor of 2000AD, comic book writer for Marvel, DCHighly recommended reading * Huffington Post *Yorke is aware that the world is not suffering for lack of prescriptive screenwriting manuals. Instead, with Into the Woods, he takes a scalpel to narrative structure - dissecting protagonist, antagonist, inciting incident, crisis and so on - before asking how and why this underlying shape still holds audiences spellbound like a fairytale witch. "A story is like a magnet dragged through randomness," Yorke writes, but while he elegantly untangles the deepest roots of storytelling, he also honours the human need for truth and sense with some more superficial questions: why do series tend to "jump the shark" round about season three, for example, or why is clunky exposition - particularly in medical dramas - so appallingly comical? Sit comfortably, then begin * Guardian *I absolutely love this book. It's incredible and so well written. I keep trying to find fault but so far no joy - It's so good -- Matt Charman, writer Bridge of Spies (dir Stephen Spielberg); Black Work (ITV)[John Yorke's] writing book is arguably possibly almost as good as mine, all right it's loads better shut up -- David Quantick, Author of HOW TO WRITE EVERYTHINGProbably, in the hackneyed phrase, "the last book on screenwriting you'll ever need." He is very good at debunking the claims of some screenwriting gurus, all of whom are busy trying to sell you their own particular brand of snake oil. It's truly excellent -- Tim Adler * Daily Telegraph *Of all the books I've read about story construction and the art of fiction, this one is the most comprehensive and concise -- John Collee, writer on 'Master And Commander', 'Happy Feet', 'Creation', 'Walking With Dinosaurs'

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Book SynopsisWere it not for the Marquis de Sade''s explicit use of language and complete disregard for the artificially constructed taboos of a religious morality he despised, the novelty and profundity of his thought, and above all, its fundamental modernity, would have long since secured him a place alongside the greatest authors and thinkers of the European Enlightenment. This Very Short Introduction aims to disentangle the ''real'' Marquis de Sade from his mythical and demonic reputation of the past two hundred years. Phillips examines Sade''s life and work: his libertine novels, his championing of atheism, and his uniqueness in bringing the body and sex back into philosophy. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.Trade ReviewA brisk and lively introductory book. * John Phillips, Times Literary Supplement *Table of Contents1. Beyond the Myth: The real Marquis de Sade ; 2. Man of Letters ; 3. Martyr of Atheism ; 4. Sade and the French Revolution ; 5. Theatres of the Body ; 6. Apostle of Freedom ; References ; Further Reading

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Book SynopsisThis edition offers a new translation of a selection of the Buddha's most important sayings reflecting the full variety of material: biography of the Buddha, narrative, myth, short sayings, philosophical discourse, instruction on morality, meditation, and the spiritual life. It provides an excellent introduction to Buddhist scripture.Trade ReviewRupert Gethin's 'Sayings of the Buddha' [is] translated with an eye toward readability. * Buddhaharma *This short volume is...a resource for teachers and students, and anyone interested in early Buddhist literature. * Buddhaharma *

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Book SynopsisVerne's classic tale of Captain Nemo and the submarine the Nautilus has left a profound mark on the twentieth century. Its themes are universal, its style humorous and grandiose, its construction masterly.Trade ReviewThis truly is the edition that serious SF readers will want. Indeed, given its rigour is at the academic level (such is the quantity and detail of ancillary information provided), it is surprising that this book is priced at the level of an average fiction paperback: it is extremely good value. * Jonathan Cowie, Concatenation.org *Review from previous edition 'stands head and shoulders above the other English translations of Verne I have seen.' * Nineteenth-Century French Studies *Table of ContentsAcknowledgementsList of AbbreviationsIntroductionNote on the Text and TranslationSelect BibliographyChronologyTWENTY THOUSAND LEAGUES UNDER THE SEASAppendix: Sources of ideas on submarine navigationExplanatory notes

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Book SynopsisFrom wicked queens, beautiful princesses, elves, monsters, and goblins, to giants, glass slippers, poisoned apples, magic keys, and mirrors, the characters and images of fairy tales have cast a spell over readers and audiences, both adults and children, for centuries. These fantastic stories have travelled across cultural borders, and been passed on from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration draws on ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. In this Very Short Introduction, Marina Warner digs into a rich hoard of fairy tales in all their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. Drawing on a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers'' Hansel and Gretel, and Hans Andersen''s The Little Mermaid, to modern-day realizations including Walt Disney''s Snow White, Warner forms a persuasive case for fairy tale as a crucial repository of human understanding and culture. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.Trade ReviewReview from previous edition the book is an enchanted material object, and reading a journey toward knowledge and wisdom. * Gramayre *thoroughly enjoyable and scholarly account * Times Literary Supplement *elegantly concise * Literary Review *...this is a book to treasure. It really is the perfect introduction to the subject. * Desperate Reader, Hayley Anderton *wide ranging and handsomely produced * Rowan Williams, New Statesman *wise, witty, elegant, little book * Amanda Craig, Mslexia *This is a book to treasure. * Helen Parry, Shiny New Books *Marina Warner's newest book is as pocket-sized and potent as one might expect a short history of fairy tales to be...she manages to be astute without being intrusive...there is sharpness too. * Shahidha Bari, Times Higher Education *Warner is always intelligent, writes with great elegance and bubbles over with new ideas and impressions. Many will enjoy her style, wide range of literary reference and infectious enthusiasm. * Irish Times *Marina Warner's new book distills her work on the literary, cultural, psychological and social influence of fairy tales, old and new, into an elegant little volume. From fantasy to feminism - it is all here. * Wall Street Journal *For such a small book it carries a heavy load, but Ms Warner's insights are both surprising and rewarding. * The Economist *An expert and intruiging guide to the roots and triffid-like growth of a significant genre * The Tablet *a spellbinding cultural tour de force * The Lady *Marina Warner is our doyenne of fairy stories ... her scholarly knowledge is not just worn lightly but presented with a flourish * Amanda Craig, Observer19/10/2014 *her light touch effortlessly imparts knowledge in your mind. A beautifully produced book, this will be a joy to anyone who loves stories. * Patrick Neale, The Bookseller *Table of ContentsPrologue 1: The worlds of Faery: far away and down below 2: With a touch of her wand: magic & metamorphosis 3: Voices on the page: tales, tellers, & translators 4: Potato soup: true stories/real life 5: Childish things: pictures & conversations 6: On the couch: house-training the Id 7: In the dock: don't bet on the Prince 8: Double vision: the dream of reason 9: On stage and screen: states of illusion Epilogue Further reading Index

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Book SynopsisTrade Reviewa dynamic, exciting, and thought-provoking work * Notes and Queries *it is bound in general to have considerable impact on our thinking about Hamlet (the text and the play) and deserves wide attention * Notes and Queries *level-headed, perspicuous treatment of the textual problems...It may be commended to students...Of the three recent Hamlets, this edition is the one I shall require students to buy. * T. H. Howard-Hill, Review English Studies *

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Book SynopsisTrade ReviewJane Kentish's translation of The Gambler captures the seething resentment and desperation of the narrator's tone and faithfully conveys the voices of the other characters. * Kenneth Lantz, University of Toronto, Scottish Slavonic Review, No. 20, 1993 *

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Book SynopsisThe Masterpiece is the tragic story of Claude Lantier, an ambitious and talented young artist from the provinces who has come to conquer Paris and is conquered by the flaws in his own genius. While his boyhood friend Pierre Sandoz becomes a successful novelist, Claude's originality is mocked at the Salon and turns gradually into a doomed obsession with one great canvas. Life - in the form of his model and wife Christine and their deformed child Jacques - issacrificed on the altar of Art.The Masterpiece is the most autobiographical of the twenty novels in Zola's Rougon-Macquart series. Set in the 1860s and 1870s, it provides a unique insight into his career as a writer and his relationship with Cézanne, a friend since their schooldays in Aix-en-Provence. It also presents a well-documented account of the turbulent Bohemian world in which the Impressionists came to prominence despite the conservatism of the Academy and the ridicule of the general public.Table of ContentsNo Penguin competition.

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Book Synopsis`I have made a terrible discovery ... I have not yet been born ... I live off borrowed substance; what I have within me is not mine.'' In his four last plays Federico García Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The ill-fated lovers of Blood Wedding, the desolate Yerma, the fading spinster Rosita, and Bernarda Alba''s abused household of women all inhabit a familiar Andalusia. Their predicaments are starkly plotted, with a stagecraft rooted in classical theatrical tradition. In such figures Lorca addresses the cultural and political ferment of his time with a fiercely libertarian assault on ''old and wrong moralities'', fusing the personal and the political through his virtuoso mastery of images. Yet all that mastery can barely keep at bay the anguished contradictions of these doomed human lives. Hence the authentic sense of danger - the duende, to use his own word of Lorca''s theatre, finely conveyed here in John Edmunds''s fluent and rhythmic new translations that lend themselves admirably to performance. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade ReviewHis versions are accurate ... faithful ... fluent and idiomatic; they look like utterances of English ... Readers can be sure that the texts will not lead them astray, but they will also be grateful for the quite excellent introductory essay by Nick Round. This is a characteristically gritty display of erudition and common sense ... extremely well-prepared edition. * Times Literary Supplement *Table of ContentsBlood Wedding ; Yerma ; The House of Bernada ; Dona Rosita the Spinster

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Book SynopsisLouise de la Balliere is the middle section of The Vicomte de Bragelonne or, Ten Years After. Against a tender love story, Dumas continues the suspense which began with The Vicomte de Bragelonne and will end with The Man in the Iron Mask. It is early summer, 1661, and the royal court of France is in turmoil. Can it be true that the King is in love with the Duchess d''Orleans? Or has his eye been caught by the sweet and gentle Louise de la Valliere? No one is more anxious to know the answer than Raoul, son of Athos, who loves Louise more than life itself. Behind the scenes, dark intrigues are afoot. Louis XIV is intent on making himself absolute master of France. Imminent crisis shakes the now aging Musketeers and d''Artagnan out of their complacent retirement, but is the cause just? This new edition of the classic English translation of 1857 is richly annotated and sets Dumas''s invigorating tale in its historical and cultural context. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade Reviewone of the very best of the series, mixing amorous and political intrigue with an élan peculiar to Dumas ... this quasi-historical series remains remarkably readable * The Irish Times (Dublin) *

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Book SynopsisIt is May 1660 and the fate of nations is at stake. Mazarin plots, Louis XIV is in love, and Raoul de Bragelonne, son of Athos, is intent on serving France and winning the heart of Louise de la Vallière. Meanwhile, D'Artagnan, Athos, Aramis, and Porthos all undertake their own mysterious enterprises. The Vicomte de Bragelonne opens an epic adventure which continues with Louise de la Vallière and reaches its climax in The Man in the Iron Mask. This new edition of the classic translation presents a key episode in the Musketeers saga, fully annotated and with an introduction that sets Dumas's saga in its historical and cultural context.Trade Reviewalternately melodramatic, sentimental, humorous, wordly, and almost always absorbing * The Irish Times *

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Book SynopsisLa Reine Margot (1845) is a novel of suspense and drama, re-creating the violent world of intrigue, murder and duplicity of the French Renaissance. Dumas fills his canvas with a gallery of unforgettable characters, unremitting action and the engaging generosity of spirit which has made him one of the world's greatest and best-loved story-tellers. This is a modernized version of a classic translation of 1846 by the award-winning translator, DavidCoward.

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Book SynopsisEugene Onegin is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in 1820s Russia, Pushkin's novel in verse follows the fates of three men and three women. It was Pushkin's own favourite work, and this new translation conveys the literal sense and the poetic music of the original.

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Book Synopsis`Tonight When I make my sweeping bow at heaven''s gate, One thing I shall still possess, at any rate, Unscathed, something outlasting mortal flesh, And that is ... My panache.''The first English translation of Cyrano de Bergerac, in 1898, introduced the word panache into the English language. This single word summed up Rostand''s rejection of the social realism which dominated late nineteenth-century theatre. He wrote his `heroic comedy'', unfashionably, in verse, and set it in the reign of Louis XIII and the Three Musketeers. Based on the life of a little known writer, Rostand''s hero has become a figure of theatrical legend: Cyrano, with the nose of a clown and the soul of a poet, is by turns comic and sad, as reckless in love as in war, and never at a loss for words. Audiences immediately took him to their hearts, and since the triumphant opening night in December 1897 - at the height of the Dreyfus Affair - the play has never lost its appeal. The text is accompanied by notes and a full introduction which sets the play in its literary and historical context. Christopher Fry''s acclaimed translation into `chiming couplets'' represents the homage of one verse dramatist to another. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Book SynopsisIn this almost documentary account of his own experiences of penal servitude in Siberia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, thebrief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his greatmasterpieces.

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Book SynopsisTrade Reviewwelcome the new additions to the finest and widest-ranging library of great writing (at accessible prices too), OUP's World's Classics series ... Goethe's Erotic Poems ... this is the first readily available version of the uncensored Elegies * Oxford Times *

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Book Synopsis`It will be the biggest fiasco of the year - but I don''t care a damn! It will be something nobody has ever done before, and I shall have said what I had to say.'' As Joris -Karl Huysmans announced in 1884, Against Nature was fated to be a novel like no other. Resisting the models of classic nineteenth-century fiction, it focuses on the attempts of its anti-hero, the hypersensitive neurotic and aesthete, Des Esseintes, to escape Paris and the vulgarity of modern life. Holed up in his private museum of high taste, he offers Huysmans''s readers a treasure trove of cultural delights which anticipates many of the strains of modernism in its appreciation of Baudelaire, Moreau, Redon, Mallarmé and Poe. This new translation is supplemented by indispensable notes which enhance the understanding of a highly allusive work. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''

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Book Synopsis''I loathe what I did, but what I loathe even more is your virtue.''Seventeen-year-old Effi Briest is steered by her parents into marriage with an ambitious bureaucrat, twenty years her senior. He takes her from her home to a remote provincial town on the Baltic coast of Prussia where she is isolated, bored, and prey to superstitious fears. She drifts into a half-hearted affair with a manipulative, womanizing officer, which ends when her husband is transferred to Berlin. Years later, events are triggered that will have profound consequences for Effi and her family.Effi Briest (1895) is recognized as one of the masterpieces by Theodor Fontane, Germany''s premier realist novelist, and one of the great novels of marital relations together with Madame Bovary and Anna Karenina. It presents life among the conservative Prussian aristocracy with irony and gentle humour, and opposes the rigid and antiquated morality of the time by treating its heroine with sympathy and keen psychological insight.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade ReviewFontane's masterpiece is now generally acclaimed as Germany's contribution, alongside Madame Bovary and Anna Karenina, to the great nineteenth-century European novels of adultery. * Leo A. Lensing, Times Literary Supplement *I'd barely heard of Theodor Fontane before I read this, but he clearly was an important novelist and I'm delighted to have been introduced to him. This is an great new edition, with a helpfully wide-ranging introduction and notes, and the translation by Mike Mitchell is excellent I never had the sense that I was even reading a translation, which is high praise from someone as fussy as I am. So highly recommended. * Shiny New Books, Harriet Devine *

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Book Synopsis''Shamelessly engaging, effortlessly scholarly, utterly refreshing''Thomas Keneally, author of Schindler''s Ark''A small treasure''New York Times ''This sweepingly confident overview is more entertainingly told than any previous account''Sunday TelegraphIreland played the central role in maintaining European culture when the dark ages settled on Europe in the fifth century: as Rome was sacked by Visigoths and its empire collapsed, Ireland became ''the isle of saints and scholars'' that enabled the classical and religious heritage to be saved.In his compelling and entertaining narrative, Thomas Cahill tells the story of how Irish monks and scrines copied the mauscripts of both pagan and Christian writers, including Homer and Aristotle, while libraries on the continent were lost forever. Bringing the past and its characters to life, Cahill captures the sensibility of the unsung Irish who relaunched civilisation.Trade ReviewHOW THE IRISH SAVED CIVILISATION is a shamelessly engaging, effortlessly scholarly, utterly refreshing history of the origins of the Irish soul and its huge contribution to Western culture ... For its portrait of St Patrick alone, it will resonate in the memory. * Thomas Keneally *Lyrical, playful, penetrating and serious ... an entirely engaging, delectable voyage into the distant past, a small treasure * Richard Bernstein in the New York Times *This sweepingly confident overview is more entertainingly told than any previous account ... An elegant book * P.J. Kavanagh in the Sunday Telegraph *

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Book SynopsisBy the author of THE HANDMAID''S TALE and ALIAS GRACEWhat is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and the development of her writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have seen fit to assume, what roles they have chosen to play. In her final chapter she takes up the challenge of the book''s title: if a writer is to be seen as ''gifted'', who is doing the giving and what are the terms of the gift?Margaret Atwood''s wide and eclectic reference to other writers, living and dead, is balanced by anecdotes from her own experiences as a writer, both in Canada and on the international scene. The lightness of her touch is underlined by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the mTrade ReviewAtwood's wonderful collection of lectures isn't so much advice on how to write as it is a series of ruminations on the deeper problems and joys of being a writer, such as what moral debt we may owe the reader. She calls on past great writers like helpful friends for their adivce -- Lesley McDowell * Sunday Herald *As one of literature's luminaries, surely Margaret Atwood possesses a magical secret we can truffle out? It's an absorbing book, which you read with pleasure and benefit...'On Writers and Writing,' is frequently hilarious * The Independent *Juggling well worn subjects which "get murky or pretentious", this is a streetwise, erudite suggestive enquiry into problems and myths of the writer's role. Her light touch on hard thoughts, her humour and eclectic quotations, lend enchantment to an argument that has as many undulating tentacles as a well developed sea anemone * Independent *Her witty, occasionally self-depracating and always ingenious approach is a delight * Sunday Times *A witty and profound rumination about writing * The Times *A playful, informed and briskly sensible discussion of the writing life * Sunday Telegraph *'an absorbing book, which you read with pleasure and benefit... the sense of an agile mind revolving sophisticated ideas' -- Stevie Davies * Independent *

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Book SynopsisThe classic study of alienation, creativity and the modern mind''Excitingly written, with a sense of revelation'' GUARDIANTHE OUTSIDER was an instant literary sensation when it was first published in 1956, thrusting its youthful author into the front rank of contemporary writers and thinkers. Wilson rationalised the psychological dislocation so characteristic of Western creative thinking into a coherent theory of alienation, and defined those affected by it as a type: the outsider. Through the works and lives of various artists, including Kafka, Camus, Hemingway, Hesse, Lawrence, Van Gogh, Shaw, Nietzsche and Dostoevsky, Wilson explored the psyche of the outsider, his effect on society and society''s on him. Nothing that has happened in the decades since has made THE OUTSIDER any less relevant; it remains the seminal work on this most persistent of modern-day preoccupations.Trade ReviewFew first authors have burst upon the world of serious books with such stunning and immediate success * DAILY EXPRESS *Excitingly written, with a sense of revelation * GUARDIAN *The most remarkable book on which the reviewer has ever had to pass judgement * LISTENER *I am deeply grateful for this astonishing book -- Edith Sitwell[An] extraordinary book . . . one of the most remarkable I have read for a long time -- Cyril ConnollyExhaustive, luminously intelligent * OBSERVER *A major writer * LONDON EVENING NEWS *

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Book SynopsisSir Stanley Wells is one of the world''s greatest authorities on William Shakespeare. Here he brings a lifetime of learning and reflection to bear on some of the most tantalising questions about the poet and dramatist that there are. How did he think, feel, and work? What were his relationships like? What did he believe about death? What made him laugh? This freshly thought and immensely engaging study wrestles with fundamental debates concerning Shakespeare''s personality and life. The mysteries of how Shakespeare lived, whom and how he loved, how he worked, how he produced some of the greatest and most abidingly popular works in the history of world literature and drama, have fascinated readers for centuries. This concise, crystalline book conjures illuminating insights to reveal Shakespeare as he was. Wells brings the writer and dramatist alive, in all his fascinating humanity, for readers of today.Trade Review'It is, I think, incontestable to claim that no single person in history has done more for the study and appreciation of Shakespeare than Stanley Wells. This book asks four beguilingly simple questions which result in deeply fascinating and exciting journeys into Shakespeare's mind and practice. As you read, you are very likely to exclaim, as I did, 'Why the hell didn't my English teacher talk like this? Actors, directors, producers, lecturers, teachers, students, and all who want to know and understand more will hug this book to them.' Stephen Fry'If this book wasn't short I wouldn't trust it. There is very little to go on in trying to find Shakespeare the man, and Stanley Wells doesn't pad anything out with wishful speculation. Having studied his works for longer than any man alive he is almost uniquely placed to do this detective work. In his tenth decade Wells has lost none of his curiosity or his eagerness to share his intimate knowledge.' Harriet Walter'Stanley Wells illuminates and entertains – brilliant!' Kenneth Branagh'A truly excellent book – I enjoyed every page. I am sure it will be read with appreciation by all who care for Shakespeare, or are curious about the inner turmoil of his life.' Claire Tomalin'This illuminating compilation … helps separate the man from the myth.' Publishers Weekly'Wells is our pre-eminent Shakespearean, and here he reflects magisterially on the topic that has absorbed his life for seven decades … [His] book offers a readable, pacy and personal introduction to Shakespeare's works, and to Wells's own important role, part-Prospero, part-Puck, in their popularisation. And if you're still wondering: what Shakespeare was really like remains, happily, a mystery.' The Telegraph'Wells roots his picture of the playwright and poet in evidence and logic, and he's too erudite to be anything but modest in his conjectures - which is much the appeal of this book.' Jonathan Mandell, New York Theater'Stanley Wells, the nonagenarian dean of Shakespeare scholars, condenses decades of living with Shakespeare into What Was Shakespeare Really Like? … Commonsensical, easy-going, Mr. Wells wants to encounter Shakespeare as a personality.' The Wall Street Journal'Just as any production of a Shakespeare play reveals as much about its interpreters as its playwright, so Wells paints a portrait of himself alongside his subject. That the reader will still likely be glad of it is testament to the author's unwavering enthusiasm and insight.' Rory Kinnear, The Guardian'…secret, passionate urgings and scoldings were the seeds of [Shakespeare's] creativity. Professor Wells deserves a round of applause for bringing them into the light.' John Walsh, The Mail on SundayTable of ContentsForeword Stephen Fry; 1. What Manner of Man Was He?; 2. How Did Shakespeare Write a Play?; 3. What Do the Sonnets Tell Us about Their Author?; 4. What Made Shakespeare Laugh?; Epilogue: Eight Decades with Shakespeare.

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Book SynopsisWhat is narrative? How does it work and how does it shape our lives? H. Porter Abbott emphasizes that narrative is found not just in literature, film, and theatre, but everywhere in the ordinary course of people''s lives. This widely used introduction, now revised and expanded in its third edition, is informed throughout by recent developments in the field and includes one new chapter. The glossary and bibliography have been expanded, and new sections explore unnatural narrative, retrograde narrative, reader-resistant narratives, intermedial narrative, narrativity, and multiple interpretation. With its lucid exposition of concepts, and suggestions for further reading, this book is not only an excellent introduction for courses focused on narrative but also an invaluable resource for students and scholars across a wide range of fields, including literature and drama, film and media, society and politics, journalism, autobiography, history, and still others throughout the arts, humanities, and social sciences.Trade ReviewPraise for the second edition: 'This second edition of H. Porter Abbott's very widely used (and highly regarded) Introduction is even stronger than the first edition. The new edition includes two additional chapters, one on 'Narrative and Truth' and the other on 'Narrative Worlds,' which incorporate recent research by a range of scholars exploring the relevant issues, and, furthermore, the author has painstakingly reworked the entire volume to ensure accuracy, comprehensiveness, and clarity in its treatment of major trends in the study of narrative … What was true of the first edition is even more true of the second: this Introduction is not only an appropriate text for classes focusing on narrative - including advanced undergraduate and graduate classes in such (sub)disciplines as literary theory, film theory, communication studies, discourse analysis, women's and gender studies, history, comparative media studies, and critical legal theory - but also an invaluable resource for specialists.' David Herman, editor of The Cambridge Companion to NarrativePraise for the first edition: 'Abbott brilliantly zeroes in on the architecture of narrative with an exactness and bent for orderly exposition that utterly redeems his subject.' The Chronicle of Higher EducationPraise for the first edition: 'Anyone seeking a lucidly written guide to the study of narrative technique should turn immediately to H. Porter Abbott's Cambridge Introduction to Narrative.' Literature/Film QuarterlyPraise for the first edition: 'Directness, accessibility, and coherence distinguish this brief but comprehensive study of narrative … Most highly recommended.' ChoicePraise for the first edition: 'A lucid, practical, wide-ranging, and often original introduction to narrative, which will be extremely useful in undergraduate and graduate courses on literary theory and criticism. This is not a dry textbook, however; the reader is made aware of a real voice and of a fascination with the role of narrative across many areas of culture and beyond.' Derek Attridge, University of YorkTable of Contents1. Narrative and life; 2. Defining narrative; 3. The borders of narrative; 4. The rhetoric of narrative; 5. Closure; 6. Narration; 7. Interpreting narrative; 8. Three ways to interpret narrative; 9. Adaptation across media; 10. Character and Self in narrative; 11. Narrative and truth; 12. Narrative worlds; 13. Narrative contestation; 14. Narrative negotiation: conflict revisited; 15. Narrative negotiation: closure revisited.

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Book SynopsisBeyond its housing estates and identikit high streets there is another Britain. This is the Britain of mist-drenched forests and unpredictable sea-frets: of wraith-like fog banks, druidic mistletoe and peculiar creatures that lurk, half-unseen, in the undergrowth, tantalising and teasing just at the periphery of human vision. How have the remarkably persistent folkloric traditions of the British Isles formed and been formed by the identities and psyches of those who inhabit them? In her sparkling new history, Carolyne Larrington explores the diverse ways in which a myriad of imaginary and fantastical beings has moulded the cultural history of the nation. Fairies, elves and goblins here tread purposefully, sometimes malignly, over an eerie, preternatural landscape that also conceals brownies, selkies, trows, knockers, boggarts, land-wights, Jack o''Lanterns, Barguests, the sinister Nuckleavee, or water-horse, and even Black Shuck: terrifying hell-hound of the Norfolk coast with eyes

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Book SynopsisIlluminations contains the most celebrated work of Walter Benjamin, one of the most original and influential thinkers of the 20th Century: 'The Work of Art in the Age of Mechanical Reproduction', ‘The Task of the Translator’ and 'Theses on the Philosophy of History', as well as essays on Kafka, storytelling, Baudelaire, Brecht's epic theatre, Proust and an anatomy of his own obsession, book collecting.This now legendary volume offers the best possible access to Benjamin’s singular and significant achievement, while Hannah Arendt’s introduction reveals how his life and work are a prism to his times.Trade ReviewFrom the evidence of this book I would suggest that Benjamin was one of the great European writers of this century * Observer *He explained the modern with an authority that fifty years of unpredictable change have not vitiated * New York Review of Books *Like Baudelaire, Benjamin brings the very new into shocking conjunction with the very old … He is in search of a surrealist history and politics, one which clings tenaciously to the fragment, the miniature, the stray citation, but which impacts these fragments one upon the other to politically explosive effect, like the Messiah who will transfigure the world completely by making minor adjustments to it

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Book SynopsisMacbeth may well be the most terrifying play in the English language, but it hasn’t always been seen that way. It has divided critics more deeply than any other Shakespearian tragedy – and the argument, in essence, has been about just how terrifying the play really is and about how we should react, or do react, to Macbeth himself. No Shakespearian tragedy gives as much attention to its hero as Macbeth. With the exception of Lady Macbeth, there is much less emphasis on the figures round the hero than there is in Hamlet or Othello. Unlike King Lear, with its parallel story of Gloucester and his sons, Macbeth has no sub-plot. And its imagery of sharp contrasts – of day and night, light and dark, innocent life and murder – adds to the almost claustrophobic intensity of this most intense of plays. So why are critics so divided about Macbeth? Why is it so disturbing? Why do we feel compelled to admire its hero even as we condemn him? How reassuring is the last scene, when Macbeth is killed and Malcolm becomes king? Do we see this as the intervention of a divine providence, a restoration of goodness after all the evil? Or do we see instead signs that the whole cycle of violence and murder could be about to begin all over again? And what does the play really tell us about good and evil? In this book Graham Bradshaw answers these questions, and shows how it is only in recent years that the extent of Shakespeare’s achievement in Macbeth, and the nature of his vision in the play, has really been grasped.

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Book SynopsisHarperCollins is proud to present its range of best-loved, essential classics.''It''s a poor sort of memory that only works backward.''In Carroll''s sequel to Alice''s Adventures in Wonderland, Alice once again finds herself in a bizarre and nonsensical place when she passes through a mirror and enters a looking-glass world where nothing is quite as it seems. From her guest appearance as a pawn in a chess match to her meeting with Humpty Dumpty, Through the Looking Glass follows Alice on her curious adventure and shows Carroll''s great skill at creating an imaginary world full of the fantastical and extraordinary.

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Book Synopsis“Karr is a national treasure—that rare genius who’s also a brilliant teacher. This joyful celebration of memoir packs transcendent insights with trademark hilarity. Anyone yearning to write will be inspired, and anyone passionate to live an examined life will fall in love with language and literature all over again. ” — George SaundersCredited with sparking the current memoir explosion, Mary Karr’s The Liars’ Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well.For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patieTrade Review"Karr is a national treasure-that rare genius who's also a brilliant teacher. This joyful celebration of memoir packs transcendent insights with trademark hilarity. Anyone yearning to write will be inspired, and anyone passionate to live an examined life will fall in love with language and literature all over again. " -- George Saunders "Could have been called 'The Art of Living.'" -- San Francisco Chronicle "Mary Karr has written another astonishingly perceptive, wildly entertaining, and profoundly honest book-funny, fascinating, necessary. The Art of Memoir will be the definitive book on reading and writing memoir for years to come." -- Cheryl Strayed "Should be required reading for anyone attempting to write a memoir, but anyone who loves literature will enjoy it too." -- Wall Street Journal "Terrific and deliciously readable guide." -- Entertainment Weekly, "Must List" "Full of Karr's usual wit, compassion and, perhaps most reassuringly, self-doubt. Her fans should be delighted-and they can't go wrong reading the books she discusses, including her own." -- Washington Post "From a contemporary luminary of the form, Mary Karr's The Art of Memoir examines our enduring drive to make memory speak and to 'wring some truth from this godawful mess of a single life.'" -- Vogue "The Art of Memoir is passionate and irreverent-and reminds us why we love a good memoir." -- Elle "Mary Karr strikes a vein in The Art of Memoir." -- Vanity Fair "Karr is such fun to read-who else would combine the name Nabokov and the phrase "out the wazoo" on her very first page?" -- New Yorker "Engaging." -- Chicago Tribune "A veritable blueprint for the genre... Lovers of the form and aspiring scribblers alike will relish this comprehensive appreciation of and guide to 'writing the real self.'" -- O: The Oprah Magazine "With a trio of notable memoirs ("The Liars' Club," "Cherry," and "Lit"), Mary Karr is exquisitely qualified to write this book, a kind of compendium of advice, warning, and deep insight into what makes a personal history stick in a reader's mind." -- Boston Globe "Karr really is an artist. The Art of Memoir attests to how hard she works at getting her words just right and how deeply she understands the way great writing works." -- Slate "Whip-smart." -- Philadelphia Inquirer "As useful for those of us who want to be better friends and lovers as it is for those of us who want to pen our life story." -- More "A master class on memoir, from a memoirist who pulls no punches." -- Minneapolis Star Tribune "Lots of practical advice, a great reading list, examples you can bite into." -- Houston Chronicle "Karr's own voice is consistent and authentic, as vivid, down-home, smart, profane and self-deprecating as it is in her own memoirs." -- St. Louis Post-Dispatch "A celebration of the creative life." -- Austin American-Statesman "Enlightening...Fresh and heartfelt...Instructs and inspires through example and a love for the art of memoir." -- Library Journal, starred review "Karr write[s] exquisitely...and without pretense, often with raw authenticity...a must-read." -- Publishers Weekly, starred review "Snappy and witty, humorous just when it needs to be, yet plainspoken in the best way." -- Shelf Awareness "Karr's sassy Texas wit and her down-to-earth observations about both the memoir form and how to approach it combine to make for lively and inspiring reading. A generous and singularly insightful examination of memoir." -- Kirkus

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Book SynopsisFrom wicked queens, beautiful princesses, elves, monsters, and goblins to giants, glass slippers, poisoned apples, magic keys, and mirrors, the characters and images of fairy tales have cast a spell over readers and audiences, both adults and children, for centuries. These fantastic stories have travelled across cultural borders, and been passed on from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration draws on ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. Marina Warner has loved fairy tales over a long writing life, and she Trade Reviewdynamic history * Guardian *10 concise, gripping chapters - the one on Magic and Metamorphosis is particularly fascinating. * The Lady *slim but highly readable volume * Shropshire Star *Table of ContentsPrologue 1: The Worlds of Faery: Far Away and Down Below 2: With a Stroke of Her Wand: Magic and Metamorphosis 3: Voices on the Page: Tales, Tellers, and Translators 4: Potato Soup: True Stories/Real Life 5: Childish Things: Pictures and Conversations 6: On the Couch: House Training the Id 7: In the Dock: Don't Bet on the Prince 8: Double Vision: The Dream of Reason 9: On Stage and Screen: States of Illusion Epilogue Index

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Book SynopsisWordsworth and Coleridge's joint collection of poems has often been singled out as the founding text of English Romanticism. This is the only edition to print both the original 1798 collection and the expanded 1802 edition, with Wordsworth's famous Preface. It includes important letters, a wide-ranging introduction and generous notes.Trade ReviewFor students of the Lyrical Ballads as one of the key texts of Romanticism, Staffords new edition, juxtaposing the two 1798 and 1802 versions, is highly recommendable as it finely lays out both the reader response dimension of its poetics and the contexts of its production. * Helga Schwalm, The BARS Review *Lyrical Ballads, in case you missed it, is, quite simply, possibly the single most important collection of poems in English ever published. * Nicholas Lezard, Guardian *An invaluable resource for both teachers and students of Romantic literature... elegant, informative and clearly written introduction, a lucid overview of the Lyrical Ballads' transformation between 1798 and 1802... warmly recommended. * Susan Valladares, Reviews Editor for the British Association for Romantic Studies' Bulletin & Review and Lecturer in English, Worcester College, Oxford *Stafford's new edition, juxtaposing the two 1798 and 1802 versions, is highly recommendable * Helga Schwalm, BARS Review *

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Book SynopsisIn essays on literary images of lesbianism from Defoe and Diderot to Virginia Woolf and Djuna Barnes, on the homosexual reputation of Marie Antoinette, on the lesbian writings of Anne Lister, Sylvia Townsend Warner, and Janet Flanner, and on Henry James's The Bostonians, Castle shows how a lesbian presence can be identified in the literature, history, and culture of the past three centuries.

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Book SynopsisDrawn from Peter H. Lee's Sourcebook of Korean Civilization, Volume One, this abridged introductory collection offers students and general readers primary readings in the social, intellectual, and religious traditions of Korean from ancient times through the sixteenth century.Trade ReviewA monumental accomplishment. Korean Studies Beginning scholars of Asian Studies...will find this a challenging but worthwhile book to read. Korean QuarterlyTable of ContentsPreface Explanatory Note Contributors Part I. Three Kingdoms and Unified Silla 1. Origins of korean culture 2. The Rise of the Three Kingdoms 3. The Introduction of Buddhism 4. Consolidation of the State 5. The Rise of Buddhism 6. Poetry and Song 7. Local Clans and the Rise of the Meditation School Part II. Koryo Introduction 8. Early Koryo Political Structure 9. Koryo Society 10. Military Rule and Late Koryo Reform 11. Buddhism: The Ch'ont'ae and Chogye Schools 12. Popular Beliefs and Confucianists Part III. Early Choson Introduction 13. Founding the Choson Dynasty 14. Political Thought in Early Choson 15. Culture 16. Social Life 17. Economy 18. Thought 19. Buddhism Notes Bibliography Index

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Book SynopsisDrawing on contemporary memoirs, diaries and letters, this book explores what actually happened in battle in Napoleonic times and how the participants' feelings and reactions influenced the outcome.Trade Review"A stunning evocation of campaigning and battle, presented largely in the words of the participants, and enhanced by Muir's huge...knowledge of his subject." Toby Buchan, Literary Review "A major work." David Seymour, Military Illustrated "An important and useful study." Jeremy Black, Archives "Muir has filled an important gap in the study of the Napoleonic era with this engaging study of the mechanics of a Napoleonic battle." Library Journal

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Book SynopsisTrade Review“A fascinating book—beautifully written, admirably organized, with a mass of information about even the most recondite means of collecting and transmitting news before 1800.”—Alastair Hamilton, TLS -- Alastair Hamilton * TLS *

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Book SynopsisTerry Eagleton looks back across sixty years to an extraordinary critical milieu that transformed the study of literature

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Book SynopsisA work of literary criticism that may become - deserves to become - the most influential of its time' Bryan Appleyard, Sunday TimesTrade Review"'The most important critical work for decades' Bryan Appleyard, Sunday Times 'Bate presents his case with an emotional conviction which is almost impossible to resist' The Times 'Anyone familiar with Bate's The Genius of Shakespeare will know how winningly he marries erudition to liveliness' John Coldstream, Daily Telegraph 'I came away from the book deeply grateful for its impassioned song' Adam Thorpe, Sun. Tel."

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Book SynopsisA guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of LoveAll narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the I who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.How does one pull from one''s own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question The Situation and the Story asks--and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.This book, which grew out of fifteen years teaching in MFA programs, is itself a model of the lucid inteligence that has made Gornick one of our most admired writers of ninfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.

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Book SynopsisIn Poetics of Relation, Glissant turns the concrete particulars of Caribbean reality into a complex, energetic vision of a world in transformation. This translation of Glissant's work preserves the resonating quality of his prose and makes the richness and ambiguities of his voice accessible to readers in English.Trade ReviewThe most important theoretician from the Caribbean writing today. . . . He is central not only to the burgeoning field of Caribbean studies, but also to the newly flourishing literary scene in the French West Indies." — Judith Graves Miller, University of Wisconsin, Madison

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Book SynopsisA meditation on both the roots of modernism and its manifestation in the work of H D, Ezra Pound, D H Lawrence, William Carlos Williams, Edith Sitwell, and many others. It is especially notable for its illumination of the role women played in creation of literary modernism.Trade Review"Published as the first volume in California's Collected Writings of Robert Duncan series, this lovingly prepared volume presents this long critical work, written in 1960 and 1961, in its full form for the first time." Publishers Weekly "The guiding light throughout is Duncan's clear, though subtly resonant prose, which lets even lengthy sentences carry the reader smoothly along from beginning to end." Foreword Reviews "I am besotted with a new book that is also an old book. This is The H.D. Book, by Robert Duncan, a wild, dazzling, idiosyncratic magnum opus... The wonders of The H.D. Book are almost without number. [It is] a work of exacting and extravagant optimism." -- Jed Perl New Republic "Profoundly coherent: a strikingly original and provocative articulation of an American literary vision that is engaged simultaneously with Romantic enchantment, modernist formalism, and an arguably postmodern concern with citational networks, self-displacement, and the shadow play of a language always larger than us." Bookforum "Extraordinary book." Tri-Quarterly Online "Into this eldritch tapestry Duncan weaves patches of poetic autobiography, strands of family history and reflections on his intellectual development." The Nation "Charming." Poetry Foundation/ Harriet "Robert Duncan's The H.D. Book, complete in print at last, now manifests the timeliness of its permanence." -- Jim Powell The Threepenny Rev "The belated publication of The H.D. Book will, one hopes, lead more readers to her haunting, resonant later work and also convince more readers to make the leap into Robert Duncan's demanding but gorgeous word-music. Someday, some century even, he and his peers in the Bay Area Renaissance ... will be recognized as the greatest and most rewarding American poets of their era." -- Greer Mansfield BookslutTable of ContentsList of Illustrations Acknowledgments Introduction Book One: Beginnings Chapter 1 Chapter 2 Chapter 3 Eros Chapter 4 Palimpsest Chapter 5 Occult Matters Chapter 6 Rites of Participation Book Two: Nights and Days Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Appendix 1: Preliminary Notes Toward Book 3 of The H.D. Book Appendix 2: Composition and Publication History of The H.D. Book Appendix 3: A List of Works Cited by Robert Duncan in The H.D. Book Credits Index

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Book SynopsisKundera''s essay has been written like a novel. In the course of nine separate sections, the same characters meet and cross paths with each other. Stravinsky and Kafka with their odd friends Ansermet and Brod; Hemingway with his biographer; Janácek with his little nation; and Rabelais with his heirs - the great novelists.In the light of their wisdom this book examines some of the great situations of our time. The moral trial of the twentieth century''s art, from Celine to Mayakovsky; the passage of time which blurs the boundaries between the ''I'' of the present day and the ''I'' of the past; modesty as an essential concept in an age based on the individual and indiscretion which, as it becomes the habit and the norm, heralds the twilight of individualism; the testaments, the betrayed testaments - of Europe, of art, of the art of the novel and of artists.

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Book SynopsisPrometheus the god stole fire from heaven and bestowed it on humans. In punishment, Zeus chained him to a rock, where an eagle clawed unceasingly at his liver, until Herakles freed him. For the Greeks, the myth of Prometheus' release reflected a primordial law of existence and the fate of humankind. The author examines the story of Prometheus.Trade Review"A sterling example of classical scholarship, literary exegesis, and cultural inference... Not only does this book tell us much about man, through his prototypical image, but also much about the Greek civilization which created Prometheus in its image."--Contemporary PsychologyTable of ContentsList of PlatesIntroductionIWho Is Goethe's Prometheus?3IIThe Titanic, and the Eternity of the Human Race19IIIThe Prometheus Mythologem in the 'Theogony'33IVArchaic Prometheus Mythology50VMethodological Intermezzo63VIThe World in Possession of Fire69VIIThe Fire Stealer77VIIIThe 'Prometheus Bound'83IXPrometheus the Knowing One93XThe Promethean Prophecy107XI'Prometheus Delivered'112XIIConclusion after Goethe129Abbreviations134List of Works Cited135Index145

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Book SynopsisSuitable for students, scholars, and poets on various aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more, this book reflects changes in literary and cultural studies, providing coverage and giving greater attention to the international aspects of poetry.Trade ReviewOne of Choice's Outstanding Academic Titles for 2013 "[T]he Princeton Encyclopedia has earned its reputation as the standard reference work for the array of topics comprehended by the study of poetry... [I]ts coverage of an impressive range of poetic traditions hitherto relatively unheralded in mainstream Western criticism is one of its most prominent achievements... [T]his edition of the Encyclopedia has turned concertedly to expert specialists in non-Western poetries like never quite before, which allows for subtle, well-informed and finely grained entries across (almost) the full range of world poetries... [T]his fourth edition of The Princeton Encyclopedia superlatively fulfils its nearly fifty-year-old commitment to, as the preface to the first edition had it, 'accuracy, utility, interest, and ... thoroughness.'"--Ross Wilson, Times Literary Supplement "Ever since the first edition of this work, in 1965, The Princeton Encyclopedia of Poetry and Poetics has been a comprehensive and authoritative reference work valued by students, teachers, and poets... This edition will be welcomed by all readers of poetry. It provides so many new essays and updates, and, finally, has an index, which is useful as the Encyclopedia does not include entries on individual poets, but rather discusses them in the context of the larger topics to which they are related. Also beneficial is the new page layout that is easier to read and more conducive to browsing. Highly recommended."--Library Journal (Starred Review) "This is a huge reference work, and the publicity people at Princeton are justifiably proud of it. Even though this book is about poetry, it is surprisingly complete. For example; I love how the book discusses the poetry of a people and ties it to their history--I mean, I could read this book for the historical context of a particular body of ethnic or linguistic poetry alone, but of course, there is plenty of poetry in here, too. If you are a poet, a student of poetry or if you (like me) love reading poetry, then this is, without any doubt, the book for you! It certainly would make an excellent gift for the poet, scholar or poetry lover in your life."--Devorah Bennu, GrrlScientist "[W]orthy... [M]onumental."--Stuart Mitchner, Town Topics "[I]f you're a student of poetry, you'll want to own a copy... The Princeton Encyclopedia of Poetry and Poetics goes far beyond a beginner's guide to poetry, and the new Fourth Edition is a worthy update to an already excellent encyclopedia series."--Poetry International "The Princeton Encyclopedia of Poetry and Poetics is a stupendous work... What makes it unique and extremely valuable is the exhaustive entries... Running into 1639 pages, in single volume, this is a huge contribution to the study of poetry and poetics. Any student of literature and linguistics should have a copy as it introduces the reader to every nuance of poetry, in its finest. A marvelous work indeed."--Vaidehi Nathan, Organiser "[O]ne of the greatest literary reference works in all of poetry... The Princeton Encyclopedia of Poetry and Poetics is an excellent, worthy addition to anyone's collection."--John Cowans, BookPleasures "This belongs on the desk of anyone teaching creative writing or literature, and anyone over the age of twelve who is serious about poetry."--Barbara Berman, Rumpus "You can't say enough about The Princeton Encyclopedia of Poetry and Poetics, because it has already said just about everything. It is an encyclopedia, after all, but more than that, it is a thoroughly illuminating text that contains everything a poet or critic might need to know, from Accentual-Syllabic Verse to Zulu poetry. To put it simply, it is the most fascinating book on poetics published this year."--Stephan Delbos, Body "[T]his encyclopedia is a bargain for anyone seriously interested in poetry... This Princeton Encyclopedia, for all its contemporaneity, has the bonus of several hundred years' scholarship behind it... The entries ... are scholarly and extremely wide-ranging. All kinds of poetry are ... taken seriously and the traditions of all major languages--and many minor ones--are treated in considerable detail."--Geoff Page, Age "Roland Greene and associates have done a tremendous job in revising Terry Brogan's and Alex Preminger's magisterial 3d edition of this classic work. It's a vast compendium of poetic lore, terminology, technique, and history with an astutely chosen set of contributors. At 1664 pages, I am still cruising the book and wishing I had the digital edition as well. This is a work to dip into at any page for a wealth of detailed and often absorbingly arcane information. PEPP is up to date, with entries for new poetic developments right up to the present (yes, Lavinia, Conceptual poetry, Kootenay school, and Flarf have entries, along with my own precis on 'absorption,' and new entries on antropofagia, codework, cognitive poetics, Xul, Sanskrit poetry, and many more). The index alone is worth the price of admission... As a kid (and as the kid I still am) I read through dictionaries and encyclopedias, a to z; this book holds that same kind of transfixing fascination. It also shows how new encyclopaedias (I prefer that spelling) can remain relevant in the wake of Wiki. Each of the entries is signed and bears the stamp of its author. While scholarly and descriptive in tone, the book has a thousand different points of view of what poetry is and how it works, hundreds of contradictory, or at least competing, programs. As with the best compendia of odd facts and magical formulae, the wild swerve from one entry to the next offers delight upon delight."--Charles Bernstein, Lemon Hound "With 1,000-plus entries (some 250 of which are new), this edition expands and updates the New Princeton Encyclopedia of Poetry and Poetics, with a more detailed focus on international traditions not often included in English-language reference tools... This volume will be a valuable addition for universities, and for colleges with MFA programs in creative writing."--Choice "[I]t is a browser's gem. This fully indexed Encyclopedia is user friendly and of immense interests to poets, editors, scholars and everyone interested in poetry. With the wealth of information it contains it is great value for money and in my opinion is far more reliable than researching on line."--Les Merton, Poetry Cornwall "There is a wealth of interest and debate in this impressive book. It is pretty hefty and not for reading on a train but can be dipped into or the specific topics studied in individual detail."--Stella Stocker, Weyfarers "Ever since its first publication in 1965, The Princeton Encyclopedia of Poetry & Poetics has oft been referred to as the ultimate, authoritative reference with regards the study of poetry. With its menagerie of terms, concepts, schools, movements and international tradition(s), contained herein is an almost one-of-kind reference book. It's so good--it makes for interesting and stimulating reading in its own right; and there really aren't many reference books one can say that about!"--David Marx, David Marx Book Reviews "The Princeton Encyclopedia is a superb achievement, an essential item for university libraries supporting literature courses and I would strongly urge public libraries to also purchase a copy."--Linda Kemp, Reference ReviewsTable of ContentsPreface vii Acknowledgments xi Topical List of Entries xv Bibliographical Abbreviations xxiii General Abbreviations xxvii Contributors xxviii Entries A to Z 1 Index 1555

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Book SynopsisThis is the first comprehensive collection of hands-on, active learning exercises for the college literature classroom, offering ideas and inspiration for new and veteran teachers alike. These 101 surefire lesson plans present creative and interactive activities to get all your students talking and learning, from the first class to final review. WhTrade Review"Steal from this book: Diana Fuss and William Gleason want you to. Bringing together an astonishing range of tips on an astounding range of literatures, this is a pedagogical care package for days when you're `off,' or students are tired, or the ice needs to be broken again, or you just want to shake things up. These tricks of the trade are more than surefire: they redefine the art of teaching literature."—Scott Herring, Indiana University"This thoroughly compelling book—the first collection of student-centered teaching tools for English instructors—will be useful to a wide range of teachers."—Maurice S. Lee, Boston University"Refreshingly hands-on without being reductive, this book makes an important contribution to undergraduate teaching and learning. By coming out in favor of active learning and student engagement, it positions itself at the head of a pack of bestsellers on the craft of teaching. But it outdistances them by calling on a wide range of expert teachers to share lessons gleaned from their experiences."—Jennifer Summit, San Francisco State University"From the insightful introduction to the systematic collection of diverse approaches to deep learning, this is a treasure chest that will help transform the literature classroom from a passive space to an active, engaged environment in which students encounter literature in new and exciting ways. Every literature teacher will find plenty of ideas and clever tactics to stimulate his or her teaching. New faculty should find it indispensable."—John Zubizarreta, Columbia College (South Carolina)Table of Contents*Frontmatter, pg. i*Contents, pg. v*Introduction, pg. xi*Discussions-collaborative classroom activities for promoting discussion, pg. 1*Essentials-classic literary exercises everyone should try, pg. 27*Stories-narrative, plot, setting, structure, character, point of view, beginnings, endings, ethics, pg. 45*Poems-content, form, language, sound, meter, pg. 95*Plays-interpretation, genre, character, staging, performance, context, pg. 147*Genres-identifying, rethinking, and switching genres, pg. 197*Canons-using, debating, and building canons, pg. 219*Words-understanding, defining, and relating words, pg. 241*Styles-naming, describing, and imitating styles, pg. 263*Pictures-drawing, printing, and viewing pictures, pg. 285*Objects-touching, making, and interpreting objects, pg. 309*About the Editors, pg. 333*Contributors, pg. 335*Four Cross- Indexes to Help You Plan Ahead, pg. 339*General Index, pg. 341

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Book SynopsisShows how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This title offers the optimistic view of European history now appears as a defensive - and impassioned - response to the inhumanity he saw in the Third Reich.Trade Review"The compass and the richness of the book can hardly be exaggerated. This is true too of the originality of Mr. Auerbach's critical method which is at once encyclopedic and microscopic, combining the disciplines of philology, literary criticism, and history."--New York Times "One of the great works of literary scholarship... Auerbach's method ... is to fasten with fastidious sensitivity on some stray phrase or passage in order to unpack from it a wealth of historical insight. It is his combination of scholarly erudition and critical astuteness which is most remarkable."--Terry Eagleton, London Review of Books "One of the most important and readable books in literary criticism of the past 15 years ... The author, beginning with Homer and the Bible, traces the imitation of life in literature through the ages ...touching upon every major literary figure in western culture on the way."--Publishers Weekly "Written with the authority that comes from deep learning and full of information worth knowing. Princeton's 50th anniversary edition of Mimesis has an introduction by the late literary and cultural critic Edward Said that by itself is worth the price of the book. It's the only preface I know of that I wish were longer, serving as both an analysis of Auerbach and a ramework placing him in his scholarly and historical context... Princeton's reissue of Mimesis is both timely and symbolic."--Guy Davenport, Los Angeles Times Book Review "[Mimesis] offers not just an eminent reading of the Western canon, but a mighty lesson on how to write... I don't think a more significant or useful book of criticism has been written in the half-century since Mimesis was published. What's more, I can't imagine that anything like it will ever be written again... [In] producing such a rich, strong book on how to read, Auerbach composed a virtual manual on how to write, one I've referred back to again and again since the day, almost two decades ago, when I first happened upon it."--Jim Lewis, Slate Magazine "[T]he greatest single work of literary criticism of the 20th century... [S]o suggestive, so rich in understanding and insight, so useful in teaching one how to reach more deeply and appreciatively is the book that it is difficult to believe that anyone will ever again have the intellectual resources to write another book about literature anywhere near as powerful. Written while the Nazis were marching across Europe, Mimesis is a strong reminder of the glory of Western literature, and by extension of Western civilization, and of what is at stake in the battle against those who would simplify, politicize, or otherwise degrade it."--Joseph Epstein, Weekly StandardTable of ContentsIntroduction to the Fiftieth-Anniversary Edition ix 1.Odysseus' Scar 3 2.Fortunata 24 3.The Arrest of Peter Valvomeres 50 4.Sicharius and Chramnesindus 77 5.Roland Against Ganelon 96 6.The Knight Sets Forth 123 7.Adam and Eve 143 8.Farinata and Cavalcante 174 9.Frate Alberto 203 10.Madame Du Chastel 232 11.The World in Pantagruel's Mouth 262 12.L'Humaine Condition 285 13.The Weary Prince 312 14.The Enchanted Dulcinea 334 15.The Faux Devot 359 16.The Interrupted Supper 395 17.Miller the Musician 434 18.In the Hotel de la Mole 454 19.Germinie Lacerteux 493 20.The Brown Stocking 525 Epilogue 554 Appendix 559 Index 575

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Book SynopsisIt would be easy to assume that, in the eighteenth century, slavery and the culture of taste - the world of politeness, manners, and aesthetics - existed as separate and unequal domains, unrelated in the spheres of social life. This book demonstrates that these two areas of modernity were surprisingly entwined.Trade ReviewCo-Winner of the 2011 James Russell Lowell Prize, Modern Language Association Co-winner of the 2012 Melville J. Herskovits Award, African Studies Association Winner of the 14th Annual (2012) Susanne M. Glasscock Humanities Book Prize for Interdisciplinary Scholarship, Melbern G. Glasscock Center for Humanities Research at Texas A&M University One of Choice's Outstanding Academic Titles for 2012 "In this at times disturbing and often provocative book, Gikandi seeks to bring together two seemingly disparate areas of experience, African slavery and European high culture... This impressive, and in places startling, book is sure to redirect the tide of contemporary 18th-century studies; it exemplifies critical inquiry into the 'global 18th century' at its best."--Choice "[T]his is an absorbing and otherwise well-executed study. It is nuanced, erudite and wide-ranging, shedding much valuable new light on the vexed relationships between eighteenth-century aesthetic culture and the outrageous history that shadows it."--Carl Plasa, Review of English Studies "Among the many strengths of this study is that it will engage scholars and students from a variety of disciplines, including the Atlantic world, British history and/or literature, colonial history both North American and Caribbean--and the slave trade. Gikandi is an engaging author, but he assumes some prior knowledge of the materials that he so intricately weaves into his remarkably detailed narrative."--Dorothy Potter, Sixteenth Century Journal "Interdisciplinary in approach, Slavery and the Culture of Taste is a virtuoso performance that mobilizes a vast amount of secondary literature and deploys a dazzling array of theory."--Ryan Whyte, Journal of Curatorial Studies "Slavery and the Culture of Taste is an important book that should be widely read by students of slavery and the modern world."--Ed Rugemer, Literature & HistoryTable of ContentsPreface ix Acknowledgments xvii Chapter 1: Overture: Sensibility in the Age of Slavery 1 Chapter 2: Intersections: Taste, Slavery, and the Modern Self 50 Chapter 3: Unspeakable Events: Slavery and White Self-Fashioning 97 Chapter 4: Close Encounters: Taste and the Taint of Slavery 145 Chapter 5: "Popping Sorrow": Loss and the Transformation of Servitude 188 Chapter 6: The Ontology of Play: Mimicry and the Counterculture of Taste 233 Coda: Three Fragments 282 Notes 287 Bibliography 321 Index 353

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