Literary studies: from c 2000 Books
Ohio State University Press Digital Fiction and the Unnatural
£83.79
Bloomsbury Publishing (UK) Sarah Waters Gender and Sexual Politics
Book SynopsisClaire O'Callaghan is Associate Lecturer in English at Brunel University London, UK.Trade ReviewO'Callaghan's analysis of both [feminism and queer theory] in Sarah Waters: Gender and Sexual Politics shows that a great deal of careful negotiation is, in fact, required to navigate their often contradictory perspectives ... She unpicks the nuances of each novel with sensitive political and literary insight. * Times Literary Supplement *O’Callaghan successfully maps out manifold feminist and queer theories at play in Waters’s works, and this book’s approach to Waters’s gender and sexual politics from both feminist and queer perspectives will be useful for further research on how lesbianism is expressed in contemporary society. * Contemporary Women’s Writing *Table of ContentsIntroduction: The Queer and Feminist Contexts of Sarah Water's Gender and Sexual Politics 1. Female Subjects: Feminists, Queer Theories and the Contemporary 'Woman' Question in Tipping the Velvet 2. A Journal of Two Hearts? Lesbian Identities and Politics in Affinity 3. Beyond the 'Sex Wars': Sex, Pleasure and Pornography in Fingersmith 4. 'Back to Normal': Lost Histories/ Affective Archives - The Night Watch 5. The Little Stranger–A Study of the Heteropatriachal Male and the Dynamics of Masculine Domination 6. 'I'd Had Terrific Plans': The Return of the Gendered and Sexual Oppression in The Paying Guests Afterword: Telling it Straight? Water's Afterlives on Stage and Screen Bibliography Index
£33.99
Bloomsbury Publishing PLC The Bloomsbury Handbook to J. M. Coetzee
Book SynopsisJ. M. Coetzee novelist, essayist, public intellectual, and Nobel Laureate in Literature (2003) is widely recognized as one of the towering literary figures of the last half century. With chapters written by leading and emerging scholars from across the world, The Bloomsbury Handbook to J. M. Coetzee offers the most comprehensive available exploration of the variety, range and significance of his work. The volume covers a wealth of topics, including: The full span of Coetzee's work from his poetry to his essays and major fiction, including Waiting for the Barbarians, Disgrace and the Jesus novels Biographical details and archival approaches Coetzee's sources and influences, including engagements with Modernism, South African, Australian, Russian and Latin American literatures Interdisciplinary perspectives, including on visual cultures, music, philosophy, computational systems and translation. The Bloomsbury Handbook to J. M. Coetzee provides indispensaTrade ReviewThis book offers an extraordinary and exciting array of information, ideas, insights, as well as assessments and unexpected contexts, about Coetzee’s life and works. Its comprehensiveness is really quite remarkable. The perceptive, thoughtful essays quickly challenged me into thinking afresh and anew—I found myself immediately propelled back to Coetzee’s books on my shelves and starting to reread them. Every admirer of Coetzee will want to have this book by their side. * Robert J.C. Young, Professor of English, New York University, USA *Like many innovative writers, J. M. Coetzee has always been wary of what he once called the critic’s ‘games handbook.’ Thankfully, The Bloomsbury Handbook to J. M. Coetzee heeds this caution. Assembling an impressive array of established and emergent critics, this welcome, even game-changing collection opens Coetzee’s astonishing oeuvre for a new generation of readers in myriad productive ways * Peter D. McDonald, Professor of English and Related Literature, University of Oxford, UK *Table of ContentsPart One: Life, Institutions, Reception 1. On the idea of a handbook to the works of J. M. Coetzee: ‘Preposterous [?]’ Andrew van der Vlies and Lucy Valerie Graham 2. Life & times of J. M. Coetzee Jane Poyner 3. Autobiographies/autrebiographies/biographies Alexandra Effe 4. J. M. Coetzee and his publishers Andrea Thorpe Part Two: Early Coetzee 5. Coetzee’s poetry Jarad Zimbler 6. Dusklands Rita Barnard 7. In the Heart of the Country Ian Glenn 8. Waiting for the Barbarians Jennifer Wenzel 9. Life & Times of Michael K Eckard Smuts Part Three: Late- and post-apartheid Coetzee 10. Foe Patrick Flanery 11. Age of Iron Katherine Hallemeier 12. The Master of Petersburg Derek Attridge 13. Disgrace Chris Holmes 14. J. M. Coetzee’s apartheid-era criticism Xiaoran Hu Part Four: Late-style Coetzee 15. The Costello project Andrew van der Vlies 16. Diary of a Bad Year Katarzyna Nowak-McNeice 17. The Jesus novels Timothy Bewes 18. Later criticism and correspondence Nick Mulgrew Part Five: Style, Form, Ideas 19. Coetzee’s style Carrol Clarkson 20. Coetzee, religion and philosophy Alice Brittan 21. Coetzee, gender and sexuality Laura Wright 22. Coetzee and the nonhuman Daniel Williams 23. Coetzee, computers and binary thinking Rebecca Roach 24. Coetzee’s humour Huw Marsh 25. Education and the novels of J. M. Coetzee Aparna Mishra Tarc Part Six: Contexts, Intertexts, Influence 26. Coetzee and the history of the novel Andrew Dean 27. Coetzee’s South Africans Jan Steyn 28. Coetzee’s modernists Paul Sheehan 29. Coetzee’s Mitteleuropa and Austro-Hungary Russell Samolsky 30. Coetzee, Israel, Palestine Louise Bethlehem, Dalia Abu-Sbitan and Shir Dannon 31. Coetzee’s Russians Jeanne-Marie Jackson 32. Coetzee’s Latin America Magalí Armillas-Tiseyra 33. Coetzee’s Australians Michelle Cahill Part Seven: Intermediation, adaptation, translation 34. Coetzee and photography Hermann Wittenberg 35. Coetzee and the visual arts Sean O’Toole 36. J. M. Coetzee and the work of music Graham K. Riach 37. Adapting Coetzee for the stage and screen Ed Charlton 38. Coetzee and translation Jan Wilm Index
£140.00
Bloomsbury Publishing (UK) Radical Elegies
Trade ReviewA book that focusses on the precarity of grief work in the lives of marginalised peoples. Read this to learn about the elegiac work of women of colour, trans* writers, and Two-Spirit writers. * Susan Rudy, Honorary Senior Research Fellow, Queen Mary University of London, UK *Table of ContentsIntroduction—Elegy: Binaries and Hierarchies Chapter 1: Intellectual Feats and Ornate Absences: Receptions and Response to Elegies by Black American Women Poets Chapter 2: ‘White Ways are the Way of Death’: Elegies for Racial Injustice Chapter 3: Abstracted Grief, Precarious Grief: Rethinking Elegy via Trans* and Two-Spirit Necropoetics Coda: Where do we Go From Here Bibliography
£28.99
Shearsman Books Talking Poetics - Dialogues in Innovative Poetry
Book SynopsisThis is a book of full-length interviews with the poets Karen Mac Cormack, Caroline Bergvall, Jennifer Moxley and Andrea Brady carried out between 2008 and 2009 in the UK and USA by Scott Thurston. During the course of these conversations, the poets explore a huge range of topics likely to interest anyone concerned with the state of innovative poetry today. Each interview considers the complete oeuvre of each writer and includes detailed engagements with selected texts as well as unfolding themes such as the role of innovation, the politics of poetry and reflections on lyric and autobiography. Each interview is footnoted and there is an extensive bibliography.
£14.28
De Gruyter Literatur nach der Digitalisierung
£34.67
De Gruyter Popliteratur 3.0
Book Synopsis
£34.67
De Gruyter Überwachung in Der Gegenwart: Fiktionale Und Faktuale Erzählungen, Narrative Und Ihre Perspektiven
£34.67
£38.48
De Gruyter Paragesellschaften: Imaginationen - Inszenierungen - Interaktionen in Den Gegenwartskulturen
£18.50
Wiley-VCH Verlag GmbH Neuere Deutsche Literaturwissenschaft für Dummies
Book SynopsisNeuere Deutsche Literaturwissenschaft für Dummies ist eine modular angelegte, lebendig präsentierte und leicht verständliche Alternative zu bisherigen literaturwissenschaftlichen Einführungsbüchern. Es hilft unnötige Barrieren überwinden und macht das literaturwissenschaftliche Denken und Grundwissen für Studienanfänger zugänglich, egal, welche Voraussetzungen sie mitbringen. "Neuere Deutsche Literaturwissenschaft für Dummies" präsentiert kompetent und unterhaltsam alle wichtigen Bereiche des Faches (Begriffliche Grundlagen, Textanalyse, Literaturgeschichte, Methodik, Arbeitstechniken) bis zum B.A.-Niveau und legt das Fundament für ein weiterführendes Studium.Table of ContentsÜber den Autor 9 Einführung 23 Teil I: Grundbegriffe, Methoden, Arbeitstechniken 29 Kapitel 1: Das A und O: Was Literatur ist und was Wissenschaft kann 31 Kapitel 2: Grundsätze und Denkmodelle 47 Kapitel 3: Poetik, Ästhetik, Rhetorik 63 Kapitel 4: Nur nachts sind alle Theorien grau 79 Kapitel 5: Lesen, sprechen, schreiben, zeigen 97 Teil II: Dramen, Erzählungen, Gedichte 117 Kapitel 6: Jammer, Komik und Verfremdung: Die Welt als Drama 119 Kapitel 7: Formen, Sprache und Figuren des Dramas 133 Kapitel 8: Merkmale und Formen der Epik 147 Kapitel 9: Erzählungen analysieren 159 Kapitel 10: Die Wasserzeichen der Poesie: Gedichte beschreiben und entschlüsseln 179 Kapitel 11: Lyrische Bauformen 195 Teil III: Epochen, Stile, Konzepte 213 Kapitel 12: Literatur im geschichtlichen Zusammenhang 215 Kapitel 13: Das Jahrhundert der Vergänglichkeit 223 Kapitel 14: Das Jahrhundert der Erleuchtung 235 Kapitel 15: Blütezeit um 1800 253 Kapitel 16: Romantik, Vormärz, Realismus 267 Kapitel 17: Moderne Zeiten 285 Kapitel 18: Jenseits der Moderne: Von der Exilliteratur bis in die Gegenwart 303 Teil IV: Der Top-Ten-Teil 323 Kapitel 19: Zehn Wege zum Studienerfolg 325 Kapitel 20: Zehn Bücher fürs vertiefte Studieren 331 Kapitel 21: Zehn Textarten als Startrampe 335 Teil V: Anhang 343 Anhang A: Der kleine Fragen-Check 345 Anhang B: Glossar der Stilmittel 351 Anhang C: Literaturverzeichnis 357 Stichwortverzeichnis 359
£18.04
Brill Radical Planes? 9/11 and Patterns of Continuity
Book SynopsisRadical Planes? 9/11 and Patterns of Continuity, edited by Dunja M. Mohr and Birgit Däwes, explores the intersections between narrative disruption and continuity in post-9/11 narratives from an interdisciplinary transnational perspective, foregrounding the transatlantic cultural memory of 9/11. Contesting the earlier notion of a cataclysm that has changed ‘everything,’ and critically reflecting on American exceptionalism, the collection offers an inquiry into what has gone unchanged in terms of pre-9/11, post-9/11, and post-post-9/11 issues and what silences persist. How do literature and performative and visual arts negotiate this precarious balance of a pervasive discourse of change and emerging patterns of political, ideological, and cultural continuity?
£109.60
Brill Jacques Réda: Being There, Almost
Book SynopsisIn Jacques Réda: Being There, Almost, Aaron Prevots studies the work of this major contemporary French writer since the 1950s—poetry, novels, literary essays, short prose, jazz histories. He particularly examines Réda’s explorations of place, including how the ‘world’s energy’ becomes the ideal dancing partner, poetry incarnate in one’s arms. Réda embodies ‘being there, almost’ because he wanders with great wisdom yet renounces any glory in this metaphorical dance. He aligns us with the outer world’s rhythms and time’s passage. Fleeting waves of perception create a voluptuous, unified whole. In considering the arc of Réda’s works from 1952-2015, Aaron Prevots locates a progression from post-Baudelairean flânerie to commemoration of childhood, classical antiquity, fellow writers, jazz, physics, swing, theology, and trains.Trade Review"Prevots offre une vision panoramique de la biographie et de l’oeuvre de Réda, témoignant ainsi d’une connaissance étendue sur le sujet. Il fait aussi bien référence à des souvenirs d’enfance de l’auteur pendant la Deuxième Guerre mondiale qu’à ses réflexions contemporaines sur la science et le capitalisme. Il examine aussi des textes venant de toutes les époques et de tous les genres. De plus, Prevots démontre une maîtrise approfondie des thèmes, du style et des réflexions de l’écrivain dans les nombreuses lectures rapprochées qu’il entreprend." - Aurélie Van de Wiele, French Review, 91.4.Table of ContentsIntroduction: The World’s Sweep, Breadth, and Spark 1. Early Prose and Poetry: Toward an Expansive Voice 2. Writing Travel: Poetic Circulation 3. Trains and Circulation: Amplified ‘Phenomenal Flow’ 4. Youth Past and Present: Prismatic Childhood Identity 5. The Poet as Music Critic: Swing and Jazz 6. ‘Floating Bridges’: Ancient and Modern Influences Conclusion: Being There, Almost Bibliography Index
£109.60
Brill Artistic Reconfigurations of Rome: An Alternative Guide to the Eternal City, 1989-2014
Book SynopsisIn Artistic Reconfigurations of Rome Kaspar Thormod examines how visions of Rome manifest themselves in artworks produced by international artists who have stayed at the city’s foreign academies. Structured as an alternative guide to Rome, the book represents an interdisciplinary approach to creating a dynamic visual history that brings into view facets of the city’s diverse contemporary character. Thormod demonstrates that when artists successfully reconfigure Rome they provide us with visions that, being anchored in a present, undermine the connotations of permanence and immovability that cling to the ‘Eternal City’ epithet. Looking at the work of these artists, the reader is invited to engage critically with the question: what is Rome today? – or perhaps better: what can Rome be?Table of ContentsPreface by Mieke Bal Acknowledgements List of Illustrations Inventory of Artists Introduction: International artists in Rome 1 Roman Historiography 2 Foreign Academies and International Artists 3 The Contemporary 4 Close Engagement with Artworks 5 Comments on the Sources 1Institutions: Making the Foreign Academies in Rome 1 Transforming the Locale 2 Institutional Critique 3 Making Institutions 2Sites: Negotiating the Spectacle of Rome 1 Defamiliarisation Strategies 2 Projections 3 Globalised Landscapes 4 Reconfiguring Roman Sites 3People: Portraying the Romans 1 Visitors and Locals 2 Inmates and Partners 3 Double Portrait 4 The Potential of Contemporary Portraiture 4History: Re-envisioning Roman Narratives 1 Material Matters 2 Machines, Gods and Ghosts 3 Touching at a Distance 4 Twisted Narratives 5 Critical Reflections on Historical Narratives 5Art: Creating a Rome of One’s Own 1 Spoliation 2 Copiously Copied 3 Critical Re-stagings 4 New (After)Life Epilogue: Rome Maps Bibliography Index
£110.40
Brill Facing the East in the West: Images of Eastern Europe in British Literature, Film and Culture
Book SynopsisOver the last decade, migration flows from Central and Eastern Europe have become an issue in political debates about human rights, social integration, multiculturalism and citizenship in Great Britain. The increasing number of Eastern Europeans living in Britain has provoked ambivalent and diverse responses, including representations in film and literature that range from travel writing, humorous fiction, mockumentaries, musicals, drama and children’s literature to the thriller. The present volume discusses a wide range of representations of Eastern and Central Europe and its people as reflected in British literature, film and culture. The book offers new readings of authors who have influenced the cultural imagination since the nineteenth century, such as Bram Stoker, George Bernard Shaw, Joseph Conrad and Arthur Koestler. It also discusses the work of more contemporary writers and film directors including Sacha Baron Cohen, David Cronenberg, Vesna Goldsworthy, Kapka Kassabova, Marina Lewycka, Ken Loach, Mike Phillips, Joanne K. Rowling and Rose Tremain. With its focus on post-Wall Europe, Facing the East in the West goes beyond discussions of migration to Britain from an established postcolonial perspective and contributes to the current exploration of 'new' European identities.Table of ContentsAcknowledgements Barbara Korte: Facing the East of Europe in Its Western Isles: Charting Backgrounds, Questions and Perspectives East and West: Mirrorings Elisabeth Cheauré: Infinite Mirrorings: Russia and Eastern Europe as the West’s “Other” Mike Phillips: Narratives of Desire – A Writer’s Statement Christiane Bimberg: ‘A glimpse behind the scenes’, ‘trying to capture the very soul of things Russian’: Literary Representations of Intercultural East-West Encounters in Joseph Conrad’s Under Western Eyes Kapka Kassabova: From Bulgaria with Love and Hate: The Anxiety of the Distorting Mirror (A Writer’s Perspective) Two Poems Kapka Kassabova: Our Names Long and Foreign Kapka Kassabova: The Travel Guide to the Country of Your Birth Journeys, Encounters, Cultural Translations Elmar Schenkel: To Russia with Love: Maurice Baring (1874-1945) Dirk Wiemann: A Russian Romance: 1930s British Writers as Wishful Participants in the Soviet Revolution Sissy Helff: From Euphoria to Disillusionment: Representations of Communism and the Soviet Union in Arthur Koestler’s The Invisible Writing Eva Ulrike Pirker: The Unfinished Revolution: Black Perceptions of Eastern Europe Cinzia Mozzato: Looking Eastwards: Borders and Border-Crossing in the Work of Ken Smith A Play in One Act Mike Phillips: You Think You Know Me But You Don’t Stereotypes: Staying Power and Subversion Vedrana Veličković: Balkanisms Old and New: The Discourse of Balkanism and Self-Othering in Vesna Goldsworthy’s Chernobyl Strawberries and Inventing Ruritania Michael McAteer: A Troubled Union: Representations of Eastern Europe in Nineteenth-Century Irish Protestant Literature Jonas Takors: ‘The Russians could no longer be the heavies’: From Russia with Love and the Cold War in the Bond Series Wolfgang Hochbruck, Elmo Feiten and Anja Tiedemann: ‘Vulchanov! Volkov! Aaaaaaand Krum!’: Joanne K. Rowling’s “Eastern” Europe Nadia Butt: Between Dream and Nightmare: Representation of Eastern Diaspora in Eastern Promises Susanne Schmid: Taking Embarrassment to Its Extremes: Borat and Cultural Anxiety Martin Hermann: Immigrants, Stereotypes and the New Ireland: Czech Identity in and in Response to the Film Once Christian Schmitt-Kilb: Gypsies and Their Representation: Louise Doughty’s Stone Cradle and David Mitchell’s Black Swan Green Polish Identities in Perspective: Accession – Integration – Perception Joanna Rostek and Dirk Uffelmann: Can the Polish Migrant Speak? The Representation of “Subaltern” Polish Migrants in Film, Literature and Music from Britain and Poland Przemysław Wilk: Images of Poles and Poland in The Guardian, 2003-2005 Marie-Luise Egbert: “Old Poles” and “New Blacks”: The Polish Immigrant Experience in Britain (Re-)Visiting Eastern Spaces in Contemporary British Fiction Corina Crişu: British Geographies in the Eastern European Mind: Rose Tremain’s The Road Home Barbara Puschmann-Nalenz: West Faces East: Images of Eastern Europe in Recent Short Fiction Michael Szczekalla: ‘Under Western Eyes’: Eastern Europe and the Soviet Union in the Fiction of Martin Amis, Nicholas Shakespeare and Carl Tighe Ingrida Žindžiuvienė: Images of Lithuania in Stephan Collishaw’s Novels Claudia Duppé: Tourist in Her Native Country: Kapka Kassabova’s Street Without a Name Doris Lechner: Eastern European Memories? The Novels of Marina Lewycka Doris Lechner: Interview with Marina Lewycka Notes on Contributors Index
£164.32
Taylor & Francis Ltd Transcending the Postmodern The Singular Response
Book SynopsisTranscending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm gathers an introduction and ten chapters concerned with the issue of Transmodernity as addressed by and presented in contemporary novels hailing from various parts of the English-speaking world. Building on the theories of Transmodernity propounded by Rosa MarÃa RodrÃguez Magda, Enrique Dussel, Marc Luyckx Ghisi and Irena Ateljevic, inter alia, it investigates the links between Transmodernity and such categories as Postmodernity, Postcolonialism and Transculturalism with a view to help define a new current in contemporary literary production. The chapters either follow the main theoretical drives of the transmodern paradigm or problematise them. In so doing, they branch out towards various issues that have come to inspire contemporary novelists, among which: the presence of the past, the ascendance of new technologies, multiculturalism, terrorism, and also vulnerability, interdependence, solidarity and ecology in a globalised context. In so doing, it interrogates the ethics, aesthetics and politics of the contemporary novel in English. Trade Review"This book stands out as an unyielding and timely repositioning of paradigms in the domains of philosophy, aesthetics, literary criticism and cultural theory through the lens of contemporary literature in English…the ten chapters of the book succeed in producing a close view of how themes such as postcolonialism, subalternity, eco-criticism, feminist criticism, etc. fall into the transmodern pattern." Sorin Cazacu, University of Craiova, British and American StudiesTable of ContentsIntroduction: Transcending the PostmodernSusana Onega and Jean-Michel GanteauPART IThe Poetics of Transmodernity The Transmodern Poetics of David Mitchell’s Cloud Atlas: Generic Hybridity, Narrative Embedding and Transindividuality Susana Onega Transnational Latino/a Literature and the Transmodern Meta-Narrative: An Alternative Reading of Junot Díaz’s The Brief Wondrous Life of Oscar Wao Sara Villamarín-Freire The Novel of Ideas at the Crossroads of Transmodernity: Tom McCarthy’s Satin Island Angelo Monaco PART II Ethical Perceptions Problematising the Transmodern: Jon McGregor’s Ethics of Consideration Jean-Michel Ganteau Using Transculturalism to Understand the Transmodern Paradigm: Representations of Identity in Zadie Smith’s White Teeth and Chimamanda Ngozi Adichie’s Americanah Matthias Stephan Transmodern Mythopoesis in Kazuo Ishiguro’s The Buried Giant Laura Colombino PART III Migrancy and the Possibility of Re-enchantment A Transmodern Approach to Post-9/11 Australia: Richard Flanagan’s The Unknown Terrorist as a Narrative of the Limit Bárbara Arizti Diversity, Singularity, Re-Enchantment and Relationality in a Transmodern World: Arundhati Roy’s The Ministry of Utmost Happiness Merve Sarıkaya-Şen PART IV Perspectives on Biopolitics Transcorporeality, Fluidity and Transanimality in Monique Roffey’s Novel Archipelago Julia Kuznetski A Transmodern Approach to Biology in Naomi Mitchison’s Memoirs of a Spacewoman Jessica Aliaga-Lavrijsen
£135.00
Edinburgh University Press Darwins Bards
Book SynopsisA study of Darwin's Legacy for relegion, ecology and the arts. It argues that poetry can have a profound impact on how we think and feel about the human condition in a Darwinian world. It includes over 50 complete poems and substantial extracts from several more, Holmes shows how poets have responded to the discovery of evolution.Table of ContentsA. R. Ammons: 'Questionable Procedures'; Philip Appleman: 'How Evolution Came to Indiana', 'Waldorf-Astoria Euphoria'; D. M. Black: 'Kew Gardens'; Mathilde Blind: The Ascent of Man [extracts]; Robert Browning: 'Caliban upon Setebos' [extracts]; William Canton: 'The Latter Law' [sonnet from a sequence]; Stephen Crane: 'A man said to the universe'; Richard Eberhart: 'Sea-Hawk'; Robert Frost: 'Design', 'The Oven Bird', 'The Most of It', 'Our Hold on the Planet'; Thom Gunn: 'Adultery', 'The Garden of the Gods'; Thomas Hardy: 'Hap', 'Your Last Drive', 'Rain on a Grave', 'At Castle Boterel', 'An August Midnight', 'The Darkling Thrush', 'Shelley's Skylark', 'The Fallow Deer at the Lonely House', 'To Outer Nature', 'On a Fine Morning'; Robinson Jeffers: 'Vulture', Cawdor [extract], 'Rock and Hawk'; George Meredith: 'The Woods of Westermain' [opening lyric], 'In the Woods' [8 lyrics out of a sequence of 9], 'The Lark Ascending' [extracts], Modern Love [3 sonnets from a sequence], 'Ode to the Spirit of Earth in Autumn' [extracts]; Edna St Vincent Millay: 'The Fawn', 'I shall forget you presently, my dear', Fatal Interview [2 sonnets from a sequence]; Edwin Morgan: 'Eohippus', 'The Archaeopteryx's Song', 'Trilobites'; Lewis Morris: 'Ode of Creation' [extract]; Constance Naden: 'Natural Selection'; Agnes Mary Robinson: 'Darwinism'; Pattiann Rogers: 'Against the Ethereal', 'The Possible Suffering of a God During Creation', 'Geocentric'; Neil Rollinson: 'My Father Shaving Charles Darwin'; John Addington Symonds: 'An Old Gordian Knot' [sonnet from a sequence]; Alfred Tennyson: 'Flower in the Crannied Wall', 'By an Evolutionist', 'The Dawn', 'The Making of Man', 'Frater Ave atque Vale', 'Lucretius' [extracts].
£22.79
Bloomsbury Publishing PLC A Cultural History of Fairy Tales in the Modern
Book SynopsisTable of ContentsList of Illustrations Series Preface Introduction: Fairy Tale in the Modern Age Andrew Teverson 1. Forms of the Marvelous Sara Cleto and Brittany Warman 2. Adaptation Mayako Murai 3. Gender and Sexuality Jeana Jorgensen 4. Humans and Non-humans: Nature, Anima, Matter Amy Greenhough 5. Monsters and the Monstrous Christa Jones and Claudia Schwabe 6. Spaces: The Magically Real Spaces of Twentieth- and Twenty-First-Century Fairy Tale Sara Upstone 7. Socialization: Traditional Wonder Tales and Other Guides for Growing Up Jill Terry Rudy 8. Power: The Archaeology of a Genre Kimberly J. Lau Notes Bibliography Notes on Contributors Index
£75.00
Bloomsbury Publishing PLC Hacking in the Humanities
Book SynopsisAaron Mauro is Assistant Professor of Digital Media at Brock University, Canada.Trade ReviewOpen, accessible, engaging, energetic, and enthusing – Hacking in the Humanitiesexplores essential impulses of today’s digital humanities in the context of their intellectual foundations, their current possibilities, and their necessary reflection of and in the human condition. * Ray Siemens, University of Victoria, Canada *Not just a ‘how to’ book, this is a ‘why to do it’ book for anyone who seriously uses digital tools for research. Important for those who analyze how things work in the digital realm, especially for academics in the humanities and social sciences, this book goes way beyond simple rules and delves into the deeper sources, and implications, of digital (in)security. Any careful cyborg (and we are all cyborgs!), needs to read this book. It is a matter of our digital well-being, which is just as important as our biological health. * Chris Hables Gray, University of California at Santa Cruz, USA *Table of ContentsPreface 1. Human Exploits: An Introduction to Hacking and the Humanities 2. “Hack the Planet”: Pop Hackers and the Demands of a Real World Resistance 3. Academic Attack Surfaces: Culture Jamming the Future and XML Bombs 4. Supply Chain Attacks and Knowledge Networks: Network Sovereignty and the Interplanetary Internet 5.Cryptographic Agility and the Right to Privacy: Secret Writing and the Cypherpunks 6. Biohacking and Autonomous Androids: Human Evolution and Biometric Data 7. Gray Hat Humanities: Surveillance Capitalism, Object Oriented Ontology, and Design Fiction Selected Bibliography Index
£22.99
Bloomsbury Publishing PLC Community in Contemporary British Fiction
Book SynopsisExamining how British writers are addressing the urgent matter of how we form and express group belonging in the 21st century, this book brings together a range of international scholars to explore the ongoing crises, developments and possibilities inherent in the task of representing community in the present. Including an extended critical introduction that positions the individual chapters in relation to broader conceptual questions, chapters combine close reading and engagement with the latest theories and concepts to engage with the complex regionalities of the United Kingdom, with representation of writers from all parts of the UK including Northern Ireland. Including specific focus on the most challenging issues for community in the past five years, notably Brexit and the Covid-19 crisis, with a broader understanding of themes of local and national belonging, this book offers detailed discussions of writers including Ali Smith, Niall Griffiths, John McGregor, Max Porter, Amanda CTable of ContentsIntroduction Peter Ely and Sara Upstone, Introduction: ‘Rewriting Community in an Age of Crisis and Nostalgia’. Section One: National Community 1. Robert Eaglestone, ‘“The little links are broke”: Ethnocentrism, Englishness and Loneliness in Contemporary Political Science, Political Theory and Contemporary British Fiction’. 2. Alison Garden, ‘“Our uneasy mixed community”: Cross-community Romance, Magic Realism and Northern Ireland’. 3. Timothy Baker, ‘Incomers and Settlers: Nomadism and Entanglement in Contemporary Scottish Fiction’. Section Two: Speculative Community 4. Peter Ely, ‘Beyond the Multicultural: Queer Community in Jackie Kay’s Trumpet’. 5. Caroline Lusin, ‘Neoliberalism and (Sub)Urban Identities in 21st-Century London Novels’. 6. Devon Campbell-Hall, ‘Writing Othered Asian British Skins: Interrogating Racism in Fictional Asian British Communities’. Section Three: Precarious Community 7. Kristian Shaw, ‘Performing the Nation: A Disunited Kingdom in Jonathan Coe’s Middle England’. 8. Emily Horton, ‘“Why would you play a game like that?”: Community and the Pandemic in Kazuo Ishiguro’s Klara and the Sun’. 9. Sara Upstone, ‘Even the Ghosts: Community in the Wake’.
£85.50
Bloomsbury Academic Victorian Dress in Contemporary Historical Fiction
Trade ReviewWhile describing how writers have used items of clothing in neo-Victorian narratives, this book also does much more. It helps us to appreciate gloves, gowns, veils, and jewels in fiction as active agents; it illuminates beautifully their lives as individual characters with their own memorable stories and emotional baggage. * Margaret D. Stetz, Mae and Robert Carter Professor of Women’s Studies, University of Delaware, USA *Table of ContentsList of Illustrations Acknowledgements 1. Introduction: Re-Fashioning the Victorians Re-Fashioning the Past Reading and Writing Dress: Texts and Textiles (Neo-)Victorian Sartorial and Material Culture Neo-Victorian Fashions: Chapter Outlines 2. Gowns Neo-Victorianism and New Materialism Dynamic Dresses in The Master Sartorial Entanglements in Alias Grace 3. Gloves Fashioning Identity, Agency, and Desire in Waters’s Neo-Victorian Trilogy ‘The impress of her hand’: Victorian Gloves Neo-Victorian Gloves: Touch, Materiality, and Queer Desire Material Traces of the Past 4. Veils Victorian Veils Neo-Victorian Veils Veils and Canvases in The Ghost Writer: Revealing the Past Veils, Bindings, Skin: Concealing Bodies and Books in The Journal of Dora Damage 5. Jewellery Ornamenting the Victorian Woman Heirlooms and Afterlives: Jewellery in Great Expectations and Havisham ‘Talisman’ Turquoises and ‘Poisoned’ Diamonds in Daniel Deronda and Gwendolen 6. Conclusion Bibliography Index
£80.75
Bloomsbury Publishing PLC Literary Studies and WellBeing
Book SynopsisThe literary arts represent and provoke experiences of understanding and emotion, and this open access study examines how the practical pursuit of well-being in healthcare reveals purposes at the core of our engagements with and understanding of literature itself.During the past twenty years, much admirable work in the health humanities has focused upon what studies of literature contribute to the understandings and the practical workthe worldly workof healthcare. Such a project aims at developing healthcare practitioners who bring greater care to those who come to them ailing or in fear or faced with terrible suffering. Literary Studies and Well-Being turns this inside out by examining the intergenerational caretaking of healthcare in a manner which allows us to comprehend the nature and discipline of literary studies in new ways. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded Trade ReviewThis book is a beautiful discussion of what it means to have lived experiences, how humans use these events to understand the narrative that is their life, and how literature can influence the definition of wellness in our modern society. I would encourage anyone interested in living well or helping others to do so to pick up this book and take the chance to expand their knowledge, deepen their experience, and start a conversation about well-being. * World Literature Today *Table of ContentsChapter 1: Thesis and Contexts Chapter 2: Introduction: On the Discipline of Literary Studies Chapter 3: Disciplined Knowledge and the Experience of Meaning Chapter 4: The Nature of Value and the Nature of Language Chapter 5: The Discipline of Death Chapter 6: Action and Ethics in Literary Studies Works Cited
£21.99
Bloomsbury Publishing PLC Comics and Graphic Novels
Book SynopsisProviding an overview of the dynamic field of comics and graphic novels for students and researchers, this Essential Guide contextualises the major research trends, debates and ideas that have emerged in Comics Studies over the past decades. Interdisciplinary and international in its scope, the critical approaches on offer spread across a wide range of strands, from the formal and the ideological to the historical, literary and cultural. Its concise chapters provide accessible introductions to comics methodologies, comics histories and cultures across the world, high-profile creators and titles, insights from audience and fan studies, and important themes and genres, such as autobiography and superheroes. It also surveys the alternative and small press alongside general reference works and textbooks on comics. Each chapter is complemented by list of key reference works.Trade ReviewThe volume provides an excellent resource for anyone interested in this topic, and will doubtless remain so as the field grows further in the coming years. * Modern Language Review *This is a book about how to approach comics that in itself approaches comics with finesse. The different complementary sections draw upon uses of critical theory, historical contextualisation, artists and audiences, and what the comics themselves say, directly as well as implicitly. The work is a masterclass in applied method and will be of use to all who study comics, be it professionally, for the fun of it, or both. * Laurence Grove, Professor of French and Text/Image Studies and Director of the Stirling Maxwell Centre, University of Glasgow, UK *Table of ContentsChapter 1: Introduction Part 1: Approaching Comics Chapter 2: Formalist Approaches Chapter 3: Ideological and Material Approaches Part 2: Histories and Cultures Chapter 4: Early Criticism and Legitimation Chapter 5: Historical Approaches Part 3: Production and Reception Chapter 6: Creators, Imprints and Titles Chapter 7: Audiences and Fan Cultures Part 4: Themes and Genres Chapter 8: Thematic Approaches Chapter 9: Popular Genres Chapter 10: Outside the Mainstream Chapter 11: General Reference Guides and Textbooks Chapter 12: Conclusion
£22.99
Hodder & Stoughton I Will Be Complete
Book Synopsis''I Will Be Complete is the best memoir I''ve read in years. It''s likely the best memoir published in years.'' Darin Strauss, author of Half a Life and Chang and EngFrom the bestselling author of Carter Beats the Devil and Sunnyside, a shocking, big-hearted memoir about his bizarre upbringing in California in the 1970s and how he survived it. Glen David Gold grew up rich on the beaches of 1970s California, until his father lost a fortune and his parents divorced when he was ten.Glen and his English mother moved to San Francisco, where she was fleeced by a series of charming con men and turned increasingly wayward. When he was twelve, she took off for New York without telling him, leaving him to fend for himself. On midnight streets and at drug-fuelled parties, wise-cracking his way through an alarming adult world, Glen watched his mother''s countless, wild attempts to reinvent herself. In this exceptioTrade ReviewRemarkable . . . The product of nine years of work and a lifetime of reflection, the book is full of humour, unflinching reflection and flashes of horror. And it exudes tremendous empathy for his mother . . . Gold's book is funnier and more hopeful than any story about a child's abandonment and a parent's descent into terrifying chaos has a right to be. * The Times *Gold's heartbreaking, brave book deals with his tangled, troubled and troubling relationship with his tempestuous mother and, with insightful introspection, he reveals how it has affected all his other relationships. It's a shocking read, describing a shattered childhood, a complicated adolescence and an adulthood that finds him happy and whole. * Book of the Month, Psychologies *Gold's sentences reflect the surface of the 1970s perfectly . . . Gold's novelistic handling of these moments is brilliant . . . It's a dazzlingly insightful account how the smart children of emotionally 'shattered' adults attempt to hold themselves and their parents together as they grow . . . Gold says he is finally happy. He's achieved this state by letting go of his need to explain and save his mother. He broke the bonds of her 'terrible love'. And like his muse, Houdini, Gold has made a moving public spectacle of his escape. -- Helen R. Brown * Spectator *An extraordinary memoir . . . It's a tale of a boy's moral and sentimental education, with all the febrile moods and heart-stopping lurches of a Donna Tartt epic . . . There's something painfully sweet about this memoir, particularly the way Gold wills himself to extract something of value from the pain inflicted by irresponsible adults . . . smart, generous, and gripping until the very last pages. It's one of the best books I've read in 2018. -- Joanna Thomas-Corr * New Statesman *Remarkable . . . It's a tale of disintegrating relationships, bad choices, guilt, panic, hurt and weighty sadness so well told, with such lucidity and honesty, it's almost frightening to read . . . Gold wears his wisdom and novelist's powers of observation lightly, remaining beguilingly modest and likeable to the end. -- Jane Graham * Big Issue *Equally subtle and shocking, as clear-eyed about how the sins of the parent are visited on the child as it is generous and loving . . . It touches lightly on the set pieces, bizarre incidents and bravura descriptions that readers of Gold's bestselling novels, Carter Beats the Devil and Sunnyside, will treasure . . . it never feels over-worked or weighed down with detail . . . You cannot read it and remain unchanged. -- Maria Farrell * Irish Times *Imagine Home Alone with a kid who is part Salvador Dali, part Holden Caulfield . . . an extraordinary book about growing up in California . . . Gold's childhood is much more than merely interesting; it is riveting . . . [his] knack for devastating insights are a marvel to read . . . an audacious, boundary-shattering work that will be talked about for a very long time. * Los Angeles Times *Ambitious and brave * New York Times *One helluva ride . . . in his capable hands even the smallest events seem revelatory. Each dimwitted move his mother makes reads as more bonkers (and undeniably sad) than the last. Each time Gold throws himself into love, it's like Orpheus trying to win back Eurydice. When combined with his deadpan delivery and wry sense of humor, each obstacle to overcome or hoop to jump through takes on a life of its own . . . wickedly intelligent, wildly imaginative (well, in some ways) and everything in between. * San Francisco Chronicle *A banquet of vivacity, shrewdness and wit, a soiree of heart-wreck wised up by humour. . . One of the myriad delights of this memoir is its revealing vista onto the ethos of San Francisco in the 70s and Los Angeles in the '80s, deleted worlds in which outrageous characters stagger and strive. . . Gold is a dynamic writer outfitted in wisdom and verve, one whose sentences you'll want to remember. -- William Giraldi * Washington Post *Dazzling . . . Beautiful and deft, witty and searing, like a playful song with a persistent bass line of unresolved grief. I can't stop thinking about it. * Janet Fitch, author of The Revolution of Marina M. and White Oleander *We expect the story of a boy and his mother ought to go a certain way. I Will Be Complete goes in ways you'd never expect. The people shatter, reassemble themselves, and shatter all over again. The prose is crystalline, hard as real diamonds, flashing, revealing. The story is simple, just a boy and his mother's long disintegration, but the journey is darkly complicated, heartbreaking, beautiful as hell * Mark Childress, author of CRAZY IN ALABAMA *Glen David Gold is one of the best storytellers working today. He could write about anything and make it gripping. As it turns out, he also has one hell of a story to tell. * Joseph Fink, author of WELCOME TO NIGHT VALE *An extraordinary account of an extraordinary life. Gold captures with stunning clarity the emotional chaos he grew up in, and that made him the brilliant writer he is now. * Lev Grossman, author of THE MAGICIANS *I Will Be Complete is the best memoir I've read in years. It's likely the best memoir published in years. Gold's a novelist and this book reads like the best fiction. It's exciting, beautiful, and clear-eyed in a way most memoirs aren't. Oh, and you'll never forget this charming, intelligent, unique narrator. * Darin Strauss, author of HALF A LIFE and CHANG AND ENG *A fine, funny, discomfiting book. And very candid. -- Teddy Jamieson * Sunday Herald *
£18.00
Hodder & Stoughton I Will Be Complete
Book Synopsis''I Will Be Complete is the best memoir I''ve read in years. It''s likely the best memoir published in years.'' Darin Strauss, author of Half a Life and Chang and EngFrom the bestselling author of Carter Beats the Devil and Sunnyside, a shocking, big-hearted memoir about his bizarre upbringing in California in the 1970s and how he survived it. Glen David Gold grew up rich on the beaches of 1970s California, until his father lost a fortune and his parents divorced when he was ten.Glen and his English mother moved to San Francisco, where she was fleeced by a series of charming con men and turned increasingly wayward. When he was twelve, she took off for New York without telling him, leaving him to fend for himself. On midnight streets and at drug-fuelled parties, wise-cracking his way through an alarming adult world, Glen watched his mother''s countless, wild attempts to reinvent herself. In this exceptioTrade ReviewDazzling . . . Beautiful and deft, witty and searing, like a playful song with a persistent bass line of unresolved grief. I can't stop thinking about it. * Janet Fitch, author of The Revolution of Marina M. and White Oleander *I Will Be Complete is the best memoir I've read in years. It's likely the best memoir published in years. Gold's a novelist and this book reads like the best fiction. It's exciting, beautiful, and clear-eyed in a way most memoirs aren't. Oh, and you'll never forget this charming, intelligent, unique narrator. * Darin Strauss, author of HALF A LIFE and CHANG AND ENG *We expect the story of a boy and his mother ought to go a certain way. I Will Be Complete goes in ways you'd never expect. The people shatter, reassemble themselves, and shatter all over again. The prose is crystalline, hard as real diamonds, flashing, revealing. The story is simple, just a boy and his mother's long disintegration, but the journey is darkly complicated, heartbreaking, beautiful as hell * Mark Childress, author of CRAZY IN ALABAMA *Glen David Gold is one of the best storytellers working today. He could write about anything and make it gripping. As it turns out, he also has one hell of a story to tell. * Joseph Fink, author of WELCOME TO NIGHT VALE *An extraordinary account of an extraordinary life. Gold captures with stunning clarity the emotional chaos he grew up in, and that made him the brilliant writer he is now. * Lev Grossman, author of THE MAGICIANS *Gold's heartbreaking, brave book deals with his tangled, troubled and troubling relationship with his tempestuous mother and, with insightful introspection, he reveals how it has affected all his other relationships. It's a shocking read, describing a shattered childhood, a complicated adolescence and an adulthood that finds him happy and whole. * Book of the Month, Psychologies *Remarkable . . . The product of nine years of work and a lifetime of reflection, the book is full of humour, unflinching reflection and flashes of horror. And it exudes tremendous empathy for his mother . . . Gold's book is funnier and more hopeful than any story about a child's abandonment and a parent's descent into terrifying chaos has a right to be. * The Times *One helluva ride . . . in his capable hands even the smallest events seem revelatory. Each dimwitted move his mother makes reads as more bonkers (and undeniably sad) than the last. Each time Gold throws himself into love, it's like Orpheus trying to win back Eurydice. When combined with his deadpan delivery and wry sense of humor, each obstacle to overcome or hoop to jump through takes on a life of its own . . . wickedly intelligent, wildly imaginative (well, in some ways) and everything in between. * San Francisco Chronicle *Imagine Home Alone with a kid who is part Salvador Dali, part Holden Caulfield . . . an extraordinary book about growing up in California . . . Gold's childhood is much more than merely interesting; it is riveting . . . [his] knack for devastating insights are a marvel to read . . . an audacious, boundary-shattering work that will be talked about for a very long time. * Los Angeles Times *A banquet of vivacity, shrewdness and wit, a soiree of heart-wreck wised up by humour. . . One of the myriad delights of this memoir is its revealing vista onto the ethos of San Francisco in the 70s and Los Angeles in the '80s, deleted worlds in which outrageous characters stagger and strive. . . Gold is a dynamic writer outfitted in wisdom and verve, one whose sentences you'll want to remember. -- William Giraldi * Washington Post *Gold's sentences reflect the surface of the 1970s perfectly . . . Gold's novelistic handling of these moments is brilliant . . . It's a dazzlingly insightful account how the smart children of emotionally 'shattered' adults attempt to hold themselves and their parents together as they grow . . . Gold says he is finally happy. He's achieved this state by letting go of his need to explain and save his mother. He broke the bonds of her 'terrible love'. And like his muse, Houdini, Gold has made a moving public spectacle of his escape. -- Helen R. Brown * Spectator *Remarkable . . . It's a tale of disintegrating relationships, bad choices, guilt, panic, hurt and weighty sadness so well told, with such lucidity and honesty, it's almost frightening to read . . . Gold wears his wisdom and novelist's powers of observation lightly, remaining beguilingly modest and likeable to the end. -- Jane Graham * Big Issue *Equally subtle and shocking, as clear-eyed about how the sins of the parent are visited on the child as it is generous and loving . . . It touches lightly on the set pieces, bizarre incidents and bravura descriptions that readers of Gold's bestselling novels, Carter Beats the Devil and Sunnyside, will treasure . . . it never feels over-worked or weighed down with detail . . . You cannot read it and remain unchanged. -- Maria Farrell * Irish Times *An extraordinary memoir . . . It's a tale of a boy's moral and sentimental education, with all the febrile moods and heart-stopping lurches of a Donna Tartt epic . . . There's something painfully sweet about this memoir, particularly the way Gold wills himself to extract something of value from the pain inflicted by irresponsible adults . . . smart, generous, and gripping until the very last pages. It's one of the best books I've read in 2018. -- Joanna Thomas-Corr * New Statesman *A fine, funny, discomfiting book. And very candid. -- Teddy Jamieson * Sunday Herald *Ambitious and brave * New York Times *
£9.99
Edinburgh University Press TwentyFirstCentury Children s Gothic
Book SynopsisThis is the first monograph that brings together the fields of Gothic Studies and children s fiction to analyse a range of popular and literary works for children published since 2000.
£85.50
Edinburgh University Press TwentyFirstCentury Gothic
Book SynopsisThis resource in contemporary Gothic literature, film and television takes a thematic approach, providing insights into the many forms the Gothic has taken in the twenty-first century.
£95.00
Edinburgh University Press The Libyan Novel
Book SynopsisAnalysing prominent novelists such as Ibrahim al-Kuni and Hisham Matar, alongside lesser-known and emerging voices, this book introduces the themes and genres of the Libyan novel during the al-Qadhafi era, focusing on encounters between humans, animals and the land.
£24.69
Edinburgh University Press Specters of World Literature
Book SynopsisAt the heart of this book is a spectral theory of world literature that draws on Edward Said, Aamir Mufti, Jacques Derrida and world-systems theory to assess how the field produces local literature as an other that haunts its universalising, assimilative imperative with the force of the uncanny.
£24.69
Edinburgh University Press Iranian Literature After the Islamic Revolution
Book SynopsisAnalyses contemporary Iranian literature in both Iran and its diaspora, in relation to the social, economic and political fields.Trade Review"A most welcome, exceptionally valuable and timely contribution to the study of Iranian literature, world literature, comparative literature and diasporic literature. Nanquette's book is grounded in years of fieldwork and travel in Iran, with extensive interviews, data collection and participant observation; there are few more qualified to write on global Iranian literature." -Professor Karen L. Thornber, Harvard University
£24.69
Bloomsbury Publishing Plc Apocalyptic Ruin and Everyday Wonder in Don
Book SynopsisApocalyptic Ruin and Everyday Wonder in Don DeLillo's America is a fresh and engaging study of last things in Don DeLillo's worksthings like death, mourning, and the decline of the American empire, but then also the apocalypse, the last judgment, and the end of the world more generally. Michael Naas untangles complex themes in short, witty chapters that highlight and celebrate DeLillo's inventive and playful writing, employing a novel approach to literary criticism. Making no use of secondary sources, the book is entirely a discussion of DeLillo''s work, accessible to any level of readership while maintaining a firm grasp of the theory necessary to make this unique argument.And yet, this book is also about all the things that double or shadow those last things in the very same works, like the wonder of language or the radiance of everyday events. From Americana (1971) up through Zero K (2016) and The Silence (2020), and perhaps like no other American author,Trade ReviewMichael Naas's Apocalyptic Ruin and Everyday Wonder in Don DeLillo's America displays a thorough knowledge and an impressive thematic cartography of Don DeLillo's oeurve. This invaluable synthesis, which consider's DeLillo's work through the lens of contrabanding, illuminates the contradictions that make America what it is and confirms DeLillo's magisterial and uninterrupted examination of America as a country and as an idea. * Karim Daanoune, Associate Professor in American Literature, Université Paul Valéry-Montpellier, France *In Apocalyptic Ruin and Everyday Wonder in Don DeLillo’s America, Michael Naas artfully delineates the dense web of thematic crosscurrents and connections that run through DeLillo’s entire oeuvre. Naas foregrounds the pleasure of reading DeLillo, allowing the humour of the works to be reflected in his own distinctive and accessible writing style. Naas reads DeLillo’s fiction as a body of theoretical enquiry in itself rather than applying existing theory and criticism, making this an innovative and necessary addition to scholarship. * Rebecca Harding, Independent Scholar, UK *Table of ContentsAbbreviations of Works by Don DeLillo Preface: Last Things 1. Countermovements America…New York, New York…“USA! USA! USA!”…The West, the Desert, and, Inevitably, California…Automobiles…Airplanes…Beyond America 2. Countercurrents Sports, Games, Sports Gaming…Academia…Philosophy…Technologies of Life and Death 3. Counterproductions Empire, Capital, the Corporation…Money…Advertising…Consumerism and Waste 4. Counterhistories American History 2.0…Terrorism…9-11, The Twin Towers…Creation and Ruin…War and Peace 5. Countermeasures Self and Others…The Individual and the Crowd…Prophylactics and Purifications...The Shit, the Shower, the Shave, and the Haircut 6. Counterforces Life and Death…Mourning…The Afterlife…The Apocalypse…The Omega Point, the Death Drive 7. Counterworlds Space…Time…Space-Time…Religion… Miracles…The Everyday…Earth, Moon, Sun…Radiance Conclusion: Silent Mode (The Future of Contraband) Acknowledgements
£22.99
De Gruyter Arno-Schmidt-Handbuch
Book Synopsis
£171.00
De Gruyter Handbuch Künstliche Intelligenz Und Die Künste
Book Synopsis
£132.00
Brill U Fink Achsen Und Spektren Der Migration in Romanischen
Book Synopsis
£104.25
Universitatsverlag Winter Ernst Junger Und Carl Schmitt - Eine Ambivalente
Book Synopsis
£40.80
V&R unipress GmbH Ferne und Nähe: Nähe- und Distanzdiskurse in der
Book Synopsis
£45.59
Bloomsbury India Kazi Nazrul Islam's Journalism: A Critique
Book Synopsis
£80.75
The University of Chicago Press Novels by Aliens
Book SynopsisA wide-ranging account of the twenty-first century's fascination with the weird. Twenty-first-century fiction and theory have taken a decidedly weird turn. They both show a marked interest in the nonhuman and in the preternatural moods that the nonhuman often evokes. Writers of fiction and criticism are avidly experimenting with strange, even alien perspectives and protagonists. Kate Marshall's Novels by Aliens explores this development broadly while focusing on problems of genre fiction. She identifies three key generic hybrids that harness a longing for the nonhuman: the old weird, an alternative tradition within naturalism and modernism for the twenty-first century's cowboys and aliens; cosmic realism, the reach for words legible only from space in otherwise terrestrial narratives; and pseudoscience fiction, which imagines speculative futures beyond human life on earth. Offering sharp and surprising insights about a breathtaking range of authors, from Edgar Rice Burroughs to KazTrade Review"[An] excellent new book. . . . For Marshall. . . the Weird, in its many manifestations, stands at the center of contemporary literary culture — so long as we know where and how to see it." -- Jess Keiser * The Washington Post *“To a novelistic landscape populated by zombies, trees, amnesiacs, robots, and geological traces of an unimaginable past, you'll find no surer guide than Kate Marshall. But Novels by Aliens is an introduction to far more than the semi-human wilds of recent fiction. As we learn in these beautifully argued pages, the novel has been weird for centuries—indeed, perhaps never more than when it has most aimed to be realist. In retheorizing the form itself, Marshall demonstrates the importance of fictional thinking to contemporary dilemmas that themselves prove to be less novel than we often assume.” * Jennifer Fleissner, Indiana University Bloomington *“Marshall’s electrifying book takes us on a tour of early twenty-first-century novels that want to be narrated by Martians—but also landscapes, animals, monsters, artificial intelligences, and myriad other nonhuman entities. Though this desire for a radically external perspective often fails, novel forms of sentience, and the worlds they inhabit or imagine, come to structure thought experiments that speculate their way through problems as seemingly unrepresentable as human extinction. With an ambitious scope and synthetic skill, this book connects classic literary texts by writers such as Stephen Crane and Frank Norris to contemporary work by novelists such as Teju Cole, Colson Whitehead, and Marilynne Robinson. Novels by Aliens succeeds at making our world feel weirder and more alien in ways that ultimately make it far more available to thought.” * Patrick Jagoda, University of Chicago *“Dense yet expansive, this study illuminates whole worlds—and the very edges of the known world. Marshall has a preternatural gift for getting to the point. Read this whole book for a surefooted survey of the novel’s most exorbitant possibilities presented with peerless critical depth and balance. Ranging across the Wild Wests of capitalism before 1900 and after 2000, Marshall shows us novels aiming to cut loose from the human subject while remaining tethered to the genre histories of frontier naturalism and the old weird.” * Jed Esty, University of Pennsylvania *“Marshall remains the same scholar whose ‘The Old Weird’ made such a suggestive genealogy between the spooky aspects of Naturalism and the twenty-first century revival of gothic horror. Novels by Aliens is an impressive account that gives readers a way to consider the irony of the Anthropocene being an era both of exaggerated human agency (to mar the planet) and also an era where the truly picayune nature of human agency and importance within a vaster world/universe comes more clearly into view.” * John Plotz, English, Brandeis University *“A timely and insightful study. . . This book has the potential to transform novel theory and literary criticism generally and to illustrate the important contribution both fiction and literary theory have to make to debates concerning humanity’s most urgent and pressing issues.” * Priscilla Wald, author of "Contagious: Cultures, Carriers, and the Outbreak Narrative" *Table of ContentsIntroduction: Dispatches from the Extinguished World 1 The Old Weird 2 Cowboys and Aliens 3 Cosmic Realism 4 The Novel in Geological Time 5 Pseudoscience Fictions 6 After Extinction Acknowledgments Notes Works Cited Index
£76.00
John Wiley & Sons Do You Want to Be Happy and Write
Book SynopsisThis new collection on Michael Ondaatje’s work – the first in twenty years – offers an innovative analysis of the author’s oeuvre from 1967 to the present. In twenty essays, contributors explore Ondaatje’s poetry, novels, and work in film, highlighting the transnational, postcolonial, and diasporic issues apparent in his writings.Trade Review“Chock full of complex theoretical language, Do You Want to Be Happy and Write? will likely appeal to academic audiences (and determined CanLit enthusiasts). But general readers may find this insightful analysis a welcome supplement to their continued enjoyment of Ondaatje’s enduring works.” Literary Review of Canada
£98.60
Columbia University Press Hear Us Out
Book SynopsisThe author of the acclaimed Gay Fiction Speaks brings us new interviews with twelve prominent gay writers who have emerged in the last decade. Hear Us Out demonstrates how in recent decades the canon of gay fiction has developed, diversified, and expanded its audience into the mainstream.Trade ReviewHear Us Out is going to become, like Richard Canning's previous book of interviews,Gay Fiction Speaks, a standard reference for scholars. That's an appropriately exalted, climate-controlled fate for a wonderful book... Canning has a wonderful knack for this work. -- David McConnell Lambda Book Report Canning offers up more of the meaty, critically rich interviews -- Christopher Hennessy The Gay and Lesbian ReviewTable of ContentsGary Indiana Bernard Cooper Christopher Bram Michael Cunningham Jim Grimsley Stephen McCauley Colm Toibin Paul Russell Peter Cameron Matthew Stadler Philip Hensher Dale Peck
£83.60
Columbia University Press After the American Century
Book SynopsisFrom Egyptian cyberpunk to dubbed versions of Shrek in Iran, this book examines the emergence of new forms of culture in circulation and their geopolitical implications.Trade ReviewAfter the American Century offers a fascinating tour of the appropriation and deployment of American popular culture in a globalized, restless Middle East. From cinema and novels to hip-hop and comic books, this wonderfully written and richly observed book presents novel and exciting readings of familiar cultural forms in new political environments. -- Marc Lynch, author of The Arab Uprising: The Unfinished Revolutions of the New Middle East After the American Century is a book of exquisite audacity. Bold in its detailed precision and daring in its imaginative topography of topics, Brian T. Edwards's writing cuts through much noise and nuisance to lay bare what lies ahead. Its arguments do not just dismantle the imperial fantasy of an 'American century,' but point to the uncharted worlds far beyond its captured imagination. -- Hamid Dabashi, Hagop Kevorkian Professor of Iranian Studies and Comparative Literature, Columbia University This book is a rich account of what happens when cultural objects, literary texts, and films circulate between the Middle East and the United States: how they are interpreted and reinvented, in the process engendering new publics and counterpublics. A nuanced analysis of cultural politics that extends our understanding of the forms and limits of Western domination of the Middle East. -- Saba Mahmood, author of Politics of Piety: The Islamic Revival and the Feminist Subject In After the American Century, Edwards has devised subtle, ethnographically informed reading methodologies to explain how anomalous logics of transnational circulation have radically undermined plans for a 'new American century.' The book will fast become indispensable to an understanding of the genealogy of transnational American studies. -- Donald E. Pease, Ted and Helen Geisel Third Century Professor in the Humanities and founding director of the Futures of American Studies Institute at Dartmouth College Edwards plunges into the cultural lives of Cairo, Casablanca, and Tehran to illustrate the demise of one aspect of "the American century": the outsize influence that U.S. popular culture exercised in the Middle East. -- John Waterbury Foreign Affairs Edwards' background and considerable expertise shine... making the book a worthwhile read for anyone interested in the region. Middle East Journal Now that American power is receding across the globe it is a good time to ask how... methodologies might adapt to these new circumstances, and what we might name such an academic adaptation. Brian T. Edwards' important new book... provides us with a possible answer to this arguably urgent question. Post45 Ambitious, wide-ranging, and highly valuable. European Journal of American Culture Edwards challenges traditional narratives of US cultural imperialism... Highly recommended. CHOICE Edwards is to be commended for his ethnographic methods, his command of local languages, and the originality of his archive. International Journal of Middle East Studies A genuinely important contribution to our understanding of how American literary studies circulates internationally in the twenty-first century. American Literature A welcome work, valuable for its rich readings of unfamiliar yet important Middle Eastern artists and for its stimulating arguments about the transnational circulation of American culture in our global, digital age. Journal of American HistoryTable of ContentsPreface 1. After the American Century: Ends of Circulation 2. Jumping Publics: Egyptian Fictions of the Digital Age 3. "Argo Fuck Yourself": Iranian Cinema and the Curious Logics of Circulation 4. Coming Out in Casablanca: Shrek, Sex, and the Teen Pic in Contemporary Morocco Epilogue: Embracing Orientalism in the Homeland Acknowledgments Notes Index
£69.26
Columbia University Press Alexander Hamilton on Finance Credit and Debt
Book SynopsisFrom Egyptian cyberpunk to dubbed versions of Shrek in Iran, this book examines the emergence of new forms of culture in circulation and their geopolitical implications.Trade ReviewAfter the American Century offers a fascinating tour of the appropriation and deployment of American popular culture in a globalized, restless Middle East. From cinema and novels to hip-hop and comic books, this wonderfully written and richly observed book presents novel and exciting readings of familiar cultural forms in new political environments. -- Marc Lynch, author of The Arab Uprising: The Unfinished Revolutions of the New Middle East After the American Century is a book of exquisite audacity. Bold in its detailed precision and daring in its imaginative topography of topics, Brian T. Edwards's writing cuts through much noise and nuisance to lay bare what lies ahead. Its arguments do not just dismantle the imperial fantasy of an 'American century,' but point to the uncharted worlds far beyond its captured imagination. -- Hamid Dabashi, Hagop Kevorkian Professor of Iranian Studies and Comparative Literature, Columbia University This book is a rich account of what happens when cultural objects, literary texts, and films circulate between the Middle East and the United States: how they are interpreted and reinvented, in the process engendering new publics and counterpublics. A nuanced analysis of cultural politics that extends our understanding of the forms and limits of Western domination of the Middle East. -- Saba Mahmood, author of Politics of Piety: The Islamic Revival and the Feminist Subject In After the American Century, Edwards has devised subtle, ethnographically informed reading methodologies to explain how anomalous logics of transnational circulation have radically undermined plans for a 'new American century.' The book will fast become indispensable to an understanding of the genealogy of transnational American studies. -- Donald E. Pease, Ted and Helen Geisel Third Century Professor in the Humanities and founding director of the Futures of American Studies Institute at Dartmouth College Edwards plunges into the cultural lives of Cairo, Casablanca, and Tehran to illustrate the demise of one aspect of "the American century": the outsize influence that U.S. popular culture exercised in the Middle East. -- John Waterbury Foreign Affairs Edwards' background and considerable expertise shine... making the book a worthwhile read for anyone interested in the region. Middle East Journal Now that American power is receding across the globe it is a good time to ask how... methodologies might adapt to these new circumstances, and what we might name such an academic adaptation. Brian T. Edwards' important new book... provides us with a possible answer to this arguably urgent question. Post45 Ambitious, wide-ranging, and highly valuable. European Journal of American Culture Edwards challenges traditional narratives of US cultural imperialism... Highly recommended. CHOICE Edwards is to be commended for his ethnographic methods, his command of local languages, and the originality of his archive. International Journal of Middle East Studies A genuinely important contribution to our understanding of how American literary studies circulates internationally in the twenty-first century. American Literature A welcome work, valuable for its rich readings of unfamiliar yet important Middle Eastern artists and for its stimulating arguments about the transnational circulation of American culture in our global, digital age. Journal of American HistoryTable of ContentsPreface 1. After the American Century: Ends of Circulation 2. Jumping Publics: Egyptian Fictions of the Digital Age 3. "Argo Fuck Yourself": Iranian Cinema and the Curious Logics of Circulation 4. Coming Out in Casablanca: Shrek, Sex, and the Teen Pic in Contemporary Morocco Epilogue: Embracing Orientalism in the Homeland Acknowledgments Notes Index
£20.90
Columbia University Press Islamophobia and the Novel
Book SynopsisIslamophobia and the Novel analyzes how recent works of fiction have framed and responded to the rise of anti-Muslim prejudice alongside changing concepts of cultural difference. Peter Morey offers readings of novels that show how their portrayal of difference both reflects and refutes the ideological preoccupations of the post-9/11 West.Trade ReviewWith his characteristic brilliance and integrity, Peter Morey, a noted public intellectual, illustrates the impact of surging Islamophobia on mainstream literature in this masterful study. A man whose career has centered on building bridges between divided cultures, his is a voice to heed in these confusing and troubled times. -- Ambassador Akbar Ahmed, Ibn Khaldun Chair of Islamic Studies, American UniversityIn a series of brilliantly astute and subtle readings, Peter Morey shows us how the contemporary novel has the capacity to expose the rifts and contradictions in Islamophobic discourses, thereby unsettling conventional frames for seeing Islam and Muslims. Paving the way for what Morey calls a ‘critical Muslim literary studies’, Islamophobia and the Novel is a work of outstanding scholarship, a vital book for the times we live in. -- Rehana Ahmed, Queen Mary University of LondonIf you’ve ever wondered why Muslim characters always seem so poorly imagined in so much contemporary fiction in English, Peter Morey has the answers for you. Islamophobia and the Novel is not only a lucid account of how Muslim characters get stuck in a spider’s web of representation. It is also a handbook for how to break free. -- Moustafa Bayoumi, Brooklyn CollegeA persuasive, theoretically grounded analysis of the state of literary novels in English dealing with the Muslim world and the West’s responses to (and uses of) Islamophobia. * Choice *Morey builds to that key conclusion with clarity. Understanding where literature stands in relation to Islamophobia is an initial and important step toward diminishing it. * Modern Philology *Strenuously researched and convincing...Islamophobia and the Novel invites us to understand the disquieting truths how Islamophobia is disseminated through discourse of representation, and how contemporary fiction has contributed to it. Morey’s remarkable research and his unbiased literary judgements push us to think afresh. * Wasafiri *Table of ContentsAcknowledgmentsIntroduction—Islamophobia: The Word and the World1. Islam, Culture, and Anarchy: Faith, Doubt, and Liberalism in Martin Amis, Ian McEwan, and John Updike2. From Multiculturalism to Islamophobia: Identity Politics and Individualism in Hanif Kureishi and Monica Ali3. Muslim Misery Memoirs: The Truth Claims of Exotic Suffering in Azar Nafisi and Khaled Hosseini4. Migrant Cartographies: Islamophobia and the Politics of the City Space in Amy Waldman and H. M. Naqvi5. States of Statelessness: Islamophobia and Border Spaces in the Post-9/11 Thrillers of John Le Carré, Dan Fesperman, and Richard Flanagan6. Islamophobia and the Global Novel: “Worlding” History in Nadeem Aslam and Kamila Shamsie7. Marketing the Muslim: Globalization and the Postsecular in Mohsin Hamid and Leila AboulelaConclusion—Toward a Critical Muslim Literary StudiesNotesBibliographyIndex
£46.75
Columbia University Press Infowhelm
Book SynopsisHeather Houser explores the ways contemporary art manages environmental knowledge in the age of climate crisis and informational overload. She argues that the infowhelm—a state of abundant yet contested scientific information—is an unexpectedly resonant resource for environmental artists seeking to go beyond communicating stories about crises.Trade ReviewInfowhelm offers a terrific and timely interdisciplinary method, bridging environmental and digital humanities. Houser asks deep, consequential questions about how data comes to matter, and more specifically how the arts (across media) can bring the data of climate change into affective presence, individual action, and community conversation. -- Stephanie LeMenager, Moore Professor of English and Professor of Environmental Studies, University of OregonIn prose that eschews jargon, Houser calls for a détente between science/technology and humanistic and narrative ways of understanding the world. She shows how data and science narratives interweave with literature, visual arts, and media arts to create new modes of thinking about the world that depend as much on feeling as ratiocination. Along the way she discusses "entangled epistemologies of the Infowhelm": how the arts help us to visualize hyperobjects and massive shifts in environment that seem beyond our understanding when couched only in scientific data. This book is a polished and mature work of scholarship that adds wonderful new ideas to the discussion of how science and the arts mutually influence one another. -- Amy J. Elias, author of Sublime Desire: History and Post-1960s FictionAmidst the swirl of data and other forms of information about the environment that saturate the contemporary world, Heather Houser finds a refuge of sorts in the work of artists who, making art of “scientific information,” help us make sense of it. In this remarkably creative and entrancing work, she shows how an aesthetic engagement with this information exposes the nature of the knowledge it produces not to reject it, but to allow for a profound grappling with it. With her magnificent prose and elegant analyses, Houser conveys the pleasure as well as the insights these artistic experiments produce, as we work to make sense of the “infowhelm” of the contemporary moment. This book is a must-read for anyone who has experienced that phenomenon, which is to say for us all. -- Priscilla Wald, author of Contagious: Cultures, Carriers, and the Outbreak NarrativeIt would be nice if the accumulated ill effects of the positivist scientific mindset on the natural environment could be cancelled out by a simple turn to more innocent modes of thought. Heather Houser models an approach to the intertwined problems of quantification, scientific representation, and ecological consciousness at once more realistic and more imaginative than that. Assembling a fascinating constellation of artworks that conjure the perplexities of the contemporary informational condition in exciting new ways, she makes a strong case for rethinking the relation between aesthetic experience and epistemology from the ground up. This book will be of interest to a vast range of scholars working on contemporary culture and the environmental humanities. -- Mark McGurl, author of The Program Era: Postwar Fiction and the Rise of Creative WritingHouser uncovers how artists alchemize scientific information into aesthetic material in contemporary environmental art. Her writing method reveals that wonder is the essence of inquiry . . . [Infowhelm’s] synthesis of multiple artistic—literary and visual—works not only offers new ways of seeing environmental change, but also challenges traditional types of knowledge. * Orion Magazine *An ambitious and dazzling scholarly work . . . Infowhelm pushes environmental humanities scholarship forward by leaps and bounds. * ISLE: Interdisciplinary Studies in Literature and Environment *A virtuosic reappraisal of art and information, during our era of ecological catastrophe . . . Infowhelm is ambitious, timely, and dynamic. It should take its place alongside the most consequential recent studies in ecocriticism, Environmental Humanities, and contemporary literature. * American Literary History *Table of ContentsIntroduction: Environmental Art in the InfowhelmPart I. Cultural Climate KnowledgePreface1. Making Data Experiential2. Coming-of- Mind in Climate NarrativesPart II. The New Natural HistoryPreface3. Classifictions4. Visualizing Loss for a “Fragmented Survival”Part III. Aerial EnvironmentalismsPreface5. Environmental Aftermaths from the Sky6. The Afterlives of Information in Speculative FictionEpilogue: Can Thinking Make It So?AcknowledgmentsNotesWorks CitedIndex
£93.60
Columbia University Press Infowhelm
Book SynopsisHeather Houser explores the ways contemporary art manages environmental knowledge in the age of climate crisis and informational overload. She argues that the infowhelm—a state of abundant yet contested scientific information—is an unexpectedly resonant resource for environmental artists seeking to go beyond communicating stories about crises.Trade ReviewInfowhelm offers a terrific and timely interdisciplinary method, bridging environmental and digital humanities. Houser asks deep, consequential questions about how data comes to matter, and more specifically how the arts (across media) can bring the data of climate change into affective presence, individual action, and community conversation. -- Stephanie LeMenager, Moore Professor of English and Professor of Environmental Studies, University of OregonIn prose that eschews jargon, Houser calls for a détente between science/technology and humanistic and narrative ways of understanding the world. She shows how data and science narratives interweave with literature, visual arts, and media arts to create new modes of thinking about the world that depend as much on feeling as ratiocination. Along the way she discusses "entangled epistemologies of the Infowhelm": how the arts help us to visualize hyperobjects and massive shifts in environment that seem beyond our understanding when couched only in scientific data. This book is a polished and mature work of scholarship that adds wonderful new ideas to the discussion of how science and the arts mutually influence one another. -- Amy J. Elias, author of Sublime Desire: History and Post-1960s FictionAmidst the swirl of data and other forms of information about the environment that saturate the contemporary world, Heather Houser finds a refuge of sorts in the work of artists who, making art of “scientific information,” help us make sense of it. In this remarkably creative and entrancing work, she shows how an aesthetic engagement with this information exposes the nature of the knowledge it produces not to reject it, but to allow for a profound grappling with it. With her magnificent prose and elegant analyses, Houser conveys the pleasure as well as the insights these artistic experiments produce, as we work to make sense of the “infowhelm” of the contemporary moment. This book is a must-read for anyone who has experienced that phenomenon, which is to say for us all. -- Priscilla Wald, author of Contagious: Cultures, Carriers, and the Outbreak NarrativeIt would be nice if the accumulated ill effects of the positivist scientific mindset on the natural environment could be cancelled out by a simple turn to more innocent modes of thought. Heather Houser models an approach to the intertwined problems of quantification, scientific representation, and ecological consciousness at once more realistic and more imaginative than that. Assembling a fascinating constellation of artworks that conjure the perplexities of the contemporary informational condition in exciting new ways, she makes a strong case for rethinking the relation between aesthetic experience and epistemology from the ground up. This book will be of interest to a vast range of scholars working on contemporary culture and the environmental humanities. -- Mark McGurl, author of The Program Era: Postwar Fiction and the Rise of Creative WritingHouser uncovers how artists alchemize scientific information into aesthetic material in contemporary environmental art. Her writing method reveals that wonder is the essence of inquiry . . . [Infowhelm’s] synthesis of multiple artistic—literary and visual—works not only offers new ways of seeing environmental change, but also challenges traditional types of knowledge. * Orion Magazine *An ambitious and dazzling scholarly work . . . Infowhelm pushes environmental humanities scholarship forward by leaps and bounds. * ISLE: Interdisciplinary Studies in Literature and Environment *A virtuosic reappraisal of art and information, during our era of ecological catastrophe . . . Infowhelm is ambitious, timely, and dynamic. It should take its place alongside the most consequential recent studies in ecocriticism, Environmental Humanities, and contemporary literature. * American Literary History *Table of ContentsIntroduction: Environmental Art in the InfowhelmPart I. Cultural Climate KnowledgePreface1. Making Data Experiential2. Coming-of- Mind in Climate NarrativesPart II. The New Natural HistoryPreface3. Classifictions4. Visualizing Loss for a “Fragmented Survival”Part III. Aerial EnvironmentalismsPreface5. Environmental Aftermaths from the Sky6. The Afterlives of Information in Speculative FictionEpilogue: Can Thinking Make It So?AcknowledgmentsNotesWorks CitedIndex
£27.00
Columbia University Press Make It the Same
Book SynopsisJacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature. Make It the Same explores how poetry is increasingly made from other texts through sampling, appropriation, and other forms of repetition.Trade ReviewMake It the Same rebuts the notion that formal word-games are a decadent first-world hobby. It is an empirically broad, thoughtfully constructed, well-written, timely book about an important subject: a technical "mode of production" prominent in contemporary poetry, with its effects on content and reception. -- Haun Saussy, author of The Ethnography of Rhythm: Orality and Its TechnologiesMake It the Same offers a global perspective on cultural iteration, triangulating English-language poetry with Russian and Chinese practices. Edmond immediately underscores the unintended irony with which those in the United States speak of "the poetry world" to mean precisely the opposite of the global: a micro, naval-gazing echo chamber. Given how parochial literary communities around a genre can be, this is an especially important contribution to literary studies. -- Craig Dworkin, author of No MediumWith its revisionist echoes of Pound’s ‘make it new,’ Make It the Same is theoretically generative for thinking about modernist, contemporary, and world literature. Edmond powerfully demonstrates how the new media of repetition have generated a poetics of the same, a ‘copy poetry’ that remixes prior poetries in global trajectories outside Eurocentric, center/periphery literary studies. A path-breaking book for post-1950s literature! -- Susan Stanford Friedman, University of Wisconsin-MadisonA radical contribution to poetry studies. . . . Make It the Same should be celebrated not only for what the book does well—its subtle analyses of poems, its detailed knowledge of technology, its easy movement between English, Chinese, and Russian—but also for what it makes possible for scholars of poetry to do next. -- Walt Hunter * Los Angeles Review of Books *The flexibility of [Edmond’s] approach, his uncanny ability to extend the meanings of writing and reading, and his willingness to participate in the numerous digital frontier forms that poets in recent decades have sought to explore bear rich fruit. . . . Only a supremely creative and passionate scholarly approach could have yielded such a timely vision. -- Martin Dyar * Times Higher Education *Make It the Same is lucidly written and meticulously researched....[and] establishes the terms for a vital reappraisal of cultural production in our present age. As such, it will be of close interest to scholars of contemporary literature and cultural studies, comparative and world literature, media studies, and the cultural history of information. * Modernism/Modernity *A breakthrough work of analysis, drawing from a range of critical fields to substantiate its case for the copy as a dominant global cultural form. It is a measure of Edmond’s contribution that Make It the Same will be required reading across the fields of modernist studies, contemporary historical poetics, and world literature, and a salient model for future transnational literary studies. * Review of English Studies *An important, fascinating and timely discussion of poetry of the iterative turn. * Landfall *A fascinating look at what poetry is becoming in the 21st century: it is subversive and regenerating like the tendrils of an octopus, always alive and seeking more ideas. * Choice *Make It the Same shows the author’s globe-spanning grasp of emergent and established poetries, understanding of a combination of theoretical persuasions, and persuasive deployment of a range of interpretive methods. * Cha *Edmond’s Make It the Same offers a significant rewriting of world literature in the twentieth and twenty-first centuries, raising a series of important questions about language, form, circulation, and comparativity that will no doubt prove enabling for future scholarship. -- Sarah Dowling * Year's Work in Critical and Cultural Theory *Edmond’s engaging and exciting book merits a wide readership by scholarsand students across literary and cultural studies. Innovative, thoroughly researched,and well-argued, this book is a remarkable study. * Chinese Literature: Essays, Articles, Reviews *Students and scholars of literary conceptualism, experimental translation, cross-cultural collaboration, multilingualism, performance writing, visual poetry, artistic plagiarism, and digital poetics among other nonnormative modes of poiesis are bound to benefit from Edmond’s rich contextualizations and his method of what we might call “comparative iterature.” * Contemporary Literature *Edmond makes a compelling case for the contemporary avant-garde as a counterweight to more mainstream codex-based poetics that often privilege notions of original authorship. * Journal of Modern Periodical Studies *A new moment in poetry criticism, one in which studies of form refigure the archive, undoing longstanding divisions between experimentation and expression. * American Literary History *Table of ContentsAcknowledgmentsIntroduction: The Copy as Global Master Trope1. Postcolonial Media: Kamau Brathwaite’s Reel Revolution2. The Art of Samizdat: Dmitri Prigov, Moscow Conceptualism, and the Carbon-Copy Origins of New Media Poetics3. Making Waves in World Literature: Yang Lian and John Cayley’s Networked Collaboration4. Shibboleth: The Border Crossings of Caroline Bergvall, Performance Writing, and Iterative Poetics5. Copy Rights: Conceptual Writing, the Mongrel Coalition, and the Racial Politics of Digital Media6. Chinese Rooms: The Work of Poetry in an Age of Global Languages, Machine Translation, and Automatic EstrangementRecapitulations: Repetition and Revolution in World PoetryNotesBibliographyIndex
£80.39
Columbia University Press Make It the Same
Book SynopsisJacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature. Make It the Same explores how poetry is increasingly made from other texts through sampling, appropriation, and other forms of repetition.Trade ReviewMake It the Same rebuts the notion that formal word-games are a decadent first-world hobby. It is an empirically broad, thoughtfully constructed, well-written, timely book about an important subject: a technical "mode of production" prominent in contemporary poetry, with its effects on content and reception. -- Haun Saussy, author of The Ethnography of Rhythm: Orality and Its TechnologiesMake It the Same offers a global perspective on cultural iteration, triangulating English-language poetry with Russian and Chinese practices. Edmond immediately underscores the unintended irony with which those in the United States speak of "the poetry world" to mean precisely the opposite of the global: a micro, naval-gazing echo chamber. Given how parochial literary communities around a genre can be, this is an especially important contribution to literary studies. -- Craig Dworkin, author of No MediumWith its revisionist echoes of Pound’s ‘make it new,’ Make It the Same is theoretically generative for thinking about modernist, contemporary, and world literature. Edmond powerfully demonstrates how the new media of repetition have generated a poetics of the same, a ‘copy poetry’ that remixes prior poetries in global trajectories outside Eurocentric, center/periphery literary studies. A path-breaking book for post-1950s literature! -- Susan Stanford Friedman, University of Wisconsin-MadisonA radical contribution to poetry studies. . . . Make It the Same should be celebrated not only for what the book does well—its subtle analyses of poems, its detailed knowledge of technology, its easy movement between English, Chinese, and Russian—but also for what it makes possible for scholars of poetry to do next. -- Walt Hunter * Los Angeles Review of Books *The flexibility of [Edmond’s] approach, his uncanny ability to extend the meanings of writing and reading, and his willingness to participate in the numerous digital frontier forms that poets in recent decades have sought to explore bear rich fruit. . . . Only a supremely creative and passionate scholarly approach could have yielded such a timely vision. -- Martin Dyar * Times Higher Education *Make It the Same is lucidly written and meticulously researched....[and] establishes the terms for a vital reappraisal of cultural production in our present age. As such, it will be of close interest to scholars of contemporary literature and cultural studies, comparative and world literature, media studies, and the cultural history of information. * Modernism/Modernity *A breakthrough work of analysis, drawing from a range of critical fields to substantiate its case for the copy as a dominant global cultural form. It is a measure of Edmond’s contribution that Make It the Same will be required reading across the fields of modernist studies, contemporary historical poetics, and world literature, and a salient model for future transnational literary studies. * Review of English Studies *An important, fascinating and timely discussion of poetry of the iterative turn. * Landfall *A fascinating look at what poetry is becoming in the 21st century: it is subversive and regenerating like the tendrils of an octopus, always alive and seeking more ideas. * Choice *Make It the Same shows the author’s globe-spanning grasp of emergent and established poetries, understanding of a combination of theoretical persuasions, and persuasive deployment of a range of interpretive methods. * Cha *Edmond’s Make It the Same offers a significant rewriting of world literature in the twentieth and twenty-first centuries, raising a series of important questions about language, form, circulation, and comparativity that will no doubt prove enabling for future scholarship. -- Sarah Dowling * Year's Work in Critical and Cultural Theory *Edmond’s engaging and exciting book merits a wide readership by scholarsand students across literary and cultural studies. Innovative, thoroughly researched,and well-argued, this book is a remarkable study. * Chinese Literature: Essays, Articles, Reviews *Students and scholars of literary conceptualism, experimental translation, cross-cultural collaboration, multilingualism, performance writing, visual poetry, artistic plagiarism, and digital poetics among other nonnormative modes of poiesis are bound to benefit from Edmond’s rich contextualizations and his method of what we might call “comparative iterature.” * Contemporary Literature *Edmond makes a compelling case for the contemporary avant-garde as a counterweight to more mainstream codex-based poetics that often privilege notions of original authorship. * Journal of Modern Periodical Studies *A new moment in poetry criticism, one in which studies of form refigure the archive, undoing longstanding divisions between experimentation and expression. * American Literary History *Table of ContentsAcknowledgmentsIntroduction: The Copy as Global Master Trope1. Postcolonial Media: Kamau Brathwaite’s Reel Revolution2. The Art of Samizdat: Dmitri Prigov, Moscow Conceptualism, and the Carbon-Copy Origins of New Media Poetics3. Making Waves in World Literature: Yang Lian and John Cayley’s Networked Collaboration4. Shibboleth: The Border Crossings of Caroline Bergvall, Performance Writing, and Iterative Poetics5. Copy Rights: Conceptual Writing, the Mongrel Coalition, and the Racial Politics of Digital Media6. Chinese Rooms: The Work of Poetry in an Age of Global Languages, Machine Translation, and Automatic EstrangementRecapitulations: Repetition and Revolution in World PoetryNotesBibliographyIndex
£23.75
LUP - University of Michigan Press Critical Perspectives on Contemporary Plays by W
Book SynopsisForegrounds some of the ways in which women playwrights from across a range of contexts and working in a variety of forms and styles are illuminating the contemporary world while also contributing to its reshaping as they reflect, rethink, and reimagine it through their work for the stage.Table of Contents Contents Acknowledgments Introduction: Critical Visions Penny Farfan I. Replaying the Canon 1. Feminist Adaptations / Adaptations of Feminism: Margaret Atwood’s The Penelopiad Penny Farfan 2. Indigenizing the Colonial Narrative: Leah Purcell’s The Drover’s Wife Denise Varney 3. Does Revenge Fall Softly? YaËl Farber’s Molora Catherine Cole 4. Indecent Collaborations and / in Queer Time(s) Katie N. Johnson and Sara L. Warner II. Representing Histories 5. The Bloodstained Distance: Adrienne Kennedy’s He Brought Her Heart Back in a Box Alisa Solomon 6. Unmaking a Devil’s Bargain: Suzan-Lori Parks’s Father Comes Home from the Wars and the Idea of America Soyica Diggs Colbert and Robert J. Patterson 7. “A Change Is Gonna Come?” Protest and Racial Progress in debbie tucker green’s ear for eye Lynette Goddard 8. Maternal Agency and Reproductive Justice in Lisa Loomer’s Roe Sharon L. Green III. Staging Lives 9. The Mythic Migrant, the Witnessing Self: HÉlÈne Cixous and Le Dernier CaravansÉrail: OdyssÉes Emine Fisek 10. Exceptional Embodiment in Anna Deavere Smith’s Let Me Down Easy Ryan Claycomb 11. Acting and Reenacting the Malvinas/Falklands War in Lola Arias’s Minefield/Campo minado Paola S. HernÁndez 12. Fun Home: Lesbian Feminism Meets Broadway Musical Theatre Stacy Wolf IV. Re-imagining Family 13. A ‘rock inside the flesh’: Motherwork in Marie Clements’s The Unnatural and Accidental Women Karen Bamford and Sheila Rabillard 14. Quiara Hudes’s Water by the Spoonful and the Dramaturgy of Free Jazz Natalie Alvarez and Jimena Ortuzar 15. British Muslim Feminism and the Marriage Trap: Alia Bano’s Shades Meenakshi Ponnuswami 16. Lesbian Interspecies Performance: Holly Hughes’s The Dog and Pony Show (bring your own pony) Kim Marra V. Navigating Communities 17. Bread of Life: Whiti Hereaka’s Rewena Diana Looser 18. Transcultural Memory and Food in Julia Cho’s Aubergine Esther Kim Lee 19. Truth and Absurdity on the London Stage: Liwaa Yazji’s Goats and its Audiences Margaret Litvin with Liwaa Yazji 20. “I Will Tend Your Garden”: The Terms of Proximity in Grace PassÔ’s Por Elise Honey Crawford VI. Articulating Intersections 21. Dominique Morisseau’s Blood at the Root: Intersectionality and the Jena Six Juliet Guzzetta 22. Economic Disenfranchisement and Gender Inequality in Emma Dante’s mPalermu Francesca Spedalieri 23. The Magic of Change: Frances Ya-Chu Cowhig’s The World of Extreme Happiness Xing Fan 24. “But nostalgia’s a disease”: Viewing Lynn Nottage’s Sweat in the Age of Trump Courtney Elkin Mohler VII. New World Order(s) 25. Miss Piggy the Seer in the Land of Trump’s Blind: Elfriede Jelinek’s On the Royal Road: The Burgher King Sue-Ellen Case 26. Has She “Escaped Alone” to Tell Us? Caryl Churchill: ‘Messenger’ for the Twenty-First Century Rosemary Malague 27. Climate Change and the Capitalocene in Colleen Murphy’s The Breathing Hole Wendy Arons 28. The Ghosts of Greenham Common in Lucy Kirkwood’s The Children Lesley Ferris Afterwords: Emerging Currents: Fighting on Two Fronts Lesley Ferris Notes on Contributors
£27.50
