Literary studies: fiction Books

Book SynopsisThe perfect gift for anyone who embraces the joy of fandom and geeking out, this collection of essays celebrates the fans of Star Wars, Star Trek, Doctor Who, Sherlock Holmes, Lord of the Rings, and much more.Pop Culture and sci-fi guru Ryan Britt has never met a monster, alien, wizard, or superhero that didn’t need further analysis. Essayist Ryan Britt got a sex education from dirty pictures of dinosaurs, made out with Jar-Jar Binks at midnight, and figured out how to kick depression with a Doctor Who Netflix-binge. Alternating between personal anecdote, hilarious insight, and smart analysis, Luke Skywalker Can’t Read contends that Barbarella is good for you, that monster movies are just romantic comedies with commitment issues, that Dracula and Sherlock Holmes are total hipsters, and, most shockingly, shows how virtually everyone in the Star Wars universe is functionally illiterate.  

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Book SynopsisIn 1930, when Rabindranath Tagore met Paul and Edith Geheeb in Germany, they formed a fruitful and long-term association resulting in the exchange of ideas and vision. Tagore''s Brahmacharya Ashram, founded in 1901 in Shantiniketan, and the Geheeb''s Odenwaldschule, established in Germany in 1910 (thereafter the Ecole d''''Humanité in Switzerland, established in 1934 after the couple fled Nazi Germany), emerged from vastly different cultural backgrounds and social exigencies. Yet, they recognized striking similarities between their educational endeavours. The meeting also initiated a close association between India and Germany, with the Geheebs attracting many Indian intellectuals and Indophile Germans to their schools. This book explores the areas where the lives of the Geheebs and Tagore, and their respective circles, overlap. Rather than being a biography, a history, or a comprehensive description, this study is a comparison of Tagore and the Geheebs and their schools. Making use ofTrade ReviewKämpchen's book is full of research insights that only come with years of experience. * Razak Khan, German Historical Institute London Bulletin *

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Book SynopsisPacked with new evidence, Making Oscar Wilde tells the untold story of a local Irish eccentric who became a global cultural icon. This must-read book dramatizes Oscar Wilde's remarkable rise in Victorian England and post-Civil War America. Michèle Mendelssohn interweaves biography and social history to reveal a life like no other.Trade ReviewMendelssohn's remarkable book focuses on the American year ... it uncovers material missed by lengthier biographies, even Richard Ellmann's, and conveys the excitement of real research and discovery. * John Carey, The Sunday Times *Now that America has come to seem so unsettled and so strange, Michèle Mendelssohn's Making Oscar Wilde help us to become more alarmed. * Colm Tóibín, The Guardian *A retelling of Wilde's American adventure that genuinely makes you rethink vital elements of his life and work ... Mendelssohn's research is prodigious: she has tapped sources previously unavailable to other scholars. * Rachel Cooke, The Observer *An extraordinary new take on Wilde. Even those who claim to know him intimately will be astonished and enthralled by Mendelssohn's fresh perspective on his multifaceted life. * Eleanor Fitzsimons, The Irish Times *A fascinating account of how young Wilde's flair for self-promotion aligned with the birth of celebrity culture during the age of Barnum. * Jane Ciabattari, BBC Culture *A stylish account of [Wilde's] tumultuous rise, fall and resurrection ... a hugely important and enjoyable book. * Mal Rogers, The Irish Post *The story of Wilde's American tour has often been told before; but never like this. [...] Mendelssohn is the first critic to refute the triumphant self-serving spin put on the tour by both Wilde and his promoters. * Kate Hext, The Times Literary Supplement *Fascinating. * The New Yorker *Mendelssohn's scrupulous account humanizes Wilde. * Alexander C. Kafka, The Washington Post *Mendelssohn's book is well researched and written, clear, readable, and engaging. She describes some less known events in Wilde's life in spellbinding detail... In it, we learn of the impact of early key life experiences upon later life and that those who are exploited sometimes exploit others. * Beth Bidlack, Mount Holyoke College, Affilia: Journal of Women and Social Work *Mendelssohn's contribution to Wilde's legacy is her fresh look at the American tour, providing social and cultural context. A familiar biography embedded in a lively cultural history. * Kirkus *Both tragic and touching, Mendelssohn has penned a biography worthy of its subject. She takes the reader behind the scenes of Victorian England and post-Civil War America to reveal a secret self-creation that would make modern internet influencers turn green with envy. * Best Books We Read in 2018, The Advocate *The writing is compelling and easy to follow, the tone light, the focus unusual and enlightening. Many of the images are new. * CHOICE *You may not think there is new stuff to learn about Oscar Wilde, but there is - as this book proves. Michèle Mendelssohn has succeeded in throwing new light on Wilde's remarkable American lecture tour. Thoroughly researched and beautifully written, this is a valuable addition to Wildean scholarship. * Gyles Brandreth, President of the Oscar Wilde Society and author of The Oscar Wilde Murder Mysteries *Michèle Mendelssohn's vividly written, consistently illuminating, and lavishly illustrated book is full of surprises, above all in showing how Wilde's Irishness played into the story of race relations in post-Civil War America. * Michael Gorra, author of Portrait of a Novel: Henry James and the Making of an American Masterpiece *An original, meticulously-researched and beautifully-paced account of how a modern writer invented himself, and was invented, as an international artist-celebrity. He made his world, but not in conditions of his own choosing. This stylish meditation on the mysteries of identity illustrates Wilde's belief that the best way to intensify a personality is to multiply it. * Declan Kiberd, author of Ulysses and Us *One of the most devastating, complex and presently political literary biographies I've ever read. * Eileen Myles, author of Chelsea Girls *A scholastic triumph, this highly original book rewrites the story of Oscar's tour of America with new, vivid detail, from fresh, unmined sources. Presenting the young Wilde caught in up a complex web of social and racial prejudices, Mendelssohn not only offers us a surprising view of Oscar through the lens of c19th America, but refocuses the young Wilde for a new generation. * Franny Moyle *Michèle Mendelssohn's Making Oscar Wilde is a fresh, exciting and illuminating study of the construction of celebrity and reputation. Looking at Wilde's trip to the United States in 1882, Mendelssohn shows both how stereotypes of the wild Irish immigrant and the minstrel show, and the promotional strategies of Wilde and his tour manager, made him a controversial star. The story of St. Oscar will never be the same. * Elaine Showalter, Professor Emerita of English, Princeton University *Enlightening and provocative ... Making Oscar Wilde is a breezily paced and entertaining read, and throughout Mendelssohn's style is refreshingly unstuffy. * Gregory Mackie, Literary Review of Canada *A vivid, intelligent look at Victorian celebrity culture through the rise to fame of one of its brightest stars. * New York Journal of Books *Mendelssohn's vibrantly written, deeply realised reassessment of the origins and character of Wilde's celebrity achieves what is likely to have been her ultimate goal: to change the landscape of Wildean biography in significant, possibly definitive ways, while implicitly laying the groundwork for other studies yet to come. It is no mean achievement. * Joseph Donoghue, The Wildean *Michèle Mendelssohn's astonishing demonstration [shows] that just when you thought you knew everything about the life of Oscar Wilde, there's more. [...] Someone could make a movie out of Making Oscar Wilde. * Andrew Holleran, The Gay & Lesbian Review *Mendelssohn's book reveals a man for whom the word charisma could have been invented, but also a man living on the edge. [...] This portrayal of Wilde will only add to the lustre of his reputation. * Steve Craggs, The Northern Echo *[An] illuminating book ... To say these 267 pages [...] will remain something of an enduring read, for a long, long time to come, is a mighty understatement ... Regal and (a little) risque, compelling and (occasionally) complex, this book could well be deemed more of a gripping, American cultural history, as opposed to a straight ahead, biographical analysis. * David Marx, David Marx: Book Reviews *Table of ContentsList of Plates Prologue: What's the matter with Oscar Wilde? PART ONE, 1854-1881 Turning Points Do You Find the World Very Hollow? Astonishing the Dons Not Having Set the World Quite on Fire PART TWO, 1882-1883 Colonel Morse's Campaign Oscar Dear Mr. Wild of Borneo, or The Paddy Life Imitates Art Is it Manhood? The War of Art Ain't Nothing Like the Real Thing Son of Speranza Underground Men Going South The Confederate PART THREE, 1883-1900 Success is a Science You Have Made Your Name By the Throat Epilogue: The Private View Appendix: The Mystery of Wilde's Black Valet

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Book Synopsis''Enchanting. Reading Barreau is like having me-time with your best friend'' NINA GEORGE, author of The Little Paris Bookshop''Heart-breaking . . . touching and magical until the very last page'' ELLEJulien Azoulay is famous around the world for his beautiful romance novels. But last year, he stopped believing in love. When his beloved wife Hélène died, leaving him alone to raise his young son, Julien lost his faith in the happier side of life - and with it his ability to write. But Hélène was clever. Before she died, she made Julien promise to write her one letter for each year of her life . . . and now, in this moment, in the most famous cemetery in Paris, Julien stands with his painful first letter in his hand. Here, even though Julien wouldn''t believe it, something wonderful is going to happen . . . Come with us down the narrow streets, past the cosy red bistro on Rue Gabrielle, all t

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Book SynopsisIt has been said that Victor Hugo has a street named after him in virtually every town in France. A major reason for the singular celebrity of this most popular and versatile of the great French writers is Les Misérables (1862). In this story of the trials of the peasant Jean Valjean—a man unjustly imprisoned, baffled by destiny, and hounded by his nemesis, the magnificently realized, ambiguously malevolent police detective Javert—Hugo achieves the sort of rare imaginative resonance that allows a work of art to transcend its genre.Les Misérables is at once a tense thriller that contains one of the most compelling chase scenes in all literature, an epic portrayal of the nineteenth-century French citizenry, and a vital drama—highly particularized and poetic in its rendition but universal in its implications—of the redemption of one human being.

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Book Synopsis Mrs. Dalloway chronicles a June day in the life of Clarissa Dalloway–a day that is taken up with running minor errands in preparation for a party and that is punctuated, toward the end, by the suicide of a young man she has never met. In giving an apparently ordinary day such immense resonance and significance–infusing it with the elemental conflict between death and life–Virginia Woolf triumphantly discovers her distinctive style as a novelist. Originally published in 1925, Mrs. Dalloway is Woolf’s first complete rendering of what she described as the “luminous envelope” of consciousness: a dazzling display of the mind’s inside as it plays over the brilliant surface and darker depths of reality. This edition uses the text of the original British publication of Mrs. Dalloway, which includes changes Woolf made that never appeared in the first or subsequent American editions.

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Book SynopsisIn his ever-popular romance of Tudor England, Scott brilliantly recreates all the passion, brutality, verve and vitality of the Elizabethan world. Only two of his novels end tragically - Kenilworth ends with the death of Amy Robsart, who unwisely loved Queen Elizabeth''s favourite, the Earl of Leicester.Trade ReviewThe Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of composition and his financial manoeuvres. This edition is for anyone who takes Scott seriously. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of composition and his financial manoeuvres. This edition is for anyone who takes Scott seriously.

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Book SynopsisThe Tale of Old Mortality describes the lives - and often violent deaths - the hopes, and the struggles, of the Covenanters in late seventeenth-century Scotland. A tale of extremism, bigotry and cruelty, it is redeemed by its characters'' courage and loyalty, and their passionate belief in religious and civil liberty. Considered to be one of the greatest novels of the nineteenth century, its influence pervades European writing from Stendhal to Tolstoy.Trade ReviewThe Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of composition and his financial manoeuvres. This edition is for anyone who takes Scott seriously. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of composition and his financial manoeuvres. This edition is for anyone who takes Scott seriously.

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Book SynopsisSet in south-west Scotland in the immediate aftermath of the 1707 Union, The Black Dwarf was intended to be a story about the first, abortive, Jacobite uprising of 1708. Instead it developed into a gothic tale of the supernatural.Trade ReviewThe Edinburgh Edition is a monument to scholarly industry ! a must for Scott scholars. -- Alan Bold The Edinburgh Edition presents a slimmer, more handsome and more readable Scott. There is no parade of scholarship; the notes are concise and anticipate exactly what the general reader will want to have explained. This new edition provides just the right combination of readability and unobtrusive scholarly editing. The Edinburgh Edition is a monument to scholarly industry ! a must for Scott scholars. The Edinburgh Edition presents a slimmer, more handsome and more readable Scott. There is no parade of scholarship; the notes are concise and anticipate exactly what the general reader will want to have explained. This new edition provides just the right combination of readability and unobtrusive scholarly editing.

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Book SynopsisNever before published as Hogg originally intended, this new edition of The Shepherd''s Calendar reaffirms his collection of thirteen rural tales and anecdotes as a major landmark in the history of Scottish literature. Capturing the flavour and style of Border story-telling, they gradually build into a coherent yet intriguing portrait of pastoral life, in which fact blurs with faerie and where narrative authority is increasingly called into question.Trade ReviewThe scholarship of all thisis deep, acurate and unobtrusive, always at the service of the reader andthe author. Read as a group the tales reinforce the impression that JamesHogg is the paradigm instance of the fantastic as defined by Todorov These attractive editions of Hogg's work are set directly from the original texts, and in the case of the Perils of Woman and The Shepherd's Calendar, actually represent the first ever republications of the originals! the infectiously enthusiastic introduction by Douglas Mack relates the very relevant publication history of this piece, which originally appeared as a series of articles in Blackwood's Magazine![this] edition represents the first to be set directly from the magazine articles! Now that it has been brought together unbowdlerised for the first time in paperback, we can now see this collection's coherence as a single work, celebrating the vivacity of Hogg's home community. With the handsome paperback publication of Douglas S. Mack's Stirling/South Carolina Edition of The Shepherd's Calendar, the shaggy, genial masterpieces of Hogg's more characteristic late output - hitherto available only in university libraries - have been made both affordable and classroom-ready. The scholarship of all thisis deep, acurate and unobtrusive, always at the service of the reader andthe author. Read as a group the tales reinforce the impression that JamesHogg is the paradigm instance of the fantastic as defined by Todorov These attractive editions of Hogg's work are set directly from the original texts, and in the case of the Perils of Woman and The Shepherd's Calendar, actually represent the first ever republications of the originals! the infectiously enthusiastic introduction by Douglas Mack relates the very relevant publication history of this piece, which originally appeared as a series of articles in Blackwood's Magazine![this] edition represents the first to be set directly from the magazine articles! Now that it has been brought together unbowdlerised for the first time in paperback, we can now see this collection's coherence as a single work, celebrating the vivacity of Hogg's home community. With the handsome paperback publication of Douglas S. Mack's Stirling/South Carolina Edition of The Shepherd's Calendar, the shaggy, genial masterpieces of Hogg's more characteristic late output - hitherto available only in university libraries - have been made both affordable and classroom-ready.

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Book SynopsisThe Three Perils of Woman is essentially a combination of two stories on similar themes, one set in the Highlands following the Battle of Culloden and the other in Hogg''s Edinburgh. Daring in its narrative technique, its first readers were confused by the novel''s juxtaposition of the comic and the horrific as Hogg explored the relationship between fictional life, as portrayed in, say, the works of Walter Scott, and the realities of nineteenth-century Scotland. Daring in its subject matter, they were also shocked by its treatment of such delicate matters as prostitution and venereal disease. Last printed in any form in the 1820s, this new edition reveals the exceptional quality of The Three Perils of Woman and puts it squarely back into the mainstream of Scottish literature.Trade ReviewA masterpiece... The editors provide expert guidance to a text dense with allusions and references... and a bewildering variety of languages, dialects, idiolects, proverbs, annotations, styles and genres. These volumes are beautifully produced... each comes with an introduction, notes and a glossary... It is hard to see how they could be bettered... It is wonderful that at last we are going to have a collected edition of this important author without bowdlerization or linguistic interference. The overt aim of publishing material that no one else would touch gives The Three Perils of Women, like so much of Hogg's work, a dangerous, unpredictable quality ... Elegant layout of the new scholarly edition. -- Fiona Stafford These attractive editions of Hogg's work are set directly from the original texts, and in the case of the Perils of Woman and The Shepherd's Calendar, actually represent the first ever republications of the originals. A masterpiece... The editors provide expert guidance to a text dense with allusions and references... and a bewildering variety of languages, dialects, idiolects, proverbs, annotations, styles and genres. These volumes are beautifully produced... each comes with an introduction, notes and a glossary... It is hard to see how they could be bettered... It is wonderful that at last we are going to have a collected edition of this important author without bowdlerization or linguistic interference. The overt aim of publishing material that no one else would touch gives The Three Perils of Women, like so much of Hogg's work, a dangerous, unpredictable quality ... Elegant layout of the new scholarly edition. These attractive editions of Hogg's work are set directly from the original texts, and in the case of the Perils of Woman and The Shepherd's Calendar, actually represent the first ever republications of the originals.

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Book SynopsisMeg Dods, a sentimental virago, keeps a rundown inn in a derelict Tweedale village, while the young Laird is living way beyond his means. When a nearby spring becomes a Spa, life changes as a hotel and a troop of social climbers move in. But this is not a tale of antique virtue giving way to decadent ostentation: although the gang at the ''Wel'' dance the seven deadly sins, everyone in the book has feet of clay.Trade ReviewThe Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of composition and his financial manoeuvres. This edition is for anyone who takes Scott seriously. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of composition and his financial manoeuvres. This edition is for anyone who takes Scott seriously.

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Book SynopsisThe third of the Waverley Novels is dominated by two old men, Jonathan Oldbuck (the Antiquary of the title) and the beggar Edie Ochiltree. Together they apply their knowledge of the past to sort out the confusion of the present, and in doing so restore the fortunes of ancient houses. This was Scott''s favourite among his novels, and presents a quizzical and amusing view of the profession of history and, by implication, of Scott''s own practice as writer and collector.Trade ReviewDavid Hewitt has brought formidable skills to bear on one of Scott's finest novels and has made it much moreaccessible to scholarly and ordinary readers alike. Re-reading it in thisformat is truly a pleasure. -- Jill Rubenstein The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of composition and his financial manoeuvres. This edition is for anyone who takes Scott seriously. David Hewitt has brought formidable skills to bear on one of Scott's finest novels and has made it much moreaccessible to scholarly and ordinary readers alike. Re-reading it in thisformat is truly a pleasure. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of composition and his financial manoeuvres. This edition is for anyone who takes Scott seriously.

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Book SynopsisGuy Mannering; or, The Astrologer, first published in 1815, was Walter Scott''s second novel. Guy Mannering only half-believes in his art, but does believe in the ability of patriarchal power, wealth, and social position to sort out social confusion. However, he has to learn the limits of a nabob''s authority in a society that (in the 1780s) is no longer a single hierarchy but has many subsets, each with its own laws - gypsies, smugglers, Edinburgh lawyers, the Border store farmer, the traditional landowner.This is the first modern edition of one of Scott''s finest works. It is based on the first edition, but is corrected from the manuscript, and restores around two thousand readings lost through error or misunderstanding. For the first time it includes Scott''s extended portraits of the Edinburgh literati which were unaccountably omitted from the printed version.Trade ReviewThe volumes have been carefully and critically edited from the original manuscripts and now the texts, which in each case capture large numbers of readings never before printed and clear away elements of corruption in existing editions, are as close to what Scott originally wrote as the skills of the editorial team can make them. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of compostion and his financial manoeuvres. This edition is for anyone who takes Scott seriously. The Edinburgh Edition is essential to any Scott scholar![the student] will turn first to the superbly specific textual essays that follow the readings. Unique to this handsome edition is Scott's graphic depiction of characters from Edinburgh's literary scene. The latest additions to the monumental Edinburgh Edition of the Waverley Novels ! all three editors maintain consistently high quality in preparing what will surely be the standard edition of Scott's complete novels ! as might be expected, the Essays on the Text are of central importance in the editions, because of the minutely detailed yet lucid accounts of the textual choices made. The volumes have been carefully and critically edited from the original manuscripts and now the texts, which in each case capture large numbers of readings never before printed and clear away elements of corruption in existing editions, are as close to what Scott originally wrote as the skills of the editorial team can make them. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of compostion and his financial manoeuvres. This edition is for anyone who takes Scott seriously. The Edinburgh Edition is essential to any Scott scholar![the student] will turn first to the superbly specific textual essays that follow the readings. Unique to this handsome edition is Scott's graphic depiction of characters from Edinburgh's literary scene. The latest additions to the monumental Edinburgh Edition of the Waverley Novels ! all three editors maintain consistently high quality in preparing what will surely be the standard edition of Scott's complete novels ! as might be expected, the Essays on the Text are of central importance in the editions, because of the minutely detailed yet lucid accounts of the textual choices made.Table of Contents"Guy Mannering"; essays on the text; emendation list; end-of-line hyphens; historical note; explanatory notes.

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Book SynopsisSir William Ashton, a devious lawyer, has deprived Lord Ravenswood of his title, his estate and subsequently of his life by means of legal and financial trickery. Edgar, Ravenswood''s only son, has inherited his father''s desire for vengeance. When he meets his adversary by chance, however, he not only saves Ashton''s life, but falls in love with his daughter Lucy. The couple wish to marry, but will the ancient prophecy of Ravenswood stand in their way? With Scott''s characteristic humour and wisdom, The Bride of Lammermoor brings to vivid life a historical incident from Scotland''s turbulent past.Trade ReviewThe Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary ! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of compostion and his financial manoeuvres. This edition is for anyone who takes Scott seriously. Times Literary Supplement The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary ! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of compostion and his financial manoeuvres. This edition is for anyone who takes Scott seriously.

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Book SynopsisAgainst the background of Montrose''s campaign of 1644-5, this spirited novel centres on one of Scott''s most memorable creations - Sir Dugald Dalgetty of Drumthwacket. This hard-headed Aberdonian contrasts tellingly with the weird and passionate Highland feud in which he becomes perilously entangled, as the narrative moves from Dalgetty''s unflinching encounter with the Duke of Argyll, to his dramatic escape from Inveraray Castle, to the battle of Inverlochy.Trade ReviewThese books of Hogg have been wonderfully presented and edited. Hogg's own idiosyncratic style has beenleft untouched. -- Iain Crichton Smith Studies in Scottish Literature The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary ! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of compostion and his financial manoeuvres. This edition is for anyone who takes Scott seriously. Times Literary Supplement These books of Hogg have been wonderfully presented and edited. Hogg's own idiosyncratic style has beenleft untouched. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary ! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of compostion and his financial manoeuvres. This edition is for anyone who takes Scott seriously.

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Book SynopsisIn Tales of the Wars of Montrose Hogg continues the examination of Scotland''s past he began in The Brownie of Bodsbeck, and continued in The Three Perils of Woman and Confessions of a Justified Sinner; in doing so he also reflects upon the attempts of Scott and Galt to deal with Scottish history. Using different narrators and different moods in each of the five tales that compose the work Hogg leads the reader into (and eventually out of) a period of anarchy and confusion in his native country. This new edition is the first to reflect Hogg''s true intentions for the work, being formed on his own plan and following the text of his surviving manuscripts. The work thus revealed is a major achievement of final years, and a splendid portrait of Scottish society in a state of civil war.Trade ReviewAdmirably glossed by Gillian Hughes -- Fiona Stafford Almost everything about the Stirling/South Carolina edition inspires confidence, and the lucidity, thoroughness and sheer good sense of Gillian Hughes' introduction and critical apparatus is likely to reinforce readers' feeling that they are in safe hands. Admirably glossed by Gillian Hughes Almost everything about the Stirling/South Carolina edition inspires confidence, and the lucidity, thoroughness and sheer good sense of Gillian Hughes' introduction and critical apparatus is likely to reinforce readers' feeling that they are in safe hands.

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Book SynopsisA new definitive edition of Stevenson''s famous exploration of evil and greed. One of literature''s most famous island stories,Treasure Islandhas inspired sequels, adaptations, illustrated editions and motion pictures. This edition offers a clean and corrected text and scholarly annotations where required, all wrapped up in a beautifully produced collector''s volume.Trade ReviewThe only serious critical edition of this classic tale. The only serious critical edition of this classic tale.

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Book SynopsisAltrive Tales was carefully prepared by Hogg in 1832 as the opening volume in a planned twelve-volume collected prose fiction series, intended as the culmination of his career as a storyteller.Trade ReviewThis is a fascinating volume, full of surprises, challenges and confirmations ! Gillian Hughes' editorial activities are exemplary: the textual decisions and apparatus inspire confidence and assent, and the genesis of the Tales is pieced together in an introduction which is a serious piece of scholarly detecitve work in its own right!she offers finely-observed, stimulating exegiesis which will encourage further readings, and the explanatory notes offer some wonderfully suggestive analogies. Alltogether, the volume is a revelation. There is a very strong case for its reissue in a paperback accessible to students. This is a fascinating volume, full of surprises, challenges and confirmations ! Gillian Hughes' editorial activities are exemplary: the textual decisions and apparatus inspire confidence and assent, and the genesis of the Tales is pieced together in an introduction which is a serious piece of scholarly detecitve work in its own right!she offers finely-observed, stimulating exegiesis which will encourage further readings, and the explanatory notes offer some wonderfully suggestive analogies. Alltogether, the volume is a revelation. There is a very strong case for its reissue in a paperback accessible to students.

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Book SynopsisThis book argues that Woolf's preoccupation with the literary past had a profound impact on the content and structure of her novels.Trade ReviewA number of interesting and powerful themes emerge in this study of Virginia Woolf's relation to the literary past! The strong account of Woolf's relation to tradition in Virginia Woolf's Novels and the Literary Past will surely facilitate further study of the gender politics of Modernism. An important intervention at a time in which there is particular interest in Woolf's relationship to the past. -- Professor Laura Marcus, University of Sussex Essential and intellectually provocative reading for Woolf scholars and for common readers alike. -- Vara Neverow, President of the International Virginia Woolf Society A number of interesting and powerful themes emerge in this study of Virginia Woolf's relation to the literary past! The strong account of Woolf's relation to tradition in Virginia Woolf's Novels and the Literary Past will surely facilitate further study of the gender politics of Modernism. An important intervention at a time in which there is particular interest in Woolf's relationship to the past. Essential and intellectually provocative reading for Woolf scholars and for common readers alike.Table of ContentsContents; Acknowledgements; Abbreviations; Introduction; Chapter 1. From Woman Reader to Woman Writer: The Voyage Out; Chapter 2. Tradition and Exploration in Night and Day; Chapter 3. Literature and Survival: Jacob's Room and Mrs Dalloway; Chapter 4. To the Lighthouse and the Ghost of Leslie Stephen; Chapter 5. Rewriting Literary History in Orlando; Chapter 6. 'Lives Together': Literary and Spiritual Autobiographies; in The Waves; Chapter 7. Bringing the Literary Past to Life in Between the Acts; Conclusion; Select Bibliography.

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Book Synopsis`Simple congratulations are in order at the outset, to the editors and publisher [...] of the projected Collected Works of James Hogg. It has taken a long time for Hogg to be recognised as one of the most notable Scottish writers, and it can fairly be said that the process of getting him into full and clear focus is still far from complete. That process is immeasurably helped by the provision of proper and unbowdlerised texts (in many eases for the first time), and in this the ongoing Collected Works will be a milestone [...] we have an author of unique interest, force, and originality.'' Edwin Morgan, Scottish Literary Journal`Edinburgh University Press are also to be praised for the elegant presentation of the books. It is wonderful that at last we are going to have a collected edition of this important author without bowdlerisation or linguistic interference [...]. These books of Hogg''s have been wonderfully presented and edited. Hogg''s own idiosyncratic style has been left untouched.'' Ian Gridiron Smith, Studies in Scottish Literature`It may take some time, hut when the current Collected Works reaches its culmination, Hogg''s great novel should seem a little less oddly unique, and some other astounding books [...] may receive their share of belated glory.'' Liam McIlvanney, London Review of Books`[T]he Stirling/Smith Carolina edition of Horn''s works is proving one of the major scholarly publishing events of the decade.'' Penny Fielding, Studies in Hogg''s and his World`A quiet revolution in Scottish literary studies has been going on over the past 10 years. The Stirling/South Carolina research edition of the collected works of James Hogg has been steadily forcing a reassessment of one of our best-known but least-read authors.'' James Rohertson, The HeraldHogg played a significant role in the success and notoriety of Blackwood''s Edinburgh Magazine, which was founded in 1817 by the Edinburgh publisher and bookseller, William Blackwood. Hogg''s relationships with Blackwood, the magazine, and the major contributors were central to both his literary and personal life. From 1817 until his death in 1835 he published more than one hundred works in `Maga'', as the magazine came to be known among the contributors, and wrote perhaps another forty for the magazine that were not published there. His contributions showcase the diversity of his talent and his achievement as a writer; his published works include a great variety of songs and lyric poetry, narrative and dramatic poetry, sketches of rural and farming life, review essays, ballads, short stories, satirical pieces, and even a `screed'' on politics.This edition for the first time collects Hogg''s `Maga'' publications, as well as provides a comprehensive introduction to Hogg''s connection with Blackwood''s and full explanatory and textual notes to the works. The volume also includes works Hogg intended for Blackwood''s and which have now been edited from extant manuscripts

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Book SynopsisThe work of Charles Dickens, George Eliot, Oscar Wilde, Alfred Tennyson, Robert Browning, Thomas Hardy, Thomas Carlyle and Mathew Arnold are explored in relation to ideas about fiction, journalism, drama, poetry, new women, gothic, horror and the Victorian sage.Table of ContentsChronology; Introduction to Victorian literature: Perspectives, Relationships, Contexts; Generic Traffic in Strangely Modern Places: Locating the Victorians (again); Observing 'Public Culture' in mid-Victorian Britain: an Ant colony, Ivy and Two Poets named 'Alfred'; 'Civilization and its Discontents': Productivity, Power and Governance in Dickens's Hard Times; Concluding Summary; 1: Novel Sensations in Early and Mid-Victorian Fiction: from 'Boz' to Middlemarch; Dickens the Novelist, Dickens the Journalist: Modes of Publication, Sketches, and the Making of The Old Curiosity Shop; Moving Sensations: Performing The Old Curiosity Shop; The Novel at mid-Century: Forming a Victorian Canon; Variable Sensations of the Real: Middlemarch; Concluding Summary; 2: Theatrical Exchanges: Gendered Subjectivity and Identity Trials in the Dramatic Imagination; Locating, Regulating and Expanding the Effects of 'Theatricality' in Victorian Culture; Melodrama and Public History: the Sexualized Conflicts of Empire in Boucicault's Jessie Brown; Masculinity, Melodrama and Mind: The Frozen Deep; Earnest Laughter, Queer Laughter: Fictive, Multiple identities in Farcical Dramas by Dickens and Wilde; Concluding Summary 3: Poetry: Dramatic Monologues and Critical Dialogues; Voicing Sensation in Tennyson and Browning: the Dramatic Monologue and Cultural Debate; Controversies of Faith: Doubt, Evolution and Love in a Modern Age; Making Women's Voices: Fairy Tales, Christian Tales, Old Wives' Tales; Concluding Summary 4: Victorians in Critical Time: Fin de Siecle and Sage-culture; Victorians at the end of Time: Thomas Hardy, New Women and Gothic; Horrors at the fin de siecle; Victorian Sages in Critical Time: Carlyle and Arnold; Concluding Summary; Conclusion: Neo-Victorianism, Postmodernism and Underground Cultures; Student Resources; Electronic sources and reference sources; Glossary; Guide to further reading; Index.

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Book SynopsisWalter Scott and Modernity argues that, far from turning away from modernity to indulge a nostalgic vision of the past, Scott uses the past as means of exploring key problems in the modern world.This study includes critical introductions to some of the most widely read poems published in nineteenth-century Britain (which are also the most scandalously neglected), and insights into the narrative strategies and ideological interests of some of Scott''s greatest novels. It explores the impact of the French revolution on attitudes to tradition, national heritage, historical change and modernity in the romantic period, considers how the experience of empire influenced ideas about civilized identity, and how ideas of progress could be used both to rationalise the violence of empire and to counteract demands for political reform. It also shows how current issues of debate - from relations between Western and Islamic cultures, to the political significance of the private conscience in a liberal society - areTrade ReviewThis is a major, sophisticated book which looks at Scott in relation to that 'modernity' which is usually claimed to have its roots in the Enlightenment and whose possible supersession by way of the 'postmodern' dominates contemporarry cultural debate. -- Claire Lamont, University of Newcastle Scott is becoming more widely recognized as a figure of central importance in British Romanticism as well as in the history of the novel and as a generative figure in the development of Scottish literature. Lincoln's persuasive and incisive book clarifies the political and philosophical as well as literary terms of that achievement. -- Ian Duncan, University of California, Berkeley a solid and significant contribution to Scott criticism -- Evan Gottlieb European Romantic Review [Lincoln's] treatment of The Heart of Mid-Lothian should be singled out for its skilful framing of the novel within the history of Anglo-Scottish relations. Walter Scott and Modernity extends the practice of creating a "useable past" to literary history. This is a major, sophisticated book which looks at Scott in relation to that 'modernity' which is usually claimed to have its roots in the Enlightenment and whose possible supersession by way of the 'postmodern' dominates contemporarry cultural debate. Scott is becoming more widely recognized as a figure of central importance in British Romanticism as well as in the history of the novel and as a generative figure in the development of Scottish literature. Lincoln's persuasive and incisive book clarifies the political and philosophical as well as literary terms of that achievement. a solid and significant contribution to Scott criticismTable of ContentsPreface; Chapter One. Introduction; Chapter Two. Towards the Modern Nation: The Lay of the Last Minstrel, Marmion, The Lady of the Lake, Waverley; Chapter Three. The Condition of England: Ivanhoe and Kenilworth; Chapter Four. Western Identities and the Orient: Guy Mannering, The Talisman; Chapter Five. Commerce, civilization, war and the Highlands: Rob Roy, A Legend of the Wars of Montrose; Chapter Six. Liberal Dilemmas. Scott and Covenanting Tradition: The Tale of Old Mortality, The Heart of Mid-Lothian; Chapter Seven. Liberal Dilemmas. Liberty or alienation? The Bride of Lammermoor, Redgauntlet; Chapter Eight. Postscript; Bibliography.

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Book SynopsisThis new general introduction emphasises the importance of the short story to an understanding of modern fiction.In twenty succinct chapters, the study paints a complete portrait of the short story - its history, culture, aesthetics and economics. European innovators such as Chekhov, Flaubert and Kafka are compared to Irish, New Zealand and British practitioners such as Joyce, Mansfield and Carter as well as writers in the American tradition, from Hawthorne and Poe to Barthelme and Carver.Fresh attention is paid to experimental, postcolonial and popular fiction alongside developments in Anglo-American, Hispanic and European literature. Critical approaches to the short story are debated and reassessed, while discussion of the short story is related to contemporary critical theory. In what promises to be essential reading for students and academics, the study sets out to prove that the short story remains vital to the emerging culture of the twenty-first century.Table of ContentsAcknowledgements; List of Illustrations; Preface; 1: Origins: From Folk-Tale to Art-Tale; 2: Riddles, Hoaxes and Conundrums; 3: Memory, Modernity and Orality; 4: Poe, O. Henry and the Well-Made Story; 5: Economies of Scale: The Short Story in England; 6: Brought to Book: The Anthology and Its Uses; 7: Between the Lines: Dissidence and the Short Story; 8: Enclosed Readings: The Short Story and the Academy; 9: Modernism and the Short Story; 10: The Short Story Cycle; 11: Character Parts: Identity in the Short Story; 12: Localities: Centres and Margins; 13: Tales of the City; 14: Romance and the Fragment; 15: Ghost Stories and Other Hauntings; 16: Popular Short Fictions; 17: The Experimental Text; 18: Postmodernism and the Short Story; 19: Minimalism/Dirty Realism/Hyperrealism; 20: Voyages Out: The Postcolonial Short Story; Bibliography; Index.

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Book SynopsisFrom the 1940s until the 1960s, Elizabeth Bowen wrote essays for radio broadcast, improvised interviews on the air, and gave public lectures. These public appearances were a trial for her because she had a pronounced stammer. She thought her recorded voice sounded alien, like the voice of a stranger. She complained that reading her own work on the air gave her lockjaw. Nevertheless, she was a spellbinding talker, as her many friends commented. Invited to university campuses in the US and the UK, she delivered important speeches on language, the fear of pleasure, character in fiction, the idea of American homes, and other topics. Inveterately curious, Bowen wrote about media as a personal and social force.Without fuss or pretension, she documents her love of cinema in the 1930s and the making of Lawrence of Arabia in the 1960s. Her first efforts for radio were adaptations of her own short stories and dramatizations of literary subjects. She quickly turned to commentary on culture, such as the beginning of the BBC Third Programme and the atmosphere in postwar Czechoslovakia. In this regard, the radio and the speech shape Bowen''s persona as a public intellectual capable of talking on numerous subjects with wit and general insight.During her lifetime, Bowen published a few of her broadcasts in collections of non-fiction. Listening In brings together a substantial number of her ungathered and unknown works for the first time.Table of ContentsAcknowledgments; Introduction; Plays for the Air: The Confidant; New Judgement: Elizabeth Bowen on Jane Austen; London Revisited: As Seen by Fanny Burney; A Year I Remember - 1918; Broadcasts: Book Talk - New and Recent Fiction; The Next Book; Impressions of Czechoslovakia; Mechanics of Writing; Books that Grow up with One; The Cult of Nostalgia; Coronation; On Not Rising to the Occasion; Writing about Rome; Ireland Today; The Daughters of Erin by Elizabeth Coxhead; An Essay in French; Panorama of the Novel; Speeches: Subject and the Time; The Poetic Element in Fiction; The Idea of Home; Language; The Fear of Pleasure; A Novelist and His Characters; Film and Radio: Things to Come; Why I Go to the Cinema; Third Programme; Lawrence of Arabia; Appreciations: Downe House Scrapbook 1907-1957; Alfred Knopf; Blanche Knopf; Questions: Confessions; The Cost of Letters; Portrait of a Woman Reading; Interviews and Conversations: The Living Image - 1; The Living Image - 2; How I Write: A Discussion with Glyn Jones; A Conversation between Elizabeth Bowen and Jocelyn Brooke; Do Women Think Like Men?; Do Conventions Matter?; Conversation on Traitors; Frankly Speaking: Interview, 1959; Notes; Works Cited;

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Book SynopsisCentred on the relationship between the personal lives of the writers John Middleton Murry, Katherine Mansfield, and D. H. Lawrence and the works they produced this intriguing study develops a portrait of a circle of writers who significantly influenced the development of modernism in Britain.Trade ReviewA significant contribution to modernist studies, Professor Kaplan's timely investigation of the Mansfield-Murry-Lawrence triangle illuminates their previously under-researched creative relationships. Her ability to convey the humour and drama of her subject and her fine scholarship are equally engaging. -- Delia da Sousa Correa, Editor, Katherine Mansfield Studies We may have thought that pretty much everything had been garnered about that tangled triangle of D.H. Lawrence, Katherine Mansfield, and Middleton Murry. Not so. After Kaplan, one is looking freshly, more deeply, at how these extraordinary personalities circled and feinted, landed their punches and reconciled. Most surprisingly, she makes her case for restoring Murry to his rightful place in that trio, free from the condescension that has obscured him for generations. Mansfield and Lawrence too emerge in an engagingly new light. What Kaplan does is to present a key moment in British Modernism as a vivid, living, personal exchange. This is good storytelling, as much as fine scholarship. -- Vincent O'Sullivan, Victoria University, Wellington, co-editor 'The Collected Letters of Katherine Mansfield' A significant contribution to modernist studies, Professor Kaplan's timely investigation of the Mansfield-Murry-Lawrence triangle illuminates their previously under-researched creative relationships. Her ability to convey the humour and drama of her subject and her fine scholarship are equally engaging. We may have thought that pretty much everything had been garnered about that tangled triangle of D.H. Lawrence, Katherine Mansfield, and Middleton Murry. Not so. After Kaplan, one is looking freshly, more deeply, at how these extraordinary personalities circled and feinted, landed their punches and reconciled. Most surprisingly, she makes her case for restoring Murry to his rightful place in that trio, free from the condescension that has obscured him for generations. Mansfield and Lawrence too emerge in an engagingly new light. What Kaplan does is to present a key moment in British Modernism as a vivid, living, personal exchange. This is good storytelling, as much as fine scholarship.Table of ContentsAcknowledgements; Abbreviations; Introduction; 1. 'My Blundering Way of Learning': Murry's Still Life; 2. Still Life and Women in Love; 3. From Still Life to 'Bliss'; 4. 'A Furious Bliss'; 5. 'With Cannonballs for Eyes'; 6. 'The Coming Man and Woman'; 7. The Things We Are; 8. Circulating Mansfield; 9. Circulating Lawrence; 10.Circulating Murry; Bibliography; Index.

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Book SynopsisJames Kuzner's original new study of writing by Spenser, Shakespeare, Marvell and Milton is the first to present a genealogy for the modern self in which its republican origins can be understood far more radically.Trade ReviewWhere studies of early modern subject formation have causally linked republican political thought and the evolution of a bounded subject, Kuzner's Open Subjects argues for rethinking social formations of both past and present and reopens questions of the subject as represented in Spenser, Shakespeare, Marvell, and Milton. In finely nuanced readings, Kuzner argues convincingly that these major figures foreground the vulnerability of key characters: open subjects. In his thoughtful engagements with major literary and political criticism, he connects the open subject to a rarely acknowledged radical republicanism that speaks eloquently in drama, poetry, and epic. He pries open perennially challenging texts to reveal his authors' investments in human vulnerability as a central thematic element and as a political resource, even as a constitutive social requirement. Kuzner's theoretically informed readings reach back to Cicero, converse closely with early modern writers, and connect to the contemporary theory of Bataille, Butler and Agamben. This is revelatory and illuminating work that will change the way that we think about the early modern subject and social-political formations in a past that speaks in the present. -- Barbara Correll, Cornell University In this brave and powerful book, James Kuzner looks to the republican experiments of sixteenth- and seventeenth-century England for experimental forms of social organization and subjective experience. The vulnus in "vulnerability" is an opening, a mouth, a sore, a rim: both an entry and an exit point for words and fluids alike, and hence a place where history passes. Kuzner's open subjects find themselves adrift in an unguarded existence where immune defenses and security systems have been turned off. Sensitive to ambient changes in social life, these heroes of vulnerability hatch scripts for "world elsewhere," alternative modernities founded on pleasure, enjoyment, and the forms of openness they incite and sustain. -- Julia Reinhard Lupton, author of Thinking with Shakespeare: Essays on Politics and Life Where studies of early modern subject formation have causally linked republican political thought and the evolution of a bounded subject, Kuzner's Open Subjects argues for rethinking social formations of both past and present and reopens questions of the subject as represented in Spenser, Shakespeare, Marvell, and Milton. In finely nuanced readings, Kuzner argues convincingly that these major figures foreground the vulnerability of key characters: open subjects. In his thoughtful engagements with major literary and political criticism, he connects the open subject to a rarely acknowledged radical republicanism that speaks eloquently in drama, poetry, and epic. He pries open perennially challenging texts to reveal his authors' investments in human vulnerability as a central thematic element and as a political resource, even as a constitutive social requirement. Kuzner's theoretically informed readings reach back to Cicero, converse closely with early modern writers, and connect to the contemporary theory of Bataille, Butler and Agamben. This is revelatory and illuminating work that will change the way that we think about the early modern subject and social-political formations in a past that speaks in the present. In this brave and powerful book, James Kuzner looks to the republican experiments of sixteenth- and seventeenth-century England for experimental forms of social organization and subjective experience. The vulnus in "vulnerability" is an opening, a mouth, a sore, a rim: both an entry and an exit point for words and fluids alike, and hence a place where history passes. Kuzner's open subjects find themselves adrift in an unguarded existence where immune defenses and security systems have been turned off. Sensitive to ambient changes in social life, these heroes of vulnerability hatch scripts for "world elsewhere," alternative modernities founded on pleasure, enjoyment, and the forms of openness they incite and sustain.Table of ContentsAcknowledgements; Preface: Vulnerable Crests of Renaissance Selves; 1: Legacies of Republicanism, Histories of the Self; 2: 'Without Respect of Utility': Precarious Life and the Politics of Edmund Spenser's Legend of Friendship; 3: Unbuilding the City: Coriolanus, Titus, and the Forms of Openness; 4: 'That Transubstantiall solacisme': Andrew Marvell, Linguistic Vulnerability, and the Space of the Subject; 5: Habermas Goes to Hell: Pleasure, Public Reason, and the Republicanism of Paradise Lost; Epilogue: The Futures of Open Subjects; Index.

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Book SynopsisNewly available in paperback, this study places Woolf's writing in the context of sartorial practice from the Victorian period to the 1930sTrade ReviewKoppen's work sets out an elegant and complex argument ! Highly innovative, wide-ranging, meticulously written and carefully argued. Routledge ABES Koppen's work sets out an elegant and complex argument ! Highly innovative, wide-ranging, meticulously written and carefully argued.Table of ContentsList of illustrations; Abbreviations; Acknowledgements; Preface; 1. Modern Clothes-Consciousness; 2. From Symbolism in Loose Robes to the Figure of the Androgyne; 3. Fashion and Literary Modernity; 4. Modernism Against Fashion; 5. Civilised Minds, Fashioned Bodies, and the Nude Future; 6. Hats and Veils: Texere in the Age of Rupture; Bibliography; Index.

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Book SynopsisThe compelling and intimate story of one of the world''s foremost short story writers''I read it with huge enjoyment - I think it''s by far the best Katherine Mansfield biography yet - giving a truthful but still sympathetic portrait.'' - Jacqueline Wilson, novelist & patron of the Katherine Mansfield Society''Jones writes with insight and verve, and an intelligent sympathy as her story is set out against those overlapping literary and social worlds the writer passes through.'' - Vincent O''Sullivan, co-editor of The Collected Letters of Katherine MansfieldWeaving together intimate details from Katherine Mansfield''s letters and journals with the writings of her friends and acquaintances, Kathleen Jones creates a captivating drama of this fragile yet feisty author: her life, loves and passion for writing.The story takes us beyond Mansfield''s death in 1923 to explore the life of her husband, John Middleton Murry - and his relationship with three further wives - as he manipulated the posthumous publication of Mansfield''s unpublished work. In this vivid portrayal of one of the world''s foremost short story writers, the first new biography for a quarter of a century, Kathleen Jones crafts an intriguing narrative of Katherine Mansfield''s relationships, illnesses and creativity.Trade ReviewA compelling narrative of a writer's passion for her work, her growth to maturity and the extraordinary trajectory which took a plump, awkward, rebellious little girl from a rigidly conventional family halfway across the world and into a culture of artistic, social and sexual experimentation. -- Helen Dunmore, novelist I read it with huge enjoyment -- I think it's by far the best Katherine Mansfield biography yet -- giving a truthful but still sympathetic portrait. -- Jacqueline Wilson, novelist & patron of the Katherine Mansfield Society Jones has brought to the work a scholar's regard for fact, a novelist's regard for form, and a poet's regard for cadence. The test of a good literary biography is whether it makes you want to reacquaint yourself with the author's writing. This biography does just that. -- Sarah Sandley, Honorary Chair of the Katherine Mansfield Society Jones ! writes with insight and verve, and an intelligent sympathy as her story is set out against those overlapping literary and social worlds the writer passes through ! A mass of new material unavailable to earlier biographers makes this new telling richly detailed and compelling. -- Vincent O'Sullivan, co-editor of The Collected Letters of Katherine Mansfield Kathleen Jones conveys the living presence of Katherine Mansfield in the present tense, so that one feels, along with her all-time words, her continued presence. She conveys the full complexity of Mansfield's character with understanding and without bias - what a feat given how manifold it is. What Middleton Murry made of her has a parallelled fascination; the contrasts of the living reality and the purified legend, an ephemeral construct appropriately narrated in the past tense, were striking. A marvellous, innovative biography. -- Lyndall Gordon, Biographer What [emerges] with indisputable clarity from Jones's skilful use of her sources is a portrait of Mansfield, stylish and febrile, cigarette in one hand, pen in the other, relishing life, scrutinising it with her keen intelligence, and recording her perceptions in a voice that continues to unsettle and surprise. -- Pamela Norris Literary Review A compelling narrative of a writer's passion for her work, her growth to maturity and the extraordinary trajectory which took a plump, awkward, rebellious little girl from a rigidly conventional family halfway across the world and into a culture of artistic, social and sexual experimentation. I read it with huge enjoyment -- I think it's by far the best Katherine Mansfield biography yet -- giving a truthful but still sympathetic portrait. Jones has brought to the work a scholar's regard for fact, a novelist's regard for form, and a poet's regard for cadence. The test of a good literary biography is whether it makes you want to reacquaint yourself with the author's writing. This biography does just that. Jones ! writes with insight and verve, and an intelligent sympathy as her story is set out against those overlapping literary and social worlds the writer passes through ! A mass of new material unavailable to earlier biographers makes this new telling richly detailed and compelling. Kathleen Jones conveys the living presence of Katherine Mansfield in the present tense, so that one feels, along with her all-time words, her continued presence. She conveys the full complexity of Mansfield's character with understanding and without bias - what a feat given how manifold it is. What Middleton Murry made of her has a parallelled fascination; the contrasts of the living reality and the purified legend, an ephemeral construct appropriately narrated in the past tense, were striking. A marvellous, innovative biography. What [emerges] with indisputable clarity from Jones's skilful use of her sources is a portrait of Mansfield, stylish and febrile, cigarette in one hand, pen in the other, relishing life, scrutinising it with her keen intelligence, and recording her perceptions in a voice that continues to unsettle and surprise.Table of ContentsAcknowledgements; Introduction; Part I-Leaving All Fair, 1 Fontainebleau, 2 The Husband's Story, 3 Ida's Story; Part II-Wanted: A New World, 4 'The Wizard London', 5 Freedom and Experience, 6 The Lost Child, 7 Coming of Age in Bavaria, 8 In Search of Katherine Mansfield, 9 'The Model Boys-will-be-boys Pseudo Intellectual Magazine'; Part III-The Two Katherines, 10 Violet, 11 The Failure of Love; Part IV, 12 Tig and Wig, 13 Rananim, 14 Prelude, 15 The 'Blooms Berries'; Part V-Betty, 16 In Limbo, 17 'The Last Hell'; Part IV-The Dark Katherine, 18 Facing Oblivion, 19 At the Bottom of the Sea, 20 The Perfect Friend, 21 'A Writer First and a Woman After'; Part VII-A Religion of Love, 22 Keeping Faith; Part VIII-'The Levantine Psychic Shark', 23 The Soul's Desperate Choice, 24 'A Child of the Sun'; Endnotes; Bibliography; Index.

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Book SynopsisThe first student guide to American Autobiography

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Book SynopsisIntroduction to the major forms of autobiographical writing in America and important current developments in autobiography studies discusses both ''canonised'' texts and those from contemporary writers. Taking a broadly chronological approach, the historyof American autobiography is explored including the social and cultural factors that might account for the importance of autobiography in American culture. Then post-1970 autobiographies are examined, taking into account the development in poststructuralism from this time that affected notions of the subject who could write, and conceptions of truth, identity and reference.--Publisher''s website.

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Book SynopsisModernism, Internationalism and the Russian Revolution' examines responses to the Russian Revolution and the formation of League of Nations in literature and journalism in the years following 1917.

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Book SynopsisWeaving together intimate details from Katherine Mansfield's letters and journals with the writings of her friends and acquaintances, Kathleen Jones creates a captivating drama of this fragile yet feisty author: her life, loves and passion for writing.Trade ReviewKathleen Jones conveys the living presence of Katherine Mansfield in the present tense, so that one feels, along with her all-time words, her continued presence. She conveys the full complexity of Mansfield's character with understanding and without bias - what a feat given how manifold it is. What Middleton Murry made of her has a parallelled fascination; the contrasts of the living reality and the purified legend, an ephemeral construct appropriately narrated in the past tense, were striking. A marvellous, innovative biography. -- Lyndall Gordon, Biographer A compelling narrative of a writer's passion for her work, her growth to maturity and the extraordinary trajectory which took a plump, awkward, rebellious little girl from a rigidly conventional family halfway across the world and into a culture of artistic, social and sexual experimentation. -- Helen Dunmore, novelist I read it with huge enjoyment - I think it's by far the best Katherine Mansfield biography yet - giving a truthful but still sympathetic portrait. -- Jacqueline Wilson, novelist & patron of the Katherine Mansfield Society Jones has brought to the work a scholar's regard for fact, a novelist's regard for form, and a poet's regard for cadence. The test of a good literary biography is whether it makes you want to reacquaint yourself with the author's writing. This biography does just that. -- Sarah Sandley, Honorary Chair of the Katherine Mansfield Society Jones ! writes with insight and verve, and an intelligent sympathy as her story is set out against those overlapping literary and social worlds the writer passes through ! A mass of new material unavailable to earlier biographers makes this new telling richly detailed and compelling. -- Vincent O'Sullivan, co-editor of The Collected Letters of Katherine Mansfield What [emerges] with indisputable clarity from Jones's skilful use of her sources is a portrait of Mansfield, stylish and febrile, cigarette in one hand, pen in the other, relishing life, scrutinising it with her keen intelligence, and recording her perceptions in a voice that continues to unsettle and surprise. -- Pamela Norris, Literary ReviewTable of ContentsAcknowledgements; Introduction; Part I-Leaving All Fair, 1 Fontainebleau, 2 The Husband's Story, 3 Ida's Story; Part II-Wanted: A New World, 4 'The Wizard London', 5 Freedom and Experience, 6 The Lost Child, 7 Coming of Age in Bavaria, 8 In Search of Katherine Mansfield, 9 'The Model Boys-will-be-boys Pseudo Intellectual Magazine'; Part III-The Two Katherines, 10 Violet, 11 The Failure of Love; Part IV, 12 Tig and Wig, 13 Rananim, 14 Prelude, 15 The 'Blooms Berries'; Part V-Betty, 16 In Limbo, 17 'The Last Hell'; Part IV-The Dark Katherine, 18 Facing Oblivion, 19 At the Bottom of the Sea, 20 The Perfect Friend, 21 'A Writer First and a Woman After'; Part VII-A Religion of Love, 22 Keeping Faith; Part VIII-'The Levantine Psychic Shark', 23 The Soul's Desperate Choice, 24 'A Child of the Sun'; Endnotes; Bibliography; Index.

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Book SynopsisSome of James Hogg's best stories appeared in The Shepherd's Calendar, a work of the 1820s in which he sets out to re-create on paper the manner and the content of the traditional oral storytelling of Ettrick Forest.Trade ReviewThe stories are about storms, sheep, lairds, about farmers with designs on their servant girls, as in one of the most memorable, 'Tibby Hyslop's Dream', where a pious, winsome lass, prophesied over by a second-sighted, 'unco parabolical' great-aunt, copes with such designs - and the farmer in this case comes to one of Hogg's suicidal ends. -- Karl Miller The reader is not being treated to a quaint display of an outmoded lifestyle, but privileged with glimpses of a community possessed of special knowledge and internal laws. Hogg's shepherds are far removed from those of Virgil or Spenser, while even Wordsworth's Michael seems remote from the narrator who can describe the destruction of '12 scores of excellent ewes' with such calmness and compassion: 'when the snow went away they were discovered all lying dead with their heads one way as if a flock of sheep had dropped dead going from the washing. -- Fiona Stafford An important and addictively readable addition to the Scottish canon. -- Christopher Harvie Gin e'er ye wantit 'infinite riches' in a wee buik, James Hogg's 'The Shepherd's Calendar' certes cums gey near the merk. These attractive editions of Hogg's work are set directly from the original texts, and in the case of the Perils of Woman and The Shepherd's Calendar, actually represent the first ever republications of the originals... these paperback reprints further aid the dissemination of Hogg's best works, creating affordable and accessible editions. Texts previously available only to those with the golden keys of academia can now be bought and enjoyed by a wider readership... the infectiously enthusiastic introduction by Douglas Mack relates the very relevant publication history of this piece, which originally appeared as a series of articles in Blackwood's Magazine![this] edition represents the first to be set directly from the magazine articles! Now that it has been brought together unbowdlerised for the first time in paperback, we can now see this collection's coherence as a single work, celebrating the vivacity of Hogg's home community. The stories are about storms, sheep, lairds, about farmers with designs on their servant girls, as in one of the most memorable, 'Tibby Hyslop's Dream', where a pious, winsome lass, prophesied over by a second-sighted, 'unco parabolical' great-aunt, copes with such designs - and the farmer in this case comes to one of Hogg's suicidal ends. The reader is not being treated to a quaint display of an outmoded lifestyle, but privileged with glimpses of a community possessed of special knowledge and internal laws. Hogg's shepherds are far removed from those of Virgil or Spenser, while even Wordsworth's Michael seems remote from the narrator who can describe the destruction of '12 scores of excellent ewes' with such calmness and compassion: 'when the snow went away they were discovered all lying dead with their heads one way as if a flock of sheep had dropped dead going from the washing. An important and addictively readable addition to the Scottish canon. Gin e'er ye wantit 'infinite riches' in a wee buik, James Hogg's 'The Shepherd's Calendar' certes cums gey near the merk. These attractive editions of Hogg's work are set directly from the original texts, and in the case of the Perils of Woman and The Shepherd's Calendar, actually represent the first ever republications of the originals... these paperback reprints further aid the dissemination of Hogg's best works, creating affordable and accessible editions. Texts previously available only to those with the golden keys of academia can now be bought and enjoyed by a wider readership... the infectiously enthusiastic introduction by Douglas Mack relates the very relevant publication history of this piece, which originally appeared as a series of articles in Blackwood's Magazine![this] edition represents the first to be set directly from the magazine articles! Now that it has been brought together unbowdlerised for the first time in paperback, we can now see this collection's coherence as a single work, celebrating the vivacity of Hogg's home community.

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Book SynopsisHogg's powerful novel combines two stories that hauntingly echo each other, one set in Edinburgh and the Scottish Borders in the early 1820s, and the other set in the Highlands in 1746, the time of Culloden and its devastating aftermath.Trade ReviewCommentators once dismissed Perils of Woman as a bad book because it trampled on the flowerbeds of early-nineteenth-century decorum; they now acclaim it a masterpiece for the very same reason, reading subversive craft in the place of oafishness. -- Ian Duncan Both stories [of The Three Perils of Woman] are generically diverse, self-consciously impure. Hogg described them as 'domestic tales', apparently soliciting a female readership whose delicacy he then assaults with speculations about promiscuity and prostitution, and with prayers so chattily informal that reviewers found them blasphemous. Both stories modulate suddenly from comedy to tragedy, though one - but which? - struggles through to what may be a happy ending. [...] What matters about The Three Perils of Woman is not the conclusions it has to offer about the issues it raises, but the fact that these are addressed with such painful urgency. They have become urgent once again, and will continue to be so; and if the book provides an especially useful way of thinking about them, it's because it offers an 'unflinching' account of a violent national past while acknowledging the temptation, the impulse, even the need, to flinch. -- John Barrell These attractive editions of Hogg's work are set directly from the original texts, and in the case of the Perils of Woman and The Shepherd's Calendar, actually represent the first ever republications of the originals... these paperback reprints further aid the dissemination of Hogg's best works, creating affordable and accessible editions. Texts previously available only to those with the golden keys of academia can now be bought and enjoyed by a wider readership. The Three Perils of Woman is a remarkable and disturbing book. This is truly a work of extremes but this excellent edition, particularly with the extra new material of the paperback edition, enables us to appreciate how all these extremes fit together and how they relate to the literary, social and historical context in which they were created. Commentators once dismissed Perils of Woman as a bad book because it trampled on the flowerbeds of early-nineteenth-century decorum; they now acclaim it a masterpiece for the very same reason, reading subversive craft in the place of oafishness. Both stories [of The Three Perils of Woman] are generically diverse, self-consciously impure. Hogg described them as 'domestic tales', apparently soliciting a female readership whose delicacy he then assaults with speculations about promiscuity and prostitution, and with prayers so chattily informal that reviewers found them blasphemous. Both stories modulate suddenly from comedy to tragedy, though one - but which? - struggles through to what may be a happy ending. [...] What matters about The Three Perils of Woman is not the conclusions it has to offer about the issues it raises, but the fact that these are addressed with such painful urgency. They have become urgent once again, and will continue to be so; and if the book provides an especially useful way of thinking about them, it's because it offers an 'unflinching' account of a violent national past while acknowledging the temptation, the impulse, even the need, to flinch. These attractive editions of Hogg's work are set directly from the original texts, and in the case of the Perils of Woman and The Shepherd's Calendar, actually represent the first ever republications of the originals... these paperback reprints further aid the dissemination of Hogg's best works, creating affordable and accessible editions. Texts previously available only to those with the golden keys of academia can now be bought and enjoyed by a wider readership. The Three Perils of Woman is a remarkable and disturbing book. This is truly a work of extremes but this excellent edition, particularly with the extra new material of the paperback edition, enables us to appreciate how all these extremes fit together and how they relate to the literary, social and historical context in which they were created.

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Book SynopsisStudies the relationship between the personal lives of writers and the works they produce. In particular, this book reconsiders the place of John Middleton Murry (1889-1957) in the development of literary modernism in Britain. It rewrites standard assumptions about John Middleton Murry's relationships with Katherine Mansfield and D H Lawrence.

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Book SynopsisThese original interpretations of Renaissance culture focus on the English Renaissance as well as attending to work in a range of vernacular languages and on tne reception and transformation of the Greco-Roman literary, political and intellectual heritage.

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Book SynopsisThis new study looks at the relationship of rhetoric and music in the era''s intellectual discourses, texts and performance cultures principally in Europe and North America. Catherine Jones begins by examining the attitudes to music and its performance by leading figures of the American Enlightenment and Revolution, notably Benjamin Franklin and Thomas Jefferson. She also looks at the attempts of Francis Hopkinson, William Billings and others to harness the Orphean power of music so that it should become a progressive force in the creation of a new society. She argues that the association of rhetoric and music that reaches back to classical Antiquity acquired new relevance and underwent new theorisation and practical application in the American Enlightenment in light of revolutionary Atlantic conditions. Jones goes on to consider changes in the relationship of rhetoric and music in the nationalising milieu of the nineteenth century; the connections of literature, music and music theory to changing models of subjectivity; and Romantic appropriations of Enlightenment visions of the public ethical function of music.

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Book SynopsisExplores the relationship between touching and writing in contemporary literature. This title provides a timely intervention in the field, investigating the different ways that literary texts make contact with or 'touch' their readers. It explores literary touch in the work of often neglected contemporary thinkers and writers.

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Book Synopsis

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Book SynopsisProvides fresh reflections on literary influence using Katherine Mansfield as a case study. This title helps in understanding this impetus for artistic production through an examination of authors wide net of literary associations.

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Book SynopsisAlthough Sufi characters - saints, dervishes, wanderers - occur regularly in modern Arabic literature, a select group of novelists seeks to interrogate Sufism as a system of thought and language. In the work of writers like Naguib Mahfouz, Gamal Al-Ghitany, Tahar Ouettar, Ibrahim Al-Koni, Mahmud Al-Mas''adi and Tayeb Salih we see a strong intertextual relationship with the Sufi masters of the past, including Al-Hallaj, Ibn Arabi, Al-Niffari and Al-Suhrawardi. This relationship becomes a means of interrogating the limits of the creative self, individuality, rationality and the manifold possibilities offered by literature, seeking in a dialogue with the mystical heritage a way of preserving a self under siege from the overwhelming forces of oppression and reaction that have characterized the late twentieth and early twenty-first centuries.Table of ContentsAbbreviations; Acknowledgements; Introduction: Ouverture; Chapter One: Naguib Mahfouz: (En)chanting Justice; Chapter Two: Tayeb Salih: The Returns of the Saint; Chapter Three: Al-Mas'adi: Witnessing Immortality; Chapter Four: The Survival of Gamal Al-Ghitany; Chapter Five: Ibrahim Al-Koni: Writing and Sacrifice; Chapter Six: Tahar Ouettar: The Saint and the Nightmare of History; Epilogue: Bahaa Taher, Solidarity and Idealism; Bibliography.

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Book SynopsisExamines the full stylistic range of the novels and biographies which Trollope explored in his final decade

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