Literary studies: c 1800 to c 1900 Books

Book SynopsisThe ultimate gift edition of Walden for bibliophiles, aficionados, and scholarsTrade Review“A handsome ‘all-things-Walden’ edition, copiously annotated by Jeffrey S. Cramer, curator of collections at the Thoreau Institute at Walden Woods.”—Michael Kenney, Boston Sunday Globe“Cramer’s side notes are like short, illuminating conversations.”—Jacqueline Blais, USA Today“Meticulous and often fascinating annotations. . . . It is the paradox of Walden, and of all great literature that seeks to represent the real world, that by rooting his narrative so firmly in actualities of his own time and place, Thoreau created a work that remains vitally relevant to our own.”—Robert Finch, Los Angeles TimesWinner of the 2004 National Outdoor Book Award in the Outdoor Classic categoryCo-winner of the 2005 Julia Ware Howe Special Award sponsored by the Boston Authors ClubReceived rating of “Outstanding” from 2005 University Press Books Committee, Association of American University Presses (AAUP)Short listed for “Best of the Best of the University Presses: Books You Should Know About” by the Association of American University Presses“Anyone who reads Thoreau in editions annotated by the great Jeffrey S. Cramer . . . will know everything there is to know about Thoreau and (amazingly) have a fun time learning it.”—Sarah Payne Stuart, author of Perfectly Miserable: Guilt, God, and Real Estate in a Small Town“Cramer’s notes are immensely useful. His edition of Walden will be a boon to ordinary readers and scholars alike.”—Denis Donoghue, author of Speaking of Beauty“Thoreau’s masterpiece—here freshly refurbished by Jeffrey S. Cramer—speaks to our material and spiritual condition as powerfully as on the day it first appeared. Now, more than ever, Walden is our indispensable American book.”—Alan D. Hodder, professor of comparative religion, Hampshire College“Jeffrey Cramer’s Walden is the most accurate and readable text of Thoreau’s masterpiece. Cramer’s version now replaces all other available editions of Walden as the most attractive and reliable way to approach this great American book.”—Joel Porte, author of Consciousness and Culture: Emerson and Thoreau Reviewed

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Book SynopsisFrom the foreword to the selected bibliography this is the most up-to-date and comprehensive documentary source for the study of Moby-Dick.

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Book SynopsisEasily adaptable as both an anthology and an insightful guide to reading and understanding Romantic Poetry, this text discusses the important elements in the works from poets such as Smith, Blake, Wordsworth, Coleridge, Southey, Barbauld, Byron, Shelley, Hemans, Keats and Landon.Trade Review"This poetry anthology is impressive because of its carefully lucid headnotes and footnotes, its thematic contents lists and its textual reliability, all of which are a very high order." (BARS Bulletin & Review, July 2008) "The editors have a particular commitment to the role that an appreciation of poetic form can play in critical understanding, and it is on account of this formal detail that the anthology is so valuable. Introductory headnotes elucidate the subtleties of each poem's craft, while footnotes comment on line endings, rhyme patterns, and other features of the text. Some comments are so brilliantly incisive as to deserve separate publication, such as the account of the metre of Christabel: 'each line seems like a stealthy event' (p. 207). Without question, this is by far the best way that any reader could be introduced to these poets, and the anthology is careful not to suggest that an attention to poetic detail precludes other types of investigation. Understanding how a poem creates meaning, however, is the vital first step, and for this reason Romantic Poetry: An Annotated Anthology will doubtless be the standard teaching anthology for many years." Year's Work of English Studies (2010)Table of ContentsSelected Contents by Theme. List of Plates. Note on Texts and Editorial Method. Index of Themes. Chronology of Events and Poetic Landmarks. Introduction: Romantic Doubleness. Acknowledgements. Anna Laetitia Barbauld, neé Aikin (1743--1825). The Rights of Woman. Inscription for an Ice-House. To Mr. S. T. Coleridge. Charlotte Smith, neé Turner (1749--1806). Sonnet 1 ['The partial Muse, has from my earliest hours']. Sonnet VII. On the Departure of the Nightingale. Sonnet XII. Written on the Sea Shore. – October, 1784. Sonnet XXX. To the River Arun. Sonnet XXXII. To Melancholy. Sonnet XXXIX. To Night. Sonnet XLIV. Written in the Church-yard at Middleton in Sussex. William Blake (1757--1827). from Songs of Innocence and of Experience. (from Innocence). Introduction. The Ecchoing Green. The Lamb. The Little Black Boy. The Chimney Sweeper. Holy Thursday. Nurse’s Song. (from Experience). Introduction. The Clod and the Pebble. Holy Thursday. The Sick Rose. The Fly. The Tyger. Ah! Sun-flower. London. A Poison Tree. Visions of the Daughters of Albion. The First Book of Urizen. The Mental Traveller. The Crystal Cabinet. William Wordsworth (1770--1850). Lines written at a small distance from my House, and sent by my little Boy to the Person to whom they are addressed. Simon Lee, the old Huntsman, With an incident in which he was concerned. Anecdote for Fathers, Shewing how the practice of Lying may be taught. Lines written in early Spring. The Thorn. The Last of the Flock. The Idiot Boy. Expostulation and Reply. The Tables Turned; An Evening Scene, on the same subject. Lines written a few miles above Tintern Abbey, on revisiting the banks of the Wye during a Tour, July 13, 1798. The Ruined Cottage. Strange Fits of Passion I have Known. Song: 'She Dwelt among th'untrodden Ways'. A Slumber did my Spirit Seal. The Two April Mornings. The Fountain, A Conversation. Nutting. Michael, A Pastoral Poem. From The Prelude (1805), Book 1. Resolution and Independence. The World is Too Much With Us. Composed upon Westminster Bridge, Sept. 3, 1803. Ode (from 1815 entitled ‘Ode. Intimations of Immortality from Recollections of Early Childhood’). The Solitary Reaper. Elegiac Stanzas, Suggested by a Picture of Peele Castle in a Storm, Painted by Sir George Beaumont. Samuel Taylor Coleridge (1772--1834). The Eolian Harp. Composed at Clevedon, Somersetshire. Reflections on Having Left a Place of Retirement. This Lime-Tree Bower My Prison. Kubla Khan. The Rime of the Ancient Mariner. Christabel. Frost at Midnight. France: An Ode. The Nightingale: A Conversation Poem, April, 1798. The Pains of Sleep. Dejection: An Ode. George Gordon, Lord Byron (1788--1824). Stanzas to [Augusta]. [Epistle to Augusta]. Stanzas to the Po. Don Juan. The Dedication. Canto 1. Percy Bysshe Shelley (1792--1822). Alastor; or, The Spirit of Solitude. Hymn to Intellectual Beauty. Mont Blanc. Lines written in the Vale of Chamouni. Prometheus Unbound, Act I. Ode to the West Wind. Adonais: An Elegy on the Death of John Keats, Author of ‘Endymion’, ‘Hyperion’, etc. Felicia Hemans, née Browne (1793--1835). Properzia Rossi. The Homes of England. The Spirit’s Mysteries. The Graves of a Household. The Image in Lava. Casabianca. The Lost Pleiad. The Mirror in the Deserted Hall. John Keats (1795--1821). On First Looking into Chapman's Homer. The Eve of St Agnes. La Belle Dame Sans Merci. Ode to Psyche. If by dull rhymes our english must be chain’d. Ode to a Nightingale. Ode on a Grecian Urn. Ode on Melancholy. Ode on Indolence. To Autumn. Bright star, Would I Were Stedfast as thou art. Letitia Elizabeth Landon (L. E. L.) (1802--38). Lines Written under a Picture of a Girl Burning a Love-Letter. A Child Screening a Dove from a Hawk. By Stewardson. Lines of Life. Felicia Hemans. Index of Titles and First Lines

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Book SynopsisL. W. Conolly is a leading authority on Shaw. He is Literary Advisor to the Shaw Estate, Vice-President of the International Shaw Society, a Corresponding Scholar of the Shaw Festival in Niagara-on-the-Lake, Ontario, and the author and editor of numerous essays and books on Shaw. Professor of English Literature at Trent University in Ontario, Dr Conolly is also a Senior Member of Robinson College, Cambridge, and is an elected Fellow of the Royal Society of Canada.Trade Review'Compact but comprehensive...Students and general readers will find it both accessible and enlightening, Shaw scholars will regard it as an excellent resource, and directors of future productions of Pygmalion will wish they could hire Leonard Conolly as their dramaturg.' Shaw: The Annual Bernard Shaw Studies (September 2009) 'The prosicuity of shaw's drama of the fortunes of the cockney flower girl Eliza Doolittle continues to coruscate.' Sam Marlowe, The Times, 19.05.10 'Pygmalion is not just about accents or class. It is about the battle of the sexes, of control.' Quentin Letts, Daily Mail, 19.05.10 'This is Shaw's most serious and politically provocative comedy, an elegant attack on a society at war with itself.' John Peter, Sunday Times, 23.05.10 'It's no great stretch of the imagination to discern that the play's ingenious arguments about poverty, accent, education and identity hold good for multicultural Britain today.' Dominic Cavendish, Daily Telegraph, 26.05.10

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Book SynopsisWilliam Wordsworth''s later poetry complicates possibilities of life and art in war''s aftermath. This illuminating study provides new perspectives and reveals how his work following the end of the revolutionary and Napoleonic wars reflects a passionate, lifelong engagement with the poetics and politics of peace. Focusing on works from between 1814 and 1822, Philip Shaw constructs a unique and compelling account of how Wordsworth, in both his ongoing poetic output and in his revisions to earlier works, sought to modify, refute, and sometimes sustain his early engagement with these issues as both an artist and a political thinker. In an engaging style, Shaw reorients our understanding of the later writings of a major British poet and the post-war literary culture in which his reputation was forged. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

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Book SynopsisIn this fascinating study of the life of the creator of one of the greatest detectives of all time, Dr Andrew Norman traces the origin of Sir Arthur Conan Doyle's strange beliefs.

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Book Synopsis‘The most dazzling biography of a female writer to have come my way for a decade…' – Financial Times‘To be savoured for its vivid and sympathetic recreation of the tragic life and brilliant times of the gifted Mary Shelley’ – Times Literary Supplement ‘Brilliant and enthralling' – Independent On Sunday'Wonderfully vivid' – SpectatorThe definitive and richly woven biography of Mary Shelley, in celebration of the 200th anniversary of Frankenstein  The creator of the world’s most famous outsider became one herself . . . There is no more dramatic scene in literary history than the stormy night by Lake Geneva when Byron, Claire Clairmont, Polidori and the Shelleys met to talk of horror and the unexplained. From thaTrade Review‘The most dazzling biography of a female writer to have come my way for a decade… Here, for the first time, Shelley steps off the page as a living, thinking, suffering woman, fraught and caught in the web of her own intelligence.’ -- Jackie Wullschlager * Financial Times *‘To be savoured for its vivid and sympathetic recreation of the tragic life and brilliant times of the gifted Mary Shelley.’ * Times Literary Supplement *‘Brilliant and enthralling, this portrait illuminates Mary’s life in many unexpected ways.’ * Independent On Sunday *‘A wonderfully vivid, human and learned portrait of the woman who created Frankenstein, married Shelley, and, amazingly, survived.’ * Spectator *'Mary Shelley, Miranda Seymour’s affectionate and well-written biography, concisely sketches the background of scientific inquiry that influenced Shelley’s early intellectual development… Seymour keenly brings out how fraught Mary Shelley’s own life was with tragedies of childbirth and infant mortality… In 1818, the Shelleys moved to Italy…where Byron now was. They formed a tense and inbred circle, sharply evoked by Seymour: the women eyeing each other jealously, each serially or simultaneously in love with Shelley or Byron or both… Miranda Seymour is a novelist as well as an experienced biographer… She has vivid narrative gifts and a perceptive understanding of the main personalities.' -- New York Times Notable Books * The New York Times *'Splendid biography.' * The New Yorker *'Miranda Seymour’s lucid biography arrives as the general reader’s guide to Mary Shelley’s ascent to academic cult status… Seymour is persuasive.' * The Guardian *'Gracefully sweeping through the dramatic life of the woman behind history’s most legendary monster, Miranda Seymour unbuttons a world of brilliant literary figures in Mary Shelley and re-creates the imaginative time in which Frankenstein was born… The Mary we meet here, brilliantly brought to life by Seymour from previously unexplored sources, is flawed, brave, generous, and impetuous.' * Goodreads *'I envy any reader of this excellent biography who happens not to be very familiar with the lives of Shelley and the girl who eloped with him when she was sixteen.' -- Diana Athill * The Oldie *'The most thorough account of Shelley’s life…eminently readable.' * Choice *'A harrowing life, wonderfully retold.' -- Washington Post Best Books of the Year * The Washington Post Book World *'Seymour is adept at capturing the cultural climate and social context of the early nineteenth century in the major English and Italian settings of Shelley’s life story. She has done hard and valuable work in finely combining the correspondence of the many players in this story, and reconstructing the likeliest version of events---no mean feat with a circle, such as Shelley’s, that was rife with contention, backbiting and self-promotion.' * The Baltimore Sun *'One of the finest and most significant biographies of recent years.' * Library Journal *'Seymour’s book is a timeless representation of a woman who endured skewed public perceptions about herself and her loved ones.' * Commercial Appeal *'Mary’s tragic life story makes for a biography as intriguing as her masterpiece.' * The Oregonian *'Seymour’s scrupulous, almost anxiously tender portrait peels away the myths like layers of tissue paper shrouding a lost relic. This is a fine biography that gives us the dense background to Mary Shelley’s work while losing none of the searing glamour and pain of her sad, extraordinary life.' * The Sunday Times *

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Book SynopsisEugene Thacker?s three cult-classic volumes of supernatural horror come together in this new Zer0 Books omnibus, revised with updated material, offering an essential resource for thinking about the unthinkable world.

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Book SynopsisIn the late 19th and early 20th centuries, unique tales inspired by traditional literary forms appeared frequently in socialist-leaning British periodicals. Acclaimed critic and author Rosen collects more than 40 of the best and most enduring examples of these stories in one beautiful volume.Trade Review"As plain-language, kid-friendly introductions to socialist politics, [the Workers’ Tales stories] are at once intriguing historical artifacts and, in a few cases, striking allegories that remain pertinent now, even on the other side of the Atlantic."---J.C. Pan, The Atlantic"A thought-provoking anthology. . . . These tales . . . are fascinating to read, both to see how they fit into the fairy tale genre and to see which messages still ring true today."---Catherine Ramsdell, PopMatters"[Workers’ Tales] entries remain powerful in their ethical simplicity—conveying with force the moral urgency of the socialist critique and its continued relevance to the problem of societies that remain systemically unequal."---Luke Savage, Jacobin"[An] important collection."---Jon Klaemint Hofgaard, Peace News"Throughout, the tales in this collection exemplify themes and ideas related to work and the class system. . . . [A] beautiful volume." * Arab News *"[A] timely yet time-honored evocation of the enduring issues of inequality, injustice, and exploitation."---Simon Poole, Journal of Folklore Research"[T]his book will make you think, and it will make you want to share it with your friends so you can discuss it."---Tahlia Merrill Kirk, Once Upon a Blog"[An] excellent and charming anthology. . . . This is a fascinating introduction to a relatively unexplored area, and allthe more welcome for it."---Paul Cowdell, Folklore"These tales provide considerable insight into the life course, relationships, job experiences, and housing conditions of many people in the late nineteenth- and early twentieth-century British working class."---Stephen H. Norwood, European Legacy

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Book Synopsis`Isabel Gilbert was not a woman of the world. She had read novels while other people perused the Sunday papers...she believed in a phantasmal world created out of the pages of poets and romancers.'' The Doctor''s Wife is Mary Elizabeth Braddon''s rewriting of Flaubert''s Madame Bovary in which she explores her heroine''s sense of entrapment and alienation in middle-class provincial life married to a good natured but bovine husband who seems incapable of understanding his wife''s imaginative life and feelings. A woman with a secret, adultery, death and the spectacle of female recrimination and suffering are the elements which combine to make The Doctor''s Wife a classic women''s sensation novel. Yet, The Doctor''s Wife is also a self-consciously literary novel, in which Braddon attempts to transcend the sensation genre. This is the only edition of a fascinating and engrossing work, and reproduces uncut the first three-volume edition of 1864. ABOUT THE SERIES: For over 100 years Oxford

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Book SynopsisYork Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.Table of Contents Part 1: Introduction Part 2: The text Part 3: Critical approachs Part 4: Critical history Part 5: Background Further Reading Literacy Terms

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Book Synopsis''It was early in a fine summer''s day, near the end of the eighteenth century, when a young man, of genteel appearance, having occasion to go towards the north-east of Scotland, provided himself with a ticket in one of those public carriages which travel between Edinburgh and the Queensferry...''So begins Scott''s personal favourite among his novels, in characteristically wry and urbane style, as a mysterious young man calling himself ''Lovel'' travels idly but fatefully toward the Scottish seaside town of Fairport. Here he is befriended by the antiquary Jonathan Oldbuck, who has taken refuge from his own personal disappointments in the obsessive study of miscellaneous history. Their slow unravelling of Lovel''s true identity will unearth and redeem the secrets and lies which have devastated the guilt-haunted Earl of Glenallan, and will reinstate the tottering fortunes of Sir Arthur Wardour and his daughter Isabella.First published in 1816 in the aftermath of Waterloo, The Antiquary deals with the problem of how to understand the past so as to enable the future. Set in the tense times of the wars with revolutionary France, it displays Scott''s matchless skill at painting the social panorama and in creating vivid characters, from the earthy beggar Edie Ochiltree to the loqacious and shrewdly humorous Antiquary himself.The text is based on Scott''s own final, authorized version, the ''Magnum Opus'' edition of 1829. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade ReviewThe Oxford World's Classics edition of Scott's The Antiquary gives one a chance to taste the great Scotsman for oneself...This edition has very thorough notes and glossary ...it is an interesting and amusing story * Derwent May, the Times *

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Book Synopsis''It is no good any longer having any opinion upon anything''After the death of his wife, the handsome politician Phineas Finn returns from Ireland to the parliamentary fray. In his absence the political and social world has subtly changed, parties and policies no longer fixed and advancement dependent upon scheming and alliances. His private life lays him open to the scandal-mongering press, and the wild accusations of an unhinged rival; but much more than his reputation is at stake when he is accused of murdering a political opponent.Trollope shows a remarkably prescient sense of the importance of intrigue, bribery, and sexual scandal, and the power of the press to make or break a political career. He is equally skilled in portraying the complex nature of Phineas''s romantic entanglements with three powerful women: the mysterious Madame Max, the devoted Laura Kennedy, and the irrepressible Lady Glencora (now Duchess of Omnium). The fourth of Trollope''s Palliser novels, Phineas Redux

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Book SynopsisAnthony Hope's swashbuckling romance transports his English gentleman hero, Rudolf Rassendyll, from a comfortable life in London to fast-moving adventures in Ruritania, a mythical land steeped in political intrigue. The Prisoner of Zenda has been deservedly popular as a classic of romance and adventure since its publication in 1894.Trade ReviewA hugely enjoyable rip-roaring adventure of chivalry and romance. * The New European *Table of ContentsIntroduction Note on the Text Select Bibliography A Chronology of Anthony Hope The Prisoner of Zenda Explanatory Notes

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Book SynopsisThe first detailed account of Austen's characters' reading experience to date, this book explores both what her characters read and what their literary choices would have meant to Austen''s own readership, both during her life and today.Jane Austen was a voracious and extensive reader, so it''s perhaps no surprise that many of her characters are also readersfrom Mr. Collins in Pride and Prejudice to Fanny Price in Mansfield Park. Beginning by looking at Austen's own reading as well as her interest in readers' responses to her work, the book then focuses on each of her novels, looking at the particulars of her characters' reading and unpacking the multiple (and often surprising) ways in which what they read informs our reading. What Jane Austen's Characters Read (and Why) uses Austen''s own love of reading to invite us to rethink the ways in which she imagined her characters and their lives beyond the novels.

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Book SynopsisHarperCollins is proud to present its range of best-loved, essential classics.I wish as well as every body else to be perfectly happy; but like every body else it must be in my own way.'When the Dashwood family are forced into more modest circumstances, sisters Marianne and Elinor also find themselves suddenly entangled in matters of the heart. Passionate and spirited, young Marianne falls for the charming but unreliable Mr Willoughby. Elinor, by contrast rational and sensible, forms a close bond with Edward Ferrars, but must cope stoically with the news that he is promised to another. Only through their shared experiences of love and loss do both sisters learn that the key to happiness comes from finding the perfect mixture of rationality and feeling.Sense and Sensibility was Jane Austen's first published work when it appeared in 1811. It has become one of her best-loved novels and has been the subject of several adaptations for film and television.

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Book SynopsisHarperCollins is proud to present its range of best-loved, essential classics.There is nothing absolutely nothing half so much worth doing as simply messing about in boats.'One spring day in the idyllic English countryside, Mole, Rat, Toad and Badger embark on a series of escapades. From Ratty's exploits on the river to Toad's passion for motorcars and the invasion of Toad Hall by the stoats and weasels, these woodland friends encounter adventure at every turn.A timeless and celebrated classic, Kenneth Grahame's The Wind in the Willows has endured for nearly 100 years, and continues to delight readers of all ages.

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Book SynopsisExam board: AQA B, Edexcel, CXC Level & Subject: AS and A Level English Literature, CAPE Literature First teaching: September 2015 Next exams: 2025Trade Review“The new Collins Classroom Classic editions are perfect for schools – clear text, bright covers, a good size for pockets and bags, and a great price that makes buying new class or cohort sets very attractive in these budget-conscious times.” de Stafford School

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Book SynopsisOne of a series designed to provide an accessible approach to the works of great poets and playwrights. Each title includes general notes on the text; discussion of themes, issues and contexts.

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Book SynopsisA young heiress finds herself caught in the sinister plots of her mysterious Uncle Silas. A new edition of Le Fanu's best known work and an exemplary piece of sensation fiction, with an introduction and notes by Claire Connolly.Trade ReviewI would recommend for professors of British literature to assign this work in undergraduate and graduate classes without hesitation. It will not be an easy read, but each of them will come away with unique things to write about. This also means that this book is suitable for libraries of all types and sizes, so that some of the poorer students can access some free copies. * Anna Faktorovich, Pennsylvania Literary Journal *Table of ContentsIntroduction Note on the Text Select Bibliography A Chronology of Sheridan Le Fanu UNCLE SILAS Explanatory Notes

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Book SynopsisThis is the first literary study on the New Woman''s interaction with modern speed culture through use of the typewriter and the bicycle. These technologies of speed are among the earliest to be associated with middle-class women, exposing them to the discipline of mechanized speed while allowing for the construction of a new machine-savvy, sped-up, and energized female subjectivity. Used for women''s office work and daily movement, they demand from their women operators a response and adaptation to speed right from the beginning. The ability to catch up with, imitate, adjust to, and finally master this mechanized speed, is the key to the New Woman''s enlarged freedom in the modern city. By examining New Woman literature penned by George Gissing, H. G. Wells, Grant Allen, Geraldine Edith Mitton, and Mrs. Edward Kennard, and stories and comments published in popular magazines, this book examines how mechanized speed works on the New Woman typist and cyclist, first as discipline and control (in typewriting), then as commodity and conspicuous display (in cycling), and finally as rejuvenation, stimulation, and active thrill. Being fast, having speed, and adjusting to the shocks, as well as excitement of techno-aided speed, is a crucial part of what makes the New Woman new, as she stakes a claim to modern speed culture.

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Book SynopsisStudies in the History of the Renaissance is a highly influential defence of aestheticism. Pater redefined the practice of criticism through his readings of some of the paintings, sculptures, and poems of the Renaissance, and shocked contemporaries for sponsoring a hedonistic ethic with his infamous 'Conclusion'.Table of ContentsPreface; Aucassin and Nicolette; Pico della Mirandola; Sandro Botticelli; Luca della Robbia; The Poetry of Michelangelo; Leonardo da Vinci; Joachim du Bellay; Winckelmann; Conclusion; Appendix A: The School of Giorgione; Appendix B: Diaphaneite

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Book SynopsisA unique anthology of Kipling''s war stories and poems, from the frontier wars of empire to the Boer War and the First World War. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade ReviewAt the price, this book is a must for everyone interested in humour, war and fine literature. Buy it. * Friends of the Imperial War Museum Newsletter *Table of ContentsStories include: The Drums of the Fore and Aft; A Conference of the Powers; The Light that Failed; The Mutiny of the Mavericks; The Lost Legion; The Way that he Took; A Sahib's War; The Comprehension of Private Copper; The Captive; A Friend of the Family; A Madonna of the Trenches; The Gardener

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Book SynopsisAt the centre of Hide and Seek (1854) a secret waits to be revealed. Why should the apparently respectable painter Valentine Blyth refuse to account for the presence in his household of the beautiful girl known as Madonna? It is not until his young friend Zack Thorpe, who is in rebellion against his repressive father, gets into bad company and meets a mysterious stranger that the secret of Madonna can be unravelled.Wilkie Collins''s third novel, dedicated to his life-long friend Dickens, is a story in which excitement is combined with charm and humour. In its mixture of the everyday and the extraordinary, Hide and Seek forms a bridge between the domestic novel and the sensational fiction for which Collins later became famous. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valu

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Book SynopsisThis volume gathers together some of the most brilliant and influential essays ever written in English.The Spirit of Controversy uses versions of the essays as they first appeared in the magazines of his day.Trade ReviewThe ambitious attention to contextual situations, and the generous help afforded through introduction and annotations, make this the best selection yet for undergraduates, and the most affordable genuinely good edition for any Hazlitt reader. * Koenraad Claes, Hazlitt Review *Table of ContentsIntroduction Note on the Text Select Bibliography A Chronology of William Hazlitt 1: Reply to Malthus 2: Fragments on Art 3: Mr Kean's Shylock 4: On Imitation 5: On Gusto 6: On the Elgin Marbles 7: Mrs Siddons 8: Mr Kemble's King John 9: Coriolanus 10: Macbeth 11: Hamlet 12: Character of Mr Burke 13: On Court Influence 14: On Fashion 15: Minor Theatres 16: On the Pleasure of Painting 17: Character of Cobbett 18: The Indian Jugglers 19: On a Landscape by Nicholas Poussin 20: The Fight 21: On Familiar Style 22: On the Spirit of Monarchy 23: My First Acquaintance with Poets 24: On Londoners and Country People 25: Jeremy Bentham 26: Lord Byron 27: William Godwin 28: Mr Wordsworth 29: On the Pleasure of Hating 30: Our National Theatres 31: The Spirit of Controversy 32: The Free Admission 33: The Letter-Bell Explanatory Notes

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Book SynopsisRetaining the first edition's literal and respectful translations of Rimbaud's complex and nontraditional verse - after correcting errors and reordering poems - this edition also contains a foreword that considers the heritage of the first edition and adds a bibliography that acknowledges relevant books.Trade Review"This handsome edition, which makes France's most remarkable poet readily available in the U.S., may well be a literary landmark comparable to Baudelaire's introduction of Edgar Allan Poe in France a century earlier." - Anna Balakian, New York Times Book Review"

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Book Synopsis''What had happened to the lost manuscripts, what train of chances took Rolfe to his death in Venice? The Quest continued''One summer afternoon A.J.A. Symons is handed a peculiar, eccentric novel that he cannot forget and, captivated by this unknown masterpiece, determines to learn everything he can about its mysterious author. The object of his search is Frederick Rolfe, self-titled Baron Corvo - artist, rejected candidate for priesthood and author of serially autobiographical fictions - and its story is told in this ''experiment in biography'': a beguiling portrait of an insoluble tangle of talents, frustrated ambitions and self-destruction.Trade ReviewPart detective story, part spiritual journey, and part meditation on biography. Steeped in arcane learning, queer encounters, and fanciful symbolist prose, it is a very peculiar operation indeed, leaving he reader unconvinced that there was ever such a real person as Frederick Rolfe - or, possibly, his biographer -- Hermione LeeA slender book, an odd book, a completely original book ... a masterpiece * Wall Street Journal *One of the genre's most notable - if also quirkiest - triumphs * New Criterion *Extraordinary ... a new template for twentieth-century biography * Times Literary Supplement *

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Book SynopsisThe surprising hidden history behind Charlotte Brontë’s Jane Eyre.Trade Review"This is an engaging introduction to Charlotte and her famous novel, which will whet the appetite of anyone who is coming to either of them for the first time." -- The Sunday Times"The Secret History Of Jane Eyre cleverly intertwines art and life." -- Mail on Sunday"Pfordresher’s book is an attempt to take us behind this veil, to show us the mechanisms; a biography of a book, as it were." -- The London Review of Books"Devotees of the novel will thrill to find each ingredient parsed out so carefully for some revelatory analysis of their favourite author." -- British Heritage

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Book SynopsisThis guidebook offers the ideal introduction to one of the most enduringly popular works of the nineteenth century. Richard J. Dunn first places David Copperfield in its social, biographical and literary contexts, touching upon such fascinating issues as autobiography and Victorian social conditions, before offering a handy chronology and reprinted documents from the period. In a second section, ''Interpretations'', he traces responses to the novel from the first reviews to modern criticism and reprints extracts from key critical works. The overview and extracts together offer insight into a remarkable range of issues, from the novel''s humour to its reflections of class and gender structures. The section also considers the long history of stage and screen interpretations of Dickens''s highly dramatic text. The third major section pulls together text and context by reprinting key passages of the novel, carefully cross-referenced to materials in the previous sections. The links

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Book SynopsisWhen it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to that which had been voiced before. This acclaimed Routledge Classics edition offers the reader the opportunity to study the poems in their original contexts as they appeared to Coleridgeâs and Wordsworthâs contemporaries, and includes some of their most famous poems, including Coleridgeâs Rime of the Ancyent Marinere.Trade Review'Must have come on like punk rock to a public groaning under the weight of over-cooked Augustanisms.' - The GuardianTable of ContentsLyrical Ballads. Preface to the Routledge Classics edition by Nicholas Roe. Foreword. Foreword to the 1991 Edition. A Selected Bibliography and List of Abbreviations. Introduction. Lyrical Ballads, 1798. Advertisement. Poems. Lyrical Ballads, 1800. Love. Poems, Volume II. Preface 1800 Version (with 1802 Variants). Notes to the Poems. Appendix A: Text of Lewti; or, the Circassian Love-Chant. Appendix B: Wordsworth’s Appendix on Poetic Diction from 1802 edition of Lyrical Ballads. Appendix C: Some Contemporary Criticism of Lyrical Ballads. Index of Titles. Index of First Lines.

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Book SynopsisRalph Waldo Emerson is one of the most important figures in the history of American thought, religion, and literature. The vitality of his writings and the unsettling power of his example continue to influence us more than a hundred years after his death. This work gives us a portrait of the whole man.Trade Review"Richardson’s 671-page biography of Emerson is a page turner. The adventures are the adventures of a reader. And, of course, a thinker, a writer." * Los Angeles Times *"A worthy addition to the library of books on one of America's foremost thinkers." * New York Times *"Richardson balances the often chilling puritanism of Emerson's writing with a portrait of the man as hungry for friendship, maintaining close relationships with Carlisle, Thoreau, Bronson Alcott and Margaret Fuller; and whose icy doctrine of individualism reflects the loneliness caused by the premature deaths of his beloved first wife, his two younger brothers and numerous friends." * Publishers Weekly *"A captivating account of the originality, creativity, and genius of the American Coleridge." * Library Journal *“An electrifying work . . . a phenomenal piece of portraiture” * New York Newsday *"Emerson: The Mind on Fire is an unusually intelligent and involving book. Richardson himself writes with grace, vigor, acuity, and imagination. No other recent critic of Emerson . . . has written so well. This book is equal to the best American literary biographies we have and is arguably the best single book on Emerson ever written." * Journal of American History *"What Richardson has produced . . . a valuable, perhaps indispensable, paean to the intellectual life: we emerge from a reading of it fairly staggered by Emerson's sustained energy-even through his moments of doubt-and by the uncompromising honesty of Emerson's engagements with himself, with literature, nature, and society." * American Literature *"The Mind on Fire integrates heart and head without ever confusing the two; it presents exciting readings of Emerson's major works; it reveals a productive emotional vitality in ways never before shown; it is learned, accurate, judicious, and comprehensive, crisp in its conclusions, poetic in its language, too respectful of its subject ever to make him stodgy. The book is aptly titled, with its allusion to Emerson's volcanic metaphor for the creative mind, for Richardson's book truly fires the imagination." * New England Quarterly *"One of the great achievements in contemporary American literary studies. . . . Aside from his learning, which is prodigious, Richardson writes a wonderfully fluent, agile prose; he has a poet's sense of nuance and a novelist's grasp of dramatic rhythm; he also displays a positive genius for apt quotation." -- John Banville, * New York Review of Books *

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Book SynopsisThe definitive and revealing life story of the author of The Secret Garden, Ann Thwaite creates a sympathetic but balanced and eye-opening biography of Frances Hodgson Burnett who enchanted numerous generations of children.Trade Review‘A fascinating and valuable book’ Sunday Times'Ann Thwaite has admirably mapped out the complex and peripatetic story, attacking its problems with insight and diligence' Times Literary Supplement'Intelligent, moderate, thoughtful, well documented, well organised, and well written… a model of a literary biography' New York Review of Books

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Book SynopsisThis book examines the relationship between literature and philosophy. It investigates seemingly incomprehensible behaviours from the perspective of philosophy and expounds on love by using Darwinism, Marxism, Existentialism, Plato, Kierkegaard, Nietzsche, and Barthes as tools of investigation. The author deconstructs 20 literary texts and presents a work of literary criticism in which literary theories are blended with philosophical theories on the self.An important contribution, this book will be of interest to students and scholars of literature, philosophy, comparative literature, world literature, modern fiction, romanticism, modernism, and postmodernism.

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Book SynopsisThis book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Ãmile Zola at the turn of the century, recovering naturalism's assumed compatibility with impressionism as a central cause of their ambivalence. Highlighting a little-studied strain of reflexive naturalism in which Zola's mode of analytical observation is turned upon the authors themselves, Joyce suggests that the confluence of naturalism and impressionism formed the precondition for so-called stream-of-consciousness writing. This style served to influence not only the work of canonical modernists such as Joyce and Woolf, but also that of lesser-known writers such as George Moore, Sarah Grand, and George Egerton.Table of Contents1. How Zola crossed (and didn't cross) the English Channel; 2. Portraits and artists: impressionism and naturalism; 3. A naturalism for Ireland; 4. Proto-sensitivity: naturalism, aestheticism, and the New Woman novel; 5. The voice of witlessness: Virginia Woolf and the poor.

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Book SynopsisJane Austen is unique among British novelists in maintaining her popular appeal while receiving more scholarly attention now than ever before. This introduction by Janet Todd, leading scholar and editor of Austen's work, explains what students need to know about her novels, life, context and reception. Each novel is discussed in detail, and the essential information is given about her life and literary influences, her novels and letters, and her impact on later literature. For this second edition, the book has been fully revised; a new chapter explores the ways in which Austen's work has prompted imitations, adaptations and creative spin-offs. Key areas of current critical focus are considered throughout, but the book's analysis remains thoroughly grounded in readings of the texts themselves. Janet Todd outlines what makes Austen's prose style so innovative and gives useful starting points for the study of the major works, with suggestions for further reading.Trade Review'Easy to read and engaging, this is an excellent overview of Austen's work.' R. Stone, ChoiceTable of ContentsPreface; 1. Life and times; 2. The literary context; 3. Northanger Abbey; 4. Sense and Sensibility; 5. Pride and Prejudice; 6. Mansfield Park; 7. Emma; 8. Persuasion; 9. Austenmania: Jane Austen's global life; Afterword.

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Book SynopsisExploring the unsteady foundations of American literary history, Race in American Literature and Culture examines the hardening of racial fault lines throughout the nineteenth century and into the twentieth while considering aspects of the literary and interrelated traditions that emerged from this fractured cultural landscape. A multicultural study of the influential and complex presence of race in the American imagination, the book pushes debate in exciting new directions. Offering expert explorations of how the history of race has been represented and written about, it shows in what ways those representations and writings have influenced wider American culture. Distinguished scholars from African American, Latinx, Asian American, Native American, and white American studies foreground the conflicts in question across different traditions and different modes of interpretation, and are thus able comprehensively and creatively to address in the volume how and why race has been so centraTable of ContentsPart I. Fractured Foundations: 1. American empire Edward Larkin; 2. Synchronic and diachronic: Race in early American literatures Katy Chiles; 3. Protean oceans: Racial uncertainty in Arthur Gordon Pym and Emmanuel Appadocca Gesa Mackenthun; Part II. Racial Citizenship: 4. 'Faithful Reflection' and the work of African American literary history Derrick Spires; 5. Beyond protest Koritha Mitchell; 6. Affiliated races Edlie L. Wong; Part III. Contending Forces: 7. Reconstructing race Sarah Gardner; 8. Out of the silent South: White Southerners writing race during the long reconstruction John Grammer; 9. Neighborliness, race, and nineteenth-century regional fiction Stephanie Foote; Part IV. Reconfigurations: 10. Passing M. Giulia Fabi; 11. Beyond assimilation John Alba Cutler; 12. Native reconfigurations Kiara M. Vigil; 13. Dispossessions and repositionings: Sarah Winnemucca's school as anti-colonialist lesson Cari Carpenter; 14. 'White by Law,' White by literature: Naturalization and the constructedness of race in the literature of American naturalism Mita Banerjee; Part V. Envisioning Race: 15. Picturing race: African Americans in US visual culture before the Civil War Martha J. Cutter; 16. 'The Man That Was a Thing': Uncle Tom's Cabin, photographic vision, and the portrayal of race in the nineteenth century Maurice Wallace; 17. Locating race Melanie B. Taylor; 18. De-forming and re-making: Bernardine Evaristo's Girl, Woman, Other and the multifocal decolonial novel Paula M. L. Moya and Luz M. Jiménez Ruvalcaba; Part VI. Case Studies: 19. Collective biographies and African American history: Men of Mark (1887) and Progress of a Race (1897) Claire Parfait; 20. Aztlan for the middle class: Chicano literary activism José Antonio Arellano; 21. The racial underground Kinohi Nishikawa; 22. Literature in Hawaiian pidgin and the critique of Asian settler colonialism Jeehyun Lim; 23. Celeste Ng's Little Fires Everywhere and the burning house of American literature Anna Brickhouse; Part VII. Reflections and Prospects: 24. What is missing? Black history, Black loss and Black resurrectionary poetics P. Gabrielle Foreman; 24. Traditions, communities, literature Siobhan Senier; 26. Children of the future Min Hyoung Song; 27 Presidential race Stephanie Li.

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Book SynopsisFor more than 25 years, York Notes have been helping students throughout the UK to get the inside track on the written word.   Firmly established as the nation's favourite and most comprehensive range of literature study guides, each and every York Note has been carefully researched and written by experts to make sure that you get the most wide-ranging critical analysis, the most detailed commentary and the most helpful key points and checklists.   York Notes Advanced offer a fresh and accessible approach to English Literature. Written by established literature experts, they introduce students to a more sophisticated analysis, a range of critical perspectives and wider contexts.

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Book SynopsisDr Beth Palmer is lecturer in English Literature at the University of Surrey (from September 2010). Her teaching interests are wide-ranging and she has taught British and American literature from the 18th to 21st centuries with particular interests in Victorian fiction, women's writing, and the Bronte sisters. Her research interests have centred around Victorian fiction, print culture and the press, readership and women's writing. Forthcoming publications are Women's Authorship and Editorship in Victorian Culture: Sensational Strategies (Oxford University Press, 2011) and A Return to the Common Reader: Print Culture and the Novel, 1850-1900, eds Beth Palmer and Adelene Buckland (Ashgate, 2011). She is currently developing a new research project on the relationship between the popular theatre and the Victorian novel and is also interested in neo-Victorian fiction. Trade Review"The book was well written and flowed neatly, linking ideas and works by different authors, and as ever quotations help to outline different points... The book was very useful, particularly its extended commentary on Dorian Gray" - Kimberley Simpson, English Student Warwick UniversityTable of Contents Part One – Introduction Part Two – A Cultural Overview Part Three – Texts, Writers and Contexts Victorian Poetry – Memory and Mourning: The Brownings, Swinburne and Alfred, Lord Tennyson Extended commentary: Tennyson, In Memoriam The Social Problem Novel: Charles Dickens, Charles Kingsley and Elizabeth Gaskell Extended Commentary: Gaskell, North and South (1855) The Provincial or Regional Novel: Anthony Trollope, George Eliot and Thomas Hardy Extended Commentary: Hardy, Far From the Madding Crowd Sensation Fiction: Wilkie Collins, Ellen Wood and Mary Elizabeth Braddon Extended Commentary: Braddon, Lady Audley’s Secret (1862) Victorian Drama: Henrik Ibsen, Oscar Wilde and George Bernard Shaw Extended Commentary: Shaw, Mrs Warren’s Profession (1893) Aesthetes and Decadents: Walter Pater, Arthur Symonds, J. K. Huysmans and Oscar Wilde Extended Commentary: Wilde, The Picture of Dorian Gray (1891) Part Four: Critical theories and Debates Reader Reception and the popular author New women, New Readers The Literature of Empire and National Identity Science, Eugenics and Evolution Part Five – References and resources Timeline Further reading Index

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Book SynopsisThis new critical edition situates 'After London' in a tradition of mid-late Victorian texts that respond to the evolutionary theories of Charles Darwin and Alfred Russel Wallace and responds to a host of other key social, political, and cultural issues of the period.

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Book Synopsis The modern-day suburb began, and began booming, in 19th-century Britain. As suburbia spread, the New Woman arose and fin-de-siecle concerns grew, suburban men felt more besieged. Anxieties about hygiene, pollution, purity, the home, class, gender roles, patrilineal power and the state of the Empire rippled through British fiction. The new man of the house was trying, often desperately, to hold onto the old order, changing even more rapidly as the 20th century and modernist fiction arrived. This study traces suburban masculinities in popular genres--speculative fiction, comic fiction and detective fiction--and in literary works from the late-Victorian era to the start of the First World War.Table of Contents Acknowledgments viii Preface Introduction: The Victorian Suburbs' (Un)making of Masculinity Chapter 1. As Pure as the Driven Fog: William Delisle Hay's The Doom of the Great City (1880) and Grant Allen's The British Barbarians (1895) Chapter 2. Pootering Him Back in His Rightful Place: George and Weedon Grossmith's The Diary of a Nobody (1892) Chapter 3. Unsurelocked Homes: Arthur Conan Doyle's "The Adventure of the Yellow Face" (1893) and "The Adventure of the ­Bruce-Partington Plans" (1908) Coda: The Remaking of Suburban Masculinities in Early ­Twentieth-Century British Fiction List of Works Locations of Works in Suburban London Chapter Notes Bibliography Index

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Book SynopsisJane Eyre, Wuthering Heights, The Tenant of Wildfell Hall...these fictional masterpieces are all recognised as landmarks of English Literature. Still inspirational and challenging to readers today, upon release in the mid-nineteenth century they caused a veritable sensation, chiefly due to their subject matter and unconventional styles. But the greatest sensation of all came when these books were revealed to be the creations of women. This is the story of those women and of the forces that shaped them into trailblazing writers. From early childhood, literature and the world of books held the attention and sparked the fertile imaginations of the emotionally intense and fascinating Bronte siblings. Beset by tragedy, three outlets existed for their grief and their creative talents; they escaped into books, into the wild moorlands surrounding their home and into their own rich inner lives and an intricate play-world born out of their collective imaginations. In this new study, Catherine Rayner offers a full and fascinating exploration of the formative years of these bright children, taking us on a journey from their earliest years to their tragically early deaths. The Bronte girls grew into women who were unafraid to write themselves into territories previously only visited by male authors. In addition, they tackled all the taboo subjects of their time; divorce, child abuse, bigamy, domestic violence, class, female depression and mental illness. Nothing was beyond their scope and it is especially for this ability and determination to speak for women, the marginalised and the disadvantaged that they are remembered and celebrated today, two hundred years after their births in the quiet Yorkshire village of Haworth. This timely release offers a fresh perspective on a fascinating family and a unique trio of talented and trailblazing sisters whose books will doubtless continue to haunt and inspire for generations to come.

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