Literary studies: c 1800 to c 1900 Books

Book SynopsisAn examination of how greatly the sagas and other literature of Iceland shaped the poems of William Morris. The work of William Morris (1834-1896) was hugely influenced by the medieval sagas and poetry of Iceland; in particular, they inspired his long poems "The Lovers of Gudrun" and Sigurd the Volsung. Between 1868 and 1876, Morris not only translated several major sagas into English for the first time with his collaborator the Icelander Eiríkur Magnússon (1833-1913) but he also travelled on horseback twice across the Icelandic interior, journeys which led him through the best known of the saga sites. By looking closely at his translations of the sagas and the texts on which he based them, the journals of his travels in Iceland, and his saga-inspired long poems and lyric poetry, this book shows how Morris conceived a unique ideal of heroism through engaging with Icelandic literature. It shows the sagas and poetry of Iceland as crucial in shaping his view of the best life a man could live and spurring him on in the subsequent passions on which much of his legacy rests. IAN FELCE gained his PhD from Cambridge University.Trade ReviewFelce gives a nuanced and persuasive account of Morris' personal development toward atheism and socialism through his reading and rewriting of medieval Icelandic literature. * MEDIEVALLY SPEAKING *Felce's immaculate introductory account of Old Norse saga literature should be required reading for all aspiring Morris scholars. * TIMES LITERARY SUPPLEMENT *Morris contributed immensely to the knowledge and dissemination of the literature and culture of medieval Iceland, restoring to England, he believed, its northern heritage, a contribution Felce succeeds in explaining with scholarly detail, sensitive argument, cogent examples, and wide references to previous scholarship. * REVIEW OF ENGLISH STUDIES *Felce makes a strong case that during his first 'Norse period', Morris developed via his encounters with Norse literature an ideal of heroism and secular endurance and action that profoundly affected his subsequent life and social engagement. * ENGLISH *Table of ContentsIntroduction 'The Lovers of Gudrun' and the Crisis of the Grail Quest The Sagas of Icelanders and the Transmutation of Shame Grettir the Strong and the Courage of Incapacity Heimskringla, Literalness and the Power of Craft Sigurd the Volsung and the Fulfilment of the Deedful Measure The Unnameable Glory and the Fictional World Conclusion Bibliography Index

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Book SynopsisAn exploration across thirteen essays by critics, translators and creative writers on the modern-day afterlives of Old English, delving into how it has been transplanted and recreated in the twentieth and twenty-first centuries. Old English language and literary style have long been a source of artistic inspiration and fascination, providing modern writers and scholars with the opportunity not only to explore the past but, in doing so, to find new perspectives on the present. This volume brings together thirteen essays on the modern-day afterlives of Old English, exploring how it has been transplanted and recreated in the twentieth and twenty-first centuries by translators, novelists, poets and teachers. These afterlives include the composition of neo-Old English, the evocation in a modern literary context of elements of early medieval English language and style, the fictional depiction of Old English-speaking worlds and world views, and the adaptation and recontextualisation of works of early medieval English literature. The sources covered include W. H. Auden, J. R. R. Tolkien, and Seamus Heaney, alongside more recent writers such as Christopher Patton, Hamish Clayton and Paul Kingsnorth, as well as other media, from museum displays to television. The volume also features the first-hand perspectives of those who are authors and translators themselves in the field of Old English medievalism.Table of ContentsList of Illustrations List of Contributors Acknowledgements List of Abbreviations Early Medieval English in the Modern Age: An Introduction to Old English Medievalism - Rachel A. Fletcher, Thijs Porck and Oliver M. Traxel 1 Reinventing, Reimagining and Recontextualizing Old English Poetry 1 Old English as a Playground for Poets? W. H. Auden, Christopher Patton and Jeramy Dodds - M. J. Toswell 2 'Abroad in One's Own Tradition': Old English Poetry and Kenneth Grahame's The Wind in the Willows (1908) - Victoria Condie 3 Wulf and Eadwacer in 1830 New Zealand: Anglo-Saxonism and Postcolonialism in Hamish Clayton's Wulf (2011) - Martina Marzullo 4 Old English Poetry and Sutton Hoo on Display: Creating 'the Anglo-Saxon' in Museums - Fran Allfrey II Invoking Early Medieval England and Its Language in Historical Fiction 5 Creating a 'Shadow Tongue': The Merging of Two Language Stages - Oliver M. Traxel 6 At the Threshold of the Inarticulate: The Reception of 'Made-up' English in Paul Kingsnorth's The Wake (2014) - Judy Kendall 7 Reimagining Early Medieval Britain: The Language of Spirituality - Karen Louise Jolly 8 Historical Friction: Constructing Pastness in Fiction Set in Eleventh-Century England - James Aitcheson III Translating and Composing in Neo-Old English 9 Ge wordful, ge wordig: Translating Modern Texts into Old English - Fritz Kemmler 10 Fruit, Fat and Fermentation: Food and Drink in Peter Baker's (Neo-) Old English Alice's Adventures in Wonderland - Denis Ferhatović 11 The Fall of the King and the Composition of Neo-Old English Verse - Rafael J. Pascual IV Approaching Old English and Neo-Old English in the Classroom 12 Mitchell & Robinson's Medievalism: Echoes of Empire in the History of Old English Pedagogy - Joana Blanquer, Donna Beth Ellard, Emma Hitchcock and Erin E. Sweany 13 The Magic of Telecinematic Neo-Old English in University Teaching - Gabriele Knappe Bibliography Index

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Book SynopsisConsiders Tennyson's poems, from the elegiac In Memoriam to the Arthurian Idylls of the King, in the context of Victorian interest in philology.How do words come to mean what they mean, and how can we hope to use them precisely when they are constantly changing? The urge to find a word's meaning through its etymology is an old and enduring one, gaining new momentum in the nineteenth century as advocates of the so-called "new philology" argued that major revelations were to be found within the biographies of everyday expressions. Developing hand in hand with a growing national interest in all things "Anglo-Saxon", language study simultaneously seemed to offer a pathway to the roots of English culture and to illuminate human history on a grand scale.Alfred Tennyson (1809-1892) came of age in the midst of this exploding popularity of both Anglo-Saxonism and philology, and he did so among men who were to be responsible for advancing both fields. This study places this preeminent Victorian

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Book SynopsisAccording to Oscar Wilde, the primary aim of the critic is to see the object as in itself it really is not'. Through a series of close and often unusual readings, this book endeavours to develop Wilde's remark into a detailed and creative theory of reading. Or perhaps that should be misreading: for, as this experimental work of criticism negotiates its way among the works of a number of late-nineteenth-century writers, particularly Robert Louis Stevenson and Wilde himself, Tearle uncovers some of the ways in which we as readers are prone to hallucinations while reading about, of all things, the experience of hallucination. Focusing in detail on a series of neologisms from writing of the period, such as 'handconscience', 'figmentary', and 'aftersense', and moving between a number of disciplines including literature, criticism, science, psychoanalysis, and even linguistics, Bewilderments of Vision endeavours to answer a number of questions, ranging from the urgent to the downright bizarre: What is the link between hallucination and social conscience in writing of the late-nineteenth century? Is there such a thing as textual hallucination? Why does the author of this book see a 'snake' that is not there when he 'reads' Jekyll and Hyde?Trade Review"Oliver Tearles book is based on close readings of the texts, and makes abundant references to contemporary thinkers and novelists, and to the criticism on Gothic fiction. It gives a good idea of what Gothic writing strategies are." - Nathalie Saudo-Welby, Universite de Picardie-Jules-Verne (Amiens), Cercles: Revue Pluridisciplinaire Du Monde AnglophoneTable of ContentsPreface; Parvovirus B19 (PB19); Clinical Aspects of PB19 Infection in Immunocopetent Patients; PB19 Infection in Immunodeficiency Disorders; Hematological Consequences of PB19 Infection; PB19 & Blood Transfusion; Occupational Infection by PB19; PB19 Genetic Study, Relation to Pathogenesis; Laboratory Diagnosis of PB19; Index.

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Book SynopsisThis book offers an original approach to a number of nineteenth-century authors in terms of what are seen as the constitutive affective dynamics of their work. Pursuing theoretically and philosophically informed close readings, John Hughes emphasizes issues of the embodied mind in literary texts, and explores the inventive and discriminating powers of thought -- as well as the projections of identity and relatedness -- staged and expressed by imaginative writing in the 'long nineteenth-century'. Within each chapter a writer is seen as investigating the physical or emotional determinants of mind, as well as the social conditions of subjectification, through the figurative, dramatic and subjective means of their art. The individual author chapters examine a singular, exemplary, instance of how acts of mind, and moments of self-awareness, are generated from emotional or physical response: musical experience in Blake; the recreational activity of walking in Wordsworth; fantasies of resentment in Poe; moments or modes of cross-gender, feminine, identification in Tennyson; bodily sensation, and self-separation, in Charlotte Bronte; eye contact and looking in Hardy. In each case, the exampled texts from these authors and poets display an affective or physical inspiration. Hughes draws on themes of ethical subjectivity in the work of Stanley Cavell and Gilles Deleuze to provide essential reading for all those involved in nineteenth-century literature.

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Book SynopsisThis book takes as its starting point Pierre-Simon Laplace's much-cited dream in 1812 of 'a vast intelligence' which can 'embrace in the same formula the movements of the greatest bodies of the universe and those of the lightest atom' and for which the future and the past are equally calculable. Laplace sets out THE echt-Enlightenment ideal of scientific omniscience and the classic statement of a deterministic universe. The author investigates some of the ways in which Laplacian and, indeed, Newtonian models of observation and the universe are at once assimilated and complicated by Romantic and Victorian writers such as Carlyle, Burke, Abbott, Poe and Wordsworth. In particular, it aims to retrace some of the ways in which LaplacianNewtonian models of scientific 'intelligence' come to inform nineteenth-century writers' views of themselves and their own modes of observation. The author also explains how some of these literary reimaginings look forward to more modern conceptions of science in the twentieth and twenty-first centuries, such as Chaos Theory and Einsteinian Cosmology. Oddly enough, contemporary science would seem to realise Carlyle's vision of a 'Natural-Supernaturalism', fusing Laplace's mechanical vision with Romanticism. This book covers a vast array of topics, including Philosophy, Wagner's music and music in general, Jungian analysis, and ends with the 'omniscient' narrator in Charles Dickens's 'The Old Curiosity Shop', as an example of what came to be the dominant mode of narration in later Victorian fiction.Table of ContentsIntroduction; Part I: On History, Chaos and Carlyle; Part II: On Cosmology, Heresy, Abbott and Poe; Part III: On Microcosms, Macrocosms and the Music of the Spheres; Afterword.

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Book SynopsisThomas Hardy's The Dynasts and Leo Tolstoy's War and Peace are both works which defy attempts to assign them to a particular genre but might seem to have little else in common apart from being set in the same period of history. This study argues that there are important similarities between these two works and examines the close correspondence between Hardy's and Tolstoy's thinking on themes relating to war, ideas of the heroic and the concept of free will. Although coming from very different backgrounds, both writers were influenced by their experiences of war, Tolstoy directly, by involvement in the wars in the Caucasus and the Crimea, and Hardy indirectly, by the events of the Anglo-Boer Wars. Their reaction to these experiences found expression in their descriptions of the wars fought against Napoleon at the beginning of the century. Hegel saw Napoleon as the great world-historical man of his time, and this work considers the ways in which Hardy and Tolstoy undermine this view, portraying Napoleon's physical and mental decline and questioning the role he played in determining the outcomes of military actions. Both writers were deeply interested in the question of free will and determinism and their writings reveal their attempts to understand the nature of the force which lies behind men's actions. Their differing views on the nature of consciousness are considered in the light of modern research on the development of the conscious brain.

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Book SynopsisAccording to Oscar Wilde, the primary aim of the critic is to see the object as in itself it really is not'. Through a series of close and often unusual readings, this book endeavours to develop Wilde's remark into a detailed and creative theory of reading. Or perhaps that should be misreading: for, as this experimental work of criticism negotiates its way among the works of a number of late-nineteenth-century writers, particularly Robert Louis Stevenson and Wilde himself, Tearle uncovers some of the ways in which we as readers are prone to hallucinations while reading about, of all things, the experience of hallucination. Focusing in detail on a series of neologisms from writing of the period, such as 'handconscience', 'figmentary', and 'aftersense', and moving between a number of disciplines including literature, criticism, science, psychoanalysis, and even linguistics, Bewilderments of Vision endeavours to answer a number of questions, ranging from the urgent to the downright bizarre: What is the link between hallucination and social conscience in writing of the late-nineteenth century? Is there such a thing as textual hallucination? Why does the author of this book see a 'snake' that is not there when he 'reads' Jekyll and Hyde?Trade Review"Oliver Tearles book is based on close readings of the texts, and makes abundant references to contemporary thinkers and novelists, and to the criticism on Gothic fiction. It gives a good idea of what Gothic writing strategies are." - Nathalie Saudo-Welby, Universite de Picardie-Jules-Verne (Amiens), Cercles: Revue Pluridisciplinaire Du Monde AnglophoneTable of ContentsPreface; Parvovirus B19 (PB19); Clinical Aspects of PB19 Infection in Immunocopetent Patients; PB19 Infection in Immunodeficiency Disorders; Hematological Consequences of PB19 Infection; PB19 & Blood Transfusion; Occupational Infection by PB19; PB19 Genetic Study, Relation to Pathogenesis; Laboratory Diagnosis of PB19; Index.

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Book SynopsisMany of the ideas that appear in Arnold's Preface of 1853 to his collection of poems and in his later essays are suggested in the letters that Arnold wrote to his friend Arthur Hugh Clough. Analysis of the Preface reveals a poet who found a theoretical basis for poetry (by which he means literature in general) in the dramas of the Greek tragedians, particularly Sophocles: action is stressed as an indispensable ingredient, wholes are preferred to parts, the didactic function of literature is promoted -- in short, the Preface reads like the recipe for a classical tragedy. It is a young poet's attempt to establish criteria for what poetry ought to be. He found the Romantic idiom outworn. Literature was, in Arnold's perception, meant to communicate a message rather than impress by its structure or by formal sophistication. Modern theories of coalescence between content and form were outside the contemporary paradigm. T S Eliot's ambivalent attitude to Arnold -- now reluctantly admiring, now decidedly patronizing -- is puzzling. Eliot never seemed able to liberate himself from the influence of Arnold. What in Arnold's critical oeuvre attracted and at the same time repelled Eliot? That question has led to an in-depth analysis of Arnold as a literary critic. This book begins with an examination of Arnold's letters to Clough, where "it all started" and proceeds with a close reading of the 1853 Preface. A look at some of the later literary essays rounds off the picture of Arnold as a literary critic. This work is the result of Reader and Review comments of the author's well received Eliot's Objective Criticism: Tradition or Individual Talent? "Yet he is in some respects the most satisfactory man of letters of his age." -- T S Eliot, The Use of Poetry and the Use of Criticism.

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Book SynopsisJohn Hughes explores Hardys claim that his art sought to intensify the expression of things through three main sections on music, the body, and voice. These offer intersecting and mutually informing discussions of the central drama of inexpression and expressivity in Hardys work, as it affects the various personae of the text, including the reader. Throughout, the book draws on themes in the work of Gilles Deleuze and Stanley Cavell to reveal how Hardys fiction and poetry express and represent the affective and physical conditions of mind, and their conflicts with social fictions of identity. The first main section on music incorporates three chapters that examine how Hardys writing stages musical experience as an expression of human desire and individuality at odds with the constraints of rationality, Victorian fiction form, and social convention. Intricate and extensive readings are linked also to larger contextual and theoretical issues in order to show how music as a theme and motif highlights the kinds of creativity and ethical cruxes that characterise Hardys work throughout his career. The second section -- on embodiment and sensation shows how close attention to Hardys writing on the topics of facial and bodily expression (and affectivity) reveal much about the sources of his inspiration, and its philosophical conditions and implications. The third section on voice offers three chapters, each of which centrally employs a close metrical reading of an important Hardy poem within its larger biographical and inter-textual contexts. These readings demonstrate how fundamental were Hardys innovations in meter to the power and originality of his work, and to its expressive treatment of his abiding preoccupations with love, grief, childhood, and the loss of faith.

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Book SynopsisThe fictional nautical story was extremely popular in the period stretching from the mid 1820s to about 1850. The best known writer in this field was undoubtedly Frederick Marryat, but the stories of Matthew Henry Barker (1790-1846), 'The Old Sailor,' rivalled those of his contemporary in popularity. Both authors are in the first rank of writers of nautical fiction, but it is generally acknowledged that Barker's descriptions of the man-of-wars man, the forecastle Jack Tar, are without equal. Although several biographies of Marryat have been published, very little relating to Barker's life and works is readily available. A Nautical Story Writer sets out the life and works of Barker, a journalist, novelist and Whig. Part One provides a detailed biography of his life, sea service, adventures and engagement with friends and politicians. Part Two details his published works, alerting to material erroneously credited to the author. Paul Marshall's book is based, in part, on information collected from institutions in the UK and USA. An additional primary source has been a substantial archive of material related to the Barker family, which consists of correspondence between Barker and his friends and business associates (e.g. William Jerdan, Frederic Shoberl, Effingham Wilson, Edward Duncan), along with a variety of family documents. Although Barker is an author from the classic period, his written observations will be of interest to readers of the Horatio Hornblower novels of C. S. Forester, and the Aubrey-Maturin series of Patrick O'Brian. The extensive bibliographic information provided makes this work an essential acquisition for university libraries and antiquarian booksellers.

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Book SynopsisA.E. Housman's poetry (especially A Shropshire Lad) remains well-known, widely read and often quoted. However, Housman did not view himself as a professional poet, always making quite clear that his 'proper job' was as a Professor of Latin. Housman's fame as a poet has often obscured the fact that he was the leading British classical scholar of his generation, and a Cambridge Professor. It has also sometimes been suggested that Housman's two areas of activity are the sign of a flawed or 'divided' personality. A.E. Housman: A Single Life argues that there is no fundamental tension between Housman the poet and Housman the scholar, and his career is presented very much as that of a working academic who also wrote poetry. The book gives a full account of what Housman described as 'the great and real troubles of my early manhood', and in particular his unrequited and life-long love for his undergraduate friend Moses Jackson. It resists the temptation to classify Housman too exclusively as a melancholic, and is sceptical about Housman's reputed rudeness and misanthropy, pointing out that, though Housman was famously aloof in manner, he was notably loyal and generous, courteous in his daily dealings and generally liked by those who knew him. He also possessed a highly developed sense of the absurd and a ready and often disconcerting wit, features which characterised not only his letters and miscellaneous writings, but also, famously, much of his scholarly work.

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Book SynopsisThomas Hardy's The Dynasts and Leo Tolstoy's War and Peace are both works which defy attempts to assign them to a particular genre but might seem to have little else in common apart from being set in the same period of history. This study argues that there are important similarities between these two works and examines the close correspondence between Hardy's and Tolstoy's thinking on themes relating to war, ideas of the heroic and the concept of free will. Although coming from very different backgrounds, both writers were influenced by their experiences of war, Tolstoy directly, by involvement in the wars in the Caucasus and the Crimea, and Hardy indirectly, by the events of the Anglo-Boer Wars. Their reaction to these experiences found expression in their descriptions of the wars fought against Napoleon at the beginning of the century. Hegel saw Napoleon as the great world-historical man of his time, and this work considers the ways in which Hardy and Tolstoy undermine this view, portraying Napoleon's physical and mental decline and questioning the role he played in determining the outcomes of military actions. Both writers were deeply interested in the question of free will and determinism and their writings reveal their attempts to understand the nature of the force which lies behind men's actions. Their differing views on the nature of consciousness are considered in the light of modern research on the development of the conscious brain.

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Book Synopsis‘Shuttles in the Rocking Loom’: Mapping the Black Diaspora in African American and Caribbean Fiction explores the symbolic geographies found within modern black fiction and identifies a significant set of relations between these geographies and communal affiliations, identity politics, and understandings of a diasporic past. Employing a pliant sense of the term ‘mapping’, it offers analysis of diverse sites, landscapes, journeys, and orientations that address diasporan historical experience and often expose oppressive spatial orders or revise colonial representations. A comparative approach encompasses Anglo- and Francophone novels emergent from North America, the Caribbean, and Europe and spanning the twentieth century. The study draws on postcolonial theories of the transnational, cross-cultural formations initiated by racial slavery, while shaping its own geographical focus. In particular, spatialised aspects within the work of Édouard Glissant and Paul Gilroy provide departure points for new investigation into the prominence of space and place in a powerful black diaspora imaginary. Not only are resistant counter geographies charted but attention to narrative poetics also reveals distinctive mappings of interrelation between the temporal and spatial in diasporic fiction. Chapters examine the meanings of the US North and South; Caribbean definitions of both the plantation and anti-plantation locations; engagements with the Atlantic Middle Passage and other oceanic trajectories; and plotting of stratifications, transformative interactions, and the search for belonging in the diasporic city. Converging geographical visions in African American and Caribbean fiction are found to articulate dislocation and traversal but also connection and emplacement.Trade ReviewTerry’s study is effectively organized, clearly signposting each theme throughout....of interest to scholars of Caribbean literature. Melanie A. Murray, Journal of Postcolonial WritingWhat Terry shows throughout this book is the way that African diasporic resilience, surviving the trauma, ultimately reveals enmeshed histories that often aptly explicate the journeys made. The importance of remaking histories to many of these narratives is something to which she constantly returns.Alan Rice, New West Indian GuideTable of Contents Publisher acknowledgements Acknowledgements Introduction 1 The Legacies of Slavery and the US North and South David Bradley, Octavia Butler, W. E. B. DuBois, Ralph Ellison, Pauline E. Hopkins, Toni Morrison, Ishmael Reed, Alice Walker 2 Landscapes of the Caribbean Plantation and Interior Maryse Condé, Édouard Glissant, Wilson Harris, Jamaica Kincaid, Earl Lovelace, Paule Marshall, Jacques Roumain 3 Sea Changes: Middle Passages and Voyages ‘Home’ Maryse Condé, Charles Johnson, George Lamming, Paule Marshall, Toni Morrison, Caryl Phillips, Simone Schwarz-Bart, John Edgar Wideman 4 City Space: Claims, Cosmopolitanisms and Dwelling Dionne Brand, Patrick Chamoiseau, C. L. R. James, Nella Larsen, Andrea Levy, Claude McKay, John Edgar Wideman Conclusion Bibliography Index

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Book SynopsisAn Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.Bats, beetles, wolves, butterflies, bulls, panthers, apes, leopards and spiders are among the countless creatures that crowd the pages of literature of the late nineteenth century. Whether in Gothic novels, science fiction, fantasy, fairy tales, journalism, political discourse, realism or naturalism, the line between the human and the animal becomes blurred. Beastly Journeys examines these bestial transformations across a range of well-known and less familiar texts and shows how they are provoked not only by the mutations of Darwinism but by social and economic shifts that have been lost in retellings and readings of them. The physical alterations described by George Gissing, George MacDonald, Arthur Machen, Arthur Morrison, W.T. Stead, Bram Stoker, H.G. Wells, Oscar Wilde, and many of their contemporaries, are responses to changes in the social body as Britain underwent a series of social and economic crises. Metaphors of travel – social, spatial, temporal, mythical and psychological – keep these stories on the move, confusing literary genres along with the indeterminacy of physical shape that they relate. Beastly Journeys will appeal to anyone interested in the relationship between nineteenth-century literature and its contexts and especially to those interested in the fin de siècle and in metaphors of travel, animals and shape-changing.Trade ReviewReviews 'A lively and energetic romp through a wide range of fin de siècle texts ... Youngs' readings are smart, and they take implicit aim at a kind of animal-recuperation tendency in the historiography that is most welcome as “post-human” analyses take root in literary studies.' Antoinette Burton, University of IllinoisTable of Contents Acknowledgements Introduction: The unchaining of the beast 1. City creatures 2. The bat and the beetle 3. Morlocks, Martians and Beast-People 4. ‘Beast and man so mixty’: The Fairy Tales of George MacDonald 5. ‘an unclean beast’: Oscar Wilde Conclusion Bibliography Index

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Book SynopsisEssays examining the poetry and leading poets of the Xhosa-speaking peoples in the nineteenth and twentieth centuriesThe Xhosa-speaking peoples who settled along the south-eastern seaboard of South Africa promoted traditions of praise poetry (izibongo), poetry produced orally by men and women, adults and children, about people, clans, ancestors and animals. Throughout the nineteenth century, authors who used the Xhosa language gradually developed the craft of composing poetry for publication in newspapers, and expanded this process in the twentieth century, when books containing secular literature appeared, but the practice of oral poetry persists, flourishing now as it did before the incursion of colonial settlers. The dominant poet in the community is the imbongi, who continues to produce poetry praising or criticising figures of authority on occasions of local and national significance.Xhosa Poets and Poetry (Iimbongi nezibongo) contains fourteen essays originally published between 1974 and 1996. Based on fieldwork conducted between 1969 and 1985, and on extensive archival research, the first six essays examine the social function of poetry in the community, the element of improvisation in the production of poetry, especially in the poetry of the imbongi, and the structural principles of his poetry. Individual poets are then presented, among them D.L.P. Yali-Manisi, Melikaya Mbutuma, Peter Mtuze and Nontsizi Mgqwetho, the first woman to produce a substantial body of poetry. The concluding four essays are thematic, treating issues introduced by the medium of print: the role of newspapers in fostering literature; censorship and control of the press; the damaging effects of changes in Xhosa spelling and the demand for books for school prescription; and, finally, the suspicion in which Xhosa poets held books and writing.This second edition updates the bibliographical references and amplifies some of the arguments. Xhosa Poets and Poetry offers a keen engagement with its subject, enlivened by extracts from conversations with poets and copious examples of their poetry in Xhosa and in English translation. It offers a cultural context for the volumes in this series.University of KwaZulu-Natal Press: Southern African Development Community

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Book SynopsisTracks the emergence and vicissitudes of attitudes to wrongdoing in Spain from the 19th century through the decades before the Civil War. The international contributors to this volume explore the rich diversity of cultures and representations of wrongdoing in Spain through the 19th century and the decades up to the Civil War. Their line of enquiry is predicated on the belief that cultural constructions of wrongdoing are far from simple reflections of historical or social realities, and that they reveal not a line of historical development, but rather variation and movement. Voices and discourses arise in response to the social phenomena associated with wrongdoing. They set out to persuade, to shock, to entice, and in so doing provide complex windows on to social aspiration and desire. The book's three sections (Realities, Representations, and Reactions) offer distinct points of focus, and move between areas where control is paramount and on the agenda from above and those where the subtleties of emotional response take pride of place. Alison Sinclair was Professor of Modern Spanish Literature and Intellectual History at the University of Cambridge until retirement in 2014. Samuel Llano is a Lecturer in Spanish Cultural Studies at the Universityof Manchester.Trade ReviewA suggestive and brilliant take on the broad relations between literature, society and law. * FORUM FOR MODERN LANGUAGE STUDIES *Table of ContentsAcknowledgements Introduction - Alison Sinclair and Samuel Llano The Lawyers' Reality: Wrongdoing in Spain in the Era of Codification - Matt Dyson and Aniceto Masferrer Murder in the Batey: Spanish Justice in the Atlantic Colony (1890-92) - Wadda C. Ríos-Font Crime, psychology, and 'being a medium' in Spain in the Early Twentieth Century - Belén Jiménez Alonso Brain States, Sanity, and Wrongdoing: The Neurophilosophy of Pedro Mata - Andrew Ginger Between the Lunatic Asylum and the Street: Illness, Crime and Dissidence in El caso clínico by Antonio de Hoyos y Vinent - Isabel Clúa Ginés Against Seemliness: Excess and Its Limitations in Popular Literature - Alison Sinclair Dubious identity: the Fontanellas Case (1861-1865) - Raquel Sánchez Mad, Bad or Typically Spanish? Don Benito: Chronotope of a Crime and Its Significance - Patricia McDermott Fantasies of Passing: The Bandit as Cultural Motif in Late 1920s and Early 1930s Spain - Jo Labanyi Sacrificial Performances: Confronting discourses on Prostitution in Dulce Dueño - Nuria Godón Street Music, Honour and Degeneration: The Case of Organilleros - Samuel Llano Fear in the City: Social Change and Moral Panic in Madrid in the Early Twentieth Century - Rubén Pallol Journeys to the Catacombs: Forbidden People and Spaces in Modern Madrid (1900-1936) - Fernando Vicente Albarrán Against the Death Penalty: a Campaign for Clemency in 1914 - Óscar Bascuñán Añover Index

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Book SynopsisA full exploration of Galdós's treatment of questions relating to the creation and distribution of wealth in the modern money-centred society of Restoration Spain. Winner of the 2017 Peter Bly Award of the Asociación Internacional de Galdosistas Rich and Poor follows Galdós's narrative of the ascent of the bourgeoisie in the speculative climate which resulted from the economic policies of the liberal State. The book also considers the way he portrays the consequences of these policies on the people left behind by the development of capitalism in Spain. Ridao Carlini brings recent scholarshipon nineteenth-century Spanish history together with a wealth of contemporary material--journalism, essays, pamphlets and costumbrista sketches of manner. In this way Galdós's novels are shown to participate in the varied currentsof critical thought - both conservative and socially radical--which questioned the theoretical basis of the Spanish liberal system from the mid-nineteenth century onwards. To this day no other critical work on Galdós has analysed the financial and economic aspects of Galdós's mature novels in the depth they deserve. Ridao Carlini shows that these aspects are central, both to the novels' narrative and to Galdós's understanding of Spanish society as the nineteenth century drew to a close. She also reveals Galdós's perception--one which he shares with other contemporary authors--that he was living through a time of unforeseeable social transformation. Galdós's work appears particularly relevant to us today, since we, like him, live in a time marked by a perception of social and economic uncertainty. Inma Ridao Carlini is a Teaching Fellow in Hispanic Studies, University of Leicester.Table of ContentsAcknowledgements Abbreviations Introduction Changing Fortunes and the Financial World in Galdós's Lo prohibido From Usurer to Marqués: Lending and Social Advancement in the Torquemada Novels Revolution and the Politics of Religion in Ángel Guerra The cuestión social in Misericordia Afterword Bibliography Index

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Book SynopsisA lively and accessible introduction to Machado de Assis and his work Machado de Assis (1839-1908) is a world-class writer and arguably the greatest of Brazilian literature. Susan Sontag deemed him "the greatest writer ever produced in Latin America," and Harold Bloom, "the supreme black literary artist to date." John Updike called him a "master," and Carlos Fuentes, a "miracle." This book guides the reader through Machado's biography, times, and critical reception and examines his various personas - the translator, poet, playwright, critic, cronista, short story writer, and novelist - paying particular attention to his fictional prose, which most clearly conveys his acerbic criticism of Brazilian society and his deft view of the human condition. The book closes with an updated list of Machado's works available in English translation and a selection of further critical studies.Table of ContentsList of Illustrations A Note on Translations Acknowledgments Chapter One: "Better than Borges" Chapter Two: Machado de Assis: Life and Ethos Chapter Three: Translation, Poetry, and Drama: The Quest for Greatness Chapter Four: Criticism and Crônica: The Quest for Greatness Continues Chapter Five: Short Stories: The Dialectical Other Chapter Six: Novels: Lights! Camera! Digression! Chapter Seven: The World Keeps Changing to Remain the Same Chapter Eight: The Machado Dictionary Appendix One: Machado de Assis in English Appendix Two: On Machado de Assis in English Bibliography

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Book SynopsisCombining a rich depiction of historical customs with genuine admiration for the Muslim legacy of Andalucia, El ferí de Benastepar is a previously unknown novel by Spanish writer José Miguel Hué y Camacho (1803-1841) that relates the doomed romance between Castilian lady Elvira de Castro and the eponymous ferí de Benastepar, Abenamet, a morisco chief.Trade ReviewThis previously unedited novel is a significant contribution to our knowledge of nineteenth-century writers like Miguel Hué y Camacho who opted to reimagine the relations between Christians and Moors during the Morisco rebellions following the fall of Granada. Luckily, El ferí de Benastepar has found itself in the capable hands of editors Javier Muñoz de Morales Galiana and Daniel Muñoz Sempere, who offer us a wide window into the originality and multiple sources of the novel. -- Lou Charnon-Deutsch * Emeritus Professor of Hispanic Languages and Literature at Stony Brook University *Table of ContentsIntroducción Autoría de la novela: José Miguel Hué y Camacho, 'el Andaluz' (1803-1841) Fuentes de la novela: El orientalismo romántico y la segunda vida de la novela morisca Temas, estructura y personajes Amor romántico y literatura fronteriza Nota al texto El ferí de Benastepar, o los moros de Sierra Bermeja

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Book SynopsisMendele Mocher Sefarim's seven novels constitute the most important and influential body of work in modern Jewish prose fiction written prior to the First World War. These novels-five of which he wrote twice, once in Yiddish and once in Hebrew-are devastating satiric portraits of Jewish life in nineteenth-century Russia. They are permeated by Mendele's passion for social change, and an often equally passionate contempt for his own people for failing to achieve it. David Aberbach, exploring these passions in terms of the psychology of prejudice and self-hate, provides the first full-length analysis of the tension between realism and caricature in Mendele's descriptions of his fellow-Jew. At the same time, his analysis conveys Mendele's fascinating social and psychological insights into the forces which led to the mass emigration of Jews from Russia before the First World War, to the rise of Zionism, and to Jewish involvement in the socialist and revolutionary movements in Russia at the turn of the century. The picture is broadened through references to contemporary Russian literature so as to portray these forces in the context of Russian society at the time. Aberbach's skilful presentation allows the reader to gain access to Mendele's works through many tantalizing excerpts, with some of the key passages provided in Hebrew and Yiddish as well as in Aberbach's lively translation. He also makes available the considerable body of Mendele scholarship that has been published in Hebrew in recent years. From this fascinating and lucid work, scholars and general readers alike will gain a new understanding not only of the social realities of Jewish life in tsarist Russia but also of how the self-image of an ethnic minority may be affected and even determined by the character and social problems of the majority culture.Trade Review'A useful introduction ... Aberbach is rightly critical of, as well as enthusiastic about, his author. Transliterations of Hebrew and translations of Yiddish help the non-specialist.' Forum for Modern Language Studies 'There is much in this book on Mendele's confused psychological state of mind, even seeking to interpret the dreams described in his stories as indicative of that state ... This book will do much to take readers beyond the stereotypical image of Mendele as the amusing satirist of shtetl mores and provoke interest in him as a key figure in modern Jewish literature.' Barry Davis, Jewish Book News & Reviews 'Considerable achievement in making Mendele's writing more accessible to English readers.' Risa Domb, Jewish Chronicle 'Aberbach has now performed the difficult and vastly important feat of rendering a mass of remote material accessible to the general public, offering an account of the sources and their versions, summarizing their contents, and also making it available to the English-speaking reader. There are also very valuable extracts presented in the original languages, together with an account of the editions.' Leon I. Yudkin, Journal of Semitic StudiesTable of ContentsNote on transliteration Map: The World of Mendele Mocher Sefarim Introduction 1 The Five Twice-Told Novels 2 Mendele and Abramowitz: Anatomy of Self-Caricature 3 Antisemitism and Jewish Self-Hate in Mendele 4 Mendele's Realism and the Struggle for Change 5 Loss and Wandering in Mendele Conclusion Bibliography Index

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Book SynopsisThis book explores the theme of gambling in a wide range of nineteenth-century English novels. It examines the representation of gambling in the novels themselves and the role that gambling played in the lives of the individual novelists. It also considers the significance of gambling in the novels within the wider context of the development of Victorian society. Following an historical overview, the book comprises individual chapters on: Benjamin Disraeli, Charles Dickens, William Makepeace Thackeray, George Eliot, Thomas Hardy, Anthony Trollope and George Moore. Gambling in the Nineteenth-Century English Novel not only provides fresh readings of established texts within a distinctive social and cultural context, but is also a comprehensive barometer of the social history of the time as attitudes towards leisure changed. It is essential reading for all those interested in the development of English society and culture in the Victorian era. Gambling occurred in all strata of society and was a national pastime. The pursuit of gambling took many forms: from after-dinner cards to pugilism, and indeed Stock Exchange transactions were considered by many to be gambling at its worst.

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Book SynopsisAunt Tula (La tia Tula), published in 1921, is one of the few novels written by Miguel de Unamuno to centre on a female protagonist. It is a vivid, nuanced portrait of the intelligent, wilful and yet vulnerable Tula. Despite having no biological children of her own, the unmarried Tula becomes the primary maternal figure for successive generations of children; some related to her, others not. Her chaste maternity is presented as a complex response to her long-held, self-sacrificing romantic love for her brother-in-law, her antipathy for the submissive role expected of bourgeois married women, and Tula's fear of her own physicality. Julia Biggane's translation captures the accessibility of style and richness of literary substance in the original, and the introduction equips the reader with an understanding of the text's wider material contexts and historical significance. Of special interest is the novel's representation of womanhood and maternity, itself inflected by wider social changes in countries across Western Europe and Russia during the first two decades of the 20th century.Table of Contents Acknowledgements Introduction Bibliographical Note Tia Tula / Aunt Tula Notes

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Book SynopsisAunt Tula (La tia Tula), published in 1921, is one of the few novels written by Miguel de Unamuno to centre on a female protagonist. It is a vivid, nuanced portrait of the intelligent, wilful and yet vulnerable Tula. Despite having no biological children of her own, the unmarried Tula becomes the primary maternal figure for successive generations of children; some related to her, others not. Her chaste maternity is presented as a complex response to her long-held, self-sacrificing romantic love for her brother-in-law, her antipathy for the submissive role expected of bourgeois married women, and Tula's fear of her own physicality. Julia Biggane's translation captures the accessibility of style and richness of literary substance in the original, and the introduction equips the reader with an understanding of the text's wider material contexts and historical significance. Of special interest is the novel's representation of womanhood and maternity, itself inflected by wider social changes in countries across Western Europe and Russia during the first two decades of the 20th century.Table of Contents Acknowledgements Introduction Bibliographical Note Tia Tula / Aunt Tula Notes

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Book SynopsisJane Austen is one of the most extensively read writers in English literature, renowned around the world for her much-loved romantic novels. Little is often known about this brilliant author, yet in this absorbing collection of stories and trivia readers will find answers to the amazing and extraordinary aspects of Austen’s life, work and legacy. From her development as a world-class author from unassuming origins and the secrets of her own life and loves, through insights into her novels and their characters along with the changing reception to them over the years, to intriguing stories behind the screen and stage adaptations of her works and her continued legacy, there is something for every enthusiast to relish. This authoritative and absorbing book is published to coincide with the 200th Anniversary of Austen’s death in 2017.Table of Contents1 Class act 10 2 'Bad reckoners' 12 3 112-year association 13 4 Happy home 15 5 Three grand houses 17 6 Second Farmer George 18 7 The Loiterer 20 8 Chosen as heir 22 9 Juvenile parody 25 10 Jane and Cassandra 27 11 Good friends 29 12 Leading lady 31 13 Death in the Caribbean 34 14 The Tom Lefroy affair 36 15 Novel beginnings 37 16 Wishful thinking? 39 17 Gold chains and topaz crosses 41 18 Strange scandal 43 19 'It's all settled!' 44 20 Affairs of the heart 47 21 Lure of Lyme 48 22 Sudden death 50 23 To the rescue 51 23 Opulent magnificence 53 24 Seaside interlude 55 25 Centre of creativity 57 26 Solitary sketch 59 27 First publication 59 28 'My own darling child' 63 29 Authorship revealed 65 30 Comic spirit 66 31 Universal truths 68 32 Mixed reactions 70 33 Delightful pilgrimage 72 34 'A rogue... but a civil one' 73 35 Scott's adulatory review 75 36 By royal permission 77 37 The duties of aunts 79 38 Cinderella revisited 82 39 In her sister's arms 84 40 Gothic parody 86 41 Literary genius ignored 88 42 Novel fragment 90 43 Early critics 91 44 'Highest esteem' 93 45 Facts of life 95 46 'Swell show' 96 47 Editor's hand 98 48 Cult status 100 49 White gowns and bonnets 101 50 Desert Island books 103 51 Darcymania 106 52 Zombie mash-up 107 53 Gripping continuation 108 54 Sparking a Twitterstorm 110 55 Social implications 112 56 Manly men 114 57 Spotlight on Cincinnati 116 58 Literary legacy 118 59 Screen legacy 120

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Book SynopsisIn 1857 the French poet Charles Baudelaire, who was fascinated by lesbianism, created a scandal with Les Fleurs du Mal [The Flowers of Evil]. This collection was originally entitled "The Lesbians" and described women as "femmes damnees," with "disordered souls" suffering in a hypocritical world. Then twenty years later, lesbians in Paris dared to flaunt themselves in that extraordinarily creative period at the turn of the 19th and 20th centuries which became known as the Belle Epoque. Lesbian Decadence, now available in English for the first time, provides a new analysis and synthesis of the depiction of lesbianism as a social phenomenon and a symptom of social malaise as well as a fantasy in that most vibrant place and period in history. In this newly translated work, praised by leading critics as "authoritative," "stunning," and "a marvel of elegance and erudition," Nicole G. Albert analyzes and synthesizes an engagingly rich sweep of historical representations of the lesbian mystique in art and literature. Albert contrasts these visions to moralists' abrupt condemnations of "the lesbian vice," as well as the newly emerging psychiatric establishment's medical fury and their obsession on cataloging and classifying symptoms of "inversion" or "perversion" in order to cure these "unbalanced creatures of love." Lesbian Decadence combines literary, artistic, and historical analysis of sources from the mainstream to the rare, from scholarly studies to popular culture. The English translation provides a core reference/text for those interested in the Decadent movement, in literary history, in French history and social history. It is well suited for courses in gender studies, women's studies, LGBT history, and lesbianism in literature, history, and art.Trade ReviewAn authoritative study that reveals how Sapphists were associated with the first expressions of a feminism that threw the popular imagination off balance and produced such inexhaustible fantasies. -- Marc Emile Baronheld Elle Belgique A marvel of elegance and erudition... Natalie Clifford Barney the Amazon, the tortured personalities of Renee Vivien and Lucie Delarue-Mardrus, the character of Claudine so smartly portrayed by Colette, Madame Adonis by Rachilde... Albert has brought these forgotten personages back to life with passion... The sterile and flamboyant lesbian with a mysterious and pernicious eroticism ended up embodying the spirit of the fin-de-siecle and by symbolizing to perfection the excesses of Decadence. -- S. M. Revue Inverses In Lesbian Decadence, Nicole G. Albert delves deeply into the history of lesbian representation and uses her finely sharpened pen to reveal to us the fascination which the descendants of Sappho exercised [on readers at the turn of the last century]... One of the greatest strengths of Albert's book is not to stop at the canonical works but to include hundreds of sources from scholarly philology to popular caricatures. -- Laure Murat Magazine Tetu This book presents a richly detailed portrait of 'the lesbian,' an image foregrounded in the world of arts and letters in the Belle Epoque. Fantasies connected to the kinds of 'deadly pleasures' that women enjoyed among themselves, often when they were intoxicated by opium, resulted in an enormous number of books, articles, and illustrations that the author has brought to light for us with stunning erudition. -- P. K. Le Monde At last Nicole Albert's landmark study of the place of 'the lesbian' in fin-de-siecle French culture is available in English! Exhaustively researched and newly updated, Albert's book draws on a wide variety of sources from literature, the arts, journalism, and the emerging field of sexology. Albert demonstrates how 'sapphism' was imagined and re-imagined by observers, and how the Belle Epoque vogue for lesbianism created a spectral figure both 'demonized and poeticized.' Situated at the intersection of history and literature, Lesbian Decadence should be of interest to everyone interested in a deeper understanding of how culture is shaped by notions of gender and sexuality. -- Michael Wilson, Associate Dean for Graduate Studies, University of Texas By far the most authoritative book on how lesbianism, with its many distinct but related aspects, is depicted in decadent discourse of the French Fin de Siecle. The book is itself a jewel of decadent criticism: multi-faceted, studded with insights, and beautifully wrought. -- Melanie Hawthorne, Professor of French, Department of International Studies, Texas A&M University Albert's book is a treat for American LGBT Studies researchers. She provides us with a treasure trove of paintings, drawings, and cartoons... Lesbian Decadence will not only be cited heavily in future nineteenth century LGBT Studies research, but it brings the amazing scholarship of Erber and Peniston to light as well. Best of all, due to its multiple illustrations, it is a fun read for academic non-fiction, and will inspire us in English-speaking countries to learn more about our French cousins. -- Rachel Wexelbaum Lambda Literary Including an excellent bibliography, this book will interest students of fin-de-siecle France, LGBT history, and gender studies. CHOICE [Lesbian Decadence] brings together an astonishingly wide range of literary, artistic, medico-scientific, and historical sources to catalogue and trace the many ways in which lesbianism was anything but invisible at the fin-de-siecle. -- Annabel L. Kim H-France Review Remarkably learned. -- David Charles Rose Women's History ReviewTable of ContentsList of IllustrationsAcknowledgmentsTranslators’ NoteProloguePart I. “At that time, Sappho was reborn in Paris”1. Sappho: The Resurrection of a Myth2. The Poets’ Muse3. Lesbos; or, The Topography of a VicePart II. “Her Traits, Her Vices, and Her Sexual Aberrations”4. The Birth of the Female Invert5. A Vice or an Illness?6. A Heroine at the Crossroads of Medicine and Literature7. When the Third Sex Comes Out8. Madame Don Juan, Arlequine, and OthersPart III. “Damned Women or Exquisite Creatures? ”9. Deadly Pleasures10. The Half-Women11. Female Narcissus12. Female Spaces, Male GazeNotesBibliographyIndex

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Book SynopsisNeo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.Table of Contents1. Introduction: Stuff and Things: Introducing Neo-Victorian Materialities2. Objects and Memorabilia in Deborah Lutz’s The Brontë Cabinet: Three Lives in Nine Objects3. “Around the Mizzenpole”: Charles Johnson’s Middle Passage and African Americanizing the Neo-Victorian-at-sea4. Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture5. An Instrumental Thing: Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner6. “Wilful Phantoms”: Haunted Dress, Memory, and Agentic Materiality in Colm Tóibín’s The Master7. The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House8. There’s Something in the Tea: Murder and Materiality in Dark Angel9. Criminal Things: Sherlock Holmes’ Details of Detection and Their Neo-Victorian Revisions10. The Sleight of Hand: Appearance and Disappearance of Things in Neo-Victorian Magic

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Book SynopsisDrawing on the figure and discourses of the Victorian fin-de-siècle New Woman, this book examines women writers who struggled with conservative, patriarchal ideologies of motherhood in novels, periodicals and life writings of the long modernist period. It shows how these writers challenged, resisted, adapted and negotiated traditional ideas with their own versions of new motherhood, with needs for identities and experiences beyond maternity. Tracing the period from the end of the nineteenth century through the twentieth, this study explores how some of the numerous elements and forces we identify with modernism are manifested in equally diverse and often competing representations of mothers, mothering and motherhood. It investigates how historical personages and fictional protagonists used and were constructed within textual spaces where they engaged critically with the maternal as institution, identity and practice, from perspectives informed by gender, sexuality, nationhood, race and class. The matrifocal literatures examined in this book exemplify how feminist motherhoods feature as a prominent thematic of the long modernist era and how rebellious New Woman mothers provocatively wrote maternity into text and history.Table of ContentsChapter 1: The “persistent rebels” of Maternal ModernismChapter: The New Woman, New Modernisms, and New MotherhoodsChapter 3: Mothers in New Woman Fiction: “the terra incognita of herself”Chapter 4: “The ‘momentousness’ of motherhood”: Maternal Ideologies, Discourses, and Debates in The Freewoman: A Weekly Feminist Review and The Freewoman: A Weekly Humanist ReviewChapter 5: “The Title Role of ‘Mother’”: Silent-Film Stardom and Celebrity Maternity in Photoplay MagazineChapter 6: “Freedom and childbearing”: Prams, Politics, and Literary Life in NewWoman Autobiographies of the Interwar EraChapter 7: “A mother, a wife, a worker and a wonder-woman”: Matroethnography, Black Feminism, and Postcolonial New Womanhood in Buchi Emecheta’s London NarrativesChapter 8: Coda: New Womanism in the Twenty-First Century

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Book SynopsisThis interdisciplinary collection of essays explores the life and work of Charlotte M. Yonge, a highly influential and popular nineteenth-century writer who is emerging from a long period of critical neglect. Its wide-ranging chapters capture the scope and quality of current work in Yonge studies, addressing the full range of her prolific literary output from her best-selling novels to her nature writing, biographies, and letters. Considering themes from gender, disability, and empire, to Tractarianism, secularism, and the idea of progress, these essays consider how Yonge reflected and shaped the tastes, ideas and anxieties of her readers and contemporaries. Exploring her key role in the Anglican revival, her importance as a test case in the development of feminist criticism, and her formal innovativeness as a novelist, this collection places Yonge centrally in the nineteenth-century literary landscape and demonstrates her ongoing relevance to scholars and students of the period.Table of Contents1. Charlotte M. Yonge and the Concept of Conservative Community - Rosemary Mitchell.- 2. A Woman’s Outlook: Charlotte Yonge’s Sense of Place - Julia Courtney.- 3. Charlotte M. Yonge, Empire and the Wider World - Terry Barringer.-4. Charlotte M. Yonge and the Long Victorian Family: Instructing the “Mother-Sister” - Tamara Wagner.- 5. Disability and Bioethics in Yonge’s Novels - Martha Stoddard Holmes.- 6. “What I can myself remember”: Charlotte M. Yonge’s Life Writing - Valerie Sanders.- 7. ‘Hard cash is a necessary consideration’: Money and Class in Charlotte M. Yonge’s Fictional Portrayals of Contemporary Family Life - Susan Walton.- 8. ‘A lady with a profession’: Governesses in the Novels of Charlotte M. Yonge - Clare Walker Gore.- 9. Providence and Progress: Science, Education and the Professions in Charlotte M. Yonge - Clemence Schultze.- 10. Charlotte M. Yonge and the Vocation of Childhood: Youth and Social Critique in Yonge’s novels - Gavin Budge.- 11. Changing Anglican Religious Practice, the Material Culture of Church Building, and the Novels of Charlotte M. Yonge (William Whyte).- 12. Yonge’s Missions: At Home and Abroad - Barbara Dennis.- 13. “I am too high church and too narrow”: Charlotte M. Yonge and Alexander Macmillan - Ellen Jordan.- 14. Charlotte Yonge and Feminist Criticism - Talia Schaffer.

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Book SynopsisThis book develops our understanding of the global literary field in the long nineteenth century by discussing nine different places outside the established metropoles. It shows how different economic, geographical and political factors combined to give each place its own distinctive literary culture and symbolic capital. Taking a geocritical approach, the book shows how its different case studies can be seen as ‘literary capitals’ in terms of their role within the wider nation, region or empire. The volume is divided into three parts. Part One discusses Kolkata, Hong Kong and Buenos Aires. Part Two considers ‘semi-peripheral’ European cities: Pest-Buda (Budapest), Helsinki and Dublin. Part Three focuses on cities within Italy: Trieste, Florence and Rome. Drawing on a wide range of literary texts and different genres, the book reads the nineteenth-century literary field as a constellation where different connections can be plotted across various points on the map at different times. Table of Contents1 Introduction: Literary Capitals in the Long Nineteenth Century—Spaces beyond the Centres Part I Beyond Europe2 Producing the Colonial Capital: Calcutta in Handbooks 3 World-Weaving in Nineteenth-Century East Asia: The Case of Hong Kong’s Earliest Chinese Newspaper, Gems from Near and Afar (Chinese Serial) 4 Turn-of-the-Century Buenos Aires: A Capital of Queer Spectacles Part II Redefining Peripheries 5 Bilingual Authors, Multilingual Printing Presses and‘Informal Capital’: Pest-Buda in the Early Nineteenth Century 6 Helsinki or Helsingfors? Jean Sibelius and the Stage 7 ‘A Place in Hungary’: The Phantasmal Dublin of Ulysses Part III Polycentric Italy 8 Trieste’s ‘Adventurers of Culture and Life’ 9 Untimely, Modern City: Literary Interventions on Florence as an Intellectual Capital at the Turn of the Century 10 From World Capital to National Capital: Literary Periodicals and the Construction of Modern Rome

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Book SynopsisExpanding Austenland: The Pride and Prejudice Fanfiction Archive explores Jane Austen’s reception in popular culture through an exploration of the ever-expanding terrain of online fanfiction, professionally published (profic) texts, and other intertextual reworkings inspired by the author’s most popular novel, Pride and Prejudice. The book argues that given its pervasiveness, Pride and Prejudice could be usefully considered not as a single novel, but as an entire ‘archive’ of interrelated texts, or as a portal that opens a ‘virtual world’ for readers to expand and explore. By examining the Pride and Prejudice archive of interrelated texts, this book analyses the process through which an individual novel can develop a virtual life, or afterlife. The evolving world that is opened by Pride and Prejudice, and extended and enriched through fanfiction, is conceptualised in the monograph as ‘Austenland’.Table of Contents Chapter 1 ‘She stimulates us to supply what is not there’: Expanding Austen’s world through fanfiction Chapter 2 ‘Light and bright and sparkling’ – Pride and Prejudice and fairy tales Chapter 3 ‘You must allow me to tell you how ardently I admire and love you’ – Darcymania takes over Chapter 4 ‘An arrival in Austenland’: The virtual world of Pride and Prejudice Chapter 5 ‘Are the shades of Pemberley to be thus polluted?’ – Zombies and vampires invade Pride and Prejudice Chapter 6 ‘How differently did everything now appear’ – The Lizzie Bennet Diaries and transmedia storytelling Chapter 7 ‘There’s no one to touch Jane when you’re in a tight place’: Pride and Prejudice and the pandemic

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Book SynopsisChapter 1: Introduction.- Part I: Women's Writing of the 1880s.- Chapter 2: Edith Simcox on George Eliot: Transgendered Portraits in Episodes in the Lives of Men, Women, and Lovers.- Chapter 3: Domestic Metaphors and Scientific Illustration: Frances Power Cobbe and the Anti-Vivisection Movement in the 1880s.- Chapter 4: A ghost indeed': Spectralising the Female Householder in Margaret Oliphant's 1880s Fiction.- Chapter 5: Between the Aesthete and the Shopworker: Mind And Labour In Vernon Lee And Amy Levy.- Chapter 6: Writing for the Masses: Ouida and Newspaper Syndication.- Chapter 7: Adopting the Next Generation: Parenting in Women's Writing of the 1880s.- Chapter 8: Spelt from Sibyl's Leaves: Anna Kingsford's Dreams and Dream-Stories (1888).- Chapter 9: We are one': Fellowship Ideals and Social Transformation in Mona Caird's The Wing of Azrael.- Part II: Women's Writing of the 1890s.-

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Book Synopsis.- Chapter One: Introduction.- Chapter Two: Touch in the Egyptianised Gothic.- Chapter Three: Comparative Olfactory Encounters in Late Victorian Mummy Fiction.- Chapter Four: Gaze, The Mummified Body and The Iconography of Colonialism.- Chapter Five: Sound Imperialism in the Egyptianised Gothic.- Conclusion: Mummy Consumption, Tutmania and the End of the Egyptianised Gothic.

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Book SynopsisDas Handbuch gibt erstmals einen umfassenden Überblick über das Gesamtwerk Wilhelm Raabes (Erzähltexte, Lyrik, Zeichnungen) sowie seine literatur- und kulturgeschichtlichen Kontexte. Hinzu treten biografische, editorische, poetologische und rezeptionsgeschichtliche Grundlagen zum Verständnis von Raabes Leben und Werk. Als führender Autor des 19. Jahrhunderts war Raabe nicht nur Vertreter des Realismus, sondern stellte die ideologischen, erkenntnistheoretischen und ästhetischen Parameter realistischen Erzählens immer schärfer auf die Probe, um am Jahrhundertende an die Schwelle zur Moderne zu gelangen.Trade Review“... Insgesamt ist so ein Handbuch gelungen, das einen schnellen Zugriff auf eine Fülle von Informationen erlaubt, das die umfangreichen bestehenden Forschungsergebnisse einordnet sowie verdichtet und darüber hinaus frische Perspektiven eröffnet …” (Philipp Böttcher, in: Arbitrium, Jg. 36, Heft 2, 2018)“... Insgesamt haben die Herausgeber mit dem Raabe-Handbuch ein hervorragendes Werkzeug zur Erschließung und Vermessung der Raabe’schen Werke geschaffen. An vielen Stellen – insbesondere bei den weniger bekannten Texten aus Raabes mittlerer Periode – tragen die Autor*innen des Handbuchs Entscheidendes zur Erforschung bei, so dass sich im Handbuch nicht nur der Stand der Forschung ablesen lässt, sondern Forschungspositionen aktiv erarbeitet werden ...” (Cord-Friedrich Berghahn, in: Germanisch-Romanische Monatsschrift, Jg. 66, Heft 4, 2016)“... einen sehr substantiellen, perspektivenreichen und in einigen Punkten über das Bekannte hinausführenden, dabei aber gut lesbaren Band handelt, der in Zukunft für die Beschäftigung mit Raabe eine unverzichtbare Grundlage abgeben wird.” (Christian Begemann, in: Zeitschrift für Germanistik, Jg. 27, Heft 3, 2017)Table of ContentsGrundlagen.- Werke und Werkgruppen.- Kontexte, Themen und Diskurse.- Anhang

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Book SynopsisDieses Lehrbuch informiert umfassende über die Literatur der deutschen Romantik von der Frühromantik bis zu den Ausläufern der Spätromantik um 1830/40. Der Autor versteht die deutsche Romantik als eine literarische Revolution, von der entscheidende Impulse für eine literarische Moderne in ganz Europa ausgehen. Der Band skizziert die kultur- bzw. sozialgeschichtlichen sowie die philosophischen und wissenschaftlichen Kontexte der Romantik sowie die romantische Poetik und Ästhetik. Den Hauptteil bildet die ausführliche Darstellung zentraler Werke der verschiedenen Gattungen. Für die 4. Auflage wurde der Band durchgesehen und insbesondere bibliographisch aktualisiert.

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Book SynopsisEine „tägliche […] Buchführung mit sich selbst“ war für Goethe von großer Bedeutung, wie er 1827 gegenüber Kanzler Friedrich von Müller formulierte. Seine überlieferten Tagebücher machen rund zehn Prozent seines literarischen Nachlasses aus und erstrecken sich über einen Zeitraum von 57 Jahren. In der neuen historisch-kritischen Edition werden die Texte – im Unterschied zur Weimarer Ausgabe von Goethes Werken – ohne Eingriffe durch die Herausgeber nach den Handschriften wiedergegeben. Ein Apparat verzeichnet sämtliche zeitgenössischen Korrekturen und Ergänzungen sowie die Wechsel der Schreiber. Ein umfangreiches Register der direkt und indirekt im Tagebuch genannten Personen, Werke und Orte sowie ein Register zu Goethes Werken erschließen den Text. Ein ausführlicher Kommentar im zweiten Teilband erläutert und kontextualisiert die Notate und macht sie dadurch mit Gewinn lesbar.Table of ContentsEinleitung.- Text.- Register

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Book SynopsisNur wenige deutsche Dichter erfahren eine ähnlich starke Aufmerksamkeit bis in die jüngste Gegenwart wie Friedrich Hölderlin. Das Handbuch, seit vielen Jahren das Standardwerk zur Hölderlin-Forschung, informiert in der Neuauflage detailliert über den aktuellen Forschungs- und Wissensstand. Es analysiert das gesamte Werk des Dichters und behandelt darüber hinaus die Biographie im Kontext der Epoche, die Voraussetzungen für das Werk, die Poetologie und schließlich die Rezeption Hölderlins. So werden verschiedene Zugangsweisen und die Vielfalt der Denkmotive Hölderlins transparent. In der zweiten Auflage wurden zahlreiche Artikel neu verfasst und ergänzt.Trade Review“... Studierende, die zum ersten Mal Hölderlins Werk begegnen und sich auf das mehr oder weniger unüberschaubare Gebiet der Hölderlin-Forschung wagen, wie auch Forscher:innen auf diesem inzwischen hyperspezialisierten Gebiet, die neue Bereiche erkunden möchten, finden im neuen Hölderlin-Handbuch einen Ausgangspunkt dafür.” (Hannah Vandegrift Eldridge, in: Hölderlin-Jahrbuch, Jg. 42, 2020-2021)Table of ContentsI Druckgeschichte.- II Zeit und Person.- III Voraussetzungen, Quellen, Kontext.- IV Poetologie.- V Werk.- VI Rezeption.- VII Nachwirkungen.​

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Book SynopsisDie Gesamtausgabe der Briefe an Goethe in Regestform erschließt mehr als 19.800 Briefe von etwa 3.500 Absendern. Die bisher erschienenen neun Bände umfassen den Zeitraum 1764 bis 1822 und präsentieren über 14.000 Briefregesten. Das mehrgliedrige Regest informiert über den Inhalt des Briefes und stellt ihn in den Zusammenhang von Goethes persönlichen Korrespondenzbeziehungen. Die Briefregesten werden durch Orts-, Personen- und Werkregister ergänzt. Band 10 dokumentiert Goethes persönliche Korrespondenz in den Jahren 1823 und 1824. Er umfasst die Regesten von fast 1.100 Briefen von 448 Absendern.Table of ContentsRegesten 1823-1824.- Personenregister.- Register der Entstehungsorte.- Goethe-Werkregister.- Allgemeines Werkregister.- Addenda.

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Book SynopsisIst musikalische Romantik eine Epoche, ein Stil oder bloß Kitsch? Wird sie von Literaten um 1800 erfunden? Ist Ludwig van Beethoven ein waschechter Romantiker oder doch erst Robert Schumann oder Richard Wagner? Irrt E.T.A. Hoffmann, wenn er schon Joseph Haydn und Wolfgang Amadé Mozart zu Romantikern erklärt? Und vor allem: Wann fängt die Romantik eigentlich an? - Das Buch begibt sich auf Spurensuche nach den Anfängen der Romantik, beobachtet einen Wandel im Nachdenken über Musik, zeigt Ästheten, Literaten und Musiker in ihren Debatten um moderne und experimentelle Konzepte des Komponierens und Schreibens. - Musik hat mehr als nur Teil am wirkmächtigen Ereignis der Romantik um 1800, das unsere Moderne geprägt hat wie wohl kaum eine andere Weltsicht der letzten Jahrhunderte. Sie sorgt für nachhaltige Hörerlebnisse der um 1770 geborenen Künstler, sie konfrontiert mit Neuem, Unerhörtem, sie entführt eine ganze Generation in Geisterreiche und Traumbilder. Sie ist nichts weniger als mitverantwortlich für die Anfänge der Romantik überhaupt. Das Buch begleitet diese Entwicklung bis zu Hoffmanns berühmter Rezension der 5. Sinfonie Beethovens aus dem Jahre 1810: als Ende des Anfangs.Table of Contents(Musikalische) Romantik: Was ist das?.- Literaten hören Musik.- Die Musik spricht, oder nicht?.- Neue Modelle: Reflexion und Kritik .- Neue Autorkonzepte .- Die Entdeckung des Hörers .- Alte Geschichte(n): Neue Inspiration.- Romantische Orte im Lyrischen und Idyllischen .- Relaunch: Fantasie, Arabeske und Nachtstück .- Neue Werkkonzepte: Offenheit und Fragmentarik .- Romantische Kippfiguren: Ironie und Ambiguität.- Mozart, ein Romantiker?.- Das Ende vom Anfang: Hoffmann rezensiert Beethoven.- Personen- und Werkregister

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Book SynopsisDas Kleist-Jahrbuch 2022 dokumentiert die Verleihung des Kleist-Preises 2020 im November 2021 mit den Reden des Preisträgers Clemens J. Setz, der Vertrauensperson der Jury Daniela Strigl und des Präsidenten der Heinrich-von-Kleist-Gesellschaft Günter Blamberger. Den Schwerpunkt bilden die von Andrea Allerkamp und Martin Roussel betreuten Beiträge der internationalen Jahrestagung der Heinrich-von-Kleist-Gesellschaft 2021 ›Um einen Kleist von außen bittend‹ (u.a. von László F. Földényi, Rüdiger Görner, Andrea Pagni, Paul Michael Lützeler und Carlotta von Maltzan). Abhandlungen zu Kleists Werken und Rezensionen wissenschaftlicher Neuerscheinungen zu Kleist sowie zu seinen historischen und systematischen Kontexten beschließen den Band.Table of ContentsVerleihung des Kleist-Preises 2020.- Internationale Jahrestagung der Heinrich-von-Kleist-Gesellschaft 2021 ›Um einen Kleist von außen bittend‹. Bestandsaufnahme – Über-Setzungen – Konstellationen – Fallgeschichten.- Abhandlungen.- Rezensionen.- Anhang.

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Book Synopsis2022 erscheint der 61. Jahrgang des Heine-Jahrbuchs. Er enthält u. a. Untersuchungen zu zwei der berühmtesten lyrischen Werke Heines: eine narratologische Analyse der „Heimkehr“ und eine Quellenstudie zum „Sklavenschiff“. Neben Artikeln von Norbert Waszek über Heines Verhältnis zu dem französischen Philosophen Victor Cousin, Ernst-Ulrich Pinkert über Heine-Rezeption in Dänemark und von Inge Rippmann und Joseph A. Kruse über Literatur und Judenemanzipation im 19. Jahrhundert präsentiert er bisher unbekannte Briefe Heinrich Heines.Table of ContentsSiglen.- Aufsätze.- Heinrich-Heine-Institut. Sammlungen und Bestände aus der Arbeit des Hauses.- Buchbesprechungen.- Heine-Literatur 2021 mit Nachträgen.- Veranstaltungen des Heinrich-Heine-Instituts und der Heinrich-Heine-Gesellschaft e. V. Januar bis Dezember 2021.- Ankündigung: 26. Forum Junge Heine-Forschung, Heinrich-Heine-Institut, Düsseldorf, 9. Dezember 2023.- Abbildungsnachweise.- Hinweise für die Manuskriptgestaltung.- Mitarbeiterinnen und Mitarbeiter des Heine-Jahrbuchs 2022.

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Book SynopsisAbbildungsverzeichnis.- Tabellenverzeichnis.- 1 Eine Poetik der Liebe in bedrohter Zeit.- 2 Vorbemerkungen zur Sprache.- 3 Forschungsstand.- 4 Eigener Forschungsansatz.- 5 Zur Methode.- 6 Der Weg aus der „Schwermuth“.- 7 Der Weg „zum Felde“.- 8 Die poetisierte Madonna.- 9 Die Madonna im Gedicht.- 10 Die Madonna als Beschützerin des Wegs.- 11 Die Madonna als Beschützerin der Zukunft.- 12 Die Madonna als Neuer Mythos.- 13 Die Madonna und die Liebe.- 14 Die Madonna im „Geist der Zeit“.- 15 Die Madonna und die schöne Sprache.- 16 Sprache und Allegorie.- 17 Sprache und „Wohlklang“.- 18 Zusammenfassung.- 19 Nachwort: Wozu Hölderlins Lyrik heute?.- Anhang.- Literaturverzeichnis.

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Book SynopsisWichtige Erschließungshilfe der Kommentarbände und Ergänzung des Registerbandes 10: In alphabetischer Ordnung werden zentrale Begriffe und Erläuterungen, alle in den Briefen berührten Sachverhalte und eigentümliche Wörter und Wendungen nachgewiesen. Außerdem werden zahlreiche Personen- und Ortsnamen aus den Briefen an Johann Gottfried und Karoline Herder, die im Kommentar enthalten sind, aufgeführt. Das Register enthält nicht nur Stichworte, die Probleme und Sachen bezeichnen, sondern unter sprachhistorischem Aspekt auch Wörter mit Bedeutungswandel, Fremdwörter und Dialektwörter.Table of ContentsVorbemerkung.- Errata.- Nachtrag zu Bd. VII.- Probleme, Sachen, Personen, Orte

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