Literary studies: c 1600 to c 1800 Books

Book SynopsisHere, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.Trade Review"Shakespeare came to India during the British empire on the project of the 'civilizing mission.' Bollywood Shakespeares compellingly brings to life appropriations and adaptations of Shakespeare as a window into hybrid, post-national identities emerging from a global consumer culture in India today. In a theoretically nuanced framing argument, Dionne and Kapadia explore the interface between Shakespeare's theatre and the global stage of Bollywood cinema, while the ensuing essays examine in rich detail how Bollywood "uses" Shakespeare to represent and examine modern Indian life. Bollywood Shakespeares is an important and timely study into the politics of global culture and of the place of Shakespeare within it." - Jyotsna G. Singh, Professor of English, Michigan State University, USA "This edited collection traces the historical origins of Bollywood's engagement with the Bard to Parsi theater, provides nuanced readings of well-established films (such as Shakespeare Wallah), and introduces readers to some less familiar ones (such as The Last Lear). Collectively, the essays in Bollywood Shakespeares demonstrate how both terms in the book's title are complicated and unsettled by their interaction. The volume also makes a significant contribution to theoretical discussion of the relationship between Shakespearean appropriation/adaptation and the rapidly changing field of Global Shakespeare." - Christy Desmet, Josiah Meigs Distinguished Teaching Professor of English, University of Georgia, USATable of ContentsIntroduction: Shakespeare and Bollywood: the Difference a World Makes; Craig Dionne and Parmita Kapadia PART I: BOLLYWOOD'S DEBT TO THE THEATER: AESTHETIC AND CULTURAL MULTIVALENCY 1. Parsi Shakespeare: The Precursor to 'Bollywood Shakespeare'; Vikram Singh Thakur 2. Bollywood Battles the Bard: The Evolving Relationship Between Film and Theater in Shakespeare Wallah ; Parmita Kapadia PART II: SHAKESPEARE'S LOCAL FACE: USING SHAKESPEARE TO REARTICULATE INDIAN IDENTITIES 3. The Ambiguities of Bollywood Conventions and the Reading of Transnationalism in Vishal Bhardwaj's Maqbool ; Rosa María García Periago 4. No Country For Young Women: Empowering Emilia in Vishal Bhardwaj's Omkara ; Mike Heidenberg 5. The Global as Local / Othello as Omkara; Brinda Charry and Gitanjali Shahani PART III: BOLLYWOOD'S CULTURAL CAPITAL: BOLLYWOOD SELLS SHAKESPEARE 6. Interrogating 'Bollywood Shakespeare': Reading Rituporno Ghosh's The Last Lear ; Paromita Chakravarti 7. The Sounds of India in Supple's Twelfth Night ; Kendra Preston Leonard 8. Comedies of Errors: Shakespeare, Indian Cinema, and The Poetics of Mistaken Identity; Richard Allen Afterword: Shakespeare and Bollywood

Read more less

Book SynopsisThis study explores the female experience of death in early modern England. By tracing attitudes towards gender through the occasion of death, it advances our understanding of the construction of femininity in the period. Becker illustrates how dying could be a positive event for a woman, and for her mourners, in terms of how it allowed her to be defined, enabled and elevated. The first part of the book gives a cultural and historical overview of death in early modern England, examining the means by which human mortality was confronted, and how the fear of death and dying could be used to uphold the mores of society. Becker explores particularly the female experience of death, and how women used the deathbed as a place of power from which to bestow dying maternal blessings, or leave instructions and advice for their survivors. The second part of the study looks at ''good'' and ''bad'' female deaths. The author discusses the motivation behind the reporting of the deaths and the veTrade Review'... a careful treatment of a wide variety of primary materials... the variety of examples (wills, poetry, commonplace books, sermons, letters, treatises, diaries, memorials) lends authority to her claim of a culture-wide picture... will give you a richer understanding of the complexity and contradictions implicit in early modern death and mourning.' ClioTable of ContentsContents: Death in Early Modern England: Facing death: The fear of death: pious publications; Death as God's will: acceptance and preparation; Recording death: rehearsing and revising; Early modern women and death: Witnessing death: the domestic deathbed; Wives, widows and mothers: transition and transformation; Women as healers: medicine and superstition; Death as a gendered experience: blurring the boundaries; The creation of posthumous female images: Patterns for posterity: selecting and editing; Dying mothers: blessings and instruction; A public death: exposure and judgement; Contrasting Images: Women dying badly: Recording poor deaths: private and public writings; Female weakness: physicality and irrationality; Controlling femininity: popular pamphlets; The crime of self-murder: sin and despair; Upholding the patriarchy: education and social cohesion; Women dying well: Women and the family: wives, mothers and daughters; Women and politics: propaganda and persuasion; Religious propaganda: assertion and negation; The upholding of gender: praise and condemnation; Enduring Images: Death as an Opportunity: Women and the rituals of death: Funerals: sermons and sanctification; Commemoration: private grief and public memorials; Execution: assertion and repression; Female martyrs: leadership and idolatry; Female identity in death: wills and posthumous marital status: Women's wills: expression and conformity; Posthumous marital status: temporal and spiritual husbands; Women's writing and death: Women and publication: writing and revealing; Female authorship: challenges and solutions; Autobiographical writing: creation and introspection; Mothers' literary legacies: parenting and authoring; Conclusion; Bibliography; Index.

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

Book SynopsisWhat is the nature of romantic love and erotic desire in Shakespeare''s work? In this erudite and yet accessible study, David Schalkwyk addresses this question by exploring the historical contexts, theory and philosophy of love. Close readings of Shakespeare''s plays and poems are delivered through the lens of historical texts from Plato to Montaigne, and modern writers including Jacques Lacan, Jean-Luc Marion, Ludwig Wittgenstein, Jacques Derrida, Alain Badiou and Stanley Cavell. Through these studies, it is argued that Shakespeare has no single or overarching concept of love, and that in Shakespeare''s work, love is not an emotion. Rather, it is a form of action and disposition, to be expressed and negotiated linguistically.Trade Review'Schalkwyk's arguments are closely reasoned and insightful … Essential.' C. Baker, ChoiceTable of ContentsIntroduction. 1. Shaping fantasies; 2. Love's troubled consummations; 3. The impossible gift of love; 4. The finality of the you; 5. Is love an emotion?

Read more less

Book SynopsisInnovative and multidisciplinary, this collection of essays marks out the future of Atlantic Studies, making visible the emphases and purposes now emerging within this vital comparative field. The contributors model new ways to understand the unexpected roles that seduction stories and sentimental narratives played for readers struggling to negotiate previously unimagined differences between and among people, institutions, and ideas.Trade Review"The essays work together to highlight both the continuities between the sorts of epistemological questions being raised in different parts of the Atlantic world and the varied approaches taken to answering and exploring them. Bowers and Chico are opening up some large and complicated scholarly questions through the ways in which they frame this volume." - Critique de Livres "Bowers (Univ. of Pennsylvania) and Chico (Univ. of Maryland) assemble and introduce a thought-provoking collection of scholarship on the long 18th century. The essays are wide-ranging, and the titular umbrella that covers them is correspondingly large, but this breadth is a strength rather than a weakness. The scholarship is uniformly good, and an eclectic group of essays on a broad topic is preferable to an uneven-because-overspecialized collection. Notable in the collection: Jayne Elizabeth Lewis on Henry Fielding and the changed perception of witchcraft - scary in the 16th and 17th centuries and idle superstition in the early 18th, witchcraft was made sad and even sentimental by sensibility; Gideon Mailer and Karen Collis, who argue for Susanna Rowson's authorial claim on the literary conventions of evangelical narrative, as against aesthetic appeals; Melissa Sanchez showing how Andrew Marvell highlights lesbian and other queer sexualities to demonstrate the loss of liberty inherent in the ideal of domestic masculinity. Summing Up: Recommended." - Choice "This volume shows us the Atlantic World as a place where narratives of seduction and sentiment are not antagonistic, but on the contrary deeply intertwined. The eclectic nature of the narratives shows a variety of themes within the Atlantic World which apprehend the latter as a place where representations of sentiment and seduction of different nations and worlds constantly merged." - Sehepunkte 'In this invaluable collection, each essay demonstrates how rich yet diverse was the literature of the seventeenth and eighteenth-century circum-Atlantic world. Together these essays bring to light the twin issues of seduction and sentiment as the obsessive concern of novels, travel accounts, historical narratives, gossip, history, newspaper reports, and theatrical productions, to name only a few of the many genres discussed. Challenging the old Atlantic narratives, this collection for the first time opens the question as to why the Atlantic world should have been the unique site where seduction and sentiment came together both in shaping the New World and in remapping the social geography of the Old.' - Len Tennenhouse, Duke University 'This collection of essays is a valuable contribution to the burgeoning field of Atlantic Studies, confirming imaginative literature's central role in the ongoing project of rethinking nation-based cultural history. Collectively, these essays challenge traditional disciplinary boundaries defined by the nation-state, moving beyond rubrics such as 'early American literature,' to explore the ways in which these narratives of sentiment, seduction, and adultery were appropriated as they traversed geographical regions, were repackaged in various genres, and adapted to and repurposed within local contexts of the north Atlantic world.' - Beth Tobin, University of GeorgiaTable of ContentsSeduction and Sentiment: Atlantic Worlds in the Long Eighteenth Century; T.Bowers & T.Chico PART I: SCANDAL AND THE FATE OF DREAMS Adulterous Sentiments in Transatlantic Domestic Fiction, c. 1770-1805; E.T.Bannet Genuine Sentiments and Gendered Liberties: Migration and Marriage in Gilbert Imlay's The Emigrants; J.Shields "Heaven defend us from such fathers": Perez Morton and the Politics of Seduction; B.Waterman Charlotte: A Tale of Truth, A Premonition of American Revolutions; M.Zuckerman PART II: ACTS OF BELONGING AND RENUNCIATION "She Straightness on the Woods Bestows": Protestant Sexuality and English Empire in Marvell's "Upon Appleton House"; M.E.Sanchez "Spare his life to save his soul": Enthralled Lovers and Heathen Converts in "The Four Indian Kings Garland"; L.M.Stevens "O my ducats, O my daughter": Seductions and Sentimental Conversions of Jewish Female Characters in the Early American Theatre; H.S.Nathans Beware the Abandoned Woman: European Travelers, 'Exceptional' Native Women, and Interracial Families in Early Modern Atlantic Travelogues; C.Eastman PART III: BODIES OF KNOWLEDGE AND DOUBT Bewitched: The Journal of a Voyage to Lisbon and the Seduction of Sentiment; J.E.Lewis The Boudoir in Philosophy or, Knowing Bodies in French Fiction; T.DiPiero Seduction, Juvenile Death Literature, and Phillis Wheatley's Child Elegies; J.Thorn Seduced by the Self: Susanna Rowson, Moral Sense Philosophy, and Evangelicalism; G.A.Mailer & K.J.Collis The Americanization of Gothic in Brockden Brown's Wieland; G.E.Haggerty

Read more less

Book SynopsisThis book provides a reassessment of the writings of Hartley Coleridge and Dorothy Wordsworth and presents them in a new poetics of relationship, re-evaluating their relationships with William Wordsworth and Samuel Taylor Coleridge to restore a more accurate understanding of Hartley and Dorothy as independent and original writers.Trade Review'In this very fine book, Nicola Healey raises and resolves a number of issues that will be of great interest to students of Hartley Coleridge and Dorothy Wordsworth, and to Romantic scholars more generally. The close readings, which are consistently excellent, take issue with a number of critics, from Derwent Coleridge and Thomas De Quincey through to twentieth- and twenty-first-century commentators. Healey thoroughly understands the various factors that limited these critics' perceptions at the times they were writing, and she anatomises the wrongness of some literary-critical habits that have gone on for too long. This book builds beautifully on the work of other scholars, and many ideas are handled genially and skilfully. Healey maintains cohesion with the growing multiplicity of the insights throughout the book, providing a vital new perspective on collaboration including all the tensions this entails. Arguably, however, the main achievement of this book is in its sensitivity to Hartley's and Dorothy's finest writings.' - Andrew Keanie, Lecturer in English, University of Ulster, UKTable of ContentsAcknowledgements Abbreviations Author's Note Introduction: Hartley Coleridge, Dorothy Wordsworth, and the Poetics of Relationship 'Fragments from the universal': Hartley Coleridge's Poetics of Relationship The Coleridge Family: Influence, Identity, and Representation 'Who is the Poet?': Hartley Coleridge, William Wordsworth, and 'The Use of a Poet' Dorothy Wordsworth's Journals: Writing the Self, Writing Relationship Sibling Conversations: The Wordsworthian Construction of Authorship 'My hidden life': Dorothy, William, and Poetic Identity Postscript: 'The common life which is the real life': Family Authorship and Identity Bibliography Index

Read more less

Book SynopsisContextualizing the topos of the neglected child within a variety of discourses, this book challenges the assumption that the early nineteenth century witnessed a clear transition from a Puritan to a liberating approach to children and demonstrates that oppressive assumptions survive in major texts considered part of the Romantic cult of childhood.Trade Review'A thoughtful work on a subject that is as urgent now as it was more than a century ago. Benziman's new conceptualization of ambivalences in educational practices and of neglect of child rights yields unexpected and at times iconoclastic insights into much studied texts.' - Professor Leona Toker, The Hebrew University of Jerusalem, Israel 'Narratives of Child Neglect in Romantic and Victorian Culture is a major intervention in the history of childhood and its representations in nineteenth-century English literature. Benziman offers a fresh, compelling analysis of familiar concepts, skillfully demonstrating the persistence of older Puritan and regulative attitudes toward the literary child within texts by Blake, Wordsworth, Dickens, and others that have long been identified unambiguously with the emerging reformist and liberatory treatment of childhood during the Romantic and Victorian periods. Rigorously argued and closely attentive to historical and intellectual contexts, including social class, Benziman's study opens challenging new perspectives on the topos of the neglected child and the portrayal of child subjectivity in poetry and fiction.' - Professor John Jordan, Department of Literature, University of California, Santa Cruz, USA 'Addressing the interconnectedness of catechizing and liberating views of childhood from the Romantics to Thomas Hardy, Galia Benziman provides an important contribution to the history of child neglect in nineteenth-century England. Her attention to representations of the child voice in literary texts, combined with readings of canonical and lesser-known philosophers and writers, makes this study essential reading in the field of child studies.' - Monica Flegel, Associate Professor, Department of English, Lakehead University, CanadaTable of ContentsAcknowledgements Introduction Concepts of Childhood and Adult Responsibility: Locke, Rousseau, More, and Edgeworth Redeeming or Silencing the Child's Voice: Blake and Wordsworth Child Neglect as Social Vice: Trollope, Tonna, and Working-Class Subjectivity The Split Image of the Neglected Child: Dickens Aged Children and the Inevitability of Being Neglected: Hardy Works Cited Index

Read more less

Book SynopsisNecromanticism is a study of literary pilgrimage: readers'' compulsion to visit literary homes, landscapes, and (especially) graves during the long Romantic period. The book draws on the histories of tourism and literary genres to highlight Romanticism''s recourse to the dead in its reading, writing, and canon-making practices.Trade Review"Necromanticism is a critically reflective, thoroughly researched, and unexpectedly upbeat study of literary necro-tourism in Britain, associated Anglo-American discourses and cultural practises, and the implications for modern scholarly interpretations of Romantic historiography, reading and canon-making." - Samantha Matthews, University of Bristol, UK ''Westover's book, then, invites a critical reflection on our understanding of 'Romanticism' itself through his thoughtful analysis of the ways in which living authors writing about dead authors are engaged in defining (even as they hope, in turn, to become defined by) the commemorative narraties that go into creating a shared literary heritage.'' - Byron Journal ''Westover intelligently synthesises perspectives from different disciplines and critical approaches to produce a distinctive reading of the cultural ramifications of trying to commune with authors' spirits in close proximity to their bodies.'' - Samantha Matthews, Uniersity of Bristol, UK "A crucial development in the field of literary tourism... Westover's book is particularly insightful in providing literary touristic practices with a theoretical underpinning... Even when Westover is stepping on trodden critical ground, he provides a fresh perspective through subtle analysis... valuable reading for nineteenth-century scholars across the disciplines of the humanities." Rebecca Butler, The BARS ReviewTable of ContentsList of Illustrations Acknowledgements Introduction - Traveling to Meet the Dead On Ideal Presence The Origins of Literary Tourism William Godwin, Necro-Tourism, and the Empirical Afterlife of the Dead Imaginary Pilgrimages: Felicia Hemans, Dead Poets, and Romantic Historiography Interlude: Necromanticism and Romantic Authorship The Transatlantic Invention of 'English' Literary Heritage Illustration, Historicism, and Travel: The Legacy of Sir Walter Scott Notes Works Consulted Index

Read more less

Book SynopsisEighteenth-century philosophy owes much to the early novel. Using the figure of the romance reader this book tells a new story of eighteenth-century reading. The impressionable mind and mutable identity of the romance reader haunt eighteenth-century definitions of the self, and the seductions of fiction insist on making an appearance in philosophy.Trade Review'Novel Minds delivers a nuanced understanding of the instabilities and uncertainties of the consciousness shaped by reading imagined in eighteenth-century philosophy and narrative prose. In a lively and engaging style, Tierney-Hynes brings the writings of significant writers into interesting conversation with each other.' - Ros Ballaster, Professor of 18th Century Studies, University of Oxford, UKTable of ContentsAcknowledgements Introduction: From Passions to Language: The Transformation of the Imagination Locke: Metaphorical Romances Behn: Romance from the Stage to the Letter Shaftesbury: Conversation and the Psychology of Romance Hume: Reading Romances, Writing the Self Richardson: How to Read Romance Notes Bibliography Index

Read more less

Book SynopsisThis book sets out the political and cultural conditions regulating dramatic writing during an era of censorship and monopolistic royal theatres. Using a range of plays and manuscripts, it argues for the centrality of burletta, the theatrical locus of the attacks on the Cockney school of poetry and the vitality of the metropolitan dramatic scene.Trade Review'...a book positively bursting with fascinating new material...both an intriguing and rewarding foray into the plebeian culture of the minor London playhouses.' David O'Shaughnessy, British Association for Romantic Studies Bulletin& ReviewTable of ContentsPreface Introduction Busby, Burletta and Barnwell: Music, Stage and Audience Dramatic Topicality: Robert Merry's The Magician No Conjurer and the 1791 Birmingham Riots Black Face and Black Mask: The Benevolent Planters Versus Harlequin Mungo Belles Lettres to Burletta: William Henry Ireland as Fortune's Fool The Libertine Reclaimed : Burletta and the Cockney Presence The Royal Amphitheatre and Olympic Tom and Jerry Burlettas Moncrieff's Tom and Jerry and its Spin-Offs Conclusion: The Canadian Tom and Jerry Murder Notes Bibliography of Primary Sources Index

Read more less

Book SynopsisThis book concerns itself with dress in the novels of Samuel Richardson, and how attire confirms, contributes to, or challenges the characters'' fashioning of self and the self as others (characters or readers) perceive it.Table of ContentsIntroduction PART I: THE BODY AND DRESS OF THOUGHT Dress and the Discourses of the Mind Dress in Eighteenth-Century Life and Literature PART II: DRESSING FOR SUCCESS WITH PAMELA Ladies, Gentlemen, and Servants: Virtue and the Domestic Ideal 'So Neat, So Clean, So Pretty!': Dressing Up Virtue Quaker, Rustic, and Fool: Masquerading with Mrs. B. PART III: WINDOWSHOPPING THE ESSENTIAL SELF WITH CLARISSA Virtuous Stays and Sexual Hoops: The Social Self 'Of Her Own Invention': Revealing the Self 'Where . . . Art is Disguised': Concealing the Self PART IV: REFASHIONING THE WORLD WITH SIR CHARLES GRANDISON 'A Conformist to Fashion': Dressing for Duty 'A Mighty Glitter': Seeing through the Veil 'Dressing in Colours': Changing the Guard Conclusion Notes Works Cited Index

Read more less

Book SynopsisHow did Renaissance literature affect readers' minds, bodies and souls? In what ways did the history of literary experience overlap with the history of humours and emotions? This book argues that a new aesthetic vocabulary based on the theory of the passions was formulated in the Renaissance to describe the affective power of literature.Trade Review'Reading Sensations in Early Modern England is a slim volume, but a valuable one...its clear argument and elegant execution make it a rewarding read.' - Erin Sullivan, Medical HistoryTable of ContentsAcknowledgements Introduction The Word and the Flesh in Early Modern England Beneath the Skin: George Puttenham, Sir Philip Sidney and the Experience of English Poetry Arming the Reader: Sir Philip Sidney and the Literature of Choler 'These Spots are but the Letters': John Donne and the Medicaments of Elegy Eating his Words: Thomas Coryat and the Art of Indigestion Touching Stories: Richard Braithwait, Thomas Cranley and the Origins of English Pornography Afterword Bibliography Index

Read more less

Book SynopsisThe English Jacobin Novel on Rights, Property and the Law is a study of the radical novel's critique of the evolving social contract in the 1790s.Trade Review'Johnson's argument goes straight to the heart of novel studies: fiction privileged property as the basis of enfranchisement and so limited the democratizing process it envisioned. The genius of her book is to come at this paradox through the curious body of fiction written during the period following revolutions in North America and France for the expressed purpose of exposing the limits of the Lockean model of government. This strikingly fresh look at the Jacobin novel shows it embracing fiction as culture's most powerful political medium and challenging the premises of modern nation building. In focusing on these particular novels, she therefore deals with the very topics that preoccupy scholars who read and write about fiction in any epoch, namely, the gendered identity of citizenship, the restriction of political agency, and the difficulty of imagining a future of collective transformation.' - Nancy Armstrong, Nancy Duke Lewis Professor, Brown University, USATable of ContentsIntroduction Narrativizing a Critique of the Contract Debating Rights, Property and the Law Envisaging the New Citizen Acquiring Political Agency Bestowing the Mantle Bibliography Index

Read more less

Book SynopsisUsing postmodern theory, The Practice of Quixotism explores eighteenth-century women's texts that use quixote narratives, which typically demand that individuals purge their minds of internalized fictions to insist instead that the reality we encounter is inevitably mediated by the texts we have read.Trade Review"Cervantes errant knight emerges as a metaphor for aberrant imagination in Scott Paul Gordon s discussion of the clash between Romantic and Enlightenment thought. Ranging across materials by early women writers - satire, poetry, and prose fiction - Gordon finds that the Quixotic becomes synonymous with misreading. This book then parries with established critical readings to offer provocative reinterpretations of its own." - Janine Barchas, University of Texas at Austin "The Practice of Quixotism is a profoundly learned, astonishingly clever, and repeatedly eye- opening book.Differentiating between orthodox quixote narratives (which ask us to believe in the possibility of waking up to the real) and those texts that foster greater skepticism toward how reality is constructed, Gordon illustrates the unexpected ways that the quixote trope was employed during the long eighteenth century in Great Britain. Through careful readings of works by Charlotte Lennox, Sarah Fielding, Lady Mary Wortley Montagu, Sophia Lee, and Ann Radcliffe, among others, Gordon offers fascinating epistemological and narrative connections.The book makes an important contribution to several fields of inquiry, simultaneously illuminating the literature of quixotes past and present theoretical controversies.Gordon convincingly demonstrates that all of us are quixotic, whether we acknowledge it or not, and shows that at least some eighteenth-century authors were wise to the problem.No previous scholar has given us such depth of perspective on the subject." - Devoney Looser, University of Missouri-Columbia"The Practice of Quixotism reflects Gordon's skill as a widely rea hermeneut, and it is a remarkable work of intellectual history and literary criticsm. By viewing the transition from Enlightenment to Romantic thought through the lenses of the quixote trope and postmodern theory, Gordon forces a reconsideration of the feminist critical consensus on works by Lennox, Lee, Sarah Fielding, and others. Through complex and subtle readings of women's writing, Gordon offers a new way to understand British culture in the long eighteenth century." - Stephen A. Raynie, Gordon CollegeTable of ContentsIntroduction: The Quixote Trope Historicizing Quixote and the Scandal of Quixotism Charlotte Lennox's Female Quixote and Orthodox Quixotism Suspicion and Experience in Sarah Fielding's David Simple Mary Wortley Montagu and the Quixotic Dream of Objectivity Quixotic Perception in Sophia Lee's The Recess Ann Radcliffe's The Mysteries of Udolpho and the Practice of Quixotism Epilogue: Beyond Quixotism?: Quixotism and Contemporary Theory

Read more less

Book SynopsisThis book offers new analyzes of canonical texts, contextualizations of Romantic forms in relation to war, nationalism and empire, reassessments of neglected and marginalized writers and explorations of the relationship between form and reader. It showcases a range of new approaches that are informed by deconstruction, theology and new technology.Trade Review'The critics assembled here are close readers, attentive to metre, stanza form, figures of speech, but they are not nostalgic for the New Criticism of the 1950s and 1960s. If they are formalists, they are formalists of a new kind, less likely to celebrate the unifying power of art than the fragmented and the multitudinous, more likely to acknowledge Byron than Wordsworth, but just as ready to study a satiric print, or a poem by Ann Cristall. This volume sets a challenging new agenda for Romantic Studies.' - Richard Cronin, Professor of English Literature, University of Glasgow, UKTable of ContentsNotes on Contributors Introduction; A.Rawes Romantic Indirection; P.Curtis "Conscript Fathers and Shuffling Recruits": Formal Self-Awareness in Romantic Poetry; M.O'Neill Romantic Invocation: a Form of Impossibility; G.Hopps "Ruinous Perfection": Reading Authors and Writing Readers in the Romantic Fragment Poem; M.Sandy Combinatoric Form in Nineteenth-Century Satiric Prints; S.E.Jones Romantic Form and New Historicism: Wordsworth's "Lines Written a Few Miles above Tintern Abbey"; A.Rawes Southey's Forms of Experiment; N.Trott Believing in Form and Forms of Belief: the Case of Robert Southey; B.Beatty Seductions of Form in the Poetry of Ann Cristall and Charlotte Smith; J.Labbe "Seldom safely enjoyed by those who enjoyed it completely": Byron's Poetry, Austen's Prose and Forms of Narrative Irony; C.Franklin "What Constitutes a Reader?": Don Juan and the Changing Reception of Romantic Form; J.Stabler, A.Roberts, M.N.Carminati & M.H.Fischer Afterword; S.J.Wolfson Bibliography Index

Read more less

Book SynopsisList of Illustrations Acknowledgments Notes on Contributors Introduction: Inhabiting the Body, Inhabiting the World; G.Sullivan & M.Floyd-Wilson Spongy Brains and Material Memories; J.Sutton Marvell's Amazing Garden; M.Thomas Crane The Souls of Animals: John Donne's Metempsychosis and Early Modern Natural History; E.D.Harvey Affective Irony: Toward an Emotional Logic of the Elizabethan Stage; S.Mullaney Inconstancy: Changeable Affections in Stuart Dramas of Contract; K.Rowe The East in British-American Writing: English Identity, John Smith's True Travels , and Severed Heads; J.Egan 'My liquid journey': The Frontispiece to Coryat's Crudities (1611); D.J.Baker Becoming the Landscape: The Ecology of the Passions in the Legend of Temperance; G.Kern Paster 'The Material Point of Poesy': Reading, Writing and Sensation in Puttenham's The Art of English Poesie K.Craik Spelling the Body; T.Pollard Humanist Habitats; Or, 'Eating Well' with Thomas More's Utopia ; J.Yates IndexTable of ContentsList of Illustrations Acknowledgments Notes on Contributors Introduction: Inhabiting the Body, Inhabiting the World; G.Sullivan & M.Floyd-Wilson Spongy Brains and Material Memories; J.Sutton Marvell's Amazing Garden; M.Thomas Crane The Souls of Animals: John Donne's Metempsychosis and Early Modern Natural History; E.D.Harvey Affective Irony: Toward an Emotional Logic of the Elizabethan Stage; S.Mullaney Inconstancy: Changeable Affections in Stuart Dramas of Contract; K.Rowe The East in British-American Writing: English Identity, John Smith's True Travels , and Severed Heads; J.Egan 'My liquid journey': The Frontispiece to Coryat's Crudities (1611); D.J.Baker Becoming the Landscape: The Ecology of the Passions in the Legend of Temperance; G.Kern Paster 'The Material Point of Poesy': Reading, Writing and Sensation in Puttenham's The Art of English Poesie K.Craik Spelling the Body; T.Pollard Humanist Habitats; Or, 'Eating Well' with Thomas More's Utopia ; J.Yates Index

Read more less

Book SynopsisShakespeare and Adaptation Theory reconsiders, after 20 years of intense critical and creative activity, the theory and practice of adapting Shakespeare to different genres and media. Organized around clusters of key metaphors, the book explicates the principal theories informing the field of Shakespearean adaptation and surveys the growing field of case studies by Shakespeare scholars. Each chapter also looks anew at a specific Shakespeare play from the perspective of a prevailing set of theories and metaphors. Having identified the key critics responsible for developing these metaphors and for framing the discussion in this way, Iyengar moves on to analyze afresh the implications of these critical frames for adaptation studies as a whole and for particular Shakespeare plays. Focusing each chapter around a different play, the book contrasts comic, tragic, and tragicomic modes in Shakespeare''s oeuvre and within the major genres of adaptation (e.g., film, stage-production, novelTable of ContentsList of Figures List of Tables Acknowledgements Note on Texts and Sources Used Introduction: Much Ado About Adaptation What or Whom are we Adapting? Metaphors We Adapt By Adaptation as Annotation in Much Ado 1. Plants, Off-shoots, Genes: Rhizomes Plants Off-shoots Genes Rhizomes: Plantation in some Tempests 2. Art, Property, Theft: Appropriation Art Property Theft Appropriation as Revisioning: Othello without Othello (and Desdemona) 3. Fidelity, Families, Ethics: Derivatives Fidelity Families: Lear among the Editors Ethics and Editing Derivatives: Lear’s Progeny 4. Transfer, Remediation, Broadcast: Intermedia Transfer Remediation Broadcast and Podcast Intermedia: Audio Hamlets 5. Memes, Networks, Fans: Transformations Memes Networks Fans Transformations: A Gender-Agenda in Twelfth Night 6. Relocation, Translation, Hybridization: Tradaptation Relocation Translation Hybridization Tradaptation: The Peregrinations of Pericles 7. Accidents, Remains, Traces: Accommodations Accidents Remains Traces Accommodations: Romeo and Juliet Glossary of Selected Terms, Philip Gilreath with Sujata Iyengar Notes References Index

Read more less

Book SynopsisI wish I had copies like this at Drama School. Essential notes on the language for those who will get up and speak it, not purely for those who will sit and study it. An incredibly useful tool with room on every page to make notes. Next time I'm in rehearsal on a Shakespeare play, I have no doubt that a copy from this series will be in my hand.' ADRIAN LESTER, Actor, Director and Writer Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Each edition offers: -Facing-page notes -Short, clear definitions of words -Easily accessible information about key textual variants -Notes on pronunciation of difficult names and unfamiliar words -An easy to read layout -SpaTrade ReviewThese editions are likely to help not only actors and drama students but also all amateur Shakespeareans including schools and colleges which stage the plays … What genius to have Simon Russell Beale as a series editor along with two Shakespeare Institute academics, Michael Dobson and Abigail Rokison-Woodall. * Ink Pellet *Table of ContentsSeries Introduction; Introduction; As You Like It

Read more less

Book SynopsisFrom its origin as the Roman city of Londinium through to its latest incarnation as a super-diverse World City in the twenty-first century, London's history and culture has been shaped by migration. This book expresses and celebrates the plurality of the capital's cultures and affirms the importance of migration in the making of the modern city through thirty-three short essays written by academics, artists, broadcasters and curators. Subjects range from the mediaeval to the contemporary: buildings and institutions, individuals and communities, objects, visual art, street performances and literary texts. Some contributors focus on famous people and places, like Shakespeare and St Paul's, while others explore less well-known subjects, like the Free German League of Culture (1939-46) or Ignatius Sancho, the eighteenth-century musician, grocer and man-of-letters.It is not only London's cultures which are diverse, migration is also plural. This book engages with the very many huTrade ReviewThis pathbreaking and extensive volume brings together a wide range of authors from academia and beyond to investigate the role and lives of migrants throughout the history and geographical extent of London. * Panikos Panayi, Professor of European History, De Montfort University, UK *Table of ContentsFrontmatter Author Biographies Introduction, Charlotte Grant and Alistair Robinson CENTRAL 1. St. Erkenwald and the Hidden Histories of St Paul’s Cathedral, Alastair Bennett 2. Ignatius Sancho: Musician, Man of Letters, Grocer, Markman Ellis 3. The ‘Black-birds’ of St. Giles: Community and Place in Eighteenth-century London, Nicole N. Aljoe and Savita Maharaj 4. Styling the Other: Hazlitt’s ‘The Indian Jugglers’, Uttara Natarajan 5. Begging Places: Poverty, Race, and Visibility on Ludgate Hill, c. 1815, David Hitchcock 6. 13 Red-Lion Square: The Mendicity Society, 1818–76, Oskar Cox Jensen 7. The Chinese Aesthetics of the Admonitions Scroll at the British Museum, Kent Su 8. ‘A terrain on its own’: Elizabeth Bowen and Regent’s Park, Heather Ingman INFRASTRUCTURE: WATER 9. London’s Water: City Comedy, Migration and Middletons, Susan J. Wiseman EAST 10. Shakespeare in Shoreditch, Daniel Swift 11. Hostile Environments: Disinterring a Lascar Barracks in Nineteenth-Century Shadwell, Eliza Cubitt 12. 19 Princelet Street, Spitalfields: A Case Study in the Architecture of Migration and Diversity, Dan Cruikshank 13. The Slot-Meter and the East End Avant-Garde, Alex Grafen INFRASTRUCTURE: WASTE 14. Blockage and Recuperation: Sewer-Hunters in Henry Mayhew’s London Labour and the London Poor, Naomi Hinds SOUTH 15. Culture and Horticulture in Lambeth from ‘Tradescant’s Ark’ to Vauxhall Gardens, Charlotte Grant 16. The Crystal Palace in Hyde Park, Sydenham, and St Petersburg, Catherine Brown 17. 87 Hackford Road: The London of Vincent Van Gogh, Livia Wang 18. Writing London: Hanif Kureishi’s The Buddha of Suburbia, Ruvani Ranasinha INFRASTRUCTURE: TRANSPORT I 19. Existing Triply: Race, Space and the London Transport Network, 1950s–70s, Rob Waters WEST 20. Scotch Hornpipes and African Elephants: The May Fair in 1700, Alistair Robinson 21. Feathered People in Enlightenment London: Queen of the Bluestockings meets Cherokee King, Elizabeth Eger 22. Prince Eugen in Kensington: Anglo-Scandinavian Artistic, Networks and the Stockholm Exhibition of 1897, Eva-Charlotta Mebius 23. ‘What a relief to be back in London’: The Silences of Lucie Rie and Hans Coper, Edmund de Waal 24. Tricksters of the Water: Sam Selvon's West London and the Migrant Experience, Peter Maber and Karishma Patel 25. Arabian Nights on the Edgware Road: Hanan al-Shaykh’s Only in London, Susie Thomas 26. The Grand Prince of Kyiv in Holland Park: The Statue of Saint Volodymyr, Sasha Dovzhyk 27. ‘Is real mas outside’: Community, Resistance and Notting Hill Carnival, Leighan Renaud 28. ‘Where the City Dissolves’: Suburban Diasporas, Psychosis and Reparative Writing, Martin Dines INFRASTRUCTURE: TRANSPORT II 29. A Bus for Everyone: The Role of the London Omnibus in Enabling Access to the City, Joe Kerr NORTH 30. Moorgate, Enfield, Edmonton and Hampstead: The Cross-City Migrations of John Keats, Flora Lisica 31. The Battle for an African Space in London: WASU Hostel and Aggrey House, William Whitworth 32. Northview: A Snapshot of Multiracial London during the Second World War, Oliver Ayers 33. Exiles of NW3: The ‘Free German League of Culture’ in Upper Park Road, David Anderson Select Bibliography Index

Read more less

Book SynopsisThis book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.Rethinking Theatrical Documents brings together fifteen major scholars to analyse and theorise the documents, lost and found, that produced a play in Shakespeare's England. Showing how the playhouse frantically generated paratexts, it explores a rich variety of entangled documents, some known and some unknown: from before the play (drafts, casting lists, actors' parts); during the play (prologues, epilogues, title-boards); and after the play (playbooks, commonplace snippets, ballads) though before', during' and after' intertwine in fascinating ways. By using collective intervention to rethink both theatre history and book history, it provides new ways of understanding plays critically, interpretatively, editorially, practically and textually.Trade ReviewAn invaluable contribution of Rethinking Theatrical Documents is its expansion of both what constitutes the stuff of plays and how such play stuffs were manipulated. * Early Theatre *Table of ContentsList of Illustrations Acknowledgements Note on the Text Notes on Contributors Introduction Part One: Documents Before Performance 1 Writing a Play with Robert Daborne: Lucy Munro (King’s College, London, UK) 2 A Sharers' Repertory: Holger Syme (University of Toronto, Canada) 3 Parts and the Playscript: Seven Questions: James J. Marino (Cleveland State University, USA) 4 Undocumented: Improvisation, Rehearsal and the Clown: Richard Preiss (University of Utah, USA) Part Two: Documents of Performance 5 ‘Rethinking Prologues on Page and Stage’: Sonia Massai (King’s College, London) and Heidi Craig (The Folger Shakespeare Library, USA) 6 Title-and Scene-Boards: The Largest, Shortest Documents: Matt Steggle (Sheffield Hallam University, UK) 7 ‘What is a staged book? Books as ‘Actors’ in the Early Modern English Theatre’ (Sarah Wall-Randell, Wellesley College, USA) Part Three: Documents After Performance 8 Flowers for English Speaking: Play Extracts and Conversation: András Kiséry (The City College of New York, USA) 9 Shakespearean Extracts and the Misrepresentation of the Archive: Laura Estill (Texas A and M University, USA) 10 Typography After Performance: Claire M. L. Bourne (Pennsylvania State University, USA) 11 Shakespeare the Balladmonger: Tiffany Stern (Shakespeare Institute, University of Birmingham, UK) Part Four: Documents Beyond Performance 12 Lost Documents, Absent Documents, Forged Documents: Roslyn Knutson (University of Arkansas, USA) and David McInnis (University of Melbourne, Australia) 13 Afterward: Peter Holland (Notre Dame University, USA) Notes Bibliography Index

Read more less

Book SynopsisShakespeare / Sex interrogates the relationship between Shakespeare and sex by challenging readers to consider Shakespeare's texts in light of the most recent theoretical approaches to gender and sexuality studies. It takes as its premise that gender and sexuality studies are key to any interpretation of Shakespeare, be it his texts and their historical contexts, contemporary stage and cinematic productions, or adaptations from the Restoration to the present day. Approaching sex' from four main perspectives heterosexuality, third-wave intersectional feminism, queer studies and trans studies this book tackles a range of key topics, such as medical science, rape culture, the environment, disability, religion, childhood sexuality, race, homoeroticism and trans bodies.The 12 essays range across Shakespeare's poems and plays, including the Sonnets and The Rape of Lucrece, Coriolanus, A Midsummer Night's Dream, Measure for Measure, Richard IIITable of ContentsIntroduction – Jennifer Drouin (McGill University, Canada) Part I: Heterosexuality and its Perils 1. Greensickness and Shakespeare – Jessica C. Murphy (University of Texas, Dallas, USA) 2. ‘For me, I am the mistress of my fate’: Lucrece, Rape Culture and Feminist Political Activism – Kay Stanton (California State University, Fullerton, USA) Part II: Intersectional Sex 3. Sex/ecology: Madness in Method – Sharon O’Dair (University of Alabama, USA) 4. Crip Sexualities and Shakespeare’s Measure for Measure – Allison P. Hobgood (Willamette University, USA) 5. Protestantism, Marriage and Asexuality in Shakespeare – Melissa E. Sanchez (University of Pennsylvania, USA) 6. Children’s Metamorphoses: Ovid, Shakespeare, Sex and Childhood – Kate Chedgzoy (Newcastle University, UK) 7. ‘Live, and Beget a Happy Race of Kings’: Richard III, Race and Homonationalism – Urvashi Chakravarty (University of Toronto, Canada) Part III: Queer Shakespeares 8. Sex in the Sonnets: The Boy and Dishonourable Passions of the Past – Goran Stanivukovic (Saint Mary’s University, Canada) 9. When Coriolanus was Hot: Reading for Homoeroticism Across Time – Huw Griffiths (University of Sydney, Australia) 10. Queer Eye for the Not So Straight Guy: Ocular Excesses and Erotic Gazes in The Two Noble Kinsmen – Jennifer Drouin (McGill University, Canada) Part IV: Trans Shakespeares 11. ‘Bless thee Bottom, bless thee! Thou art translated’: Gender Identity and Transformation in Shakespeare – Kathleen E. McLuskie (Shakespeare Institute, UK) 12. A Woman’s Prick: Trans Technogenesis in Sonnet 20 – Colby Gordon (Bryn Mawr College, USA) Notes Bibliography Index

Read more less

Book Synopsis

Read more less

Book SynopsisThe Jew of Malta, written around 1590, can present a challenge for modern audiences. Hugely popular in its day, the play swings wildly and rapidly in genre, from pointed satire, to bloody revenge tragedy, to melodramatic intrigue, to dark farce and grotesque comedy. Although set in the Mediterranean island of Malta, the play evokes contemporary Elizabethan social tensions, especially the highly charged issue of London''s much-resented community of resident merchant foreigners. Barabas, the enormously wealthy Jew of the play''s title, appears initially victimized by Malta''s Christian Governor, who quotes scripture to support the demand that Jews cede their wealth to pay Malta''s tribute to the Turks. When he protests, Barabas is deprived of his wealth, his means of livelihood, and his house, which is converted to a nunnery. In response to this hypocritical extortion, Barabas launches a horrific (and sometimes hilarious) course of violence that goes well beyond revenge, using murTrade ReviewA farce of terribly serious, even savage comic humour. * T.S Eliot *Table of ContentsIntroduction List of Illustrations The Jew of Malta Appendices Further Reading Index

Read more less

Book SynopsisRather, it is a collection of episodic little histories.Trade ReviewImpressively comprehensive and provocative... This strong and wide-ranging book... earns its authority from the wealth of information it provides... Its determination to expand the range of satirical writing, somewhat in the spirit of Eliot's admonition, is a long-needed redefinition of the scope of the subject... It also offers a considerable enlargement of our knowledge and understanding of a lively and turbulent terrain, whose boundaries are wider and more untidy than we have imagined. Times Literary Supplement Marshall... revolutionizes the study of 18th-century satire. She not only significantly revises accepted definitions of satire but also analyzes and describes vastly greater numbers of satiric works than have previous studies... This original, detailed account of satire during the period will challenge and shape the literary history of satire for decades to come. Essential. Choice So much material is included in The Practice of Satire in England, and its historiographic claims are so striking, that scholars will be discussing this book for some time. Perhaps most admirably, Marshall has put satire, recently a rather neglected genre, firmly back at the center of scholarly attention and debate. -- Nicholas Hudson Philological Quarterly The Practice of Satire in England, 1658-1770 is a tremendously ambitious book... at once, monumental and humble-conscious of its own audacity, unfailingly respectful of the scholars whose work is being called into question, yet also confident of its contribution to the advancement of humanistic learning. -- Matthew J. Kinservik Modern Philology Broadening the notion of satire to include more works, more kinds of works, and a wider range of satirical motives and effects, [Marshall] offers an account of eighteenth-century literature more amenable to contemporary sensibilities than those of previous proponents and detractors of satire. Eighteenth-Century LifeTable of ContentsPrefaceAcknowledgmentsA Note on Texts, Dates, and MoneyPart 1. Canonical and Noncanonical Satire, 1658–1770I. The "Definition" Quagmire and the Problem of Descriptive TerminologyII. Genre versus ModeIII. The Modern Critical Canon and Its ImplicationsIV. The Total Satire Canon and Its Economic ContextThe Production of Satire in England, 1658–1770Price, Format, Dissemination, and Implied AudiencesV. Some Issues of Coverage and OrganizationVI. The Uses of a Taxonomic MethodologyThe Varieties of SatireForecasting Some ConclusionsThe Nature of the EnterprisePart 2. Contemporary Views on Satire, 1658–1770I. Concepts of Satire"Satire"Definition by ContrastII. The Business of SatireThe Opposition to SatireThe Case for SatireIII. The Practice and Province of SatireAcceptable and Problematical Satiric MethodsAppropriate and Inappropriate Satiric TargetsIV. Characterizing the SatiristV. Perceptions of Eighteenth-Century Satire Then and NowPart 3. Satire in the Carolean PeriodI. Some Preliminary ConsiderationsII. Dryden, Rochester, BuckinghamCarolean DrydenRochesterBuckingham's Purposive SatireIII. Marvell, Ayloffe, OldhamMarvell as Polemical SatiristAyloffe's Antimonarchical DiatribesOldham's Juvenalian PerformancesIV. Hudibras and Other Camouflage SatiresV. Personal and Social Satire: From Lampoons to Otway and LeeVI. Chronological Change, 1658–1685VII. IssuesIntensityTonePresentation of PositivesThe Problem of ApplicationVIII. The Discontinuous World of Carolean SatirePart 4. Beyond CaroleanI. Altered CircumstancesII. Dryden as Satirist, 1685–1700III. Poetic SatireTutchin, Defoe, and Political SatireGould and Defamatory SatireGarth and BlackmoreBrown, Ward, and Commercial SatireIV. Dramatic SatireShadwell and Exemplary ComedyMitigated SatireHarsh Social SatireV. The State of Satire ca. 1700Part 5. Defoe, Swift, and New Varieties of Satire, 1700–1725I. Defoe as SatiristAttack and DefenseInstruction and Direct Warning (Aimed at the Audience)Indirect Exposure and DiscomfitureII. Religious and Political SatireTopical ControversyMonitory Satire in the Manner of DefoeIdeological Argumentation: Dunton, Defoe, and OthersIII. Social and Moral SatireGeneralized SatireDidactic Satire in the Manner of SteeleParticularized and Topical SatireArgument and InquiryIV. The Alleged "Scriblerians"V. Swift before GulliverJokiness and PlayDestruction and NegativityPurposive Defamation and DefenseIndirection and Difficult SatireVI. Characterizing the Early Eighteenth CenturyPart 6. Harsh and Sympathetic Satire, 1726–1745I. Pope and Swift among Their ContemporariesPolitical Commentary and CombatThe Culture WarsSocial SatireII. Pope, Swift, GayPopeSwiftGayIII. The Problem of Meaning in Gulliver's TravelsIV . Fielding and the Move toward Sympathetic SatirePlayful Satire and EntertainmentProvocation and PreachmentDistributive JusticeFielding's Concept of SatireSympathetic SatireV. Alive and WellPart 7. Churchill, Foote, Macklin, Garrick, Smollett, Sterne, and Others, 1745–1770I. The Rise of "Poetic" SatireFrivolity and EntertainmentMoral PreachmentParticularized AttackPoeticized SatireChurchill's Nonpolitical SatireII. Wilkes, Churchill, and Political Controversy in the 1760sThe North BritonChurchill's Political SatireVisual SatireWilkes's Essay on WomanIII. Satire in the Commercial TheaterSocial ComedyLightweight Afterpiece EntertainmentSamuel FooteCharles MacklinDavid GarrickIV. Satire in the Mid-Eighteenth-Century NovelSmollett's Dark SatireThe Late Career of FieldingTristram Shandy and the Singularity of SterneCharlotte Lennox, Oliver Goldsmith, Sarah FieldingV. Satire for a Stable EraEpilogueI. Motives and ModesII. Remapping English Satire, 1658–1770AppendixNotesBibliographyIndex

Read more less

Book SynopsisPromoting critical and creative anachronism, Metaphors of Mind redefines the notion of an archive in the age of Amazon and Google Books.Trade ReviewWhile the book is not meant to be read as a monograph but as a dictionary, many well-versed readers will be tempted to do so anyway, so rich and lush are both language and litany. American Reference Books Annual ... the database behind the book lets one investigate the verb, instance by instance. The book itself provides a bird's eye view of its large terrain, and the reader can easily settle on specific images to investigate in the hundred pages of detailed endnotes. Modern PhilologyTable of ContentsAbout This BookAcknowledgmentsIntroduction1. Animals2. Coinage3. Courts4. Empire5. Fetters6. Impressions7. Inhabitants8. Metal9. Mirror10. Rooms11. WritingConclusionEpilogueNotesIndex

Read more less

Book SynopsisThis volume is a ground-breaking contribution to enlightenment studies and the international and cross-cultural history of print. The result of a five year research project, the volume traces the output and dissemination of books and how reading tastes changed in the years 1769-1794. Mapping the book trade of the Société Typographique de Neuchâtel (STN), a Swiss publisher-wholesaler which operated throughout Europe, the authors reconstruct the cosmopolitan elite culture of the later enlightenment, incorporating many engaging case studies. The STN''s archives are uniquely rich in both detail and range, and while these archives have long attracted book historians (notably Robert Darnton, a leading scholar of the Enlightenment), existing work is fragmentary and limited in scope. By means of comparative study, the author considers the entire book market across Europe, making local, regional and chronological nuances, based on advanced taxonomies of subject content, author information, markTrade ReviewA solid addition to the historiography of the Enlightenment and the general history of the book... This book would certainly be of interest to historians, literary scholars, database designers, and archivists. Selling Enlightenment can certainly be recommended for all types of research oriented academic libraries. * Libraries: Culture, History & Society *A striking achievement. Curran’s commendably exhaustive delving into the STN’s superb business archives and his use of digital humanities methodologies to form and to test hypotheses adds a renewed level of relevance to key questions about the European Enlightenment and the role of the STN within it. * Colin Jones, Professor of History, Queen Mary University of London, UK *For those with an interest in the history of the 18th-century book trade and the dissemination of knowledge in Enlightenment Europe, this is a work of major importance. Curran knows the rich archives of Neufchatel as well as anyone, and he communicates his important and provocative findings with liveliness and grace. * Darrin M. McMahon, Mary Brinsmead Wheelock Professor, Dartmouth College, USA *Table of Contents1. Introduction 2. A Publishing House Across the Border? 3. Accounting for Books 4. Running a Publishing House 5. Business Networks 6. Literary and Book Trade Clients 7. Rivals or Allies: The STN and its Competitors 8. Getting to Market: The History of a Book 9. The Politics of Publishing Conclusion Bibliography Index

Read more less

Book SynopsisBringing together scholars from literature and the history of ideas, Passions and Subjectivity in Early Modern Culture explores new ways of negotiating the boundaries between cognitive and bodily models of emotion, and between different versions of the will as active or passive. In the process, it juxtaposes the historical formation of such ideas with contemporary philosophical debates. It frames a dialogue between rhetoric and medicine, politics and religion, in order to examine the relationship between mind and body and between experience and the senses. Some chapters discuss literature, in studies of Shakespeare, Donne, and Milton; other essays concentrate on philosophical arguments, both Aristotelian and Galenic models from antiquity, and new mechanistic formations in Descartes, Hobbes and Spinoza. A powerful sense of paradox emerges in treatments of the passions in the early modern period, also reflected in new literary and philosophical forms in which inwardness was displayed, anTrade Review'... richly learned essays ... such a volume is to be welcomed by all of us engaged in the history of the emotions.' Renaissance Quarterly '... a remarkably wide-ranging and insightful volume ... a rich and important contribution not only to debates about the passions and subjectivity, but to the broader fields of early modern ethics, politics, philosophy, and theology.' Renaissance Studies '... well worth consulting for anyone interested in the passions in early modern thought, literature, and history.' ParergonTable of ContentsContents: Introduction, Brian Cummings and Freya Sierhius; Part I Intersubjectivity, Ethics, Agency: Passion and intersubjectivity in early modern literature, Christopher Tilmouth; Affective physics: affectus in Spinoza’s Ethica, Russ Leo; Donne’s passions: emotion, agency and language, Brian Cummings. Part II Embodiment, Cognition, Identity: Melancholy, passions and identity in the Renaissance, Angus Gowland; Montaigne’s soul, Felicity Green; Uncertain knowing, blind vision, and active passivity: subjectivity, sensuality and emotion in Milton’s epistemology, Katharine Fletcher. Part III Politics, Affects, Friendship: Friendship and freedom of speech in the work of Fulke Greville, Freya Sierhuis; A passion for the past: the politics of nostalgia on the early Jacobean stage, Isabel Karremann; ’Not truth but image maketh passion’: Hobbes on instigation and appeasing, Ioannis D. Evrigenis. Part IV Religion, Devotion, Theology: ’A sensible touching, feeling and groping’: metaphor and sensory experience in the English Reformation, Joe Moshenska; ’Tears of passion’ and ’inordinate lamentation’: complicated grief in Donne and Augustine, Katrin Ettenhuber; Passions, politics and subjectivity in Philip Massinger’s The Emperor of the East, Adrian Streete. Part V Philosophy and the Early Modern Passions: The fallacy of ’that within’: Hamlet meets Wittgenstein, Daniella Jancsó; ’The greatest share of endless pain’: the spectral sacramentality of pain in Milton’s Paradise Lost, Björn Quiring; ’Not passion’s slave’: Hamlet, Descartes and the passions, Stephan Laqué; Afterword, Brian Cummings and Freya Sierhuis; Bibliography; Index.

Read more less

Book SynopsisOthello has long been, and remains, one of Shakespeare''s most popular works. It is a favourite work of scholars, students, and general readers alike. Perhaps more than any other of Shakespeare''s tragedies, this one seems to speak most clearly to contemporary readers and audiences, partly because it deals with such pressing modern issues as race, gender, multiculturalism, and the ways love, jealousy, and misunderstanding can affect relations between romantic partners. The play also features Iago, one of Shakespeare''s most mesmerizing and puzzling villains. This guide offers students and scholars an introduction to the play''s critical and performance history, including notable stage productions and film versions. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further research.Table of ContentsSeries Introduction; Othello Timeline; Introduction; The Critical Backstory RICHARD HARP Performance History: CHRISTOPHER BAKER The State of the Art: IMTIAZ HABIB New Directions: 1.Othello as an Englishman: MATTHEW STEGGLE 2.Iago: Male Witch and Black Magician: ROBERT C. EVANS 3.Othello, the Turks, and Cyprus: RAPHAEL FALCO 4. Othello and His Brothers: LISA HOPKINS Resources for Teaching and Studying Othello: ALISON SCOTT Notes on the Contributors; Index

Read more less

Book SynopsisBased on the true story of the murder of Thomas Arden by his wife, her lover and accomplices in 1551, Arden of Faversham is one of the earliest domestic tragedies and a play which has continued to thrill audiences since its first staging. This comprehensive edition situates the play in its social, cultural and political context while exploring its performance and critical history through a range of historical and contemporary productions, including William Poel's Lilies That Fester (1897) and the Royal Shakespeare Company's 2014 production. Throughout, the edition aims to reanimate the play's engagement with the material culture of domestic life, using little-known evidence for the objects and spaces implicated in the murder. The introduction also accounts for recent new thinking about the play's likely authorship, including claims that Shakespeare was a key co-author. The comprehensive, illustrated introduction combined with detailed on-page commentary notes and glosses Trade Review[The editor] combine[s] personal enthusiasm ... with scholarly rigour, and the result is ... useful and enjoyable insights into early modern drama. * The Times Literary Supplement *Richardson’s is a valuable edition of Arden for students, teachers, and scholars, making important contributions to our understanding of the play and no doubt occupying a significant place in editorial history. * Archiv für das Studium der neueren Sprachen und Literaturen *Table of ContentsSeries Preface Introduction Arden of Faversham Appendices Bibliography Index

Read more less

Book SynopsisThis ground-breaking study fearlessly combines latest research in evolutionary psychology, historical scholarship and philosophy to answer a question that has eluded critics for centuries: what is Shakespeare's moral vision?

Read more less

Book SynopsisThis exciting collection of original essays critically assesses the significance of locality in Shakespearean plays.

Read more less

Book SynopsisCharting a new course between performance studies and literary criticism, this book explores how recognition of the dramatic person is involved in theatrical materiality.

Read more less

Book SynopsisIntroduces and explores a wide range of fresh approaches to comparative study of Shakespeare and Montaigne.

Read more less

Book SynopsisIn Light without Heat, David Carroll Simon argues for the importance of carelessness to the literary and scientific experiments of the seventeenth century. While scholars have often looked to this period in order to narrate the triumph of methodical rigor as a quintessentially modern intellectual value, Simon describes the appeal of open-ended receptivity to the protagonists of the New Science. In straying from the work of self-possession and the duty to sift fact from fiction, early modern intellectuals discovered the cognitive advantages of the undisciplined mind.Exploring the influence of what he calls the observational mood on both poetry and prose, Simon offers new readings of Michel de Montaigne, Francis Bacon, Izaak Walton, Henry Power, Robert Hooke, Robert Boyle, Andrew Marvell, and John Milton. He also extends his inquiry beyond the boundaries of early modernity, arguing for a literary theory that trades strict methodological commitment for an openness to lawlTrade Review[B]y finding other forms of thinking within literature, and by practicing other forms of reading within criticism,... even the most familiar of texts come to be seen in a whole new light.... David Carroll Simon's magisterial Light without Heat [is] a highly thoughtful and revisionary study of the scientific imagination and, specifically, of the quality of thought that characterizes it in the seventeenth century.... Simon challenges the consensus that the New Science was responsible for prioritizing this mode of investigation [objectivity] by exploring what he calls the latter's 'observational mood': a quality of Montaignean carelessness... an aimless and patient witnessing that is neither driven nor teleological. -- Catherine Bates * SEL: Studies in English Literature 1500–1900 *Simon's careful close readings illuminate both the scientific and literary texts under study, while his overall approach of resisting reductive binaries (Baconianism as exclusively active at the expense of passive receptivity, labor as exclusively laborious at the expense of affective pleasure) serves as a compelling corrective against the tendency of scholarship on the history of science to slip into universalizing narratives. Scholars of seventeenth-century literature and science—and of seventeenth-century culture more generally—should find it to be a provocative and stimulating read. -- Erin Webster * Milton Quarterly *Light without Heat will gain deserving accolades as an innovative study of seventeenth- century literary and scientific writing.... [A]s an attempt at capturing and describing the shifting moods of reflection and observation that lie at the core of so much seventeenth-century writing, Simon has... written a deeply thought-provoking book. -- Jonathan Sawday * Renaissance Quarterly *

Read more less

Book SynopsisWhat does the keyword "continence" in Love's Labor's Lost reveal about geopolitical boundaries and their breaching? What can we learn from the contemporary identification of the "quince" with weddings that is crucial for A Midsummer Night's Dream? How does the evocation of Spanish-occupied "Brabant" in Othello resonate with contemporary geopolitical contexts, wordplay on "Low Countries," and fears of sexual/territorial "occupation"? How does "supposes" connote not only sexual submission in The Taming of the Shrew but also the transvestite practice of boys playing women, and what does it mean for the dramatic recognition scene in Cymbeline? With dazzling wit and erudition, Patricia Parker explores these and other critical keywords to reveal how they provide a lens for interpreting the language, contexts, and preoccupations of Shakespeare's plays. In doing so, she probes classical and historical sources, theatrical performance practices, geopolitical interrelations, hierarchies of race, gender, and class, and the multiple significances of "preposterousness," including reversals of high and low, male and female, Latinate and vulgar, "sinister" or backward writing, and latter ends both bodily and dramatic. Providing innovative and interdisciplinary perspectives on Shakespeare, from early to late and across dramatic genres, Parker's deeply evocative readings demonstrate how easy-to-overlook textual or semantic details reverberate within and beyond the Shakespearean text, and suggest that the boundary between language and context is an incontinent divide.Trade Review"By honing a feminist philological practice attuned to the intersections of language, class, gender, sexuality, and race, Parker illuminates how single words and their discursive networks firm up or challenge hierarchies of self and other in early modern English culture....Working across historical periods, geographies, discourses, and languages, Parker traces how single words range far afield to mate, drawing other terms into the orbit of the self-same in subtle, queer, and preposterous ways. As one has come to expect from Parker, delight is in the details....Shakespearean Intersections delivers on the promises of philologically attuned intersectional analysis, revealing the critical, historical, ontological, and epistemological insights that arise when we delve deeply and patiently into the world of words." * Shakespeare Quarterly *"The conclusion one draws from Shakespearean Intersections is that a lifetime of study in classical and early modern literature, multiple languages, philosophy, and world history might foster a critical perspective that invigorates our most familiar texts and makes them speak to the pressing issues of our time. This is the true promise of creative, inspiring literary criticism. It is a promise made good in Shakespearean Intersections." * Renaissance Quarterly *"Parker has always been one of the most trenchant and dazzling observers of word behaviour and her command of the almost incorrigible and mischievous elements of Shakespeare's language is an art in itself. The vibrant way in which she conjures contexts and allusions, recalls, suppositions, bends, behinds and breaches draws out the spectacular ways in which meanings are networked across the plays, but also the audiences and how the word becomes a powerful token or gift through which we can explore the rich complexities of belonging to Shakespeare's play worlds." * Shakespeare Survey *"Providing a rather prolific response to the age-old question, 'what's in a name?' this book's methodological approach to words (including nominal) as uniquely rewarding vehicles for exploring the language, contexts, and preoccupations of a period's literature and drama-together with oft-overlooked issues and historical intersections-testifies to the rich dividends paid by the meticulously close scholarly readings at which Parker is so adept." * Renaissance and Reformation *"Shakespearean Intersections offers a stunningly creative and illuminating method for reading Shakespeare's words as nodes in densely linked webs of religious, racial, political, and sexual meanings. No word is safe from Patricia Parker's eagle-eyed attention to the polyglot resonances, inferences, and figurations that unexpectedly connect Shakespeare's language to contemporary discourses as diverse as sodomy, military science, biblical teleology, and orthography. Shakespearean Intersections shows us how much we have overlooked in Shakespeare's language, and how much richer and more inventive our readings of even his most familiar texts might be." * Mario DiGangi, The Graduate Center, City University of New York *"Our editorial and critical endeavors have always (and perhaps necessarily) underestimated the activity of words-which is why we need Patricia Parker's extraordinary readings of Shakespeare." * Margreta de Grazia, University of Pennsylvania *"In Shakespearean Intersections, Patricia Parker identifies a wide range of especially resonant keywords and cultural contexts for early modern drama. Her readings of Shakespearean drama are a joy to encounter: immensely learned; acutely sensitive to rhetorical complexity; and deeply thoughtful about the politics of language." * Patricia Cahill, Emory University *

Read more less

Book SynopsisThis volume is an essential supplement to Pastoral poetry of the English Renaissance: An anthology (2016). The full-length Introduction examines English Renaissance pastoral against the history of the mode from antiquity to the present, with its multifarious themes and social affinities. The study covers many genres – eclogue, lyric, georgic, country-house poem, ballad, romantic epic, prose romance – and major practitioners – Theocritus, Virgil, Sidney, Spenser, Drayton and Milton. It also charts the circulation of pastoral texts, with implications for all early modern poetry. All poems in the Anthology were edited from the original texts; the Companion documents the sources and variant readings in unprecedented detail for a cross-section of early modern poetry. Includes notes on the poets and analytical indices. The Companion is indispensable not only to users of the Anthology but to all students and advanced scholars of Renaissance poetry.Trade Review‘Professor Chaudhuri has now produced the largest anthology of pastoral poetry yet published, a major collection in every sense, which illustrates the broad historical development outlined in his concise introduction, but with an unexpected diversity. It comprises 277 items, ranging from an anonymous 1588 translation of Theocritus to poems from Charles Cotton published posthumously in 1689… In sum, this wonderfully wide-ranging collection ought to be in every library of English literature. Congratulations are due to the editor and publisher, who have also published Chaudhuri's complementary A Companion to Pastoral Poetry of the English Renaissance (2018). The appearance of both volumes will make lovers of pastoral, present and future, deeply indebted to Sukanta Chaudhuri.’Maria Delgado, Times Higher Education‘In sum, this wonderfully wide-ranging collection ought to be in every library of English literature. Congratulations are due to the editor and publisher, who have also published Chaudhuri’s complementary A Companion to Pastoral Poetry of the English Renaissance (2018). The appearance of both volumes will make lovers of pastoral, present and future, deeply indebted to Sukanta Chaudhuri.’Brian Vickers, School of Advanced Study, University of London, The Review of English Studies‘…this wonderfully wide-ranging collection ought to be in every library of English literature. Congratulations are due to the editor and publisher, who have also published Chaudhuri’s complementary A Companion to Pastoral Poetry of the English Renaissance (2018). The appearance of both volumes will make lovers of pastoral, present and future, deeply indebted to Sukanta Chaudhuri.’Brian Vickers, University of London, The Review of English Studies, Vol. 70, Issue 295, June 2019 -- .Table of ContentsIntroductionI: PastoralII: TextTextual notes Notes on authors Analytical indices (A) Genres (B) Themes (C) Pastoral and other fictional names (D) Mythological names and allusions (E) Biblical names and allusions (F) Historical and other personal names and allusions (G) Place-names (geographical and mythological)Index

Read more less

Book SynopsisJulius Caesar presents a performance history of a controversial play, moving from its 1599 opening all the way into the new millennium with particular emphasis on its twentieth- and twenty-first-century incarnations on stage and screen. The book tracks the play’s evolution from being a play about the oratorical skill of noble Romans to its recent manifestations as a dark political thriller.Chapters in this theoretically savvy and global study consider productions such as Orson Welles’s groundbreaking examination of European Fascism, Joseph Mankeiwicz’s Oscar winning 1953 film, politically complex productions at the Royal Shakespeare Company, and shows from around the world which interrogate their own cultural and educational context as well as pressing contemporary concerns such as the reach of mass media.Table of ContentsIntroduction: political theatre1. “So are they all, all honourable men”: Julius Caesar before the Second World War2. The rise of European Fascism: Welles at the Mercury Theater3. (Un) American identities: Mankiewicz (1953)4. Wise saws and modern(ist) instances: Anderson, Barton and Nunn5. Glories past: the minor films6. The Romans in Britain. Caesar under Thatcher7. Accents yet unknown: Global Caesars8. ‘Growing on the South’: Georgia Shakespeare 2001 and 20099. A strange disposed time: Caesar at the MilleniumAppendix: major cast and company staff of select twentieth century productionsBibliographyIndex

Read more less

Book SynopsisThis study utilises John Donne’s works concerning the Jacobean Settlement as a contextualised case study to examine a seriously pressing issue in contemporary society: the issue of Catholic loyalism post-1603 and the disputes that thistopic sparked over the matter of conformity.Altman examines Donne’s polemic in line with the vast expanse of literature relating to the pamphlet war and situates Donne’s arguments within a strong contemporary tradition of conformist thought. Within this context, the study argues that Donne articulated a theory of royal absolutism that would have struck home with many contemporaries who, whether Catholic or not, were faced with a regime determined to bring them into conformity. It further contends that the religio-political standpoint represented by Donne was not only fairly obvious to the English state but was also widely accepted by it.Table of ContentsIntroduction: Situating John Donne within post-Reformation studies1 Absolutism and the moderation of religion2 Resistance theory, tyrannicide and the trope of the ‘Evil Jesuit’ 3 Volunteerism and self- sovereignty in discourses on martyrdomConclusion: John Donne studies and the “Revisionist” paradigmIndex

Read more less