Literary studies: c 1600 to c 1800 Books

3248 products


  • Cambridge University Press The Civilized Imagination A Study of Ann Radcliffe Jane Austen and Sir Walter Scott

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  • Cambridge University Press La Princesse de Cleves

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  • Cambridge University Press Nikolay Novikov

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  • Cambridge University Press Fatal Women of Romanticism 54 Cambridge Studies in Romanticism Series Number 54

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  • Cambridge University Press Poetry and Fable Studies in Mythological Narrative in SixteenthCentury France 6 Cambridge Studies in French Series Number 6

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  • Cambridge University Press Ronsard and the Age of Gold

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  • Cambridge University Press Devotional Poetry in France c 15701613

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  • Cambridge University Press The German Tradition of Psychology in Literature and Thought 1700 1840

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  • Cambridge University Press Francis Bacon and Renaissance Prose Cambridge English Prose Texts Paperback

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  • Cambridge University Press Commonplace Books and Reading in Georgian England

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  • Cambridge University Press Women as Hamlet

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  • Cambridge University Press Moral Identity in Early Modern English Literature

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  • Cambridge University Press Literature and Favoritism in Early Modern England

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  • Cambridge University Press Shakespeare and Modernism

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  • Cambridge University Press Memory and Forgetting in English Renaissance Drama Shakespeare Marlowe Webster 50 Cambridge Studies in Renaissance Literature and Culture Series Number 50

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    Book SynopsisEngaging debates over the nature of subjectivity in early modern England, this fascinating and original study examines sixteenth- and seventeenth-century conceptions of memory and forgetting, and their importance to the drama and culture of the time. Garrett A. Sullivan, Jr discusses memory and forgetting as categories in terms of which a variety of behaviours - from seeking salvation to pursuing vengeance to succumbing to desire - are conceptualized. Drawing upon a range of literary and non-literary discourses, represented by treatises on the passions, sermons, anti-theatrical tracts, epic poems and more, Shakespeare, Marlowe and Webster stage 'self-recollection' and, more commonly, 'self-forgetting', the latter providing a powerful model for dramatic subjectivity. Focusing on works such as Macbeth, Hamlet, Dr Faustus and The Duchess of Malfi, Sullivan reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social Trade Review'… well-researched and well-written …' The Times Literary Supplement'Memory and Forgetting in English Renaissance Drama will interest not only those who also address the intellectual history of memory or subjectivity, but those interested in the early modern body, issues of gender, or performance studies and theater history. Sullivan's meticulous and imaginative scholarship and his original approach provide invaluable instruction to anyone interested in Renaissance drama.' The Shakespeare NewsletterTable of ContentsAcknowledgements; Introduction: planting oblivion; 1. Embodying oblivion; 2. 'Be this sweet Helen's knell, and now forget her': forgetting and desire in All's Well That Ends Well; 3. 'If he can remember': spiritual self-forgetting in Doctor Faustus; 4. 'My oblivion is a very Antony'; 5. Sleep, conscience and fame in The Duchess of Malfi; Coda: 'wrought with things forgotten'; Notes; Index.

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  • Cambridge University Press Shakespeares Violated Bodies

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  • Cambridge University Press Constructing Cromwell

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    Book SynopsisConstructing Cromwell is the first book-length study of representations of Oliver Cromwell in his own time. Laura Knoppers analyses almost 40 illustrations and draws on extensive archival research including manuscript letters, diaries, and satiric verse to shed light on the changing print images of England's only non-monarchical head of state.Trade ReviewReview of the hardback: 'Knoppers offers a fascinating exploration of the various images and representations of him in contemporary ceremonial, portraits, and printed forms. Her interdisciplinary approach is very rewarding, and she combines the historian's awareness of specific political and intellectual contexts with the literary critic's sensitivity to the texture, style, and voice of texts.' Historical JournalTable of ContentsIntroduction; 1. 'A Coffin for King Charles, A Crowne for Cromwell': royalist satire and the regicide; 2. Portraiture, print, and the republican heroic; 3. 'Riding in triumph': ceremony and print in the early Protectorate; 4. Contesting Cromwell in the late Protectorate; 5. 'I saw him dead': Cromwell's death and funeral; 6. Ceremony, print, and punishment in the early restoration; Afterword; Notes; Works cited; Index.

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  • Cambridge University Press Literature Politics and National Identity

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  • Cambridge University Press Paradise Preserved Recreations in Eden in Eighteenth and NineteenthCentury England

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  • Cambridge University Press Representing Elizabeth in Stuart England

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  • Cambridge University Press The Writing of Royalism 1628 1660

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  • Cambridge University Press Milton Authorship and the Book Trade

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  • Cambridge University Press Readers and Authorship in Early Modern England

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  • Cambridge University Press Domesticity and Dissent in the Seventeenth Century English Women Writers and the Public Sphere

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  • Cambridge University Press Language and Conquest in Early Modern Ireland

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  • Cambridge University Press Counterfeiting Shakespeare

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  • Cambridge University Press Radicalism in British Literary Culture 1650 1830

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    Book SynopsisAn examination of the radical tradition in British literary culture from the English Revolution to the French Revolution, and charts continuities between the two periods.Trade Review"This collection of essays is uniformly lucid, engaging, and densely documented ... it offers a rich tapestry representing strains of radical thought." Seventeenth-Century NewsTable of ContentsList of illustrations; Notes on contributors; Acknowledgements; Introduction Timothy Morton and Nigel Smith; Part I. From Revolution: 1. 'May the last king be strangled in the bowels of the last priest': irreligion and the English Enlightenment, 1649–1789 Justin Champion; 2. Radicalism and replication Nigel Smith; 3. The plantation of wrath Timothy Morton; 4. They became what they beheld: theodicy and regeneration in Milton, Law and Blake Donald John; 5. Fasting women: the significance of gender and bodies in radical religion and politics, 1650–1813 Jane Shaw; Part II. To Revolution: 6. John Thelwall and the revolution of 1649 Michael Scrivener; 7. Women's private reading and political action, 1649–1838 Charlotte Sussman; 8. The strange career of Richard 'Citizen' Lee: poetry, popular radicalism, and enthusiasm in the 1790s Jon Mee; 9. William Cobbett, John Clare, and the agrarian politics of the English revolution James McKusick; 10. 'Not a reforming patriot but an ambitious tyrant': representations of Cromwell and the English republic in the late eighteenth and early nineteenth centuries Peter Kitson; 11. The republican prompt: connections in English radical culture Paul Hamilton.

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  • Cambridge University Press Gender and the Formation of Taste in EighteenthCentury Britain

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  • Cambridge University Press The Geography of Empire in English Literature 15801745

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  • Cambridge University Press Samuel Johnson and the Culture of Property

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  • Cambridge University Press Autobiography and Gender in Early Modern Literature

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  • Cambridge University Press Shakespeare on the German Stage

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  • Cambridge University Press Women and Islam in Early Modern English Literature

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  • Cambridge University Press Tragicomedy and Novelistic Discourse in Celestina Cambridge Iberian and Latin American Studies

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  • Cambridge University Press Redefining Elizabethan Literature

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  • Cambridge University Press Male Friendship in Shakespeare and His Contemporaries

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  • Cambridge University Press John Miltons Aristocratic Entertainments

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  • Cambridge University Press Shakespeare and Sir Thomas More

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  • Cambridge University Press The Problem of The Reign of King Edward III A Statistical Approach New Cambridge Shakespeare Studies and Supplementary Texts

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  • Cambridge University Press Milton and Gender

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  • Cambridge University Press Literature and the Politics of Family in SeventeenthCentury England

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  • Cambridge University Press Correspondence and American Literature 1770 1865

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  • Cambridge University Press Humanism Machinery and Renaissance Literature

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  • Cambridge University Press The Cambridge Introduction to Christopher Marlowe Cambridge Introductions to Literature

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    Book SynopsisProviding a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of all of Marlowe's plays, stressing what was new and revolutionary about them as well as how they made use of existing dramatic models. Marlowe's poems and translations, sometimes marginalised in discussions of his work, are analysed to emphasise their literary importance and political resonances. The book presents a balanced discussion of Marlowe's turbulent life and considers his afterlives: the influence of his work on other writers and examples of how his plays have been performed. In addition to introducing the reader to the historical and religious contexts within which Marlowe wrote, the Introduction stresses the qualities that continue to make his work fascinating: intellectual range, radical irony and an awareness of the dangerously cTrade Review'On the whole, I have found this book a model of excellence in its scholarship, intelligence, and suggestiveness. It is remarkably fresh in the focus of each chapter, wide-ranging in scope, flexible and detailed in supplying illuminating contexts, and thoroughly engaging in the persuasive candor of its well-supported observations. I recommend it without reservation.' Robert A. Logan, University of Hartford'This is the book you want for your students: it is readable, sensible, fact-filled, fancy-careful, comprehensive for its publishing category, and affordable.' Roslyn Knutson, Professor Emerita, University of Arkansas, Little Rock'On the whole, I have found this book a model of excellence in its scholarship, intelligence, and suggestiveness. It is remarkably fresh in the focus of each chapter, wide-ranging in scope, flexible and detailed in supplying illuminating contexts, and thoroughly engaging in the persuasive candor of its well-supported observations. I recommend it without reservation.' The Marlowe Society of America'… a short, engaging book targeted at students, teachers and lecturers. It covers familiar territory (the life and works of Marlowe) in an original way by combining a historical approach, an interest in performance and reader-response, and illuminating close readings of some passages of the plays and poems. Rutter's information is always precise and every statement is traced back to a primary source (letters, Privy Council reports, the Baines note, plays by other dramatists...) The book is also well documented: Rutter is aware of much of the recent criticism on Marlowe's life and works and he is also well informed on the history of theatre companies and on studies on gender and sexuality in early modern England, but he quotes his sources only sparsely, saving his reader from an ostentatious display of knowledge not fitted to this kind of work. Another strength of this book is the clarity and elegance of the exposition.' Cercles: Revue pluridisciplinaire du monde anglophoneTable of ContentsPreface; Key dates; 1. Life and historical contexts; 2. Tamburlaine, Parts One and Two; 3. Doctor Faustus; 4. The Jew of Malta and The Massacre at Paris; 5. Edward II; 6. Dido, Queen of Carthage and Marlowe's poetry; 7. Marlowe's afterlives; Bibliography.

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    £22.23

  • Cambridge University Press William Shenstone

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  • Cambridge University Press Between Spenser and Swift

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  • Cambridge University Press Literature Nationalism and Memory in Early Modern England and Wales

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