Literary studies: c 1600 to c 1800 Books

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  • Taylor & Francis Ltd Ben Jonson The Critical Heritage Critical

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    Book SynopsisThe Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer''s work, enabling students and researchers to read the material themselves.Table of ContentsIntroduction; Chapter 1 John Weever, Marston and Jonson 1599; Chapter 2 Ben Jonson, Every Man Out of his Humour 1599; Chapter 3 Ben Jonson, Prologue to Cynthia’s Revels 1600; Chapter 4 John Weever, Jonson as Humorist 1601; Chapter 5 Nicholas Breton on the Satirical Fashion 1601; Chapter 6 Ben Jonson, Poetaster 1601; Chapter 7 Thomas Dekker, Horace Untrussed 1601–2; Chapter 8 Charles Fitzgeffrey on Jonson 1601; Chapter 9 Cambridge Views on the War of the Theatres 1601–2; Chapter 10 Henry Chettle, Jonson’s Steel Pen 1603; Chapter 11 Samuel Daniel Attacks the Learned Masque 1604; Chapter 12 Thomas Dekker on Jonson’s Pedantry 1604; Chapter 13 John Marston, Tribute to Jonson 1604; Chapter 14 Sir Edward Herbert on Jonson’s Horace 1604; Chapter 15 Jonson as Laureate 1605; Chapter 16 On Sejanus 1605; Chapter 17 John Marston Glances at Sejanus 1606; Chapter 18 Ben Jonson on his Masques 1606; Chapter 19 On Volpone 1605–7; Chapter 20 Ben Jonson, More Principles for the Masque 1609; Chapter 21 Jonson’s Comedy Malicious and Factious 1610; Chapter 22 Ben Jonson, Prologue to The Alchemist 1610; Chapter 23 On Catiline 1611; Chapter 24 John Selden on Jonson’s Scholarship 1614; Chapter 25 Ben Jonson, Bartholomew Fair 1614; Chapter 26 On Jonson’s Epigrams 1615; Chapter 27 William Fennor on the Reception of Sejanus 1616; Chapter 28 Robert Anton, Jonson among the Melancholic Creators 161; Chapter 29 From The Workes of Benjamin Jonson 1616; Chapter 30 William Drummond, Jonson’s Character 1619; Chapter 31 Inigo Jones, Attack on Jonson 1619 or Later; Chapter 32 Edmund Bolton on Jonson’s Language 1621; Chapter 33 George Chapman, Expostulation with Jonson 1623 or Later; Chapter 34 Ben Jonson on the Staple of News 1626; Chapter 35 Nicholas Oldisworth on Jonson 1629; Chapter 36 Controversy Over the New Inn 1629–31; Chapter 37 Falkland on Jonson as the Dispenser of Fame 1631 or Earlier; Chapter 38 Leonard Digges, Shakespeare’s Plays More Popular than Jonson’s (?)1632; Chapter 39 Thomas Randolph

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  • Taylor & Francis Ltd John Milton The Critical Heritage Volume 2 17321801 Critical Heritage S

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  • Taylor & Francis Ltd John Dryden The Critical Heritage

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    Book SynopsisThe Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer''s work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare''s plays, or reactions to the first publication of Jane Austen''s novels.The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author''s reputation.Each volume contains an introduction to the writer''s published works, a selected bibliography, and an index of works, authors and subjects.The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selectedTable of ContentsINTRODUCTION I I The reception of Dryden's first play 1663 29 2 PEPYS at the theatre 1662, 1663, 1664, 1667, 1668 30 3 DRYDEN on The Indian Emperour 1667, 1679 32 4 DRYDEN on Secret-Love 1668 34 5 DRYDEN on his comedies 1668, 1671 36 6 FLECKNOE on Dryden 1670 38 7 Dryden's Patent 1670 39 8 DRYDEN on Tyrannick Love 1670, 1681 40 9 DRYDEN on An Evening's Love 1671 42 10 DRYDEN as Mr Bayes 1672 4S II 'Tragedy I say's my Masterpiece' 1673 53 12 The Censure ofthe Rota 1673 54 13 Attack by vindication 1673 68 14 Mr. Dreyden Vindicated 1673 80 15 The Athenian Virtuosi answered 1673 88 16 RAVENSCROFT requites Dryden 1673 109 17 Wits and pedants 1673 110 18 MARVELL on The State ofInnocence 1674 113 19 RYMER on The Indian Emperour 1674 lIS 20 ROCHESTER on Dryden 1675-7 117 21 Comedy and tragedy 1676 120 22 Excellent imaging? 1677 121 23 DRYDEN on The Kind Keeper 1677, 1680 123 24 DRYDEN on Allfor Love 1678 124 2S DRYDEN on The Spanish Fryar 1681 126 26 Verses on Absalom and Achitophel 1681, 1682 128 27 Some responses to Absalom and Achitophel 1681, 1682 131 28 Verses on The Medall 1682 136 29 Verses on Religio Laic; 1682, 1683 138 30 The Medal ofJohn Bayes: A Satyr 1682 143 vii CONTENTS 31 Dryden, the Tory poet 1682 151 32 SHADWELL on The Duke ofGuise 1683 156 33 A deist's tribute 1683 159 34 DRYDEN on his History ofthe League 1684 162 35 Odi imitatores servum peet,IS, &c. 1685 163 36 PRIOR parodies The Hind and the Panther 1687 167 37 Gentle George reads The Hind and the Panther 1687, 1689 174 38 CLIFFORD'S poison pen 1687 175 39 Reflections on The Hind and the Panther 1687 186 40 Dryden's rhyming poetry 1690 190 41 Objections to Don Sebastian 1689-90 191 42 Two actors in 1690 (1739) 193 43 MILBOURNE blows hot and cold 1690, 1698 196 44 LANGBAINE'S observations and remarks 1691 200 45 Dryden and Congreve 1693 203 46 Congreve to Mr Dryden, on his translation of Persius 1693 205 47 HIGGONS on Persius 1693 207 48 DRYDEN on Examen Poeticum 1693 208 49 DENNIS on Oedipus 1693 209 50 Tribute from ADDISON 1693 213 51 DRYDEN on The Satires ofJuvenalis 1693 215 52 DRYDEN on Love Triumphant 1694 216 53 Verses on Virgil 1697 217 54 DRYDEN on his Virgil 1697 224 55 Alexander's Feast 1697 226 56 Immorality and profaneness 1698 227 57 Fables Ancient and Modern 1700 240 58 On a portrait of Dryden 1700 241 59 Farce and heroicks 1700 242 60 Dryden's unnatural flights 1701 243 61 SWIFT on Dryden 1704, 1710, 1735 245 62 HUGHES: Verses on Dryden's Fables 1706 248 63 The Spectator 1711, 1712 253 64 DENNIS on Dryden 1711, 1715, 1717, 1720, 1728 257 65 GARTH'S memorial to Dryden 1717 261 66 CONGREVE'S memoir 1717 263 67 DENNIS on Allfor Love 1719 266 68 ALEXANDER POPE on Dryden 1730-43 269 69 THOMAS GRAY on Dryden 1742, 1754, 1765 270 viii 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 CONTENTS Instant criticism 1744 JOSEPH WARTON on Dryden 1756, 1782 Applauding hands and dry eyes 1759 Sigismunda and Timotheus 1761, 1763, 1764 ADAM SMITH on The Spanish Fryar 1763 Comments by WALPOLE 1775-87 DR JOHNSON on Dryden 1779-81, 1750 Comments by COWPER 1780, 1782, 1784 A professorial view 1783 BURNS reads Dryden's Virgil 1788 MALONE on Dryden 1800 No great favourite of WORDSWORTH'S 1805 SCOTT'S Dryden: Cause for alarm 1805,1806 WALTER SCOTT: The great appraisal 1808 Teutonic strictures 1808 BLAKE against journeymen c. 1810 LORD MONBODDO on Dryden's Odes (n.d.) APPENDIX: EARLY EDITIONS OF THE WORKS OF DRYDEN

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  • Taylor & Francis Ltd William Congreve The Critical Heritage Critical Heritage S

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  • Taylor & Francis Ltd Joseph Addison and Richard Steele The Critical Heritage

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  • Taylor & Francis Ltd Horace Walpole The Critical Heritage

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  • Taylor & Francis Ltd William Blake The Critical Heritage

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  • Taylor & Francis Ltd Samuel Taylor Coleridge

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  • Taylor & Francis Broken English

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  • Taylor & Francis Ltd Jonathan Swift

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    Book SynopsisThe Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer''s work, enabling student and researcher to read the material themselves.Table of ContentsIntroduction; Note on the Text; Chapter 1 Dr. William King on A Tale of a Tub; Chapter 2 Francis Atterbury on A Tale of a Tub; Chapter 3 William Wotton on A Tale of a Tub; Chapter 4 Richard Steele on A Project for the Advancement of Religion; Chapter 5 John Dennis on the Examiner; Chapter 6 The aim of A Tale of a Tub; Chapter 7 Sir Richard Blackmore on A Tale of a Tub; Chapter 8 A translator’s opinions of A Tale of a Tub; Chapter 9 A Swiss view of A Tale of a Tub and The Battle of the Books; Chapter 10 The reception of Gulliver’s Travels; Chapter 11 Lady Mary Wortley Montagu on Gulliver’s Travels; Chapter 12 An anonymous opinion of Gulliver’s Travels; Chapter 13 William Warburton on Swift and human nature; Chapter 14 Voltaire on Swift; Chapter 15 Abbé Desfontaines and Gulliver’s Travels; Chapter 16 Jonathan Smedley on Gulliver’s Travels; Chapter 17 Swift as political dictator; Chapter 18 Anonymous criticisms of Houyhnhnmland; Chapter 19 George Faulkner on Swift’s poetry; Chapter 20 The Duchess of Marlborough on Swift; Chapter 21 François Cartaud de la Villate on A Tale of a Tub; Chapter 22 Samuel Richardson on Swift; Chapter 23 Paradis de Moncrif on Gulliver’s Travels; Chapter 24 Henry Fielding on Swift; Chapter 25 David Hume on Swift; Chapter 26 Lord Orrery on Swift; Chapter 27 Patrick Delany on Swift; Chapter 28 Deane Swift on Gulliver’s Travels and on Swift as a poet; Chapter 29 John Hawkesworth on Swift; Chapter 30 W. H. Dilworth on Swift; Chapter 31 Edward Young on Gulliver’s Travels; Chapter 32 George Lord Lyttelton on Swift; Chapter 33 A French reissue of Gulliver’s Travels; Chapter 34 Oliver Goldsmith on Swift; Chapter 35 Ralph Griffiths on Swift’s ‘Cause’; Chapter 36 Horace Walpole and his circle on Swift; Chapter 37 Lord Monboddo on Gulliver’s Travels; Chapter 38 James Beattie on Gulliver’s Travels, A Tale of a Tub, and The Day of Judgment; Chapter 39 A French comment on A Modest Proposal; Chapter 40 Dr. Johnson on Swift; Chapter 41 Samuel Badcock on Swift’s ‘true wit’; Chapter 42 James Harris on Gulliver’s Travels; Chapter 43 Joseph Warton on Swift’s descriptions; Chapter 44 Swift’s characteristics as a writer; Chapter 45 Hugh Blair on Swift’s style; Chapter 46 Thomas Sheridan on Swift; Chapter 47 Incidental comments on Gulliver’s Travels; Chapter 48 George-Monck Berkeley on Swift; Chapter 49 Thomas Ogle on Swift and misanthropy; Chapter 50 Swift as satirist and poet; Chapter 51 William Godwin on Swift’s style; Chapter 52 John Nichols on Swift; Chapter 53 Alexander Chalmers on Swift’s style and character; Chapter 54 Swiftiana; Chapter 55 John Aikin on Swift’s poetry; Chapter 56 56. Richard Payne Knight on the plausibility of Gulliver’s Travels; Chapter 57 57. Nathan Drake on Swift; Chapter 58 John Dunlop on the background of Gulliver’s Travels; Chapter 59 Sir Walter Scott on Swift; Chapter 60 Francis Jeffrey on Swift; Chapter 61 William Hazlitt on Swift; Chapter 62 Coleridge on Swift; Chapter 63 William Monck Mason on Gulliver’s Travels and A Modest Proposal;

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  • Taylor & Francis Ltd (Sales) The Body Emblazoned Dissection and the Human Body in Renaissance Culture

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    Book SynopsisAn outstanding piece of scholarship and a fascinating read, The Body Emblazoned is a compelling study of the culture of dissection the English Renaissance, which informed intellectual enquiry in Europe for nearly two hundred years. In this outstanding work, Jonathan Sawday explores the dark, morbid eroticism of the Renaissance anatomy theatre, and relates it to not only the great monuments of Renaissance art, but to the very foundation of the modern idea of knowledge. Though the dazzling displays of the exterior of the body in Renaissance literature and art have long been a subject of enquiry, The Body Emblazoned considers the interior of the body, and what it meant to men and women in early modern culture. A richly interdisciplinary work, The Body Emblazoned re-assesses modern understanding of the literature and culture of the Renaissance and its conceptualization of the body within the domains of the medical and moral, the cultural and political.Trade Review'At the end of the 20th century, when cyberspace and AIDS have forced us to ask questions about the future of our physical selves, it's instructive to see where we've come from. It may help us see where we're going.' - Wired'This book is a tour de force that promises to shape the questions scholars will ask about the representation of the early modern body for years to come.' - - Medievalia Et Humanistica'Sawday's disturbing, revelatory work is a triumph.' - The Independent' ... this is a compendiously ambitious and provocative work.' - Times Literary Supplement'an absorbing and ambitious book' - - The Sunday TimesTable of ContentsList of figures, Preface and acknowledgements, A note on spelling and citation, 1 THE AUTOPTIC VISION, 2 THE RENAISSANCE BODY: FROM COLONIZATION TO INVENTION, 3 THE BODY IN THE THEATRE OF DESIRE, 4 EXECUTION, ANATOMY, AND INFAMY: INSIDE THE RENAISSANCE ANATOMY THEATRE, 5 SACRED ANATOMY AND THE ORDER OF REPRESENTATION, 6 THE UNCANNY BODY, 7 THE REALM OF AN ATOM I A: DISSECTING PEOPLE, 8 'ROYAL SCIENCE', Notes, Index

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    Book SynopsisRecent years have witnessed a heightened interest in eighteenth-century literary journalism and popular culture. This book provides an account of the early periodical as a literary genre and traces the development of journalism from the 1690s to the 1760s, covering a range of publications by both well-known and obscure writers. The book''s central theme is the struggle of eighteenth-century journalists to attain literary respectability and the strategies by which editors sought to improve the literary and social status of their publications.Table of ContentsPreface And Acknowledgements Notes On The Text Introduction: The Rise of The Periodical 1. ‘Censor-General of Great Britain’: The Tatler and the Editor as Social Monitor 2. ‘The Conversation of my Drawing-Room’: The Female Editor and the Public Sphere in the Female Tatler 3. ‘In Clubs and Assemblies, At Tea-Tables, and in Coffee-Houses’: The Spectator and the Shift From the Editorial Club to the Club of Correspondents 4. ‘Faction And Nonsense’: The Rivalry Between Common Sense and the Nonsense of Common Sense 5 Inventor or Plagiarist? Edward Cave and the First Magazine 6. Polite, Genteel, Elegant: The Female Spectator and the Editor’s Pretensions to Gentility 7 ‘Writing Like a Teacher’: Johnson as Moralist in the Rambler 8 ‘A Becoming Sensibility’: The Old Maid and the Sentimental Periodical 9. ‘Studies Proper For Women’: The Lady’s Museum and the Periodical as an Educational Tool 10/ ‘Buried Among the Essays Upon Liberty, Eastern Tales, and Cures for the Bite of a Mad Dog’: Oliver Goldsmith and the Essayist in The Age of Magazines Notes Bibliography Index

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