Literary studies: c 1600 to c 1800 Books

Book SynopsisThe Philosopher's English King offers a close reading of the Henriad, presenting Shakespeare's teaching on political authority and contributing to the burgeoning scholarship on Shakespeare as a political thinker. This book on Shakespeare's Henriad studies the tetralogy as a work of political thought. Leon Harold Craig, author of two previous volumes on Shakespeare's political thought, argues that the four plays present Shakespeare'steaching on the problem of legitimacy, or who has the right to rule -- one of the perennial questions of political philosophy. Offering original interpretations of each of the plays, Craig discusses the demise of divine right inRichard II, political upheaval and disputed rule in Henry IV, Parts 1 and 2, and the attempt to reestablish legitimacy on a new basis in Henry V. While focusing especially on the plays' various interpretive puzzles,Craig shows how the four plays constitute one narrative, culminating in the rule of England's most famous warrior king, Henry V, whose brilliant achievements were undone by ill fortune. Craig concludes with an epilogue on what might have been had Henry lived to consolidate his conquest of France and unify it with England under a single crown. Supported by a wealth of scholarship, both historical and critical, The Philosopher's English King makes a major contribution to the burgeoning scholarship on Shakespeare as a political thinker, providing further evidence for why the poet deserves to be recognized as a philosopher in his own right. Leon Harold Craig is professor emeritus of political science at the University of Alberta.Trade ReviewI consider this one of the best books ever written on Shakespeare's Henriad. The level of scholarship is second to none. Each chapter is as good as the next. The book is never uneven, and Craig's passion for his subject matter and his desire to share his knowledge with his readers is evident throughout. Not only does one gain many valuable insights into these plays, we are also encouraged to read Shakespeare philosophically, as I am certain Shakespeare wished to be read. * VOEGELINVIEW *Supported by the author's learned command of the relevant English history, this analysis not only serves as a comprehensive overview of the plays' events but also shows how paying attention to even the most minute details and minor characters can shed light on Shakespeare's central figures and plot lines. Highly recommended. * CHOICE *Dissenting from Craig requires the disputant's exercising his utmost capacities for philosophical reflection. . . . Because Craig rightly conceives the philosophic poet. * REVIEW OF POLITICS *In The Philosopher's English King Leon Craig once again proves the value of taking Shakespeare seriously as a political thinker. Drawing parallels with important political philosophers, such as Plato, Machiavelli, and Hobbes, Craig illumines some of the darker corners of Shakespeare's history plays and offers a comprehensive interpretation of the tough-minded teaching on kingship they embody. -- Paul A. Cantor, University of VirginiaTable of ContentsAcknowledgments Prologue Begins the Woefullest Division: The Tragic Reign of King Richard II A Punishing of Mistreadings: The Turbulent Reign of King Henry IV Proceeds The Noble Change Long Purposed: The Turbulent Reign of King Henry IV Concludes A Curious Mirror of Christian Kings: The Brief Glorious Reign of King Henry V An Alternative Epilogue: Imagining What Might Have Been Notes Bibliography Index of Names

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Book Synopsis''Rather jolly and very helpful' The TimesNeed to swot up on your Shakespeare? The ultimate guide to the Bard, perfect for the Shakespeare aficionado and general reader alike. If you've always felt a bit embarrassed at your precarious grasp on the plot of Othello, or you haven't a clue what a petard (as in hoist with his own petard') actually is, then fear not, because this, at last, is the perfect guide to the Bard. From the authors of the number-one bestselling Homework for Grown-ups, Shakespeare for Grown-ups is the essential book for anyone keen to deepen their knowledge of they Trade ReviewRather jolly and very helpful * The Times *This fascinating and fun volume delves into all things Shakespeare and will appeal to novices and experts alike... light, accessible, and engaging... Included in this book are synopses of all of Shakespeare's works and his life and times, key influences, language and style, controversies, and famous quotations. An entertaining and highly informative read, this is essential for students and scholars, theatergoers wanting to familiarize themselves with a particular work, and general readers who are simply curious about one of the most famous and influential playwrights of all time * Library Journal *

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Book SynopsisTea has a rich and well-documented past. The beverage originated in Asia long before making its way to seventeenth-century London, where it became an exotic, highly sought-after commodity. Over the subsequent two centuries, tea’s powerful psychoactive properties seduced British society, becoming popular across the nation from castle to cottage. Now the world’s most popular drink, tea was one of the first truly global products to find a mass market, with tea drinking now stereotypically associated with British identity. The delicate flavour profile and hot preparation of tea inspired poets, artists and satirists. Tea was embroiled in controversy, from the gossip of the domestic tea table to the civil disorder occasioned by smuggling and the political scandal of the Boston Tea Party. Based on extensive original research, and now available in paperback, Empire of Tea provides a rich cultural history that explores how the British `way of tea’ became the norm across the Anglophone world.Trade Review`A stimulating and attractively illustrated history’ – History Today; `For those tempted to begin the tale of British tea-drinking with the Opium Wars, or with the establishment of Indian tea plantations, this book offers a richly textured history of the “empire” that preceded, and long outgrew, those events.’ – Times Literary Supplement

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Book SynopsisThe third edition of Hamlet offers a completely new introduction to this rich, mysterious play, examining Shakespeare''s transformation of an ancient Nordic legend into a drama whose philosophical, psychological, political, and spiritual complexities have captivated audiences world-wide for over 400 years. Focusing on the ways in which Shakespeare re-imagined the revenge plot and its capacity to investigate the human experiences of love, grief, obligation, and memory, Heather Hirschfeld explores the play''s cultural and theatrical contexts, its intricate textual issues, its vibrant critical traditions and controversies, and its history of performance and adaptation by celebrated directors, actors, and authors. Supplemented by an updated reading list, extensive illustrationsand helpful appendices, this editionalso features revised commentary notes explicitly designed for the student reader, offering the verybest in contemporary criticism of this great tragedy.Table of ContentsIntroduction; Note on the text; List of characters; The play; Reading list; Appendices.

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Book SynopsisShakespeare and London: A Dictionary is a topographical reference book of all the London locations, allusions and colloquial terms mentioned in Shakespeare's complete works. For many years critics have argued that Shakespeare did not engage with the city in which he lived, however London''s topography and life is present in all his work, in its language, its locations and its characters. This dictionary offers a concise and fascinating insight into the city''s impact on the Shakespearean imagination and provides readers with a wide-ranging guide to early modern London, its contemporary meanings and the ways in which Shakespeare employs these throughout the canon.Table of ContentsList of Figures Acknowledgements Series Editor's Preface List of Abbreviations List of Headwords Introduction A-Z Bibliography Index

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Book SynopsisShakespeare lived in a world of absolutes-of claims for the absolute authority of scripture, monarch, and God, and the authority of fathers over wives and children, the old over the young, and the gentle over the baseborn. Greenblatt shows that Shakespeare was averse to such absolutes and constantly probed the possibility of freedom from them.Trade Review"Stephen Greenblatt is one of America's most elegant and inventive literary critics. He writes with panache as he spins intriguing yarns from surprising materials. He has a gift as a reader of Shakespeare for noticing details that others have tended to overlook and using them as a prism to refract the plays in new ways." (New Statesman) "It is good, at a time when there is danger of seeing Shakespeare too exclusively as an entertainer, to find an acknowledgement of the intellectual powers that pervade his work, and Greenblatt brings his formidable critical expertise to bear on the writings in this deeply thoughtful study." (Times Literary Supplement) "In this short collection of essays, Stephen Greenblatt's analysis of both Shakespeare and the Renaissance is informative and often original. He argues that Shakespeare's genius lay in embracing and subverting the norms of his age.... Yet, the book's real lesson is Shakespeare's awareness of the human condition in all its complexity." (Financial Times)"

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Book SynopsisShakespeare everyone can understandnow in new DELUXE editions! Why fear Shakespeare? By placing the words of the original play next to line-by-line translations in plain English, these popular guides make Shakespeare accessible to everyone. They introduce Shakespeare's world, significant plot points, and the key players. And now they feature expanded literature guide sections that help students study smarter, along with links to bonus content on the Sparknotes.com website. A Q&A, guided analysis of significant literary devices, and review of the play give students all the tools necessary for understanding, discussing, and writing about Tempest. The expanded content includes:Five Key Questions: Five frequently asked questions about major moments and characters in the play. What Does the Ending Mean?: Is the ending sad, celebratory, ironic . . . or ambivalent? Plot Analysis: What is the play about? How is the story told, and what are the main themes? Why do the characters behave

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Book SynopsisThis edition of one of Shakespeare's best known and most frequently performed plays argues for Julius Caesar as a new kind of political play, a radical departure from contemporary practice, combining fast action and immediacy with compelling rhetorical language, and finding a clear context for its study of tyranny in the last decade of the reign of Elizabeth 1. The richly experimental verse and the complex structure of the play are analysed in depth, and a strong case is made for this to be the first play to be performed at Shakespeare's Globe Theatre.'Daniell's edition is a hefty piece of serious scholarship that makes a genuine contribution.'Eric Rasmussen, University of Nevada at Reno, Shakespeare Survey'This is a stimulating new look at a play which is too often exhibited in a critical museum.' Paul Dean, English Studies

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Book SynopsisThe Merchant of Venice is perhaps most associated not with its titular hero, Antonio, but with the complex figure of the money lender, Shylock. The play was described as a comedy in the First Folio but its modern audiences find it more problematic to categorise. The vilification of Shylock 'the Jew' can be very uncomfortable for a post-holocaust audience and debates continue as to whether Shakespeare's portrayal of this complex man is sympathetic or anti-semitic. John Drakakis' comprehensive introduction traces the stage history of the figure of the Jew and looks boldly at twenty-first century issues surrounding it. He also explores other themes of the play such as father/daughter relations, the power of money and the forceful character of Portia, to offer readers an energetic, original and revelatory reading of this challenging play.

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Book SynopsisJames Macpherson''s "poems of Ossian", first published from 1760 as Fragments of Ancient Poetry, were the literary sensation of the age. Attacked by Samuel Johnson and others as "forgeries", nonetheless the poems enthralled readers around the world, attracting rapturous admiration from such figures as diverse as Goethe, Diderot, Jefferson, Bonaparte and Mendelssohn. This International Companion examines the social, political and philosophical context of the poems, their disputed origins, their impact on world literature, and the various critical afterlives of Macpherson and of "Ossian".

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Book SynopsisA complete volume of the writer's poetry and songs includes previously unpublished pieces, draws on extensive scholarship and Burn's own letters, and offers supplemental information about his life, early hardships, political beliefs, and literary contexts.Trade ReviewA magnificent and definitive work of scholarship. A thousand pages long, it provides not only a glossary and a context for the poems, but also a textual and historical note for each poem and song. -- Colm Toibin * * The Independent * *A very fine edition, and the long introduction, which sets out to clear the tangled banks, is alone worth the cover price. -- Andrew O'Hagan * * The Scotsman * *Scholarly and comprehensive. * * Sunday Telegraph * *

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Book SynopsisThis book is about a mad king and a mad duke. With original and iconoclastic readings, Richard van Oort pioneers the reading of Shakespeare as an ethical thinker of the "originary scene," the scene in which humans became conscious of themselves as symbol-using moral and narrative beings. Taking King Lear and Measure for Measure as case studies, van Oort shows how the minimal concept of an anthropological scene of origin—the "originary hypothesis"—provides the basis for a new understanding of every aspect of the plays, from the psychology of the characters to the ethical and dialogical conflicts upon which the drama is based. The result is a gripping commentary on the plays. Why does Lear abdicate and go mad? Why does Edgar torture his father with non-recognition? Why does Lucio accuse the Duke in Measure for Measure of madness and lechery, and why does Isabella remain silent at the end? In approaching these and other questions from the perspective of the originary hypothesis, van Oort helps us to see the ethical predicament of the plays, and, in the process, makes Shakespeare new again.Trade Review"This is criticism of the highest order, whose long, careful readings of King Lear and Measure for Measure are in dialogue with the finest readers of Shakespeare for the past century." —Blair Hoxby, Stanford University"A rigorous yet highly readable attempt to understand Shakespeare and neoclassical drama in general in new terms, Shakespeare's Mad Men demonstrates in admirable detail the analytical power of generative anthropology wielded by a powerful intelligence."—Eric Gans, University of California, Los Angeles"Attentive to both the ruses of bad faith and the truths disclosed by Shakespeare's language, van Oort addresses our human predicament as symbol-making creatures whose search for love is troubled by the ceaseless drive for mastery."—Julia Reinhard Lupton, University of California, Irvine"van Oort's reading is nothing less than a stunning provocation."—Amir Khan, Shakespeare Quarterly"[R]eaders... will find value and pleasure in van Oort's compelling readings, and his clear style makes complex concepts pleasingly accessible."—Molly G. Yarp, Times Literary Supplement"Eminently readable, Shakespeare's Man Men attempts to engage and explain the larger questions the plays raise, particularly why characters behave the way they do and make the choices they do. The readings are original and offer exciting ways to engage with the plays. Highly recommended."—K. J. Wetmore Jr., CHOICETable of ContentsIntroduction 1. The King's Last Potlatch 2. The Judge, the Duke, His Wife, and Her Lover Conclusion

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Book Synopsis''I liv''d indeed like a Queen; or if you will have me confess, that my Condition had still the Reproach of a Whore, I may say, I was sure, the Queen of Whores.''Left destitute by her husband, the heroine of Defoe''s final novel has to choose between her virtue and her life. Choosing survival, she makes her way as a kept woman and courtesan. The Fortunate Mistress (1724), also known under the title Roxana, tells the story of how she climbs society''s ladder by dint of her own enterprise, shedding and gaining multiple identities as she moves through the worlds of business and finance, and across the trade capitals of Europe. Amassing a fortune, her taste for men and luxuries veers increasingly to the aristocratic and exotic, culminating when she dances before the King at a masquerade dressed in the garb of a Turkish Sultana--at which point she is granted the name by which she is known to history, Roxana. Despite her rise, Roxana''s past never recedes from view, and her choices eventally

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Book SynopsisThe Renaissance, scholars have long argued, was a period beset by the loss of philosophical certainty. In Possible Knowledge, Debapriya Sarkar argues for the pivotal role of literature—what early moderns termed poesie—in the dynamic intellectual culture of this era of profound incertitude. Revealing how problems of epistemology are inextricable from questions of literary form, Sarkar offers a defense of poiesis, or literary making, as a vital philosophical endeavor. Working across a range of genres, Sarkar theorizes “possible knowledge” as an intellectual paradigm crafted in and through literary form. Sixteenth- and seventeenth-century writers such as Spenser, Bacon, Shakespeare, Cavendish, and Milton marshalled the capacious concept of the “possible,” defined by Philip Sidney as what “may be and should be,” to construct new theories of physical and metaphysical reality. These early modern thinkers mobilized the imaginative habits of thought constitutive to major genres of literary writing—including epic, tragedy, romance, lyric, and utopia—in order to produce knowledge divorced from historical truth and empirical fact by envisioning states of being untethered from “nature” or reality. Approaching imaginative modes such as hypothesis, conjecture, prediction, and counterfactuals as instruments of possible knowledge, Sarkar exposes how the speculative allure of the “possible” lurks within scientific experiment, induction, and theories of probability. In showing how early modern literary writing sought to grapple with the challenge of forging knowledge in an uncertain, perhaps even incomprehensible world, Possible Knowledge also highlights its most audacious intellectual ambition: its claim that while natural philosophy, or what we today term science, might explain the physical world, literature could remake reality. Enacting a history of ideas that centers literary studies, Possible Knowledge suggests that what we have termed a history of science might ultimately be a history of the imagination.Trade Review"This pathbreaking book will be at the vanguard of a new movement in literature and science studies." * Jenny C. Mann, New York University *"An ambitious, brilliant, and genuinely original account of the constitutive relationship between poesy and science in early modernity." * Vin Nardizzi, University of British Columbia *"This important book provides compelling evidence that early modern literature in the age of the new science helped readers develop sophisticated forms of knowing about what existed in the world, and, more crucially, what might possibly come to be." * Mary Thomas Crane, Boston College *

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Book SynopsisDuring the middle years of Queen Elizabeth’s reign, the number of books published with titles that described themselves as flowers, gardens, or forests more than tripled. During those same years, English printers turned out scores of instructional manuals on gardening and husbandry, retailing useful knowledge to a growing class of literate landowners and pleasure gardeners. Both trends, Jessica Rosenberg shows, reflected a distinctive style of early modern plant-thinking, one that understood both plants and poems as composites of small pieces—slips or seeds to be recirculated by readers and planters. Botanical Poetics brings together studies of ecology, science, literary form, and the material text to explore how these developments transformed early modern conceptions of nature, poetic language, and the printed book. Drawing on little-studied titles in horticulture and popular print alongside poetry by Shakespeare, Spenser, and others, Rosenberg reveals how early modern print used a botanical idiom to anticipate histories of its own reading and reception, whether through replanting, uprooting, or fantasies of common property and proliferation. While our conventional narratives of English literary culture in this period see reading as an increasingly private practice, and literary production as more and more of an authorial domain, Botanical Poetics uncovers an alternate tradition: of commonplaces and common ground, of slips of herbs and poetry circulated, shared, and multiplied.

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Book SynopsisAn in-depth look into the life of Romantic essayist Charles Lamb and the legacy of his workTrade Review“Eric G. Wilson’s excellent Dream-Child, the first full-length biography since [E. V.] Lucas’s in 1905, marks an important staging post on [Lamb’s] road back to respectability.”—Clare Bucknell, New York Review of BooksNamed by the New Yorker as a Best Book of 2022“[An] electrifying portrait of Charles Lamb.”—New Yorker“A literary life in the fullest sense . . . this biography is alive all over . . . a huge and eloquent book.”—Australian Book Review“A narrative rich in complexity and nuance. . . . One of the strengths of Wilson’s work is that he makes Lamb unfamiliar, as he constantly recurs to the unstable explorations of authorship and identity that run through Lamb’s work. . . . [Wilson] is a superb reader of Lamb. . . . Dream-Child brings Lamb’s mind alive through his own words and is at its best when it cleaves closely to Lamb’s writing.”—Daisy Hay, Times Literary Supplement“[Wilson] pins Lamb down by becoming Lamb-like himself. His biography is important because it is written in this spirit of becoming; it goes therefore a little headlong, almost beyond the genre; and it urges us, in sum, to explore for ourselves the twilit streets of the London of Lamb’s spirit, bedimmed with the dark shapes of sanity, and the softer shadows of insanity that stalk his peculiar but enduring genius.”—Adam Neikirk, Review 19“Needle by needle, point by point, Wilson uncovers the social scaffolding of Lamb’s literary genius.”—Madoc Cairns, The Tablet“While this book is based on rigorous scholarship, it does not assume extensive prior knowledge. Instead, it serves as a good introduction for non-specialists and will hopefully encourage more to seek out Lamb’s works. . . . For all his subject’s evasiveness, Wilson helps us see behind the mask, capturing Lamb’s authentic and somewhat tortured character.”—Edward Weech, Literary Review“An engagingly detailed investigation of Charles Lamb’s remarkable life.”—Mark Jones, Albion Magazine “Wilson combines shrewd analysis with original insights and discoveries to provide a valuable addition to the existing corpus of Lamb criticism.”—Duncan Wu, Georgetown University“A highly evocative and deeply informed life—the first for a century—of one of the most complex and sympathetic literary personalities of his time and one of the greatest English essayists of any age.”—Seamus Perry, University of Oxford“We have waited a long time for the definitive full-scale scholarly biography of Charles Lamb—master of the witty and winding essay—but now it has arrived. Eric Wilson’s Dream-Child is not only a labor of love for a lovable figure, but also a vivid and skillful placing of Lamb in the context of Romanticism and early nineteenth-century London life.”—Sir Jonathan Bate, author of Radical Wordsworth

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Book SynopsisThe rise of celebrity stage actresses in the long eighteenth century created a class of women who worked in the public sphere while facing considerable scrutiny about their offstage lives. Such powerful celebrity women used the cultural and affective significance of their reproductive bodies to leverage audience support and interest to advance their careers, and eighteenth-century London patent theatres even capitalized on their pregnancies. Carrying All Before Her uses the reproductive histories of six celebrity women (Susanna Mountfort Verbruggen, Anne Oldfield, Susannah Cibber, George Anne Bellamy, Sarah Siddons, and Dorothy Jordan) to demonstrate that pregnancy affected celebrity identity, impacted audience reception and interpretation of performance, changed company repertory and altered company hierarchy, influenced the development and performance of new plays, and had substantial economic consequences for both women and the companies for which they worked. Deepening the fields of celebrity, theatre, and women's studies, as well as social and medical histories, Phillips reveals an untapped history whose relevance and impact persists today.Trade Review"Phillips's most significant contribution is her move to focus on the gravid body and its realities as well as significance(s), something both earlier histories of actresses and cultural histories of maternity have shied away from. The book's dialogues and echoes across and between different case studies – and with our own time – are significant for eighteenth-century, celebrity, and theatre studies."— Elaine McGirr, editor of Stage Mothers: Women, Work, and the Theater, 1660-1830Table of ContentsFigures Acknowledgments Introduction 1 Inheriting Greatness: Susanna Mountfort Verbruggen and Anne Oldfield 2 Pregnant Sensibility: Susannah Cibber and George Anne Bellamy 3 Conceiving Genius: Sarah Siddons 4 Prolific Muse: Dorothy Jordan Conclusion: Celebrity Pregnancy, Then and Now Appendix: Birth and Christening Dates Notes Bibliography Index

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Book SynopsisRomeo and Juliet is routinely called “the world’s greatest love story”, as though it is all about romance. The play features some of the most lyrical passages in all of drama, and the lovers are young, beautiful, and ardent. But when we look at the play, the lyricism and the romance are not really what drive things along. It is true that Romeo, especially early on in the play, acts like a young man determined to take his place in an immortal tale of love. Everything he says is romantic – but rather like an anniversary card is romantic. His words propel nothing, or nothing but sarcastic admonitions from his friends to forget about love and to treat women as they should be treated, with careless physical appetite. The world we have entered is rapacious more than romantic. Everyone knows something of this, from the film versions of the story if nothing else. Romeo and Juliet must fight for their love inside a culture of stupid hatreds. But it is not a simple case of love versus war, or the city against the couple. If it were, it would nicely reinforce clichés about true love, fighting against the odds. In this book Simon Palfrey suggests that the play Shakespeare actually wrote is more troubling than this. Juliet’s passion – for all her youth, for all its truth – is at the very cusp of murderousness. Juliet is the world’s scourge, in the sense that she will whip and punish and haunt it; she is also its triumph, in the sense of its best and truest thing. The deaths her love leads to are in no way avoidable, and in no way accidental. They are her inheritance, the thing she was born to. Of course she takes Romeo with her. But it is at heart her play.

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Book SynopsisFor almost two centuries, Shakespeare had no biography. Neither did his life have a timeline, and historians and archivists did not have the materials to make one. Does this mean that Shakespeare was not valued or understood until after 1800? This book focuses on a critical absence in the unfolding of Shakespeare's story.Trade Review[A] significant new contribution ...that push[es] the parameters of how we engage with the most revered writer in the English language...timely and erudite. * Lubaaba Al-Azami, History Today *As de Grazia's study demonstrates so compellingly, when life writing shifted from the anecdotal to the documentary, we lost something of our appreciation of Shakespeare as critics tried to force square pegs into round holes. * David McInnis, Australian Book Review *De Grazia's Shakespeare without a Life is unafraid of taking a bold stance .... Her subtle analyses highlight the differences between modern readers' obsession with biography and the lenses through which Shakespeare's contemporaries and immediate successors viewed him. * Willard Spiegelman, Wall Street Journal *Elegant ... what de Grazia does with familiar material is striking. * Emma Smith, Times Literary Supplement *This beautifully written book weaves together a set of absorbing stories which together produce a sharp-edged argument ... The final chapter on the Sonnets ...urges new ways of thinking about Shakespeare and his work... A pleasure to read and a book to rethink often. * Raphael Lyne, Review in English Studies *Table of Contents1: Shakespeare Without a Life 2: Shakespeare's Timeline 3: The Archive and its Discontents 4: Shakespeare's Dateless Sonnets

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Book SynopsisOphelia Field’s ‘Kit-Cat Club’ is a story of a changing time in 17th-century Britain, during the reigns of Queen Anne and George I, when a group of men and their enterprising initiatives paved the way for new literary and political viewpoints, born out of the most unexpected circumstances.Trade Review‘The decades after the Civil Wars have been rich pickings for cultural historians. These were the years of coffee houses and clubs, an atmosphere captured in Ophelia Field's wonderrful THE KIT-KAT CLUB.’ Dominic Sandbrook, Daily Telegraph (Book of the Year) Christian Tyler, Financial Times (Book of the Year) ‘Field is meticulous in describing the literary and other artistic achievements of the wits in the club: but the fascination of this book lies in the tale she tells of their social advancement and, to an extent, of the way the club altered manners and attitudes to class around the country.' Literary Review ‘In a general book such as this, with such broad general themes, the details matter. Here Field has succeeded admirably. She has a native gift for historical retrieval so that we see the past in close-up, as it were, as well as in wide view.’ The Times 'After reading this stimulating book, it is shocking to realise that the Kit-Cat Club has had to wait so long for its influence to be recognised. Field offers rich compensation, in a book that is both instructive and engrossingly readable.' Guardian (Book of the Week) 'What particularly distinguishes this book is the humane perspective in which the writer places her protagonists…As an essay in group biography her book presents an authoritative portrait of a genuinely revolutionary era.' Sunday Telegraph ‘Elegantly written…this deeply researched book is a fitting memorial to a remarkable body of men who contributed so much to British politics and culture.’ Sunday Times

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Book SynopsisThe author spent more than twenty years traveling the length and breadth of Italy to seek out and document the locations in which Shakespeare set his ten Italian Plays. This title includes more than 150 maps, photographs, and paintings that make the author's journey through Shakespeare's Italy.Trade Review"A fascinating look at a largely untouched aspect of Shakespeare's identity and influences. Recommended for Shakespeare enthusiasts and scholars as well as travelers looking for a new perspective, this is also particularly intriguing as a companion to specific plays." -- Library Journal (starred review) "An exceptionally entertaining, enlightening, and handsome companion for a thrillingly literate Italian sojourn." -- Booklist "Exciting, original, and convincing...This book is essential reading for all concerned with who really wrote the works of Shakespeare. A thrilling journey of discovery." -- Sir Derek Jacobi "This is a revolutionary and revelatory book, part thrilling detective story and part sober scholarly treatise." -- Michael York, Shakespearean actor of stage and screen and co-author of A Shakespearean Actor Prepares "This represents a hugely significant intervention in the study of Shakespeare and his dramatic works." -- Dr. William Leahy, Head of the School of Arts, Shakespeare Authorship Studies, Brunel University "Unless someone can prove him wrong, anyone who claims to have written the plays of Shakespeare needs to show some Italian travel documents." -- Mark Rylance, Founding Artistic Director, Shakespeare's Globe Theatre, London

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Book Synopsis***AS READ ON BBC RADIO 4***NATIONAL BOOK CRITICS CIRCLE AWARD WINNER'A gripping account of the heartbreaks and triumphs of two of history's most formidable female intellectuals, Mary Wollstonecraft and Mary Shelley.Trade Review[A] unique double biography... An excellent and poignant book whose heroines breathe in its pages. -- David Aaronovitch * The Times *A mother and daughter who changed not only the way we think, but the way we are… extraordinary women, a dozen decades ahead of their time… Romantic Outlaws enables readers to compare the different ways in which these two remarkable women confronted their tragically different destinies… [A] thoughtful, intelligent, deeply-felt book’ -- Miranda Seymour * Sunday Times *A gripping account of the heartbreaks and triumphs of two of history's most formidable female intellectuals, Mary Wollstonecraft and Mary Shelley. Gordon has reunited mother and daughter through biography, beautifully weaving their narratives for the first time. -- Amanda Foreman * author of A World on Fire *Full of enriching paradox… Charlotte Gordon has managed to produce that rare thing, a work of genuinely popular history... It works beautifully. -- Melissa Benn * New Statesman *Wollstonecraft and Shelley were extraordinary women who led sensational lives. They were Romantic revolutionaries… retelling their story cannot fail to captivate and provoke. * Spectator *Unique... Marvellous, passionate stuff. -- David Aaronovitch * Books of the Year, Times *An exceptional achievement -- Michael Morpugo * Daily Telegraph *Read and be seriously inspired. * Stylist *An innovative dual biography that foregrounds the writing of two women who disregarded the moral codes of their eras and shaped their own destinies. Gordon’s parallel mapping of their lives reveals fascinating similarities in the ways writing sustained, and sometimes saved, them both. * Financial Times *Mother and daughter shadow and reveal each other. The retelling emphasises the extent to which Shelley’s life was shaped by her mother’s legacy but here is underlined in thought-provoking ways... In Gordon’s narrative, [Wollstonecraft and Shelley] appear at their best and bravest. * Observer *

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Book SynopsisThe true biography of Shakespeare - and the only one we really need to care about - is in the plays. Sir Frank Kermode, Britain''s most distinguished literary critic, has been thinking about them all his life. This book is a distillation of that lifetime''s thinking. The great English tragedies were all written in the first decade of the seventeenth century. They are often in language that is difficult to us, and must have been hard even for contemporaries. How and why did Shakespeare''s language develop as it did? Kermode argues that the resources of English underwent major change around 1600. The originality of Kermodes''s writing, and the intelligence of his discussion, make this book a landmark.

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Book SynopsisA vital resource for scholars, students and actors, this book contains glosses and quotes for over 14,000 words that could be misunderstood by or are unknown to a modern audience. Displayed panels look at such areas of Shakespeare''s language as greetings, swear-words and terms of address. Plot summaries are included for all Shakespeare''s plays and on the facing page is a unique diagramatic representation of the relationships within each play.

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Book SynopsisIncludes tightly argued lyrics, erotic and libertine considerations of love, divine poems and elegies of lament by such great figures as John Donne, George Herbert, Andrew Marvell and John Milton, alongside pieces from many other less well known but equally poets of the age, such as Anne Bradstreet, Katherine Philips and Thomas Traherne.

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Book SynopsisOh thou savage-hearted monster! What work hast thou made in one guilty hour, for a whole age of repentance!Pressured by her unscrupulous family to marry a wealthy man she detests, the young Clarissa Harlowe is tricked into fleeing with the witty and debonair Robert Lovelace and places herself under his protection. Lovelace, however, proves himself to be an untrustworthy rake whose vague promises of marriage are accompanied by unwelcome and increasingly brutal sexual advances. And yet, Clarissa finds his charm alluring, her scrupulous sense of virtue tinged with unconfessed desire. Told through a complex series of interweaving letters, Clarissa is a richly ambiguous study of a fatally attracted couple and a work of astonishing power and immediacy. A huge success when it first appeared in 1747, and translated into French and German, it remains one of the greatest of all European novels.In his introduction, Angus Ross examines characterization, the epistTrade Review“Harrowing, unforgiving and extreme . . . A graphic study of the pathologies endemic to a culture that treats women as property. It’s also a passionate celebration of female friendship and of the written word—storytelling as means of power and transcendence.” —Jennifer Egan, Lit Hub

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Book Synopsis‘Kissing, Joseph, is but a Prologue to a Play. Can I believe a young Fellow of your Age and Complexion will be content with Kissing?’Joseph Andrews, Henry Fielding’s first full-length novel, depicts the many colourful and often hilarious adventures of a comically chaste servant. After being sacked for spurning the lascivious Lady Booby, Joseph takes to the road, accompanied by his beloved Fanny Goodwill, a much-put-upon foundling girl, and Parson Adams, a man often duped and humiliated, but still a model of Christian charity. In the boisterous short tale Shamela, a brilliant parody of Richardson’s Pamela, the spirited and sexually honest heroine uses coyness and mock modesty to catch herself a rich husband. Together these works anticipate Fielding’s great comic epic Tom Jones, with their amiable good humour and pointed social satire.Judith Hawley’s introduction compares the works of FiTrade Review"Hawley's introduction is a model of what such a thing should be (for an undergraduate audience): full of information, but not too pushy. She manages to touch on a truly remarkable number of important bases in just a few pages—an impressive accomplishment. The notes are good, too. This is the best edition out there for college students." — Douglas Patey, Sophia Smith Professor of English, Smith College

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Book SynopsisOne of the key foundation books of the English Reformation, The Obedience of a Christian Man (1528) makes a radical challenge to the established order of the all-powerful Church of its time. Himself a priest, Tyndale boldly claims that there is just one social structure created by God to which all must be obedient, without the intervention of the rule of the Pope. He argues that Christians cannot be saved simply by performing ceremonies or by hearing the Scriptures in Latin, which most could not understand, and that all should have access to the Bible in their own language - an idea that was then both bold and dangerous. Powerful in thought and theological learning, this is a landmark in religious and political thinking.

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Book Synopsis‘You are ambitious, Eustacia–no not exactly ambitious, luxurious. I ought to be of the same vein, to make you happy, I suppose’Tempestuous Eustacia Vye passes her days dreaming of passionate love and the escape it may bring from the small community of Egdon Heath.  Hearing that Clym Yeobright is to return from Paris, she sets her heart on marrying him, believing that through him she can leave rural life and find fulfilment elsewhere. But she is to be disappointed, for Clym has dreams of his own, and they have little in common with Eustacia’s. Their unhappy marriage causes havoc in the lives of those close to them, in particular Damon Wildeve, Eustacia’s former lover, Clym’s mother and his cousin Thomasin. The Return of the Native illustrates the tragic potential of romantic illusion and how its protagonists fail to recognize their opportunities to control their own destinies.Penny Boumelha’s introducTrade Review"This is the quality Hardy shares with the great writers...this setting behind the small action the terrific action of unfathomed nature."--D. H. Lawrence

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Book SynopsisWilliam Shakespeare is a global icon for his plays such as Hamlet, Macbeth and Romeo and Juliet, but his poetic meditations on love are among the most powerful and evocative poems ever written. This Penguin Classics edition of Sonnets and A Lover''s Complaint is edited by John Kerrigan.''Shall I compare thee to a summer''s day?''The language of Shakespeare''s sonnets has become inseparable from the language of love in English; but the force and tenderness of these poems is undiminished by age. When this volume of Shakespeare''s poems first appeared in 1609, he had already written most of the great plays that made him famous. The 154 sonnets - all but two of which are addressed to a beautiful young man, ''Mr W.H.'', or a treacherous ''dark lady'' - contain some of the most exquisite and haunting poetry ever written, and deal with eternal subjects such as love and infidelity, memory and mortality, and the destruction wreaked by Time. Also in

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Book SynopsisA.C. Bradley put Shakespeare on the map for generations of readers and students for whom the plays might not otherwise have become 'real' at all writes John Bayley in his foreword to this edition of Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth.Approaching the tragedies as drama, wondering about their characters as he might have wondered about people in novels or in life, Bradley is one of the most liberating in the line of distinguished Shakespeare critics. His acute yet undogmatic and almost conversational critical method has—despite fluctuations in fashion—remained enduringly popular and influential. For, as John Bayley observes, these lectures give us a true and exhilarating sense of the tragedies joining up with life, with all our lives; leading us into a perspective of possibilities that stretch forward and back in time, and in our total awareness of things.For more than seventy years, Penguin has been the

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Book SynopsisThe acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel   The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.   For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 title

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Book SynopsisThe acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel   The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.   For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 title

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Book SynopsisThe acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel   The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.   For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 title

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Book SynopsisI feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation. (Patrick Stewart)The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged.Each volume features:* Authoritative, reliable texts* High quality introductions and notes* New, more readable trade trim size* An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts

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Book SynopsisThe acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel   The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.   For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 title

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Book SynopsisThe acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel   The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.   For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 title

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Book SynopsisThis edition of Shakespeare's complete works aims to combine accessibility with scholarship. Each play or poetry collection has an introduction which includes textual and literary-historical issues and there are same-page notes for ease of reference.Trade Review"Here is an elegant and clear text for either study or the rehearsal room, notes where you need them, and the distinguished scholarship of the general editors, A. R. Braunmuller and Stephen Orgel, who understand that these are plays for performance as wellas great texts for contemplation." —Patrick Stewart“The perfect companion to enjoy the most profound stories of the human condition that Shakespeare has given us and that I have had the privilege to perform, from Othello to King Lear. "—James Earl Jones “Orgel and Braunmuller’s editions of the Pelican Shakespeare are an indispensable part of my library. These introductions by great Shakespearean scholars are erudite yet accessible, and the individual editions of the plays are perfect for the rehearsal room. They combine scholastic precision with an inspiring energy that fuels everyone making Shakespeare live today.” —Simon Godwin, Shakespeare Theatre Company and the National Theatre“I have been using the Pelican Shakespeare for years in my lecture course–it’s invaluable.”—Marjorie Garber, Harvard University Table of ContentsEditorsAcknowledgmentsPublisher's NoteThe Opening Pages of the Folio of 1623The QuartosGeneral IntroductionThe Shakespearian Theater WorldWilliam Shakespeare of Stratford-upon-Avon, GentlemanThe Texts of ShakespeareA Comparative TableNondramatic PoetryThe Narrative Poems - edited by Jonathan Crewe:Venus and AdonisLucreceThe Phoenix and the TurtleThe Passionate PilgrimA Lover's ComplaintThe Sonnets - edited by Stephen Orgel with an Introduction by John HollanderIndex of First Lines to The SonnetsComediesThe Two Gentlemen of Verona - edited by Mary Beth RoseThe Taming of the Shrew - edited by Stephen OrgelThe Comedy of Errors - edited by Frances E. DolanLove's Labor's Lost - edited by Peter HollandA Midsummer Night's Dream - edited by Russ McDonaldThe Merchant of Venice - edited by A.R. BraunmullerThe Merry Wives of Windsow - edited by Russ McDonaldMuch Ado About Nothing - edited by Peter HollandAs You Like It - edited by Frances E. DolanTwelfth Night, or, What You Will - edited by Jonathan CreweThe History of Troilus and Cressida - edited by Jonathan CreweMeasure for Measure - edited by Jonathan CreweAll's Well That Ends Well - edited by Claire McEachernPericles Prince of Tyre - edited by Stephen OrgelCymbeline - edited by Peter HollandThe Winter's Tale - edited by Frances E. DolanThe Tempest - edited by Peter HollandHistoriesGenealogical ChartMonarchs of EnglandThe First Part of Henry the Sixth - edited by William Montgomery with an Introduction by Janis LullThe Second Part of Henry the Sixth - edited by William Montgomery with an Introduction by Janis LullThe Third Part of Henry the Sixth - edited by William Montgomery with an Introduction by Janis LullThe Tragedy of King Richard the Third - edited by Peter HollandThe Tragedy of King Richard the Second - edited by Frances E. DolanThe Life and Death of King John - edited by Claire McEachernThe First Part of King Henry the Fourth - edited by Claire McEachernThe Second Part of King Henry the Fourth - edited by Claire McEachernThe Life of King Henry the Fifth - edited by Claire McEachernThe Life of King Henry the Eighth - edited by Jonathan CreweTragediesTitus Andronicus - edited by Russ McDonaldRomeo and Juliet - edited by Peter HollandThe Tragedy of Julius Caesar - edited by William Montgomery with an Introduction by Douglas TrevorThe Tragical History of Hamlet Prince of Denmark - edited by A.R. BraunmullerThe Tragedy of Othello the Moor of Venice - edited by Russ McDonaldThe Life of Timon of Athens - edited by Frances E. DolanKing Lear: The 1608 Quarto and 1623 Folio Texts - edited by Stephen OrgelKing Lear: A Conflated Text - edited by Stephen OrgelMacbeth - edited by Stephen OrgelAntony and Cleopatra - edited by A.R. BraunmullerThe Tragedy of Coriolanus - edited by Jonathan CreweIndex of Songs

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