Literary studies: c 1600 to c 1800 Books

Book SynopsisUsing postmodern theory, The Practice of Quixotism explores eighteenth-century women's texts that use quixote narratives, which typically demand that individuals purge their minds of internalized fictions to insist instead that the reality we encounter is inevitably mediated by the texts we have read.Trade Review"Cervantes errant knight emerges as a metaphor for aberrant imagination in Scott Paul Gordon s discussion of the clash between Romantic and Enlightenment thought. Ranging across materials by early women writers - satire, poetry, and prose fiction - Gordon finds that the Quixotic becomes synonymous with misreading. This book then parries with established critical readings to offer provocative reinterpretations of its own." - Janine Barchas, University of Texas at Austin "The Practice of Quixotism is a profoundly learned, astonishingly clever, and repeatedly eye- opening book.Differentiating between orthodox quixote narratives (which ask us to believe in the possibility of waking up to the real) and those texts that foster greater skepticism toward how reality is constructed, Gordon illustrates the unexpected ways that the quixote trope was employed during the long eighteenth century in Great Britain. Through careful readings of works by Charlotte Lennox, Sarah Fielding, Lady Mary Wortley Montagu, Sophia Lee, and Ann Radcliffe, among others, Gordon offers fascinating epistemological and narrative connections.The book makes an important contribution to several fields of inquiry, simultaneously illuminating the literature of quixotes past and present theoretical controversies.Gordon convincingly demonstrates that all of us are quixotic, whether we acknowledge it or not, and shows that at least some eighteenth-century authors were wise to the problem.No previous scholar has given us such depth of perspective on the subject." - Devoney Looser, University of Missouri-Columbia"The Practice of Quixotism reflects Gordon's skill as a widely rea hermeneut, and it is a remarkable work of intellectual history and literary criticsm. By viewing the transition from Enlightenment to Romantic thought through the lenses of the quixote trope and postmodern theory, Gordon forces a reconsideration of the feminist critical consensus on works by Lennox, Lee, Sarah Fielding, and others. Through complex and subtle readings of women's writing, Gordon offers a new way to understand British culture in the long eighteenth century." - Stephen A. Raynie, Gordon CollegeTable of ContentsIntroduction: The Quixote Trope Historicizing Quixote and the Scandal of Quixotism Charlotte Lennox's Female Quixote and Orthodox Quixotism Suspicion and Experience in Sarah Fielding's David Simple Mary Wortley Montagu and the Quixotic Dream of Objectivity Quixotic Perception in Sophia Lee's The Recess Ann Radcliffe's The Mysteries of Udolpho and the Practice of Quixotism Epilogue: Beyond Quixotism?: Quixotism and Contemporary Theory

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Book SynopsisThis book offers new analyzes of canonical texts, contextualizations of Romantic forms in relation to war, nationalism and empire, reassessments of neglected and marginalized writers and explorations of the relationship between form and reader. It showcases a range of new approaches that are informed by deconstruction, theology and new technology.Trade Review'The critics assembled here are close readers, attentive to metre, stanza form, figures of speech, but they are not nostalgic for the New Criticism of the 1950s and 1960s. If they are formalists, they are formalists of a new kind, less likely to celebrate the unifying power of art than the fragmented and the multitudinous, more likely to acknowledge Byron than Wordsworth, but just as ready to study a satiric print, or a poem by Ann Cristall. This volume sets a challenging new agenda for Romantic Studies.' - Richard Cronin, Professor of English Literature, University of Glasgow, UKTable of ContentsNotes on Contributors Introduction; A.Rawes Romantic Indirection; P.Curtis "Conscript Fathers and Shuffling Recruits": Formal Self-Awareness in Romantic Poetry; M.O'Neill Romantic Invocation: a Form of Impossibility; G.Hopps "Ruinous Perfection": Reading Authors and Writing Readers in the Romantic Fragment Poem; M.Sandy Combinatoric Form in Nineteenth-Century Satiric Prints; S.E.Jones Romantic Form and New Historicism: Wordsworth's "Lines Written a Few Miles above Tintern Abbey"; A.Rawes Southey's Forms of Experiment; N.Trott Believing in Form and Forms of Belief: the Case of Robert Southey; B.Beatty Seductions of Form in the Poetry of Ann Cristall and Charlotte Smith; J.Labbe "Seldom safely enjoyed by those who enjoyed it completely": Byron's Poetry, Austen's Prose and Forms of Narrative Irony; C.Franklin "What Constitutes a Reader?": Don Juan and the Changing Reception of Romantic Form; J.Stabler, A.Roberts, M.N.Carminati & M.H.Fischer Afterword; S.J.Wolfson Bibliography Index

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Book SynopsisList of Illustrations Acknowledgments Notes on Contributors Introduction: Inhabiting the Body, Inhabiting the World; G.Sullivan & M.Floyd-Wilson Spongy Brains and Material Memories; J.Sutton Marvell's Amazing Garden; M.Thomas Crane The Souls of Animals: John Donne's Metempsychosis and Early Modern Natural History; E.D.Harvey Affective Irony: Toward an Emotional Logic of the Elizabethan Stage; S.Mullaney Inconstancy: Changeable Affections in Stuart Dramas of Contract; K.Rowe The East in British-American Writing: English Identity, John Smith's True Travels , and Severed Heads; J.Egan 'My liquid journey': The Frontispiece to Coryat's Crudities (1611); D.J.Baker Becoming the Landscape: The Ecology of the Passions in the Legend of Temperance; G.Kern Paster 'The Material Point of Poesy': Reading, Writing and Sensation in Puttenham's The Art of English Poesie K.Craik Spelling the Body; T.Pollard Humanist Habitats; Or, 'Eating Well' with Thomas More's Utopia ; J.Yates IndexTable of ContentsList of Illustrations Acknowledgments Notes on Contributors Introduction: Inhabiting the Body, Inhabiting the World; G.Sullivan & M.Floyd-Wilson Spongy Brains and Material Memories; J.Sutton Marvell's Amazing Garden; M.Thomas Crane The Souls of Animals: John Donne's Metempsychosis and Early Modern Natural History; E.D.Harvey Affective Irony: Toward an Emotional Logic of the Elizabethan Stage; S.Mullaney Inconstancy: Changeable Affections in Stuart Dramas of Contract; K.Rowe The East in British-American Writing: English Identity, John Smith's True Travels , and Severed Heads; J.Egan 'My liquid journey': The Frontispiece to Coryat's Crudities (1611); D.J.Baker Becoming the Landscape: The Ecology of the Passions in the Legend of Temperance; G.Kern Paster 'The Material Point of Poesy': Reading, Writing and Sensation in Puttenham's The Art of English Poesie K.Craik Spelling the Body; T.Pollard Humanist Habitats; Or, 'Eating Well' with Thomas More's Utopia ; J.Yates Index

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Book SynopsisShakespeare and Adaptation Theory reconsiders, after 20 years of intense critical and creative activity, the theory and practice of adapting Shakespeare to different genres and media. Organized around clusters of key metaphors, the book explicates the principal theories informing the field of Shakespearean adaptation and surveys the growing field of case studies by Shakespeare scholars. Each chapter also looks anew at a specific Shakespeare play from the perspective of a prevailing set of theories and metaphors. Having identified the key critics responsible for developing these metaphors and for framing the discussion in this way, Iyengar moves on to analyze afresh the implications of these critical frames for adaptation studies as a whole and for particular Shakespeare plays. Focusing each chapter around a different play, the book contrasts comic, tragic, and tragicomic modes in Shakespeare''s oeuvre and within the major genres of adaptation (e.g., film, stage-production, novelTable of ContentsList of Figures List of Tables Acknowledgements Note on Texts and Sources Used Introduction: Much Ado About Adaptation What or Whom are we Adapting? Metaphors We Adapt By Adaptation as Annotation in Much Ado 1. Plants, Off-shoots, Genes: Rhizomes Plants Off-shoots Genes Rhizomes: Plantation in some Tempests 2. Art, Property, Theft: Appropriation Art Property Theft Appropriation as Revisioning: Othello without Othello (and Desdemona) 3. Fidelity, Families, Ethics: Derivatives Fidelity Families: Lear among the Editors Ethics and Editing Derivatives: Lear’s Progeny 4. Transfer, Remediation, Broadcast: Intermedia Transfer Remediation Broadcast and Podcast Intermedia: Audio Hamlets 5. Memes, Networks, Fans: Transformations Memes Networks Fans Transformations: A Gender-Agenda in Twelfth Night 6. Relocation, Translation, Hybridization: Tradaptation Relocation Translation Hybridization Tradaptation: The Peregrinations of Pericles 7. Accidents, Remains, Traces: Accommodations Accidents Remains Traces Accommodations: Romeo and Juliet Glossary of Selected Terms, Philip Gilreath with Sujata Iyengar Notes References Index

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Book SynopsisI wish I had copies like this at Drama School. Essential notes on the language for those who will get up and speak it, not purely for those who will sit and study it. An incredibly useful tool with room on every page to make notes. Next time I'm in rehearsal on a Shakespeare play, I have no doubt that a copy from this series will be in my hand.' ADRIAN LESTER, Actor, Director and Writer Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Each edition offers: -Facing-page notes -Short, clear definitions of words -Easily accessible information about key textual variants -Notes on pronunciation of difficult names and unfamiliar words -An easy to read layout -SpaTrade ReviewThese editions are likely to help not only actors and drama students but also all amateur Shakespeareans including schools and colleges which stage the plays … What genius to have Simon Russell Beale as a series editor along with two Shakespeare Institute academics, Michael Dobson and Abigail Rokison-Woodall. * Ink Pellet *Table of ContentsSeries Introduction; Introduction; As You Like It

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Book SynopsisFrom its origin as the Roman city of Londinium through to its latest incarnation as a super-diverse World City in the twenty-first century, London's history and culture has been shaped by migration. This book expresses and celebrates the plurality of the capital's cultures and affirms the importance of migration in the making of the modern city through thirty-three short essays written by academics, artists, broadcasters and curators. Subjects range from the mediaeval to the contemporary: buildings and institutions, individuals and communities, objects, visual art, street performances and literary texts. Some contributors focus on famous people and places, like Shakespeare and St Paul's, while others explore less well-known subjects, like the Free German League of Culture (1939-46) or Ignatius Sancho, the eighteenth-century musician, grocer and man-of-letters.It is not only London's cultures which are diverse, migration is also plural. This book engages with the very many huTrade ReviewThis pathbreaking and extensive volume brings together a wide range of authors from academia and beyond to investigate the role and lives of migrants throughout the history and geographical extent of London. * Panikos Panayi, Professor of European History, De Montfort University, UK *Table of ContentsFrontmatter Author Biographies Introduction, Charlotte Grant and Alistair Robinson CENTRAL 1. St. Erkenwald and the Hidden Histories of St Paul’s Cathedral, Alastair Bennett 2. Ignatius Sancho: Musician, Man of Letters, Grocer, Markman Ellis 3. The ‘Black-birds’ of St. Giles: Community and Place in Eighteenth-century London, Nicole N. Aljoe and Savita Maharaj 4. Styling the Other: Hazlitt’s ‘The Indian Jugglers’, Uttara Natarajan 5. Begging Places: Poverty, Race, and Visibility on Ludgate Hill, c. 1815, David Hitchcock 6. 13 Red-Lion Square: The Mendicity Society, 1818–76, Oskar Cox Jensen 7. The Chinese Aesthetics of the Admonitions Scroll at the British Museum, Kent Su 8. ‘A terrain on its own’: Elizabeth Bowen and Regent’s Park, Heather Ingman INFRASTRUCTURE: WATER 9. London’s Water: City Comedy, Migration and Middletons, Susan J. Wiseman EAST 10. Shakespeare in Shoreditch, Daniel Swift 11. Hostile Environments: Disinterring a Lascar Barracks in Nineteenth-Century Shadwell, Eliza Cubitt 12. 19 Princelet Street, Spitalfields: A Case Study in the Architecture of Migration and Diversity, Dan Cruikshank 13. The Slot-Meter and the East End Avant-Garde, Alex Grafen INFRASTRUCTURE: WASTE 14. Blockage and Recuperation: Sewer-Hunters in Henry Mayhew’s London Labour and the London Poor, Naomi Hinds SOUTH 15. Culture and Horticulture in Lambeth from ‘Tradescant’s Ark’ to Vauxhall Gardens, Charlotte Grant 16. The Crystal Palace in Hyde Park, Sydenham, and St Petersburg, Catherine Brown 17. 87 Hackford Road: The London of Vincent Van Gogh, Livia Wang 18. Writing London: Hanif Kureishi’s The Buddha of Suburbia, Ruvani Ranasinha INFRASTRUCTURE: TRANSPORT I 19. Existing Triply: Race, Space and the London Transport Network, 1950s–70s, Rob Waters WEST 20. Scotch Hornpipes and African Elephants: The May Fair in 1700, Alistair Robinson 21. Feathered People in Enlightenment London: Queen of the Bluestockings meets Cherokee King, Elizabeth Eger 22. Prince Eugen in Kensington: Anglo-Scandinavian Artistic, Networks and the Stockholm Exhibition of 1897, Eva-Charlotta Mebius 23. ‘What a relief to be back in London’: The Silences of Lucie Rie and Hans Coper, Edmund de Waal 24. Tricksters of the Water: Sam Selvon's West London and the Migrant Experience, Peter Maber and Karishma Patel 25. Arabian Nights on the Edgware Road: Hanan al-Shaykh’s Only in London, Susie Thomas 26. The Grand Prince of Kyiv in Holland Park: The Statue of Saint Volodymyr, Sasha Dovzhyk 27. ‘Is real mas outside’: Community, Resistance and Notting Hill Carnival, Leighan Renaud 28. ‘Where the City Dissolves’: Suburban Diasporas, Psychosis and Reparative Writing, Martin Dines INFRASTRUCTURE: TRANSPORT II 29. A Bus for Everyone: The Role of the London Omnibus in Enabling Access to the City, Joe Kerr NORTH 30. Moorgate, Enfield, Edmonton and Hampstead: The Cross-City Migrations of John Keats, Flora Lisica 31. The Battle for an African Space in London: WASU Hostel and Aggrey House, William Whitworth 32. Northview: A Snapshot of Multiracial London during the Second World War, Oliver Ayers 33. Exiles of NW3: The ‘Free German League of Culture’ in Upper Park Road, David Anderson Select Bibliography Index

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Book SynopsisThis book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.Rethinking Theatrical Documents brings together fifteen major scholars to analyse and theorise the documents, lost and found, that produced a play in Shakespeare's England. Showing how the playhouse frantically generated paratexts, it explores a rich variety of entangled documents, some known and some unknown: from before the play (drafts, casting lists, actors' parts); during the play (prologues, epilogues, title-boards); and after the play (playbooks, commonplace snippets, ballads) though before', during' and after' intertwine in fascinating ways. By using collective intervention to rethink both theatre history and book history, it provides new ways of understanding plays critically, interpretatively, editorially, practically and textually.Trade ReviewAn invaluable contribution of Rethinking Theatrical Documents is its expansion of both what constitutes the stuff of plays and how such play stuffs were manipulated. * Early Theatre *Table of ContentsList of Illustrations Acknowledgements Note on the Text Notes on Contributors Introduction Part One: Documents Before Performance 1 Writing a Play with Robert Daborne: Lucy Munro (King’s College, London, UK) 2 A Sharers' Repertory: Holger Syme (University of Toronto, Canada) 3 Parts and the Playscript: Seven Questions: James J. Marino (Cleveland State University, USA) 4 Undocumented: Improvisation, Rehearsal and the Clown: Richard Preiss (University of Utah, USA) Part Two: Documents of Performance 5 ‘Rethinking Prologues on Page and Stage’: Sonia Massai (King’s College, London) and Heidi Craig (The Folger Shakespeare Library, USA) 6 Title-and Scene-Boards: The Largest, Shortest Documents: Matt Steggle (Sheffield Hallam University, UK) 7 ‘What is a staged book? Books as ‘Actors’ in the Early Modern English Theatre’ (Sarah Wall-Randell, Wellesley College, USA) Part Three: Documents After Performance 8 Flowers for English Speaking: Play Extracts and Conversation: András Kiséry (The City College of New York, USA) 9 Shakespearean Extracts and the Misrepresentation of the Archive: Laura Estill (Texas A and M University, USA) 10 Typography After Performance: Claire M. L. Bourne (Pennsylvania State University, USA) 11 Shakespeare the Balladmonger: Tiffany Stern (Shakespeare Institute, University of Birmingham, UK) Part Four: Documents Beyond Performance 12 Lost Documents, Absent Documents, Forged Documents: Roslyn Knutson (University of Arkansas, USA) and David McInnis (University of Melbourne, Australia) 13 Afterward: Peter Holland (Notre Dame University, USA) Notes Bibliography Index

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Book SynopsisShakespeare / Sex interrogates the relationship between Shakespeare and sex by challenging readers to consider Shakespeare's texts in light of the most recent theoretical approaches to gender and sexuality studies. It takes as its premise that gender and sexuality studies are key to any interpretation of Shakespeare, be it his texts and their historical contexts, contemporary stage and cinematic productions, or adaptations from the Restoration to the present day. Approaching sex' from four main perspectives heterosexuality, third-wave intersectional feminism, queer studies and trans studies this book tackles a range of key topics, such as medical science, rape culture, the environment, disability, religion, childhood sexuality, race, homoeroticism and trans bodies.The 12 essays range across Shakespeare's poems and plays, including the Sonnets and The Rape of Lucrece, Coriolanus, A Midsummer Night's Dream, Measure for Measure, Richard IIITable of ContentsIntroduction – Jennifer Drouin (McGill University, Canada) Part I: Heterosexuality and its Perils 1. Greensickness and Shakespeare – Jessica C. Murphy (University of Texas, Dallas, USA) 2. ‘For me, I am the mistress of my fate’: Lucrece, Rape Culture and Feminist Political Activism – Kay Stanton (California State University, Fullerton, USA) Part II: Intersectional Sex 3. Sex/ecology: Madness in Method – Sharon O’Dair (University of Alabama, USA) 4. Crip Sexualities and Shakespeare’s Measure for Measure – Allison P. Hobgood (Willamette University, USA) 5. Protestantism, Marriage and Asexuality in Shakespeare – Melissa E. Sanchez (University of Pennsylvania, USA) 6. Children’s Metamorphoses: Ovid, Shakespeare, Sex and Childhood – Kate Chedgzoy (Newcastle University, UK) 7. ‘Live, and Beget a Happy Race of Kings’: Richard III, Race and Homonationalism – Urvashi Chakravarty (University of Toronto, Canada) Part III: Queer Shakespeares 8. Sex in the Sonnets: The Boy and Dishonourable Passions of the Past – Goran Stanivukovic (Saint Mary’s University, Canada) 9. When Coriolanus was Hot: Reading for Homoeroticism Across Time – Huw Griffiths (University of Sydney, Australia) 10. Queer Eye for the Not So Straight Guy: Ocular Excesses and Erotic Gazes in The Two Noble Kinsmen – Jennifer Drouin (McGill University, Canada) Part IV: Trans Shakespeares 11. ‘Bless thee Bottom, bless thee! Thou art translated’: Gender Identity and Transformation in Shakespeare – Kathleen E. McLuskie (Shakespeare Institute, UK) 12. A Woman’s Prick: Trans Technogenesis in Sonnet 20 – Colby Gordon (Bryn Mawr College, USA) Notes Bibliography Index

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Book SynopsisThe Jew of Malta, written around 1590, can present a challenge for modern audiences. Hugely popular in its day, the play swings wildly and rapidly in genre, from pointed satire, to bloody revenge tragedy, to melodramatic intrigue, to dark farce and grotesque comedy. Although set in the Mediterranean island of Malta, the play evokes contemporary Elizabethan social tensions, especially the highly charged issue of London''s much-resented community of resident merchant foreigners. Barabas, the enormously wealthy Jew of the play''s title, appears initially victimized by Malta''s Christian Governor, who quotes scripture to support the demand that Jews cede their wealth to pay Malta''s tribute to the Turks. When he protests, Barabas is deprived of his wealth, his means of livelihood, and his house, which is converted to a nunnery. In response to this hypocritical extortion, Barabas launches a horrific (and sometimes hilarious) course of violence that goes well beyond revenge, using murTrade ReviewA farce of terribly serious, even savage comic humour. * T.S Eliot *Table of ContentsIntroduction List of Illustrations The Jew of Malta Appendices Further Reading Index

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Book SynopsisRather, it is a collection of episodic little histories.Trade ReviewImpressively comprehensive and provocative... This strong and wide-ranging book... earns its authority from the wealth of information it provides... Its determination to expand the range of satirical writing, somewhat in the spirit of Eliot's admonition, is a long-needed redefinition of the scope of the subject... It also offers a considerable enlargement of our knowledge and understanding of a lively and turbulent terrain, whose boundaries are wider and more untidy than we have imagined. Times Literary Supplement Marshall... revolutionizes the study of 18th-century satire. She not only significantly revises accepted definitions of satire but also analyzes and describes vastly greater numbers of satiric works than have previous studies... This original, detailed account of satire during the period will challenge and shape the literary history of satire for decades to come. Essential. Choice So much material is included in The Practice of Satire in England, and its historiographic claims are so striking, that scholars will be discussing this book for some time. Perhaps most admirably, Marshall has put satire, recently a rather neglected genre, firmly back at the center of scholarly attention and debate. -- Nicholas Hudson Philological Quarterly The Practice of Satire in England, 1658-1770 is a tremendously ambitious book... at once, monumental and humble-conscious of its own audacity, unfailingly respectful of the scholars whose work is being called into question, yet also confident of its contribution to the advancement of humanistic learning. -- Matthew J. Kinservik Modern Philology Broadening the notion of satire to include more works, more kinds of works, and a wider range of satirical motives and effects, [Marshall] offers an account of eighteenth-century literature more amenable to contemporary sensibilities than those of previous proponents and detractors of satire. Eighteenth-Century LifeTable of ContentsPrefaceAcknowledgmentsA Note on Texts, Dates, and MoneyPart 1. Canonical and Noncanonical Satire, 1658–1770I. The "Definition" Quagmire and the Problem of Descriptive TerminologyII. Genre versus ModeIII. The Modern Critical Canon and Its ImplicationsIV. The Total Satire Canon and Its Economic ContextThe Production of Satire in England, 1658–1770Price, Format, Dissemination, and Implied AudiencesV. Some Issues of Coverage and OrganizationVI. The Uses of a Taxonomic MethodologyThe Varieties of SatireForecasting Some ConclusionsThe Nature of the EnterprisePart 2. Contemporary Views on Satire, 1658–1770I. Concepts of Satire"Satire"Definition by ContrastII. The Business of SatireThe Opposition to SatireThe Case for SatireIII. The Practice and Province of SatireAcceptable and Problematical Satiric MethodsAppropriate and Inappropriate Satiric TargetsIV. Characterizing the SatiristV. Perceptions of Eighteenth-Century Satire Then and NowPart 3. Satire in the Carolean PeriodI. Some Preliminary ConsiderationsII. Dryden, Rochester, BuckinghamCarolean DrydenRochesterBuckingham's Purposive SatireIII. Marvell, Ayloffe, OldhamMarvell as Polemical SatiristAyloffe's Antimonarchical DiatribesOldham's Juvenalian PerformancesIV. Hudibras and Other Camouflage SatiresV. Personal and Social Satire: From Lampoons to Otway and LeeVI. Chronological Change, 1658–1685VII. IssuesIntensityTonePresentation of PositivesThe Problem of ApplicationVIII. The Discontinuous World of Carolean SatirePart 4. Beyond CaroleanI. Altered CircumstancesII. Dryden as Satirist, 1685–1700III. Poetic SatireTutchin, Defoe, and Political SatireGould and Defamatory SatireGarth and BlackmoreBrown, Ward, and Commercial SatireIV. Dramatic SatireShadwell and Exemplary ComedyMitigated SatireHarsh Social SatireV. The State of Satire ca. 1700Part 5. Defoe, Swift, and New Varieties of Satire, 1700–1725I. Defoe as SatiristAttack and DefenseInstruction and Direct Warning (Aimed at the Audience)Indirect Exposure and DiscomfitureII. Religious and Political SatireTopical ControversyMonitory Satire in the Manner of DefoeIdeological Argumentation: Dunton, Defoe, and OthersIII. Social and Moral SatireGeneralized SatireDidactic Satire in the Manner of SteeleParticularized and Topical SatireArgument and InquiryIV. The Alleged "Scriblerians"V. Swift before GulliverJokiness and PlayDestruction and NegativityPurposive Defamation and DefenseIndirection and Difficult SatireVI. Characterizing the Early Eighteenth CenturyPart 6. Harsh and Sympathetic Satire, 1726–1745I. Pope and Swift among Their ContemporariesPolitical Commentary and CombatThe Culture WarsSocial SatireII. Pope, Swift, GayPopeSwiftGayIII. The Problem of Meaning in Gulliver's TravelsIV . Fielding and the Move toward Sympathetic SatirePlayful Satire and EntertainmentProvocation and PreachmentDistributive JusticeFielding's Concept of SatireSympathetic SatireV. Alive and WellPart 7. Churchill, Foote, Macklin, Garrick, Smollett, Sterne, and Others, 1745–1770I. The Rise of "Poetic" SatireFrivolity and EntertainmentMoral PreachmentParticularized AttackPoeticized SatireChurchill's Nonpolitical SatireII. Wilkes, Churchill, and Political Controversy in the 1760sThe North BritonChurchill's Political SatireVisual SatireWilkes's Essay on WomanIII. Satire in the Commercial TheaterSocial ComedyLightweight Afterpiece EntertainmentSamuel FooteCharles MacklinDavid GarrickIV. Satire in the Mid-Eighteenth-Century NovelSmollett's Dark SatireThe Late Career of FieldingTristram Shandy and the Singularity of SterneCharlotte Lennox, Oliver Goldsmith, Sarah FieldingV. Satire for a Stable EraEpilogueI. Motives and ModesII. Remapping English Satire, 1658–1770AppendixNotesBibliographyIndex

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Book SynopsisPromoting critical and creative anachronism, Metaphors of Mind redefines the notion of an archive in the age of Amazon and Google Books.Trade ReviewWhile the book is not meant to be read as a monograph but as a dictionary, many well-versed readers will be tempted to do so anyway, so rich and lush are both language and litany. American Reference Books Annual ... the database behind the book lets one investigate the verb, instance by instance. The book itself provides a bird's eye view of its large terrain, and the reader can easily settle on specific images to investigate in the hundred pages of detailed endnotes. Modern PhilologyTable of ContentsAbout This BookAcknowledgmentsIntroduction1. Animals2. Coinage3. Courts4. Empire5. Fetters6. Impressions7. Inhabitants8. Metal9. Mirror10. Rooms11. WritingConclusionEpilogueNotesIndex

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Book SynopsisThis volume is a ground-breaking contribution to enlightenment studies and the international and cross-cultural history of print. The result of a five year research project, the volume traces the output and dissemination of books and how reading tastes changed in the years 1769-1794. Mapping the book trade of the Société Typographique de Neuchâtel (STN), a Swiss publisher-wholesaler which operated throughout Europe, the authors reconstruct the cosmopolitan elite culture of the later enlightenment, incorporating many engaging case studies. The STN''s archives are uniquely rich in both detail and range, and while these archives have long attracted book historians (notably Robert Darnton, a leading scholar of the Enlightenment), existing work is fragmentary and limited in scope. By means of comparative study, the author considers the entire book market across Europe, making local, regional and chronological nuances, based on advanced taxonomies of subject content, author information, markTrade ReviewA solid addition to the historiography of the Enlightenment and the general history of the book... This book would certainly be of interest to historians, literary scholars, database designers, and archivists. Selling Enlightenment can certainly be recommended for all types of research oriented academic libraries. * Libraries: Culture, History & Society *A striking achievement. Curran’s commendably exhaustive delving into the STN’s superb business archives and his use of digital humanities methodologies to form and to test hypotheses adds a renewed level of relevance to key questions about the European Enlightenment and the role of the STN within it. * Colin Jones, Professor of History, Queen Mary University of London, UK *For those with an interest in the history of the 18th-century book trade and the dissemination of knowledge in Enlightenment Europe, this is a work of major importance. Curran knows the rich archives of Neufchatel as well as anyone, and he communicates his important and provocative findings with liveliness and grace. * Darrin M. McMahon, Mary Brinsmead Wheelock Professor, Dartmouth College, USA *Table of Contents1. Introduction 2. A Publishing House Across the Border? 3. Accounting for Books 4. Running a Publishing House 5. Business Networks 6. Literary and Book Trade Clients 7. Rivals or Allies: The STN and its Competitors 8. Getting to Market: The History of a Book 9. The Politics of Publishing Conclusion Bibliography Index

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Book SynopsisBringing together scholars from literature and the history of ideas, Passions and Subjectivity in Early Modern Culture explores new ways of negotiating the boundaries between cognitive and bodily models of emotion, and between different versions of the will as active or passive. In the process, it juxtaposes the historical formation of such ideas with contemporary philosophical debates. It frames a dialogue between rhetoric and medicine, politics and religion, in order to examine the relationship between mind and body and between experience and the senses. Some chapters discuss literature, in studies of Shakespeare, Donne, and Milton; other essays concentrate on philosophical arguments, both Aristotelian and Galenic models from antiquity, and new mechanistic formations in Descartes, Hobbes and Spinoza. A powerful sense of paradox emerges in treatments of the passions in the early modern period, also reflected in new literary and philosophical forms in which inwardness was displayed, anTrade Review'... richly learned essays ... such a volume is to be welcomed by all of us engaged in the history of the emotions.' Renaissance Quarterly '... a remarkably wide-ranging and insightful volume ... a rich and important contribution not only to debates about the passions and subjectivity, but to the broader fields of early modern ethics, politics, philosophy, and theology.' Renaissance Studies '... well worth consulting for anyone interested in the passions in early modern thought, literature, and history.' ParergonTable of ContentsContents: Introduction, Brian Cummings and Freya Sierhius; Part I Intersubjectivity, Ethics, Agency: Passion and intersubjectivity in early modern literature, Christopher Tilmouth; Affective physics: affectus in Spinoza’s Ethica, Russ Leo; Donne’s passions: emotion, agency and language, Brian Cummings. Part II Embodiment, Cognition, Identity: Melancholy, passions and identity in the Renaissance, Angus Gowland; Montaigne’s soul, Felicity Green; Uncertain knowing, blind vision, and active passivity: subjectivity, sensuality and emotion in Milton’s epistemology, Katharine Fletcher. Part III Politics, Affects, Friendship: Friendship and freedom of speech in the work of Fulke Greville, Freya Sierhuis; A passion for the past: the politics of nostalgia on the early Jacobean stage, Isabel Karremann; ’Not truth but image maketh passion’: Hobbes on instigation and appeasing, Ioannis D. Evrigenis. Part IV Religion, Devotion, Theology: ’A sensible touching, feeling and groping’: metaphor and sensory experience in the English Reformation, Joe Moshenska; ’Tears of passion’ and ’inordinate lamentation’: complicated grief in Donne and Augustine, Katrin Ettenhuber; Passions, politics and subjectivity in Philip Massinger’s The Emperor of the East, Adrian Streete. Part V Philosophy and the Early Modern Passions: The fallacy of ’that within’: Hamlet meets Wittgenstein, Daniella Jancsó; ’The greatest share of endless pain’: the spectral sacramentality of pain in Milton’s Paradise Lost, Björn Quiring; ’Not passion’s slave’: Hamlet, Descartes and the passions, Stephan Laqué; Afterword, Brian Cummings and Freya Sierhuis; Bibliography; Index.

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Book SynopsisOthello has long been, and remains, one of Shakespeare''s most popular works. It is a favourite work of scholars, students, and general readers alike. Perhaps more than any other of Shakespeare''s tragedies, this one seems to speak most clearly to contemporary readers and audiences, partly because it deals with such pressing modern issues as race, gender, multiculturalism, and the ways love, jealousy, and misunderstanding can affect relations between romantic partners. The play also features Iago, one of Shakespeare''s most mesmerizing and puzzling villains. This guide offers students and scholars an introduction to the play''s critical and performance history, including notable stage productions and film versions. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further research.Table of ContentsSeries Introduction; Othello Timeline; Introduction; The Critical Backstory RICHARD HARP Performance History: CHRISTOPHER BAKER The State of the Art: IMTIAZ HABIB New Directions: 1.Othello as an Englishman: MATTHEW STEGGLE 2.Iago: Male Witch and Black Magician: ROBERT C. EVANS 3.Othello, the Turks, and Cyprus: RAPHAEL FALCO 4. Othello and His Brothers: LISA HOPKINS Resources for Teaching and Studying Othello: ALISON SCOTT Notes on the Contributors; Index

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Book SynopsisBased on the true story of the murder of Thomas Arden by his wife, her lover and accomplices in 1551, Arden of Faversham is one of the earliest domestic tragedies and a play which has continued to thrill audiences since its first staging. This comprehensive edition situates the play in its social, cultural and political context while exploring its performance and critical history through a range of historical and contemporary productions, including William Poel's Lilies That Fester (1897) and the Royal Shakespeare Company's 2014 production. Throughout, the edition aims to reanimate the play's engagement with the material culture of domestic life, using little-known evidence for the objects and spaces implicated in the murder. The introduction also accounts for recent new thinking about the play's likely authorship, including claims that Shakespeare was a key co-author. The comprehensive, illustrated introduction combined with detailed on-page commentary notes and glosses Trade Review[The editor] combine[s] personal enthusiasm ... with scholarly rigour, and the result is ... useful and enjoyable insights into early modern drama. * The Times Literary Supplement *Richardson’s is a valuable edition of Arden for students, teachers, and scholars, making important contributions to our understanding of the play and no doubt occupying a significant place in editorial history. * Archiv für das Studium der neueren Sprachen und Literaturen *Table of ContentsSeries Preface Introduction Arden of Faversham Appendices Bibliography Index

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Book SynopsisThis ground-breaking study fearlessly combines latest research in evolutionary psychology, historical scholarship and philosophy to answer a question that has eluded critics for centuries: what is Shakespeare's moral vision?

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Book SynopsisThis exciting collection of original essays critically assesses the significance of locality in Shakespearean plays.

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Book SynopsisCharting a new course between performance studies and literary criticism, this book explores how recognition of the dramatic person is involved in theatrical materiality.

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Book SynopsisIntroduces and explores a wide range of fresh approaches to comparative study of Shakespeare and Montaigne.

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Book SynopsisIn Light without Heat, David Carroll Simon argues for the importance of carelessness to the literary and scientific experiments of the seventeenth century. While scholars have often looked to this period in order to narrate the triumph of methodical rigor as a quintessentially modern intellectual value, Simon describes the appeal of open-ended receptivity to the protagonists of the New Science. In straying from the work of self-possession and the duty to sift fact from fiction, early modern intellectuals discovered the cognitive advantages of the undisciplined mind.Exploring the influence of what he calls the observational mood on both poetry and prose, Simon offers new readings of Michel de Montaigne, Francis Bacon, Izaak Walton, Henry Power, Robert Hooke, Robert Boyle, Andrew Marvell, and John Milton. He also extends his inquiry beyond the boundaries of early modernity, arguing for a literary theory that trades strict methodological commitment for an openness to lawlTrade Review[B]y finding other forms of thinking within literature, and by practicing other forms of reading within criticism,... even the most familiar of texts come to be seen in a whole new light.... David Carroll Simon's magisterial Light without Heat [is] a highly thoughtful and revisionary study of the scientific imagination and, specifically, of the quality of thought that characterizes it in the seventeenth century.... Simon challenges the consensus that the New Science was responsible for prioritizing this mode of investigation [objectivity] by exploring what he calls the latter's 'observational mood': a quality of Montaignean carelessness... an aimless and patient witnessing that is neither driven nor teleological. -- Catherine Bates * SEL: Studies in English Literature 1500–1900 *Simon's careful close readings illuminate both the scientific and literary texts under study, while his overall approach of resisting reductive binaries (Baconianism as exclusively active at the expense of passive receptivity, labor as exclusively laborious at the expense of affective pleasure) serves as a compelling corrective against the tendency of scholarship on the history of science to slip into universalizing narratives. Scholars of seventeenth-century literature and science—and of seventeenth-century culture more generally—should find it to be a provocative and stimulating read. -- Erin Webster * Milton Quarterly *Light without Heat will gain deserving accolades as an innovative study of seventeenth- century literary and scientific writing.... [A]s an attempt at capturing and describing the shifting moods of reflection and observation that lie at the core of so much seventeenth-century writing, Simon has... written a deeply thought-provoking book. -- Jonathan Sawday * Renaissance Quarterly *

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Book SynopsisWhat does the keyword "continence" in Love's Labor's Lost reveal about geopolitical boundaries and their breaching? What can we learn from the contemporary identification of the "quince" with weddings that is crucial for A Midsummer Night's Dream? How does the evocation of Spanish-occupied "Brabant" in Othello resonate with contemporary geopolitical contexts, wordplay on "Low Countries," and fears of sexual/territorial "occupation"? How does "supposes" connote not only sexual submission in The Taming of the Shrew but also the transvestite practice of boys playing women, and what does it mean for the dramatic recognition scene in Cymbeline? With dazzling wit and erudition, Patricia Parker explores these and other critical keywords to reveal how they provide a lens for interpreting the language, contexts, and preoccupations of Shakespeare's plays. In doing so, she probes classical and historical sources, theatrical performance practices, geopolitical interrelations, hierarchies of race, gender, and class, and the multiple significances of "preposterousness," including reversals of high and low, male and female, Latinate and vulgar, "sinister" or backward writing, and latter ends both bodily and dramatic. Providing innovative and interdisciplinary perspectives on Shakespeare, from early to late and across dramatic genres, Parker's deeply evocative readings demonstrate how easy-to-overlook textual or semantic details reverberate within and beyond the Shakespearean text, and suggest that the boundary between language and context is an incontinent divide.Trade Review"By honing a feminist philological practice attuned to the intersections of language, class, gender, sexuality, and race, Parker illuminates how single words and their discursive networks firm up or challenge hierarchies of self and other in early modern English culture....Working across historical periods, geographies, discourses, and languages, Parker traces how single words range far afield to mate, drawing other terms into the orbit of the self-same in subtle, queer, and preposterous ways. As one has come to expect from Parker, delight is in the details....Shakespearean Intersections delivers on the promises of philologically attuned intersectional analysis, revealing the critical, historical, ontological, and epistemological insights that arise when we delve deeply and patiently into the world of words." * Shakespeare Quarterly *"The conclusion one draws from Shakespearean Intersections is that a lifetime of study in classical and early modern literature, multiple languages, philosophy, and world history might foster a critical perspective that invigorates our most familiar texts and makes them speak to the pressing issues of our time. This is the true promise of creative, inspiring literary criticism. It is a promise made good in Shakespearean Intersections." * Renaissance Quarterly *"Parker has always been one of the most trenchant and dazzling observers of word behaviour and her command of the almost incorrigible and mischievous elements of Shakespeare's language is an art in itself. The vibrant way in which she conjures contexts and allusions, recalls, suppositions, bends, behinds and breaches draws out the spectacular ways in which meanings are networked across the plays, but also the audiences and how the word becomes a powerful token or gift through which we can explore the rich complexities of belonging to Shakespeare's play worlds." * Shakespeare Survey *"Providing a rather prolific response to the age-old question, 'what's in a name?' this book's methodological approach to words (including nominal) as uniquely rewarding vehicles for exploring the language, contexts, and preoccupations of a period's literature and drama-together with oft-overlooked issues and historical intersections-testifies to the rich dividends paid by the meticulously close scholarly readings at which Parker is so adept." * Renaissance and Reformation *"Shakespearean Intersections offers a stunningly creative and illuminating method for reading Shakespeare's words as nodes in densely linked webs of religious, racial, political, and sexual meanings. No word is safe from Patricia Parker's eagle-eyed attention to the polyglot resonances, inferences, and figurations that unexpectedly connect Shakespeare's language to contemporary discourses as diverse as sodomy, military science, biblical teleology, and orthography. Shakespearean Intersections shows us how much we have overlooked in Shakespeare's language, and how much richer and more inventive our readings of even his most familiar texts might be." * Mario DiGangi, The Graduate Center, City University of New York *"Our editorial and critical endeavors have always (and perhaps necessarily) underestimated the activity of words-which is why we need Patricia Parker's extraordinary readings of Shakespeare." * Margreta de Grazia, University of Pennsylvania *"In Shakespearean Intersections, Patricia Parker identifies a wide range of especially resonant keywords and cultural contexts for early modern drama. Her readings of Shakespearean drama are a joy to encounter: immensely learned; acutely sensitive to rhetorical complexity; and deeply thoughtful about the politics of language." * Patricia Cahill, Emory University *

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Book SynopsisThis volume is an essential supplement to Pastoral poetry of the English Renaissance: An anthology (2016). The full-length Introduction examines English Renaissance pastoral against the history of the mode from antiquity to the present, with its multifarious themes and social affinities. The study covers many genres – eclogue, lyric, georgic, country-house poem, ballad, romantic epic, prose romance – and major practitioners – Theocritus, Virgil, Sidney, Spenser, Drayton and Milton. It also charts the circulation of pastoral texts, with implications for all early modern poetry. All poems in the Anthology were edited from the original texts; the Companion documents the sources and variant readings in unprecedented detail for a cross-section of early modern poetry. Includes notes on the poets and analytical indices. The Companion is indispensable not only to users of the Anthology but to all students and advanced scholars of Renaissance poetry.Trade Review‘Professor Chaudhuri has now produced the largest anthology of pastoral poetry yet published, a major collection in every sense, which illustrates the broad historical development outlined in his concise introduction, but with an unexpected diversity. It comprises 277 items, ranging from an anonymous 1588 translation of Theocritus to poems from Charles Cotton published posthumously in 1689… In sum, this wonderfully wide-ranging collection ought to be in every library of English literature. Congratulations are due to the editor and publisher, who have also published Chaudhuri's complementary A Companion to Pastoral Poetry of the English Renaissance (2018). The appearance of both volumes will make lovers of pastoral, present and future, deeply indebted to Sukanta Chaudhuri.’Maria Delgado, Times Higher Education‘In sum, this wonderfully wide-ranging collection ought to be in every library of English literature. Congratulations are due to the editor and publisher, who have also published Chaudhuri’s complementary A Companion to Pastoral Poetry of the English Renaissance (2018). The appearance of both volumes will make lovers of pastoral, present and future, deeply indebted to Sukanta Chaudhuri.’Brian Vickers, School of Advanced Study, University of London, The Review of English Studies‘…this wonderfully wide-ranging collection ought to be in every library of English literature. Congratulations are due to the editor and publisher, who have also published Chaudhuri’s complementary A Companion to Pastoral Poetry of the English Renaissance (2018). The appearance of both volumes will make lovers of pastoral, present and future, deeply indebted to Sukanta Chaudhuri.’Brian Vickers, University of London, The Review of English Studies, Vol. 70, Issue 295, June 2019 -- .Table of ContentsIntroductionI: PastoralII: TextTextual notes Notes on authors Analytical indices (A) Genres (B) Themes (C) Pastoral and other fictional names (D) Mythological names and allusions (E) Biblical names and allusions (F) Historical and other personal names and allusions (G) Place-names (geographical and mythological)Index

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Book SynopsisJulius Caesar presents a performance history of a controversial play, moving from its 1599 opening all the way into the new millennium with particular emphasis on its twentieth- and twenty-first-century incarnations on stage and screen. The book tracks the play’s evolution from being a play about the oratorical skill of noble Romans to its recent manifestations as a dark political thriller.Chapters in this theoretically savvy and global study consider productions such as Orson Welles’s groundbreaking examination of European Fascism, Joseph Mankeiwicz’s Oscar winning 1953 film, politically complex productions at the Royal Shakespeare Company, and shows from around the world which interrogate their own cultural and educational context as well as pressing contemporary concerns such as the reach of mass media.Table of ContentsIntroduction: political theatre1. “So are they all, all honourable men”: Julius Caesar before the Second World War2. The rise of European Fascism: Welles at the Mercury Theater3. (Un) American identities: Mankiewicz (1953)4. Wise saws and modern(ist) instances: Anderson, Barton and Nunn5. Glories past: the minor films6. The Romans in Britain. Caesar under Thatcher7. Accents yet unknown: Global Caesars8. ‘Growing on the South’: Georgia Shakespeare 2001 and 20099. A strange disposed time: Caesar at the MilleniumAppendix: major cast and company staff of select twentieth century productionsBibliographyIndex

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Book SynopsisThis study utilises John Donne’s works concerning the Jacobean Settlement as a contextualised case study to examine a seriously pressing issue in contemporary society: the issue of Catholic loyalism post-1603 and the disputes that thistopic sparked over the matter of conformity.Altman examines Donne’s polemic in line with the vast expanse of literature relating to the pamphlet war and situates Donne’s arguments within a strong contemporary tradition of conformist thought. Within this context, the study argues that Donne articulated a theory of royal absolutism that would have struck home with many contemporaries who, whether Catholic or not, were faced with a regime determined to bring them into conformity. It further contends that the religio-political standpoint represented by Donne was not only fairly obvious to the English state but was also widely accepted by it.Table of ContentsIntroduction: Situating John Donne within post-Reformation studies1 Absolutism and the moderation of religion2 Resistance theory, tyrannicide and the trope of the ‘Evil Jesuit’ 3 Volunteerism and self- sovereignty in discourses on martyrdomConclusion: John Donne studies and the “Revisionist” paradigmIndex

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Book SynopsisWith its fantasy of magical travel and inexhaustible riches, Thomas Dekker’s Old Fortunatus is the quintessential early modern journeying play. The adventures of Fortunatus and his sons, aided by a magical purse and wishing-hat, offers the period’s most overt celebration of the pleasures of travel, as well as a sustained critique of the dangers of intemperance and prodigality. Written following a period of financial difficulty for Dekker, the play is also notable for its fascination with the symbolic, mercantile and ethical uses of gold.This Revels Plays edition is the first fully annotated, single-volume critical edition of Old Fortunatus. It offers scholarly discussion of the play’s performance and textual history, including attention to the German version printed and performed in the early seventeenth century. It provides a long overdue critical reappraisal of this unjustly neglected play.Trade Review'McInnis has produced an admirable, rigorous, and reliable scholarly edition. He has given criticism a chance to match this editorial achievement with insights of comparable height and nuance.'Renaissance and Reformation / Renaissance et Réforme'This new edition of Old Fortunatus is a valuable intervention. It brings the play into focus for advanced teaching and research. It suggests some of the ways Dekker’s dramaturgy embodies the possessive imagination that structures English travel writing and proto-colonial fantasy in the period.'Early Theatre'If Old Fortunatus has another moment, it might be now, when technologies of trade and travel elate and overwhelm us, and the world seems to flicker between far off and at hand. Like other Revels editions, this one offers an authoritatively edited, modernized, and annotated text, a comprehensive textual and historical introduction, and a short performance history. McInnis’s introduction and notes are exceptional even by the high standards of the Revels series, adroitly recounting the wanderings of the Fortunatus story and the complicated history of Dekker’s playtext. McInnis’s particular expertise on travel narratives and lost plays shows to advantage, as he also sets Dekker’s play into the performance context of other contemporary plays. McInnis’s Old Fortunatus is an example of how a good edition does more than simply make a play newly available; it serves as waystation to a way of grasping a new world.'SEL: Studies in English Literature, 1500-1900 -- .Table of ContentsList of illustrationsAbbreviationsIntroduction Authorship and the lost play(s) The text The German play Sources Performance history Critical reception Act and scene divisions Press-variantsOld FortunatusIndex

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Book SynopsisProverbs constitute a rich archive of historical, cultural, and linguistic significance that affect genres and linguistics codes. They circulate through writers, texts, and communities in a process that ultimately results in modifications in their structure and meanings. Hence, context plays a crucial role in defining proverbs as well as in determining their interpretation. Vincenzo Brusantino's Le cento novella (1554), John Florio's Firste Fruites (1578) and Second Frutes (1591), and Pompeo Sarnelli's Posilecheata (1684) offer clear representations of how traditional wisdom and communal knowledge reflect the authors' personal perspectives on society, culture, and literature. The analysis of the three authors' proverbs through comparisons with classical, medieval, and early modern collections of maxims and sententiae provides insights on the fluidity of such expressions, and illustrates the tight relationship between proverbs and sociocultural factors. Brusantino's proverbs introduce ethical interpretations to the one hundred novellas of Boccaccio's The Decameron, which he rewrites in octaves of hendecasyllables. His text appeals to Counter-Reformation society and its demand for a comprehensible and immediately applicable morality. In Florio's two bilingual manuals, proverbs fulfill a need for language education in Elizabethan England through authentic and communicative instruction. Florio manipulates the proverbs' vocabulary and syntax to fit the context of his dialogues, best demonstrating the value of learning Italian in a foreign country. Sarnelli's proverbs exemplify the inherent creative and expressive potentialities of the Neapolitan dialect vis-?á-vis languages with a more robust literary tradition. As moral maxims, ironic assessments, or witty insertions, these proverbs characterize the Neapolitan community in which the fables take place.Table of Contents Acknowledgments Foreword Criteria for Transcription Notes on Quotations, Translations, and Abbreviations Chapter One: Literary History and Theories of Paremias Chapter Two: Vincenzo Brusantino's Le cento novella: Paremias and Tridentine Ethics in Reinterpreting the Decameron Chapter Three: John Florio's Firste Fruites and Second Frutes: Paremias and Elizabethan Teaching of the Italian Language Chapter Four: Pompeo Sarnelli's Posilecheata: Paremias and the Multifaceted Neapolitan Baroque Conclusion Index of Paremias in Le cento novella, Firste Fruites, Second Frutes, and Posilecheata Notes Works Consulted Index of Names

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Book SynopsisNEW YORK TIMES 100 NOTABLE BOOKS OF 2017Over two full years, Dromgoole, the Artistic Director of the Shakespeare's Globe Theatre, and the Globe players toured all seven continents, and almost 200 countries, performing the Bard's most famous play. They set their stage in sprawling refugee camps, grand Baltic palaces and heaving marketplaces - despite food poisoning in Mexico, an Ebola epidemic in West Africa and political upheaval in Ukraine. Hamlet: Globe to Globe tells the story of this unprecedented theatrical adventure, in which Dromgoole shows us the world through the prism of Shakespeare's universal drama, and asks how a 400-year-old tragedy can bring the world closer together.Trade ReviewRichly entertaining . . . His love of language is contagious . . . the storytelling segues into scholarship with extraordinary skill from the off as he ricochets the modern world with a 400-year-old text * * The Times * *Taking in sandblown refugee camps, the hallucinatory effects of performing with chronic food poisoning in Mexico City and the politically-charged atmosphere of an auditorium in Ukraine on an election's eve, it is an entertaining, moving and informative read * * Evening Standard * *Dromgoole's witty account offers insight about the play and its enduring appeal * * New York Times, 100 Notable Books of 2017 * *Full of life lessons . . . Erudite and fascinating . . . There's a real sense of the camaraderie and sheer fun of assembling a company and, quite literally, putting the show on wherever they can . . . The universal themes explored in the play take on a new and thrilling resonance, as the actors learn as much from their audiences as vice versa . . . Truly compelling * * Observer * *A delightfully idiosyncratic account of the Globe's vagabond mission to perform Hamlet in every country in the world . . . the joy of the book is Dromgoole's gusto . . . the way he meanders from personal anecdote to wider textual or cultural significance makes his book feel like a shaggy-dog documentary that you just don't want to end **** * * Daily Telegraph * *Compulsively readable * * New York Times * *Delivers sharp insights into a play Dromgoole has spent a lifetime turning over in his mind * * Guardian * *This deeply humane, consistently enthralling account of a theatrical odyssey encompasses travelogue and literary criticism, theatre history and introspective narrative, political commentary and philosophical reflection with beguiling readability -- Sir Stanley WellsDominic Dromgoole's recounting of the Globe Theatre's exhausting global tour of Hamlet is exhilarating. The playing company's intrepid journey around the world - performing Hamlet's own troubled journey - succeeds in making the familiar unfamiliar and enables in turn a deeply illuminating journey into the play itself. -- James Shapiro, author of 1599 and 1606An epic journey which explores how a 400-year-old play can help to make sense of the modern world * * Sunday Post * *Fascinating * * Spectator * *Dromgoole and his company belong in the ancient tradition of strolling players - quick-witted and wise, generous, hard-drinking and open. His book is written in that spirit. It is bold and excited, hopeful, dashing . . . By the time we reach the final show back on London's Southbank, it is a wrench to part his company * * Financial Times * *Irresistible . . . a comic epic -- Gary Taylor * * Washington Post * *The tireless Dromgoole goes on a journey that would kill most of us, and connects our greatest poet to every corner of the human experience. Utterly extraordinary -- Emma ThompsonThis is an amazing story about a bold and eye-popping journey. I loved it. Dominic Dromgoole writes about Shakespeare and touring the globe the way he ran The Globe - with passion, insight, relish and irresistible humour -- Sir Nicholas Hytner, The Artistic Director of London’s National TheatreCompelling . . . proving, as Dromgoole had hoped, that this powerful tragedy not only has the ability to transcend time but to cross borders as well * * National Geographic * *In Dromgoole's breakneck journey from a retractable-roof theater in Poland to a crammed cream-and-gold palace in Peru to a sweltering, bat-infested auditorium in Cambodia, the narrative covers an astonishing swath of world-girdling geography . . . No chronicle ever gave more compelling meaning to Shakespeare's conviction that 'all the world's a stage' * * Booklist * *[A] thoroughly enjoyable and charming story . . . Besides detailing the two-year tour itself, it's a story of the play, its themes and language, famous past players, and how it has been performed and received over the years . . . Sly, witty, and delightful - a glorious Shakespearean romp * * Kirkus Reviews (starred review) * *Dromgoole is wise and witty; thoughtful, self-assured, even cocky . . . But he is never dull. His mission was to bring Hamlet to the world to show that Hamlet is the world, and he succeeded admirably. A wide readership, not just Shakespeare buffs and scholars, can enjoy this book * * Publishers Weekly * *Praise for WILL AND ME:'An absolute delight . . . utterly original and relishable' * * Sunday Times * *Friendly, inclusive, I warmed to it immediately . . . A terrific book * * Evening Standard * *Superb . . . thrillingly entertaining . . . throbs with vigour, honesty and passion * * Daily Telegraph * *Dromgoole is to the bard what Nick Hornby is to football * * Sunday Telegraph * *A record of a lifelong obsession - articulate, intelligent and passionately set down . . . Dromgoole's enthusiasm has a sincerity and warmth that are infectious * * Observer * *Irresistibly seductive * * Independent on Sunday * *

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Book SynopsisWas Shakespeare a snob? Poor Naked Wretches challenges the idea that our greatest writer despised working people, and shows that he portrayed them with as much insight, compassion and purpose as the rich and powerful. Moreover, they play an important role in his dramatic method. Stephen Unwin reads Shakespeare anew, exploring the astonishing variety of working people in his plays, as well as the vast range of cultural sources from which they were drawn. Unwin argues that the robust realism of these characters, their independence of mind and their engagement in the great issues of the day, makes them much more than mere ‘comic relief’. Compassionate, cogent and wry, Poor Naked Wretches grants these often-overlooked figures the dignity and respect they deserve.

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Book Synopsis Memory and commemoration play a vital role not only in the work of Shakespeare, but also in the process that has made him a world author. As the contributors of this collection demonstrate, the phenomenon of commemoration has no single approach, as it occurs on many levels, has a long history, and is highly unpredictable in its manifestations. With an international focus and a comparative scope that explores the afterlives also of other artists, this volume shows the diverse modes of commemorative practices involving Shakespeare. Delving into these “cultures of commemoration,” it presents keen insights into the dynamics of authorship, literary fame, and afterlives in its broader socio-historical contexts.Table of Contents Introduction: Shakespeare and the Cultures of Commemoration Ton Hoenselaars and Clara Calvo Chapter 1. Acting as an Epitaph: Performing Commemoration in the Shakespearean History Play Emily Shortslef Chapter 2. From Jubilee to Gala: Remembrance and Ritual Commemoration Robert Sawyer Chapter 3. Shakespeare Remembered Graham Holderness Chapter 4. American Shakespeare Clubs and Commemoration Katherine Scheil Chapter 5. Shakespeare and ‘Native Americans’: Forging Identities through the 1916 Shakespeare Tercentenary Monika Smialkowska Chapter 6. The Disciplines of War, Memory, and Writing: Shakespeare’s Henry V and David Jones’s In Parenthesis Adrian Poole Chapter 7. Monumental Play: Commemoration, Post-war Britain, and History Cycles Anita M. Hagerman Afterword: The Seeds of Time Graham Holderness

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Book Synopsis As the site of literary pilgrimage since the eighteenth century, the home of the Royal Shakespeare Company and the topic of hundreds of imaginary portrayals, Stratford is ripe for analysis, both in terms of its factual existence and its fictional afterlife. The essays in this volume consider the various manifestations of the physical and metaphorical town on the Avon, across time, genre and place, from America to New Zealand, from children’s literature to wartime commemorations. We meet many Stratfords in this collection, real and imaginary, and the interplay between the two generates new visions of the place.Table of Contents Preface Katherine Scheil Chapter 1. Helen Faucit and the Shakespeare Memorial Theatre, Stratford-upon-Avon, 1879 Christy Desmet Chapter 2. Secret Stratford: Shakespeare’s Hometown in Recent Young Adult Fiction Susanne Greenhalgh Chapter 3. Stratfordian Perambulations; or, Walking with Shakespeare Julie Sanders Chapter 4. Shakespeare’s Church and the Pilgrim Fathers: Commemorating Plymouth Rock in Stratford Clara Calvo Chapter 5. Importing Stratford Katherine Scheil Afterword: ‘Dear Shakespeare-land’: Investing in Stratford Nicola J. Watson

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Book Synopsis As the site of literary pilgrimage since the eighteenth century, the home of the Royal Shakespeare Company and the topic of hundreds of imaginary portrayals, Stratford is ripe for analysis, both in terms of its factual existence and its fictional afterlife. The essays in this volume consider the various manifestations of the physical and metaphorical town on the Avon, across time, genre and place, from America to New Zealand, from children’s literature to wartime commemorations. We meet many Stratfords in this collection, real and imaginary, and the interplay between the two generates new visions of the place.Table of Contents Preface Katherine Scheil Chapter 1. Helen Faucit and the Shakespeare Memorial Theatre, Stratford-upon-Avon, 1879 Christy Desmet Chapter 2. Secret Stratford: Shakespeare’s Hometown in Recent Young Adult Fiction Susanne Greenhalgh Chapter 3. Stratfordian Perambulations; or, Walking with Shakespeare Julie Sanders Chapter 4. Shakespeare’s Church and the Pilgrim Fathers: Commemorating Plymouth Rock in Stratford Clara Calvo Chapter 5. Importing Stratford Katherine Scheil Afterword: ‘Dear Shakespeare-land’: Investing in Stratford Nicola J. Watson

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Book SynopsisThe Lady Gardeners to whom the chapters of this book are devoted are those women who, from the eighteenth century to the present day, have been working in a garden, from imagining and creating it, to sowing, planting, pruning, painting and photographing plants, and moving from garden design to more urgent themes such as landscape conservation and environmental issues. However, and this is the reason why this collection differs from other excellent models that deal with women and gardens, the essays also dwell on the personal lives and experiences of women who have lived in gardens, and enjoyed landscape, jotting simple notes in their diaries or working as landscape architects, describing it in stories for children, portraying strange exotic plants in their paintings, assembling bunches of flowers to decorate their home, and defending such spaces with their strong commitment to preservation. From England, and its long well-documented garden history, they have moved to Africa, the Americas, Australia, New Zealand, the Far East: the chapters in this book thus also confirm the vocation of the English garden that can enlarge its boundaries, transform and adapt itself to modern times and distant climates without foregoing its old roots. Table of ContentsIntroduction: Lady Gardeners, from England to the wider world – Francesca Orestano Chapter 1: The Eighteenth Century: three princesses at Kew Gardens – Anna Zappatini Chapter 2: Dorothy Wordsworth: a Romantic garden in the Lake District – Anna Rudelli Chapter 3: Jane Loudon, notes on gardening for Victorian ladies – Anna Zappatini Chapter 4: Marianne North, the world is a garden to paint – Anna Zappatini Chapter 5: Children and Gardens by Gertrude Jekyll: training young gardeners – Anna Rudelli Chapter 6: Beatrix Potter, playful and scientific illustrations. From Peter Rabbit to landscape conservation – Anna Rudelli Chapter 7: Garden and Landscape in North America: Beatrix Farrand’s inscription of Eden in the wilderness of the New World – Francesca Orestano Chapter 8: Vita Sackville-West: a garden that looks like home, from Knole to Sissinghurst – Francesca Orestano Chapter 9: Edna Walling and her gardening work, or ‘the happiest days of my life’ – Francesca Orestano Chapter 10: History, design, vision: Sylvia Crowe – Francesca Orestano Chapter 11: The adventure of an exotic species: Maria Teresa Parpagliolo Shephard – Francesca Orestano Chapter 12: Rosemary Verey: re-reading English history in the modern garden – Anna Zappatini Chapter 13: Beth Chatto: going along with the environment, or ‘the right plant for the right place’ – Anna Zappatini

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Book SynopsisWilliam Congreve was deeply involved in the events of his turbulent times. That involvement reveals itself in works which have sometimes been regarded as entirely unengaged with the realities of his society. This book attempts to read Congreve’s plays and his novella, Incognita, against the political and social upheaval of the period initiated by the rebellion of 1688. A strong supporter of the new world ushered in by William III and Mary, Congreve fought against the reactionary politics of the Jacobite opposition.Trade Review“Novak offers new readings of Congreve while grounding his argument not only in a thorough understanding of the social, political, ethical and religious conflicts of Congreve’s decade of writing for the stage but also in the best historical scholarship of the period and the best literary criticism of Congreve of the last ninety years.”—Kevin J. Gardner, Professor and Department Chair, Baylor English Department, Baylor University, USA“Imaginary Plots and Political Realities in the Plays of William Congreve is an engaging book that makes a significant contribution to Restoration and eighteenth-century studies. Congreve has been ignored too often in recent work on the late seventeenth-century theatre, and Novak’s study should help to remedy this situation by reminding his readers of the dramatist’s crucial role in the stage politics of the 1690s.”—Robert Markley, W. D. and Sara E. Trowbridge Professor, University of Illinois, USA“The book, with its fine-grained attention to the changing political and social circumstances of the 1690s, the decade during which Congreve’s dramatic career unfolded, reads as a synthesis of a career’s worth of thought about the playwright, with fresh perspectives and a clarifying specificity of focus, especially on the question of politics.”—James Noggle, Marion Butler McLean Professor in the History of Ideas and Professor of English, Wellesley College, USATable of ContentsAcknowledgements; List of illustrations; Foreword; Chapter 1, The politics of love, marriage and scandal in Congreve’s world; Chapter 2, Incognita and some problems in morality and epistemology; Chapter 3, The “fashionable cutt of the town” and William Congreve’s The Old Batchelor; Chapter 4, Political and moral double-dealing in Congreve’s The Double Dealer; Chapter 5, Foresight in the stars and scandal in London: Reading the hieroglyphics in Congreve’s Love for Love; Chapter 6, The failure of perception in Congreve’s The Mourning Bride; Chapter 7, Politics and Congreve’s The Way of the World; Afterword; Works Cited; Index.

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Book SynopsisThis book re-evaluates the philosophical status of Samuel Taylor Coleridge by providing an extended comparison between his work and the phenomenological theory of Edmund Husserl. Examining Coleridge’s accounts of the imagination, perception, poetic creativity and literary criticism, it draws a systematic and coherent structure out of a range of Coleridge’s philosophical writing. In addition, it also applies the principles of Coleridge’s philosophy to an interpretation of his own poetic output.Table of Contents1. Introduction.- 2. Anti-psychologism and Ideal Laws in Biographia I.-3. Coleridge’s phenomenological engagements with idealism.- 4. Imagination and Intentionality.- 5. Coleridge’s Epoché.- 6.‘The acts of the mind itself’: Eidetic Intuition and the ‘Conversation Poems’.

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Book SynopsisThis monograph reorients discussion of Blake’s prophetic mode, revealing it to be not a system in any formal sense, but a dynamic, human response to an era of momentous historical change when the future Blake had foreseen and the reality he was faced with could not be reconciled. At every stage, Blake’s writing confronts the central problem of all politically minded literature: how texts can become action. Yet he presents us with no single or, indeed, conclusive answer to this question and in this sense it can be said that he fails. Blake, however, never stopped searching for a way that prophecy might be made to live up to its promise in the present. The twentieth-century hermeneuticist Paul Ricoeur shared with Blake a preoccupation with the relationship between time, text and action. Ricoeur’s hermeneutics thus provide a fresh theoretical framework through which to analyse Blake’s attempts to fulfil his prophetic purpose.Trade Review“Cogan’s book does an exceptional job of exploring such tensions across the range of Blake’s corpus. None of the caveats above lessens my admiration for its daring and innovative engagement with Blake’s treatment of prophecy.” (G. A. Rosso, Blake, An Illustrated Quarterly, Vol. 56 (3), 2022-2023)Table of Contents1 Introduction: Prophetic Failure2 Calling All Prophets3 Prophetic Action4 The Origins of Loss5 Delusive Visions6 Prophet of Eternity7 Conclusion

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Book SynopsisThis open-access book investigates Francophone Caribbean literature by exploring and analyzing French seventeenth-century travel writings. The book argues for a literary re-examination of the representation of the early colonial Caribbean by proposing theoretical linkages to contemporary Caribbean theories of creolization and archipelagic thinking. Using Édouard Glissant’s notion of points of entanglement, Christina Kullberg claims that the historical, social, and political messiness of the Caribbean seventeenth century make for complex representations and expressions, generating textual instability despite the travelers’ apparent desires to domesticate the islands. Taking a synoptic approach to travel narratives in French from 1620 up to the publication of Labat’s Nouveau voyage aux Isles de l’Amérique in 1722, Kullberg examines textual instances where the islands and the peoples of this period disrupt and unsettle dominant French narratives and enter productively into the construction of knowledge and the representations of the region. Kullberg’s contribution is to read French early modern travels in situ as shaped by the archipelagic geography, its history and social formations in order to interrogate both the construction and the limitations of discourses of power. Table of ContentsChapter 1: Introduction. Chapter 2: Archipelagos.Chapter 3: Constructing the Self between Worlds.Chapter 4: Other tongues.Chapter 5: Conclusion...or Alternative Beginnings.

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Book SynopsisThis book considers Samuel Taylor Coleridge’s engagement with ‘Whig poetry’: a tradition of verse from the eighteenth century which celebrated the political and constitutional arrangements of Britain as guaranteeing liberty. It argues that, during the 1790s, Coleridge was able to articulate radical ideas under the cover of widely accepted principles through his references to this poetry. He positioned his poetry within a mainstream discourse, even as he favoured radical social change. Jacob Lloyd argues that the poets Mark Akenside, William Lisle Bowles, and William Cowper each provided Coleridge with a kind of Whig poetics to which he responded. When these references are understood, much of Coleridge’s work which seems purely personal or imaginative gains a political dimension. In addition, Lloyd reassess Coleridge’s relationship with Thomas Percy’s Reliques of Ancient English Poetry, to provide an original, political reading of ‘The Rime of the Ancyent Marinere’. This book revises our understanding of the political and poetic development of a major poet and, in doing so, provides a new model for the origins of British Romanticism more broadlyTable of Contents1 Introduction.- 2 Coleridge and Whig Politics, 1794–1796.- 3 Whig Poetics and Akenside.- 4 Coleridge, Enthusiasm, and Bowles.-5 Coleridge’s Poetry of 1796 and 1797.-6 The Politics of Ancient Ballads: ‘The Rime of the Ancyent Marinere’ and Christabel.-7 Retirement Politics in the Fears in Solitude Quarto.-8 ‘Dejection. An Ode’ and the Renunciation of Political Poetics.-9 Conclusion

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Book SynopsisThis book examines the intersections between the ways that marriage was represented in eighteenth-century writing and art, experienced in society, and regulated by law. The interdisciplinary and comparative essays explore the marital experience beyond the ‘matrimonial barrier’ to encompass representations of married life including issues of spousal abuse, parenting, incest, infidelity and the period after the end of marriage, to include annulment, widowhood and divorce. The chapters range from these focuses on legal and social histories of marriage to treatments of marriage in eighteenth-century periodicals, to depictions of married couples and families in eighteenth-century art, to parallels in French literature and diaries, to representations of violence and marriage in Gothic novels, and to surveys of same-sex partnerships. The volume is aimed towards students and scholars working in the long eighteenth century, gender studies, women’s writing, publishing history, and art and legal historians.Table of Contents1. Jenny DiPlacidi: After Marriage in the Long Eighteenth Century: Introduction.- 2. Rebecca Probert: Undoing the Marriage: the Resort to Annulment.- 3. Joanne Begiato: Bearing Grudges: Marital Conflict and the Inter-Generational Family.- 4.James Fowler: Handsome, Gallant, Gentle, Rich: Before and After Marriage in the Tales of Charles Perrault.- 5.Robin Runia: ‘Knights of Matrimony’, Christian Duty and Millenium Hall.- 6. Jennie Batchelor: ‘Be but a little deaf and blind,/ And happiness you’ll surely find’: Marriage in the Women’s Magazine.- 7.Heather Carroll: The Making and Breaking of Wedlock: Visualising Jane, Duchess of Gordon after marriage'.- 8. Jenny DiPlacidi: Rearticulating the Economics of Exchange: Incest and After Marriage in the Gothic.- 9. Chris Roulston: Marriage and Its Queer Identification in the Anne Lister Diaries.

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Book SynopsisThe titular “Roaring Girl” of Thomas Middleton and Thomas Dekker’s comedy is Moll Cutpurse, a fictionalized version of Mary Frith, who attained legendary status in London by flouting gendered dress conventions, illegally performing onstage, and engaging in all manner of transgressive behavior from smoking and swearing to stealing. In the course of The Roaring Girl’s lively and complex plot of seduction and clever ruses, Moll shares her views on gender and sexuality, defends her honor in a duel, and demonstrates her knowledge of London’s criminal underworld. This edition of the play offers an informative introduction, thorough annotation, and a substantial selection of contextual materials from the period.Trade Review“With its uncompromising cross-dressed heroine, and its cheerful disregard for conventional sexual mores, The Roaring Girl offers a winning specimen of early modern London’s screwball comedy. Kelly Stage’s terrific edition brings the play’s rollicking schemes into sharp focus through clear accounts of its colorful language and historical references, juxtaposed with contemporary writings on cross-dressing, criminals, tobacco, and the real Moll Frith. This is a welcome resource for first-time readers and scholars alike.” — Tanya Pollard, Brooklyn College and the Graduate Center, City University of New York“Providing a nuanced and contextually sensitive introduction, Kelly Stage’s excellent edition of The Roaring Girl will prove immensely valuable to undergraduate and graduate students alike. Especially useful is Stage’s careful discussion of clothing transgression in relation to the complex gender and socioeconomic dynamics that shaped the play’s composition and staging. The text includes extensive and detailed explanatory notes that will help students and newcomers unpackage what can be a challenging play. The edition concludes with an array of contemporary historical documents that offer contextual background on issues relating to cross-dressing, theater life, criminality, and material culture.” — Matthew Kendrick, William Paterson University Table of Contents Introduction The Roaring Girl or Moll Cutpurse In Context A. On Mary Frith’s Life 1. from the Consistory Court of London Correction Book, 27 January 1611/12 2. The Last Will and Testament of Mary Markham, Alias Mary Frith (1659) B. On Theater, Gender, and Cross-Dressing 1. from Stephen Gosson, Plays Confuted in Five Actions, Proving that they are not to be suffered in a Christian Commonweal (1582) 2. from anonymous, The Life of Long Meg of Westminster, containing the mad merry pranks she played in her lifetime, not only in performing sundry quarrels with diverse ruffians about London: but also how valiantly she behaved herself in wars of Boulogne (1620, revised 1635) 3. from anonymous, Hic Mulier: or, The Man-Woman: Being a Medicine to Cure the Coltish Disease of the Staggers in the Masculine-Feminines of our Time (1620) 4. anonymous, Haec-Vir: or, The Womanish-Man (1620) C. On Criminals 1. from Thomas Harman, A Caveat for Common Cursitors, Vulgarly Called Vagabonds (1566, revised 1567/68) 2. from Thomas Dekker, The Bellman of London Bringing to Light the Most Notorious Villainies That Are Now Practised in the Kingdom (1608) D. On Tobacco 1. from anonymous, “A Merry Progress to London to see Fashions, by a young Country Gallant, that had more Money than Wit” (1615) 2. from King James I, A Counterblast to Tobacco (1604) Further Reading

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Book SynopsisComparisons not only prove fundamental in the epistemological foundation of modernity (Foucault, Luhmann), but they fulfil a central function in social life and the production of art. Taking a cue from the Practice Turn in sociology, the contributors are investigating the role of comparative practices in the formation of eighteenth-century literature and culture. The book conceives of social practices of comparing as being entrenched in networks of circulation of bodies, artefacts, discourses, and ideas, and aims to investigate how such practices ordered and changed British literature and culture during the long eighteenth century.Table of ContentsComparative Practices in Britain's Long Eighteenth Century; The Creation of the English Nation: Alfred the Great as Role Model; The Circulating Library, the Novel, and Implicit Practices of Comparing in Eighteenth-Century England: Assembling 'Middle-Class' Literariness; Comparing Conduct: English Novels of the Long Eighteenth Century and the Formation of Ideals of Social Behaviour; The Complexity of Narrative Comparisons in Wollstonecraft's Maria; Or, The Wrongs of Woman and Lennox's The Female Quixote; "'tis by Comparison we can Judge and Chuse [sic!]": Incomparable Oroonoko; Articulating Differences: Practices of Comparing in British Travel Writing of the Long Eighteenth Century; Oceans of Non-Relation: Affect and Narcissistic Imperialism in Sea Poetry by James Thomson, Charlotte Brontë, and Hannah More; Practices of Comparing in Eighteenth-Century Grammars of English; Authors and Editors.

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Book SynopsisEmpress Catherine II produced a body of written material so vast and diverse that it seems impossible to provide a general characterization of the works contained in the authoritative twelve-volume collection assembled by A. N. Pypin from handwritten source material. This book does not attempt an all-embracing review of Catherine’s entire literary output, which consists of works in multiple genres and languages. The Russian empress’s writings have been the repeated subject of serious analysis for nineteenth- and twentieth-century researchers; all of these in one way or another demonstrate that across a variety of genres and formats, with a greater or lesser degree of independence and originality, the literary works of Catherine II always express her politics and ideology. These texts were carefully prepared, their publications and stage productions executed magnificently. As a rule, the most significant works were translated into French, German, and, in some cases, English. European readers, as well as the Russian public, were expected to be attentive witnesses to, and happy consumers of, the monarch’s compositions. Amongst rulers, the literary productivity of the Russian empress has no analogue in history. This volume is the first study in English of the vast literary output of Catherine the Great. Trade Review“This is the first study in English of the vast literary output of Catherine the Great. In addition to the memoirs, for which she is famous, Catherine wrote—in French, Russian, and German—over two dozen dramas; operas, histories, essays, fairy tales; legislation; and over 10,000 letters. With breadth and precision, Vera Proskurina opens up the vistas of Catherine’s geographic imagination as she set out to conquer Russia, Europe’s Republic of Letters, and the Ottoman Empire with her pen. While she expanded the Russian empire, she wrote with purpose and ambition, creating her Enlightenment persona as the incarnation of her empire. Proskurina reveals how Catherine had her works performed, translated, and published at home and abroad in dialogue with elites in intellectual campaigns that presented Russia and its autocrat to the world as enlightened. Proskurina masterfully traces the imperial legacy of Catherine’s pen.”— Hilde Hoogenboom, Associate Professor of Russian, School of International Letters & Cultures, Arizona State University“Vera Proskurina’s book is a must for every scholar of Russian imperial history and classical literature, for both research and teaching. And, as I know from personal experience, students love her work no less than their professors do. It mixes a broader perspective of cultural history with the most meticulous philological analysis. Uniquely, Proskurina strikes a perfect balance between rigorousness of her research on the one hand, both literary and historical (her analysis of the parade of weirdos on European thrones as exposed in Derzhavin’s ode ‘On Fortune’ is one of the most amusing scholarly reads I know of), and extreme vividness of the resulting picture on the other. It may seem from its title that the book is dominated by one person, the Empress herself, but in fact, readers are treated to the amazing diversity of voices with their own ideas of literary and state affairs. Enjoy the ride!”— Daria Khitrova, Associate Professor of Slavic Languages and Literatures, Harvard UniversityTable of ContentsAcknowledgmentsIntroduction1. The Landscape of the Empire: The Antidote of Catherine II, or the Borders of European Civilization2. Barbaric Capital: Laughter during the Plague3. The Poetics of Prototypes: The Political Contexts of the Fairy Tales of Catherine II4. Territory of Freedom: Dispute by the Palace Walls5. “Light from the East”: Catherine II in a Fight against Freemasonry6. Catherine’s Imperial Stride: The Greek Project on the Theatrical SceneBibliographyIndex

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Book SynopsisBrings Romanticism into dialogue with current understandings of consciousness.

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Book SynopsisAcclaimed as Sappho reborn by the circle of humanist intellectuals centred around Groningen University in the Netherlands, the brilliant seventeenth-century Dutch poet Titia Brongersma published her only book, The Swan of the Well, in 1686. This is the first complete English translation of the work.Trade Review"The Swan of the Well by Titia Brongersma offers an attractive and thorough study through its insights into Brongersma as a writer and person, the cultural depths revealed by Eric Miller, and the skilful translation of the texts." Lia van Gemert, University of Amsterdam

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Book SynopsisExplores the moral and ethical dilemmas that characters face inside themselves and in their interactions with others in the works of these two famed authors. Karl Zender's characterological study offers insightful, critically rigorous analyses of the complicated figures who inhabit several major Shakespeare plays and Faulkner novels.

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