Literary studies: c 1600 to c 1800 Books

3022 products


  • Cambridge University Press The Cambridge Introduction to Shakespeares Comedies

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    £74.09

  • Cambridge University Press The Cambridge Introduction to Shakespeares Tragedies

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    £71.25

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    £79.80

  • Cambridge University Press Law and Empire in English Renaissance Literature

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    £85.50

  • Cambridge University Press A Literary History of Womens Writing in Britain 16601789

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    £116.85

  • Cambridge University Press Shakespeare A Lovers Complaint and John Davies of Hereford

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  • Cambridge University Press Shakespeare for the People

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  • Cambridge University Press Shakespeare and the American Popular Stage

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    £71.00

  • Cambridge University Press Macbeth

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    Book SynopsisThis second edition of Macbeth offers a thorough reconsideration of one of Shakespeare's most popular plays. Edited and introduced by A. R. Braunmuller, this edition features a new introductory section on recent productions of the play, including cinematic versions by Kurosawa and Roman Polanski.Trade Review'This updated edition of Macbeth reveals thorough research, it is conscientiously annotated, and it appears a superb tool for researchers and students involved in Shakespeare scholarship.' Year's Work in English StudiesTable of ContentsIntroduction: Macbeth in legend, Macbeth in history; Macbeth in the mind; Macbeth in performance; Macbeth in the mind and in performance; Recent performances and adaptations; Note on the text; List of characters; The play; Supplementary notes; Textual analysis; Appendixes: 1. Casting Macbeth; 2. Additional text and music; 3. Relineation of the Folio; Reading list.

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    £57.94

  • Cambridge University Press Shakespeare and the Idea of Late Writing Authorship in the Proximity of Death

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    £94.50

  • Cambridge University Press Shakespeare Memory and Performance

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    £100.70

  • Cambridge University Press Women as Hamlet

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    £85.50

  • Cambridge University Press The Cambridge Companion to Shakespeare on Film

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    £73.15

  • Cambridge University Press Women and Islam in Early Modern English Literature

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    £85.50

  • Cambridge University Press The Cambridge Companion to Childrens Literature

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    Book SynopsisThis Companion surveys the history and contexts of English-language children's literature from the seventeenth century to Harry Potter. Essential reading for all students of children's literature, this book offers both a wealth of information and original research that reflects the latest developments in the field.Trade Review'… concise, stimulating comments on other school stories from the late 20th century, such as Diana Wynne Jones's Witch Week, help cast the conventions and conventionality of the Harry Potter books into relief and draw attention to the numerous alternative school stories out there.' www.parentcentral.ca'The Cambridge Companion, lucid, entertaining, and with hardly a word wasted, locates itself in an accessible, mainstream position, and generally does an outstanding job of playing critical and historical catch-up on its more established literary fellow disciplines … beautiful to behold - books to cheer the bookperson's heart, and the inclusion in the series of a volume on Children's Literature, especially one as good as this, should be the cause of unalloyed delight.' Modern Language Review' … excellent, straightforward collection that covers the fundamentals. It is also a collection that inspires readers to delve deeper … provides a perfect sampling of scholarship for undergraduate and graduate students, but this collection should also appeal to established scholars and experts in the field.' MuseTable of ContentsPreface M. O. Grenby and Andrea Immel; Chronology Eric J. Johnson; Part I. Contexts and Genres: 1. The origins of children's literature M. O. Grenby; 2. Children's books and the constructions of childhood Andrea Immel; 3. The making of children's books Brian Alderson; 4. Picture book worlds and ways of seeing Katie Trumpener; 5. The fear of poetry Richard Flynn; 6. Retelling stories across time and cultures John Stephens; 7. Classics and canons Deborah Stevenson; Part II. Audiences: 8. Learning to be literate Lissa Paul; 9. Gender roles in children's fiction Judy Simons; 10. Children's texts and the grown-up reader U. C. Knoepfelmacher; 11. Ideas of difference in children's literature Lynne Vallone; Part III. Forms and Themes: 12. Changing families in children's fiction Kimberley Reynolds; 13. Traditions of the school story Mavis Reimer; 14. Fantasy's alternative geography for children Andrea Immel, U. C. Knoepfelmacher and Julia Briggs; 15. Animal and object stories David Rudd; 16. Humour and the body in children's literature Roderick McGillis; Guide to further reading; Index.

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    £72.19

  • Cambridge University Press The English Poems of George Herbert

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    £173.85

  • Cambridge University Press Shakespeare Survey Volume 59 Editing Shakespeare

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    £100.70

  • Cambridge University Press Poor Women in Shakespeare

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    £85.50

  • Cambridge University Press Male Friendship in Shakespeare and his Contemporaries

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  • Cambridge University Press Hamlet without Hamlet

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    £79.80

  • Cambridge University Press Exile and Journey in SeventeenthCentury Literature

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    £57.00

  • Cambridge University Press Literature and the Politics of Family in SeventeenthCentury England

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    £57.00

  • Cambridge University Press Smallpox and the Literary Imagination 16601820

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    Book SynopsisThis book is a substantial critical study of the literary representation of smallpox and its victims. David Shuttleton draws upon works by Dryden, Johnson, Steele, Goldsmith and Lady Mary Wortley Montagu to uncover the different ways writers found to come to terms with the terror of disease and death.Trade ReviewReview of the hardback: 'Smallpox and the Literary Imagination provides fascinating reading and … it adds much to our knowledge of the social and political impact of this disease. I certainly gained much from reading this book and it deserves a wide readership. I recommend it to anyone with an interest in the history of disease in the early modern period.' Local Population StudiesReview of the hardback: '… Shuttleton's study leaves virtually no stone unturned … A welcome contribution to the scholarly debate on smallpox, Shuttleton's study offers a well-rounded and illuminating analysis of the disease's semiotic underpinnings …' Celeste Chamberland, Roosevelt University'… important and impressive monograph …' The Bibliographical Bulletin of the International Arthurian SocietyTable of ContentsPrologue; Introduction: imagining smallpox; Part I. Disease: 1. Contagion by conceit; 2. 'What odious change…?': smallpox autopathography; Part II. Death: 3. Smallpox elegy; 4. Sentimental smallpox; Part III. Disfigurement: 5. 'Beauty's enemy' and the disfigured woman; 6. 'Enamel'd not deform'd': manly disfigurements; Part IV. Prevention: 7. 'Beauty's triumph': inoculation; 8. 'Cow mania': vaccination, poetry, and politics; Epilogue; Appendix: smallpox in Georgian portraiture; Select bibliography; Index.

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    £85.50

  • Cambridge University Press Shakespeare and the Nobility

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    £57.00

  • Cambridge University Press Think On My Words

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    £74.09

  • Cambridge University Press Shakespeare and the Rise of the Editor

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    15 in stock

    £86.44

  • Cambridge University Press The Illustrated Shakespeare 17091875

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    Book SynopsisIllustrations have been an important element of many of the most extensively read editions of Shakespeare's plays, from the frontispieces to Nicholas Rowe's 1709 edition to the multiple images placed within the text of Victorian editions. Through symbols the illustrations have explored language and character; by allusion to earlier paintings they have offered critical readings; and by gesture, setting and costume they have redesigned the plays within the visual vocabulary of their own times. In all these ways they offer important exchanges with contemporary social, aesthetic and critical concerns, and, despite being largely ignored by scholars, are central to the plays' reception. Highly illustrated, including many images not previously reproduced, the book allows the reader to share the experience of early readers of the plays. Building on the author's earlier work in Painting Shakespeare it offers a fresh address to the tradition of visual criticism and assimilation of Shakespeare's Trade Review'Stuart Sillars is a brilliant guide to the long history of illustrating Shakespeare on the page. He helps us see what Shakespeare's readers saw when they opened their editions across two centuries and found images as well as dialogue. Reading him makes us read anew the way they read. The Illustrated Shakespeare changes our understanding of the reception of Shakespeare startlingly and excitingly.' Peter Holland, University of Notre Dame, Indiana'Sillars's analysis of these illustrative embodiments and the fables they disseminate draws out some wonderful moments of pictorial insight … His great strength is as an acute and informed reader of the visual image in Shakespeare publication, a field he has made his own with two compendious books in as many years (the other book being Painting Shakespeare: The Artist as Critic, 1720–1820).' The Times Literary Supplement'Stuart Sillars' magnificent volume has wisely selected the so far largely unchartered area of illustrated editions … His admirable introduction shows exemplary critical discrimination and bibliographical competence as well as rare literary and artistic sensitivity. … Throughout this vigorous and diversified development, Sillars acts as a reliable, admirably knowledgeable and illuminating guide, always paying special attention to the changes in book production, editorial fashions and the social stratification of readership.' Professor Dieter Mehl, Archiv'… beautifully and generously illustrated …' Frédéric Delord'… richly-illustrated volume …' Cahiers Élisabéthains'… Sillars's careful attention to the particularities of book design, publication, and promotion, his persuasive observations on the influence of competing media, and his nuanced understanding of the cultural work that these volumes have performed make this study an invaluable addition to the critical literature on the history of Shakespeare reception.' Nineteenth-Century LiteratureTable of Contents1. Play, page and image; 2. Spatial narratives and Rowe's Shakespeare; 3. Rococo and reflection: Gravelot, Hayman and Walker; 4. Bell, performance and reading; 5. 'Ornaments, derived from fancy': illustrating the plays, 1780–1840; 6. The growth of feeling: Boydell, Taylor and the picturesque; 7 The extra-illustrated edition; 8. Early Victorian populism: Charles Knight and Kenny Meadows; 9. Selous, Gilbert and reader involvement; 10. Decline and revival.

    15 in stock

    £100.70

  • Cambridge University Press Shakespeare Survey Volume 60 Theatres for Shakespeare Shakespeare Survey Series Number 60

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    £100.70

  • Cambridge University Press Shakespeare and Tolerance

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    £85.50

  • Cambridge University Press Representing Shakespearean Tragedy

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    £81.00

  • Cambridge University Press Shakespeares Literary Authorship

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    £57.00

  • Cambridge University Press The Cambridge Companion to Shakespeares Last Plays

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    £71.65

  • Cambridge University Press Shakespeares Women

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    £85.50

  • Cambridge University Press Shakespeare in Stages

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  • Cambridge University Press Work and Play on the Shakespearean Stage

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    £57.00

  • Cambridge University Press The Cambridge Companion to Early Modern Womens Writing

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    £76.94

  • Cambridge University Press The Grateful Slave

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    £85.50

  • Cambridge University Press Shakespeare Love and Service

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    £57.00

  • Cambridge University Press How to Read a Shakespearean Play Text

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  • Cambridge University Press Samuel Johnson after 300 Years

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    £81.00

  • Cambridge University Press Native Americans and AngloAmerican Culture 17501850

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  • Cambridge University Press The Cambridge Companion to Thomas More

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    £71.25

  • Cambridge University Press The Struggle for Shakespeares Text TwentiethCentury Editorial Theory and Practice

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  • Cambridge University Press Shakespeare and Garrick

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  • Cambridge University Press Print Culture in Renaissance Italy

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    £36.09

  • Cambridge University Press Shakespeare and the Power of Performance

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    £81.00

  • Cambridge University Press Balladeering Minstrelsy and the Making of British Romantic Poetry 76 Cambridge Studies in Romanticism Series Number 76

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    £85.72

  • Cambridge University Press Shakespeare in the Eighteenth Century

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    £116.85

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