Literary studies: c 1400 to c 1600 Books

Book SynopsisFirst detailed reconstruction of Anne de Graville's library, establishing her as one of the most well-read and erudite poets of the period. In the 1520s, the French noblewoman Anne de Graville composed two poetic works, based on older, canonical, male-authored texts: Giovanni Boccaccio's Teseida and Alain Chartier's Belle dame sans mercy. The first, the Beau roman, she offered to Claude, queen of France and wife of Francis I, and the second, the Rondeaux, to the king's mother, Louise of Savoy. With the pro-feminine spin of her rewritings, Anne developed the legacy of another woman writer from 100 years earlier, Christine de Pizan, by entering the on-going debate known as the querelle des femmes. Like Christine, Anne sought to redress the negative view of women found in much contemporary popular literature and to offer role models for both men and women at the court of Francis I. This book is the first detailed reconstruction and interpretation of Anne's library and her collecting practice, showing how they relate to her own writings and her literary milieu. It also teases out her links to other women writers of the time interested in the querelle, such as Catherine d'Amboise and Margaret of Navarre. Paying close attention to literary, manuscript, and artistic sources, it establishes Anne's reputation as one of the most erudite poets of the period, and one keenly attuned to the position of women in society as well as to the political sensitivities of the French court.Table of ContentsList of Illustrations Acknowledgements A Note on Citations, Translations and Transcriptions List of Abbreviations Introduction: 'Une femme d'excellence en vertus, ma dame d'Entraigues': Anne de Graville's Life and Works Part I: Anne de Graville: Reader and Collector Chapter 1: J'en garde un leal: Reconstructing Anne de Graville's Library Chapter 2: 'A vos yeulx, un peu de recreation': Translation, Translatio Studii and Self-Fashioning in Anne de Graville's Chaldean Histories Chapter 3: The Rouen Connection: The Puy, Poetry and Petrarch Part II: From Reading to Writing: Anne as Author Chapter 4: Musas natura, lachrymas fortuna: Anne de Graville, Christine de Pizan and Women's Shaping of the querelle des femmes Chapter 5: Love, Amazons and Fortune in the Beau roman for Claude of France Chapter 6: Debating with 'Maistre Allain': Chartier, Blois and Poetic Form in the Rondeaux for Louise of Savoy Conclusion: 'Celle la qui porte le regnon': A Last Word on Anne de Graville Appendix A: Books Inherited, Acquired, Commissioned or Associated with Anne de Graville Appendix B: Inventory of the d'Urfé Library at La Bâtie, c. 1780 Appendix C: Manuscripts Containing Works by Anne de Graville Bibliography

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Book SynopsisThis Companion is a readable and up-to-date guide to all aspects of the extraordinary flowering of theatre in Early-Modern Spain. Spain's artistic Golden Age produced Cervantes's great novel, Don Quijote, the sublime poetry of Quevedo and Góngora, and nurtured the prodigious talent of Velázquez, and yet it was the theatre that captured the imaginationof its people. Men and women of all social classes flocked to the new playhouses to see and hear the latest offerings of their favourite dramatists, and to be seen and heard. As well as dealing with the lives and major works of the most significant playwrights of the period - Lope de Vega, Tirso de Molina, Miguel de Cervantes, Calderón de la Barca - the Companion focusses on other aspects of the growth and maturing of Golden Age theatre, reflecting the interests and priorities of modern scholarship. These include: the sixteenth-century origins of the comedia nueva; the lesser-known dramatists, including women playwrights; life in the theatre; the Corpus Christi street theatre and minor genres; performance studies; and the critical reception of the drama. The Companion also contains a guide to comedia versification, a full bibliography and advice on further reading. JONATHAN THACKER is a Fellow of Merton College, Oxford.Trade ReviewA highly valuable tool for Hispanists and those interested in early modern theatre. * MODERN LANGUAGE STUDIES *Jonathan Thacker accomplishes what few are able to achieve by publishing and original and valuable study relevant to varying levels of comedia studies. A practical pedagogical resource that the most seasoned of professors will find simply outstanding. [...] It should most definitely be a required text of any graduate student of the comedia. Without hesitation, I would recommend that serious comedia scholars secure a copy for their collection, for this work is a vademecum of the first order. Its unique compilation of historical development with performance studies and helpful appendices makes this compilation top notch. * BULLETIN OF THE COMEDIANTES *The book fulfils its purpose well. * HISPANIC RESEARCH JOURNAL *Demonstrates a solid command of the material and a sense of the audience. [...]I strongly recommend A Companion to Golden Age Theatre. [...] A superb reference tool. * BULLETIN OF HISPANIC STUDIES *Table of ContentsThe Emergence of the comedia nueva Lope de Vega Cervantes, Tirso de Molina, and the First Generation Calderón and the comedia's Second Generation Staging and Performance Types of comedia and other Forms of Theatre A Brief History of Reception

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Book SynopsisThis book proposes a new way of tracing the history of the Early Modern Spanish novel through the prism of literary continuation. It identifies and examines the Golden Age narratives that invented the sequel and the narrative genres that the sequel in turn invented. This book proposes a new way of tracing the history of the Early Modern Spanish novel through the prism of literary continuation. It identifies and examines the Golden Age narratives that invented the sequel and the narrative genres that the sequel in turn invented. The author explores the rivalries between apocryphal and authorized sequelists that forged modern notions of authorship and authorial property. The book also defines the sequel's forms and functions, filling a major gap in literary theory in general and Peninsular literary studies in particular. Notably, the author demonstrates that the sequel develops first and foremost in Early Modern Spain, an unacknowledged and unexamined contribution to Western letters. With its panoramic scope, this study serves as an introduction to the central novelistic genres and texts of Early Modern Spain. From this foundational starting point, it alsooffers a general framework for understanding imaginative expansion in subsequent time periods and literary traditions. William H. Hinrichs is a founding faculty member and Assistant Professor of Modern Languages at Bard High School Early College, Queens.Trade ReviewBravo for this book ... This book, through a series of carefully chosen and beautifully studied cases, combines impeccable research with intelligent close reading. * BULLETIN OF SPANISH STUDIES *Hinrichs's analysis of the sequel is both readable and well researched, providing a wealth of information to scholars and students especially in the discussion of little known works. It is also illuminative in both the questions it raises as well as the answers it provides. * RENAISSANCE QUARTERLY *Table of ContentsThe Birth of the Sequel: The Celestina's Maculate Conception From Knights Errant to Errant Women: The Sequels of Feliciano de Silva A Cannon Shot from the Margins: The Segundo Lazarillo's Unexamined Role in the Story of the Sequel and the Picaresque The Author Strikes Back: Alemán's Picaresque Revenge From the Galatea to the Quijote: Cervantes' Quest for Closure

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Book SynopsisA study of the cultural mechanisms in early modern Spain that led to the translation, imitation and selective adoption of the values embodied by the Italian Renaissance. This innovative study examines the cultural mechanisms in early modern Spain that led to the translation, imitation and selective adoption of the values embodied by the Italian Renaissance. These mechanisms served to delineate a national tradition that addressed the needs of a changing society and gave a "Spanish" physiognomy to the Italian experience, which ultimately led to the Golden Age. By examining such important texts as the sentimental fictions of Diego de San Pedro and Juan de Flores, the Spanish translation of Orlando Furioso, Don Quixote, and the Polifemo, Binotti first describes the conditions imposed on book production by both the expectationsof an elite audience and the limitations of the printing market while outlining the process of the creation of an expressive poetic language and the quest for literary models. She then looks at Ambrosio de Morales' chronicles andBernardo de Aldrete's Del Origen, showing how a cultural discourse founded on foreign scholarship paved the way for the establishment of innovative-and autochtonous-methods of historical and scientific analysis in the early seventeenth-century. LUCIA BINOTTI is an associate professor in the Department of Romance Languages and Literatures at the University of North Carolina at Chapel Hill.Trade ReviewValuable ... and interesting approaches to the cultural relationships between Spain and the Italian Renaissance, and the construction of national cultural identities. * THE YEAR'S WORK IN MODERN LANGUAGE STUDIES *Offers a variety of interesting approaches to the cultural relationships between Spain and the Italian Renaissance, and the construction of national cultural identities. * BULLETIN OF SPANISH STUDIES *Thought provoking ... Lucia Binotti offers a well executed and informative contribution to the on-going analysis of Spanish nation-formation. * REVISTA DE ESTUDIOS HISPANICOS DEPARTMENT OF ROMANCE LANGUAGES & LITERATURES, November 2013 *Table of ContentsAcknowledgements Introduction The Italian Appropriation of Sentimental Fiction Shaping Cultural Capital away from Home: Literature and Canon Formation from Ariosto to Cervantes Visual Eroticism, Poetic Voyeurism: Ekphrasis and the Complexities of Patronage in Góngora's Fábula de Polifemo y Galatea Creating Identity: Ambrosio de Morales and the Re-writing of Spanish History Historicizing Language, Imagining People: Aldrete and Linguistic Politics Conclusion Works Cited

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Book SynopsisEste volumen de estudios, que contiene artículos escritos por algunos de los más prestigiosos siglodoristas en el ámbito internacional, ofrece un análisis abarcador de las formas poéticas del Siglo de Oro. ENGLISH TRANSLATIONThis volume of essays by some of the most prestigious international scholars offers a comprehensive analysis of the poetic forms of the Spanish Golden Age.Table of ContentsIntroduccíon: Géneros, centros, periferias La épica áurea como poesía Estatuto y lenguaje del género lírico entre Garcilaso y Góngora La humilde sumisión de ornato huye.Epíistola y poesía lírica en el Siglo de Oro Aproximación al ethos del locutor burlesco Invenciones cancioneriles y tradición emblemática: de la sutileza cuatrocentista a la agudeza áurea Poesía y emblemática en el Siglo de Oro Poesía y retórica en el Siglo de Oro: cuestiones en torno al estilo culto Un epilio barrocoL el Polifemo y su género La imitación del discurso gongorino de la cetrería: primeras calas Amante en durezas tierno: la Fabula de Polifemo de Antonio López de Vega La glorificación de la periferia del Nuevo Mundo: representaciones de Cabeza de Vaca en La Argentina (1602) de Martín del Barco Centenera y otros textos fundacionales del Río de la Plata Sujetos periféricos, diálogos parnasianos: la voz femenina y la epístola en la poesía colonial La crucifixión como materia poética en la América colonial: Hernando Domínguez Camargo y su romance A la pasión de Cristo Pautas y razones de las formas de transmisión de la poesía en el Siglo de Oro: el caso de Sevilla Conceptualización de la naturaleza creativa: Góngora y Luis Martín de la Plaza en Flores de poetas ilustres (1605) Imitaciones, integraciones y academias: estrategias poéticas en el Pusilipo de Cristóbal Suárez de Figueroa Bibliografía Indice

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Book SynopsisLove poetry in the Spanish Golden Age redefines the lyric poetry that is located at the centre of Imperial Spanish culture's own self-image and self-definition. This work engages with a broader evaluation of early modern poetics that foregrounds the processes rather than the products of thinking. The locus of the study is the Imperial 'home' space, where love poetry meets early modern empire at the inception of a very conflicted national consciousness, and where the vernacular language, Castilian, emerges in the encounter as a strategic site of national and imperial identity. The political is, therefore, a pervasive presence, teased out where relevant in recognition of the poet's sensitivity to the ideologies within which writing comes into being. But the primary commitment of the book is to lyric poetry, and to poets, individually and intheir dynamic interconnectedness. Moving beyond a re-evaluation of critical responses to four major poets of the period (Garcilaso de la Vega, Herrera, Góngora and Quevedo), this study disengages respectfully with the substantialbody of biographical research that continues to impact upon our understanding of the genre, and renegotiates the Foucauldian concept of the 'epistemic break', often associated with the anti-mimetic impulses of the Baroque. This more flexible model accommodates the multiperspectivism that interrogated Imperial ideology even in the earliest sixteenth-century poetry, and allows for the exploration of new horizons in interpretation. Isabel Torres isProfessor of Spanish Golden Age Literature and Head of Spanish and Portuguese Studies at Queen's University, Belfast.Trade ReviewOne of the greatest values of this study is its seamless coverage of each poet. By singling out the poems that seem best to exemplify their thematics, the author adeptly brings up for review past and current criticism, from the poets' contemporaries to the most recent studies by international scholars, jettisoning tired polemics in the process. Vigorously questioning and challenging conventional interpretations, Torres's richly elaborated analyses revision Spanish Renaissance lyrics from a fresh, new perspective that resituates the poets both aesthetically and historically. Her love for poetry has everything to do with it. * MODERN LANGUAGE REVIEW *Table of ContentsPreface Acknowledgements Garcilaso de la Vega [c. 1501-1536]: Transfiguration and Transvaluation Garcilaso de la Vega: Luz de nuestra nación? Fernando de Herrera [1534-1597]: 'Righting' the middle - Centres, Circles and Algunas Obras [1582] Luis de Góngora y Argote [1561-1627]: Into the dark Luis de Góngora y Argote: Out of the dark: emulative poetry in motion Francisco de Quevedo Villegas [1580-1645]: Metaphor, Materiality and Metaphysics Bibliography

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Book SynopsisTraces the processes and paradoxes at work in the late parodic poetry of Luis de Góngora and Lope de Vega, illuminating correlations and connections. Co-Winner of the 2014 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland Kerr traces the processes and paradoxes at work in the late parodic poetry of Luis de Góngora and Lope de Vega, illuminating the correlations and connections between two poets who have more often than not been presented as enemies.The analysis follows the parallel development of the complex parodic genre through Góngora's late mythological parody, from his 1589 Hero and Leander romance through to his culminating parody, La fábula de Píramo y Tisbe (1618) and Lope de Vega's alter ego Tomé de Burguillos, whose anthology, Rimas humanas y divinas del licenciado Tomé de Burguillos, was published a year before Lope's death, in 1634. Working from the premise that parody provides a Derridean supplément to exhausted, dominant genres (e.g. pastoral, lyric, epic), this study asks: what do these texts achieve by their supplementarity, and how do they achieve it?, and, the overarching question, why do these erudite poets turn to parody in an age of decline? Lindsay Kerr received her PhDin Spanish at Queen's University Belfast.Trade ReviewProfoundly post-Derridean, militant with a love for critical theory, beautifully researched and carefully and elegantly written, this book delivers much more than what it promises to prove. * RENAISSANCE QUARTERLY *Table of ContentsIntroduction Parodic Beginnings La fábula de Píramo y Tisbe Las Rimas de Tomé de Burguillos La Gatomaquia Last Laughs Bibliography

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Book SynopsisA collection of essays on Spanish poetry honouring a distinguished British Hispanist. Trevor J. Dadson is a British Hispanist of international distinction whose remarkable scholarly range has resulted in a published output that embraces cultural, literary and social history, textual editing, literacy, book ownership and literary criticism. The twelve essays of the present volume pay tribute to his distinctive interventions in the field of Spanish poetry (early modern and contemporary); collectively they recognize the catalytic role of Professor Dadson's original research while opening up to dialogues beyond it, aiming to inspire new conversations around the topics he has inspired generations of scholars to pursue. Represented in the volume are former doctoralstudents, former colleagues and international collaborators, all of whom are also distinguished authorities in their fields. Javier Letrán is Senior Lecturer in Spanish at the University of St Andrews. Isabel Torres is Professor of Spanish Golden Age Literature at Queen's University Belfast.Table of ContentsContributors Introduction Voicing Time: The Temporal Textures of Garcilaso de la Vega. Luis de León and the Moriscos: a close reading of Ode XXII (La cana y alta cumbre Conde de Salinas: Poesías atribuidas o disputadas Horacio en Quevedo: principios retóricos del arte de la imitación El nuevo Olimpo de Gabriel Bocángel y Aragón Imaging Women: The Portrait Poems of Catalina Clara Ramírez de Guzmán La sublimidad del septentrión: paisajes de la poesía romántica española Antonio Machado as cynic: "Fantasía de una noche de abril" as Pastiche of Espronceda Hamlet without the Prince: Denunciation and Surveillance in Vicent Andrés Estellés's Testimoni d'Horaci Poetry and Crisis in Spain after 2008 Contexto, texto e intertexto en Cuaderno de vacaciones (2014), de Luis Alberto de Cuenca La lírica en los tiempos del neoliberalismo: reflexiones sobre Balada en la muerte de la poesía de Luis García Montero Appendix A : The Publications of Trevor J. Dadson Bibliography Index

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Book SynopsisRepresentations of religious conflict in sixteenth-century Spanish epic poetry Este libro analiza un corpus de textos épicos y propagandísticos que se escriben en las fronteras del imperio español en el siglo XVI. Examina la representación del conflicto religioso en Inglaterra, Alemania y Holanda durante losreinados de Carlos V y Felipe II, y se centra en tres episodios, difundidos capilarmente en la cultura visual y emocional europea y en torno a los cuales cristaliza la narración heroica: los martirios de cartujos y jesuitas en Inglaterra; la guerra de Esmalcalda; y el asedio de Amberes. El volumen considera las estrechas relaciones entre épica e historia; entre épica y cultura visual; y entre la poesía épica hispánica y la historia y la cartografíaiosa de Europa en unos años críticos en los que se construye la Iglesia Anglicana y se afianza el luteranismo en Alemania. This book analyses a corpus of epic and propagandistic texts written at the margins of the Spanish empire in the sixteenth century. It examines the representation of religious conflict in England, Germany and Holland during the reigns of Charles V and Philip II, centring on three episodes widely disseminated in European visual and emotional culture and around which certain foundational Spanish heroic narratives emerged: the martyrdom of the Carthusians and Jesuits in England; the Schmalkaldic War; and the siege of Antwerp. The volume considers the close relationships between epic and history; between epic and visual culture; and between Hispanic epic poetry and the history and religious cartography of Europe during the critical years in which the Anglican Church was evolvingand Lutheranism gaining strength in Germany.Table of ContentsIntroducción: Épica hispánica y reforma religiosa - María José Vega and Javier Burguillo La victoria más grande de Carlos V. Historia, épica y propaganda de la Guerra de Alemania - Cesc Esteve "En la Germania el gran César venido". La guerra contra la Liga de Esmalcalda en la épica sobre Carlos V - Lara Vilà Épica y Reforma en Inglaterra: Cristóbal Tamariz y los mártires cartujos - Álvaro Alonso Primeras notas sobre la Historia del glorioso martirio de Edmundo Campiano , poema épico escrito en Perú hacia 1588 - Javier Burguillo El hereje desde la "épica de la pólvora": los rebeldes de Flandes vistos por los tercios españoles - Paolo Pintacuda Ceremonia y propaganda. Las exequias fúnebres en tiempos de María Tudor como expresión del conflicto religioso inglés - Jesús F. Pascual Molina La herejía en las tablas: economía y doctrina en la Farsa sacramental de la moneda del Códice de autos viejos - Jimena Gamba Corradine La exaltación eucarística como estrategia antiluterana en el Códice de autos viejos - Miguel M. García-Bermejo Giner

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Book SynopsisPlaces the warrior-poet Aldana in the appropriate poetic and philosophical context of the Spanish Golden Age and the European Renaissance. This study explores the love lyric of one of the greatest, yet oft-neglected, warrior-poets of the Spanish Golden Age - Francisco de Aldana (1537-78). Hailed for his skill by Cervantes, Lope de Vega, Quevedo, and the Generation of27's Cernuda alike, Aldana's lyric is the unique result of his Florentine education and interactions with the Medici family as well as Benedetto Varchi's literary circle. Aldana died young, fighting in the Battle of Alcazaquivirin the service of Portugal's Sebastian I. His brother, Cosme, subsequently edited and published his poetry in three volumes between 1589-93. Perhaps the most alluring aspect of Aldana's poetry is his exploration of the natureof love via the reconciliation of seemingly opposing and discordant elements of physical love with the Neoplatonic spirituality more common to sixteenth-century poetry, especially as portrayed by the Petrarchan tradition. Throughclose examination of Aldana's lyric -religious, philosophical, pastoral, and mythological- this study reveals how Aldana exploits the gaps in Petrarchism, Neoplatonism, and contemporary poetic models to communicate his belief inthe importance of the physical in our search for those fleeting moments of transcendental bliss on the earthly plane. Paul Joseph Lennon is Lecturer in Spanish and Comparative Literature at the University of St Andrews,UK.Trade ReviewThis book will be indispensable to future scholars of Aldana, and contains significant findings for those interested in love lyric, Italian-Iberian literary connections, and Neoplatonism more broadly. * MODERN LANGUAGE REVIEW *Table of ContentsAcknowledgements Introduction The Complexities of Love The Temerity to Love The Nature of Love (De)mythologising Love Coda Works Cited

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Book SynopsisA close examination of the representation of criminals in the understudied theatrical genres of the jácara and comedias de valentones. Early Modern Spanish theatre is viewed by many scholars as entertaining propaganda that channelled the emotions and beliefs of the masses into mechanisms for social control. This book questions such an interpretation by examining the portrayal of criminal heroes on stage and public spectacles of law enforcement outside of the playhouse. The book is structured in a way that moves between analyses of theatre, crime, and law enforcement while covering the intersections between these three phenomena. Through examples that range from dancing pimps to brawling kings, this study reveals that the propaganda power of early modern Spanish spectacle has been vastly overstated.Table of ContentsIntroduction: What Is the Criminal Baroque? The Theatrical Jácara and the Celebration of 'Desórdenes Públicos' The Alguaciles as Theatrical Peacekeepers and Lawbreakers The Criminal Leading Man as Brawler and Soldier Criminality, Theatricality and Nobility, Part I: Corpus Christi Chaos in Seville Criminality, Theatricality and Nobility, Part II: The Spectacular Fall of Don Rodrigo Calderón Criminality and Kingship on Stage Conclusion

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Book SynopsisWritten by an international group of scholars, this edited collection provides an overview of the Spanish picaresque from its origins in tales of lowborn adventurers to its importance for the modern novel, along with consideration of the debates that the picaresque has inspired. The term picaresque describes a specific set of early modern Spanish narratives relating the life story of a lowborn adventurer in a realist, ironic, and often humorous manner. The protagonist, the picaro or pícara (rascal), seeks upward mobility in a resolutely hierarchical society determined to prevent his - or her - ascent, and both are rich targets of satire. Spanish pícaros inspired Anglo-French rogues including Gil Blas and Tom Jones and paved the way for the modern novel. Written by an international group of scholars, this edited collection provides an overview of the Spanish picaresque novel from its origins to the present day, along with a treatment of the debates that the picaresque has inspired. After introductory chapters on the picaresque genre and the origin of the phenomenon, the book analyses canonical texts and their role in the picaresque spectrum. Further chapters then turn to critical approaches to the genre and manifestations of the picaresque in Hispanic America, France, England, and modern Spain. Overall, the book affords readers a broad sense of the range of this rich tradition and an in-depth view of the field and its major texts.Table of ContentsList of Contributors Forward 1. The Picaresque as a Genre Edward H. Friedman 2. On the Picaresque and Its Origins Anne J. Cruz 3. Francisco Delicado, La lozana andaluza Marta Albalá Pelegrín 4. Lazarillo de Tormes J. A. Garrido Ardila 5. Mateo Alemán, Guzmán de Alfarache Howard Mancing 6. Francisco de Quevedo, La vida del buscón Edward H. Friedman 7. La pícara Justina Brian M. Phillips 8. Alonso Jerónimo de Salas Barbadillo, La hija de Celestina Enrique García Santo-Tomás 9. Miguel de Cervantes and the Picaresque Vicente Pérez de León 10. Vicente Espinel, Marcós de Obregón John C. Parrack 11. Carlos García, La desordenada codicia de los bienes agenos Antón García-Fernández 12. Estebanillo González Faith S. Harden 13. Critical Approaches to the Picaresque Hilaire Kallendorf 14. The Picaresque in Spanish America José Luis Gastañaga Ponce de León 15. Continuations: France and England Richard Squibbs 16. Continuity of the Picaresque: Spain Andrés Zamora Bibliography

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Book SynopsisDavid Bradley sets out to discover how Elizabethan theatre companies prepared plays for performance: how playwrights understood the composition of the actor-companies they wrote for, how actors followed their directions for entrances and exits and what happened when plays were adapted for changes on personnel or for other companies. For his study, Bradley has evaluated documents which survived from the records of Stage Revisers (or Plotters as they were known). Bradley's evidence includes seven theatre plots and seventeen manuscript plays, come from theatre productions which took place at the Shakespearean playhouse, or Rose Theatre. The Stage Revisers worked from plots or lists which indicated the action taking place on stage, the props needed, costume changes and the actors who should appear. The book contains reproductions of the extant plots of the period, an appendix listing playwrights, plays, theatre companies and the number of actors needed for performance and an extensive biblTable of ContentsIntroduction; 1. The logic of entrances; 2. Plotting from the texts; 3. The travelling companies; 4. The Plotter at work; 5. Interpreting the Plots; 6. Alcazar: the text and the sources; 7. The Plotter under pressure; 8. Reconstructing the second column; 9. The dumb-shows; Appendix: cast-lists of public theatre plays 1497–1625; Notes; Select bibliography; Indexes.

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