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Book SynopsisThe Brontë family produced and consumed art across a range of media and genres. Haworth Parsonage and the local region proved a crucible of inspiration not only for Charlotte, Branwell, Emily and Anne, but also for their parents. Here were fostered the creative ambitions of four of the nineteenth century?s most provocative novelists, poets and visual artists. In turn, the Brontës now sustain heritage, tourism and creative industries that adapt and disseminate their lives and work, their likenesses and words, across the globe: in books, on a plethora of screens (film, TV, computer and phone), in discarnate audio (radio and podcasts) and embodied on stage. The essays collected here offer the first panoramic and sustained examination of the Brontës? lives, work and legacies in relation to the visual, musical, plastic and performing arts, tracing their influences and transformations across the lives and cultural afterlives of this extraordinary literary family.

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Book SynopsisThe subjects of the essays in Latin American Shakespeares range from the nineteenth century through the present; from high- to middle- to low-brow stories, plays, films, and poems; from Mexico to Argentina, Chile, Cuba, the U.S. barrio, and diverse sections of Brazil; from artists deservedly famous to artists undeservedly obscure. Shakespeare in Latin America is often implicated in struggles for power - tangentially or directly - and therefore swells the story of world wide political Shakespeare. For Latin American artists, the Shakespearean legacy is available for co-optation not only through parody, adaptation, and both reverent and irreverent (re)creation but also through absorption into unique indigenous genres. Rick J. Santos in his introduction writes of mestizo Shakespeare - mixed as are the native, colonial, and immigrant populations throughout Latin America. In part 1, Jose Roberto O'Shea queries whether the father of Brazilian theatre can be an impresario who performed Shakespeare rather than encouraging native writers. Roberto Ferreira da Rocha explores how a planned political statement against a military dictatorship failed to make its point. Jesus Tronch-Perez discusses the independence of two adaptors of Hamlet who push the view of the inactive prince to its limits. Gregary J. Racz explains how Pablo Neruda acted upon his understanding of Romeo and Juliet as an exemplar of his views about society. Juan J. Zaro explores political exile Leon Felipe's spiritual rather than political approach. Catherine Boyle examines the translation of Lear by Nicanor Parra during the transitional period after the fall of the Pinochet dictatorship. Margarida Gandara Rauen offers a close-up view of Guilherme Schiffer Duraes's transgressive use of Caliban. In part 2, Grace Tiffany explores Borges's oeuvre widely and deeply, confirming the fiction writer's fascination with the poet-playwright. Jose Luiz Passos clarifies the debt of Brazilian realist novelist Joaquim Maria Machado deTrade ReviewAlthough much of the material in this book will be new to most people in the English speaking world with an interest in Shakespeare, it is an invaluable addition to our understanding of the ways in Shakespeare adaptation works. * Literature/ Film Quarterly *This is an extraordinary book. * Luso-Brazilian Review *

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Book SynopsisJohn Berryman was an energetic correspondent. Assembled here for the first time, his letters tell of generosity, ambition, and struggle. He has encouraging words for fellow poets and younger writers and is deeply engaged in literary culture. But also visible are the struggles of a working artist grappling with alcoholism and depression.Trade ReviewThough the outer world of politics and civil strife may occasionally intrude, it proves no match for the smoke-filled rooms inside the poet’s head…Anyone who delights in listening to Berryman, and who can’t help wondering how the singer becomes the songs, will find much to treasure here. -- Anthony Lane * New Yorker *Happiness was as transformative for Berryman as suffering, and his accounts of ecstasy and contentment are as wonderful as his depictions of anxiety and despair are piercing…The voice of these letters is recognizably the voice of much of Berryman’s poetry. Language was, for him, not functional or utilitarian but a performance medium…[There’s] tremendous pleasure and fascination [in] this long-overdue collection. After too long an absence, it is wonderful to see Berryman once again resurrected. -- Troy Jollimore * Washington Post *Now, in addition to his poetic oeuvre, here are all the letters by Berryman you’ll ever want to read…His letters show much wide-ranging thoughtfulness, as in [his] wholly appropriate definition (written to New Yorker editor Katharine White) of originality in poetry…There are comparably fine statements made to Edmund Wilson about Jane Austen’s art, or about Mozart’s Figaro, or to Robert Frost about Ezra Pound…Perhaps the most useful thing any collection of letters provides is a fresh look at the work of their author. -- William H. Pritchard * Wall Street Journal *[A] most welcome book…The hundreds of pages of letters gathered here offer the most enjoyable and direct portrait of this wild poet we are ever likely to get. The composite figure who emerges from them is—although difficult, strange and occasionally hurtful—chiefly a lovable one…Makes for a new and much needed reckoning with Berryman’s astonishing, insurmountable mind. -- Tom Cook * Times Literary Supplement *Panic, procrastination, recrimination, anticlimax and farce: standard fare in a Berryman letter, and all to be found in abundance [in this volume], unobtrusively and expertly edited by Philip Coleman and Calista McRae…Though he appears the most biographically available of poets, the self that emerges from his letters is chaotic, elusive, and overflowing—a perpetual work in progress…Selected Letters is a book of volcanic energies. -- David Wheatley * Literary Review *Allows us to see Berryman trying on different personae, speaking in different styles and, in doing so, holding his many selves in vibrant, tensile relation…Through the accumulation of so much correspondence, we come to see Berryman’s style of writing, which tells us a lot about his style of being. -- Anthony Domestico * Commonweal *There is little in Berryman’s lettristic oeuvre—and this is no surprise to those who have admired the ambition of the poems—that does not depict the heart in all its convolutions, unsettled, unsatisfied, distracted, petty, combative, conflicted, and, often, sad…It is fair to say that in this case, more than 600 pages of letters amount to a page-turner…It seems that as with many voices of the confessional era of American poetry, it was his to burn this briefly, in real anguish. The Selected Letters well preserves that drama for those still wishing to know. -- Rick Moody * Poetry Foundation *An addictive volume, as full of drama as a literary soap opera, Berryman alternately grasping and sabotaging opportunities. The Berryman revealed in these letters is passionate, tortured, irascible, out of control, deeply moved and moving…It’s thrilling to read these letters as Berryman’s tragic genius unfolds. -- Meryl Natchez * Hudson Review *Pre-fax, pre-email, pre-text, here are hundreds of pages of loving and painful letters, of hopeful and disappointed letters, of joyful and death-haunted letters, of cautious and gossipy letters, of merry and hurt letters, of phallic and fatigued letters, of self-deprecating and vain letters, of admiring and critical letters. John Berryman, this great American poet of imagination, love, intellect, and pain, comes into optimistic, crystalline focus. -- Henri ColeLearned, literary correspondence…[The] meticulous editing, as well as the poems quoted in the letters, made me reappraise Berryman’s work…These letters, with rage simmering below the surface, made Berryman more of a human being to me, less of a one-sided self-destructive wreck…[A] superb selection. -- Marian Janssen * Berfrois *This capacious, warts-and-all selection of Berryman’s letters is a landmark…There are riches here…The letters can be entertaining, covering a range of tones reflecting his multi-voice verse…When Berryman talks about writing, he soars, and he talks about writing much of the time. -- Martina Evans * Irish Times *Berryman the wag is very much in evidence in his letters, as is Berryman the professor, Berryman the son, the husband, the wooer, all with their complement of registers…But it is Berryman the poet who keeps on reminding us how astonishingly life-giving his vocation can be. -- Ange Mlinko * Book Post *What makes The Selected Letters enjoyable is its utter capaciousness…The editors…have performed valuable, painstaking work. -- Chelsie Malyszek * Threepenny Review *We should be grateful for this fresh insight into Berryman and his starry, competitive circle. * The Spectator *Fills the major gap on the shelf of his books…This meticulous and generous selection of the poet’s typed and scrawled outgoing mail is infinitely suggestive. The editorial accuracy, especially where Berryman was writing by hand, seems all the poet could have wished for. -- William Logan * New Criterion *This sumptuous selection of John Berryman’s letters affords a welcome conspectus of the great poet’s life and work, from the protracted apprenticeship to the hard-won triumphs of the mature years, and covering even the brilliant but still underrated narrative of Love & Fame. By turns precocious, histrionic, hilarious, self-tormenting, rivalrous, shrewdly critical, abrasive, and abusive—and always ambitious for his poetry—Berryman in these extraordinary letters is shown to be the consummate craftsman and critic, as well as the hero-worshipper, the generous mentor, the fervent lover, and the tender father. -- John Haffenden, author of The Life of John Berryman and coeditor of The Letters of T. S. Eliot‘We asked to be obsessed with writing,’ wrote Robert Lowell in his elegy ‘For John Berryman,’ ‘and we were.’ The dizzying extremes to which that obsession pushed Berryman are on harrowing display in these letters, which oscillate between troughs of alcoholic abjection and peaks of manic creative confidence. Berryman was both a superbly conscientious craftsman and authentically crazed original; the publication of his letters to his gifted circle of friends—a circle that included Saul Bellow, Delmore Schwartz, Randall Jarrell, and Lowell himself—will reconfigure forever our understanding of mid-century American poetry. -- Mark Ford, author of This Dialogue of One: Essays on Poets from John Donne to Joan MurrayA revealing window into the poet’s mind and work through his own words…It is well worth the serious attention of any literary scholar. * Publishers Weekly *The publication of his selected letters suggests that a new look at the poet’s faith is not merely warranted but essential to understanding his art…Berryman’s letters reveal not only his continual shifting between belief and doubt but also that Catholicism remained his point of reference in life. -- Nick Ripatrazone * National Review *Offers an inside view of the poet’s chaotic life and storied literary career—his growth from precocious boarding school student and Columbia undergrad to prolific, opinionated man of letters to flamboyant, boundary-breaking father of Confessional poetry…A hymn to both the excitement and the challenges of a life lived in poetry. -- Andrew Epstein * On the Seawall *

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Book SynopsisFrom Cinderella to The Boy Who Cried Wolf to The Dragon Slayer to the Judgment of Solomon, certain legends, myths, and folktales are part of the oral tradition in countries around the world. In addition to their pervasiveness, these stories show an...Trade ReviewAriadne's Thread may prove an invaluable sourcebook not only for classicists but, perhaps more importantly, for folklorists.... Written in Hansen's clear, pleasant style, it is overall a fascinating collection that, one hopes, will encourage folklorists to learn more about the earliest extant versions of many tales and motifs and the labyrinthine paths they follow in their migrations. -- Debbie Fulton * Marvels and Tales Journal of Fairy-Tale Studies *Hansen's volume will be an indispensable addition to the libraries of classicists working on traditional tales and myths, but the audience that will benefit from it is much wider... Pleasant surprises and interesting connections lurk on almost every page.... This is an important reference and a joy to use. -- Stephen M. Trzaskoma * Religious Studies Review *

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Book SynopsisTolstoy’s epic novel is one of the most famous pieces of Russian literature and is on the short list of the most important works of literature in the world. This volume examines Tolstoy’s unique achievement through a number of thought-provoking essays, and the interplay of the many genres of the text, including historical fiction, war drama, romance and realism.

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Book SynopsisJulius Caesar is one of William Shakespeare's most famous and important plays, and one of the most frequently taught, especially in high schools. Dealing with one of the most significant events in the history of Rome, the assassination of Julius Caesar and the subsequent end of the Roman Republic, the play has been performed and filmed numerous times. This volume examines the play from many different perspectives, including historical, aesthetic, and comparative points of view, among others, to add to the ongoing lively conversation the play has always stimulated.

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Book SynopsisThis updated edition is designed to support students in study and revision for the new GCSE (9-1) English Literature exams. Table of Contents Part 1: Induction Part 2: Plot and Action Part 3: Characters Part 4: Key Contexts and Themes Part 5: Language and Structure Part 6: Grade Booster Literacy Terms

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Book SynopsisThe only way to feel fully prepared for your English Literature exam is to practise, practise, practise. This York Notes Practice Tests with Answers book makes it easy and will give you the vital experience you need to properly test your skills, build your confidence and feel exam-ready.

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Book SynopsisNow expanded and updated, this authorized compendium to Kurt Vonnegut’s novels, stories, essays, and plays is the most comprehensive and definitive edition to date.Over the course of five decades, Kurt Vonnegut created a complex and interconnected web of characters, settings, and concepts. The Vonnegut Encyclopedia is an exhaustive guide to this beloved author’s world, organized in a handy A-to-Z format. The first edition of this book covered Vonnegut’s work through 1991. This new and updated edition encompasses his writing through his death in 2007. Marc Leeds, co-founder and founding president of the Kurt Vonnegut Society and a longtime personal friend of the author’s, has devoted more than twenty-five years of his life to cataloging the Vonnegut cosmos—from the birthplace of Kilgore Trout (Vonnegut’s sci-fi writing alter ego) to the municipal landmarks of Midland City (the midwestern metropolis that is the setting for

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Book SynopsisVolume 2 of the new authoritative edition of Katherine Mansfield's complete correspondence.

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Book SynopsisThis collection highlights the contributions of women writers, editors and critics to periodical culture in the late nineteenth and early twentieth centuries.

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Book SynopsisThe only way to feel fully prepared for your English Literature exam is to practise, practise, practise. This York Notes Practice Tests with Answers book makes it easy and will give you the vital experience you need to properly test your skills, build your confidence and feel exam-ready.

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Book SynopsisIn this illuminating essay, Neil Bissoondath explores the powerful influence exerted by narrative on the human psyche. Storytelling is a primary activity in the human experience. The stories that we tell ourselves, as well as those we hear from others, help to answer the question of who we are, as individuals, as familial beings, as social beings. On a deeper level, stories are also subtle forms of confession. They reveal our dreams and desires, our fears and fantasies, our hurts and pleasures. Sifting through history, Bissoondath examines how governments, both totalitarian and democratic, have sought to control and to simplify narrative. Novelists, to different and contradictory ends, have used narrative as a sphere of exploration and discovery, where questions are numerous and answers are rare. Fiction, suggests Bissoondath, is a subtle, yet powerful narrative form, unsurpassed in its ability to confirm human complexity and to affirm human existence. Dans cet essai édifiant, Neil Bis

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Book SynopsisIn 1888, Henry James turned from realist fiction, The Bostonians and The Princess Casamassima, to a comedy of manners set in Paris and concerning a scandal sheet, 'The Reverberator'. Featuring comprehensive scholarly apparatus based on original research, this authoritative edition will be essential for scholars and advanced students.Table of ContentsList of illustrations; Acknowledgments; Abbreviations; General editors' preface; General chronology of James' life and writings; Introduction; Textual introduction; Chronology; Bibliography; The Reverberator; Glossary of foreign words and phrases; Notes; Textual variants 1; Textual variants 2; List of emendations; Appendix A. Sources from the world [New York]; Appendix B. Extract from James' notebooks; Appendix C. Preface to New York edition.

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Book SynopsisHenry James' wryly comic novel, The Europeans (1878), gently satirizes both early nineteenth-century Boston society and the sophisticated Europeans who visited the city. This first scholarly edition provides extensive annotations, a detailed textual history of the work, and a full introduction exploring the novel's literary, cultural and historical contexts.Trade Review'[One of] two handsome volumes in their Cambridge maroon cloth covers with gilt stamping on the binding and James's familiar signature on the covers are crucial additions to the resources scholars will use for generations to study the greatest novelist of the modern period.' John Carlos Rowe, The Henry James ReviewTable of ContentsGeneral editors' preface; General chronology of James' life and writings; Introduction; Textual introduction; Chronology of composition and production; Bibliography; The Europeans; Glossary of foreign words and phrases; Notes; Textual variants; List of emendations.

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Book SynopsisThe Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. Published in three volumes in 1886, The Princess Casamassima follows Hyacinth Robinson, a young London craftsman who carries the stigma of his illegitimate birth, and his French mother''s murder of his patrician English father. Deeply impressed by the poverty around him, he is driven to association with political dissidents and anarchists including the charismatic Princess Casamassima - who embodies the problems of personal and political loyalty by which Hyacinth is progressively torn apart. This edition is the first to provide a full account of the context in which the book was composed and received. Extensive explanatory notes enable modern readers to understand its nuanced historical, cultural and literary references, and its complex textual history.Table of ContentsList of illustrations; Acknowledgments; List of abbreviations; General editors' preface; General chronology of James's life and writings; Introduction; Textual introduction; Chronology of composition and production; Bibliography; The Princess Casamassima; Glossary of foreign words and phrases; Notes; Textual variants; Emendations; Appendix: preface to the New York Edition.

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Book SynopsisFrom its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. TheCambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes:Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of ''macropedia'' essays arranged thematically that are accompanied by shorter complementary ''micropedia'' articles. TheCambridge Guide to Homerthus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.Trade Review'The entries are very well written … Recommended.' H. M. Roisman, ChoiceTable of ContentsPart I. Homeric Song and Text: 1. Introduction; 2. Homeric epic in performance; 3. Homeric poetics; 4. Homer in a world of song; 5. Epic traditions; 6. Mythic background; 7. The language of Homer; 8. From song to text; 9. Achilles; 10. Ancient Near Eastern epic; 11. Batrakhomuomakhia; 12. Catalogues; 13. Dreams; 14. Early editions; 15. Ekphrasis; 16. Epic cycle; 17. Epithets; 18. Formula; 19. Gods and goddesses; 20. Hesiod and Homer; 21. Home; 22. Homer and Indo-European myth; 23. Homer and the alphabet; 24. Homeric body and mind; 25. Homeric dialects; 26. Homeric humor; 27. Homeric hymns; 28. Homeric scholia; 29. Hospitality; 30. Iliad; 31. Immanence; 32. Kleos; 33. Lament; 34. Margites; 35. Meter; 36. Narrative; 37. Odysseus; 38. Odyssey; 39. Panathenaia; 40. Panhellenism; 41. Pisistratus; 42. Rhapsodes and Homeridai; 43. Ring composition; 44. Similes; 45. Speech; 46. Trojan horse; 47. Troy; 48. Type scene; Part II. Homeric World: 49. Introduction; 50. Homeric communities in the Homeric epics and early Archaic Greece; 51. Homeric religion; 52. Homer and history; 53. Homeric geography; 54. Homeric materiality; 55. Afterlife in Homer; 56. Assemblies and councils; 57. Athletic competition; 58. Basileus and Anax in Homer and Mycenaean; 59. Carl Blegen; 60. Boar's tusk helmets; 61. Burial practices; 62. Catalogue of ships and archaeology; 63. Catalogue of ships: literary aspects; 64. Class relations; 65. The literary tradition of destruction of cities; 66. Divine epiphany in Homer; 67. Family and marriage in Homer; 68. Feasting and drinking in Homer; 69. Archaeology of hero cult; 70. Hittite literary evidence; 71. Homeric archaeology; 72. Homeric economy; 73. Household organization; 74. Lefkandi; 75. Mycenae; 76. Nestor's cup; 77. Nostoi; 78. Offerings in Homer; 79. Personification in Homer; 80. Prayers and vows; 81. Pylos; 82. Religious festivals in Homer; 83. Heinrich Schliemann; 84. Shield of Achilles; 85. Slavery in Homer; 86. Supplication in Homer; 87. Troy and its treasures; 88. Warfare in Homer; 89. Warrior graves; 90. Weapons and armor; 91. Women in Homer; Part III. Homer in the World: 92. Introduction; 93. Homer in antiquity; 94. Homer and the Latin West in the Middle Ages; 95. Homer in Greece from the end of Antiquity: 1. The Byzantine reception of Homer and his export to other cultures; 96. Homer in Greece from the end of Antiquity: 2. Homer after Byzantium: from the Early Ottoman Period to the age of nationalisms; 97. Homer in Renaissance Europe (1488–1649); 98. Homer in early modern Europe; 99. The reception of Homer since 1900; 100. Homer: image and cult; 101. Albert Bates Lord; 102. Allegory and allegorical interpretation; 103. Aristotle and Homer; 104. Athens and Homer; 105. Biographies of Homer; 106. Chaucer and Homer; 107. Dante and Homer; 108. Homeric question; 109. Milman Parry; 110. Plato and Homer; 111. Plutarch and Homer; 112. Shakespeare and Homer; 113. Sponde Jean de and Homer; 114. Vergil and Homer; 115. Weil Simone and the Iliad.

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Book SynopsisThe Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. Theninetales in this volume,published between 1884 and 1888, include ''The Aspern Papers'', set in Venice and featuring a devious scholar attempting to steal the letters of an American poet from his former lover, and ''The Liar,'' on the world of painters and their models. These tales exemplify James''s continuing interest in the art of short fiction during a period which saw him responding to the stimulations of French naturalism and successfully reworking the international theme that had made him famous at the end of the 1870s. Extensive explanatory notes enable modern readers to understand the tales'' historical, cultural and literary references.Trade Review'This exemplary edition of Henry James's writing reminds us how modern he was - how alive to paradox and uncertainty, how awake to nuance and, for someone so committed to the art of fiction, how sceptical, finally, of his own processes.' Elizabeth Lowry, Times Literary SupplementTable of ContentsList of Illustrations; Acknowledgements; List of Abbreviations; General Editor's Preface; General Chronology of James's Life and Writings; Introduction; Textual Introduction; Chronology of Composition and Production; Bibliography; The Aspern Papers and Other Tales, 1884-188; Glossary of Foreign Words and Phrases; Notes; Textual Variants; Emendations; Appendix A. Extracts from James's Notebooks; Appendix B. Prefaces to the New York Edition.

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Book SynopsisThis is an illustrated cultural history of the emergence of modern literature in China from the late nineteenth century through the early years of the Chinese Republic, the 1930s and the war period, ending in 1949. Wu Fuhui takes an interdisciplinary approach to the topic, drawing in book production, translation, popular and elite texts, international influences and political history. Presented here in English translation for the first time, Wu argues that this was a transformative period in Chinese literature informed both by developments in China''s domestic history and the dynamics of global circulation and encounter.Table of ContentsList of illustrations; List of maps; List of tables; Introduction to the English edition David Der-wei Wang; Preface; Part I. Promise of New Opportunities: 1. Wangping Street – Fuzhou Road: change of the scene of Chinese literature; 2. Vernacular newspapers and transformation of the written language of literature; 3. Earliest intellectuals with global outlook; 4. The 'new literary style' movement, a political motion in origin; 5. Chronicle of literary events in the year 1903 (an era of literary accumulation); 6. The rising of urban popular novels in an emerging international trading centre; 7. Emerging elites of the south society; 8. From Suzhou and Yangzhou to Shanghai: literature of the Mandarin Duck and Butterfly Literary School; Part II. The May Fourth Enlightenment Movement: 9. Introduction of spoken drama into China: the earliest theatre performances; 10. Building a bridge to world literature; 11. Incubation of a literary revolution home and abroad; 12. Rise of radicals from the New Youth and Peking University and Conservatives' Counter Claims; 13. Chronicle of literary events in the year 1921 (an era of literary enlightenment); 14. A literary niche created by newspapers, magazines and publishing houses of Beijing and Shanghai; 15. Leading breakthroughs in modern vernacular poetry and short stories; 16. A history of the dissemination and acceptance of 'The True Story of Ah Q'; 17. 'Yu Si', 'casual talks' and vernacular prose style; 18. Discovery of peasants and local colours by earlier native-soil literature; 19. Literary solace for urban citizens; Part III. The Coexistence of Diverse Types of Literature: 20. To the South: the return of literary centre; 21. Popularity, deepening and disputes of the left-wing literature; 22. Novels strongly characteristic of the era; 23. The successive boom of era-specific and individualized literary writings; 24. The graceful beauties of Belles-lettres by Beijing School Authors; 25. The new sensations of Shanghai School in the modern metropolis; 26. The literary horizon of two types of civilian society; 27. The professional theatre spoken drama in its mature stage; 28. Chronicle of literary events in the year 1936 (an era of diversification); 29. Interactions between cinematographic art and literature; 30. Timely and overall embrace of world literature; Part IV. Under the Clouds of War: 31. Forming of multiple literary centres under the clouds of war; 32. Intellectuals' economic conditions and their writing lifestyle; 33. Chongqing: national salvation literature, from boom to split; 34. Yan'an: from the wartime art and literature for the masses to the guiding principle of art and literature for workers, peasants and soldiers; 35. Guilin: the upsurge of theatre and publishing phenomenon of the wartime 'cultural city'; 36. Kunming: reflections on personal experience of the era; 37. Shanghai and others: the pain of homelessness and the roundabout development of urban popular literature; 38. Hong Kong and Taiwan: separation, autonomy and growth of new literature; 39. From peasants to urban citizens: new momentum for the development of popular literature; 40. Chronicle of literary events in the year 1948 (an era of transition); Select bibliography; Index.

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Book SynopsisA History of American Working-Class Literature sheds light not only on the lived experience of class but the enormously varied creativity of working-class people throughout the history of what is now the United States. By charting a chronology of working-class experience, as the conditions of work have changed over time, this volume shows how the practice of organizing, economic competition, place, and time shape opportunity and desire. The subjects range from transportation narratives and slave songs to the literature of deindustrialization and globalization. Among the literary forms discussed are memoir, journalism, film, drama, poetry, speeches, fiction, and song. Essays focus on plantation, prison, factory, and farm, as well as on labor unions, workers'' theaters, and innovative publishing ventures. Chapters spotlight the intersections of class with race, gender, and place. The variety, depth, and many provocations of this History are certain to enrich the study and teaching of American literature.Trade Review'Coles (Univ. of Pittsburgh) and Lauter (ret., Trinity College) bring together essays that challenge the notion of the 'American dream'. The essays contextualize the experience of the working class in the US and consider its representation in literature. … this collection appears at a time of extreme class inequality in the the US. To write about working class literature is a political act because it carries writers and readers beyond the text and into the realities of working-class lives. … Highly recommended. Upper-division undergraduates through faculty.' S. L. Rottschafer, CHOICETable of ContentsIntroduction Nicholas Coles and Paul Lauter; 1. Transportation narratives: servants, convicts, and the literature of colonization in British America Matthew Pethers; 2. Why work? Early American theories and practices Paul Lauter; 3. Labor and literary culture in and beyond bondage: early African-American expressive culture John Ernest; 4. Lowell mill girls: women's work and writing in the early nineteenth century Christopher Hager; 5. 'Wet paper between us': Whitman and the transformations of labor Peter Riley; 6. Millions and mills: class and the ante-bellum novel Amy Schrager Lang; 7. 'We are not slaves': the shadow of slavery in nineteenth-century poetry and song John Marsh; 8. Utopian labors: work in nineteenth- and twentieth-century utopian and dystopian fiction James Catano; 9. Towards a more perfect union: marriage plots in socialist fiction, 1901–17 Alicia Williamson; 10. What workers were reading, 1830–1930 Jan Goggans; 11. Getting the word out: institutions and forms of publication Mark Noonan; 12. Genre and form in working-class life writing, from Haymarket to the New Deal Michael Collins; 13. Working the fields: love and labor in farm fiction from 1890 to the Dust Bowl Nicholas Coles; 14. Proletarian literature: fiction and the predicaments of class culture Lawrence Hanley; 15. Go left young women: proletarian women writers Michelle Tokarczyk; 16. 'I have seen black hands': a twentieth-century African American tradition Bill Mullen; 17. The American labor song tradition Richard Flacks; 18. Prison literature from the early Republic to Attica Joe Lockard; 19. The workers' theatre of the twentieth century Amy Brady; 20. The evolution of the poetry of work: from the Red Decade to the end of the Cold War Cary Nelson; 21. The labor plot: one hundred years of class struggle and the silver screen Kathleen Newman; 22. Globalization, migration, and contemporary working-class literature Joseph Entin; 23. Narrating economic restructuring: working-class literature after deindustrialization Sherry Lee Linkon; 24. A turn of the sphere: the place of class in intersectional analysis Sara Appel.

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Book SynopsisSet in the South of France during the waning days of the French Revolution and the early years of Napoleonic rule, The Rover (1923) is the last novel that Conrad completed in his lifetime. A popular success on its publication, it explores, against the backdrop of dramatic political change and the Anglo-French hostilities leading up to the Battle of Trafalgar, the themes of personal and national identity, loyalty and love. The ''Introduction'' situates the novel in Conrad''s career and traces its sources and contemporary reception. Explanatory notes illuminate literary and historical references and indicate Conrad''s sources. The essay on the text and the apparatus lay out the history of the work''s composition and publication, detail the interventions in the text by Conrad''s typists, compositors and editors and explain editorial policy. This edition of The Rover, established through modern textual scholarship, presents the novel in a form more authoritative than any so far printed.Table of ContentsList of illustrations; General Editors' Preface; Acknowledgements; Chronology; Abbreviations and Note on Editions; Introduction; The Rover; The texts: an essay; Apparatus; Textual notes; Appendices; Explanatory notes; Glossaries; Maps.

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Book SynopsisFrench thinkers have revolutionized European thought about knowledge, religion, politics, and society. Delivering a comprehensive history of thought in France from the Middle Ages to the present, this book follows themes and developments of thought across the centuries. It provides readers with studies of both systematic thinkers and those who operate less systematically, through essays or fragments, and places them all in their many contexts. Informed by up-to-date research, these accessible chapters are written by prominent experts in their fields who investigate key concepts in non-technical language. Chapters feature treatments of specific thinkers as individuals including Voltaire, Rousseau, Descartes and Derrida, but also more general movements and schools of thought from humanism to liberalism, via the Enlightenment, Romanticism, Marxism, and feminism. Furthermore, the influence of gender, race, empire and slavery are investigated to offer a broad and fulfilling account of FrencTrade Review'The Cambridge History of French Thought is much more than an overview of philosophy during the period since the Middle Ages … this is a useful work that would make a valuable addition to any serious university library.' R. W. Lemmons, ChoiceTable of ContentsIntroduction Michael Moriarty; Part I. The Middle Ages to 1789: 1. Medieval French thought David Luscombe; 2. Humanist culture in Renaissance France Ingrid De Smet; 3. Reformers and dissidents Neil Kenny; 4. Rabelais John O'Brien; 5. Moral theories: Aristotelianism and Neostoicism Ullrich Langer; 6. Pyrrhonism John O'Brien; 7. Ramus Raphaële Garrod; 8. Montaigne John O'Brien; 9. Demonology Timothy Chesters; 10. Political and legal thought Sophie E. B. Nichols; 11. Linguistic and literary thought: mid-sixteenth to mid-seventeenth centuries John D. Lyons; 12. French scholastics in the seventeenth century Roger Ariew; 13. Sceptics and freethinkers Isabelle Moreau; 14. Descartes Gary Hatfield; 15. Augustinianism Michael Moriarty; 16. Spirituality Richard Parish; 17. Pascal Emma Gilby; 18. Cartesianism Steven Nadler; 19. Bayle Ruth Whelan; 20. Ethical, political, and social thought Michael Moriarty; 21. Aesthetics: ancients and moderns Richard Scholar; 22. The querelle des femmes Rebecca Wilkin; 23. The Enlightenment Jenny Mander; 24. Voltaire John Leigh; 25. Diderot Marian Hobson; 26. Rousseau Michael Moriarty; 27. Philosophy and religion: deism, atheism, materialism Caroline Warman; 28. Enlightenment political and social thought A. M. R. De Dijn; 29. The continent of history David McCallam; 30. Enlightenment aesthetic thought Kate E. Tunstall; 31. The Enlightenment and gender Judith Still; 32. Colonialism and slavery Jenny Mander; Part II. From 1789 to the Present Day: 33. French thought on the eve of the Revolution and after Jeremy Jennings; 34. Political thought in the nineteenth century Jeremy Jennings; 35. The Paris School of liberal political economy David Hart; 36. Romanticism Alison Finch; 37. Victor Cousin and eclecticism Benjamin Bacle; 38. Nineteenth-century religious thought Robert Priest; 39. Auguste Comte and positivism Mary Pickering; 40. Race and empire in ninteenth-century France Emmanuelle Saada; 41. Philosophy: epistemological debates and Bergson Daniela S. Barberis; 42. Nation and nationalism Michael Sutton; 43. Twentieth-century French Catholic thought Michael Sutton; 44. Writing modern French history Philip Whalen; 45. Sartre and the art of living with paradox Thomas R. Flynn; 46. Marxism versus humanism Knox Peden; 47. French feminist thought in the twentieth century Diana Holmes; 48. Anticolonialism Emile Chabal; 49. The new liberalism Daniel J. Mahoney; 50. Michel Foucault Michael C. Behrent; 51. Jacques Derrida and deconstruction Paul Rekret; 52. Sociology Daniela S. Barberis; 53. Literary theory Patrick French; Conclusion: the end of French thought? Jeremy Jennings.

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Book SynopsisThe decade of the 1960s has come to occupy a uniquely seductive place in both the popular and the historical imagination. While few might disagree that it was a transformative period, the United States remains divided on the question of whether the changes that occurred were for the better or for the worse. Some see it as a decade when people became more free; others as a time when people became more lost. American Literature in Transition, 19601970 provides the latest scholarship on this time of fateful turning as seen through the eyes of writers as various as Toni Morrison, Gary Snyder, Michael Herr, Amiri Baraka, Joan Didion, Louis Chu, John Rechy, and Gwendolyn Brooks. This collection of essays by twenty-five scholars offers analysis and explication of the culture wars surrounding the period, and explores the enduring testimonies left behind by its literature.Table of ContentsIntroduction David Wyatt; Part I. Modes: 1. Poetry Patricia Wallace; 2. The novel Morris Dickstein; 3. Drama David Krasner; 4. New journalism Daniel Lehman; 5. Translation Michael Collier; 6. Criticism and theory David Wyatt; 7. Social thought Philip Longo; 8. The literature of film Robert P. Kolker; 9. Orations Keith D. Miller and Joseph Kubiak; Part II. Forces: 10. Vietnam Philip D. Beidler; 11. The secret world Timothy Parrish; 12. The counterculture Loren Glass; 13. The university Fredrik deBoer; 14. Work Christin Marie Taylor; 15. The suburbs Randy Ontiveros; Part III. Movements: 16. The end of modernism Al Filreis; 17. Civil rights Valerie Sweeney Prince; 18. The new right Angela S. Allan; 19. Women's liberation Nancy J. Peterson; 20. Toward stonewall Octavio R. González; 21. The greening Robert Schultz; 22. Voices of color: first peoples Catherine Rainwater; 23. Voices of color: later arrivals Crystal Parikh; 24. The postmodern John Hellmann; 25. Canon formation Paul Lauter.

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Book SynopsisA History of Irish Modernism examines a wide variety of artworks (from the 1890s to the 1970s), including examples from literature, film, painting, music, radio, and architecture. Each chapter considers a particular aspect of Irish culture and reflects on its contribution to modernism at large. In addition to new research on the Irish Revival and cultural nationalism, which places them squarely in the modernist arena, chapters offer transnational and transdisciplinary perspectives that place Irish cultural production in new contexts. At the same time, the historical standpoint adopted in each chapter enables the contributors to examine how modernist practices developed across geographical and temporal distances. A History of Irish Modernism thus attests to the unique development of modernism in Ireland - driven by political as well as artistic concerns - even as it embodies aesthetic principles that are the hallmark of modernism in Europe, the Americas and beyond.Trade Review'… the editors write that they intend the volume 'to re-examine the dominant narrative of Irish modernism, to feature lesser-known figures and works, and to take into account social and political spheres … in a variety of ways from a variety of perspectives' - a goal they achieve … The collection demonstrates that Irish modernism is distinctly different from and much broader than traditional high modernism … Recommended' C. E. Epple, Choice'… provides a helpful template with which to address the various artists and movements covered in the rest of the book … the book achieves its goal through the course of its twenty three chapters and should be regarded as a serious collection.' Feargal Whelan, Estudios IrlandesesTable of ContentsIntroduction: Irish modernism, from emergence to emergency Gregory Castle and Patrick Bixby; Part I. Revivals: 1. Gothic revivals: the Fin De Siècle, Irish modernism, and the heritage of Wilde and Stoker John Paul Riquelme; 2. Standish O'Grady and the historical imagination of Irish modernism Gregory Castle and Patrick Bixby; 3. Yeats, the Abbey and theatrical modernism Christopher Morash; 4. J. M. Synge: late Romantic or proto-modernist? Nicholas Grene; 5. Internal others: cultural debate and counter-revival Ronan McDonald; Part II. Revolutions: 6. Naturalism and the literary politics of Irish modernist fiction Simon Joyce; 7. Towards a modernism of the book: from Dun Emer to Shakespeare and Company Clare Hutton; 8. Rebellious devotion: Catholicism and the limits of modernism Michael Cronin; 9. Irish modernism: the European influence Enda Duffy; 10. Yeats and the revolutionary poetics of age Michael Wood; 11. Material modernism: an Irish case, circa 1921 Nicholas Allen; Part III. New States: 12. From Whiteboys to white nationalism: Joyce and Irish populism Joseph Valente; 13. Sean O'Casey's late modernism: gender, race, and disabled bodies on the Irish expressionist stage Paige Reynolds; 14. Feeling disaffection: forms of estrangement in Irish fiction Derek Hand; 15. Atlantic archipelagos: the Irish American ecologies of late modernism John Brannigan; 16. A disruptive modernist: Kate O'Brien and Irish women's writing Gerardine Meaney; 17. After Yeats: local, regional, and transatlantic modernisms Adrienne Leavy; Part IV. Emergenc(i)es: 18. Irish writing and minor language modernism Barry McCrea; 19. Time made audible: Irish stations and radio modernism Damien Keane; 20. 'No Irishness intended': the Irish Exhibition of Living Art, Thomas MacGreevy, and Samuel Beckett Luke Gibbons; 21. Was The Bell modernist? Frank Shovlin; 22. Samuel Beckett, late modernism, and the paradox of distance Emilie Morin; 23. 1966: the binary conditions of Irish architectural modernism Ellen Rowley.

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Book SynopsisA dictionary records a language and a cultural world. This global history of lexicography is the first survey of all the dictionaries which humans have made, from the ancient civilizations of Mesopotamia, Egypt, China, India, and the Greco-Roman world, to the contemporary speech communities of every inhabited continent. Their makers included poets and soldiers, saints and courtiers, a scribe in an ancient Egyptian ''house of life'' and a Vietnamese queen. Their physical forms include Tamil palm-leaf manuscripts and the dictionary apps which are supporting endangered Australian languages. Through engaging and accessible studies, a diverse team of leading scholars provide fascinating insight into the dictionaries of hundreds of languages, into the imaginative worlds of those who used or observed them, and into a dazzling variety of the literate cultures of humankind.Table of ContentsPart I. The Ancient World: 1. Ancient Mesopotamia Niek Veldhuis; 2. Ancient and Coptic Egypt Frank Feder; 3. Ancient China Françoise Bottéro; 4. Ancient India Lata Mahesh Deokar and Jean-Luc Chevillard; 5. The Greco-Roman world Rolando Ferri; Part II. The Pre-Modern World: 6. China c.600–c.1700 Nathan Vedal; 7. India and Tibet, c.500–c.1750 Lata Mahesh Deokar and Jean-Luc Chevillard; 8. Arabic to c.1800 Ramzi Baalbaki; 9. Hebrew to c.1650 Aharon Maman; 10. The Chinese periphery to c.1800 Mårten Söderblom Saarela; 11. The Turkic languages and Persian to c.1700 Marek Stachowski; 12. Byzantine Greek Stefano Valente; 13. Medieval Latin Christendom John Considine; 14. Early modern Western and Central Europe John Considine; Part III. The Modern World: Continuing Traditions: 15. China from c.1700 Henning Klöter; 16. Japanese, Korean, and Vietnamese from c.1800 David Lurie, Heokseung Kwon and John D. Phan; 17. Turkish and Persian from c.1700 Luciano Rocchi and Arthur Dudney; 18. South Asia from c.1750 Walter Hakala and Lisa Mitchell; 19. Arabic from c.1800 Jan Hoogland; 20. Modern Hebrew Tsvi Sadan; 21. The Slavic and Baltic languages Rick Derksen; 22. The Germanic languages other than English from c.1700 Ulrike Haß; 23. Standard varieties of English from c.1700 Charlotte Brewer; 24. Regional varieties of English Michael Adams; 25. The Romance languages from c.1700 Pascale Renders; Part IV. The Modern World: Missionary and Subsequent Traditions: 26. Missionary traditions in South America Otto Zwartjes; 27. Missionary traditions in Mesoamerica Otto Zwartjes; 28. Missionary and subsequent traditions in North America Willem de Reuse; 29. Missionary traditions in East Asia Otto Zwartjes; 30. European traditions in India and Indonesia Toon Van Hal; 31. Missionary and subsequent traditions in Africa Gonçalo Fernandes; 32. Missionary and other traditions in Australia William B. McGregor.

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Book SynopsisBel-vedére; or The Garden of the Muses is an early modern printed commonplace book containing an anthology of nearly 4,500 short verse quotations arranged under topical headings. The book first appeared in 1600 and a second edition was published in 1610. It is of exceptional importance for the early historical reception of early modern authors such as William Shakespeare, Edmund Spenser, and Christopher Marlowe (whose verse it includes); for the late Elizabethan practice of commonplacing; for the rising status of English literature (including dramatic literature); and for early modern English canon formation. Until now the book has never been properly edited. This edition provides the first full analysis of the contents of Bel-vedére, presenting the text for today''s readers and filling an important gap in the study of early modern English literature.Trade Review'This meticulously edited volume, which has a splendidly substantial introduction, provides us with a window into late Elizabethan culture and its role in establishing the tradition of English literature.' Andrew Hadfield, The Times Literary Supplement'Erne and Singh … have done a wonderful job editing Bel-vedére, an important commonplace book originally published in 1600 …Their introduction is informative, the attributions of authorship for quotations are established through well-defined research in respected sources, and the appendixes aid the reader in the use and understanding of the book. This is an excellent and delightful scholarly work.' J. D. Sharpe, Choice'[Erne and Singh's] edition is an exemplary scholarly achievement in every way … this volume is a major contribution to Elizabethan literary history, beautifully produced by Cambridge University Press.' Brian Vickers, The Review of English Studies'this edition is an exemplary scholarly achievement in every way.' Brian Vickers, The Review of English StudiesTable of ContentsIntroduction; 1. Early modern commonplacing; 2. The Bodenham miscellanies; 3. The structure of Bel-vedére; 4. Identifying Bel-vedére's sources: from Thomas Park to Charles Crawford; 5. Identifying Bel-vedére's sources: the present edition; 6. The contents of Bel-vedére; 7. Textual introduction; A note on the text; A note on the annotation; List of authors and editions quoted in the annotation; Bel-vedére or The Garden of the Muses; Glossary notes; Textual notes; Appendix 1. Index of authors and texts quoted or adapted in Bel-vedére; Appendix 2. The paratext of the first edition of Bel-vedére (1600); Appendix 3. Origins of the source identifications of the passages in Bel-vedére; Appendix 4. Bel-vedére and England's Parnassus (1600); Index.

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Book SynopsisThe Cambridge History of Black and Asian British Writing provides a comprehensive historical overview of the diverse literary traditions impacting on this field''s evolution, from the eighteenth century to the present. Drawing on the expertise of over forty international experts, this book gathers innovative scholarship to look forward to new readings and perspectives, while also focusing on undervalued writers, texts, and research areas. Creating new pathways to engage with the naming of a field that has often been contested, readings of literary texts are interwoven throughout with key political, social, and material contexts. In making visible the diverse influences constituting past and contemporary British literary culture, this Cambridge History makes a unique contribution to British, Commonwealth, postcolonial, transnational, diasporic, and global literary studies, serving both as one of the first major reference works to cover four centuries of black and Asian British literary Trade Review'This excellent collection of essays engages fully and seriously with the wealth, complexity, and variety of British writing created by authors of African, Asian and Caribbean descent. It is essential reading for anyone who wants to acknowledge and understand the diversity of British literature and culture and its development over the past 250 years.' Lyn Innes, Emeritus Professor of Postcolonial Literatures, University of Kent'This groundbreaking book of essays is a must-have for all editors, critics and literary editors who need to know this literary history, and all university and other libraries, and writers and readers.' Bernardine Evaristo, Brunel University, London'This outstanding feat of collective scholarship offers not only a wealth of information and an easily accessible reference base, but also a state-of-the art survey with a wide array of incisive interventions in scholarly debates that are likely to have a long-lasting impact on the study of Black and Asian British Writing.' Frank Schulze-Engler, Anglistik'This outstanding feat of collective scholarship offers not only a wealth of information and an easily accessible reference base, but also a state-of-the art survey with a wide array of incisive interventions in scholarly debates that are likely to have a long-lasting impact on the study of Black and Asian British Writing. This History is clearly a must-have: for any library with holdings on British, Anglophone and Postcolonial literature and for any scholar researching or teaching in these fields.' Frank Schulze-Engler, Anglistik'The Cambridge History of Black and Asian British Writing is a welcome compilation … The essays in the volume are generally well written and balanced.' Vaibhav Iype Parel, ariel: A Review of International English Literature'This new Cambridge History of Black and Asian British Writing will be greatly useful to students and teachers in a variety of fields beyond postcolonial and decolonial studies: intellectual history, literary theory, performance studies, Black Studies, area studies, print culture studies, media studies, diaspora studies. The numerous contributions to this landmark volume … [invite] readers to re-consider the asymmetries at the heart of the colonial power relation, but also to consider the blurred lines between what could be seen as strictly European and what is clearly transnational, transcultural and diasporic.' Commonwealth Essays and StudiesTable of ContentsIntroduction Susheila Nasta and Mark U. Stein; Part I. New Formations: The Eighteenth to the Early Twentieth Century: Preface; 1. Narratives of resistance in the literary archives of slavery Markman Ellis; 2. Writer-travellers and fugitives: insider-outsiders Antoinette Burton; 3. Exoticisations of the self: the first 'Buddha of Suburbia' Mona Narain; 4. Black people of letters: authors, activists, abolitionists Vincent Carretta; 5. Engaging the public: photo- and print-journalism Pallavi Rastogi; Part II. Uneven Histories: Charting Terrains in the Twentieth Century: Preface; Section 1. Global Locals: Making Tracks at the Heart of Empire: 6. Between the wars: Caribbean, Pan-African, and Asian networks Delia Jarrett-Macauley and Susheila Nasta; 7. Mobile modernisms: black and Asian articulations Anna Snaith; 8. Establishing material platforms in literary culture in the 1930s and 1940s Ruvani Ranasinha; 9. Transnational cultural exchange: the BBC as contact zone James Procter; 10. Political autobiography and life-writing: Gandhi, Nehru, Kenyatta, and Naidu Javed Majeed; 11. Staging early black and Asian drama in Britain Colin Chambers; Section 2. Disappointed Citizens: The Pains and Pleasures of Exile: 12. Looking back, looking forward: revisiting the Windrush myth Alison Donnell; 13. Double displacements, diasporic attachments: location and accommodation J. Dillon Brown; 14. Wide-angled modernities and alternative metropolitan imaginaries Mpalive-Hangson Msiska; 15. Forging collective identities: the Caribbean artists movement and the emergence of black Britain Chris Campbell; 16. Breaking new ground: many tongues, many forms Ashok Bery; 17. The lure of postwar London: networks of people, print, and organisations Gail Low; 18. Looking beyond, shifting the gaze: writers in motion Bénédicte Ledent; Section 3. Here to Stay: Forging Dynamic Alliances: 19. Sonic solidarities: the dissenting voices of dub Henghameh Saroukhani; 20. Vernacular voices: fashioning idiom and poetic form Sarah Lawson Welsh; 21. Narratives of survival: social realism and civil rights Chris Weedon; 22. Black and Asian British theatre taking the stage: from the 1950s to the millennium Meenakshi Ponnuswami; 23. The writer and the critic: conversations between literature and theory Vijay Mishra; 24. Forging connections: anthologies, collectives, and the politics of inclusion Nicola L. Abram; 25. Reading the 'black' in the 'Union Jack': institutionalising black and Asian British writing Roger Bromley; Part III. Writing the Contemporary: Preface; Section 4. Looking Back, Looking Forward: 26. Diasporic translocations: many homes, multiple forms Peter Morey; 27. Reinventing the nation: black and Asian British representations John McLeod; 28. Reclaiming the past: Black and Asian British genealogies Tobias Döring; 29. Expanding realism, thinking new worlds Tabish Khair; 30. Writing lives, inventing selves: Black and Asian women's life-writing Ole Birk Laursen; 31. Black and Asian women's poetry: writing across generations Denise deCaires Narain; Section 5. Framing New Visions: 32. Through a different lens: drama, film, new media, and television Florian Stadtler; 33. Children's literature and the construction of contemporary multicultures Susanne Reichl; 34. Redefining the boundaries: black and Asian queer desire Kate Houlden; 35. Prizing otherness: black and Asian British writing in the global marketplace Sarah Brouillette and John R. Coleman; 36. Frontline fictions: popular forms from crime to grime Felipe Espinoza Garrido and Julian Wacker; 37. Reimagining Africa: contemporary figurations by African Britons Madhu Krishnan; 38. Post-secular perspectives: writing and fundamentalisms Rehana Ahmed; 39. Post-ethnicity and the politics of positionality Sara Upstone; Select bibliography; Index.

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Book SynopsisPublished in collaboration with the Royal Irish Academy, the Dictionary of Irish Biography is a comprehensive and authoritative biographical reference work available both in print and online for Ireland. From James Ussher to James Joyce, St Patrick to Patrick Pearse, St Brigit to Maud Gonne MacBride, Maria Edgeworth to Elizabeth Bowen, Edward Carson to Bobby Sands, Ãamon de Valera to Charles J. Haughey, and David Ervine to George Best, this indispensable resource outlines the careers at home and overseas of prominent men and women born in Ireland, north and south, and the noteworthy Irish careers of those born outside Ireland. Distinctive features include the particular attention paid to outstanding women who have previously been overlooked and its broad coverage of the modern period. These 11 volumes contain fascinating short summaries and detailed assessments that document over 10,000 lives, ranging from the earliest times to 2010. Biographical subjects include: artists, scientists,

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Book SynopsisMary Wollstonecraft (17591797) was one of the most influential and controversial women of her age. No writer, except perhaps her political foe, Edmund Burke, and her fellow reformer, Thomas Paine, inspired more intense reactions. In her brief literary career before her untimely death in 1797, Wollstonecraft achieved remarkable success in an unusually wide range of genres: from education tracts and political polemics, to novels and travel writing. Just as impressive as her expansive range was the profound evolution of her thinking in the decade when she flourished as an author. In this collection of essays, leading international scholars reveal the intricate biographical, critical, cultural, and historical context crucial for understanding Mary Wollstonecraft''s oeuvre. Chapters on British radicalism and conservatism, French philosophes and English Dissenters, constitutional law and domestic law, sentimental literature, eighteenth-century periodicals and more elucidate Wollstonecraft''sTrade Review'An impressive showcase for the breadth and depth of current scholarship.' E. J. Clery, Times Literary Supplement'Contributors' cross-references to other entries in the book allow readers to follow specific lines of inquiry. Notable for its breadth, this collection positions Wollstonecraft as a major feminist writer, literary critic, and social commentator.' C. L. Bandish, Choice'… Wollstonecraft in Context offers a richly veined resource to borrow, to browse, to burrow into.' Susan J. Wolfson, The Wordsworth Circle'The collection successfully breathes new life into the static, and oftentimes caricatured, conception of Wollstonecraft as a pioneering feminist by giving equal valence to her work as novelist, letter writer, reviewer, educator, and translator … These collected essays succeed at nuancing Wollstonecraft's life and work while unfolding new avenues for investigation.' Adela Ramos, Eighteenth-Century Fiction'The book offers a cogent narrative for understanding Wollstonecraft's thinking as historically grounded …' Ashley Cross, European Romantic ReviewTable of ContentsPart I. Life and Works: 1. Biography Kate Chisholm; 2. Correspondence Andrew McInnes; 3. Family Julie Carlson; 4. Joseph Johnson David Fallon; Part II. Critical Fortunes: 5. Early critical reception Nancy E. Johnson; 6. Nineteenth-century critical reception Eileen Hunt Botting; 7. 1970s critical reception Julie Murray; 8. Recent critical reception Eliza O'Brien; Part III. Historical and Cultural Contexts: 9. Writing the French Revolution Mary A. Favret; 10. Radical societies David O'Shaughnessy; 11. Radical publishers Jon Mee; 12. British conservatism Paul Keen; 13. Jacobin reformers Mary Fairclough; 14. Liberal reformers Michelle Levy; 15. Conservative reformers Claire Grogan; 16. French philosophes Sylvana Tomaselli; 17. Dissenters Andrew McKendry; 18. Jean-Jacques Rousseau Laura Kirkley; 19. Edmund Burke Frans de Bruyn; 20. William Godwin Pamela Clemit; 21. Political theory Lena Halldenius; 22. Feminist theory Jane Moore; 23. The constitution Ian Ward; 24. Property law Catherine Packham; 25. Domestic law Rebecca Probert; 26. Slavery and abolition Katie Donington; 27. The Bluestockings Betty Schellenberg; 28. Conduct literature Vivien Jones; 29. Theories of education Frances Ferguson; 30. Sentimentalism and sensibility Alex Wetmore; 31. English Jacobin novels April London; 32. Anti-Jacobin novels Gary Kelly; 33. Children's literature Andrew O'Malley; 34. Gothic literature Michael Gamer; 35. Travel writing Pamela Perkins; 36. History writing Jonathan Sachs; 37. Periodicals Jacqueline George; 38. Translations Alessa Johns; Suggested further reading; Index.

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Book SynopsisAfrican American Literature in Transition, 19001910 offers a wide ranging, multi-disciplinary approach to early twentieth century African American literature and culture. It showcases the literary and cultural productions that took shape in the critical years after Reconstruction, but before the Harlem Renaissance, the period known as the nadir of African American history. It undercovers the dynamic work being done by Black authors, painters, photographers, poets, editors, boxers, and entertainers to shape ''New Negro'' identities and to chart a new path for a new century. The book is structured into four key areas: Black publishing and print culture; innovations in genre and form; the race, class and gender politics of literary and cultural production; and new geographies of Black literary history. These overarching themes, along with the introduction of established figures and movement, alongside lesser known textsand original research, offer aradicalre-conceptualization of this critTable of ContentsAcknowledgements; List of images; Introduction Shirley Moody-Turner; Part I. Transition in African American Authorship, Publishing and the Visual Arts: 1. Black bibliographers and the category of negro authorship Laura E. Helton; 2. Transitions in African American book publishing and print culture Alisha Knight; 3. Re-evaluating African American art before the Harlem renaissance Rhonda Reymond; Part II. New Negro Aesthetic and Transitions in Genre and Form: 4. African American novels and new slavery in the new south M. Giulia Fabi; 5. Anti-lynching poetry and the poetics of protest Laura Vrana; 6. The politics of performance, character, and literary genre in transition April Logan; Part III. Modernist Masculinities and Transitions in Black Leadership: 7. Charting the tensions between optimism and despair at mid-decade Hanna Wallinger; 8. W. E. B. Du Bois and transitions in black intellectual thought Keith Byerman; 9. Celebrity and black masculinity at the turn into the twentieth century Jeffrey Leak; Part IV. Remapping the Turn of the Twentieth Century: 10. Can the subaltern speak through Alain Locke and Paul Laurence Dunbar? Jeffrey Stewart; 11. Race and manhood in African American representations of the frontier James Leiker; 12. Narratives of black and Chinese citizenship after Plessy v. Ferguson Edlie Wong; 13. Black transpacific culture and the migratory imagination Vince Schleitwiler.

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Book SynopsisDecadence and Literature explains how the concept of decadence developed since Roman times into a major cultural trope with broad explanatory power. No longer just a term of opprobrium for mannered art or immoral behaviour, decadence today describes complex cultural and social responses to modernity in all its forms. From the Roman emperor''s indulgence in luxurious excess as both personal vice and political control, to the Enlightenment libertine''s rational pursuit of hedonism, to the nineteenth-century dandy''s simultaneous delight and distaste with modern urban life, decadence has emerged as a way of taking cultural stock of major social changes. These changes include the role of women in forms of artistic expression and social participation formerly reserved for men, as well as the increasing acceptance of LGBTQ+ relationships, a development with a direct relationship to decadence. Today, decadence seems more important than ever to an informed understanding of contemporary anxietiTable of ContentsIntroduction Jane Desmarais and David Weir; Part I. Origins: 1. Decadence in Ancient Rome Jerry Toner; 2. Decadence and Roman historiography Shushma Malik; 3. Nineteenth-century literary and artistic responses to Roman decadence Isobel Hurst; 4. Decadence and the enlightenment Chad Denton; 5. Decadence and the urban sensibility Michael Shaw; 6. Decadence and the critique of modernity Jane Desmarais; 7. Decadence and aesthetics Sacha Golob; Part II. Developments: 8. Decadence and the visual arts Laura Moure Cecchini; 9. Decadence and music Emma Sutton; 10. Decadence, parody, and new women's writing Kate Krueger; 11. The philosophy of decadence Nicholas D. More; 12. The sexual psychology of decadence Melanie Hawthorne; 13. The theology of decadence Matthew Bradley; 14. The science of decadence Jordan Kistler; 15. The sociology of decadence Jeffrey Sachs; Part III. Applications: 16. Decadence and urban geography Theresa Zeitz-Lindamood; 17. Socio-aesthetic histories: Vienna 1900 and Weimar Berlin Katharina Herold; 18. Decadence and cinema David Weir; 19. Transnational decadence Stefano Evangelista; 20. Decadence and modernism Gerald Gillespie; 21. Modern prophetic poetry and the decadence of empires: from Kipling to Auden Chris Baldick; 22. The gender of decadence: Paris-Lesbos from the fin de siècle to the interwar era Deborah Longworth; 23. Decadence and popular culture Alice Condé.

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Book SynopsisDecadence, that flowering of a mannered literary style in France during the Second Empire, and in the last two decades of the nineteenth century in Britain, holds an endless fascination. Yet the ambiguity of the term ''decadence'' and the challenges of identifying its practitioners make grasping its contours difficult. From the obsession with classical cultures, to the responses to the HIV/AIDS crisis of the 1980s and 1990s, this book offers one of the most comprehensive histories of literary Decadence. The essays here interrogate and expand the formal, geographical, and temporal frameworks for understanding Decadent literature, while offering a renewed focus on the role played by women writers. Featuring essays by leading scholars on sexuality, politics, science, translation, the New Woman, Russian and Spanish American Decadence, the influence of cinema on Decadence, and much more, it is essential reading for all those interested in the literature of the 1890s and Oscar Wilde.Trade Review'This is necessarily a specialist volume but one which eschews jargon. Recommended for students and scholars of the Aesthetic and Decadent Movements and late Victorian culture.' Alexander Adams, alexanderadamsart.wordpress.comTable of Contents1. Nineteenth-Century Decadence and Neoclassical Aesthetics: Androgyny and Collecting Culture Daniel Orrells; 2. British Decadence and Renaissance Italy Hilary Fraser; 3. 'Rather a Delicate Subject': Verlaine, France and British Decadence Matthew Creasy; 4. Fighting Like Cats and Dogs: Decadence and Print Media Nick Freeman; 5. Varieties of Decadent Religion Mark Knight; 6. The New Woman and Decadent Gender Politics Sarah Parker; 7. Decadence, Darwinism, Science and Technological Modernity Will Abberley; 8. Decadence and Politics Matthew Potolsky; 9. Seeds of Discord: Decadent Sexuality and Dissipating Species Dennis Denisoff; 10. Decadent Poetics After Swinburne Catherine Maxwell; 11. Theatre and Decadence Sos Eltis; 12. 'Restless Mystical Ardours': Decadence and Music Emma Sutton; 13. Decadence in Painting Richard A. Kaye; 14. Decadent Poetry and Translation: The Suffusive and the Prosodic Clive Scott; 15. Spanish American Literature and the Transatlantic Dimensions of Decadence María del Pilar Blanco; 16. Decadent America 1890-1930 Kirsten MacLeod; 17. Russian and Czech Decadence: The Fall of Rome and the Destruction of Sodom Kirsten Lodge; 18. A Politics of Modernism in the Poetics of Decadence Vincent Sherry; 19. Camp Modernism and Decadence Kristin Mahoney; 20. Making Decadence New: Carl Van Vechten's Cinematic Fiction Kate Hext; 21. Writing Decadent Lives and Letters Ellen Crowell and Alex Murray; 22. Decadence in the Time of AIDS Allan Kilner-Johnson.

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Book SynopsisMagical realism can lay claim to being one of most recognizable genres of prose writing. It mingles the probable and improbable, the real and the fantastic, and it provided the late-twentieth century novel with an infusion of creative energy in Latin America, Africa, Asia, and beyond. Writers such as Alejo Carpentier, Gabriel García Márquez, Isabel Allende, Salman Rushdie, Ben Okri, and many others harnessed the resources of narrative realism to the representation of folklore, belief, and fantasy. This book sheds new light on magical realism, exploring in detail its global origins and development. It offers new perspectives of the history of the ideas behind this literary tradition, including magic, realism, otherness, primitivism, ethnography, indigeneity, and space and time.Trade Review'Taking an interdisciplinary, comparative, and transgeographical approach, this book encourages readers to rethink and amplify their knowledge of magical realism ... Recommended.' I. Portaro, Choice Magazine'the essays collected in this dense and well-edited critical anthology make abundantly clear that magical realism has become a truly cosmopolitan mode of writing in the late twentieth and early twenty-first centuries … this volume offers innovative perspectives on a mode of writing that is now entering its second century. Being a coherently structured and effectively written book, Magical Realism and Literature will rapidly become an indispensable research tool for all scholars in the field.' Marc Maufort, Magical Realisms for a Global Twenty-first CenturyTable of ContentsIntroduction Christopher Warnes and Kim Anderson Sasser; Part I. Origins: 1. Magic and otherness Christopher Warnes; 2. Primitivism, ethnography, and magical realism Erik Camayd-Freixas; 3. Magical realism and indigeneity: from appropriation to resurgence Maggie Ann Bowers; 4. Insubstantial selves in magical realism in the Americas Lois Parkinson Zamora; 5. Space, time and magical realism Ato Quayson; Part II. Development: 6. Magical realism and the 'boom' of the Latin American novel Ignacio López-Calvo; 7. Magical realism: the European trajectory Theo D'haen; 8. Beautiful lies: magical realism in Australasia Maria Takolander; 9. Myth, orality and the African novel Graham Riach; 10. Breaking boundaries: the tale of North American magical realism Shannin Schroeder; 11. East Asian magical realism Ben Holgate; 12. Magic and realism in South Asia Sourit Bhattacharya; 13. Fantastic cohabitations: magical realism in Arabic and Hebrew Alexandra Chreiteh (Shraytekh); Part III. Application: 14. From the inside of belief: magic and religion Kim Anderson Sasser; 15. Word, image, and cinematic ekphrasis in magical realist trauma narratives Eugene Arva; 16. Scheherazade in the diaspora: home and the city in Arab migrant fiction Jumana Bayeh; 17. Ecomagical realism in Alexis Wright's Carpentaria and Linda Hogan's People of the Whale Laura A. Pearson; 18. Proximate magic: magical realism in Haruki Murakami's 1Q84 Wendy Faris and Miho Nonaka; 19. Magic and the literary market Ursula Kluwick; Bibliography; Index.

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Book SynopsisThis volume offers the most nuanced treatment available of Black engagement with print in the transitional years after the Civil War. It locates and studies materials that many literary historians leave out of narratives of American culture. But as important as such recovery work is, African American Literature in Transition, 18651880 also emphasizes innovative approaches, recognizing that such recovery inherently challenges methods dominant in American literary study. At the book''s core is the recognition that many period texts - by writers from Frances Ellen Watkins Harper and William Wells Brown to Mattie Jackson and William Steward - are not only aesthetically striking but also central to understanding key socio-historical and cultural trends in the nineteenth century. Chapters by leading scholars are grouped in three sections - ''Citizenships, Textualities, and Domesticities'', ''Persons and Bodies'', and ''Memories, Materialities, and Locations'' - and focus on debates over raceTable of ContentsBlack Reconstructions: Introduction Eric Gardner; Part I. Citizenships, Textualities, and Domesticities: 1. Sketching Black Citizenship on Installment after the 15th Amendment Derrick R. Spires; 2. Stories of Citizenship: The Rise of Narrative Black Poetry During Reconstruction Stephanie Farrar; 3. National Housekeeping: (Re)dressing the Politics of Whiteness in Nineteenth-Century African American Literary History Rynetta Davis; 4. Reconstructing the Rhetoric of AME Ministry Eric Gardner; Part II. Persons and Bodies: 5. Black Reform, Writing, and Resistance: Textual Politics in the Post-War Era Kathy L. Glass; 6. Post-Civil War Black Childhoods Nazera Sadiq Wright; 7. Disabling Freedom: Bloody Shirt Rhetoric in Postbellum Slave Narratives Keith Michael Green; 8. Radical Respectability and African American Women's Reconstruction Fiction Brigitte Fielder; Part III. Memories, Materialities, and Locations: 9. The Civil War in African American Memory Cody Marrs; 10. African American Literature of the West and the Landscape of Opportunity Janet Neary; 11. Reconstructions of the South in African American Literature Sherita L. Johnson; 12. 'This Is Especially Our Crop': Blackness, Value, and the Reconstruction of Cotton Katherine Adams.

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Book SynopsisThe period of 1850-1865 consisted of violent struggle and crisis as the United States underwent the prodigious transition from slaveholding to ostensibly ''free'' nation. This volume reframes mid-century African American literature and challenges our current understandings of both African American and American literature. It presents a fluid tradition that includes history, science, politics, economics, space and movement, the visual, and the sonic. Black writing was highly conscious of transnational and international politics, textual circulation, and revolutionary imaginaries. Chapters explore how Black literature was being produced and circulated; how and why it marked its relation to other literary and expressive traditions; what geopolitical imaginaries it facilitated through representation; and what technologies, including print, enabled African Americans to pursue such a complex and ongoing aesthetic and political project.Table of ContentsTimeline; Volume 4: 1850-1865, Introduction, Teresa Zackodnik; Part 1. Black personhood and citizenship in transition: Section introduction, Teresa Zackodnik; 1. Freedom's accounts—the semi-citizenship narrative, Stephen Knadler; 2. Conduct discourse, slave narratives, and Black male self-fashioning on the eve of the Civil war, Erica L. Ball; 3. Picturing Blackness with and against Stowe's lens, Michael A. Chaney; 4. African American periodicals and the transition to visual intercourse, Autumn Womack; Part 2. Generic transitions and textual circulation: Section introduction, Teresa Zackodnik; 5. Overhearing the African American novel, 1850-1865, Hollis Robbins and Mark Sussman; 6. Black romanticism and the lyric as the medium of the conspiracy, Matt Sandler; 7. Black newspapers, novels and the racial geographies of transnationalism, Ben Fagan; 8. Creoles of color, poetry and the periodic press in union occupied New Orleans, Jennifer Gipson; 9. The Haitian and American revolutions and Black historical writing at mid-century, Stephen Gilroy Hall; Part 3. Black geographies in transition: Section introduction, Teresa Zackodnik; 10. Freedom to move, Janaka Bowman-Lewis; 11. Black activism, print culture and literature in Canada 1850-1865, Winfried Siemerling; 12. Antislavery activist networks and transatlantic texts, Barbara McCaskill; 13. Haiti as diasporic crossroads in transnational African American writing, Marlene L. Daut; Bibliography.

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Book SynopsisAfrican American literature in the years between 1800 and 1830 emerged from significant transitions in the cultural, technological, and political circulation of ideas. Transformations included increased numbers of Black organizations, shifts in the physical mobility of Black peoples, expanded circulation of abolitionist and Black newsprint as well as greater production of Black authored texts and images. The perpetuation of slavery in the early American republic meant that many people of African descent conveyed experiences of bondage or promoted abolition in complex ways, relying on a diverse array of print and illustrative forms. Accordingly, this volume takes a thematic approach to African American literature from 1800 to 1830, exploring Black organizational life before 1830, movement and mobility in African American literature, and print culture in circulation, illustration, and the narrative form.Trade Review'… AALT is a welcome addition to the bookshelves of scholars of nineteenth-century African American literature specifically, or for scholars of nineteenth-century American literature generally; it will also be of great interest to scholars who specialize in histories of organizational, print, and visual culture of the period.' Dana Murphy, Early American LiteratureTable of ContentsIntroduction Jasmine Nichole Cobb; Part I. Black Organizational Life before 1830: 1. Race, writing, and eschatological hope, 1800-1830 Maurice Wallace; 2. Daniel Coker, David Walker, and the politics of dialogue with whites in early nineteenth-century African American literature William L. Andrews; 3. Black entrepreneurship, economic self-determination and early print in Antebellum Brooklyn Prithi Kanakamedala; Part II. Movement and Mobility in African American Literature: 4. Early African American literature and the British Empire, 1808-1835 Joseph Rezek; 5. Robert Roberts's The House Servant's Directory and the Performance of Stability in African American Print, 1800–1830 Britt Rusert; 6. Dream visions in early Black autobiography; or, why Frederick Douglass doesn't dream Bryan Sinche; Part III. Print Culture in Circulation: 7. Reading, Black feminism, and the press around 1827 Teresa Zackodnik; 8. Theresa and the early transatlantic mixed-race heroine: Black solidarity in Freedom's Journal Brigitte Fielder; 9. Redemption, the historical imagination, and early Black biographical writing Stefan Wheelock; Part IV. Illustration and the Narrative Form: 10. Theorizing vision and selfhood in early Black writing and art Sarah Blackwood; 11. Embodying activism, bearing witness: the portraits of early African American ministers in Philadelphia Aston Gonzalez; 12. Visual insubordination within early African American portraiture and illustrated books Martha J. Cutter.

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Book SynopsisJorge Luis Borges (18991986) is Argentina''s most celebrated author. This volume brings together for the first time the numerous contexts in which he lived and worked; from the history of the Borges family and that of modern Argentina, through two world wars, to events including the Cuban Revolution, military dictatorship, and the Falklands War. Borges'' distinctive responses to the Western tradition, Cervantes and Shakespeare, Kafka, and the European avant garde are explored, along with his appraisals of Sarmiento, gauchesque literature and other strands of the Argentine cultural tradition. Borges'' polemical stance on Catholic integralism in early twentieth-century Argentina is accounted for, whilst chapters on Buddhism, Judaism and landmarks of Persian literature illustrate Borges''s engagement with the East. Finally, his legacy is visible in the literatures of the Americas, in European countries such as Italy and Portugal, and in the novels of J. M. Coetzee, representing the GlobalTrade Review'… this is an excellent, up-to-date study of the masterful Argentine writer.' J. S. Bottaro, ChoiceTable of ContentsIntroduction. Borges in context, context in Borges Robin Fiddian; Part I. Self, Family and the Argentine Nation: 1. Borges and the question of Argentine identity Edwin Williamson; 2. Borges and the Banda Oriental Gustavo San Román; 3. Borges in person: family, love, and sex Edwin Williamson; 4. Jorge Luis Borges's fictions and the two world wars Efrain Kristal; 5. Dictatorship and writing (1976–83) Annick Louis; 6. The public author and democracy (1984–86) Annick Louis; 7. Borges and Las Islas Malvinas Ben Bollig; 8. Borges and Sarmiento Sandra Contreras; 9. Borges and the Gauchesque Sarah Roger; 10. Twenties' Buenos Aires Eleni Kefala; 11. Borges and the Argentine Avant-Garde Eamon Mccarthy; 12. The Argentine writer and tradition Humberto Nuñez-Faraco; 13. Borges, tangos, and milongas Ana C. Cara; 14. Borges and Bioy Casares Mariela Blanco; 15. Borges and popular culture Phil Swanson; 16. Argentine responses: César Aira and Ricardo Piglia Niall Geraghty; Part II. The Western Canon, The East, Contexts of Reception: 17. Borges and Cervantes Roberto González Echevarría; 18. Borges's Shakespeare Patricia Novillo-Corvalán; 19. The dialectics of idealism Marina Martin; 20. The English Romantics and Borges Jason Wilson; 21. The early avant garde in Spain Xon de Ros; 22. Borges and James Joyce: makers of labyrinths Patricia Novillo-Corvalán; 23. Borges and Kafka Sarah Roger; 24. Borges and the Bible Lucas Adur; 25. Borges and Judaism Corinna Deppner; 26. Borges and Buddhism Evelyn Fishburn; 27. Borges and Persian literature Shaahin Pishbin; 28. Borges and the 'Boom' Dominic Moran; 29. Argentina and Cuba: the politics of reception Alfredo Alonso Estenoz; 30. Borges and Coetzee Fernando Galván; 31. Borges in Portugal Phillip Rothwell; 32. Borges and Italy Robert Gordon.

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Book SynopsisNew York City''s streets, parks, museums, architecture, and its people appear in an array of literary works published from New York''s earliest settlement to the present day. The exploration of the city as both a symbol and as a reality has formed the basis of New York''s literature. Using the themes of adaptation, innovation, identity, and hope, this history explores novels, poetry, periodicals, and newspapers to examine how New York''s literature can be understood through the notion of movement. From the periodicals of the nineteenth century, the Arabic writers of the city in the early twentieth century, the literature of homelessness, childhood, and the spaces of tragedy and resilience within the metropolis, this diverse assessment opens up new areas of research within urban literature. It provides an innovative examination of how writing has shaped the lives of New Yorkers and how writing about the city has shaped the modern world.Trade Review'The collection is too eclectic and wide-ranging to serve as a reference resource, but all the essays are thoughtful, well written, and provocative. The study of literature through the lens of space and place is a significant critical trend, one to which this book is an important contribution … Highly recommended.' J. W. Miller, ChoiceTable of ContentsIntroduction; 1. Introduction: a history of New York literature Ross Wilson; Part I. Adaptation and Adjustment: 2. Changing culture: the contribution of European immigrants to New York City literature, 1870–1940 Martino Marazzi; 3. Agitators and intellectuals: radical Jewish storytellers Catherine Morley; 4. The mirror of the West: Arab-American literature in early twentieth century New York City Raphael Cormack; 5. Writing the Big Apple in Chinese and Chinese American literature Pin-chia Feng; Part II. Innovation and Inspiration: 6. Sharing social space: New York as a city of the housed and unhoused Dorothea Löbbermann; 7. Health reform in the mid-nineteenth-century New York periodical press David Dowling; 8. Neoliberal New York: contemporary literature and the politics of urban redevelopment Catalina Neculai; 9. The marvellous and the mundane: ekphrastic New York novels Monika Gehlawat; Part III. Identity and Place: 10. Growing up in Manhattan: children's literature and New York City Pádraic Whyte; 11. Wartime reading in the city, 1914–1918 Ross Wilson; 12. The periodical and the flâneur in early New York writing Peter Ferry; 13. Multiple voices: New York City poetry Rona Cran; 14. The New York School: toward a definition Yasmine Shamma; Part IV. Tragedy and Hope: 15. The spatial drama of hope and desire in contemporary New York City literature Bart Eeckhout; 16. New and Old Amsterdam in twenty-first century fiction Maria Lauret; 17. Beats, black culture and bohemianism in mid-twentieth century New York City Douglas Field; 18. 'The sixth borough': imagining New York after 9/11 Birgit Däwes; 19. Walking the modern city: emotion and space in New York Nathalie Cochoy; 20. Afterword Lisa Keller.

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Book SynopsisHenry James left America in 1875 for the sake of his art and for the rich cultural heritage of Europe. His return in the late summer of 1904, based on both romantic and practical motives, allowed him to revisit the now-transformed cities of his youth as well as to experience for the first time the country''s southern states. The American Scene is a major work from James'' final, most adventurous creative phase and offers a cultural and social critique of contemporary American society as well as a personal series of ''gathered impressions'', a form of indirect yet sometimes intimate autobiography. This new edition includes detailed explanatory notes, a general introduction, a chronology, an itinerary of James'' journey, a record of textual variants and rare manuscript material, appendices which include the journal James kept, texts for the two lectures he gave, and two additional essays written on his return to England.Trade Review'… Collister's The American Scene is furnished with abundant resources in terms of its critical apparatus and annotations, far outstripping those included in previous editions of the text. These do rigorous work historicising James' text, linking the incidents of the travelogue to the events of James' own journey, offering insight into the relationship between life and art … Of added interest to [the] scholarly community … will be Collister's collations of variants on the basis of the galley proofs for the chapter on 'New England', held today at the Beinecke Rare Book and Manuscript Library at Yale … Collister's introduction is masterful and authoritative, and very useful is his inclusion of an itinerary of James' American journey, as are his appendices … Collister's The American Scene is an excellent edition, which will hopefully provide the text with a new readership.' Giles Whiteley, Notes and Queries'The editor, Peter Collister, an expert on the late James, has done a fine job … Collister's The American Scene is furnished with abundant resources in terms of its critical apparatus and annotations, far outstripping those included in previous editions of the text. These do rigorous work historicising James' text, linking the incidents of the travelogue to the events of James' own journey, offering insight into the relationship between life and art … Collister's introduction is masterful and authoritative, and very useful is his inclusion of an itinerary of James' American journey, as are his appendices … [This] is an excellent edition, which will hopefully provide the text with a new readership.' Giles Whiteley, Notes and Queries'This edition represents a daunting amount of work, and is full of things to be grateful for in coming to terms with this difficult, self-reflexive, controversial book …the core of valuable research here is a serious achievement.' TLS'… this publication abundantly displays the kind of comprehensiveness that we have come to expect from Collister's work.' Michael Anesko, The Henry James Review'Peter Collister's new edition of The American Scene is an indispensable guide to this experimental narrative.' Sarah B. Daugherty, American Literary ScholarshipTable of ContentsAcknowledgments; A note on this edition; Chronology: Henry James' life and writings; James' American itinerary; List of abbreviations; Editor's introduction; The American Scene; Glossary of foreign words and phrases; Notes on textual variants; Appendices; Select bibliography; Index.

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Book SynopsisMark Twain In Context provides the fullest introduction in one volume to the multifaceted life and times of one of the most celebrated American writers. It is a collection of short, lively contributions covering a wide range of topics on Twain''s life and works. Twain lived during a time of great change, upheaval, progress, and challenge. He rose from obscurity to become what some have called ''the most recognizable person on the planet''. Beyond his contributions to literature, which were hugely important and influential, he was a businessman, an inventor, an advocate for social and political change, and ultimately a cultural icon. Placing his life and work in the context of his age reveals much about both Mark Twain and America in the last half of the nineteenth century, the twentieth century, and the first decades of the twenty-first century.Trade Review'Mark Twain in Context is a treasure trove of information … It is an ideal collection for undergraduates and readers new to Twain, but those with more experience are also likely to find it of much use … all the chapters are excellent, well-researched introductions to the various ways Twain was a man of his time and remains relevant in the present time.' J. W. Miller, ChoiceTable of ContentsPart I. Life: 1. Life Gary Scharnhorst; 2. Reading Alan Gribben; 3. Autobiography John Bird; 4. Biographies Kevin Mac Donnell; Part II. Literary Contexts: 5. Southwestern humor Henry B. Wonham; 6. Literary comedians David E. E. Sloane; 7. Local color and regionalism Joseph A. Alvarez; 8. Early periodical writing James Caron; 9. Travel writing Jeffrey Melton; 10. Short fiction Peter Messent; 11. Publishing Bruce Michelson; 12. Lectures and speeches Tracy Wuster; 13. Contemporary writers Kelly Richardson; 14. Realism and naturalism Chad Rohman; Part III. Historical and Cultural Contexts: 15. Politics James S. Leonard; 16. Business and economics Lawrence Howe; 17. Religion Harold K. Bush; 18. Science and technology Nathaniel Williams; 19. Race and ethnicity: African Americans Shelley Fisher Fishkin; 20. Race and ethnicity: native Americans Kerry Driscoll; 21. Race and ethnicity: Chinese Hsuan L. Hsu; 22. Cosmopolitanism Ann M. Ryan; 23. Gender issues: women and domesticity Laura Skandera-Trombley; 24. Gender issues: sexuality Linda A. Morris; 25. History Gregg Camfield; 26. Animals and animal rights Emily VanDette; 27. Nationalism and anti-Imperialism Susan K. Harris; 28. Philosophy James Wharton Leonard; Part IV. Reception and Criticism: 29. Contemporary and early reception and criticism (to 1960) Joe B. Fulton; 30. Reception and criticism (1960-present) Joseph Csicsila; 31. Translation and international reception Selina Lai-Henderson; Part V. Historical, Creative, and Cultural Legacies: 32. Film, television, and theater adaptations R. Kent Rasmussen; 33. Copyright, trademark, and brand Judith Yaross Lee; 34. Mark Twain sites Hillary Iris Lowe.

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Book SynopsisThe period from the 1970s to the present day has produced an extraordinarily rich and diverse body of Caribbean writing that has been widely acclaimed. Caribbean Literature in Transition, 1970-2020 traces the region''s contemporary writings across the established genres of prose, poetry, fiction and drama into emerging areas of creative non-fiction, memoir and speculative fiction with a particular attention on challenging the narrow canon of Anglophone male writers. It maps shifts and continuities between late twentieth century and early twenty-first century Caribbean literature in terms of innovations in literary form and style, the changing role and place of the writer, and shifts in our understandings of what constitutes the political terrain of the literary and its sites of struggle. Whilst reaching across language divides and multiple diasporas, it shows how contemporary Caribbean Literature has focused its attentions on social complexity and ongoing marginalizations in its continued preoccupations with identity, belonging and freedoms.Trade Review'Caribbean Literature in Transition, 1970–2020 will remain a rich source for advanced undergraduates, graduate students, and scholars within Caribbean studies, diaspora studies, postcolonial studies, and performance studies who are interested in the political, cultural, and social life of the literary imagination … this volume functions as a necessary reflection on some of the major developments in Caribbean literary production over the past fifty years.' Jovante Anderson, Journal of West Indian Literature'The new and timely perspectives on migration, gender, and the environment, amongst other topics, enable this series to bring attention to an incredibly diverse canon of writers, literary forms, and historical contexts. In doing so, the volumes invite readers to revisit established figures - with Walcott and Naipaul still looming large - whilst also re-examining Caribbean literary history to include a corpus of voices that are not necessarily anglophone or male-centric. For this reason, the series deserves to lay the foundations of new critical explorations into the heterogeneity and global scope of Caribbean creativity from its roots in the colonial past through to its many fluid and fragmentary strands in the present.' Matthew Whittle, Journal of Postcolonial WritingTable of ContentsIntroduction. Caribbean Assemblages: 1970s-2020 Alison Donnell and Ronald Cummings; Part I. Literary and Generic Transitions: 1. Writing and the Responsibility to Memory: The Role of White Female Planters in Contemporary Caribbean Novels Tanya L. Shields; 2. Caribbean Identities and Diversifying the Creole Mix Shivanee Ramlochan; 3. Carnival, Calypso, and Dancehall Cultures: Making the Popular Political in Contemporary Caribbean Writing Emily Zobel Marshall; 4. Life Writing, Gender and Caribbean Narrative 1970-2015: Itinerant Self-Making in the Postcolonial Caribbean Denise Decaires Narain; 5. Forwarding Dubpoetry in this Generation: A Grassroots Performance and Neo-Literary Genre in Transition Susan Gingell; 6. Postcolonial Ruins, Reconstructive Poetics: Caribbean Urban Imaginaries Christopher Winks; 7. Reimagining Caribbean Time and Space: Speculative Fiction Rebecca Romdhani; 8. Drama and Performance Justine Mcconnell; 9. Here are the Others: Caribbean Creative Nonfiction Kei Miller; 10. 'Let every child run wild': Cultural Identity and the Role of the Child in Caribbean Children's and Young Adult Fiction Aisha Takiyah Spencer; Part II. Cultural and Political Transitions: 11. Caribbean Feminist Criticism: Towards a New Canon of Caribbean Feminist Theory and Theorizing Simone A. James Alexander; 12. Writing of and for a Revolution Alison Donnell and Nalini Mohabir; 12. Digital Yards: Caribbean Writing on Social Media and Other Digital Platforms Kelly Baker Josephs; 13. Developing and Sustaining Literary Publics: Prizes, Festivals, and New Writing Ifeona Fulani; Part III. The Caribbean Region in Transition: 14. The Caribbean and Britain Sarah Lawson Welsh; 15. Acts of Trespass and Collapsing Borders: Alternate Landscapes in Contemporary Caribbean-Canadian Literature Camille A. Isaacs; 16. The Caribbean and the United States Jocelyn Fenton Stitt; 17. The Caribbean and the Tourist Gaze Supriya M. Nair; 18. Caribbean Subjects in the World Kezia A. Page; Part IV. Critical Transitions: 19. Visuality in Caribbean Literature and Visual Culture Marta Fernández Campa; 20. From Counter-Textuality to Intertextuality: Continuing the Caribbean Canon Emily L. Taylor; 21. Caribbean Eco-Poetics: The Categorial Imperative and Indifference in the Caribbean Environment Keja L. Valens; 22. Sexual Subjects Faizal Deen and Ronald Cummings; 23. Caribbean Literature and Literary Studies: Past, Present, and Future Alison Donnell; Bibliography; Index.

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