Literary companions, book reviews and guides Books

Book SynopsisThe turn of the seventeenth century was an important moment in the history of English criticism. In a series of pioneering works of rhetoric and poetics, writers such as Philip Sidney, George Puttenham, and Ben Jonson laid the foundations of critical discourse in English, and the English word “critic” began, for the first time, to suggest expertise in literary judgment. Yet the conspicuously ambivalent attitude of these critics toward criticism—and the persistent fear that they would be misunderstood, marginalized, scapegoated, or otherwise “branded with the dignity of a critic”—suggests that the position of the critic in this period was uncertain. In Inventing the Critic in Renaissance England, William Russell reveals that the critics of the English Renaissance did not passively absorb their practice from Continental and classical sources but actively invented it in response to a confluence of social and intellectual factors. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press. Trade Review"Inventing the Critic in Renaissance England is an important account of the first significant period of literary criticism in the English language, and any subsequent account of the origins of English criticism will need to take account of it. One bonus of this account of early English criticism is its familiarity with classical as well as Continental criticism. Recent generations of Renaissance scholars working in English have lost some of the contact with these important intertexts that were once taken for granted as keystones for the origins of English criticism. Russell’s book helps to redress this lacuna of scholarship without, however, getting lost in erudition. That is, he does not simply return to the history of ideas. He is interested in the intersection between the history of ideas and the scene of critical judgment in all of its messiness and conflict."— Kevin Pask, Concordia University, author of The Emergence of the English Author: Scripting the Life of the Poet in Early Modern EnglandTable of ContentsAcknowledgments Introduction: "Branded with the Dignity of a Critic" 1. Gosson, Sidney, and the Experience of the Critic 2. Harvey, Nashe, and the Comedy of Criticism 3. Ben Jonson and the Consociative Critic 4. Puttenham, Carew, and the Closed Critic Coda: "Yet Thus Let Me Say" Notes Bibliography Index

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Book SynopsisCritical Insights: Richard Wright explores the work of this groundbreaking author of Black Boy and Native Son, to place the author’s body of work in the canon of American literature, the literature of identity and literature of protest.

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Book SynopsisThis volume examines survival in both literal and figurative terms to include such varied kinds of survival as physical, psychological, social, and spiritual endurance. Works represented include narrative nonfiction, poetry, short fiction, novels, plays, and films. The book, in short, will explore a theme important to such key literary works as Homer’s Odyssey, Melville’s Moby-Dick, Twain’s Adventures of Huckleberry Finn, Elie Wiesel’s Night, as well as Jon Krakauer’s nonfiction work, Into the Wild, among many others.

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Book SynopsisFood Studies in Latin American Literature presents a timely collection of essays analyzing a wide array of Latin American narratives through the lens of food studies.Topics explored include potato and maize in colonial and contemporary global narratives, the role of cooking in Sor Juana’s poetics, the centrality of desire in twentieth-century cooking writing by women, the relationship between food, recipes, and national identity, the role of food in travel narratives, and the impact of advertisements in domestic roles.The contributors included here — experts in Latin American History, Literature, and Cultural Studies -– bring a novel, interdisciplinary approach to these explorations, presenting new perspectives on Latin American literature and culture.Table of Contents Illustrations Series Editors’ Preface Acknowledgments Introduction: Toward the Construction of a Latin American Gastronarrative — RocÍo del Aguila and Vanesa Miseres I – Culinary Fusion: Indigenous Heritage and Colonialism 1. Food, Power, and Discursive Resistance in Tahuantinsuyu and the Colonial Andes — Alison KrÖgel 2. The Potato: Culture and Agriculture in Context — Regina Harrison 3. The Culinary World of Sor Juana InÉs de la Cruz — Paola Jeannete Vera BÁez and Ángel T. Tuninetti II – A Modernized Table: National Identities, Regionalisms, and Transnational Foodways 4. Immigrants, Elites, and Identities: Representing Food Cultures in Nineteenth-Century Latin America — Lee Skinner 5. Native Food and Male Emotions: Alimentary Encounters between White Travelers and Their “Others” in Nineteenth-Century Colombia — Mercedes Lopez Rodriguez 6. A Matter of Taste: Aesthetics, Manners, and Food in Eduarda Mansilla’s Experience in New York — Vanesa Miseres III – Gender and Food: Consumerism, Desire, and Women’s Agency 7. Homemaking in 1950s Mexico: Women, Class, and Race through the Kitchen Window — Sandra Aguilar-RodrÍguez 8. Sense of Place and Gender in Rosario Castellanos’s “Cooking Lesson” — Elizabeth Montes GarcÉs 9. Lemons, Oregano, Satisfaction, and Hopeless Melancholy: Agency, Subversion, and Identity in Mayra Santos Febres’s “Marina y su olor” — Nina B. Namaste 10. Exquisite Paradise: Taste and Consumption in Hebe Uhart’s “El budÍn esponjoso” — Karina Elizabeth VÁzquez IV – Latin American Food Writing: Between History and Aesthetics 11. The Poetics of Gastronomic History: Salvador Novo’s Cocina mexicana — Ignacio M. SÁnchez Prado 12. Food, Hunger, and Identity in MartÍn CaparrÓs’s Travel Writing — Ángel T. Tuninetti 13. American Counterpoints: Barbacoa and Barbecue beyond Nation — Russell Cobb Epilogue: Why Gastronarratives Matter — MarÍa Paz Moreno Bibliography — Contributors — Index

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Book SynopsisWinner of the 2020 SAMLA Studies Book Award — Edited Collection Cities both near and far communicate in a variety of ways. Travel between, through, and among urban centers initiates contact, and cities themselves are sites of ever-changing cultural and historical encounters. Predictable and surprising challenges and opportunities arise when city borders are crossed, voices meet, and artistic traditions find their counterparts. Using the Latin word for “translation,” translatio, or “to carry across,” as a point of departure, Avenues of Translation explores how translation perpetuates, diversifies, deepens, and expands the literary production of cities in their greater cultural context, and how translation shapes an understanding of and access to a city's past and present literary and cultural practices. Thinking about translation and the city is a way to tell the backstories of the cities, texts, and authors that are united by acts of translation. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.Trade Review"Avenues of Translation offers an innovative focus on the literary, theoretical, creative, and metaphorical representations of the city in the Spanish and Latin American contexts. The essays in this volume address a wide variety of geographies, cultures, and literary genres in the Hispanic world, and present a welcome addition to the growing number of studies dedicated to representations of the city." -- David Richter * Utah State University *"This collection sheds new light on translations that are only possible in cities while also uncovering how Latin American and Iberian influencers have transformed urban spaces by leaving their own cultural and historical marks. Scholars of Iberian, Latin American, and translation studies will gladly add this outstanding collection of essays to their list of must-read books." * Studies in 20th & 21st Century Literature *"Recommended." * Choice *"Avenues of Translation offers an innovative focus on the literary, theoretical, creative, and metaphorical representations of the city in the Spanish and Latin American contexts. The essays in this volume address a wide variety of geographies, cultures, and literary genres in the Hispanic world, and present a welcome addition to the growing number of studies dedicated to representations of the city." -- David Richter * Utah State University *"This collection sheds new light on translations that are only possible in cities while also uncovering how Latin American and Iberian influencers have transformed urban spaces by leaving their own cultural and historical marks. Scholars of Iberian, Latin American, and translation studies will gladly add this outstanding collection of essays to their list of must-read books." * Studies in 20th & 21st Century Literature *"Recommended." * Choice *Table of Contents Prologue: The City and the Translator by Suzanne Jill Levine Introduction: Translation and the City by Regina Galasso and Evelyn Scaramella 1 Un Walker en Nuyol: Coming to Terms with a Babel of Words by Ilan Stavans 2 Translation as a Native Language: The Layered Languages of Tango by Alicia Borinsky 3 Lorca, From Country to City: Three Versions of Poet in New York by Christopher Maurer 4 “Here Is My Monument”: Translation, Urban Space, and Martín Luis Guzmán’s Memorias de Pancho Villa by Nicholas Cifuentes Goodbody 5 On Languages and Cities: Rethinking the Politics of Calvert Casey’s “El regreso” by Charles Hatfield 6 A Palimpsestuous Adaptation: Translating Barcelona in Benet i Jornet's La plaça del Diamant by Jennifer Duprey 7 Montreal's New Latinité: Spanish-French Connections in a Trilingual City by Hugh Hazelton 8 Translating the Local: New York’s Micro-Cosmopolitan Media, from José Martí to the Hyperlocal Hub by Esther Allen 9 “litORAL translation TRADUCCIÓN LIToral” by Urayoán Noel 10 Coda: The City of the Translator’s Mind by Peter Bush Acknowledgments Bibliography Notes on Contributors Index

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Book SynopsisIn the Andes, indigenous knowledge systems based on the relationships between different beings, both earthly and heavenly, animal and plant, have been central to the organization of knowledge since precolonial times. The legacies of colonialism and the continuance of indigenous cultures make the Andes a unique place from which to think about art and social change as ongoing, and as encompassing more than an exclusively human perspective. Beyond Human revises established readings of the avant-gardes in Peru and Bolivia as humanizing and historical. By presenting fresh readings of canonical authors like César Vallejo, José María Arguedas, and Magda Portal, and through analysis of newer artist-activists like Julieta Paredes, Mujeres Creando Comunidad, and Alejandra Dorado, Daly argues instead that avant-gardes complicate questions of agency and contribute to theoretical discussions on vital materialisms: the idea that life happens between animate and inanimate beings—human and non-human—and is made sensible through art. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.Trade Review"From the pedagogical perspective, Beyond Human is teachable in its entirety in a course on Latin-American Vanguards or on the cultural production in the Andean region. The chapters can also be used as stand-alone material on the five intellectuals discussed in the book."— Bulletin of Spanish Studies "In recent years, a critical reevaluation of the avant-garde movements and their legacy has been taking place in Latin American literary and cultural studies. Beyond Human offers an innovative contribution to the understanding of the avant-garde and its legacy in the Andean region. With an approach that combines political philosophy and ecocriticism with current debates about the “'new materialism,” Tara Daly proposes a pluralistic view of avant-garde Andean arts, and argues that their uniqueness within the broad panorama of twentieth-century Vanguardisms centers on their reorientations of the multiple relationships among humans and the natural world, partly inspired by the indigenous cultures of the Americas. Cutting through the mainly sociopolitical readings that have traditionally been applied to the Andean avant-garde, Daly argues compellingly that these artistic movements are best understood in terms of a 'vitalistic materialism' that sought to establish a uniquely Andean middle way between capitalist commodification and Marxist utopianism."— Aníbal González, Yale University "Recommended."— Choice "Beyond Human offers an important reading that adds to ongoing discussions of new materialism....[A] very interesting book that proposes a fresh reading of materiality in the Andes."— Hispanic ReviewTable of Contents Illustrations ... vi A Note on Translations... vii Introduction: Revitalizing the Andean Avant-Gardes ... 1 1 César Vallejo’s Lithic Poetry: Stones as Material Guides ... 53 2 Alejandra Dorado’s Installation Art: Material Transmutations in Contemporary Cochabamba ... 111 3 José María Arguedas’s 1960s: The Air as Space of Material Encounters ... 157 4 Mujeres Creando Comunidad: Communitarian Feminisms from the Bolivian Soil ... 199 5 Magda Portal’s Bare Life in the Sea ... 245 Conclusion: New Material Orientations in the Andes and Beyond ... 300 Acknowledgments ... 311 Bibliography ... 314 Index ... 342 About the Author ... 343

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Book SynopsisIn the Andes, indigenous knowledge systems based on the relationships between different beings, both earthly and heavenly, animal and plant, have been central to the organization of knowledge since precolonial times. The legacies of colonialism and the continuance of indigenous cultures make the Andes a unique place from which to think about art and social change as ongoing, and as encompassing more than an exclusively human perspective. Beyond Human revises established readings of the avant-gardes in Peru and Bolivia as humanizing and historical. By presenting fresh readings of canonical authors like César Vallejo, José María Arguedas, and Magda Portal, and through analysis of newer artist-activists like Julieta Paredes, Mujeres Creando Comunidad, and Alejandra Dorado, Daly argues instead that avant-gardes complicate questions of agency and contribute to theoretical discussions on vital materialisms: the idea that life happens between animate and inanimate beings—human and non-human—and is made sensible through art. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.Trade Review"In recent years, a critical reevaluation of the avant-garde movements and their legacy has been taking place in Latin American literary and cultural studies. Beyond Human offers an innovative contribution to the understanding of the avant-garde and its legacy in the Andean region. With an approach that combines political philosophy and ecocriticism with current debates about the “'new materialism,” Tara Daly proposes a pluralistic view of avant-garde Andean arts, and argues that their uniqueness within the broad panorama of twentieth-century Vanguardisms centers on their reorientations of the multiple relationships among humans and the natural world, partly inspired by the indigenous cultures of the Americas. Cutting through the mainly sociopolitical readings that have traditionally been applied to the Andean avant-garde, Daly argues compellingly that these artistic movements are best understood in terms of a 'vitalistic materialism' that sought to establish a uniquely Andean middle way between capitalist commodification and Marxist utopianism." -- Aníbal González * Yale University *"Recommended." * Choice *"From the pedagogical perspective, Beyond Human is teachable in its entirety in a course on Latin-American Vanguards or on the cultural production in the Andean region. The chapters can also be used as stand-alone material on the five intellectuals discussed in the book." * Bulletin of Spanish Studies *"Beyond Human offers an important reading that adds to ongoing discussions of new materialism....[A] very interesting book that proposes a fresh reading of materiality in the Andes." * Hispanic Review *"In recent years, a critical reevaluation of the avant-garde movements and their legacy has been taking place in Latin American literary and cultural studies. Beyond Human offers an innovative contribution to the understanding of the avant-garde and its legacy in the Andean region. With an approach that combines political philosophy and ecocriticism with current debates about the “'new materialism,” Tara Daly proposes a pluralistic view of avant-garde Andean arts, and argues that their uniqueness within the broad panorama of twentieth-century Vanguardisms centers on their reorientations of the multiple relationships among humans and the natural world, partly inspired by the indigenous cultures of the Americas. Cutting through the mainly sociopolitical readings that have traditionally been applied to the Andean avant-garde, Daly argues compellingly that these artistic movements are best understood in terms of a 'vitalistic materialism' that sought to establish a uniquely Andean middle way between capitalist commodification and Marxist utopianism." -- Aníbal González * Yale University *"Recommended." * Choice *"From the pedagogical perspective, Beyond Human is teachable in its entirety in a course on Latin-American Vanguards or on the cultural production in the Andean region. The chapters can also be used as stand-alone material on the five intellectuals discussed in the book." * Bulletin of Spanish Studies *"Beyond Human offers an important reading that adds to ongoing discussions of new materialism....[A] very interesting book that proposes a fresh reading of materiality in the Andes." * Hispanic Review *Table of Contents Illustrations ... viA Note on Translations... vii Introduction: Revitalizing the Andean Avant-Gardes ... 1 1 César Vallejo’s Lithic Poetry: Stones as Material Guides ... 53 2 Alejandra Dorado’s Installation Art: Material Transmutations in Contemporary Cochabamba ... 111 3 José María Arguedas’s 1960s: The Air as Space of Material Encounters ... 157 4 Mujeres Creando Comunidad: Communitarian Feminisms from the Bolivian Soil ... 199 5 Magda Portal’s Bare Life in the Sea ... 245 Conclusion: New Material Orientations in the Andes and Beyond ... 300Acknowledgments ... 311Bibliography ... 314Index ... 342About the Author ... 343

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Book SynopsisThe historical novels of Manuel Zapata Olivella and Ana Maria Gonçalves map black journeys from Africa to the Americas in a way that challenges the Black Atlantic paradigm that has become synonymous with cosmopolitan African diaspora studies. Unlike Paul Gilroy, who coined the term and based it on W.E.B. DuBois’s double consciousness, Zapata, in Changó el gran putas (1983), creates an empowering mythology that reframes black resistance in Colombia, Haiti, Mexico, Brazil, and the United States. In Um defeito de cor (2006), Gonçalves imagines the survival strategies of a legendary woman said to be the mother of black abolitionist poet Luís Gama and a conspirator in an African Muslim–⁠led revolt in Brazil’s “Black Rome.” These novels show differing visions of revolution, black community, femininity, sexuality, and captivity. They skillfully reveal how events preceding the UNESCO Decade of Afro-Descent (2015–2024) alter our understanding of Afro-⁠Latin America as it gains increased visibility. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.Trade Review"Maddox offers us a refreshingly provocative revision of Black Atlantic theory and African diasporic authorship across Luso-Hispanic communities. His insightful readings will further enrich our understanding of the complex and nonlinear facets of African diasporic Blackness, Black Atlantic religious traditions, and Black women in impactful, new ways." -- Nick Jones * author of Staging Habla de Negros *"John Maddox’s Challenging the Black Atlantic is as monumental as the historical sagas the book studies. . . . Originally conceived, meticulously researched, and well written and argued, the book is an intellectually sophisticated interdisciplinary study that will certainly leave its vital mark in the field of Afro-diaspora studies for years to come. A must read!” -- Emanuelle Oliveira-Monte * author of Writing Identity: The Politics of Contemporary Afro-Brazilian Literature *"An innovative and ground-breaking attempt to examine the nuances of the Black Atlantic Theory via diaspora...highly recommended for a variety of audiences." * Hispania *"Maddox succeeds in adding to the Black Atlantic paradigm, taking it in a decidedly Latin-American direction. At the center of his theoretical intervention, he compellingly offers Zapata’s version of the Nuevo Munto as a foundational construct—a search for a profoundly historical and spiritual recognition of African identity, and a vision of just world for the present and future." * Religion and the Arts *"Maddox offers us a refreshingly provocative revision of Black Atlantic theory and African diasporic authorship across Luso-Hispanic communities. His insightful readings will further enrich our understanding of the complex and nonlinear facets of African diasporic Blackness, Black Atlantic religious traditions, and Black women in impactful, new ways." -- Nick Jones * author of Staging Habla de Negros *"John Maddox’s Challenging the Black Atlantic is as monumental as the historical sagas the book studies. . . . Originally conceived, meticulously researched, and well written and argued, the book is an intellectually sophisticated interdisciplinary study that will certainly leave its vital mark in the field of Afro-diaspora studies for years to come. A must read!” -- Emanuelle Oliveira-Monte * author of Writing Identity: The Politics of Contemporary Afro-Brazilian Literature *"An innovative and ground-breaking attempt to examine the nuances of the Black Atlantic Theory via diaspora...highly recommended for a variety of audiences." * Hispania *"Maddox succeeds in adding to the Black Atlantic paradigm, taking it in a decidedly Latin-American direction. At the center of his theoretical intervention, he compellingly offers Zapata’s version of the Nuevo Munto as a foundational construct—a search for a profoundly historical and spiritual recognition of African identity, and a vision of just world for the present and future." * Religion and the Arts *Table of Contents Introduction: This Book, Manuel Zapata Olivella, and Ana Maria Gonçalves a Manuel Zapata Olivella (1920–2004) b Zapataolivellismo i The U.S. Context ii The Latin American Context c Ana Maria Gonçalves (b.1970) d The Bourgeoning Criticism on Ana Maria Gonçalves e Changó and Defeito: Summaries i Changó el gran putas (1983) ii Um defeito de cor (2006) 1 Myth, Literature, and History in Zapata a Muntu, Nuevo Muntu, and Changó’s Curse i Influences ii Placide Tempels and the Muntu iii The Curse b The Origin Myth of Benkos Bioho 2 Afro-Brazil in Defeito and Changó a Luís Gama: History, Myth, and Literature b Luísa Mahin: From Poetry to History c Quilombos in Changó i Aleijadinho and Zumbi d Quilombos and Terreiros of Defeito i Gender and Myth in Dahomey e Conclusion 3 Double Consciousness and Nation in Gilroy and Zapata a The Black Atlantic and the Nuevo Muntu i The Black Atlantic: Summary ii After The Black Atlantic iii Representative Critics of Gilroy in the Anglophone Tradition b Du Bois in Changó i Zapata’s Du Bois ii Double Consciousness iii Music, Orality, and the Sea iv The African Diaspora is part of a New World History beyond the Nation c. Zapata, Precursor of Today’s Latin Americanist Critics of Gilroy 4 Women, Gender, and the Nuevo Muntu a The Black Atlantic from an Afro-Brasileira’s Point of View i. Domingos Álvares and the Black Atlantic Kingdom of Dahomey ii. Gonçalves and Antônio Olinto’s Black Atlantic iii. Luís Gama’s Brazil in the Black Atlantic b Rape in the Novels of Zapata and Gonçalves i. Sons of God and the She-Devil ii. Mother Africa iii. Gonçalves’s Raw Realism of Rape c Changó / Santa Bárbara and Queer Characters d Agne Brown and the Apocalypse Conclusion: The Nuevo Muntu Today and Tomorrow a El Putas, U.S.A. b Nuevo Muntu History and Gonçalves’s Journalism c Afrofuturism i Brazil ii Latinx-futurism iii Ana Maria Gonçalves Acknowledgements Bibliography

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Book SynopsisCalila: The Later Novels of Carmen Martín Gaite explores the last six novels by Spain´s most honored contemporary woman writer. Its scholarship is enriched by the voice of Calila herself—as Brown called Martín Gaite, who was a dear friend—as they conversed and exchanged letters during the composition of the novels. The book opens with an introduction to Martín Gaite´s life and literature and ends with a consideration of her legacy. Each central chapter analyzes a later novel in its historical, biographical, and critical contexts. From the young adult fantasy Caperucita en Manhattan (Red Riding Hood in Manhattan) to the post-Transition epistolary masterpiece Nubosidad variable (Variable Cloud), the Transition-era saga La Reina de las Nieves (The Farewell Angel), the Proustian reminiscence Lo raro es vivir (Living’s the Strange Thing), the narrative tapestry Irse de casa (Leaving Home), and the memoir of family secrets Los parentescos (Family Relations), these fascinating novels evoke themes that resonate today. Trade Review"Calila: The Later Novels of Carmen Martin Gaite is a fascinating window into the life and later works of one of the most eminent Spanish novelists of all times. Joan L. Brown combines relevant history, original analysis and personal anecdotes from 'Calila’s' personal letters into a compelling and delightful rendition." -- María-Luisa Guardiola * editor of the Royal Spanish Academy's critical edition of Antonio García Gutiérrez's El trovador *"Martín Gaite’s works are now studied all around the world, especially in further education establishments. More and more students are researching her latest novels and Calila will be an indispensable read as Brown combines the critical study of the author’s texts, with their socio-historical background, and a personal view of the process of writing." -- Maria-José Blanco * author of Life-writing in Carmen Martín Gaite’s Cuadernos de todo and her Novels of the 1990s *"As I read Calila: The Later Novels of Carmen Martín Gaite, I had to battle the temptation to put the volume aside in order to re-read the novels that Brown analyzes in the book. There can hardly be a greater testament to a literary critic’s skill than her capacity to communicate to the reader her love and enthusiasm for the texts she analyzes. Brown’s central argument in Calila is that Martín Gaite’s novels of the 1990s deserve to be read, and the book will, without a doubt, bring new and returning readers and inspire renewed critical interest in the writer’s later work." * Hispania *"This insightful monograph on Martín Gaite’s final six novels is part-literary criticism and part-personal anecdote based on the extended friendship between the author and Brown who draws from a variety of scholarly sources, personal correspondence and photographs to provide readings of her works." * Anales de la literatura española contemporánea *"Calila: The Later Novels of Carmen Martin Gaite is a fascinating window into the life and later works of one of the most eminent Spanish novelists of all times. Joan L. Brown combines relevant history, original analysis and personal anecdotes from 'Calila’s' personal letters into a compelling and delightful rendition." -- María-Luisa Guardiola * editor of the Royal Spanish Academy's critical edition of Antonio García Gutiérrez's El trovador *"Martín Gaite’s works are now studied all around the world, especially in further education establishments. More and more students are researching her latest novels and Calila will be an indispensable read as Brown combines the critical study of the author’s texts, with their socio-historical background, and a personal view of the process of writing." -- Maria-José Blanco * author of Life-writing in Carmen Martín Gaite’s Cuadernos de todo and her Novels of the 1990s *"As I read Calila: The Later Novels of Carmen Martín Gaite, I had to battle the temptation to put the volume aside in order to re-read the novels that Brown analyzes in the book. There can hardly be a greater testament to a literary critic’s skill than her capacity to communicate to the reader her love and enthusiasm for the texts she analyzes. Brown’s central argument in Calila is that Martín Gaite’s novels of the 1990s deserve to be read, and the book will, without a doubt, bring new and returning readers and inspire renewed critical interest in the writer’s later work." * Hispania *"This insightful monograph on Martín Gaite’s final six novels is part-literary criticism and part-personal anecdote based on the extended friendship between the author and Brown who draws from a variety of scholarly sources, personal correspondence and photographs to provide readings of her works." * Anales de la literatura española contemporánea *Table of ContentsList of Illustrations Introduction: Calila and Her Later Novels 1 Backstory: Carmen Martín Gaite’s Earlier Life and Literature 2 Caperucita en Manhattan: A Young Adult Novel of Recovery 3 Nubosidad variable: Contemporary Feminism in Post-Transition Spain 4 La Reina de las Nieves: Rewriting a Tragedy of Spain’s Transition 5 Lo raro es vivir: Existential Questions in Uncertain Times 6 Irse de casa: Back to the Future in Democratic Spain 7 Los parentheses: Fractured Families in the Twenty-First Century Conclusion: The Later Novels and Martín Gaite’s Legacy Notes Works Cited Index

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Book SynopsisSamuel Johnson famously referred to his future biographer, the unsociable magistrate Sir John Hawkins, as “a most unclubbable man." Conversely, this celebratory volume gathers distinguished eighteenth-century studies scholars to honor the achievements, professional generosity, and sociability of Greg Clingham, taking as its theme textual and social group formations. Here, Philip Smallwood examines the “mirrored minds” of Johnson and Shakespeare, while David Hopkins parses intersections of the general and particular in three key eighteenth-century figures. Aaron Hanlon draws parallels between instances of physical rambling and rhetorical strategies in Johnson’s Rambler, while Cedric D. Reverand dissects the intertextual strands uniting Dryden and Pope. Contributors take up other topics significant to the field, including post-feminism, travel, and seismology. Whether discussing cultural exchange or textual reciprocities, each piece extends the theme, building on the trope of relationship to organize and express its findings. Rounding out this collection are tributes from Clingham’s former students and colleagues, including original poetry. Trade Review"Editor, author, de facto publisher, and dedicated teacher, Greg Clingham is remarkable among eighteenth-century scholars for his versatility and productivity. A Clubbable Man brings together a star-studded cast of Clingham's colleagues, students, and friends to celebrate a career of consequence in a suitably diverse, elegantly written, and original collection of essays." -- Robert DeMaria * editor of The Yale Edition of the Works of Samuel Johnson *"This rich collection of work by leading scholars of Samuel Johnson and adjacent eighteenth-century conversations broadens and deepens our own conversations significantly. The vital interplay of social communication and individual achievement emerges clearly throughout this well-conceived, capacious, and handsome volume." -- John Sitter * author of The Cambridge Introduction to Eighteenth-Century Poetry *Table of ContentsIntroductionAnthony W. LeeI. Essays on Samuel Johnson and Boswell1. Mirrored Minds—Johnson and ShakespearePhilip Smallwood2. The General and the Particular: Pope, Johnson, and ReynoldsDavid Hopkins3. “The Caliban of Literature”: Spenser, Shakespeare, and Johnson’s Intertextual ScholarshipAnthony W. Lee4. In Silence and Darkness: Johnson’s Verdicts on Artistic FailureAdam Rounce5. Smollett’s Ramblers and the Law of the LandAaron Hanlon6. The Social Life of Thomas Cumming, or “Clubbing” with Johnson’s friend, the Fighting QuakerRobert G. Walker7. Not "Just a Macheath": Young Boswell and Old Cibber in Boswell’s London Journal 1762–1763Gordon TurnbullII. Essays on Eighteenth-Century Literature and Culture8. English Historiography and the Development of Secular Autobiography: The MemoirMartine Brownley9. What Else Did Pope Borrow from Dryden?Cedric D. Reverand10. Poetic Performances: Pope’s “An Essay on Man” and “Swift’s Verses on the Death of Dr. Swift”John Richetti11. Swift Shrinks the Duke of Marlborough: Public Delegitimization Though ScaleClement Hawes12. Trans-Plant Perspectives: Western Gardens, Eastern ViewsBärbel Czennia13. Publishers Can Cause Earthquakes: The Seismic English Enlightenment and Enigmatic ExplanationsKevin L. CopeIII. Personal Reminiscences1. Greg Clingham as Teacher and MentorDominic JermeyElaine WoodCaroline FassettJoseph McNicholasMargaret WilliamsErin LabbiePatrick HenryAdam WalkerKang Tchou2. Greg Clingham and Bucknell University PressGary SojkaNina ForsbergDaniel LittleJames RiceJohn Rickard3. Commemoratory Poems“It is rowing without a port.”Notes by Lady Anne Barnard while in South AfricaAntjie KrogFrances TowneKieron WinnAn Ode: Alexander Pope Reciprocally Writes an Encomium for Samuel Johnson, Aided by Greg ClinghamEmily GrosholzMother JohnsonHarry ThomasCodaKate ParkerGreg Clingham’s PublicationsAcknowledgmentsBibliographyAbout the ContributorsIndex

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Book SynopsisThe first collection of critical essays devoted to the study of English-Canadian literary anthologies brings together the work of thirteen prominent critics to investigate anthology formation in Canada and answer these key questions: Why are there so many literary anthologies in Canada, and how can we trace their history? What role have anthologies played in the formation of Canadian literary taste? How have anthologies influenced the training of students from generation to generation? What literary values do the editors of various anthologies tend to support, and how do these values affect canon formation in Canada? How have different genres fared in the creation of literary anthologies? How do Canadian anthologies transmit ideas about gender, region, ideology, and nation? Specific essays focus on anthologies as national metaphors, the controversies surrounding early literary collections, representations of First Nations peoples in anthologies, and the ways in which various editors have understood exploration narratives. In addition, the collection examines the representation of women in Canadian anthologies, the use of anthologies as teaching tools, and the creation of some very odd Canadian anthologies along the way.Table of ContentsTable of ContentsIntroduction Robert LeckerAnthems and Anthologies Richard CavellThe Poetry of the Canoe: William Douw Lighthall's Songs of the Great Dominion D.M.R. BentleyPublication, Performances, and Politics: The ""Indian Poems"" of E. Pauline Johnson / Tekhionwake (1861-1913) and Duncan Campbell Scott (1862-1947) Margery FeeExcerpts of Exploration Writing in Anthologies of English-Canadian Literature Cheryl CundellAnthologies and the Canonization Process: A Case Study of the English-Canadian Literary Field, 1920-1950 Peggy KellyNation Building, Literary Tradition, and English-Canadian Anthologies: Presentations of John Richardson and Susanna Moodie in Anthologies of the 1950s and 1960s Bonnie HughesAnthology on the Radio: Robert Weaver and CBC Radio's Anthology Joel DeshayeCanadian Literary Anthologies through the Lens of Publishing History: A Preliminary Exploration of Historical Trends to 1997 Janet B. FriskneyConfessions of an Unrepentant Anthologist Gary GeddesThe Poet-Editor and the Small Press: Michael Ondaatje and the Long Poem Anthology Karis ShearerWhy So Serious? The Quirky Canadian Anthology Lorraine YorkReading Anthologies Frank DaveyThe Poet and Her Library: Anthologies Read, Anthologies Made Anne Compton

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Book SynopsisThis collection of essays focuses on the varied and complex roles that editors have played in the production of literary and scholarly texts in Canada. With contributions from a wide range of participants who have played seminal roles as editors of Canadian literatures - from nineteenth-century works to the contemporary avant-garde, from canonized texts to anthologies of so-called minority writers and the oral literatures of the First Nations - this collection is the first of its kind. Contributors offer incisive analyses of the cultural and publishing politics of editorial practices that question inherited paradigms of literary and scholarly values. They examine specific cases of editorial production as well as theoretical considerations of editing that interrogate such key issues as authorial intentionality, textual authority, historical contingencies of textual production, circumstances of publication and reception, the pedagogical uses of edited anthologies, the instrumentality of editorial projects in relation to canon formation and minoritized literatures, and the role of editors as interpreters, enablers, facilitators, and creators. Editing as Cultural Practice in Canada situates editing in the context of the growing number of collaborative projects in which Canadian scholars are engaged, which brings into relief not only those aspects of editorial work that entail collaborating, as it were, with existing texts and documents but also collaboration as a scholarly practice that perforce involves co-editing.Table of Contents Editing as Cultural Practice in Canada, edited by Dean Irvine and Smaro Kamboureli 1. Literary and Editorial Theory and Editing Marian Engel Christl Verduyn 2. ""We think differently. We have a different understanding"": Editing Indigenous Texts as an Indigenous Editor Kateri Akiwenzie 3. Toward Establishing an-or the-""Archive"" of African-Canadian Literature George Elliott Clarke 4. Project Editing in Canada: Challenges and Compromises Carole Gerson 5. Editing in Canada: The Case of L.M. Montgomery Irene Gammel and Benjamin Lefebvre 6. The Material and Cultural Transformation of Scholarly Editing in Canada Zailig Pollock 7. Editing Without Author(ity): Martha Ostenso, Periodical Studies, and the Digital Turn Hannah McGregor 8. Editing the Letters of Wilfred and Sheila Watson, 1956-1961: Scholarly Edition as Digital Practice Paul Hjartarson, Harvey Quamen, and EMiC UA 9. The Politics of Recovery and the Recovery of Politics: Editing Canadian Writing on the Spanish Civil War Bart Vautour 10. Keeping the Code: Narrative and Nation in Donna Bennett and Russell Brown's An Anthology of Canadian Literature in English Robert Lecker 11. Performing Editors: Juggling Pedagogies in the Production of Canadian Literature in English: Texts and Contexts Laura Moss and Cynthia Sugars 12. Labours of Love and Cutting Remarks: The Affective Economies of Editing Heather Milne and Kate Eichhorn 13. bpNichol, editor Frank Davey 14. Air, Water, Land, Light, and Language: Reflections on the Commons and Its Contents Robert Bringhurst 15. The Ethically Incomplete Editor Darren Wershler

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Book SynopsisCanadian Graphic: Picturing Life Narratives presents critical essays on contemporary Canadian cartoonists working in graphic life narrative, from confession to memoir to biography. The contributors draw on literary theory, visual studies, and cultural history to show how Canadian cartoonists have become so prominent in the international market for comic books based on real-life experiences. The essays explore the visual styles and storytelling techniques of Canadian cartoonists, as well as their shared concern with the spectacular vulnerability of the self. Canadian Graphic also considers the role of graphic life narratives in reimagining the national past, including Indigenous-settler relations, both world wars, and Quebec's Quiet Revolution.Contributors use a range of approaches to analyze the political, aesthetic, and narrative tensions in these works between self and other, memory and history, individual and collective. An original contribution to the study of auto/biography, alternative comics, and Canadian print culture, Canadian Graphic proposes new ways of reading the intersection of comics and auto/ biography both within and across national boundaries.Trade Review"An essential resource for anyone interested in Canadian comics, life writing, and political issues. Beautifully produced with a useful introduction and fascinating essays about major and emerging cartoonists in Canada and Quebec, Canadian Graphic puts the study of Canadian autobiographical and biographical comics on the academic map and shows us ways to think about one of the most exciting developments in Canadian cultural expression today." -- Julie Rak, University of Alberta, author of Boom! Manufacturing Memoir for the Popular Market (WLU Press, 2013)"As Canada is increasingly looked up to as a social and political model to follow, this collection provides up-close, original and challenging insights into the inner life, musings,and internal struggles of a modern, multicultural and substantially inclusive society. ... Canadian cartoonists have actively contributed since the 1940s to shape the transnational comics industry in North America, although their most distinctive legacy arguably lies in the alternative and underground scenes, strongly revitalised since the late 1970s. Candida Rifkind's and Linda Warley's staple anthology of graphic life narratives conspicuously shows that Canada - in more ways than one - is still blazing the trail." -- Nick Martinez -- Journal of Graphic Novels and Comics, 20170128"The assemblage of essays in Canadian Graphic demonstrates that comics in Canada is a dynamic and vibrant medium through which to explore contemporary ways of representing shifting identities, race, gender, and agency. ...the deployment of a variety of theoretical perspectives and the demonstration of how these illuminate graphic texts serve as models for ongoing comprehension and scholarly work on the form. No other volume at this point has yet engaged so thoroughly the current state of Canadian graphic production, and further studies will need to refer to this germinal study, which already signals the way forward." -- Rocio G. Davis -- Biography"The wealth of information from the texts analysed and the critics' innovative approaches to them leave readers with an invaluable source, essential for anyone interested in the fields of comics and life writing, as well as the intersections between the two. The insightful, nuanced readings that draw from different theoretical frameworks and disciplines offer examples as to how to analyse graphic life narratives but also as to the vast potential the medium of comics offers to the genre of auto/biography. -- Olga Michael, University of Central Lancashire, English Studies in Canada -- Olga Michael -- English Studies in Canada, 20181201Table of ContentsTable of Contents for Canadian Graphic: Picturing Life Narratives, edited by Candida Rifkind and Linda Warley Editors' Introduction | Candida Rifkind and Linda Warley Part One: Confession and the Relational Self 1. Public Dialogues: Intimacy and Judgment in Canadian Confessional Comics | Kevin Ziegler 2. Untangling the Graphic Power of Tangles: A Story about Alzheimer's, My Mother, and Me | Kathleen Venema 3. "Oh Well": My New York Diary, Autographics, and the Depiction of Female Sexuality in Comics | J. Andrew Deman 4. "Say 'Shit' Chester": Language, Alienation, and the Aesthetic in Chester Brown's I Never Liked You: A Comic-Strip Narrative | James C. Hall Part Two: Collective Memory and Visual Biography 5. Personal, Vernacular, Canadian: Seth's Great Northern Brotherhood of Canadian Cartoonists as Life Writing | Kathleen Dunley 6. Visual Silence and Graphic Memory: An Interdisciplinary Approach to Two Generals | Linda Warley and Alan Filewood 7. Metabiography and Black Visuality in Ho Che Anderson's King | Candida Rifkind Part Three: The Child and the Nation 8. Unsettling and Restorying Canadian Indigenous-Settler Histories in David Alexander Robertson's The Life of Helen Betty Osborne and Sugar Falls | Doris Wolf 9. Life in Boxes: History, Pedagogy, and Nation-Building in Canadian Biographics for Young Adults | Eva C. Karpinski 10. "Everybody calls me Roch": Harvey, The Hockey Sweater, and the Invisible Québécois Child | Cheryl Cowdy

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Book SynopsisArchetypes from Underground: Notes on the Dostoevskian Self uncovers archetypal imagery in Dostoevsky's stories and novels and argues that archetypes bring a new dimension to our understanding and appreciation of his works. In this interdisciplinary study, Harrison analyzes selected texts in light of fresh research in Dostoevsky studies, cultural history, comparative mythology, and depth psychology. He argues that one of Dostoevsky's chief concerns is the crisis of modernity, and that he dramatizes the conflicts of the modern self by depicting the dynamic, transformative nature of the psyche. Harrison finds the language and imagery of archetypes in Dostoevsky's characters, symbols, and themes, and shows how these resonate in remarkable ways with the archetypes of self, persona, and the shadow. He demonstrates that major themes in Dostoevsky coincide with Western esotericism, such as the complementarity of opposites, transformation, and the symbolism of death and resurrection. These arguments inform a close reading of several of Dostoevsky's texts, including The Double, Notes from Underground, and The Brothers Karamazov. Archetypes inform these works and others, bringing vitality to Dostoevsky's major characters and themes. This research represents a departure from the religious and philosophical questions that have dominated Dostoevsky studies. This work is the first sustained analysis of Dostoevsky's work in light of archetypes, framing a topic that calls for further investigation. Archetypes illumine the author's ideas about Russian national identity and its faith traditions and help us redefine our understanding of Russian realism and the prominent place Dostoevsky occupies within it.Trade Review"Readers are often asked to choose between two filters, the secular and the religious, in their quest for Dostoevsky's paradoxical sense of personality: socially conditioned but not schematic, rebellious but not free. Lonny Harrison suggests that we work instead with an expanded Jungian concept of archetype, with its unconscious, its shadow, its ego-transcendence and rebirth. The result is a fascinating hypothesis about the Dostoevskian psyche, poised between the ruins of European positivism and the potentials of cosmic myth." -- Caryl Emerson, Princeton University -- 201603

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Book SynopsisWhat is the relationship between literature and the society in which it incubates? Are there common political, social, and economic factors that predominate during periods of heightened literary activity? New Brunswick at the Crossroads: Literary Ferment and Social Change in the East considers these questions and explores the relationships between periods of creative ferment in New Brunswick and the socio-cultural conditions of those times. The province's literature is ideally suited to such a study because of its bicultural character--in both English and French, periods of intense literary creativity occurred at different times and for different reasons. What emerges is a cultural geography in New Brunswick that has existed not in isolation from the rest of Canada but often at the creative forefront of imagined alternatives in identity and citizenship. At a time when cultural industries are threatened by forces that seek to negate difference and impose uniformity, New Brunswick at the Crossroads provides an understanding of the intersection of cultures and social economies, contributing to critical discussions about what constitutes "the creative" in Canadian society, especially in rural, non-central spaces like New Brunswick.Trade ReviewThe result [of this book] is a magnificent, if necessarily episodic and partial, analysis of two of New Brunswick's literatures, and I encourage the rest of the nation to peek at how the book's blend of multidisciplinarity can be used for wider application. Even if a reader isn't interested in reading another study of historical writers [...], there is much to recommend this book in terms of methodology. -- Shane Neilsen, Canadian Literature 239 (2019)Table of ContentsForeword | Christl Verduyn Introduction | Tony Tremblay 1. Loyalist Literature in New Brunswick, 1783-1843 | Gwendolyn Davies 2. Literature of the First Acadian Renaissance, 1864-1955 | Chantal Richard 3. The Fredericton Confederation Awakening, 1843-1900 | Thomas Hodd 4. Mid-Century Emergent Modernism, 1935-1955 | Tony Tremblay 5. Modernity and the Challenge of Urbanity in Acadian Literature, 1958-1999 | Marie-Linda Lord Afterword | David Creelman

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Book SynopsisThe image of the dusty, undisturbed archive has been swept away in response to growing interest across disciplines in the materials they house and the desire to find and make meaning through an engagement with those materials. Archival studies scholars and archivists are developing related theoretical frameworks and practices that recognize that the archives are anything but static. Archival deposits are proliferating, and the architects, practitioners, and scholars engaged with them are scarcely able to keep abreast of them. Archives, archival theory, and archival practice are on the move. But what of the archives that were once safely housed and have since been lost, or are under threat? What of the urgency that underscores the appeals made on behalf of these archives? As scholars in this volume argue, archives, their materialization, their preservation, and the research produced about them are moving in a different way: they are involved in an emotionally engaged and charged process, one that acts equally upon archival subjects and those engaged with them. So too do archives at once represent members of various communities and the fields of study drawn to them.Moving Archives grounds itself in the critical trajectory related to what Sara Ahmed calls affective economies to offer fresh insights about the process of archiving and approaching literary materials. These economies are not necessarily determined by ethical impulses, although many scholars have called out for such impulses to underwrite current archival practices; rather, they form the crucial affective contexts for the legitimization of archival caches in the present moment and for future use.Table of Contents Introduction Moving Archives: The Affective Economies and Potentialities of Literary Archival Materials / Linda M. Morra, Bishop's University Chapter One Archive Transfer / Archival Transformation: The Intervening Space Between / Patricia Godbout and Marc André Fortin, Université de Sherbrooke Chapter Two Don't you know that digitization is not enough? Digitization is not enough! Building Accountable Archives and the Digital Dilemma of the Cabaret Commons / T.L. Cowan, University of Toronto Chapter Three Myles na gCopaleen's 'An Scian': A Knife in the Back of Irish Archivists / Joseph LaBine, University of Ottawa Chapter Four Inside the Cover, Outside the Archive: The Dispersal, Loss, and Value of Jane Rule's Personal Library / Linda M. Morra, Bishop's University Chapter Five ""The fearful state of things"": Technologies of Transparency in the Annual Report of the Canada Sunday School Union, 1836-1876 / Erin Kean, University of Ottawa Chapter Six Listening to the Archives of Phyllis Webb / Katherine McLeod, Concordia University Chapter Seven Fresh-Water Archives: Reading Water in Troy Burle Bailey's The Pierre Bonga Loops / Karina Vernon, University of Toronto Chapter Eight Letting Grief Move Me: Thinking Through the Affective Dimensions of Personal Recordkeeping / Jennifer Douglas, University of British Columbia Chapter Nine Reading for Queer Openings: Moving. Archives of the Self. Fred Wah. / Susan Rudy, Queen Mary University of London

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Book SynopsisPerceptive, controversial, topical, and achingly funny, Miriam Toews’s books have earned her a place at the forefront of Canadian literature. In this first monograph on Toews’s work, Sabrina Reed examines the interplay of trauma and resilience in the author’s fiction. Reed skillfully demonstrates how Toews situates resilience across key themes, including: the home as both a source of trauma and an inspiration for resilient action; the road trip as a search for resolution and redemption; and the reframing of the Mennonite diaspora as an escape from patriarchal oppression. The dual suicides of Toews’s father and sister stand out as the most shocking and tragic of the author’s biographical details, and Reed explores Toews’s use of autofiction as a reparative gesture in the face of this trauma.Written in an accessible style that will appeal to both scholars and devotees of Toews’s work, Lives Lived, Lives Imagined is a timely examination of Toews’s oeuvre and a celebration of fiction’s ability to simultaneously embody compassion and anger, joy and sadness, and to brave the personal and communal oppressions of politics, religion, family, society, and mental illness.Table of Contents Ch 1: Home is Where the Hope Is? A Complicated Kindness and A Boy of Good Breeding Ch 2: “On the Road” (With Children): The Flying Troutmans and Summer of My Amazing Luck Ch 3: “All trauma presents a choice”: Irma Voth and Women Talking Ch 4: “Coming for to carry me home”: Autofiction and Reparation: Swing Low: A Life and All My Puny Sorrows Epilogue: The Fight Against the Night: Fight Night

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Book SynopsisThis book provides a selection of private letters written to family and friends from a variety of people while they were on the Grand Tour in the eighteenth century. Although many have been published previously, this is the first time that letters of this kind have been brought together in a single volume. Readers can compare the various responses of travellers to the sights, pleasures and discomforts encountered on the journey. People of diverse backgrounds, with different expectations and interests, give personal accounts of their particular experiences of the Grand Tour. Unlike most collections of letters from the Tour, which recount the views of a single person, this selection emphasises diversity. Readers can juxtapose for example the letters of a conscientious young nobleman like Lyttelton with those of the excitable philanderer Boswell, or the well-travelled aristocratic lady, Caroline Lennox. While the travellers represented here follow much the same route via Paris, through France and across the Alps via the terrifying Mount Cenis, to Rome, in the pursuit of learning and pleasure, the Tour turns out to mean something quite different to each of them.Trade Review... informatively introduced and edited, a continuously absorbing ensemble formed of five notably diverse voices from the Grand Tour. * History Today *Table of Contents Preface Illustrations Acknowledgements ‘Old Style’ and ‘New Style’ dating Map Introduction: ‘The Grand Tour’ The Tourists and their letters: 1728–1730 George Lyttelton 1730–1733 Joseph Spence 1764–1766 James Boswell 1765–1771 James Barry 1766–1767 Caroline Lennox Appendix: Advice for Travellers on the Grand Tour Bibliography Index

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Book SynopsisA detailed and lively discussion and analysis of the novels, short stories, newspaper columns, and other works of one of the most important and popular writers in Spain today. This book provides the most comprehensive study to date of the full range of Marías' writing, including discussion and analysis of his literary and intellectual formation, his development as a novelist and short story writer, andhis unique perspective offered in nearly twenty-five years of newspaper columns on topics ranging from religion to football. Above all, Marías is examined as a writer of fictions. As a translator of several canonical works from English to Spanish, Marías came to appreciate the preciseness of words as well as their ambiguity, their capacity to represent as well as their propensity to distort. The author examines Marías's constant awareness of how languagecan be used to construct stories as the foundation for engaging the world as well as for imagining it. The nature of Marías's storytelling, and the way in which he imagines, form the principal focus of this Companion. David K. Herzberger is Professor and Chair of the Department of Hispanic Studies at the University of California, Riverside.Trade ReviewVery good insights ... a very sound in-depth study of Marías' work ... Should be sought after by all with a scholarly interest in Marías' work. * BULLETIN OF SPANISH STUDIES *A splendid overview [...] the most comprehensive analysis to date on the narrative of Javier Marias. The book is informative, illuminating and admirably clear. * HISPANIA *Table of ContentsIntroduction Writing in the Newspapers: Everything Under the Sun Two Early Novels: Dominios del lobo and Travesías del horizonte Two Transitional Novels: El siglo and El hombre sentimental On Oxford, Redonda, and the Practice of reading: Todas las almas and Negra espalda del tiempo Two Shakespearean Novels Tu rostro mañana Other Writings Suggested Further Reading Bibliography

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Book SynopsisWritten by an international group of scholars, this edited collection provides an overview of the Spanish picaresque from its origins in tales of lowborn adventurers to its importance for the modern novel, along with consideration of the debates that the picaresque has inspired. The term picaresque describes a specific set of early modern Spanish narratives relating the life story of a lowborn adventurer in a realist, ironic, and often humorous manner. The protagonist, the picaro or pícara (rascal), seeks upward mobility in a resolutely hierarchical society determined to prevent his - or her - ascent, and both are rich targets of satire. Spanish pícaros inspired Anglo-French rogues including Gil Blas and Tom Jones and paved the way for the modern novel. Written by an international group of scholars, this edited collection provides an overview of the Spanish picaresque novel from its origins to the present day, along with a treatment of the debates that the picaresque has inspired. After introductory chapters on the picaresque genre and the origin of the phenomenon, the book analyses canonical texts and their role in the picaresque spectrum. Further chapters then turn to critical approaches to the genre and manifestations of the picaresque in Hispanic America, France, England, and modern Spain. Overall, the book affords readers a broad sense of the range of this rich tradition and an in-depth view of the field and its major texts.Table of ContentsList of Contributors Forward 1. The Picaresque as a Genre Edward H. Friedman 2. On the Picaresque and Its Origins Anne J. Cruz 3. Francisco Delicado, La lozana andaluza Marta Albalá Pelegrín 4. Lazarillo de Tormes J. A. Garrido Ardila 5. Mateo Alemán, Guzmán de Alfarache Howard Mancing 6. Francisco de Quevedo, La vida del buscón Edward H. Friedman 7. La pícara Justina Brian M. Phillips 8. Alonso Jerónimo de Salas Barbadillo, La hija de Celestina Enrique García Santo-Tomás 9. Miguel de Cervantes and the Picaresque Vicente Pérez de León 10. Vicente Espinel, Marcós de Obregón John C. Parrack 11. Carlos García, La desordenada codicia de los bienes agenos Antón García-Fernández 12. Estebanillo González Faith S. Harden 13. Critical Approaches to the Picaresque Hilaire Kallendorf 14. The Picaresque in Spanish America José Luis Gastañaga Ponce de León 15. Continuations: France and England Richard Squibbs 16. Continuity of the Picaresque: Spain Andrés Zamora Bibliography

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Book SynopsisThis work includes twenty-four essays including a preface, introduction, afterword, and sections containing seminal methodological pieces by such giants as Edward Said and Michel Foucault, as well as contemporary applications to Beowulf and other Old English and Germanic texts focusing on historicism, psychoanalysis, gender, textuality, and post-colonialism.

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Book SynopsisHeliand, the Old Saxon poem based on the life of Christ in the Gospels, has become more available to students of Anglo-Saxon culture as its influence has reached into a wider range of fields from history to linguistics, literature, and religion. In Perspectives on the Old Saxon Heliand, Valentine Pakis brings together recent scholarship that both addresses new turns in the field and engages with the relevant arguments of the past three decades. Furthering the ongoing critical discussion of both text and culture, this volume also reflects on the current state of the field and demonstrates how it has evolved since the 1970s.

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Book SynopsisCross and Cruciform in the Anglo-Saxon World: Studies to Honor the Memory of Timothy Reuter is edited by Sarah Larratt Keefer, Karen Louise Jolly, and Catherine E. Karkov and is the third and final volume of an ambitious research initiative begun in 1999 concerned with the image of the cross, showing how its very material form cuts across both the culture of a society and the boundaries of academic disciplines - history, archaeology, art history, literature, philosophy, and religion - providing vital insights into how symbols function within society. The flexibility, portability, and adaptability of the Anglo-Saxon understanding of the cross suggest that, in pre-Conquest England, at least, the linking of word, image, and performance joined the physical and spiritual, the temporal and eternal, and the earthly and heavenly in the Anglo-Saxon imaginative landscape.This volume is divided into three sections. The first section of the collection focuses on representations of ""The Cross: Image and Emblem,"" with contributions by Michelle P. Brown, David A. E. Pelteret, and Catherine E. Karkov. The second section, ""The Cross: Meaning and Word,"" deals in semantics and semeology with essays by Helen Damico, Rolf Bremmer, and Ursula Lenker. The third section of the book, ""The Cross: Gesture and Structure,"" employs methodologies drawn from archaeology, new media, and theories of rulership to develop new insights into subjects as varied as cereal production, the little-known Nunburnholme Cross, and early medieval concepts of political power.Cross and Cruciform in the Anglo-Saxon World: Studies to Honor the Memory of Timothy Reuter is a major collection of new research, completing the publication series of the Sancta Crux/Halig Rod project. Cross and Culture in Anglo-Saxon England: Studies in Honor of George Hardin Brown.

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Book SynopsisIn 1952, Faulkner noted the exceptional nature of the South when he characterized it as ""the only really authentic region in the United States, because a deep indestructible bond still exists between man and his environment."" The essays collected in Faulkner and the Ecology of the South explore Faulkner's environmental imagination, seeking what Ann Fisher-Wirth calls the ""ecological counter-melody"" of his texts. ""Ecology"" was not a term in common use outside the sciences in Faulkner's time. However, the word ""environment"" seems to have held deep meaning for Faulkner. Often he repeated his abiding interest in ""man in conflict with himself, with his fellow man, or with his time and place, his environment."" Eco-criticism has led to a renewed interest among literary scholars for what in this volume Cecelia Tichi calls, ""humanness within congeries of habitats and en-vironments."" Philip Weinstein draws on Pierre Bourdieu's notion of habitus. Eric Anderson argues that Faulkner's fiction has much to do with ecology in the sense that his work often examines the ways in which human communities interact with the natural world, and François Pitavy sees Faulkner's wilderness as unnatural in the ways it represents reflections of man's longings and frustrations. Throughout these essays, scholars illuminate in fresh ways the precarious ecosystem of Yoknapatawpha County. Joseph R. Urgo, Oxford, Mississippi, is chair of the English department at the University of Mississippi. His books include Faulkner's Apocrypha, Novel Frames: Literature as Guide to Race, Sex, and History in American Culture, and In the Age of Distraction, all published by University Press of Mississippi. Ann J. Abadie, Oxford, is associate director of the Center for the Study of Southern Culture at the University of Mississippi. She has coedited Faulkner and His Contemporaries, Faulkner and War, Faulkner and Postmodernism, and Faulkner at 100: Retrospect and Prospect, among other Faulkner volumes, all published by University Press of Mississippi.

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Book SynopsisWhat constitutes an environment in American literature is an issue that has undergone much debate across environmental humanities in the last decade. In the field, some have argued that environments are markedly natural or wild sites while others contend literary spaces can be both wild and urban, or even cultural. Yet, few of the works produced to date have addressed the pronounced influence the author of a text has on a literary environment. Despite exciting work on materiality and culture in conceptions of environments, critics have not yet fully examined the contributions of poetry’s language, form, and self-awareness in rethinking what constitutes an environment. By approaching environments in a new way, Nolan closes this gap and recognizes how contemporary poets employ self-reflexive commentary and formal experimentation in order to create new natural/cultural environments on the page. She proposes a radical new direction for ecopoetics and deploys it in relation to four major American poets. Working from literal to textual spaces through the contemporary poetry of A.R. Ammons’s Garbage, Lyn Hejinian’s My Life, Susan Howe’s The Midnight, and Kenneth Goldsmith’s Seven American Deaths and Disasters, the book presents applications of unnatural ecopoetics in poetic environments, ones that do not engage with traditional ideas of nature and would otherwise remain outside the scope of ecocritical and ecopoetic studies. Nolan proposes a new practical approach for reading poetic language. Ecocriticism is a very fluid and evolving discipline, and Nolan’s pioneering new book pushes the boundaries of second-wave ecopoetics—the fundamental issue being what is nature/natural, and how does poetic language, particularly self-conscious contemporary poetic agency, contribute to and complicate that question.Trade ReviewNolan’s book develops out of new materialist innovations transcending traditional ecopoetical interpretations of poetry. Her dazzling close readings are exciting to behold. They create a web of convincing matter that shore up her masterful take and development of this exciting field."" - Susan Morrison, Professor of English, Texas State University, San Marcos""A product of the built environments of greater Los Angeles whose ecopoetic ideas have been tempered by years of living in the Great Basin Desert on the eastern slope of the Sierra Nevada Mountains, Nolan thoroughly understands the natureculture continuum, while also recognizing and valuing the meaning of natural forces that exceed and constrain the human. She offers an ecumenical view of what an ‘environment’ is and how ‘this new era of ecopoetical theory’ enables readers to appreciate the materiality of texts and the textuality of the physical world."" - From the Foreword by Scott Slovic

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Book SynopsisThis original collection of essays by experts in the field weave together the first comprehensive examination of Nevada-born Willy Vlautin’s novels and songs, as well as featuring 11 works of art that accompany his albums and books.Brutally honest, raw, gritty, down to earth, compassionate and affecting, Willy Vlautin’s writing evokes a power in not only theme, but in methodology. Vlautin’s novels, The Motel Life, Northline, Lean on Pete and The Free (2006-2014) chart the dispossessed lives of young people struggling to survive in difficult economic times and in regions of the U.S. West and Pacific Northwest traditionally viewed as affluent and abundant. Yet as his work shows, are actually highly stratified and deprived.Likewise, Vlauntin’s songs, penned as lead singer of the Americana band Richmond Fontaine chart a related territory of blue-collar landscapes of the American West and Northwest with a strong emphasis on narrative and affective soundscapes evocative of the similar worlds defined in his novels.Featuring an interview with Vlautin himself, this edited collection aims to develop the first serious, critical consideration of the important novels and songs of Willy Vlautin by exploring relations between region, music, and writing through the lens of critical regionality and other interdisciplinary, cultural, and theoretical methodologies. In so doing, it will situate his work within its regional frame of the American New West, and particularly the city of Reno, Nevada and the Pacific Northwest, whilst showing how he addresses wider cultural and global issues such as economic change, immigration shifts, gender inequality, and the loss of traditional mythic identities.The essays take different positions in relation to considerations of both novels and music, looking for links and relations across genres, always mindful of their specificity. Under the Western Sky shows how although apparently rooted in place, Vlautin’s work traces diverse lines of contemporary cultural enquiry, engaging in an effective and troubling examination of regional haunting.Trade ReviewBringing a sophisticated set of contemporary lenses to bear upon the musical and novel-writing career of Willy Vlautin, Under the Western Sky makes a strong case for Vlautin as a resonant voice in a new kind of West a considerable distance from earlier regional mythologies. In fact, Vlautin emerges as not only a representative, but a central figure whose fictions and songs evoke a series of landscapes - urban, rural, desert - characterized by marginalization, failure, and transience in many forms. Vlautin emerges as a literary son of Raymond Carver, but one who writes in his own voice and for whom music forms a profound and intimate complement to the fiction."" - Alan Weltzien, University of Montana Western

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Book SynopsisEste libro es el primero en rendirle un homenaje al gran critico chileno, Jaime Concha. Reune reflexiones personales de unos amigos academicos; ensayos sobre su docencia en Concepcion y su obra en general; estudios inspirados en los libros de Concha sobre Huidobro, Mistral y Neruda; capitulos dedicados al deber de la critica y la narrativa sobre la dictadura chilena; estudios incisivos de ex estudiantes de la Universidad de California en San Diego quienes son ahora son academicos; y la conferencia magistral que Concha diera en un simposio-homenaje en Santiago de Chile en 2015. La obra critica de Concha, entonces, sirve de pretexto para meditaciones, puente con estudios relacionados a su obra, y punto de arranque para estudios innovadores e independientes.

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Book SynopsisThe books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida’s long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists’ sketches of the area in prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.

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Book SynopsisFrom ancient Greek and Egyptian mythology to modern times, water has symbolized life, wisdom, fertility, purity, and death. Water also sustains and nourishes, irrigates our crops, keeps us clean and healthy, and contributes to our energy needs. Increased energy demands, coupled with the effects of climate change, have put a strain on our fresh water supply and water resources. Individuals and communities around the globe increasingly face droughts, floods, water pollution, water scarcity, and even water wars. We tend to address and solve these concerns through scientific and technological innovations, but social and cultural analyses and solutions are needed as well.In this edited collection, contributors tackle current water issues in the era of climate change using a wide variety of recent literature and film. At its core, this collection demonstrates that water is an immense reservoir of artistic potential and an agent of historical and cultural exchange. Creating familiar and relatable contexts for their water dilemmas, authors and directors of contemporary literary texts and films present compelling stories of our relationships to water, water health, ecosystems, and conservation. They also explore how global water problems affect local communities around the world and intersect with social and cultural aspects such as health, citizenship, class, gender, race, and ethnicity.This transformative work highlights the cultural significance of water—the source of life and a powerful symbol in numerous cultures. It also raises awareness about global water debates and crises.Trade ReviewThis edited book underscores how water is a creatively transformative symbol through which we synthesize environmental concerns and a source of cultural and political tensions exacerbated by climate change." - Chris Travis, Professor of Spanish and Latin American Literature, Elmhurst College"The collection is highly accessible. It gives a view of the representation of water from a variety of perspectives and introduces readers to likely unfamiliar texts—the Stanza Stones art/poetry installation or the Niger Delta poets—while providing unique new interpretations and/or insight into more familiar texts such as Chinatown or The Milagro Beanfield War." - Scott DeVries, author of Creature DiscomfortTable of Contents Introduction Part 1: Water Natures: Culture, Identity, and Creativity Chapter 1. Liquidity Incorporated: Economic Tides and Fluid Data in Hito Steyerl's Liquidity, Inc. Christina Gerhardt and Jaimey Hamilton Faris Chapter 2. Material States of Poetry: The Stanza Stones Emma Trott Chapter 3. Preying on Water: Hunting Spiritual and Environmental Rebirth on the Kentucky River in Selected Essays from Wendell Berry's The Long-Legged House Andrew S. Andermatt Chapter 4. "Let everything that binds fall": The Significance of Water in David Vann's Fiction Sofia Ahlberg Chapter 5. Water-blind: Erosion and (Re)Generation in Colm Tóibín's The Heather Blazing Julienne H. Empric Part 2: Water Cultures: Nations, Borders, and Water Wars Chapter 6. A Clash of Water Cultures in John Nichols' The Milagro Beanfield War Susan J. Tyburski Chapter 7. Watershed Ethics and Dam Politics: Mapping Biopolitics, Race, and Resistance in Sleep Dealer and Watershed Tracey Daniels-Lerberg Chapter 8. Thomas King Tells a Different Story: Dams, Rivers, and Indigenous Literary Hydromythology Rebecca Lynne Fullan Chapter 9. Shifting Tides: A Literary Exploration of the Colorado River Delta Paul Formisano Chapter 10. Poetry and Revolution on the Brink of Ecological Disaster: Ernesto Cardenal and the Interoceanic Canal in Nicaragua Jeremy G. Larochelle Chapter 11. "Bad for the glass": Chinatown's Skewed Rendition of the California Water Wars Robert Niemi Chapter 12. The Cinematic Portrayal of Water Wars in Bolivia and Ecuador Laura Hatry Part 3: Arid and Awash: High Pollution, High Energy Demands, and High Waters Chapter 13. Troubled Waters: Unveiling Industrial Negligence in Three Deepwater Horizon Films Ila Tyagi Chapter 14. The River as Character in Niger Delta Poetry Idom T. Inyabri Chapter 15. Water and Mental Health in Three British Climate Fiction Novels Giulia Miller Chapter 16. There Will Be Blood: Water Futures in Paolo Bacigalupi's The Water Knife and Claire Vaye Watkins' Gold Fame Citrus Paula Anca Farca Concluding Remarks About the Contributors

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Book SynopsisThe Victorian Age introduces students of nineteenth-century literary and cultural history to the main areas of intellectual debate in the Victorian period. Bringing together for the first time in one volume a wide range of primary source material, this anthology gives readers a unique insight into the ways in which different areas of Victorian intellectual debate were interconnected.The Victorian Age covers developments in social and political theory, economics, science and religion, aesthetics, and sexuality and gender, and provides access to a range of documents which have hitherto been highly inaccessible - both difficult to locate and difficult to interpret and understand. This authoritative anthology contains:* a general introduction which explains the various ways in which the relationships between literary and intellectual culture can be theorised* essays describing the background to the areas of debate illustrated by the selected source documents* bibliographical notes on all the documents included* brief accounts of the reputation and career of the documents' authors.This volume will enable humanities students, as well as the general reader, to understand complex areas of debates in an unusually wide range of disciplines, several of which will be unfamiliar.

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Book SynopsisThis book is divided into five parts and covers: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history.Trade Review "If you seek a reader for the history of ideas...then Professor Selden's book is perfect." Modern Language Review "...an impressive feat of scholarship." Times Literary SupplementTable of ContentsPreface Acknowledgements Introduction Part 1 - Representation 1. Imaginative Representation 2. Mimesis and Realism 3. Nature and Truth 4. Language and Representation Part II - Subjectivity 1. Wit Judgement, Fancy and Imagination 2. Genius, Nature vs Art 3. Emotive Theories 4 Subjective criticism and the reader's reponse 5. Unconscious Processes Part III - Form, System and Structure 1. The Aesthetic Dimension 2. Unity and Literariness 3. Ambiguity and Polysemy 4. Impersonality and the 'death' of the author 5. Rhetoric - Style and point of view 6. Structuree and system 7. Structure and Indeterminacy Part IV - History and Society 1. Tradition and Intertextuality 2. History 3. Literature and 'life' 4. Class and Gender Index

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Book SynopsisPopular commercial fiction emerged in the nineteenth century, with serialised novels and sensational penny dreadfuls. Today it remains a multi-million dollar industry giving pleasure to many, but it is also a field of growing interest for scholars and students of literature. This Companion covers the major developments in the history of popular fiction, with specially commissioned chapters on pulp fiction, bestsellers, and comics and graphic narratives. The volume also examines the public and personal everyday contexts within which popular texts are read, highlighting the ways in which such narratives have circulated across a variety of constantly changing media, including theatre, television, cinema and new computer-based digital forms. Case studies from key genres - crime fiction, romance and Gothic horror - as well as a full chronology and guide to further reading make this collection indispensable to all those interested in this complex and vibrant cultural field.Trade Review'It is a subject which stretches back (and forward) in time, across cultures, media, readers or consumers and is constantly shifting, especially now in the light of rapidly developing technology. This is a thorough survey of the current state of academic study of this area … for academics and students it is an invaluable source and guide to a subject, or subjects, of wide social, cultural and academic application.' Stuart James, Reference ReviewsTable of ContentsIntroduction David Glover and Scott McCracken; 1. Publishing, history, genre David Glover; 2. Fiction, theatre, and early cinema Nicholas Daly; 3. Television and serial fictions John Caughie; 4. The public sphere, popular culture and the true meaning of the Zombie Apocalypse Roger Luckhurst; 5. The reader of popular fiction Nicola Humble; 6. Reading time: popular fiction and the everyday Scott McCracken; 7. Gender and sexuality in popular fiction Kaye Mitchell; 8. Pulp sensations Erin A. Smith; 9. Bestselling fiction: machinery, economy, excess Fred Botting; 10. Comic books and graphic novels Hilary Chute and Marianne Dekoven; 11. Popular fictions in the digital age Brenda Silver; Further reading; Index.

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Book SynopsisAn accessible, wide-ranging introduction to one of the most important aspects of Romantic cultural history, aimed at scholars and students alike. This is the only collection of its kind to focus exclusively on the Romantic sublime, its sources, and its afterlives, including state-of-the-art perspectives in digital and environmental humanities.Table of ContentsIntroduction: The romantic sublime, then and now Cian Duffy; Part I. The Sublime Before Romanticism: 1. The classical sublime Patrick Glauthier; 2. The natural sublime in the seventeenth century Dawn Hollis; 3. The sublime in eighteenth-century English, Irish and Scottish philosophy Cian Duffy; 4. The Nordic sublime Lis Møller; Part II. Romantic Sublimes: 5. German romanticism and the sublime Christoph Bode; 6. The romantic sublime and Kant's critical philosophy Timothy M. Costelloe; 7. Alpine sublimes Patrick Vincent; 8. Urban sublimes Matthew Sangster; 9. Highlands, lakes, wales Simon Bainbridge; 10. Science and the sublime Richard C. Sha; 11. Musical sublimes Miranda Stanyon; 12. The arctic sublime Robert W. Rix; 13. The body and the sublime Norbert Lennartz; 14. The sublime in romantic painting Nina Amstutz; 15. From the sublime to the ridiculous Andrew McInnes; 16. The sublime in American romanticism Cassandra Falke; Part III. Legacies: 17. The Victorian chthonic sublime Tatjana Jukić; 18. Mapping the nineteenth-century sublime Joanna E. Taylor, Christopher Donaldson and Ian N. Gregory; 19. The romantic sublime and environmental Crisis Tess Somervell.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisDespite an unprecedented level of interest in the interaction between law and literature over the past two decades, readers have had no accessible introduction to this rich engagement in medieval and early Tudor England. The Cambridge Companion to Medieval English Law and Literature addresses this need by combining an authoritative guide through the bewildering maze of medieval law with concise examples illustrating how the law infiltrated literary texts during this period. Foundational chapters written by leading specialists in legal history prepare readers to be guided by noted literary scholars through unexpected conversations with the law found in numerous medieval texts, including major works by Chaucer, Langland, Gower, and Malory. Part I contains detailed introductions to legal concepts, practices and institutions in medieval England, and Part II covers medieval texts and authors whose verse and prose can be understood as engaging with the law.Trade Review'The Cambridge Companion to Medieval English Law and Literature provides a useful introduction to the intersection of law and literature from the Middle Ages … this collection provides a rewarding read, and it will be of use to a broad array of literary scholars in later periods, as well as to those researching the origins of so many political and theological controversies in Anglo-American culture, many of which are shown to have their roots in medieval legal contexts.' Brian C. Lockey, Renaissance QuarterlyTable of ContentsPart I. Legal Contexts: 1. English law before the conquest Stefan Jurasinski; 2. Languages and law in late medieval England: English, French and Latin Gwilym Dodd; 3. Canon and civil law Peter D. Clarke; 4. Custom and common law Paul Raffield; 5. Magna Carta and statutory law Anthony Musson; 6. Treatises, tracts, and compilations Don C. Skemer; Part II. Literary Texts: 7. Treason Neil Cartlidge; 8. Complaint literature Wendy Scase; 9. Political literature and political law Andy Galloway; 10. William Langland Emily Steiner; 11. Geoffrey Chaucer Candace Barrington; 12. John Gower R. F. Yeager; 13. Lollards and religious writings Fiona Somerset; 14. Lancastrian literature Sebastian Sobecki; 15. Middle English romance and Malory's Le Morte Darthur Corinne Saunders; 16. Marriage and the legal culture of witnessing Emma Lipton.

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Book SynopsisThis newly commissioned volume presents a focused overview of Dante''s masterpiece, the Commedia, offering readers of today wide-ranging insights into the poem and its core features. Leading scholars discuss matters of structure, narrative, language and style, characterization, doctrine, and politics, in chapters that make their own contributions to Dante criticism by raising problems and questions that call for renewed attention, while investigating contextual concerns as well as the current state of criticism about the poem. The Commedia is also placed in a variety of cultural and historical contexts through accounts of the poem''s transmission and reception that explore both its contemporary influence and its continuing legacy today. With its accessible approach, its unstinting focus on the poem and its attention to matters that have not always received adequate critical assessment, this volume will be of value to all students and scholars of Dante''s great poem.Table of ContentsIntroduction Zygmunt G. Barański and Simon Gilson; 1. Narrative structure Lino Pertile; 2. Dante Alighieri, Dante-poet, Dante-character Giuseppe Ledda; 3. Characterization Laurence E. Hooper; 4. Moral structure George Corbett; 5. Title, genre, metaliterary aspects Theodore J. Cachey, Jr; 6. Language and style Mirko Tavoni; 7. Allegories of the corpus James C. Kriesel; 8. Classical culture Simone Marchesi; 9. Vernacular literature and culture Tristan Kay; 10. Religious culture Paola Nasti; 11. Doctrine Simon Gilson; 12. Politics Claire E. Honess; 13. Genesis, dating, and Dante's 'other works' Zygmunt G. Barański; 14. Transmission history Prue Shaw; 15. Early reception until 1481 Anna Pegoretti; 16. Later reception from 1481 to the present Fabio Camilletti.

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Book SynopsisOffering a comprehensive overview of Atwood's ever-changing work, this second edition of The Cambridge Companion to Margaret Atwood is designed for students, scholars and curious readers alike, placing emphasis on Atwood's recent dystopias including The Testaments, and the television adaptation of The Handmaid's Tale.Trade Review'Recommended.' T. Ware, Choice Connect'This book is a worthy addition to the series. Its focus on topics as diverse as Canadian identity, dystopias, power, poetry and poetics, environmentalism, humour, feminism, and digital technology ensure that there is something for all Atwood fans, and for Canadian scholars in general.' Jane Ekstam, British Journal of Canadian StudiesTable of ContentsIntroduction Coral Ann Howells; 1. Margaret Atwood in her Canadian context David Staines; 2. Margaret Atwood on questions of power Pilar Somacarrera; 3. Home and nation in Margaret Atwood's later fiction Eleonora Rao; 4. Margaret Atwood's female bodies Sarah A. Appleton; 5. Margaret Atwood and environmentalism J. Brooks Bouson; 6. Margaret Atwood and history Gina Wisker; 7. Margaret Atwood's revisions of classic texts Fiona Tolan; 8. Margaret Atwood's humor Marta Dvořák; 9. Margaret Atwood's poetry and poetics Branko Gorjup; 10. Margaret Atwood's later short fiction Reingard M. Nischik; 11. Margaret Atwood's recent dystopias Coral Ann Howells; 12. The Hulu and MGM television adaptations of The Handmaid's Tale Eva-Marie Kröller.

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Book SynopsisThis collection of thirty-five lively and accessible essays offers a comprehensive account of the life and work of Fyodor Dostoevsky (182181), set within social, political, cultural and literary contexts.Table of ContentsChronology; 1. Introduction: the many worlds of Dostoevsky Olga Maiorova and Deborah A. Martinsen; Part I. Social, Historical, and Cultural Contexts: Section 1. Changing Political, Economic, and Social Landscape: 2. The great reforms and the new courts Richard Wortman; 3. The abolition of serfdom Nathaniel Knight; 4. Punishment and crime Anna Schur; 5. Socialism, utopia, and myth James P. Scanlan; 6. Nihilism and terrorism Derek Offord; 7. The 'woman question', women's work, women's options Barbara Engel; 8. The economy and the print market Jonathan Paine; Section 2. Political, Social, and Cultural Institutions: 9. Russian monarchy and the people Richard Wortman; 10. Empire Olga Maiorova; 11. Service ranks Irina Reyfman; 12. Education Inessa Medzhibovskaya; 13. Science, technology, and medicine Michael D. Gordin; 14. Jews, race, and biology Harriet Murav; 15. Suicide Susan Morrissey; 16. Children Robin Feuer Miller; 17. Gambling Richard J. Rosenthal; Section 3. Space and Place: 18. Symbolic geography Anne Lounsbery; 19. St Petersburg Robert Belknap; 20. The Crystal Palace Sarah J. Young; Section 4. Religion and Modernity: 21. Orthodox spirituality Nel Grillaert; 22. Religious dissent Irina Paert; 23. Roman Catholicism Mikhail Dolbilov; 24. Islam Robert Geraci; Part II. Literature, Journalism, and Languages: 25. Modern print culture Konstantine Klioutchkine; 26. Realism Liza Knapp; 27. Dostoevsky: translator and translated Carol Apollonio; 28. Travel and travel writing Susan Layton; 29. Folklore Linda Ivanits; 30. Foreign languages Karin Beck; 31. Theater Maude Meisel; 32. Dostoevsky's journalism and fiction Ellen Chances; 33. Dostoevsky's journalism in the 1860s Sarah Hudspith; 34. Dostoevsky's journalism in the 1870s Kate Holland; 35. Censorship Irene Zohrab; Glossary; Further reading.

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George Orwell''s Nineteen Eighty-Four (1949) remains a book of the moment. This Companion builds on successive waves of generational inheritance and debate in the novel''s reception by asking new questions about how and why Nineteen Eighty-Four was written, what it means, and why it matters. Chapters on a selection of the novel''s interpretative contexts, the literary histories from which it is inseparable, the urgent questions it raises, and the impact it has had on other kinds of media, ranging from radio to video games, open up the conversation in an expansive way. Established concerns (e.g. Orwell''s attitude to the working class, his anxieties about the socio-political compartmentalization of the post-war world) are presented alongside newer ones (e.g. his views on evil, and the influence of Nineteen Eighty-Four on comics). Individual essays help us see in new ways how Orwell''s most famous work continues to be a novel for our times.

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