Keyboard instruments Books

Joining the Dots is designed to improve students' skills in reading music at sight, enabling them to perform new music with confidence. The books feature short, creative exercises which help students to develop their ability to read music more quickly and easily, both in exams and when learning new pieces. They're perfect for use during lesson time or individual practice! The series covers the requirements for ABRSM's sight-reading tests at each of Grades 1 to 8. Each book includes: * Key Features - help the student familiarise themselves with the keys at each grade * Workouts - warm up and technical exercises help establish basic hand shapes and finger patterns within each key * Transpose - encourage a confident sense of key and develop skills in reading by shape * Make Music - build confidence in creative and imaginative work, and develop musical ideas and aural skills through simple improvisation exercises * Read and Play - work through examples and practice how to approach sight-reading in the exam: read the title, work out the rhythm, find the notes and play the music!

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Book SynopsisEncore is the official collection of best-loved ABRSM piano exam pieces, selected from syllabuses of the past few decades. Pianists will find an appealing mix of repertoire, while teachers can be confident that the perfect balance of content has been selected at every level. Book 3 features 19 popular pieces at Grades 5 and 6. Have fun exploring modern favourites and timeless classics, like Satie's Gymnopédie No. 1, or Of Foreign Lands and Peoples by Schumann. Footnotes provide background information, a summary of the key skills that each piece develops, and new ideas for exploring the music. Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams Whether you're working through our exams, playing informally, or planning a performance, Encore is full of music you'll want to play again and again!Trade ReviewThese books are essential collections of popular, exciting pieces. My favourites include the classic Top Cat!, Grieg's romantic, lyrical Arietta and the delightful, jazzy Blue Sky Blues. I am certain that students and teachers alike will love the versatility of these appealing books as much as I do! Martin James Bartlett * BBC Young Musician of the Year 2014 *Pianists will find works they've always wanted to play, and discover new repertoire too! Erica Worth * Pianist magazine *A vibrant and inspiring series...what better way to encourage students than with these tried and tested favourites. Murray McLachlan * EPTA *Could easily serve as a one-stop shop for a piano curriculum. An inspiring and excellent set of repertoire. * Music Teacher *...these are must-have collections for modern teachers as they cover such a wide variety of styles and genres exploring both new and old works from composers all around the world. * TimTopham.com *Table of ContentsMiniature in D minor, No. 2 from 10 Miniatures en forme d'Etudes, Op. 8 [Alexander Gedike] ; Vivace assai: No. 11 from XII petites pieces [Joseph Haydn] ; Air in F, from the 'Water Music', HWV 464 [George Frideric Handel] ; Rondo: Sonatina in E, Op. 12 No. 12, second movement [James Hook] ; Of Foreign Lands and People (Von fremden Landern und Menschen), Op. 15 No. 1 [Robert Schumann] ; By the Brook, No. 6 from Album for the Young, Op. 25 [Genari Karganov] ; To a Wild Rose: No. 1 from Woodland Sketches, Op. 51 [Edward MacDowell / Rowsby Woof] ; Jackson Street Blues [Martha Mier] ; Invention No. 14 in B flat, BWV 785 [Johann Sebastian Bach] ; Columbine Dances, No. 1 from Puppets, Vol. 1 [Bohuslav Martinu] ; Waltz in A flat: No. 15 from Waltzes, Op.39 [Johannes Brahms / Kevin Hathway] ; Modulations (from Blue Piano) [Mike Cornick] ; Soiree Polka [Stephen Collins Foster] ; Adagio: 1st movement from Sonata in D, Op. 1 No. 4 [Baldassare Galuppi] ; Song without Words [Felix Mendelssohn] ; Gymnopedie No. 1 [Erik Satie] ; Vals Poetico (Po

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Book SynopsisFirst published over seventy years ago, this imaginative series of studies is as useful and relevant now as it ever has been. Each volume has studies composed by well known and lesser known composers and is carefully graded to offer a variety of keys, time signatures, textures and tempi, whilst each study is given a title which tells the student exactly what it is trying to achieve. These books provide invaluable practice material for the building of technique and are also enjoyable to play in their own right.Table of ContentsStudy in G, Op. 100 No. 14 [Henri Bertini] ; Study in G, Op. 23 No. 7 [Brunner] ; Study in C, Op. 139 No. 70 [Czerny] ; Study in G, Op. 139 No. 25 [Czerny] ; Study in C, Op. 120 No. 1 [J. B. Duvernoy] ; Study in Bb (Allegro moderato) [H Herz] ; Study in C, Op. 50 No. 1 [L. Kohler] ; Study in Bb, Op. 24 No. 8 [Le Couppey] ; Study in Eb, Op. 24 No. 9 [Le Couppey] ; Study in C, Op. 37 No. 12 [Lemoine] ; Study in F, Op. 37 No. 20 [Lemoine] ; Study in E minor, Op. 65 No. 42 [Loeschhorn] ; Study in C, Op. 37 No. 1 [Stamaty] ; Study in C, Op. 37 No. 5 [Stamaty] ; L'Harmonie des Anges (Angelic Harmony), Op. 100 No. 21 [J. F. F Burgmuller] ; Tendre Fleur (Tender Flower), Op. 100 No. 10 [J. F. F Burgmuller] ; Study in B minor, Op. 139 No. 98 [Czerny] ; Study in C, Op. 47 No. 1 [Stephen Heller]

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Book SynopsisThis volume brings together two early collections by Grieg to form an attractive first book of characterful piano pieces. The Lyric Pieces, published when the composer was 24, are amongst the easiest pieces Grieg wrote for the piano, and represent a conscious attempt to provide accessible and tuneful music for beginners.Trade ReviewA charming set of pieces. * Music Teacher *Table of ContentsAlbum Leaf ; Arietta in Eb, Op. 12 No. 1 ; Dance of the Elves, Op. 12 No. 4 ; Norwegian Air, Op. 12 No. 6 ; Poetic Tone-Pictures, Op. 3 (6): Nos. 1 in E minor, 2 in Bb, 3 in C minor, 4 in A, 5 in F, 6 in E minor ; Song of the Fatherland, Op. 12 No. 8 ; Waltz in A, Op. 12 No. 2 ; Watchman's Song, Op. 12 No. 3 ; Folk Song, Op. 12 No. 5

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Book SynopsisHandel's Eight Great Suites are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.Table of Contents1. Prelude, from Suite No. 5 in E, HWV 430 ; 5. Gigue, from Suite No. 8 in F minor, HWV 433 ; 4. Courante, from Suite No. 8 in F minor, HWV 433 ; 3. Allemande, from Suite No. 8 in F minor, HWV 433 ; 2. Fuga Allegro, from Suite No. 8 in F minor, HWV 433 ; 1. Prelude, from Suite No. 8 in F minor, HWV 433 ; 6. Passacaille, from Suite No. 7 in G minor, HWV 432 ; 5. Gigue, from Suite No. 7 in G minor, HWV 432 ; 4. Sarabande, from Suite No. 7 in G minor, HWV 432 ; 3. Allegro, from Suite No. 7 in G minor, HWV 432 ; 2. Andante, from Suite No. 7 in G minor, HWV 432 ; 1. Ouverture Largo, from Suite No. 7 in G minor, HWV 432 ; 4. Gigue, from Suite No. 6 in F sharp minor, HWV 431 ; 3. [Fuga] Allegro, from Suite No. 6 in F sharp minor, HWV 431 ; 2. Largo, from Suite No. 6 in F sharp minor, HWV 431 ; 1. Prelude, from Suite No. 6 in F sharp minor, HWV 431 ; 4. Air and Doubles, from Suite No. 5 in E, HWV 430 ; 3. Courante, from Suite No. 5 in E, HWV 430 ; 2. Allemande, from Suite No. 5 in E, HWV 430

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Book SynopsisBach composed these Inventions in 1722/3 for the instruction in keyboard playing and composition of his eldest son, Wilhelm Friedemann, who was then just 12. Richard Jones's edition of these pieces is also available from ABRSM in a 'Signature' Series edition, where they are combined with the (three-part) Sinfonias and given more textual commentary.Trade ReviewThis is a very welcome volume. * Piano Journal *Table of ContentsInvention No. 1 in C, BWV 772 ; Invention No. 2 in C minor, BWV 773 ; Invention No. 3 in D, BWV 774 ; Invention No. 4 in D minor, BWV 775 ; Invention No. 5 in Eb, BWV 776 ; Invention No. 6 in E, BWV 777 ; Invention No. 7 in E minor, BWV 778 ; Invention No. 8 in F, BWV 779 ; Invention No. 9 in F minor, BWV 780 ; Invention No. 10 in G, BWV 781 ; Invention No. 11 in G minor, BWV 782 ; Invention No. 12 in A, BWV 783 ; Invention No. 13 in A minor, BWV 784 ; Invention No. 14 in Bb, BWV 785 ; Invention No. 15 in B minor, BWV 786 ; Inventions (15), BWV 772-786

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Book SynopsisBorn of an Italian family, Joseph-Hector Fiocco (1703-41) spent most of his working life in Brussels and Antwerp, where he was maître de chappelle at the cathedral. These attractive pieces have been selected from his only known harpsichord works, two suites of 12 movements each, and are typical of much Baroque keyboard music in their charm and tunefulness.

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Book SynopsisFive superb albums of graded pieces provide a wealth of jazz repertoire. Throughout, there is a huge range of styles, from bebop blues to calypsos, boogie-woogie to ballads, jazz waltzes to free jazz. There are classic tunes by the jazz greats, including Duke Ellington, Miles Davis and Thelonious Monk. And there are brand-new pieces specially commissioned from professional British jazz musicians and educators. Each album presents 15 pieces in three lists: blues, standards and contemporary jazz. The head of each piece is set out with all the characteristic voicings, phrasing and rhythmic patterns you need for a stylish performance. The improvised section gives guideline pitches and left-hand voicings as a practical starting-point. Accessible, student-centred and of the highest musical standards, these pieces will get you playing jazz confidently and creatively.Trade ReviewA musical revolution that should make every jazz lover leap for joy. * The Guardian *The arrival of the Associated Board's jazz syllabus marks a vital step towards recognition that jazz requires study and discipline like any other art form. * Stuart Nicholson, Author 'Jazz Rock: a History' and 'Billie Holiday' *The new Associated Board jazz syllabus is not only timely for young and not so young Australian musicians now clamouring to know more about jazz-it is an attractive, well-thought through compilation of 'real' jazz knowledge that will get authentic results. * Associate Professor Patrick Crichton, Head of Jazz Studies, Western Australian Conservatorium of Mus *Awe-inspiring in its thoroughness...Especially impressive in this series are the specific scales, aural skills and piano pieces-a pedagogical marvel that Americans would do well to emulate * Piano & Keyboard *A comprehensive, intelligent, beautifully packaged presentation. * Piano *Table of ContentsBedford Square Blues [Richard Michael] ; Oh Lord, Don't let them Drop that Atomic Bomb on me [Charles Mingus] ; Bags' Groove [Milt Jackson] ; Slinky Thing [Simon Whiteside] ; Prove you Groove [Phil Peskett] ; Perdido [Juan Tizol] ; Inchworm [Frank Loesser] ; Jean Pierre [Miles Davis] ; (Old Man from) The old Country [Nat Adderley / Curtis Lewis] ; Is you is, or Is you ain't (ma' Baby)? [Billy Austin / Louis Jordan] ; Bottle Junction [Nikki Iles] ; Blue Autumn [Eddie Harvey] ; He is sadly melting [Phil Peskett] ; Here we go again [Michael Garrick] ; Yokate [Huw Warren]

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This book of jazz piano scales will develop the technical skills you need to play jazz. It introduces patterns characteristic of the idiom, like the blues scales, the b3 pentatonic and various modes. It also explores these patterns on the roots and key centres commonly found in jazz. Regular and flexible practice of these forms, and using them as the basis for improvisation, will give you fluency and technical control and make your playing sound effortless and relaxed. As an accompaniment to the Board's jazz piano syllabus, this book sets out the scales by grade and gives a table of recommended speeds. It also provides details of what the examiner will be looking for in your playing.

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Book SynopsisProfessor Sir Donald Tovey's celebrated bar-by-bar analysis of Beethoven's 32 Pianoforte Sonatasremains a key text for pianists, students, scholars and music lovers. Intended as a companion to the ABRSM's Complete Pianoforte Sonatas edition - edited by Harold Craxton but with each work prefaced by Tovey's practical and critical notes - the book contains a succinct and illuminating summary of the author's analytical approach before each sonata is dealt with in detail. This new imprint is prefaced with an introduction by Dr Barry Cooper, Lecturer in the Music Department of Manchester University. Tovey's text is reproduced faithfully; however, Dr Cooper has added footnotes to correct errors of fact or to qualify conclusions drawn by Tovey that the passage of time, since the book was first published in 1931, has suggested might be questionable. With the re-issue of this book, Tovey's famed insight, commonsense and wit will continue to enlighten and entertain the author's devotees, as well as a new generation of performers and students.Trade ReviewTovey's commentary has withstood the test of time and this new edition makes his insights newly available in an attractive format for students, pianists and music lovers in general. * Arietta *This edition will enable future generations to benefit from the insights of this most distinguished Beethoven scholar. * EPTA Piano Journal *Table of ContentsPreface to the Revised Edition [Barry Cooper] ; 1. Sonata in F minor, Op.2, No.1 [Donald Francis Tovey] ; 2. Sonata in A major, Op. 2, No. 2 [Donald Francis Tovey] ; 3. Sonata in C major, Op. 2, No. 3 [Donald Francis Tovey] ; 4. Sonata in E Flat major, Op. 7 [Donald Francis Tovey] ; 5. Sonata in C minor, Op. 10, No. 1 [Donald Francis Tovey] ; 6. Sonata in F major, Op. 10, No. 2 [Donald Francis Tovey] ; 7. Sonata in D major, Op. 10, No. 3 [Donald Francis Tovey] ; 8. Sonata in C minor, Op. 13 (Pathetique) [Donald Francis Tovey] ; 9. Sonata in E major, Op. 14, No. 1 [Donald Francis Tovey] ; 10. Sonata in G major, Op. 14, No. 2 [Donald Francis Tovey] ; 11. Sonata in B Flat major, Op. 22 [Donald Francis Tovey] ; 12. Sonata in A Flat major, Op. 26 [Donald Francis Tovey] ; 13. Sonata quasi una fantasia, in E Flat major, op. 27, No. 1 [Donald Francis Tovey] ; 14. Sonata quasi una Fantasia in C Sharp minor, op. 27, No. 2 [Donald Francis Tovey] ; 15. Sonata in D major, Op. 28 (Pastorale) [Donald Francis Tovey] ; 16. Sonata in G major, Op.

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Book SynopsisA critical edition of the 35 Piano Sonatas by Professor Barry Cooper, renowned Beethoven specialist. Includes a general Introduction covering performance practice, including tempo, articulation, pedalling and dynamics and commentary to each sonata, including history, full assessment of the sources and detailed notes on interpretation. Introductory audio included.Trade ReviewWINNER of Best Classical Publication * The MIA Awards 2008 *WINNER of Best Sheet Music International Piano Awards 2008This new Beethoven edition can be considered one of the landmark keyboard publications of the 21st century. There is no doubt that this new edition is of vital significance to the music community as a whole. Beethoven's sonatas now number 35, and the Associated Board has brought the works into more focus than ever before. * International Piano *This new edition is of vital significance to not only the piano community but also to the music community as a whole. Barry Cooper has brought the works into more focus for the 21st century than ever before. * EPTA Piano Professional *Attractively produced and modestly priced, this edition which promises to reach its aim to be faithful to Beethoven's intentions, and should be widely used by pianists, students, teachers and all those interested in the detail and wider context of these canonic masterpieces. * Arietta *Table of ContentsWoO47 No. 1, E flat major/Es-Dur ; WoO47 No. 2, F minor/f-Moll ; Op. 7, E flat major/Es-Dur ; Op. 49 No. 2, G major/G-Dur ; Op. 49 No. 1, G minor/g-Moll ; Op. 2 No. 3, C major/C-Dur ; Op. 2 No. 2, A major/A-Dur ; Op. 2 No. 1, F minor/f-Moll ; WoO47 No. 3, D major/D-Dur ; Op. 14 No. 2, G major/G-Dur ; Op. 14 No. 1, E major/E-Dur ; Op. 13 (Pathetique), C minor/c-Moll ; Op. 10 No. 3, D major/D-Dur ; Op. 10 No. 2, F major/F-Dur ; Op. 10 No. 1, C minor/c-Moll

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Book SynopsisHarold Taylor draws on a combination of Alexander Technique and the teaching of pianist Raymond Thiberge to propound a piano method that is all about overall mental and physical coordination rather than analysing different elements of technique. Playing the piano, in this world, is not about the fingers, but about the whole body; it’s not about conquering the external obstacle of the piano, but about removing the internal obstacles with which we habitually distort or get in the way of ourselves.Table of ContentsForeword by John Ogden; Preface; 1. Towards a Definition of Talent; 2. The Basis of Co-ordination; 3. 'Expansion' versus 'Contraction; 4. The Researches of Raymond Thiberge; 5. 'Vous êtes bien assis?'; 6. Co-ordination with the Keyboard; 7. The Teaching of Raymond Thiberge; 8. Freedom and Flexibility; 9. The Thumb; 10. Technical Notes on some Chopin Studies; 11. Studying, Repertoire and Performance; Biographical Notes; Bibliography

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Book SynopsisExploring emotion, story and sound expressed as a journey through a collection of evocative pieces for the beginning student.CONTENTS: Awaking; Skipping Stones; A Place To Dream; Dancing In The Rain; Coming Home.

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Book SynopsisDesigned to build on the foundation laid in Level 1, Repertoire Book 2 contains six key elements that promote the well-rounded development of each student. These elements include Reading Pieces, Rote Pieces, Challenge Pieces, Equal Part Duets, Theory, and Improvisation.Piano Safari: Libro de repertorio 2Disenado para para asentar las bases establecidas en el nivel 1, el Libro de repertorio 2 contiene seis elementos clave que promueven el desarrollo integral de cada alumno. Estos elementos incluyen: piezas de lectura, piezas por imitacion, piezas de desafio, duos, teoria e improvisacion.

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Book SynopsisThe Entertainer by Hans-Günter Heumann is ideal for beginners, returning musicians and music aficionados. The entertaining and well-known melodies from classical and pop music are fun to play and can be used both in music lessons and while playing the piano in one''s spare time.The Entertainer contains the scores of 100 entertaining pieces and songs which are easy and fun to play. The volume is divided in three sections, comprising almost everything a pianist might wish to have in his repertoire:The Popular Highlights include popular piano pieces like The Entertainer, the soundtrack from Amélie, My Heart Will Go On from Titanic, Memories from Cats, My Way by Frank Sinatra, and many other surprises.The titles in the chapter Classical Highlights are real favourites of the audience from the area of classical music which easily have the same effect like the pop and jazz pieces: Mozart''s Turkish March, Wagner''s famous Bridal Chorus, Brahms'' Hungarian Dance No. 5, and many more.The chapter Song Highlights contains absolutely catchy tunes from the areas of blues, gospel and folk music, like Oh Happy Day, Down By The Riverside or Matilda.Instrumentation:piano

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Book SynopsisThe works published in this collection are part of works that Leonce de Saint-Martin had designed specifically to fit into the course of the liturgy of the great feasts at Notre-Dame de Paris. These festivals were thus the occasion for a few compositions inspired sometimes by popular songs, sometimes by Gregorian themes.CONTENTS: Veni Creator (6 versets); Cinq antiennes pour la Pentecote; Gaudeamus (Toussaint); Cinq versets pour la Toussaint; Postlude

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Book SynopsisMaurice Journeau composed the 1st two movements of his Sonatine (Sonatina) Op.4 in 1922, at a time when he was still a student at the Ecole Normale de Musique de Paris. As for the third movement entitled Final (finale), it was written later in Biarritz, his native town where he returned In the year 1923.The sonatina was followed by three others, yet the composer always considered it as the most significant one.CONTENTS: Vif, fevrier 1922 (5'30''); Modere, septembre 1922 (5'00''); Vif et Scherzando, septembre 1923 (5'30'')It was first performed only in 1952 by Ginette Doyen at the SMI (Societe Musicale Independante) in Paris. Then, also with this french pianist, it was broadcast on the french national radio on February 11th, 1952.

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Book SynopsisThese three early pieces, for solo piano in semitone, which he had grouped together under the title Ombres, were recently found in the archives of the Paul-Sacher Foundation in Basel. The composer apparently did not disown them, as they were copied with the greatest care. They testify, as shown by the notes below, to the powerful exaltation of his youth, which the composer had moreover retained throughout his life.

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Book SynopsisRight@Sight is based on musical material from T. A. Johnson''s celebrated Read and Play sight-reading series. Using an entirely new presentation, Caroline Evans brings a refreshingly direct approach to the development of this vital musical skill.Each exercise takes as its starting point TRaK - Time, Rhythm and Key. Helpful and imaginative guidance encourages the student to meet the various practical and interpretative challenges introduced in each new piece. Conveniently presented in 8 progressive volumes corresponding to examination grades, Right@Sight is the only sight-reading course you are likely to need.

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Book SynopsisA fascinating look at the technique of world-renowned pianists from the last two centuriesTrade Review. . . [a] classic study of keyboard technique . . . . -- Patricia Stroh * Beethoven Journal *This book was eye-opening when the first edition . . . appeared, and it remains so today. . . . The new edition is somewhat enhanced with the addition of a short foreword by Alan Walker and a number of appendixes that refer the reader to specific discussion areas such as 'the aesthetic imperative, mental and psychological control, isolated movements, coordinated movements, posture,' and so on. . . . Recommended. . . . * Choice *. . . the expanded part of Gerig's book [is] so impressive that this section by itself is worth more than the price of the book. Just one of the cross-referenced ideas would be enough to spur a thesis, dissertation, or lecture-recital. . . . Scholars will not be disappointed at the array of obscure facts and hard-to-locate bibliography. Pedagogues will relish this text as an indispensable reference for their courses and daily work. Pianists will be able to constantly refer and return to their historical heritage. Gerig's book has not only withstood the test of time, but will continue to do so. * Piano Journal *For both amateurs and professionals, Professor Gerig's book is entertaining and informative reading. Serious students of the instrument should place a high priority on owning this revision and reading it from cover to cover. From Mr. Gerig's enlightening narrative we learn as much about the lives of legendary pianists and pedagogues, their performing, and their teaching as we do about piano technique. Lastly, the paperback cover keeps the cost of the volume reasonable.Vol.25.1 Winter/Spring 2009 -- Reid Alexander * University of Illinois at Urbana-Champaign *Called 'the bible of piano technique' by Maurice Hinson, this book is a comprehnsive resource for the student, teacher and professional pianist. January 7, 2011 * The Washington Times *Table of ContentsForeword by Alan WalkerPreface and Acknowledgments1. The Meaning of Technique2. The Early Clavier Methods3. The Beginnings of the Piano4. Mozart and the Early Piano Technique5. Hummel: The Culmination of the Viennese Era6. The Dynamic Beethoven Technique7. Czerny: Technique Personified8. The Early Methodology9. The Lyricism of Chopin10. Liszt and Virtuoso Technique11. The Schumann Circle12. The Beginnings of Modern Technical Methods13. The Leschetizky Influence14. Russian Nationalism15. The French School16. Breithaupt and Weight Technique17. The English School: Matthay; His Pupils and Colleagues18. Ortmann: Piano Technique Comes of Age19. Contemporary Technical Thought20. The Perspectives of an Enlightened Piano TechniqueAppendices1. The Aesthetic Imperative2. Mental and Psychological Control3. An Intellectual Grasp of Basic Technical Knowledge4. Isolated Movements5. Coordinated Movements6. Muscular Coordination7. The Kinesthetic Sense8. Posture9. Means for Specific Technical Development10. Historical Concepts and Perspectives of Piano Technical Thought11. Supplementary BibliographyBibliographyGlossaryIndex

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Book Synopsis"How to Play Piano" contains everything the new or intermediate piano player needs to know to really get to grips with making music on this most popular of instruments. Highly practical, it leads you from the basics to more complex techniques, covering playing with the left hand, right hand and both together, along with a basic introduction to reading music. The clear text is accompanied by illustrative photos and diagrams, and the guide is complemented by some classic practice pieces to try your hand(s) at, such as "Für Elise" and "Pachelbel's Canon", as well as a glossary and further reading.

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Book SynopsisA comprehensive and immersive survey of thirty-five Beethoven piano sonatas

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Book SynopsisThis work is part of a series of comprehensive practical guides for the solo piano. A reference book for all levels - amateur, student, teacher and professional - the purpose of the series is to help pianists with their choice of music to suit their own styles and capabilities, and to discuss their technical and interpretive demands. This volume provides a complete survey of Chopin's music for solo piano, including a graded list of his works together with detailed suggestions for study and performance. An extended introduction places Chopin in the context of his time, distancing him from the romantic misconceptions that have dogged his reputation through successive generations.Trade Review'Eleanor Bailie has a disciplined yet refreshingly natural way of dealing with the necessary regard for structure and detail, and ceaseless care for the many technical problems present in Chopin's works, balanced simply and convincingly by the sheer love of music. This is a rare talent indeed...' - Peter Katin; 'The author has a unique way of involving us and of instilling into the pianists compulsion to turn to that particular piece and find out more about it. In summary, this book is a treasure-trove.' - Beryl Chempin, Piano Journal; 'This book exudes the love and practical knowledge of Chopin's work. It will help pianists, teachers and students to enter the unique world of Chopin.' - Jean-Jacques EigeldingerTable of ContentsForeword by Peter Katin, Preface, Introduction, 1. More Specific Aspects of Style, 2. Some Explanations and Amplifications, 3. Editions, 4. A Graded List of Chopin's Works for Solo Piano, 4.1 Preludes, 4.2 Mazurkas, 4.3 Waltzes, 4.4 Polonaises, 4.5 Nocturnes, 4.6 Studies, 4.7 Trois Nouvelles Etudes, 4.8 Scherzos, 4.9 Ballades, 4.10 Sonatas, 4.11 Impromptus, 4.12 Rondos, 4.13 Variations, 4.14 Miscellaneous Works, 4.15 Works for Solo Piano without Opus Numbers, 4.16 Other Works, Persons mentioned in the text, Appendix, Bibliography, Index

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Book Synopsis(Faber Piano Adventures ). The 2nd Edition Level 2A Technique & Artistry Book features effective "Technique Secret" exercises which train students in firm fingertips, light thumb, fast fingers, hands together coordination, and wrist float-off. An "Artistry Magic" piece at the end of each unit explores expressive playing. A useful reference section presents all twelve major 5-finger scales plus the seven white key minor 5-finger scales, grouped in easy to memorize patterns.

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