Installation art Books

Book SynopsisArt is not what you see, but what you make others see. Edgar DegasCovering every era and over 650 artists, this comprehensive, illustrated guide offers an accessible yet expansive view of art history, featuring everything from iconic works and lesser-known gems to techniques and themes.Offering a comprehensive overview of Western artists, themes, paintings, techniques, and stories, Art: A Visual History is packed full of large, full-colour images of iconic works and lesser-known gems. Exploring every era, from 30,000BCE to the present, it includes features on the major schools and movements, as well as close-up critical appraisals of 22 masterpieces - from Botticelli''s Primavera to J. M. W. Turner''s The Fighting Temeraire. With detailed referencing, crisp reproductions and a fresh design, this beautiful book is a must-have for anyone with an interest in art history - from first-time gallery goers to knowledgeab

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Book SynopsisLatifa Echakhch studied at the art academies of Grenoble, Paris-Cergy, and Lyon. Now based in Switzerland, Eckakhch is concerned with the concept of culture as well as personal and collective memory in between the poles of social and political debate. Her work often features installations that make use of a wide variety of materials, such as brick and raw earth, which she mixes with ink. This book is part of the new On Words series that presents conversations with contemporary women artists. Through them, readers come to understand the sources from which they draw inspiration, the themes in their work, and their view of the world. Edited by Julie Enckell, Federica Martini, and Sarah Burkhalter and bringing together a wide range of viewpoints, the On Words series adds a new narrative to polyphonic art history as told by those who actively shape it. Text in English and French.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisAs Seen on The View! One of host Sunny Hostin''s Favorite Things! Embark on the fragrant floral journey of celebrated florist Jeff Leatham’s award-winning flower arrangements and installations that he has created throughout his illustrious career.Featuring celebrated florist Jeff Leatham’s favorite flower arrangements from throughout his renowned career, The Art of the Flower takes readers on a fragrant, floral journey of Jeff’s over-the-top and world-famous flower arrangements and installations.. Get an inside look at the arrangements and installations made for his A-list celebrity clientele, as well as for luxurious locations including the Four Seasons Hotels in Beverly Hills, Philadelphia, and Paris; the New York Botanical Gardens; the Philadelphia Flower Show; and Bloomingdale’s. The Art of the Flower vividly showcases Leatham’s most famous and award-winning floral tapestries using full-color photography accompanied by commentary that reveals his creative inspiration. Leatham also includes insider flower-arranging tips and tricks that he has used to create his signature jaw-dropping arrangements for celebrity events. FLORIST TO THE STARS: Jeff Leatham has arranged flowers and events for top celebrities including Oprah Winfrey, Tina Turner, the Kardashians, Janet Jackson, Cher, Kylie Minogue, Nadja Swarovski, Chelsea Clinton, Eva Longoria, Dolly Parton, Madonna, and the Dalai Lama. AWARD-WINNING ARRANGEMENTS AND INSTALLATIONS: Jeff Leatham has served as creative director for numerous flower expositions such as “Habitat” at the 2021 Philadelphia Flower Show, “Kaleidoscope” at the 2020 New York Botanical Garden Orchid Show, and “The Five Senses” Holiday window theme at Bloomingdale’s. EXPERT FLOWER-ARRANGING TIPS AND TRICKS: Learn expert flower-arranging tips that anyone can use to create dramatic arrangements for gifts, parties, events, and home decor. FULL-COLOR PHOTOGRAPHY: The Art of the Flower features gorgeous full-color photography showcasing the beauty and intricacy of every floral arrangement and installation. PERFECT GIFT: With gorgeous floral arrangements and helpful tips and tricks, The Art of the Flower is the perfect gift book and flower arranging guide for anyone who appreciates stunning flowers and glamorous events.

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Book SynopsisKerry James Marshall (b.1955, Birmingham, Alabama) is one of the leading contemporary artists of his time. Internationally renowned for his revolutionary portraits of Black subjects, Marshall's work interrogates Western art history from the Renaissance to 20th-century American Abstraction challenging and recontextualizing the canon to include themes and depictions that have been historically omitted. He lives and works in Chicago. Michele Robecchi is a writer and editor based in London.

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Book SynopsisCamille’s art is visceral, immediate and instinctive. Her bold colours, playful shapes and geometric patterns create a powerful visual energy, lifting moods, stirring hearts and raising smiles in all who pass by. Known for her ambitious, largescale and explosively colourful interventions in public spaces, Camille Walala uses the manmade landscape as a platform for disseminating positivity. This timely monograph presents her work and philosophy in all its colourful glory. This book is available in eight different cover designs; books are shipped to customers at random.

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Book SynopsisBeautiful artist's book about Tin Drum's MR installation, Medusa. A meditation on emergent technologies, nature and architecture amidst the climate crisis with contributions from celebrated writers, academics and thinkers. The mixed reality Medusa installation began with the questions: is there even such a thing as non-physical architecture? What is the function of architecture without physical form? Directed by Yoyo Munk and produced by Tin Drum, it headlined the 2021 London Design Festival at the Victoria & Albert Museum. Yoyo Munk's first book is an exploration into Medusa's themes, reflecting on our changing relationship with architecture within the context of rapidly advancing technology and ongoing mass extinction. Featuring original artwork by Tin Drum, Medusa is a timely and moving artist's book about climate grief. Medusa includes fascinating conversations between Munk and Sou Fujimoto, the renowned architect and Medusa collaborator, James Bridle, author of Ways of Being; V

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Book SynopsisLaurence Bertrand Dorléac, art historian, professor of art history. Jérôme Sans, director of contemporary art institutions (Palais de Tokyo, UCCA, LagoAlgo), art critic, and curator.

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Book SynopsisSources in the Air accompanies David Maljkovic's three-part exhibition of the same name at the Van Abbemusem, Eindhoven, BALTIC Centre for Contemporary Art, Gateshead and GAMeC, Bergamo. Including films, sculpture, collage and installations from the past ten years, Sources in the Air is the artist's most comprehensive survey to date.

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Book SynopsisIn a practice spanning nearly two decades, Jose Dávila has created an expressive body of work that explores the visual tropes and iconic symbols of art, architecture, and urban design. Initially trained as an architect and self-educated as a visual artist, Dávila creates sculptures, installations and photographic works that simultaneously emulate, critique, and pay homage to 20th-century avant-garde art and architecture, referencing artists and architects from Luis Barragán to Josef Albers and Donald Judd. Humor and melancholy co-mingle in works that often explore the tension between industrial and organic materials and the forces of compression and balance. This monograph assesses the full scope of Dávila’s practice in all media for the first time, and includes texts attesting to the historical and social dimensions of Dávila’s art. Essays address the artist’s early pieces, his exercises on balance, sculpture, graphics and paintings, and his works in public space.

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Book Synopsis"The written word is the most basic element of human culture. To touch the written word is to touch the essence of culture." - Xu Bing Book from the Sky certainly seemed to have fallen from the heavens: the text of this installation piece was written in a new language that resembled traditional Chinese. No matter who scours Xu Bing's book for 'meaning', they will only discover a semblance of it: mutated characters that resist interpretation. Carving out approximately four thousand wood blocks by hand, Xu Bing spent four years, from 1987 to 1991, making (in his own words) "something that said nothing". After creating a book no one could read, it only made sense for Xu Bing to develop his next project: a book that transcended barriers of language: Book from the Ground. Composed entirely of pictographs, Book from the Ground is a groundbreaking study into the concept of universal communication. Whether his goal is total comprehension or confusion, Xu Bing's masterful exploration of language challenges the way we think about the written word.

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Book SynopsisRodinsky's world was that of the East European Jewry, cabbalistic speculation, an obsession with language as code and terrible loss. He touched the imagination of artist Rachel Lichtenstein, whose grandparents had left Poland in the 1930s. This text weaves together Lichtenstein's quest for Rodinsky - which took her to Poland, to Israel and around Jewish London - with Iain Sinclair's meditations on her journey into her own past and on the Whitechapel he has reinvented in his own writing. Rodinsky's Room is a testament to a world that has all but vanished, a homage to a unique culture and way of life.Trade ReviewThis is a mystery story and a detective story. It is a story of obsession and possession. It is a story about disappearing people, disappearing buildings and a disappearing way of life. Most of all, it is a story of a man who vanished, and the woman who set out to find him and, in the process, found herself * Guardian *Highly original, entertaining and instructive ... Thanks to those two mythographers, the story of David Rodinsky will remain with us * Times Literary Supplement *A wonderful story * Observer *

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Book SynopsisThis publication provides a comprehensive overview of Ulrich Vogl’s current artistic practice. The starting point of his work is his fascination with everyday objects and places, their stories and moods. In his works, Vogl either integrates them unchanged, reshapes them, or leaves them only as references. Some of Vogl’s pieces are movable, some work with shadows, sound and projections, often they are cinematic or time-based, low-tech, revealing their mode of production. They are always part of a playful, experimental, and conceptual process, at the end of which is a work reduced to its essentials. The book presents a large amount of what Vogl calls “cognitive catalysts.”

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Book SynopsisChronicles three decades of conversation between Lawrence Weschler and light and space master Robert Irwin. This book surveys many of Irwin's site-conditioned projects - in particular the Central Gardens at the Getty Museum and the design that transformed an abandoned Hudson Valley factory into Dia's new Beacon campus.Trade Review"A magnetic (now expanded) biography." -- Robert L. Pincus San Diego Union-Tribune "Seeing is Forgetting may not be just the best biography of an artist out there but also one of the best books on contemporary art-making." -- Eugenia Bell FriezeTable of ContentsA Note on the Illustrations A Further Note on the Drifting Present in the Narrative That Follows Seeing is Forgetting the Name of the Thing One Sees (1982) Introduction Lifesource 1. High School (1943-1946) 2. Childhood (1928-1943) 3. Army, Schooling, Europe, and Early Work (1946-1957) The Narrows (Part 1) 4. Ferus (Los Angeles/ New York) 5. The Early Ferus Years From Abstract Expressionism through the Early Lines (1957-1962) 6. The Late Ferus Years: The Late Lines (1962-1964) The Narrows (Part 2) 7. The Dots (1964-1967) 8. The Discs (1967-1969) 9. Post-disc Experiments and Columns (1968-1970) Delta Prelude 10. Teaching 11. Art and Science (1968-1970) 12. Playing the Horses 13. The Room at the Museum of Modern Art (1970) Debouchement Oceanic 14. The Desert 15. Being Available in Response 16. Some Situations (1970-1976) 17. Reading and Writing 18. The Whitney Retrospective Down to Point Zero (1977) 19. Since the Whitney: Return to the World (1977-1981) Present All Around 20. Seeing Isn't Doing (1985) 21. Play It as It Lays and Keep it in Play The Irwin Retrospective at MOCA in Los Angeles(1993) 22. When Fountainheads Collide: Robert Irwin at Richard Meier's Getty (1997) 23. Heaven: Irwin and Meyerowitz at the Dia (2000) 24. Irwin in his Seventies (2007-2008) Afterword: On Robert Irwin and David Hockney Acknowledgements Bibliographic notes Index

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Book SynopsisSince the 1990s, the British-Nigerian artist Yinka Shonibare CBE (*1962, London) has developed opulently executed sculptures and installations, colourful collages and theatrically staged photographs and films. To do so he transforms episodes from art and history whose effects influence our present-day lives. The volume takes up the traces of colonialism and its consequences for role models, worldviews and body images in the works of Shonibare.

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Book SynopsisThe historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts.The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art. Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the

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Book SynopsisExplore machine work as a fine craft through the lens of Chris Bathgate’s pioneering sculpture techniques.

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Book SynopsisCarol Bove: Collage Sculptures presents an extensive look into the contemporary artist’s work over the past five years and her ongoing exploration of scale, color, material, and artistic traditions of the twentieth century. Bove’s recent work engages the conceptual concerns of mid-century sculpture, such as spontaneity, industrial materials, and the potential of painted sculpture. However, within this space of familiar sculptural traditions, Bove has discovered new approaches that lead to places previously unknown. Bove’s “collage sculptures” are created from scrap metal and stainless steel that has been carefully worked into sinuous forms and are frequently painted. Considering the hard rigidity of the steel, the works possess an appearance of almost impossible softness, as if steel could become as pliable as clay. Such works range from small pedestal sculptures to large, imposing compositions. Bove’s interest in scale and how a viewer’s understanding of an artwork shifts depending on its context are explored through a selection of small works from the collection of the Nasher Sculpture Sculpture. Published by the Nasher Sculpture Center, the catalogue features beautiful reproductions of Bove’s work and an introduction as well as an essay by curator Catherine Craft on the development of the collage sculptures and their relationship to other artists and traditions of modern sculpture. Also included is an essay by Lisa Le Feuvre that explores Bove’s complex work by means of a thematic alphabet related to the artist’s interests.

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Book SynopsisDesigned as a companion to the hugely successful monograph Noah Davis, this volume offers further insight into the impact and legacy of the revolutionary Los Angeles artist and activist. ---------- “Embedding his dreams on canvas and in the community, visionary American artist Noah Davis created a mighty legacy.” — Rachel Willcock, ArtReview (2022) ---------- Looking to literature, film, architecture, and art history, Noah Davis imbued his ethereal paintings with emotion and imagination. Muted colors, fantastic scenes, and blurred subjects create an intoxicating vision. Attuned to the power of his medium, Davis layered his paintings—figuratively and literally—using a unique dry paint application to depict quotidian life at an enigmatic, almost magical remove. Featuring sumptuous close-ups throughout, this important new book brings into focus the rich, painterly variety and luminous detail of Davis’s canvases. With a special focus on the groundbreaking Underground Museum, which Noah Davis co-founded with his wife, Karon Davis, Noah Davis: In Detail includes a special conversation, moderated by Helen Molesworth, between Fred Moten, Glenn Ligon, Thomas Lax, and Julie Mehretu. This renowned group of artists and thinkers share personal experiences of the powerful and emotional impact of The Underground Museum and its connection to the larger artistic environs of Los Angeles. Franklin Sirmans contributes a new essay and Lindsay Charlwood, a lifelong friend of Noah’s, authors a chronology of his life, contextualizing his artistic and social achievements.

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Book SynopsisA studious view of Richard Serra’s recently premiered forged steel sculpture and new drawings using his trademark paintstick technique. ---------- “Enigmatic, arresting, audacious: Richard Serra now and forever” — The Brooklyn Rail ---------- Richard Serra’s hugely successful body of work consistently explores the possibilities of form and matter. Serra’s steel sculptures are held in major collections internationally, and his drawings assert themselves as abstract victories. Through the use of black paintstick—a combination of oil paint, wax, and pigment, which he has used since 1971—Serra’s drawings convey a strong sense of optical weight, acutely similar to the physical presence of his sculptures. 2022, the artist’s largest single forged round to date, investigates properties of weight and scale. While the exhibition allowed viewers to encounter Serra’s immense forged round and inky drawings in relation to their own space and bodies, the catalogue is an opportunity for intimate engagement with Serra’s works through stunning reproductions.

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Book SynopsisZadok Ben-David is an award-winning artist who lives and works in London and is widely acclaimed for his sculptures, installations and public artworks. He explores themes linked to human nature and evolution. His work is often referred to as poetic and magical, always oscillating between delicate miniature-work and monumental installations. Metalworking has become Ben-David’s preferred language in contrast to the subtle optical illusions that he creates, thanks to a sometimes-rough medium. The book celebrates the work of Ben-David, and features the moody floor installation Blackfield, containing over 17,000 miniatures of flowers, duplicated and hand painted from 900 different species. The book also includes new works inspired by botanical drawings in Kew’s archives from the 15th - 18th century.

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Book SynopsisProbing material histories and Black feminist epistemologies, Rhea Dillon evokes the fragments of a conceptual body — eyes, hands, feet, mouth, soul, reproductive organs and lungs — in this poetic assemblage of responses to colonialism, patriarchy, and Black female labour. Opening at Tate Britain from May 2023, Rhea Dillon’s solo Art Now exhibition, An Alterable Terrain, brings together her new and existing sculptures as a conceptual fragmentation of a Black woman’s body. It examines material histories, theories of minimalism and abstraction, and Black feminist epistemologies to evoke elements of an amorphous body, including the eyes, mouth, soul and hands. Viewed together, these disparate elements underline the foundational role Black women’s physical, reproductive, and intellectual labour has played in the history of the British Empire. Accompanying this major exhibition, this book showcases Dillon’s poetically insightful work. It features Dillon’s poetry, alongside new writings and reprinted extracts by her and other contributors, and illustrations of the exhibition and individual works. This powerful new volume illuminates the links between historical sites of dispossession and contemporaneous sites of exploitation and overwork, and underlines how structures of power – including colonialism, racial capitalism, and patriarchy – have an enduring presence in the production of Caribbean and British identities.

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Book SynopsisPlants have always moved between land masses with human aid. European colonialism accelerated this, and its legacy can be seen in landscapes across the world and the twin crises of climate change and biodiversity loss. In in this companion book to the exhibition, Shipping Roots, Keg de Souza creates a narrative around plant species relating to her own cultural removal, drawing from her experiences as a person whose ancestral lands were colonised. The exhibition explores how plants moved over oceans and lands, transported in the hulls of ships, all part of the colonial legacies of the British Empire. Specifically, these stories link Australia, India and the UK and shows us that the entanglement of plants and people are tied to understanding place and belonging. This book includes high quality photography of the exhibition as well as essays and recipes by numerous contributors.

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Book SynopsisThis two-volume publication presents 300 recently realized collages by Czech artist Eva Kotatkova (born 1982). This new body of work is presented as having been compiled from an imaginary schoolbook from the 1980s, when the artist was growing up in Prague, under the totalitarian regime of that decade. The images--which often feature drawn embellishments by Kotatkova--largely consist of children playing games or interacting with various other collaged components, such as anatomical parts, or being manipulated as puppets. Kotatkova thus dramatizes relationships between people, ideas and objects in elaborate psycho-physical dramas redolent of the writings of Franz Kafka or Miroslav Holub. Interspersed among the collages are installation photographs and related documentation. Kotatkova studied at the San Francisco Art Institute, and was acclaimed in The Guardian (UK) as a highlight of the 2013 Venice Biennale (The Encyclopedic Palace). Note that that text on the rear of the black volume is printed upside down.

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Book SynopsisThe immediate physical presence of color is central to Katharina Grosse’s creative endeavor. Through an open-ended creative process in which painting takes on the form of a performance, color embodies movement, making its emotional potential tangible. These issues are not only driving her dramatically large in situ works painted across various surfaces in public places. They also inform her studio paintings, which have played an equally central role in her practice from the start. This book is the first study focusing on Grosse’s studio practice from the late 1980s to the present. Five essays and an insightful interview with the artist explore how Grosse expands the concept of painting - not just in open space, but also on canvas - through creating an ephemeral character and removing the limitations of its traditional frame.

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Book SynopsisFor many years now the company La Machine has been creating shows featuring fascinating giant machines which delight huge audiences of young and old alike in the cities of France and around the world. Gradually, these performing machines have become permanent installations in cities around France, an integral and integrated feature of urban development. Through four emblematic projects in Nantes, La Roche-sur-Yon, Toulouse and Calais, François Delarozière demonstrates how the elegant dynamics of this mechanical bestiary relates to space and to human performers. He speaks of the machines’ creation and charts the daily lives of the company, its members, artists, technicians and artisans and how they undertake such visionary projects of mechanical urban architecture working in tandem with local authorities. After the book La Machine spectacle, here is Machines de ville, highlighting the machines which have slipped into people’s daily lives, churning out dreams, sparking discussion, stirring emotions and reflecting us back to our own humanity by their mere presence in the city.

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Book SynopsisThis publication presents photographs shot during the making of Rebel Dabble Babble, a collaboration between Paul McCarthy and his son Damon McCarthy. Rebel Dabble Babble is an installation and video projection work inspired by both Nicholas Ray's 1955 classic Hollywood film Rebel without a Cause and the rumors attending the off-set relationships between its director and his stars James Dean, Nathalie Wood and Sal Mineo. This densely layered opus expands beyond its references to the 1955 movie to offer a meditation on the archetypes and Oedipal tensions that define family dynamics. In the film, McCarthy and his actors (including Hollywood star James Franco) play hybrids both of Ray's cinematic characters and the actors who played them. With this mind-bending series of doubles, binaries and inversions, Rebel Dabble Babble presents perversions of interchangeable roles and fetish relationships.

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Book SynopsisGerman-english edition The question of identity has always preoccupied artists. Louisa Clement is no different, her central theme is the human being and the human in the digital. In her art, she starts out from herself, but ventures much further, asking how identity will be shaped in the future and examining forms of transformation. In the series of works Repräsentantinnen (Representatives), she creates AI-equipped, adaptive images of herself, with which visitors can converse. In photographic works, the master pupil of Andreas Gursky continues this examination of the body and its possible optimisations and deals with military legacies under the aspect of transformation. This publication is appearing for an exhibition at the Paula Modersohn-Becker Museum - both artists are united in their search for self-expression, as Paula Modersohn-Becker's Self-portrait on 6th wedding anniversary from 1906 demonstrates in a succinct manner. Look inside https://issuu.com/deutscher_kunstverlag/docs/blick_ins_buch_human_error_louisa_clement?fr=xKAE9_zU1NQ Louisa Clement (born 1987 in Bonn) completed her studies at the Kunstakademie Düsseldorf in 2015 as a master pupil of Andreas Gursky. She has already exhibited in various institutions and museums, including e.g.: Museum Frieder Burda, Baden-Baden (2022); Casino Luxembourg – Forum d'art contemporain (2022); Ludwig Forum Aachen (2019); Sprengel Museum Hanover (2019) One of today’s most popular young artists Current social issues such as AI, questions about body and self-image, and possibilities of digital storage Exhibition, 2 September 2023 to 21 January 2024, Paula Modersohn-Becker Museum, Bremen

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Book SynopsisA close look at a new installation by renowned contemporary artist Mickalene Thomas that marks the first time she has engaged with early American history

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Book SynopsisChisenhale Gallery launches the second title in its Chisenhale Books series, Nikita Gale: IN A DREAM YOU CLIMB THE STAIRS. Marking the finale of Gale's Chisenhale exhibition, her first artist's book contains an intergenerational conversation with conceptual artist Barbara Kruger and a short meditation by Pulitzer Prize-winning writer Hilton Als. These feature alongside contributions by artist and Chisenhale Gallery alum P. Staff and Dr. Bénédicte Boisseron, author of Afro-Dog: Blackness and the Animal Question. Through the lens of a multifaceted practice, Gale examines themes of invisibility and audibility, interrogating the dynamic between performer and spectator, structure, and decay. Produced with great care, this extraordinary book is reflective of the artist's practice. Four visual essays, hand-annotated by Gale Absence', Ruin', Silence', Dog' explore themes central to the work. Nikita Gale: IN A DREAM YOU CLIMB THE STAIRS deploys throw-outs, gatefolds, five different types of pTrade Review''A meaningful reflection on 21st century artmaking with some of the most pre-eminent thinkers on the theme. The conversations that arrive with Gale's work at Chisenhale and beyond are essential landmarks in how we discuss contemporary art practices today. Altogether these conversations – alongside Gale's visual interludes – are formatted into a beautiful publication.'' - Katy Hessel''The catalog is truly a terrific project. Wow. I've spent so much time with the texts and images. Such an evocative gathering of ideas, picturings, poetics, commentary and a whole lot more. I'm so happy to have been included.' ' - Barbara Kruger

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Book SynopsisExplores the function of everyday materials and processes in the work of contemporary installation artists during the 1990s using three major US artists as primary case studies, situated in relation to contemporary art making, aesthetics and modernist value systems.

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Book SynopsisJan Hendrix is a Dutch-born, Mexico-based contemporary artist. His work is all about observation and analysis; nature and its diff erent ways of representing and telling extended stories, often in a non- linear narrative. Based on an exhibition at Kew Gardens, this book is a visual report of Hendrix’s multiple visits to the Kamay Botany Bay Area of New South Wales, Australia, made over a 20-year period. Beautiful and thought-provoking works convey his response to the fragile, changing landscape, under constant threat of fi re and destruction. His work also draws on first collections of plants at Kamay Botany Bay documented by botanists Joseph Banks, Daniel Solander and Sydney Parkinson as part of the HMS Endeavour expedition in 1770. Supporting texts by Art Historian Dawn Ades, CEO of the Bundanon Trust Deborah Ely, and filmmaker Michael Leggett contextualise the work of the artist. With a foreword by Kew Director Richard Deverell.

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Book SynopsisThis publication offers a rich and expansive visual record of Julie Brook’s artistic practice, and proposes a unique collaboration between Brook and distinct voices from the nature writing and craftsmanship traditions. Situating Brook’s practice in the context of critical reflections by Robert Macfarlane, Alexandra Harris and Raku Jikinyū, the publication presents a striking visual narrative of Brook's landscape and tidal sculptural work, and a sense of its timeless yet contemporary resonance. Documenting in depth a number of recent works made in the Hebrides, Japan and Namibia, their shared attention to the elements and their key pre-occupations of the fleeting, mobile forces of light, time, and gravity demonstrate Brook’s coherent vision within vastly contrasting environments. Throughout her oeuvre, the balance between what Brook makes in relation to the environment and materials themselves is paramount. Including film stills, photography and drawing, which are all integral languages for conceptualising and communicating the work, plus insightful extracts from Brook’s notebooks, this beautiful publication succeeds in providing the reader with a unique understanding of the artist’s ‘monuments to the moment’.Table of ContentsForeword; Introduction; 1. Winter Wall; 2. Parallel Space; 3. Firestack; 4. Ascending; 5. Divided Block; 6. Ongoing; Chronology and Exhibitions; Selected Bibliography

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Book SynopsisStone Talks brings together poems and four talks/essays by noted poet Alyson Hallett on the subject of stones, rocks, somatics and our relationship with our environment. The book invites us to listen again to the world around us - the world of rocks and trees and sky and stars and sea that we participate in and that participates in us. It reawakens a childlike curiosity in us, makes connections that we had forgotten, and gives us permission to experience the world in an embodied and vibrant way that was drummed out of the rest of us long ago. The book starts with an essay on KInship inspired by Donna Haraway's ideas about how we must make relationships of kin with all things, including what she refers to as `critters’. In it, Alyson explores the twin ideas of embodied reading and embodied walking. How, exactly, can we embody the ideas in a book? Here, the author "dives into kinship with the decomposed bodies of plankton, plants and animals whose liquidation created that beautiful, black viscous gold we call oil". In the title essay, Stone Talks, Alyson revisits the keynote lecture she gave at the `In Other Tongues’ symposium at Dartington. In it she explores her lived experience of being talked to and guided in her life by stones. She examines the ideas of obedience and yielding, the body as a wilderness, and unfolds a walked artwork with stones that she undertook soon after her father died. In Haunted Landscapes, Alyson explores the marks and traces of our own and others' lives that inhabit our bodies and experience. Wandering into quantum physics, she asks questions that "set me afloat on a fathomless sea". Finally, in The Stone Monologues, Alyson embarks on a quest to "understand myself not as a single thing, a single point, but rather a constellation, a layered interruption in time comprising everyone and everything I encounter". Alyson Hallett has received Arts Council awards for her work. She is a Hawthornden Fellow, works part-time for the Royal Literary Fund and loves collaborating with other artists and scientists. She has a doctorate in poetry with research into geographical intimacy. In Stone Talks, she shares some of what she is learning from stones. She talks “from the mud. From the earth. From the place we haunt and are haunted by.” The talking is exquisite.Trade ReviewI will be an avid reader of Stone Talks, and I’ll tell my friends to keep an eye out for it. I love the way you travel. Donna Haraway, author, ecofeminist & Professor Emerita in the History of Consciousness Dept. and Feminist Studies Dept. at the University of California, Santa Cruz; I am SO moved and filled with joy reading your work. I feel as if you’re restoring me to my faith, by which I mean faith in listening to feelings, hearing the instinctual voice. You write so simply and beautifully and authentically about your experiences and I admire your trueness of spirit. Paul Harris, Professor of English, LMU, Los Angeles; Oh I love this little book. I love it from beginning to end. It’s told with clarity and generosity and it’s full of treasures. It moves across my mind like an erratic. From the land of you to the land of me. Lynn Davidson, PoetTable of ContentsOn Kinship Stone Talks Introduction Chapter 1 - Pebble No Bigger Than My Thumbnail Chapter 2 - In The Beginning Was The Boulder Chapter 3 - The Body As A Site Of Intelligence: The Body As A Site of Ignorance Chapter 4 - A Field, A Stone, A Grief Chapter 5 - Entering The Vastness Conclusion Bibliography Notes from the Deleted Pile Acknowledgements Haunted Landscapes Bibliography The Stone Monologues

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Book SynopsisYayoi Kusama: Give Me Love documents the artist's most recent exhibition at David Zwirner, New York, which marked the US debut of The Obliteration Room, an all-white, domestic interior that viewers are invited to cover with dot stickers of various sizes and colors.Widely recognized as one of the most popular artists in the world, Yayoi Kusama has shaped her own narrative of postwar and contemporary art. Minimalism and Pop art, abstraction and conceptualism coincide in her practice, which spans painting, sculpture, performance, room-sized and outdoor installation, the written word, films, fashion, design, and architectural interventions. Born in 1929 in Matsumoto, Japan, Yayoi Kusama briefly studied painting in Kyoto before moving to New York City in the late 1950s. In the mid-1960s, she established herself in New York as an important avant-garde artist by staging groundbreaking happenings, events, and exhibitions. Now in her late 80s, Kusama is entering one of the richest creative periods of her life. Immersed in her studio six days a week, Kusama has spoken of her renewed dedication to creating art over the past years: “[N]ew ideas come welling up every day….Now I am more keenly aware of the time that remains and more in awe of the vast scope of art.”  Taking The Obliteration Room as its centerpiece, this catalogue reveals, in vivid large-scale plates, the transformation of the space from a clean white interior to a stunningly saturated room, with ceilings, walls, and furniture covered in myriad multicolored stickers put there by viewers over the course of the exhibition. The catalogue also includes beautiful reproductions of Kusama's new large-format paintings from My Eternal Soul series. Ranging from bright and densely pixelated forms, to umber figures with darker blues and muted oranges, these paintings demonstrate the artist's striking command of color, and her exceptional control over balance and contrast. Bold brushstrokes hover between figuration and abstraction; vibrant, animated, and intense, these paintings introduce their own powerful pictorial logic, at once contemporary and universal. The catalogue continues with a selection of new, large Pumpkin sculptures, a form that Kusama has been exploring since her studies in Japan in the 1950s, and which gained prominence in the 1980s, continuing to remain an essential part of her practice. Made of shiny stainless steel and featuring painted dots or dot-shaped perforations that recall The Obliteration Room, these immersive works seem created on human scale, with the tallest measuring 70 inches (178 cm). Vibrant plates capture how color, shape, size, and surface merge in these sculptures and mesmerize the viewer. Texts include a 'Hymn to Yayoi Kusama' by art critic and poet Akira Tatehata and a poem by the artist herself.

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Book SynopsisHeinz Mack’s Sahara Project is legendary. In 1968 he installed for the first time light columns with a height of up to 11 metres which reflected and mirrored the glaring sunlight in the Tunisian desert. Nature and object fused to create an artwork of breath-taking beauty. This comprehensive volume records the history and ideas of this spectacular project over four decades. Sophia Sotke’s in-depth presentation traces an arc from the conception of the project in 1958/59 via the sensational film Tele-Mack (1968) and the subsequent “Expedition into Artificial Gardens” of 1976 in Algeria andGreenland to the artistic experiments which Mack carried out in the Wahiba Desert in Oman in 1997. The uestion regarding the importance of the Sahara Project in Mack’s oeuvre is examined together with his role in the development of Land Art. Hitherto unpublished photos of the expeditions into the desert and the Arctic regions provide new insights.

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Book SynopsisCurator, researcher and scholar Carolyn Christov-Bakargiev is the Director of Castello di Rivoli Museo d'Arte Contemporanea. Art historian, curator and author of multiple publications, Marcella Beccaria is Chief Curator and Curator of Collections at Castello di Rivoli Museo d'Arte Contemporanea. Marianna Vecellio is Curator at Castello di Rivoli Museo d'Arte Contemporanea.

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Book Synopsis

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Book Synopsis

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