Individual photographers Books

Book SynopsisGnostic poet, painter, writer, and magician Aleister Crowley arrived in Berlin on April 18, 1930. As prophet of his syncretic religion "Thelema," he wanted to be among the leaders of art and thought, and Berlin, the liberated future-gazing metropolis, wanted him. There he would live, until his hurried departure on June 22, 1932, as Hitler was rapidly rising to power and the black curtain of intolerance came down upon the city. Known to his friends affectionately as "The Beast," Crowley saw the closing lights of Berlin's artistic renaissance of the Weimar period when Berlin played host to many of the world's most outstanding artists, writers, filmmakers, performers, composers, architects, philosophers, and scientists, including Albert Einstein, Bertolt Brecht, Ethel Mannin, Otto Dix, Aldous Huxley, Jean Ross, Christopher Isherwood, and many other luminaries of a glittering world soon to be trampled into the mud by the global bloodbath of World War II. Drawing on previously unpublished letters and diary material by Crowley, Tobias Churton examines Crowley's years in Berlin and his intense focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with German Theosophy, Freemasonry, and magical orders. He recounts the fates of Crowley's colleagues under the Nazis as well as what happened to Crowley's lost art exhibition--six crates of paintings left behind in Germany as the Gestapo was closing in. Revealing the real Crowley long hidden from the historical record, Churton presents "the Beast" anew in all his ambiguous and, for some, terrifying glory, at a blazing, seminal moment in the history of the world.Trade Review“An invaluable in-depth history--magnificently illustrated in full color--that sheds light on one of the most important periods in both 20th century Europe and the life of the Magus of the Aeon, Aleister Crowley. His two-year stay in volatile, bohemian, and urbane Berlin during the final years of the Weimar Republic and first years of the Great Depression has hitherto been largely undocumented. This full-length treatment of Crowley as artist (in Churton’s words, “the only Magus in history with a name worthy of the annals of Art”) is cast against the last days of Germany’s Versailles Treaty era and the apocalyptic rise of Adolph Hitler and his “merely brutal men.” The author well captures the cultural spirit and intoxicating New Age currents in which Crowley moved. For specialists, he provides a uniquely intimate view of Crowley’s succession to the Headship of O.T.O. during the Weida Conference of 1925; some intelligent observations on sexual magick; and extensive extracts from Crowley’s voluminous correspondence--allowing the reader a “Beast’s-eye-view” of his personal life, proselytizing efforts, business activities, and thorough contempt for Nazism. Highly recommended.” * James Wasserman, author of The Mystery Traditions: Secret Symbols and Sacred Art and In the Center o *“As soon as I opened this book I knew I was in for an exceptional treat, and I was right. This is Churton at his best. His book focuses, with some broader contextualization, on Crowley’s intermittent sojourns in Berlin between 1930 and 1932, which climaxed in a sensational exhibition of his paintings in October 1931. We follow Crowley as he strolls through the city, dressed in a knickerbocker suit, proclaiming his gospel of Thelema, exploring Berlin’s extensive demi-monde, playing chess, painting, writing, fornicating, spying for British intelligence, and mingling with a remarkable constellation of artists, writers, philosophers, and occultists. One of his friends at the time was Christopher Isherwood, who fictionalized his own Berlin experience in the novel that later became the musical Cabaret. Churton, in his vivid, witty style, superbly captures the atmosphere of the city during that feverish, decadent, but immensely vibrant and creative era, which ended abruptly with the catastrophe of 1933. Move over, Isherwood. From now on we should be talking about ‘Crowley’s Berlin.’” * Christopher McIntosh, Ph.D., author and Honorary University Fellow and Western Esotericism lecturer *“Yet again, Tobias Churton shows a unique ability to combine an approachable writing style with scholarly research and the result is an authoritative book on Crowley, the artist, a person who deserves to be re-assessed rather than be relegated to the dustbin of history.” * Sanda Miller, Ph.D., research fellow, History of Art, Southampton Solent University *“Tobias Churton has done it again! Exhaustively exploring the Beast’s sojourn through the kaleidoscope of cultural tumult that was the final years of the Weimar Republic, Churton’s astute eye and clarity of composition provide the lucky reader with a riveting view into what was a hotbed of sex, art, and politics. Churton’s gifts at conjuring a fascinating and profound study from myriad sources are in evidence as usual, painting an engaging portrait of the Magus of the Aeon and the milieu in which he moved.” * Frater Puck, Ordo Templi Orientis-U.S. Grand Lodge and host of Thelema NOW! *“Whether Quantum Magus, Berlin Artist, lover, or spy, Churton brings Crowley to life like no other biographer. He truly gets him . . . You don’t so much read this book as you live it, the noisome Beast in Berlin, our own beast within. Churton brings us the first serious and comprehensive study of Crowley’s remarkable Berlin period.” * Stephen J. King (Shiva Xâ °), Grand Master, Ordo Templi Orientis *“A remarkable account of Baphomet in Berlin, full of fascinating new information on Crowley’s decadence and discipline as a Berlin Boy as Germany spiraled down into its apocalyptic picnic. Tobias Churton has uncovered much that is new and marvelously expands on and clarifies that which was already known. A wonderful evocation of the darkness becoming visible--a truly Manichæan history.” * David Tibet, founder of Current 93 *“Aleister Crowley: The Beast in Berlin is magic! Churton opens box after box of secrets in a dazzling display of research, erudition, and insight. Aleister Crowley is revealed in all his jaw-dropping splendor, plus warts. A genius forced to suffer fools, able to transcend misfortune, an adventurer in the worlds of art and war. His wisdom is both light and deep; the book is thrilling.” * Vanilla Beer, artist *“It’s hard not to empathize with Crowley as portrayed in the book—a man possessed of more radical intelligence than most before or after, who probably came off a bit autistic in his time, dealing with constant trouble, power games and consistently overestimating both people’s intelligence and integrity. Though he stands so far above both the Theosophical movement and its heirs in the New Age and Neopagan Revival, much of Crowley’s life was overshadowed by his troubles with money, students, the press and local governments—all of which consistently seem to thwart him in his latter years. Despite all that, he left a body of work, and philosophy, of unparalleled clarity and value. But in Aleister Crowley: The Beast in Berlin—Art, Sex and Magick in the Weimer Republic, we get a better look at Crowley not as a symbol, but as a man of his time. Highly recommended.” * Ultraculture, Jason Jouv, August, 2014 *“The Beast in Berlin is an inspiring and engaging narrative of Aleister Crowley in the turbulent and cathartic years of Berlin in the early 1930s. Meticulously researched and filled with just enough biographical fact, informed speculation, dirty gossip and esoteric philosophy to keep you riveted from first word to last, Crowleyan scholar Tobias Churton has spun an entertaining and eye-opening tale documenting the reckless life of outsider artists living on the edge in a city on the brink of Apocalypse. Along the way we see the Beast play chess with Fernando Pessoa, correspond with Aldous Huxley, night crawl with Christopher Isherwood, spy, paint, incant, exorcise and interact artistically and sexually with a wide range of colorful, bizarre and nondescript characters—the absolute dregs of Berlin society. Perhaps the most readable and interesting book to catch the true spirit of Frater Perdurabo.” * John Zorn, Musician, July 2014 *“…This book offers a fascinating insight into a little known part of the Great Beast’s colourful and extraordinary life. Recommended.” * The Cauldron, December 2014 *“Weimar and what happens after become, in Churton’s hands, the darkness against which to highlight Crowley with stunning chiaroscuro.” * Rain Taxi, Spencer Dew, April 2015 *Table of ContentsForeword: Degenerate Berlin by Frank van Lamoen Assistant Curator, Stedelijk Museum, AmsterdamAcknowledgments Dramatis Personae -- WHO’S WHO IN THE BEAST IN BERLIN ONE -- SCOOP! TWO -- Selling Aleister Crowley THREE -- The New Age in Germany Theosophy in GermanyAleister Crowley Meets the German New AgeFOUR -- Karl Germer and the Weida Conference Arrival at HohenleubenKarl GermerThelema VerlagDr. PeithmannReturn to HohenleubenFIVE -- Cosmopolis--City of the Future SIX -- Good-Bye to All That Hello Again to All ThatSEVEN -- Kings in Exile Are Always Beggars The Stunt Hits the FanEIGHT-- Quantum Magus “Nick” Carter and the Case of the Reappearing WifeNINE -- An Old Master Modern Art in BerlinThe Artist in the BeastTEN -- Hanni Jaeger, Save Our Souls ELEVEN -- Thoroughly Modern MagusThe Ninth Degree (IX°)TWELVE -- The Last Summer of Freedom BlunderstormFlechtheimWerner Alvo Konstantin August von AlvenslebenTHIRTEEN -- Toward the Exhibition The World from BelowMarcellus and Margo SchifferFOURTEEN -- Porza! Mali and IgelFIFTEEN -- Hope of Harvest The Great Crowley Movie ConnectionSIXTEEN -- Spying Ethel ManninSEVENTEEN -- Last OrdersJean RossDiscovery of the NeutronEIGHTEEN -- Lost TimeLost PaintingsNINETEEN -- Lost People Before Hitler Was, I AmTWENTY -- Rebirth--The Spirit Can Return Notes Bibliography Index

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Book SynopsisUSBBY Outstanding Books for Young People with Disabilities Colonial Dames of America Book AwardALA/Amelia Bloomer Book ListNCSS Notable Trade BookBank Street College of Education Best Book of the Year“An excellent beginner’s resource for biography, U.S. history, and women’s studies.” —Kirkus ReviewsHere is the powerful and inspiring biography of Dorothea Lange, one of the founders of documentary photography.After a childhood bout of polio left her with a limp, all Dorothea Lange wanted to do was disappear. But her desire not to be seen helped her learn how to blend into the background and observe. With a passion for the artistic life, and in spite of her family''s disapproval, Lange pursued her dream to become a photographer and focused her lens on the previously unseen victims of the Great Depression. This poetic biography tells the emotional story of Lange''s life and includes a gallery of her photographs, an author''s note, a timeline, and a bibliography.

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Book SynopsisPhotographs by Reynaldo Rivera that document a vanished LA of cheap rent, house parties, subversive fashion, and underground bands, and long-closed gay and transvestite bars.Throughout the 1980s and 1990s, Reynaldo Rivera took personal photos of the Los Angeles that he lived in and knew: a world of cheap rent, house parties, subversive fashion, underground bands, and a handful of Latino gay and transvestite bars: Mugi''s, The Silverlake Lounge, and La Plaza. Most of these bars are long closed and many of the performers have died. But in Rivera''s photographs, these men and women live on in a silvery landscape of makeshift old-style cinematic glamour, a fabulous flight from unacceptable reality. As a teenager, Rivera took refuge in used bookstores and thrift stores, where he discovered old photo books of Mexican film stars and the work of Lisette Model, Brassai, and Bresson. Inspired, he bought a camera and began photographing people at his hotel. In 1981 he moved to Echo Park and began taking photos for the LA Weekly. This book is an ensemble of almost 200 images selected by Hedi El Kholti and Lauren Mackler spanning more than two decades in Los Angeles and Mexico. The book also includes Luis Bauz''s story, “Tatiana,” about one of the subjects of these photographs; a critical essay on Rivera''s work by Chris Kraus; and a novella-length conversation between Rivera and his friend and contemporary Vaginal Davis about their lives, work, fantasies, and collective histories.

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Book SynopsisAn exciting adventure story with personal drama and high stakes, as well as a glimpse behind the scenes of the highly regarded National Geographic brand Jim and Elaine Larison spent years studying, exploring, and living in wild places, making more than thirty environmental films, most for the National Geographic Society. These films won more than forty international awards from leading environmental and broadcast organizations. This memoir tells the story behind the adventure and describes the rather substantial personal costs of this career. While shooting film in Alaska, Jim Larison narrowly survived a devastating airplane crash in the Bering Sea. Later, while filming on the Great Barrier Reef, the Larisons fought off an aggressive twelve-foot tiger shark. Midway through their careers, the Larisons were nearly swept to their deaths by an icefall while filming on Mount Robson. A thrilling adventure story, full of risk and personal conflict, On Assignment is also a touching look at the tender bonds that held the married couple together while they struggled to complete their many film assignments. The Larisons were changed by what they saw and what they captured on film: the destruction of forests, the death of coral reefs, and global warming.In the beginning, the Larisons wanted nothing more than to spend time in the wilderness. By the end, they were fighting for its very survival.Trade Review"Excellent and profoundly moving. James Larison is a master storyteller who's produced an adventure yarn and love story as deeply rewarding as his best films. On Assignment is insightful and inspiring, honest, engaging, and most of all, immensely entertaining." -- Kevin Grange, author of Wild Rescues: A Paramedic's Extreme Adventures in Yosemite, Yellowstone and Grand Teton"James Larison's book On Assignment is a compelling real-life adventure filled with danger and survival. I think readers will be on the edge of their seats when learning about the difficulties of filming for National Geographic. It would make a brilliant movie." -- Carl Ziebe, National Geographic Society Assistant Director, Educational Films"Good writing, great stories! If you like National Geographic , you'll love this book. Larison's journey is truly one of adventure and a life well lived." -- Jack Gustafson, Wildlife Biologist, Alaska Department of Fish and Game"No one works harder on his films than Jim Larison. . . . Technically and aesthetically, his films are simply unmatched among those produced for and by the National Geographic Society's Educational Film Department. . . . But what drives these filmsand what is integral to their successis more than technical prowess with a motion picture camera and a refined aesthetic sensibility; it is, as well, a passion for the subject at hand and a depth of knowledge about it. Jim's passion for ecology, biodiversity, and the health of the environment is what fuels his desire to make his films the most effective communication tools they can possibly be." -- Donald M Cooper, Associate Director and Acting Director, Educational Films, The National Geographic Society"This captivating book gains elevation by the page, until we soon find ourselves in the rarefied air of an adventure memoir that engages on both the visceral and cerebral level. Larison has penned a vivid chronicle rich with hard-won wisdom and brimming with life." -- Chris Dombrowski, author of Body of WaterTable of ContentsAuthor’s Note Prologue Part 1: Coming into the Wild 1. Lake Timagami 2. A Winter Wilderness 3. Egegik 4. The Flying Coffin 5. Rescue and Recovery 6. The Conversation Part 2: On Assignment 7. That Big Break 8. On Assignment 9. The Cayman Trench 10. Hart Mountain 11. Living Ocean 12. Tiger Shark Part III: Love of Wilderness 13. The Unforgiving World of Ice 14. Robson Glacier Part IV: Advocacy 15. The Living Earth 16. Old Growth 17. Ancient Forests 18. Diversity of Life 19. Palau 20. Egegik Revisited Part V: Wounds That Will Not Heal 21. A World of Wounds Epilogue: How Films Were Made Appendix A: Films Made for the National Geographic Society Appendix B: Films Made for The Discovery Channel, the Public Broadcasting Service, and State and Federal Agencies

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Book SynopsisEarly in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a ‘tourist of photography’. This epithet has been used repeatedly by commentators on Hipkins’ work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it, Hipkins is a constantly travelling photographer, ‘an iconographer of desire, travel, time and … modern communities’, and a tourist within the medium, ‘a great manipulator of the photographic artifact itself’.Accompanying a major survey of Hipkins’ work at The Dowse Art Museum (November 2017 – March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins’ ever-evolving practice – which takes in a great variety of photographic media, from slide transparencies to moving image – but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999–2000), Hipkins’ study of Brutalist architecture on New Zealand universities; The Homely (1997–2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000–2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins’ first feature-length film, an experimental adaptation of Samuel Butler’s anonymously published 1872 novel Erewhon. Hipkins’ work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand’s most innovative, subversive investigators of photography.With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons.

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Book SynopsisThe Colour of Ireland: County by County 1860-1960 is a photographic celebration of the history, culture, people and places that make up a century of life in Ireland. Covering all 32 counties, this beautiful, meticulously researched collection takes a past only ever viewed before in black and white and - in glorious colour - breathes fresh energy and emotion into it.With close to 200 colourised photographs set alongside their black and white counterparts, here is a world seen for the first time: a treasure trove to fire the imagination and reignite our connection to the past as it was actually lived.From the thatched cottages of Meath to the libraries of Trinity College, from 1920s sunseekers in Dun Laoghaire to women spinning and carding wool in County Mayo, all Ireland is vividly brought to life. Along with key moments from the Irish War of Independence and the turbulent history of the 32 counties, these images capture rural landscapes, villages, towns and cities. Endlessly, uniquely fascinating, The Colour of Ireland offers a wealth of perspectives on the bygone ages of an ever-changing land.

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Book Synopsis‘This book is fantastic! Jonathan Daniel Pryce has raised the bar for international street style photography.’ — Sir Paul Smith Delve into New York, London, Milan and Paris with close to 300 street-style images by the award-winning photographer Jonathan Daniel Pryce. From impeccable tailoring to vintage finds, these evocative images capture the myriad ways men in the fashion capitals express themselves sartorially. Featuring a foreword by Paul Smith and interviews with a selection of each city’s most stylish men, Garçon Style is a stunning showcase of menswear today. Praise for Jonathan Daniel Pryce ‘There is energy in Jonathan’s work. He understands how to capture the zeitgeist without making a big fuss about it. Jonathan is a great photographer.’ — Dylan Jones, Editor, British GQ ‘Jonathan has managed to create a unique form of photography that melds something lyrical with something journalist, blurring the line between reportage and poetry’ — Nick Wooster, Creative Consultant ‘Jonathan manages to capture those impossible moments where easy candour and the perfect light source seem to meet. His images have a stillness I find really beautiful.’ — Jo Ellison, Fashion Editor, Financial Times ‘Jonathan’s subjects are refreshingly varied; his pictures give you much more than cues on who’s wearing what this week.’ — Nick Sullivan, Fashion Director, EsquireTrade Review"A stunning showcase of men's street style today and a beautifully curated source of menswear inspiration." * SAND magazine *"Jonathan's subjects are refreshingly varied; his pictures give you much more than cues on who's wearing what this week." -- Nick Sullivan * Fashion Director, Esquire *"Jonathan manages to capture those impossible moments where easy candour and the perfect light source seem to meet. His images have a stillness I find really beautiful." -- Jo Ellison * Fashion Editor, Financial Times *"Jonathan has managed to create a unique form of photography that melds something lyrical with something journalist, blurring the line between reportage and poetry" -- Nick Wooster, Creative Consultant"There is energy in Jonathan's work. He understands how to capture the zeitgeist without making a big fuss about it. Jonathan is a great photographer." -- Dylan Jones * Editor, British GQ *

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Book SynopsisFor four decades HEALY RACING has photographed the world of Irish horse racing. Delving into an archive of thousands of images, photographer Pat Healy and sports journalist Donn McClean selected over 200 golden Irish jump-racing moments. Their book captures the last decade of thrills and spills (2011–2020) – the sheer spectacle that is the Irish horse-racing scene. The sport’s biggest personalities, and their horses, are celebrated through the lens: JP McManus, Michael O’Leary and Gigginstown House Stud, Rich and Susannah Ricci, Willie, Patrick and Danny Mullins, Gordon Elliott, Jessica Harrington, Jonjo O’Neill, Henry de Bromhead, Nina and Paul Carberry, Ted, Ruby and Katie Walsh, Barry Geraghty, Davy Russell, AP McCoy, Paul Townend, Jack Kennedy, Rachel Blackmore, Bryan Cooper, Robbie Power, Jamie Codd, Lisa O’Neill and so many more. For every leap of victory and fist pump, there is a crunching fall or a win that almost was: HEALY RACING has captured it all.Trade ReviewThrills and Spills to bring a smile to your face … a beautiful collection of jump racing memories * The Irish Field *Beautiful … from the picturesque to the poignant … succeeds wonderfully * Irish Daily Mail *Beautiful * The Irish Field *Loving the new book * UTV Life’s Pamela Ballantine *Great stocking filler from @patcashhealy * @equisoftlive *What a fabulous publication. Well done to everyone at Healy Racing. A must buy for any racing fan * @davekeena1 *Very good book from good people * @swflanagan7 *A fantastic collection of racing memories from Ireland’s finest @patcashhealy Highly recommend it for all racing fans * RTE Racing’s Hugh Cahill *A timeless collection of racing memories * The Kerryman *Magic moments with precision and emotion...it is impossible to imagine a meeting in Ireland without the presence of the Healy Racing photography team, and their book is a collection of some of the most memorable moments of the last decade. With captions provided by leading racing writer and broadcaster Donn McClean, this nicely arranged hardback takes the reader on a trip down memory lane during a period of bumper success for Irish jump racing and it does a fine job of capturing the emotions in play. As the title suggests, there is no shortage of dramatic and chaotic action shots, with horses hitting the deck and riders propelled into unorthodox positions as they part company with their mounts. High-profile Cheltenham Festival and Grand National wins feature, but the collection not only celebrates the standout top-level successes from 2011 to 2020 it also shines a light on some of Ireland’s scenic summer tracks and point-to-point venues. Many of the most eyecatching pictures capture scenes of wild celebrations, and such scenes of unbridled joy acts as a stark reminder of how badly missed racegoers have been this year. However, at a time when a return to normal circumstances seems difficult to envisage, Thrills and Spills is a welcome tonic to whet the appetite for whenever we can all finally return to racecourses * Racing Post *

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Book SynopsisFeaturing stunning full-color photographs by Gabriela Hasbun, THE NEW BLACK WEST celebrates the modern Black cowboys of the Bill Pickett Invitational Rodeo and the community that comes together to witness their achievements year after year. A powerful symbol of self-reliance, strength, and determination, the Black cowboy is a figure commonly overlooked in the histories of the American West. Held annually in cities across the United States, the Bill Pickett Invitational Rodeo (BPIR) honors the historic accomplishments of Black cowboys and fosters a vibrant community dedicated to continuing that legacy. Bay Area photographer Gabriela Hasbun has spent more than a decade photographing this beloved event in the Oakland hills. Her images capture the joy and excitement of performers and audience members, showcasing the daring feats, spectacular outfits, and welcoming atmosphere that make the Bill Pickett Invitational Rodeo an unmissable experience. In addition to Hasbun's photographs, THE NEW BLACK WEST features quotes and stories from the cowboys themselves, a foreword from the Oakland rodeo's regional manager, Jeff Douvel, and a short essay from BPIR owner Valeria Howard-Cunningham.

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Book SynopsisBlue Sky: The Oregon Center for the Photographic Arts at 40 is the first comprehensive publication to document and situate Portland’s nonprofit Blue Sky Gallery within the national photography scene, charting its four-decade history from upstart artists’ collective to mature nonprofit photographic space. Founded in 1975, before photography was embraced widely as a meaningful fine art form, Blue Sky’s founders endeavored to bring the most dynamic contemporary photographers working in the United States, and eventually throughout the world, to the Northwest. The Center’s early support of now-renowned photographers, including Nan Goldin, John Divola, Mark Klett, Robert Frank, and Larry Sultan, established Blue Sky as a preeminent West-Coast venue. The gallery remains a vital location where emerging photographers engaging with twenty-first century technologies continue to find their voices and eager audiences.

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Book SynopsisMore than two centuries since enslaved laborers of West African descent evicted French colonials from Haiti's troubled republic, the lot of rural Haitians has changed little. Life is tied to the exhausted land, worked with a hoe to the cycle of seasons. Inhabitants in the Artibonite Valley, who survive on subsistence forms, live with dignity in the face of deprivation, and find solace in a spiritual synthesis of voudoun and Christianity. Andrea Baldeck came to know this world as a volunteer physician at the Valley's Hôpital Albert Schweitzer during the 19080s, returning as a photographer in the mid-'90s. Her images reveal hope, resignation, forbearance, pride, strength, and love. These unforgettable portraits are mediated only by trenchant Creole proverbs, a distillation of the Haitian experience.

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Book SynopsisClosely observed explores the infinite variety and beauty of the botanical world. Andrea Baldeck sequences photographs in sumptuous black and white to beguile the viewer with variations on the theme of leaf and flower, fruit and seed. The aesthetic appeal of a mute yet deeply expressive world imbues the 178 tritone plates. The book presents a garden of the imagination that invites the eye to linger, marvel, and enjoy.

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Book SynopsisA visual exploration of decay, impermanence, and loss, manifest in structures and objects that are left behind, the spirit of this collection is one of evocation, inviting us to conjure meanings from the images, to wonder what each of us will leave behind, as presence passes and absence overtakes.

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Book SynopsisOn June 6, 1912, among the Katmai volcanoes and its resident native people, an unforgettable natural event occurred: the largest volcanic eruption on Earth during the twentieth century. In size comparable to Indonesia's Krakatau in 1883 and Tambora in 1815, one must go back 2,000 years to the north island of New Zealand to find as large a release of rhyolite magma. The actual eruption took place about 100 miles west of Kodiak in the Aleutian Range on the Alaskan Peninsula. In three days, a new volcano—Novarupta—was born. More than five cubic miles of ash and debris flew into the atmosphere, with heavier deposits filling an adjacent forty-four-square-mile valley in depths up to 1,000 feet. The dense, superheated waves of magmatic spray incinerated all living organisms, leaving a hot bed of igneous material that, when mixed with water from the surrounding glaciers and snowfields, produced tens of thousands of steam vents known as fumaroles. Thus was born the Valley of 10,000 Smokes. Native villages, some thousands of years old, were abandoned and never reestablished. The eruption was of such consequence that the National Geographic Society sent Robert F. Griggs to direct a four-year expedition to the site. Griggs and his party recorded their scientific expedition in stunning black-and-white photographs and moving text, which led to the publication of a 50-page article in National Geographic Magazine in 1918 and a subsequent book issued by the Society in 1922 that remains available today. Gary Freeburg has traveled to the Valley of 10,000 Smokes five times, from 2000 to 2011, in pursuit of rephotography of the contemporary landscape and the larger experience of wilderness. Although the fumaroles that Griggs so vividly portrays in words and pictures are largely gone, and that element of visual and volcanic activity has largely ceased, in Freeburg's photographs one can still feel the steam-filled air, sense the deafening noise of the eruption, and grasp the incredible physical forces that created this alluring landscape. Now preserved as part of the 4.7-million-acre Katmai National Park and Preserve, the Valley of 10,000 Smokes continues to inspire—not just esteemed volcanologists such as John Eichelberger and expert cultural anthropologists such as Jeanne Schaaf, but great artists such as Gary Freeburg who seek out the Alaskan sublime, as it is revealed in one of Earth's most remote, raw, and wild places. (See the publisher's website for further information on exhibits, book signings, and to view a slide show: http://gftbooks.com/books_Freeburg.html ).

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Book SynopsisThere is no more beautiful or alluring coast in the world than the West Coast of North America: a 5,000-mile-long region that extends from the Aleutian Islands of Alaska to Canada's British Columbia, south to Washington, Oregon, and California, and then to Baja California in Mexico. No photographer until David Freese has explored the various and wondrous landscapes along the Pacific Ocean in such depth, making this the first book to look comprehensively at what makes the natural beauty of this particular coast so memorable. Behind the scenery, of course, lie the geologic forces that have created the West Coast landscapes that we now admire, explore, and praise. The engaging and informative text by renowned author Simon Winchester grounds us in understanding the deep relationship between geology and scenery. And Naomi Rosenblum, the esteemed photographic historian, writer, curator, and art critic, firmly establishes David Freese's place among the great landscape photographers of the past and present. In every photograph, his unique vision of nature and of place comes shining through. West Coast: Bering to Baja is a major publishing enterprise that will appeal to book-lovers of photography, nature, and those who dream about visiting and touring North America's West Coast. For here we see the vital connection between art and science merge in ways previously unseen for this special region of the world.

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Book SynopsisThroughout the world, the American West has defined the character of the United States of America as no other region in America ever could. The combination of awe-inspiring topography and landscapes, from the 100th meridian to the Pacific Coast, along with the integration of Indian and Hispanic cultures into the American fabric of life have long inspired citizens of the world to travel to and explore the vast lands that define the American West, from the middle of the nineteenth century to the present time. Photography helped to open up the West after the American Civil War by sharing views of nature unparalleled in any other place on Earth. And photography helped to create the beginning of a national park system that may well go down in history as America's greatest democratic ideal. It is no wonder that public lands have come to dominate the American West, from national parks to national grasslands and wildlife refuges, from national forests to national monuments and historical sites, from wild and scenic rivers to other sanctuaries of wilderness. Willy Sutton has spent much of the past thirty years getting out of his truck and into the landscape, taking his camera to places of natural wonder both well known and obscure. He has assembled one of the great photographic bodies of work dealing with the public lands of the American West, providing a glimpse of what these landscapes looked like before they were designated as national treasures. But, of course, because of their preservation, they are available to all citizens of the world today. Whether one has lived in or visited the West for an entire lifetime, or whether one is coming to the West for the very first time, all readers of this book will find in Sutton's photographs a magisterial guide to what makes the West so unique, so special. As essayists Toby Jurovics and Susan B. Moldenhauer make plain, Willy Sutton's photographs, as represented in this book, will long be held in esteem for the pioneering work they embody, even in this contemporary age dominated by urban development, social and economic inequality, and climate change. At Home in the West:The Lure of Public Land is a book for the ages.

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Book SynopsisSince 1983 David Wharton has photographed the twelve states that define the American South, focusing his attention on rural and small-town culture, vernacular architecture and landscape, the role of religion in Southern life, and the relationship between Southerners, their natural surroundings, and the communities they have built. Small Town South is the result of Wharton's travels through a region that extends from Texas, Louisiana, and Arkansas in the west to Virginia and the Carolinas in the east, from Kentucky and Tennessee in the north to Florida in the south, with Mississippi, Alabama, and Georgia forming the region's center in between. No other photographer has devoted so much time and attention to recording this distinctive American place. The 115 duotone photographs which serve as the book's core, combined with the author's insightful text, convey an overall sense of what the small Southern town has become and looks like during the early twenty-first century. Wharton organizes his study into thematic portfolios that address themes such as the intersection of tradition and modernity, local commemorations of the past, the omnipresence of the church in town life, the difficulties of making a living in the New World economy, the look of Main Street, the display of public murals and memorials, and the iconographic unfolding of community values. Many have likened Wharton's photographic eye and approach to the work of other photographic masters of the South, including Walker Evans, Eudora Welty, William Christenberry, Shelby Lee Adams, Alex Harris, Rob Amberg, and Martha A. Strawn. And, just as we turn to those artists to help us understand and reckon with Southern history and culture, we now can look to David Wharton as another pioneer photographer of the Southern small town in all its simplicity and complexity. (See the publisher's website for further information: http://gftbooks.com/books_Wharton.html ).

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Book SynopsisPeople love dogs, and dogs love people. Walking a dog is one of the most visible and mutually beneficial manifestations of that bond. It is a ritual steeped in affection and obligation. It doesn’t have a day off. It doesn’t pay the bills or clean the dishes or do the laundry. Still, people and dogs alike gain the benefits of exercise, socialization, shared experiences and observations. Another benefit, often overlooked, is the pleasure of mutually indulging a trait that ordinary dogs share with extraordinary people: curiosity. This book is, in many ways, an ode to curiosity. Walking Magpie is about a dog and what a dog sees. It is also a work of serious photography by a well-known and pioneering landscape artist: Chuck Forsman, who, for more than forty years, has been a keen observer of the interface between landscape and culture as expressed through his paintings and photographic art. As a result, Forsman often goes to places that might not be on everyone’s radar screen. In this book, Forsman took a camera with him during his walks with Magpie, the family dog. Often, these walks are in the neighborhood and surrounding hills where Forsman lives: near the Flatirons in Boulder. But Magpie joins Forsman on other adventures, from Alaska and the Northwest Territories of Canada to Florida, Ohio, and New York City. The intent is to turn these experiences into art. With each picture we sense mystery rather than clarity, questions about place rather than answers. We hardly can know what a dog knows, but with this book we can appreciate better what a dog sees and senses and experiences, helping the human and canine imagination to meld, at least a little. Walking Magpie is published in conjunction with a retrospective of Chuck Forsman’s photographs at the Denver Art Museum in October 2013. Published in association with the Denver Museum of Art.

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Book SynopsisIreland is a place of mystical, enduring appeal, especially for the many millions of Americans who claim its special heritage, more than one in six according to the last U.S. Census. But Ireland has also become an international place of pilgrimage and discovery for all who venture there. This unique collaboration between Elizabeth Billups, a Santa-Fe-based photographer and activist, and Gerry Adams, the renowned leader of Sinn Fein, reveals a side of Ireland―and of Gerry Adams―not often portrayed in the guidebooks or magazines or news media. In this special book, the two kindred spirits wander the country together and share a deep love of the land and its people, with Ms. Billups taking gorgeous photographs and sharing her experiences and Mr. Adams contributing additional stories, tales, and facts about his country and his family's history. While Mr. Adams has written many acclaimed books concerning his political vision for Ireland, until now he has refrained from sharing his affection for his native land. And so, with Ms. Billups, we are able travel to his and her favorite places, the places that, to them, bespeak of Ireland as one island without borders. Looking at Ms. Billups's beautiful and captivating photographs—and reading her text and Mr. Adams's family stories, personal anecdotes, and relevant historical details, legends, and myths—we come to understand why Ireland is such a special place and why he fought so long and hard to achieve peace for the many generations to come. ** Nominated for a 2015 IPPY Award" from the Independent Publishers Association **

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Book SynopsisHonoring the Doughboys: Following My Grandfather's World War I Diary is a stunning presentation of contemporary photographs taken by the author that are paired with diary entries written by his grandfather, George A. Carlson, who was a soldier in the U.S. Army during World War I. Lowdermilk followed his grandfather's path through France, Belgium, Luxembourg, and Germany and returned with these meticulously crafted photographs and his own engaging stories that bring the diary to life for contemporary readers. Lowdermilk's passion for World War I and military history began as a young boy when he listened to his grandfather tell his stories about serving as an infantryman— a "doughboy"—in Europe during the Great War. When his grandfather passed away in 1983, Lowdermilk's mother gave him her father's diary, which included not only lengthy descriptions of the landscapes, towns, and battles he had experienced, but also keen observations and insights about life as a doughboy for Mr. Carlson and his buddies. Lowdermilk became fascinated with the diary, first transcribing it and then plotting his grandfather's course. He immersed himself in the history of World War I and its geography, eventually retracing, more than a dozen years, the path of his grandfather's journey. This image-rich tour of European landscapes, battlefields, and monuments offers the reader an experience that is at once an intimate reliving of Carlson's time as a doughboy, a lively collection of Lowdermilk's travel anecdotes, and a moving expression of gratitude to American veterans of the Great War. The foreword by Helen Patton, granddaughter of General George S. Patton, Jr., adds an extra dimension to the narrative. ** Nominated for a 2015 IPPY Award" from the Independent Publishers Association **

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Book SynopsisLynne Buchanan began photographing Florida’s inland waters to create artistic records of her connection with those waters and to learn lessons from being in the present moment and aligning with the flow of life. The more time she spent photographing waterways in her native Florida, the more she noticed what was being damaged and lost due to human impact. She resolved to draw attention to the situation through her photography and to work with water-quality and environmental advocates, from members of the Water-keeper Alliance to Native American citizens fighting to preserve the integrity of their ancestral lands and drinking water. The result is Changing Waters, which not only showcases the beauty, diversity, and complexity of Florida’s waters, but also documents the negative effects of agricultural and industrial pollution, a growing population with its urban growth and land development, and climate change on Florida’s inland and coastal waters and springs. Though her work is place specific, the book reveals the interconnected and global nature of environmental problems. Indeed, Florida’s fragile springs, wetlands, rivers, and coastal waters can be considered a tragic and powerful example of what is happening to aquatic systems else-where in the nation and world as a result of unchecked human action. Buchanan’s photographs invite viewers to consider their personal relationship to water and en-courage better stewardship of this vital––and finite––resource. They are also a call to action to find more effective ways to preserve these waterways for both their natural beauty and essential role in our survival.

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Book SynopsisPhotographer John Willis has long been aware of the exploitation that can occur when photographers enter communities as outsiders. So, in 1992, when he first visited the Pine Ridge Indian Reservation in South Dakota, he assured elders of the Oglala Lakota nation that he would not exhibit any of his images. Over time, however, Willis earned the respect and trust of the community, and the elders urged him to show his work and create this book so that others might better understand Lakota land and life. Willis has returned to the reservation every year since 1992, and he has come to grasp and interpret this place as few others have. Views from the Reservation, first published to widespread acclaim in 2010 and now presented in an updated and expanded edition, remains a gift—a wopila—that is meant to open the minds, eyes, and hearts of outsiders to the life, culture, and conditions of the Oglala Lakota people. Along with his insightful and accomplished images, Willis has enlisted other voices to offer a more complete story: Lakota elders and high school students from the Pine Ridge Reservation offer powerful poems; writer Kent Nerburn contributes an original essay; Emil Her Many Horses, a curator at the National Museum of the American Indian, tells his story of growing up on the rez; Kevin Gover, Director of the National Museum of the American Indian, apologizes for the government’s abuse of native people; Oglala Lakota artist Dwayne Wilcox shares his provocative ledger drawings; and members of the Reddest family present their amazing photo collection. Views from the Reservation is a masterful book that has been praised by the Lakota people for its honesty, spirit, and depth. It offers the chance for native peoples and outsiders alike to appreciate and respect the Pine Ridge Reservation from contemporary and historical points of view, with art and storytelling leading the way.

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Book SynopsisThree centuries ago, the Los Angeles River meandered through marshes and forests of willow and sycamore. Trout spawned in its waters, and grizzly bears roamed its shores in search of food. The river and its adjacent woodlands helped support one of the largest concentrations of indigenous peoples in North America, and it also largely determined the location of the first Spanish Pueblo and ultimately the city of Los Angeles. The river was also the city’s sole source of water for more than a century before flood-control projects made the L.A. River what it is today.Michael Kolster, in L.A. River, relies on a nineteenth-century photographic technology to render the Los Angeles River today, from its headwaters in Canoga Park and the suburbs of the San Fernando Valley to its mouth at the Pacific Ocean in Long Beach. Coincidentally, the founding of the city of Los Angeles and California’s achievement of statehood in 1850 coincide historically with the invention of the wet-plate photographic process, forever linking the city and state with the centrality of photography. The moving images that define L.A. River show a feature of the city’s landscape that initially attracted native peoples to its banks and gave rise to the formation of our nation’s second-largest city.Channeled in concrete during the last century to control flooding, the river was all but removed from the life of the city until the turn of the twenty-first century, when concerted efforts were made by some to peel back some of the concrete and to let nature live once again. In his photographic journey, Kolster considers both the past and present and how the accumulation of life along the river suggests a larger a role for the L.A. River in the lives of the city’s inhabitants.

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Book SynopsisPhotography and meditation are known to facilitate reflection and introspection. They teach us to see both the outer world and the mysterious landscape within. In Nowhere in Place, photographer Christopher Jordan explores the meeting place between meditation and photography and how this mirroring of outer and inner worlds plays upon both the surface of his consciousness and the sensor of his digital camera. Before Jordan ventures outside to make pictures, he spends time in quiet meditation. This is an important process of switching gears from the everyday noise of the cluttered mind to a more serene state of awareness. This reset allows Jordan to see the world in fresh ways, appreciating overlooked details that might escape a mind preoccupied with business-as-usual. The book starts in Tuscaloosa, where Jordan lives. For many, T-town is a place of Southern charms and Alabama football, but, for Jordan, it becomes a visual play of textures, colors, and abstract planes with nary a person in sight. The pictures reveal a placeless solitude within the frame of his camera. The book moves west to Boulder, another college town, where his contemplative eye continues to fix upon unusual shapes, colors, and textures while intersecting with an occasional figure. The book reaches full bloom in India, where the interplay between inner and outer landscapes knows no bounds, as his camera reveals a kaleidoscopic interplay of people, places, and things. Within each locale, Jordan photographed “nowhere” in particular, because, for him, the photograph becomes a place of its own being: a sanctuary for meditation, a record of what is seen and heard and felt, an opportunity to see a place and an image right now. For Jordan, the photograph is a medium of meditation and transcendence, providing a point of intersection where one recognizes our shared, common humanity.

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Book SynopsisWith this fascinating synthesis of word and image, internationally renowned photographer B.A. Van Sise offers a visually stimulating anthology that will enchant lovers of both poetry and photography. At times whimsical, surreal, challenging, enigmatic, joyful and sobering, these portraits— running adjacent to poems by each of their subjects—highlight some of the most influential poets of our time and celebrate creativity as only these poets in collaboration with Van Sise could convey. Children of Grass is also a timely homage to Walt Whitman—of whom Van Sise is a relative—and his masterpiece, 'Leaves of Grass,' during this, the 200th anniversary of his birth. Children of Grass , will, like the work of its literary grandfather, stand as a lasting tribute to the vitality and creativity that flourishes in our country.

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Book SynopsisIn extraordinary, life-affirming photos taken around the world—from developing villages to urban centers—over the last 40 years, a photographer makes the bold case that what unites us is more powerful than the borders that divide us. A portion of the proceeds for The Bonds We Share will benefit Doctors Without Borders. Hailed as “photography's new conscience,” photographer and psychiatrist Dr. Glenn Losack has spent a lifetime traveling the world, determined to extend healing, hope, and compassion. With a camera in hand, he goes places that tourists rarely visit, including slums, alleys, and dark streets. He's seen struggle, but he's also seen our shared humanity: families playing together, laborers working, the devout praying to their gods. Dr. Losack has found resilience, joy, passion, and celebration in communities the world over, even in places plagued with corrupt government, poor infrastructure, and disease. The 240 captivating photos in The Bonds We Share, taken in India, the Dominican Republic, Bangladesh, Cambodia, Morocco, Peru, Tunisia, Sri Lanka, Egypt, the United States, Eastern Europe, and elsewhere, serve as a remarkable retrospective of Dr. Losack's work and reveal an essential truth: we may come from very different cultures, far-ranging geographic corners, belief systems, and economic circumstances, but we all share the same desire to work hard, raise families, and lead fulfilling lives. In this spectacular volume, Dr. Losack interrogates timely notions of difference and portrays the commonality of people from different cultures around the globe.Trade Review“We may be separated by oceans, languages, and cultures, but we are all connected. Dr. Glenn Losack’s beautiful pictorial The Bonds We Share reminds us of our universal connection to one another through a series of stunning, personal, and often emotional images. Dr. Losack reminds us that we have so much more that joins us rather than separates us. In these faces from distant lands we can see much of ourselves. This is a joyful, celebratory collection.” —Jim Moret, author of The Last Day of My Life and chief correspondent of Inside Edition“Dr. Losack’s unforgettable photography in The Bonds We Share is exquisite and full of amazing, touching images which drive home the unquestionably powerful theme that people worldwide share a commonality in their daily lives. We all want a peaceful planet and a better, more meaningful future for our children. You will love this beautiful book and its profound, universal message.” —Rita Cosby, Emmy-winning journalist and best-selling author of Quiet Hero: Secret’s from My Father’s Past“I feel like I've just taken a trip around the world through Glenn's photographs. I am struck by the way he captures a world of different people in different places, illustrating that we are truly all the same. He shows us the amazing colors of life.” —May Pang, artist, former music executive, and author of Loving John and Instamatic Karma: Photos of John Lennon“Dr. Losack’s powerful photographs are not only stunning and poignant, but they also manage to reach deep into the soul and collective unconscious of his audience. He reminds us why we are here: to love, learn, and discover the beauty in one another. These are the bonds we all share and that show that we are all connected in this world.” —Dr. Jeff Gardere, psychologist, author, and contributor to Fox, NBC, MSNBC, and CNN“Glenn Losack has an unprecedented ability to peer into pain and find soul and beauty. His photography profoundly gives a voice to those who have no microphone.” —Alice Feiring, James Beard award-winning wine and travel writer and author of Naked Wine, For the Love of Wine, and Natural Wine for the People“A powerful and necessary message for our times, Dr. Losack’s work is massive, exquisite, and covers so many of life’s meaningful and evocative themes. He captures foreign cultures with an emotive awareness, and quite successfully involves his audience in this endeavor. Every photograph is depicted with care and grace.” —Dr. Robi Ludwig, author, psychotherapist, and TV personality“We have all heard the phrase, ‘a picture is worth a thousand words,’ and the photographs in The Bonds We Share are absolutely breathtaking. Dr. Losack has certainly captured what makes us all commonly bonded in this powerful and optimistic book and shows that no matter who we are or where we’re from, we are more similar than different.” —Joan Lunden, award-winning journalist, best-selling author, former cohost of ABC’s Good Morning America, and host of PBS’s Second Opinion with Joan Lunden“A timely pictorial, The Bonds We Share shines a bright light on our innate similarities.” —Preferred Health magazine“This is most definitely the work of a master of the stunning snapshot.” —F-Stop Magazine“Losack finds the true colors of every population he visits, and transforms their daily struggles into a visual message of hope and compassion. An inspiring and thought-provoking addition to your photo library.” —Amex EssentialsTable of ContentsPreface 1: Devotion 2: Inheritance 3: Journey 4: Pastime 5: Connection 6: Resilience 7: Community

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Book SynopsisPhotographer Michael Kolster poignantly documents how plastics that wash ashore HawaiÊiâs beaches are being combined with volcanic rocks to create a hybrid product of human and geological forces. These strangely beautiful modern-day fossils will form a record of present-day human activity that is likely to persist for thousands of millennia.

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Book Synopsis

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Book Synopsis

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