Individual photographers Books
Abbeville Press Inc.,U.S. Chasing the Mountain Light
Book SynopsisFrom his childhood in Melbourne, David Neilson (b. 1946) has been motivated by his twin loves of mountaineering and photography. He has made multiple expeditions to southwest Tasmania, Patagonia, and Antarctica, and published critically acclaimed photo books about each of these places; he has also carried his camera into the Karakoram, and the Alps of Australia, New Zealand, and Europe. In this oversize volume, Neilson recounts his lifelong quest to capture the mountain light and encourage the preservation of wild places. His most spectacular images of jagged peaks, massive glaciers, and hardy wildlife are reproduced as duotones of the highest quality. A number of vertical double-page images even invite readers to turn the book sideways to immerse themselves in the mountain heights. Chasing the Mountain Light will delight all lovers of the outdoors.Trade Review"Australian landscape photographer David Neilson’s Chasing the Mountain Light (Abbeville Press, October 2022) combines a fascinating memoir with stunning black-and-white photographs that embody his lifelong passion for photography, climbing, and preserving untamed spaces like Patagonia and the Australian Alps." - Architectural DigestTable of ContentsPreface: "When the Contour Lines Sing Together" 7 Mountains of my Childhood 9 Climbing 15 Federation Peak: South West Tasmania 21 Frenchmans Cap: South West Tasmania 33 Lake Pedder: South West Tasmania 43 Southern Alps of New Zealand: Broader Horizons 53 To an Unknown Valley: Northern Patagonia 69 Fitz Roy - Cerro Torre - Paine: Patagonia 79 Journey to Tierra Del Fuego & the Southern Patagonian Ice-cap 97 Wilsons Promontory: South-eastern Cornerstone of Australia 117 Australian Alps 125 South Georgia: Sub-antarctic Isle 161 East Antarctica 175 Antarctic Peninsula 189 Ross Sea 209 European Alps 219 Karakoram: West of the Himalaya 231 Notes on my Photographic Journey 249 The South Coast of Tasmania: Wild Places for Future Generations 251 Bibliography 252
£59.46
Rizzoli International Publications Shaping Surf History
Book SynopsisMetyko captures an era-defining snapshot of one of the most fertile and influential moments in California's surf history. The dramatic action shots and intimate moments follow the rise of young legend-to-be and future world champion Tom Curren and the surfboard shaper Al Merrick.During the early 1980’s, Santa Barbara, California, saw an extraordinary mix of innovation, individuals and imagery, combined with a relatively rare meteorological phenomena, that led to one of the most influential periods in modern surf history.The rise of young legend-to-be and future three-time world champion Tom Curren, whose preternatural wave-riding abilities would help establish California at the forefront of contemporary surfing; the emergence of then-unknown board builder Al Merrick of Channel Island Surfboards, who would go on to becoming the sport’s premier board-builder; a once-in-a-generation run of exceptional surf conditions - photographer Jimmy Metyko was Trade Review"It'll feel like he has traveled back in time with this retrospective look at the era-defining days of surfing in the '80s." —The New York Times
£34.00
Eakins Press,N.Y. Lee Friedlander The Peoples Pictures
Book SynopsisThe democracy of the image in the social landscapeThe saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander's most enduring subjectthe way that average citizens interact with the world by making pictures of it, as well as how those pictures and the pictures constructed for advertising or political purposes define the public space.In Lee Friedlander: The People's Pictures we see photographs spanning six decades, most of the geographic United States and parts of Western Europe and Asia. These pictures are uniquely Friedlander photographs: as much about what's in front of the camera as they are about the photographer's lifelong redefining of the medium. Like his exploration of words, letters and numbers in the social landscape,
£46.35
Blast Books,U.S. Walker Evans Last Photographs Life Stories
Book SynopsisA unique meeting of two transformative talents in American photography, Walker Evans (Let Us Now Praise Famous Men) and Michael Lesy (Wisconsin Death Trip), with a selection of Evans's little-seen Polaroid portraits and last worksTrade ReviewWalker Evans is one of the most vaunted American photographers in history. His name is evoked with reverence; his influence continues to shine through in work by contemporary photographers to this day, its imprimatur now firmly established in the canon of American photography.While Evans’ most well-known output is the kind of “straight” work that [Lincoln] Kirstein described them as, these color photos in Lesy’s book seem to be far more intimate and less studied, more lyrical and personal. There is a real warmth and intimacy to them that the instantaneous nature of the Polaroid helped achieve. But maybe they are also that way because they are the traces of a man on his way out of life embracing his last experiences and encounters. At any rate, I find them to be a penetrating look into the art of an American luminary. Lesy’s book extends that feeling in its second half by compiling portraits and stories of key figures in Evans’s life.Of particular interest to me are the color portraits that Evans made with the SX-70. These are presented along with other Polaroids that deal with some of the familiar themes his earlier work dealt with. But the portraits seem more vulnerable and intimate. Evans made these portraits at parties where he mingled with friends and students.If you’re not careful, you’ll find yourself crawling down a rabbit hole reading all of these stories. That’s exactly what happened to me while paging through the book. I got so enthralled with the stories, it was an hour and a half before I lifted my head from the pages the first time I encountered the book! -- Kenneth Dickerman * Washington Post *For most viewers, Walker Evans will always be a man of the 1930s, an era-defining genius who lost his way as life changed. Yet his late work—and particularly the images he made using a Polaroid SX-70 in 1973-74, just before his death in 1975—has had admirers, passionate but rare. . . . Flat, deeply shadowed, eerie, they resonate with a desperate immediacy that seems more in keeping with contemporary sensibilities than does the classical austerity of the more renowned work of four decades earlier. -- Barry Schwabsky * Bookforum *Walker Evans (1903–75) was one of the greatest of 20th-century American photographers. His images of people and scenes of rural and urban life during the Great Depression have become our collective visual memory of the era. Historian/biographer Lesy’s . . . highly readable biography is enriched by the author’s personal connection with Evans. Lesy met the photographer (the encounter is vividly sketched here) in Evans’s last years, an éminence grise still actively making pictures, teaching, and creatively experimenting. Life stories constitute the major part of this biography, filled with intimate and frank details about Evans and his friends, colleagues, and lovers. Includes over 50 of Evans’s late-career, color, SX-70 Polaroid instant-film images. VERDICT: An excellent and accessible brief introduction that is a personal glimpse into the life of Evans and his circle. --Library Journal -- Library Journal * Library Journal *Toward the end of his life, Walker Evans began using a Polaroid camera. The images he photographed were distinct from the stark black-and-white shots he built his name on in the 30s and 40s…. By contrast, the Polaroid shots had an eerie warmth to them. The instant camera had its shortcomings — bleached colors and imprecision — but he found an elegance in street arrows and faces and junkyard detritus. The photos served as a curious and elegiac capstone to a career that ended with his death in 1975. . . . Lesy and Evans met in the early 70s when both were teaching at Yale. By then Evans no longer had the same presence in American photography he once did, but in a way that was liberating, and the flexibility the camera gave him was a useful tool for his seeking spirit. . . . If Lesy has an overarching interest in writing this book beyond the Polaroids . . . , it’s in showing the lifelong intersection of Evans’ work with the people who in various ways supported it. The bulk of the book’s prose are vignettes of friends, patrons, and colleagues, accompanied by Evans’ portraits of them. History now frames Evans as an early- to mid-century phenomenon, a precursor to Robert Frank and Diane Arbus. Lesy wants to emphasize that he was a lifelong poet of loneliness and desolation. Every face he photographed, be it in 1929 or 1973, was caught seeking something; every inanimate object a symbol of a need unmet. . . . The Polaroid may have been dismissed for its imprecision and disposability. But it was the perfect format for an artist who recognized ephemerality, whose images were infused with the idea that all things end. -- Mark Athitakis * On the Seawall *
£28.79
Longer Moon Farther Valerie Phillips Hi You are Beautiful How are
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£20.00
Four Corners Books Prison Landscapes Alyse Emdur
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£15.00
The London Stereoscopic Company George Washington Wilson
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£24.00
Many Voices Press Eugene Richards In This Brief Life
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£51.30
Aquaterra Publishing Beautiful Devon
Book SynopsisBeautiful Devon is a photographically led book, showcasing the beauty of the county of Devon, in southwest England. It is intended as a photographic memento of life in or a visit to Devon, covering many of the most well known visitor locations and festivals.Table of ContentsChapter 1: All About Devon Chapter 2: Exeter and the East Chapter 3: The Southern Riviera: Torbay to Plymouth Chapter 4: Dartmoor and the Heart of Devon Chapter 5: The North and Devonian Exmoor Resources Index
£10.44
FUEL Publishing Looking for Lenin
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£16.96
The Gould Collection The Story We Used to Tell Photographs by Chris
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£53.62
CANADA LLC Mary Manning Grace Is Like New Music
Book SynopsisCollaged photo-portraits of creative communities in New York and LondonA comprehensive monograph on New Yorkbased photographer Mary Manning (born 1972), Grace Is Like New Music includes hundreds of images that span the last decade of their production and are arranged into multiphotographic compositions. Designed in collaboration with long-time friend Joe Gilmore, the book portrays Manning's creative community in New York, London and elsewhere, and depicts subjects and sensibilities inspired by their interests in dance, film, fashion and poetry. Using a basic point-and-shoot camera, Manning captures people, nature, the street and everything in between. Their practice is an exercise in recording and collecting, an effort in paying attention as a practice of being alive. The book includes an essay by writer Olivia Laing and a contribution by S*an D. Henry-Smith.Trade ReviewMary's work takes place at the threshold of joy and recall. The instant is stretched; the instant is what we wait for. -- Durga Chew-Bose * Aperture *
£51.00
The Ice Plant Terri Weifenbach Cloud Physics
Book SynopsisA luminous photographic consideration of atmospheric phenomena, visual perception and life on Earth, from the author of Des OiseauxIn Cloud Physics, American photographer Terri Weifenbach explores the vital interconnection of our planet's clouds and the intimate forms and textures of its biological life. The backbone of this work is a series of photographs (for which she received a Guggenheim Fellowship in 2015) made at an American research facility used for the study and measurement of clouds, their origin, structure, particles and solar relationships. The exotic instruments she portrays are designed to express ephemeral atmospheric phenomena as sets of numeric data, yet Weifenbach''s camera (and her way of seeing) renders our organic terrestrial world as an unquantifiable mystery. The vibrant scenes of her wide-ranging images tiny variations of light, humidity, fire, lightning; iridescent mists and vapors; glimpses of the animal kingdom and tTrade ReviewBlur[s] the boundaries of truth and beauty, just as surely as any wide open aperture blurs a subject. -- Blake Andrews * Collector Daily *
£41.40
Convoke Radical Justice
Book SynopsisTrade ReviewThere aren’t many artistic renderings of Occupy. As a result, we are often left with little more than anecdotes of how diverse and varied the demographic makeup of the movement was. Radical Justice documents that history and reminds us that activists who have held our country accountable then are not so dissimilar from those who took to the streets in the summer of 2020. In doing so, Shepp’s photographs channel the spirit of Occupy, and its biggest hope as expressed in that original e-mail from Adbusters in 2011: to “[awaken] the imagination and, if achieved, propel us toward the radical democracy of the future.” --Salamishah Tillet, The Nation
£35.24
Glenstone Foundation Jeff Wall
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£36.00
Taylor & Francis Ltd Contemporary Photography and Theory
Book SynopsisContemporary Photography and Theory offers an essential overview of some of the key critical debates in fine art photography today. Building on a foundational understanding of photography, it offers an in-depth discussion of five topic areas: identity, landscape and place, the politics of representation, psychoanalysis and the event. Written in an accessible style, it introduces the critical literature relevant to photography that has emerged over recent decades. Moving beyond seminal works by writers such as Walter Benjamin, Roland Barthes, and Susan Sontag, it enables readers to explore an extended canon of theorists including Jacques Lacan, Judith Butler and Giorgio Agamben. The book is illustrated throughout and analyses a range of works by established and emergent artists in order to show how these theoretical concepts are central to understanding contemporary photography. These 15 short essays encourage readers to apply critical thinking to both their own work and that of others.Table of ContentsContents List of IllustrationsAcknowledgements Introduction Part One: Photography and Identity 1. The Honorific and the Subjugated Portrait 2. The Blank portrait and the Intimate Record 3. The Portrait and the Contemporary Self Part Two: Photography, Landscape and Place 4. The Politics of Place 5. Non-Place and New Topologies 6. Ruins and the Anthropocene Part Three: Photography, Performance & the Politics of Representation 7. Gender and the Selfie 8. Race, Culture and Time 9. Performativity and Disability Part Four: Photography and Psychoanalysis 10. Psychoanalysis, representation and desire 11. Psychoanalysis, Spectatorship and the Gaze 12. The Politics of Enjoyment Part Five: Photography and the Event 13. Photography, Memory, History 14. Post-photojournalism and Contemporary Images of Conflict 15. Photography, Empathy and Responsibility Notes Bibliography
£25.99
Amberley Publishing Bristol A Portrait 197082
Book SynopsisThis beautifully illustrated and evocative book which helps document Bristol in the 1970s and 1980s.
£15.29
Chronicle Books Dream Baby Dream
Book SynopsisDream Baby Dream showcases the photography of Los Angeles-based award-winning photographer, director, and designer Jimmy Marble. This bright and tactile book is filled with Marble''s fresh, sun-drenched photography alongside handwritten text from the photographer himself.Dream Baby Dream features fashion and lifestyle photographs of models and celebrities, including Ariana Grande and Amy Adams.• The first monograph on the work of Jimmy Marble• Unique, quirky, and fashion-forward• Images capture the vibe of sunny Southern CaliforniaDream Baby Dream is a whimsical celebration of Marble''s colorful aesthetic and fashion sensibility. His unique sense of pattern and color evokes a distinctly youthful and sunny Southern California aesthetic. • Bound in an orange textured paper with an inset portrait, Dream Baby Dream has a vivid and tactile appeal&bul
£18.69
Duke University Press Bloodflowers
Book SynopsisW. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955–1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism.Trade Review"Recommended. Upper-division undergraduates through faculty and professionals." -- E. Baden * Choice *“Bourland’s book is a welcome showcase and exploration of Fani-Kayode’s work, especially in these times of renewed homophobia and racism.” -- Rachel Jagareski * Foreword *"Bloodflowers is a rich and detailed study of the photographer Rotimi Fani-Kayode. . . . Bourland’s bookprovides much that will be of interest to students of photography and visual culture. . . ." -- Darren Newbury * Journal of British Studies *“The real strength of Bloodflowers resides in Bourland’s descriptive capabilities and the care he gives to a Black artist who has not been granted the scholarly attention he deserves. Known for stunningly beautiful, conceptually rich photographs of Black men, Fani-Kayode created images that are at once steeped in complex symbolism while also semiotically porous in their surrealism: a contradiction that Bourland unpacks with great critical sophistication.” -- Derek Conrad Murray * Art Bulletin *“The brilliance of Bourland’s book is in the range of its learnedness. Its promise, though, lies in its wide applicability. The book should be read not simply for its bearing on Fani-Kayode. It should be engaged as a model for a deeply interdisclipinary and historically attuned art history and criticism.” -- Roderick A. Ferguson * Nka *Table of ContentsAcknowledgments vii Introduction. Nothing to Lose 1 Exposure 1. Brixton 23 Exposure 2. Rage and Desire 58 Exposure 3. Magnolia Air 91 Exposure 4. The Queen Is Dead 146 Exposure 5. Mirror Worlds 171 Exposure 6. Night Moves 209 Epilogue. Homecoming 250 Notes 257 Bibliography 291 Index 305
£26.59
University Press of Mississippi One Time One Place
a huge range and FREE tracked UK delivery on ALL orders.
£28.80
Pan Macmillan Joan: Beauty, Rebel, Muse: The Remarkable Life of
Book SynopsisVolumes have been written by and about Patrick Leigh Fermor, but his wife Joan is almost entirely absent from their pages. Now Simon Fenwick, the first archivist to see the Leigh Fermor papers, reveals a woman hitherto only fleetingly glimpsed. A talented photographer, Joan defied the social conventions of her times and, though she came from a wealthy and well-connected family, earned her own living. Through her lover, and later editor of the TLS, Alan Pryce-Jones, she met and mingled with the leading lights of 1930s bohemia – John Betjeman, Cyril Connolly, Evelyn Waugh, Maurice Bowra (who adored her) and Osbert Lancaster, among others. She featured regularly in the gossip columns, not only for her affairs and her fashionable clothes, but for her intrepid travels to Russia and America.In 1936 she met and subsequently married the journalist John Rayner, but her belief in open marriage was not shared by her husband and their relationship foundered. Then, in 1944 in Cairo, where she was a cypher clerk, she met Paddy Leigh Fermor, lionized for his daring kidnap of the Nazi General Kreipe in Crete. They would remain together until her death in 2003.In this riveting biography, written with full access to Joan’s personal archive, Simon Fenwick reveals the extraordinary life of a woman who, until now, has been defined by the man she married and their famous friends. Here, at last, Joan is placed at the centre of her own story. It is also a riveting portrait of a marriage and a milieu, revealing the sexual and intellectual mores of that wartime generation who lived life at full tilt, no matter what the consequences.
£21.25
Pan Macmillan Look Again: The Autobiography
Book SynopsisEye-opening and candid, David Bailey's Look Again is a fantastically entertaining memoir by a true icon.'Rollicking . . . with roguish tales as vivid as his era-defining photos' – Daily Mail'Brilliant' – TelegraphDavid Bailey burst onto the scene in 1960 with his revolutionary photographs for Vogue. Discarding the rigid rules of a previous generation of portrait and fashion photographers, he channelled the energy of London's newly informal street culture into his work. Funny, brutally honest and ferociously talented, he became as famous as his subjects. Now in his eighties, he looks back on an outrageously eventful life. Born into an East End family, his dyslexia saw him written off as stupid at school. He hit a low point working as a debt collector until he discovered a passion for photography that would change everything. The working-class boy became an influential artist. Along the way he became friends with Mick Jagger, hung out with the Krays, got into bed with Andy Warhol and made the Queen laugh.His love-life was never dull. He propelled girlfriend Jean Shrimpton to stardom, while her angry father threatened to shoot him. He married Catherine Deneuve a month after meeting her. Penelope Tree’s mother was unimpressed when he turned up on her doorstep. ‘It could be worse, I could be a Rolling Stone,’ Bailey told her. He went on to marry Marie Helvin and then Catherine Dyer, with whom he has three children. He is also a film and documentary director, has shot numerous commercials and has never stopped working. A born storyteller, his autobiography is a memorable romp through an extraordinary career.Trade ReviewHe's the legend who WAS the 1960s . . . with roguish tales as vivid as his era-defining photos * Daily Mail *His name is synonymous with beauty, fashion and sex . . . a joyously un-PC memoir * Mail on Sunday *A raw and surprising memoir * Observer *Brilliant -- Lynn Barber * Telegraph *Very readable and entertaining. Bailey was important * Spectator *A rollicking rake's progress . . . and a vivid document of several lost Londons * Esquire *
£10.44
Vintage Publishing Fashion Climbing: A New York Life
Book Synopsis An enchanting memoir by the legendary New York Times fashion photographer Bill Cunningham *A Financial Times Book of the Year 2018**The New York Times Bestseller*‘I took to New York life like a star shooting through the heavens…’ Bill Cunningham’s first love was fashion but the big city came a close second. He left for New York aged nineteen, losing his family’s support but enjoying the infinite luxury of freedom. Living on a scoop of Ovaltine a day, he would run down to Fifth Avenue to feed on the spectacular sights of the window displays – then run back to his tiny studio to work all night.Working as ‘William J’ (to spare his parents’ blushes), Bill became one of the most celebrated hat designers of the 1950s, creating elegant town hats for movie stars and playful beach hats for the summer set. Bill’s mission was to bring happiness by making beautiful things – even if it meant pawning his bike to fund fancy-dress outfits for all his friends. When women stopped wearing hats and his business was forced to close, Bill worked as a fashion journalist, touring the couture houses of Europe. But New York remained his home, and it was as a street photographer of the fashions of the city that he became well known, in a job that would last almost forty years.Fashion Climbing is the enchanting memoir he left behind, capturing the madcap times of his early career and the fashion scene of the mid-century. Written with the spark and wit of Holly Golightly, and brimming over with Bill’s infectious joy for life, it is a gift to all who seek beauty, whatever our style or status.Trade ReviewFashion Climbing has everything you’d want in a fashion memoir (industry politics, elaborate window displays, hijinks at galas), but it’s also a manifesto for living authentically. Just like Bill Cunningham’s photography, this book is anti-snobbery, pro-having-fun-at-all-costs, and awake to the pleasures of being oneself -- Tavi Gevinson, Editor in Chief, RookieThe New York Times’s beloved street-style photographer died two years ago, leaving behind a delightful memoir of his early years, which tells of his escape from restrictive middle-class Boston to a Manhattan career as a milliner. His love of beauty may not have made him rich — he chose an ascetic existence — but it sustained him for a lifetime. -- Horatia Harrod * Financial Times, *Books of the Years* *Peppered with delightful colloquialisms...the text bears the signature voice that endeared him to readers... Yet, despite an ample dose of whimsy, there’s also a backbone to this cosy memoir... Fashion Climbing celebrates one of the industry’s fiercest advocates of sartorial joie de vivre, who established himself on the fashion ladder “not with refined dignity but with an angry howl”. -- Lauren Sarazen * AnOther Magazine *Fashion Climbing is the captivating glimpse through the keyhole of this dizzying, dazzling world, and captures the buzz and bluster of a fashion life lived to the full * Red Magazine *Bill Cunningham’s enchanting memoir of his love affair with fashion and the people who created, shaped, analysed, and wore it in the combustible years after the Second World War is a delight and a revelation, proving that his pen was as astute as his lens. This lively, compelling, and invaluable social history tells us as much about the mores of the age as it does about the era’s seismic fashion revolutions and reflects the wonder that Bill saw in creation throughout his life -- Hamish Bowles, International Editor at Large, Vogue
£10.44
Hodder & Stoughton Malice in Wonderland: My Adventures in the World
Book Synopsis'A fascinating document, a window on to a lost world of glamour, grandeur and snobbery . . . an elegy, sad and comical, to a passing era' Craig Brown, MAIL ON SUNDAY'I got as caught up in these distant but strangely evocative events as Vickers did . . . delicious in its way, recreating a lost world' Ysenda Maxtone Graham, THE TIMES'A luxuriant trawl through the recovered past . . . extraordinary book' John Walsh, SUNDAY TIMES'A quite brilliant record of a fading social and artistic milieu . . . a world to which Vickers is an unrivalled cicerone' Matthew Sturgis, THE OLDIE'Vickers' diaries bristle with injudicious indiscretion...it is no small compliment to say that the biographer is here the equal of his subject' Michael Arditti, THE SPECTATOR'Beaton himself was one of the finest 20th-century diarists. It is no small compliment to say that the biographer is here the equal of his subject' THE SPECTATOR'Illuminating and brilliantly scurrilous' Marcus Field, THE STANDARD'Scintillating' DAILY MAIL'When Mr Vickers has his eye to the keyhole, we see a secret panorama' Dominic Green, THE WALL STREET JOURNAL'Vickers - as ever - is a warm and enthusiastic guide to a nearly lost world' TATLER.COMThe witty and perceptive diaries kept by Cecil Beaton's authorised biographer during his many fascinating encounters with extraordinary - often legendary - characters in his search for the real Cecil Beaton.Hugo Vickers's life took a dramatic turn in 1979 when the legendary Sir Cecil Beaton invited him to be his authorised biographer. The excitement of working with the famous photographer was dashed only days later when Cecil Beaton died. But the journey had begun - Vickers was entrusted with Beaton's papers, diaries and, most importantly, access to his friends and contemporaries. The resulting book, first published in 1985, was a bestseller. In Malice in Wonderland, Vickers shares excerpts from his personal diaries kept during this period. For five years, Vickers travelled the world and talked to some of the most fascinating and important social and cultural figures of the time, including royalty such as the Queen Mother and Princess Margaret, film stars such as Grace Kelly, Audrey Hepburn and Julie Andrews, writers such as Truman Capote, and photographers such as Irving Penn and Horst. And not only Beaton's friends - Vickers sought out the enemies too, notably Irene Selznick. He was taken under the wings of Lady Diana Cooper, Clarissa Avon and Diana Vreeland.Drawn into Beaton's world and accepted by its memberTrade ReviewA fascinating document, a window on to a lost world of glamour, grandeur and snobbery ... an elegy, sad and comical, to a passing era. -- Craig Brown * Mail on Sunday *A luxuriant trawl through the recovered past...extraordinary book -- John Walsh * Sunday Times *'I got as caught up in these distant but strangely evocative events as Vickers did . . . delicious in its way, recreating a lost world' -- Ysenda Maxtone Graham * The Times *'Scintillating diaries' * Daily Mail *'A quite brilliant record of a fading social and artistic milieu . . . a world to which Vickers is an unrivalled cicerone' -- Matthew Sturgis * The Oldie *'A ripping read . . . [Vickers] has gathered unique knowledge and feeling for former social manners and morals; the ability to summon the "something in the air" of a recent but virtually forgotten past. It is described succinctly and unsentimentally in this book' * The Catholic Herald *'Illuminating and brilliantly scurrilous' -- Marcus Field * The Standard *'Vickers' diaries bristle with injudicious indiscretion...it is no small compliment to say that the biographer is here the equal of his subject' -- Michael Arditti * The Spectator *
£11.69
Aperture Along Some Rivers: Photographs and Conversations
Book SynopsisRobert Adams, one of America's foremost living photographers, has spent decades considering and documenting the landscape of the American West and the ways it has been altered, disturbed, or destroyed by the hand of man. A professor of English before turning to photography, Adams is also a skilled writer and acute thinker on aesthetic questions. Aperture's previous bestselling collections of his essays, Beauty in Photography and Why People Photograph, assembled his thoughts on a range of subjects, including writing, teaching, photography's place in the arts and a host of fellow photographers. Along Some Rivers collects Adams's correspondence and conversations—some of which have never been published before—with writers and curators including William McEwan, Constance Sullivan and Thomas Weski. In so doing, it provides another point of entry, offering a portrait of the artist in debate and elucidating his thoughts on a number of his now legendary projects, including Cottonwoods and What We Bought. Adams also expounds on why, in his view, Marcel Duchamp has not been a helpful guide for art, and he discusses which filmmakers and painters have influenced him, which cameras he prefers and how he approaches printing his pictures. Along Some Rivers also includes a selection of 28 unpublished landscapes.
£13.25
Aperture Diane Arbus: A Chronology
Book SynopsisDiane Arbus: A Chronology is the closest thing possible to reading a contemporaneous diary by one of the most daring, influential, and controversial artists of the twentieth century. Drawn primarily from Arbus’s extensive correspondence with friends, family, and colleagues; personal notebooks; and other unpublished writings, this eautifully produced volume exposes the private thoughts and motivations of an artist whose astonishing vision derived from the courage to see things as they are and the grace to permit them simply to be. Further rounding out Arbus’s life and work are exhaustively researched footnotes that amplify the entire Chronology. A section at the end of the book provides biographies for fifty-five personalities, family members, friends, and colleagues, from Marvin Israel and Lisette Model to Weegee and August Sander. Describing the Chronology in Art in America, Leo Rubinfien noted that “Arbus … wrote as well as she photographed, and her letters, where she heard each nuance of her words, were gifts to the people who received them. Once one has been introduced to it, the beauty of her spirit permanently changes and deepens one’s understanding of her pictures … ” The texts in Diane Arbus: A Chronology originally appeared in Diane Arbus Revelations. This volume makes this invaluable text available in an accessible, paperback volume for the very first time.
£17.95
Aperture Maske
Book SynopsisFor over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and among the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events—traditional African ceremonies and contemporary costume parties and carnivals— who use costume, body paint, and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maské, meaning “to wear a mask”, this album features a selection of over a hundred of the best of Galembo’s masquerade photographs to date organized in country-based chapters, each with her own commentary. The book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo’s photographs raise questions about the survival and evolution of masquerade tradition in the twenty-first century.Trade Review…contains more than a hundred of her most arresting images, each subject a riot of colour, symbolism and mystery. –The TelegraphThey are colorful, intriguing and sometimes dark and forboding in nature, but these portraits of hers document the transformative powers and mystery of the mask. –Trey SpeegleIt is a really remarkable work –AnOther
£31.50
Aperture LaToya Ruby Frazier: The Notion of Family
Book SynopsisNow available in a paperback edition, LaToya Ruby Frazier’s award-winning first book, The Notion of Family, offers an incisive exploration of the legacy of racism and economic decline in America’s small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political—an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations—her Grandma Ruby, her mother, and herself—against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock’s only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family, and her mother in particular. In the creation of these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives—both those of her family and of the community at large.Trade ReviewPraise for The Notion of Family (Aperture, 2014) Frazier offers a perspective from the inside, and her images achieve a muted power without being sentimental or sensational. (The Editors, Bookforum)Frazier's challenging and haunting photographs have previously brought this story to museums and galleries, but in this, her first book, she adds writing to create a powerfully stark family portrait. The brilliance of this volume, and Frazier's work, is in the way it manages to be both documentary and art, deeply intimate and widely important, relentless but so very necessary. (Jillian Steinhauer, Hyperallergic)Frazier reimagines the tradition of social documentary photography by approaching a community not as a curious or concerned outsider but as a vulnerable insider. (Maurice Berger, New York Times Lens blog)In her first book, Frazier explores themes of economic inequity, racism and personal politics through three generations of her own family, and documents the tolls that big injustices can have on small families and communities alike. (Phil Bicker, TIME Lightbox)
£31.50
Aperture Zanele Muholi: Somnyama Ngonyama: Hail the Dark
Book SynopsisZanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness includes one hundred self-portraits created by one of the most powerful visual activists of our time. In each of the images, Muholi drafts material props from her immediate environment in an effort to reflect her journey, explore her own image and possibilities as a black woman in today’s global society, and — most important — to speak emphatically in response to contemporary and historical rascisms. As she states, “I am producing this photographic document to encourage people to be brave enough to occupy spaces, brave enough to create without fear of being vilified. . . . To teach people about our history, to re-think what history is all about, to re-claim it for ourselves, to encourage people to use artistic tools such as cameras as weapons to fight back.” More than twenty curators, poets, and authors offer written contributions that draw out the layers of meaning and possible readings to accompany select images. Powerfully arresting, this collection is as much a manifesto of resistance as it is an autobiographical, artistic statement.Trade Review“The first thing to note about Zanele Muholi: Somnyama Ngonyama: Hail the Dark Lioness is that it begins before you open it. The striking cover portrait itself—“Ntozakhe II, Parktown, Johannesburg,” from 2016—demands ample time to be taken in…This is how the book starts on you, its front and back cover working together to prepare you for what lies within. A hint at its insides.”—Yrsa Daley-Ward, The New York Times Book Review
£59.50
Aperture Nigel Poor: The San Quentin Project
Book SynopsisThe San Quentin Project collects a largely unseen visual record of daily life inside one of America’s oldest and largest prisons, demonstrating how this archive of the state is now being used to teach visual literacy and process the experience of incarceration. In 2011, Nigel Poor—artist, educator, and cocreator of the acclaimed podcast Ear Hustle—began teaching a history of photography class through the Prison University Project at San Quentin State Prison. Neither books nor cameras were allowed into the facility, so an unorthodox course with a range of inventivemapping exercises ensued: students crafted “verbal photographs” of memories for which they had no visual documentation, and annotated iconic images from different artists. After the first semester, Poor says, “one student told me he could now see fascination everywhere in San Quentin.” When Poor received access to thousands of negatives in the prison’s archive, made by corrections officers of a former era, these images of San Quentin’s everyday occurrences soon became launchpads for her students’ keen observations. From the banal to the brutal, to distinct moments of respite, the pictures in this archive gave those who were involved in the project the opportunity to share their stories and reflections on incarceration.Trade Review“The book…challenges perceptions, in this case, of those in prison and of why but more importantly how we imprison them.” —It’s Nice That
£36.00
Aperture Object Lesson: On the Influence of Richard Benson
Book SynopsisThrough engaging interviews, testimonials, and anecdotes from photographers, curators, printers, and colleagues, Object Lesson: On the Influence of Richard Benson pays homage to a legendary figure whose name is synonymous with the evolving history and philosophy of photographic reproduction. From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, Object Lesson stands as a testament to Benson’s wit, wisdom, and incomparable obsession with how photographic images render and connect us to the world. Text, image, and interview contributions by Michele Abeles, Marion Belanger, Barbara Benson, Richard Benson, Dawoud Bey, Andrew Borowiec, Lois Conner, Matthew Connors, Tim Davis, Benjamin Donaldson, Dru Donovan, Martina Droth, Shannon Ebner, Lucas Foglia, Peter Galassi, John Gambell, Jon Goodman, Bryan Graf, Gail Albert Halaban, Gary Haller, Heyward Hart, Robert J. Hennessey, Peter Kayafas, Lisa Kereszi, Justin Kimball, David La Spina, John Lehr, Susan Lipper, Salvatore Lopes, Peter MacGill, Tanya Marcuse, Lesley A. Martin, Miko McGinty, Sue Medlicott, Sarah Meister, Paul Messier, Andrea Modica, Matthew Monteith, Abelardo Morell, Arthur Ou, Thomas Palmer, Tod Papageorge, Ted Partin, Bradley Peters, John Pilson, Kristine Potter, Caitlin Teal Price, Sergio Purtell, Jock Reynolds, John Robinson, Jeff L. Rosenheim, Sasha Rudensky, Gary Schneider, David Benjamin Sherry, Steve Smith, Mark Steinmetz, Sarah Stolfa, Ka-Man Tse, James Welling, and Jeff WhetstoneTrade Review“This delightful book illustrates how, through leading questions and seemingly simple steps, Richard Benson encouraged others to think and see with greater agency and nuance—and how deftly he shared his generous sense of humanity’s capacity to better this world.” — Maria Morris HambourgTable of ContentsPreface 7 Introduction John Pilson 9 Contributions Michele Abeles 18 Marion Belanger 20 Dawoud Bey 22 Andrew Borowiec 28 Lois Conner 32 Matthew Connors 36 Tim Davis 38 Benjamin Donaldson 42 Dru Donovan 46 Shannon Ebner 50 Lucas Foglia 52 Jon Goodman 54 Bryan Graf 58 Gail Albert Halaban 60 Heyward Hart 64 Robert J. Hennessey 66 Peter Kayafas 72 Lisa Kereszi 80 Justin Kimball 85 David La Spina 88 John Lehr 92 Susan Lipper 94 Salvatore Lopes 98 Tanya Marcuse 102 Sue Medlicott 106 Sarah Meister 108 Paul Messier and Martina Droth 112 Andrea Modica 114 Matthew Monteith 118 Abelardo Morell 120 Arthur Ou 124 Tod Papageorge 128 Ted Partin 132 Bradley Peters 134 Kristine Potter 136 Caitlin Teal Price 140 Sergio Purtell 144 John Robinson 148 Jeff L. Rosenheim 154 Sasha Rudensky 158 Gary Schneider 160 David Benjamin Sherry 164 Steve Smith 166 Mark Steinmetz 168 Sarah Stolfa 170 Ka-Man Tse 172 James Welling 176 Jeff Whetstone 180 Conversations and Writings Peter MacGill and Barbara Benson in conversation 186 Paul Messier and Thomas Palmer in conversation with Lesley A. Martin and Miko McGinty 197 John Gambell and Gary Haller in conversation with Miko McGinty 207 Peter Galassi 216 Working with Lee Richard Benson 218 Jock Reynolds 240 Contributor Biographies 243 Acknowledgments 246
£36.00
Aperture Barry McGee: Photography
Book SynopsisThis monograph is the first to collect the photographs of internationally acclaimed multimedia artist Barry McGee. Though best known for the inventive graphic sensibility of his paintings and drawings, McGee’s use of photography is an essential, often underappreciated, component of his artistic vision. Captured at all hours and around the world with whatever camera is at hand, McGee’s images are immediate, casual, intimate, and anarchic all at once. His work boldly employs geometric shapes, clusters of framed drawings and paintings, distinctive characters, and found objects such as empty bottles, surfboards, and wrecked vehicles. Whether incorporated into his iconic multi-element compositions, or printed in the innumerable fanzines and artist’s books that often accompany his exhibitions, photographs pervade McGee’s practice. Barry McGee: Photographs provides unique insight into the process of a major American artist, and is a testament to the immense amount of visual information McGee has absorbed to build one of the most eclectic and innovative artistic legacies of our time.
£45.00
Aperture Philip Montgomery: American Mirror
Book Synopsis“Montgomery’s photographs capture the reality of Americans in crisis, in all our flawed, tragic, ridiculous glory.” —Patrick Radden Keefe, author of Empire of Pain: The Secret History of the Sackler DynastyAmerican Mirror is award-winning photographer Philip Montgomery’s dramatic chronicle of the United States at a time of profound change. Through his intimate and powerful reporting and a signature black-and-white style, Montgomery reveals the fault lines in American society, from police violence and the opioid addiction crisis to the COVID-19 pandemic and the demonstrations in support of Black lives. Yet in his unflinching images, we also see moments of grace and sacrifice, glimmers of solidarity and tireless advocates for democracy. Like Dorothea Lange and Walker Evans before him, Montgomery has made an unforgettable testament of a nation at a crossroads.
£40.50
Aperture Wendy Red Star: Delegation
Book SynopsisDelegation is the first comprehensive monograph by Apsáalooke/Crow artist Wendy Red Star, whose photography recasts historical narratives with wit, candor, and a feminist, Indigenous perspective. Red Star centers Native American life and material culture through imaginative self-portraiture, vivid collages, archival interventions, and site-specific installations. Whether referencing nineteenth-century Crow leaders or 1980s pulp fiction, museum collections or family pictures, she constantly questions the role of the photographer in shaping Indigenous representation. Including a dynamic array of Red Star’s lens-based works from 2006 to the present, and a range of essays, stories, and poems, Delegation is a spirited testament to an influential artist’s singular vision. Copublished by Aperture and Documentary Arts
£45.00
Aperture Shikeith: Notes towards Becoming a Spill
Book SynopsisThe first monograph by sculptor, filmmaker, and photographer Shikeith, Notes towards Becoming a Spill brings together a series of striking studio portraits of Black male subjects as they inhabit various states of meditation, prayer, and ecstasy. Shikeith describes the work as “leaning into the uncanny,” visualizing ritual and the process of excavating Black men’s erotic potential, the better to exorcise the “intangible presences that haunt their bodies and psyches.” The men’s faces and bodies glisten with sweat (and tears)—the manifestation and evidence of desire. This ecstasy is what critic Antwaun Sargent proclaims as “an ideal, a warm depiction that insists on concrete possibility for another world.” In this revelatory volume, Shikeith redefines the idea of sacred space and positions a Queer ethic identified by its investment in vulnerability, tenderness, and joy. Shikeith: Notes towards Becoming a Spill is made possible, in part, thanks to the generous contribution of 7G Foundation.
£45.00
Aperture Paul Mpagi Sepuya Dark Room AZ
Book SynopsisPaul Mpagi Sepuya reflects on the methodologies, strategies, and points of interest behind a single, expansive body of work at a pivotal moment in his career.Paul Mpagi Sepuya’s photography is grounded in a collaborative, rhizomatic approach to studio practice and portraiture. This volume unpacks his Dark Room series (2016-21), offering a deep dive into the thick network of references and the interconnected community of artists and subjects that Sepuya has interwoven throughout the images. The excavation and mapping of intellectual and artistic data points across the artist’s work is presented through three distinct “voices,” allowing for a comprehensive cross-referencing of conceptual categories. Each category is alphabetized and illuminated via new texts by curator and scholar Gökcan Demirkazik; selections from previously published texts about the work by critics, colleagues, and friends; quotations of other writers’ wo
£55.25
Aperture Tommy Kha: Half, Full, Quarter
Book SynopsisTommy Kha: Half, Full, Quarter weaves together self-portraits and classically bucolic landscapes punctuated by the traces of East Asian stories embedded in the topography of the American South. In this first major monograph, featuring almost a decade of work, Tommy Kha explores the highly personal psycho-geography of his hometown. As the artist states, “Memphis has become, for me, not only the place where I was raised but an active borderland between fantasy and memory, nostalgia and history, nonfiction and mythology.” Memphis is where his mother, fleeing Vietnam in the early 1980s, settled, along with his extended family. Throughout the work, his mother emerges as a recurring character, sometimes the subject of quiet photographic study, and in others, a collaborative muse. “I’m a cut of my mom,” Kha asserts, “Every photograph I make of her is a Half Self-Portrait.” In snapshots drawn from a family album that serves as the one record of her journey to the United States, she is the source of nostalgia and barely captured memory. In assembling a visual account of the struggle to find his own voice and narrate the fragmented history of his family, Kha challenges the cultural amnesia around Asian lives and experiences in recent American histories. Acclaimed author Hua Hsu contributes an engaging essay, “People Need to Smile More,” and MacArthur Fellow An-My Lê conducts an incisive conversation with Kha that delves into his family history and artistic strategies. Tommy Kha: Half, Full, Quarter is the result of the Next Step Award, a partnership between Aperture and Baxter St at the Camera Club of New York, in collaboration with the 7 G Foundation. An exhibition of the work will open at Baxter St in New York in February 2023.Trade Review“‘My work is about how much the landscape has been unkind to immigrants,’ says Tommy Kha of his latest photo project, which captures the Asian diaspora in America with a surreal edge.” —Tony Wilkes, AnOther magazine “Kha’s poignant photographs bring together his family’s East Asian ancestry and everyday life in the American South, where found photographs, self-portraits and “half self-portraits” of his mother tell a story of displacement and shared identity.” —Stefanie Li, Galerie magazine “‘These are mostly from the book, but also thinking a lot about the Southern landscape,” [Kha] says, referring to Half, Full, Quarter, his first monograph, published this February by the prestigious photo-centric publisher Aperture.” —Chris McCoy, Memphis magazine “The artist makes wry commentaries on the immigrant experience using scattered visual fragments, from the depths of Tennessee’s Chinatown to the fishing communities of rural Vietnam. A new book and exhibition prove there’s method to the melange.” -Larissa Pham, British Journal of Photography “Kha’s layered portraits, still lifes, and landscapes exist alongside his mother’s own photographs. The collaborative world between mother and son expands.” —Harley Wong, Artforum “Together, they form a picture not just of his family or how they made a home in the South but of how important humor, placemaking and ultimately photography are to Kha’s understanding of this region.” —Michael Adno, The New York Times “‘Ghost Bites’ maps the psycho-geography of a fractured self; of all the losses, phantoms, and questions that emerge from the diasporic lineage.” —Jacinda Tran, The Amp
£40.50
Aperture Awol Erizku: Mystic Parallax
Book SynopsisMystic Parallax is the first major monograph by rising interdisciplinary artist Awol Erizku. Working across photography, film, video, painting, and installation, his work references and re-imagines African American and African visual culture, from hip hop vernacular to Nefertiti, while nodding to traditions of spirituality and Surrealism. This comprehensive monograph spans Erizku’s career, blending his studio practice with his work as an in-demand editorial photographer working regularly for the New Yorker, New York magazine, Time, and GQ, among others, and features his conceptual portraits of Black cultural icons, such as Solange, Amanda Gorman, and Michael B. Jordan. As Erizku recently told the New York Times, “It’s important for me to create confident, powerful, downright regal images of Black people.” Featuring essays by critically acclaimed author Ishmael Reed, curator Ashley James, and writer Doreen St. Félix, and interviews with the artist by Urs Fischer and Antwaun Sargent, Mystic Parallax is a luminous and arresting testament to the artist’s tremendous power and originality. Copublished by Aperture and The Momentary
£51.00
Aperture Dawoud Bey: Elegy
Book SynopsisDawoud Bey focuses on the landscape to create a portrait of the early African American presence in the United States.Renowned for his Harlem street scenes and expressive portraits, Dawoud Bey continues his ongoing series on African American history. Elegy brings together Bey’s three landscape series to date—Night Coming Tenderly, Black (2017); In This Here Place (2021); and Stony the Road (2023)—elucidating the deep historical memory still embedded in the geography of the United States. Bey takes viewers to the historic Richmond Slave Trail in Virginia, where Africans were marched onto auction blocks; to the plantations of Louisiana, where they labored; and along the last stages of the Underground Railroad in Ohio, where fugitives sought self-emancipation. Essays by the exhibition’s curator, Valerie Cassel Oliver, and scholars LeRonn P. Brooks, Imani Perry, and Christina Sharpe illuminate the work. By interweaving these bodies of work into an elegy in three movements, Bey doesn’t merely evoke history, he retells it through historically grounded images that challenge viewers to go beyond seeing and imagine lived experiences. Copublished by Aperture and Virginia Museum of Fine Arts, Richmond
£45.00
Aperture Richard Misrach Cargo
Book SynopsisEerie, sparse, and undeniably beautiful, Richard Misrach’s images offer a timely meditation on the profound impact of global trade on the environment.Richard Misrach: Cargo presents the acclaimed photographer’s sublime meditation on the often-unseen patterns of global trade and commerce. In 2021, on the heels of the COVID-19 pandemic, which, at its height, seemed to nearly halt the networks of international trade, Misrach began taking thousands of photographs of cargo ships as they moved to and from the Port of Oakland, California. In these monumental seascapes, cargo ships appear frozen in time—diminutive but stalwart—within an expansive, richly colored confluence of sea, sky, and atmosphere. Eerie, sparse, and undeniably beautiful, Misrach’s images abstractly trace multiple histories: the recent collapse and slow recovery of these seafaring trade routes, the confrontation of the human and natural environment in an era of climate disaster, and a rich lineage of maritime art.
£97.88
£45.00
Getty Trust Publications Ed Ruscha and Some Los Angeles Apartments
Book SynopsisThis is a superbly illustrated look at the evolution of the photographic work of Ed Ruscha - the quintessential Los Angeles artist. Los-Angeles based contemporary artist Ed Ruscha is celebrated for his paintings, drawings, prints, and artist's books, receiving widespread critical acclaim for more than half a century. Capturing the quintessential Los Angeles experience with its balance of the banal and beautiful, his photobooks of the 1960s - such as TwentySix Gasoline Stations and Some Los Angeles Apartments - are known for their deadpan cataloguing of the city's functional architecture. This volume features 38 Ruscha plates and an essay that traces the evolution of the artist's thinking about his photographs initially as the means to end, and eventually as works of art in and of themselves.
£20.89
Getty Trust Publications Ishiuchi Miyako - Postwar Shadows
Book SynopsisA maverick in the history of photography, lshiuchi Miyako burst onto the photography scene in Tokyo in the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era. Recipient of the prestigious Hasselblad Award in 2014, lshiuchi ranks as one of the most significant photographers working in Japan today. Spurred by her contentious relationship with her hometown, Yokosuka - site of an important American naval base since 1945 - lshiuchi chose that city as her first serious photographic subject. Grainy, moody, and deeply personal, these early projects established her career. This choice of subject also defined the beginning of lshiuchi's extended exploration of American occupation and the shadows it cast over postwar Japan. lshiuchi has since addressed the theme of occupation both indirectly - through her photographs of scars, skin, and other markers of time on the human body - and, more explicitly, with her Images of garments and accessories once owned by victims of the atomic blast in Hiroshima. Essays featured in this volume reveal the past as the wellspring of lshiuchi's work and the present moment as her principal subject. Ishiuchi Miyako: Postwar Shadows - which includes a selection of more than 100 works - is published on the occasion of an exhibition by the same name, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 5, 2015 to February 21, 2016.Trade Review"A well-researched catalogue with solid essays, a nicely illustrated chronol-ogy, and good photographic prints. It is very pleasing that this extraordinary photographer finally gets the attention she deserves."--Journal of Japanese Studies
£42.75
Museum of Modern Art Dorothea Lange: Words + Pictures
Book Synopsis
£36.00
Museum of Modern Art Wolfgang Tillmans: A Reader
Book Synopsis
£36.00
Museum of Modern Art Cindy Sherman: Untitled #96
Book Synopsis
£10.95
Distributed Art Publishers Evelyn Hofer: Eyes on the City
Book SynopsisHow Hofer used the photobook form to chronicle American and European cities in an era of postwar transformation Evelyn Hofer was a highly innovative photographer whose prolific career spanned five decades. Despite her extraordinary output, she was underrecognized during her lifetime and was notably referred to by New York Times art critic Hilton Kramer as “the most famous unknown photographer in America.” She made her greatest impact through a series of photobooks, published throughout the 1960s, devoted to European and American cities, including Florence, London, New York, Washington and Dublin, and a book focused on the country of Spain. Comprising more than 100 photographs in both black and white and color, Eyes on the City accompanies the artist’s first major museum exhibition in the United States in over 50 years and is organized around her photobooks. The photographs feature landscapes and architectural views combined with portraiture, conveying the unique character and personality of these urban capitals during a period of intense structural, social and economic transformations after World War II. Evelyn Hofer (1922–2009) was born in Germany and moved to New York in 1946. She was an early adopter of color photography and published assignments for many major magazines including Vogue and Harper's Bazaar. Hofer collaborated with authors such as Mary McCarthy and V.S. Pritchett on several books, including The Stones of Florence (1959), London Perceived (1962) and Dublin: A Portrait (1967). She died in Mexico City.Trade ReviewHofer showed, in her unflinching portraits and velveteen landscapes, that cities and people exist for each other. -- Walker Mimms * New York Review of Books *Elegant, carefully staged photographs...a milestone book. -- Elena Clavarino * Air Mail *Makes clear that Hofer was a formally brilliant photographer of people, places, environments and objects. Looking at her colour portraits of ordinary people in 1960s Dublin and New York, it’s difficult to think of any other photographer who so evoked the atmosphere of those cities while creating images that are so rigorous and richly hued. -- Sean O'Hagan * Guardian *Searching for the transcendent resplendence of the mundane, the mystical truth of place that allows viewers to feel as though they are there, Evelyn elevated scenes of the everyday to the realm of fine art. -- Sara Rosen * i-D *Makes clear why Hofer was not a celebrity in her own time but should be now. -- William Meyers * Wall Street Journal *These images showcase her humane vision and technical virtuosity. * Aperture *
£999.99
Delmonico Books Chinatowns Tong Yan Gaai by Morris Lum
a huge range and FREE tracked UK delivery on ALL orders.
£28.80
