Individual photographers Books

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Book Synopsis

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Book SynopsisTrade Review"Alpers’s interest in the ‘unique’ work of Walker Evans is an interest in the ‘making’ of the photographs rather than in their interpretation: her approach is slow, patient, fastidious, detail-oriented, appreciative and illuminating. . . . It is really Starting from Scratch that is a ‘unique’ work: a close reading of classic photographs by a discerning eye (Alpers’s) that conjoins the instructional with the intimate, the scholarship of the historian with the candour of the memoirist. . . . A brilliant and, indeed, thrilling final chapter . . . considers the phenomenon of ‘late style’ as it relates to artists other than Walker Evans"---Joyce Carol Oates, Times Literary Supplement"Warm and sympathetic . . . really a wonderful biography."---Joyce Carol Oates, Times Literary Supplement Podcast"[A] superb book."---Richard Meyer, Artforum"Starting From Scratch is well researched, and Alpers’s heavily quotational approach provides the reader a wealth of material from Evans’s letters, lectures, published texts, and personal writings."---Rahel Aima, The Nation"Svetlana Alpers’s biography takes a chronological approach to the life of an artist. . . . But before the text explores Walker’s aspirations, tastes, travels, career highs and love of the written word, the reader is presented with an uninterrupted 143 full-page reproductions of Evans’s photographs—an invitation to appraise the work before engaging with the man." * Christie's *"[A] brilliant scholar of Dutch painting’s take on an artist whose work has moved and inspired me for years."---Ayad Akhtar, Elle.com"A fresh consideration of Evans’s pictures. . . . Engaging."---Brian Sholis, Aperture"A fresh, scholarly look—complete with more than 200 images—at the seminal American photographer, this time through the lens of fine art and literature. In a lavishly illustrated narrative bolstered by impassioned research, art historian Alpers reintroduces readers to Walker Evans (1903-1975), one of America’s great artistic observers . . . Alpers convincingly presents him as a new kind of poet. . . . Great American photography in a welcome new frame." * Kirkus Reviews *"A comprehensive study. . . . Alpers shows how Evans’s approach differed both from that of other photographers and from conventional assumptions about photography. . . . Intriguing interpretations of Evans’s photos and work process, for both specialists and general readers." * Library Journal *"An entire semester in one volume. . . . [Alpers's] analysis of Evans’ artistic life will not disappoint. . . . This biography affectionately reads like a lecture series, with professor Alpers nudging students to close-read the 143 black/white Evans photos conveniently placed at the book’s beginning."---Jean Bundy, Anchorage Press"In Walker Evans: Starting from Scratch, art historian Svetlana Alpers explores the prominent 20th century documentary photographer’s work and creative process. Though one might usually consider photography to be a graphic art like painting, Alpers examines Evans’ love of text and the relationship between his images and works by writers including Flaubert, Baudelaire, and Faulkner, making the compelling case that literature is at the heart of his work. The book features 170 of Evans’s photos, but the main reason to get Starting from Scratch is to learn more about the artist’s way of seeing the world and rediscover his work with fresh eyes." * Photo Life Magazine *"[Alpers] takes a vivid, fresh look at the remarkable photographer whose well-known work on cities and on American rural poverty resonates today. But there is much more to see, and say. Many of the 143 plates will not be familiar, and Alpers interprets them in the context of international literature and art, inviting 'those who don’t know Evans [to] discover his greatness,' and ranking photographic achievement with literature and painting of the highest quality." * Harvard Magazine *"[Walker Evans] is finely tuned and thoroughly researched, carving out a unique space by focusing on Evans's lifelong emphasis on the art of seeing. . . . Highlighting groundbreaking cultural events, artists, and historical moments, including both world wars, the 1960s, and multiple cultural renaissances throughout Europe and the US, Alpers energetically writes about the people, places, and events that were continuous sources of influence and inspiration for Evans. . . . Highly recommended." * Choice *"This 213-page book provides depth and breadth about Evans’ work. Readers . . . who are curious about what drove Walker Evans to create, and to learn about what influenced him and what distinguishes him from other 20th Century photographers as it evolved will no doubt enjoy Walker Evans: Starting from Scratch. "---Caryn Hoffman, Picture this Post"In this extensive and detailed biography . . . the reader is presented with a new perspective on Walker Evans’s work, rendering the presumed familiar unfamiliar in a decidedly nuanced and enjoyable way." * ARLIS/NA Reviews *"[A] learned, suggestive, and handsome work. Alpers studies Evans’s work employing the techniques used to critique paintings: by assessing how he framed his scenes, in the light of his printed statements and off-the-cuff remarks. Her most illuminating is the theme of detail. She focuses on what Evans focused on."---Allen D. Boyer, Key Reporter"Insightful."---Stuart Mitchner, Town Topics"Alpers’ book on Walker Evans begins, after a half title page, with reproductions of 143 of Evans’ photographs . . . a silently eloquent way to say: the pictures come first. . . . Alpers focuses on [Evans’s] profound connection to French culture, literary in the first place . . . and then photographic . . . to show how 'Evans always viewed his country as if from the outside and often with an ironic eye.'"---Barry Schwabsky, Tourniquereview.com"This is a rich and thoughtful study of Evans’s life and his “furtive, passionate looking”. . . . A wonderfully insightful discussion of Evans’s key role in the creation of a distinctively American photography and the way great photographs can change how we see the world."---PD Smith, The Guardian

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Book SynopsisThis annotated anthology presents the first English translation of German photographer Albert Renger-Patzsch's collected writings. A towering figure in the history of photography, Albert Renger-Patzsch (1897-1966) has come to epitomize New Objectivity, the neorealist movement in modernist literature, film, and the visual arts recognized as the signature artistic style of Germany's Weimar Republic. Today, his images are regularly exhibited and widely considered key influences on contemporary photographers. Whether they capture geometrically intricate cacti, flooded tidal landscapes, stacks of raw materials, or imposing blast furnace towers, Renger-Patzsch's photographs embody what his peer Hugo Sieker termed "absolute realism," an approach predicated upon the idea that photographers have one task: to exploit the camera's unique capacity to document with uncompromising detail. Not only a photographer, Renger-Patzsch was also an influential and lucid writer who advocated his unique brand of uncompromising realism in almost a half century's worth of articles, essays, lectures, brochures, and unpublished manuscripts addressing photography, technology, and modernity. Drawing on his papers at the Getty Research Institute and other archives, The Absolute Realist unites in one volume this skillful photographer's ideas about the defining visual medium of modernity.Trade Review"Daniel H. Magilow's careful translation and thorough annotation of Albert Renger-Patzsch's writings offer an invaluable invitation: For the very first time, we can discover one of the most influential photographers of the modern era as an eminent theorist and attentive critic. This excellent edition will undoubtedly advance our interest in a period when the art of photography became not just a subject for professionals but an affair for countless amateurs." -Steffen Siegel, editor of First Exposures: Writings from the Beginning of Photography; "Albert Renger-Patzsch has long been known as a giant of early twentieth-century photography. Thanks to Daniel Magilow's deft editing and translations, an English-speaking public can now learn what a savvy critic and theorist of photography he was as well."-Pepper Stetler, author of Stop Reading! Look!: Modern Vision and the Weimar Photographic Book; "As the first complete collection of Albert Renger-Patzsch's writings, The Absolute Realist brings one of the twentieth century's most significant photographers into focus as a writer and theorist. Gorgeously illustrated with Renger-Patzsch's photographs-which are by turns hauntingly beautiful, sublime, and downright funny-Daniel H. Magilow's crisp translations and insightful commentary shed new light on Renger-Patzsch's life and work during Germany's most tumultuous decades."-Elizabeth Otto, Professor of Art History, University at Buffalo (SUNY); "Daniel H. Magilow brings both a wealth of knowledge and precision to The Absolute Realist-qualities that Albert Renger-Patzsch himself prized. In addition to his astute translations, Magilow offers a fresh and nuanced reading of the photographer's most prominent years. He underscores the tension between consistency and breadth across almost a half century of thought in ways that make this collection of the German modernist's writings especially relevant for readers today." -Matthew S. Witkovsky, Richard and Ellen Sandor Chair and Curator of Photography and Media Vice President for Strategic Art Initiatives, Art Institute of Chicago; "For photography lovers as well as researchers, The Absolute Realist: Collected Writings of Albert Renger-Patzsch, 1923-1967, edited and translated by Daniel H. Magilow, is undoubtedly a valuable addition to the bookshelf. Magilow's sensitive translation and knowledgeable scholarly introduction allow rare insight into the German photographer's work and thought during the explosive period of National Socialism, and ultimately make for an exceptionally exciting read. Highly recommended."-Gabriele Conrath-Scholl, Director, Die Photographische Sammlung/SK Stiftung Kultur, Cologne

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Book SynopsisAlfredo Boulton (1908–1995) is considered one of the most important champions of modern art in Venezuela and a key intellectual of twentieth-century modernism. He was a pioneer of modern photography, an art critic, a researcher and historian of Venezuelan art, a friend to many of the great artists and architects of the twentieth century, and an expert on the imagery of the heroes of his country’s independence. Yet, Boulton is shockingly underrecognized outside of his native land. The few exhibitions related to his work have been focused exclusively on his photographic production; never has there been a project that looks at the full range of Boulton’s efforts, foregrounding his influence on the shaping of Venezuelan art. This volume addresses these lacunae by analyzing Boulton’s groundbreaking photographic practice, his central role in the construction of a modern national artistic canon, and his influence in formalizing and developing art history and criticism in Venezuela. Based on the extensive materials held in Boulton’s archive at the Getty Research Institute, Alfredo Boulton brings together essays by leading scholars in the field to offer a commanding, original perspective on his contributions to the formation of a distinctive modernity at home and beyond.

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Book SynopsisRenowned photographer Julia Margaret Cameron is famous for her evocative portraits of eminent Victorians, including John Herschel, Alfred Tennyson, Henry Taylor, George Frederic Watts, Ellen Terry and Julia Stephen. This study of her work reveals how deeply she was convinced of the poetic possibilities of her medium, particularly its capacity for suggestive rather than literal meaning. She did not get it right on all counts, and her practice violated the aesthetic orthodoxy of the day. But the blurring of the ‘real’ subject before her lens created unparalleled possibilities for a broader pursuit of the sublime and beautiful. Drawing on over 100 items from the photographic collections at the Bodleian Library and Ashmolean Museum at the University of Oxford, as well as comparative works of art, this book celebrates a collection that illustrates the aesthetic development of the photographer from her earliest pictures to her most poetic photographs. It also includes her own poetry and the key images she created for her extraordinary Illustrations to Tennyson’s Idylls of the King, and Other Poems, demonstrating her fascination with the artistic connection between poetry and photography.Table of Contents1 Julia Margaret Cameron 11 2 The Life Poetic 29 3 Arresting Beauty 37 4 Picturing Poetry 45 5 A Poetry of Photography 53 6 Beautiful Shadows 63 Plates 69

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Book SynopsisGarry Fabian Miller’s Dark Room is a photography book unlike any other. At its heart is the artist’s description of a life lived making pictures between the dark and the light, a deeply personal account woven against the history of photography from the moment of its birth in the 1830s to its decline, and some would say death, in the digital age almost two hundred years later. It is a memoir that reads at times like a manifesto, at others like a confession; a last testament to the dark room as both a site for the imagination, and a physical space for the alchemy that William Henry Fox Talbot once described as ‘a little bit of magic realised’. Dark Room charts Miller’s work over five decades, shifting from a camera-based practice in early career to the abstract picture making for which he has become internationally recognised, working without a camera to experiment with the possibilities of light as both medium and subject. At its core is the relationship with nature and place that has so sustained his way of life, and specifically with his home on Dartmoor and the cycle of daily walks that have been at the core of his practice for thirty years. The book also features an essay on Miller’s work by his friend the potter and writer Edmund de Waal and technical notes by Martin Barnes, senior photography curator of the Victoria and Albert Museum.Trade ReviewFabian Miller’s works dwell majestically, inviting pause, tempting immersion, evading final qualification. These rare encounters remind us of quite how magical the photographic arts are. * Amateur Photographer *We see a lot of books here at Amateur Photographer, and it’s safe to say that while many of them are excellent, it’s rare for one to give such pause for thought as Dark Room...to sit down and absorb the book, front-to back, is a fantastic experience that is hard to beat. * Amateur Photographer *Table of ContentsDark Room 13 Farewell to an Idea: Edmund de Waal 226 Catalogue 242 Technical Notes: Martin Barnes 256 Further Reading 259 Biography 260 Acknowledgements 262

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Book SynopsisWatching and recording the gradual dismantling of life, beauty and diversity in our oceans is a tortuous experience for scientists. Our oceans function as earth’s organs and our survival depends on their health. Yet in the last fifty years half of coral reefs have disappeared, only 10% of large fish remain and many species are at the brink of collapse. Unsustainable fishing practices, pollution – including 20 million tonnes of plastic entering the oceans yearly – and rising temperatures are continued threats. Even as the sense of urgency to save our oceans continues to grow, at the time we publish this book, an estimate of only 2% of all global philanthropic and charitable donations go to protecting the environment. Of this, only a tiny fraction go toward supporting and safeguarding our oceans. Brimming with spectacular, full-page photography of underwater scenes from the Pacific, Atlantic, Indian, Southern and Arctic oceans and many seas, Call of the Blue tells the stories of positive, focused people who are working to save our oceans. The first book of its kind, Call of the Blue unites more than 100 modern-day explorers, sailors, free divers, film-makers, lawmakers and conservationists who talk about their lives, passions and exploits on, in or under the water. Call of the Blue demonstrates how the efforts of individuals and communities can inspire and drive change. Notable contributors include United States Senator Sheldon Whitehouse; explorer and BBC presenter Paul Rose; Danish environmentalist and Director General of the IUCN Inger Andersen; French photojournalist and UNEP Goodwill Ambassador Yann Arthus-Bertrand; and American marine biologist Edith Widder (to name only a few). Contributors include hardworking men and women from around the world including the United Kingdom, the United States, Australia, Canada, France, India, Mozambique, Mauritius, Ecuador and more. Alongside these passionate and necessary voices, Philip Hamilton’s mesmerising images – of reefs, blue whales, salt water crocodiles, manatees, sea lions, sailfish, penguin, mantas, jellyfish, turtles, sharks, pygmy sea horses and more – provide readers a glimpse of some of the world’s most stunning underwater locations, bringing into sharp focus all we are at risk to lose.

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Book SynopsisGosse Bouma, who is making a name for himself in the world of art photography as a master of light, shares his unique vision of Amsterdam in his first book. In his work, Gosse works under natural conditions, shedding a new light on the city he loves so much. In A New Light on Amsterdam, Gosse takes you through the city in different atmospheres - from the misty old city centre to the morning light in Amsterdam''s beautiful parks. Iconic buildings, raucous metro stations and picturesque cityscapes: this large-format book surprises with every photo, showing a serene, sometimes melancholic Amsterdam.

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Book SynopsisAfter his last book Escapes, Stefan Bogner returns to the Alps with this illustrated book. This time not only did he photograph particular routes, but he looked for the ideal tour through the Alps: 3 countries, 14 passes - the perfect little escape for 4 days. Different from Bogner s photographs in Escapes or Curves, where he just presents dreamlike empty streets, Porsche Drive focuses on the journey in Porsche models such as Porsche 906, Porsche 911, Porsche 918 and more. Stefan Bogner drives his own Porsche 911 1970 ST. Apart from Bogner's photographs, Porsche Drive offers information on each route and height profile. Thus you can follow Bogner's itinerary on a long weekend.Trade ReviewPhotographer Stefan Bogner has produced the impossible: a most epic set of Porsche road trip pictures for his immensely cool new book Porsche Drive--Jared Paul Stern "Petrolicious.com, January 22, 2016 "

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Book Synopsis"Swiss explorer and photographer Stefan Forster admits that he is no stranger to dodging alligators and hiking for weeks in pursuit of the perfect photo. And an impressive new photobook shows that his efforts pay off handsomely." — Sarah Holt, Mail Online "This tome is a potential classic in the making and a masterclass in how straightforward landscape imagery should be done." — Amateur Photographer "Stunning pictures...luminous images..." — Examiner "Unbelievable...just amazing..." — WGN TV Chicago Captured in vivid colour and magnificent quality, the unique moments that photographer Stefan Forster discovers in out-of-the-way places in nature take place on adventurous backcountry trips far from civilisation, with Forster lugging up to 80 pounds in camera gear and camping equipment. With enormous enthusiasm and prepared for anything, he often hikes through remote areas for weeks at a time on his search for the extraordinary. He has taken long solo kayak expeditions along Greenland’s west coast, hopped from island to island in Micronesia, and slogged through the swamps of Louisiana and Texas to find the area’s most beautiful cypress trees, dodging alligators all the while. The results are unique and fascinating photos. This book presents this young photographer’s most beautiful experiences to date, including everything from rare rainstorms in the world’s driest desert and the Northern Lights shimmering through icebergs to spectacular shots of the Rocky Mountains. Forster was one of the first photographers to use state-of-the-art quadcopter drones, giving his pictures fresh, new perspectives. Stefan Forster published some of these aerial shots for the first time in Above the World – Earth Through a Drone’s Eye, released by teNeues in September 2016. The following locations are included in the book: Switzerland Iceland Greenland Antarctica Peninsula Utah Colorado South Dakota Louisiana Washington Namibia Westcoast, Scotland Uganda New Zealand Seychelles La Gomera Tasmania Philippines Australia Indonesia Text in English, French and German.Trade Review"Swiss explorer and photographer Stefan Forster admits that he is no stranger to dodging alligators and hiking for weeks in pursuit of the perfect photo. And an impressive new photobook shows that his efforts pay off handsomely." - Sarah Holt, Mail Online"This tome is a potential classic in the making and a masterclass in how straightforward landscape imagery should be done." - Amateur Photographer"These are beautifully presented in Chasing Light, which will appeal to anyone who loves spectacular landscape photography." - Outdoor Photography"Stunning pictures...luminous images..." - Examiner"Unbelievable...just amazing..." - WGN TV ChicagoTable of ContentsIntroduction Forests and Trees Sand Dunes and Deserts Ice and Snow Canyons, Cliffs, and Volcanoes Mountains The World from Above Rivers, Lakes and Coasts Night Lights - Aurora Borealis World Map Index

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Book SynopsisThe last book completed by William Klein within his lifetime: A landmark retrospective encompassing Klein's legacy of creativity across photography, filmmaking, painting, book design, graphic design and beyond. Photographer. Filmmaker. Artist. Designer. To master one of those disciplines would be a lifetime achievement for any creative individual, yet William Klein's career was celebrated in each of them over the last eight decades. Klein was one of the great image makers of the 20th century and one whose work remains an enduring creative influence on the work of contemporary artists, photographers and filmmakers. With over 250 images, this career retrospective explores the late William Klein's entire creative and artistic arc. Directed by Klein himself, from the selection of content to book design, this large-format publication looks back at his uncompromisingly creative lifetime, showcasing Klein's prolific and relentlessly innovative contribution to the world of photograTrade Review'A vast and personal retrospective' - Elle Decoration'Discover the irreverent, iconoclastic imagery of William Klein' - Harper's Bazaar'Pays tribute to the photographer whose unconventional style helped revive a staid industry... In William Klein: Yes, the last of his books, over 250 photographs chronicle his entire career. All reverberate with energy, showcasing the man for the polymath he was: photographer, filmmaker, artist' - Air Mail'A striking overview of a relentlessly creative life' - The i newspaper

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Book SynopsisLet Jamie Beck transport you to the South of France with An American in Provence: part art book, part travelogue, part memoir, and part cookbook, and perfect for art lovers, Francophiles, and armchair travelers alike. An American in Provence is a beautiful collection of exquisite portrait, scenic, and still-life photography from wildly popular and award-winning photographer Jamie Beck. Looking to slow down from her fast-paced life in New York City, Beck moved to the French countryside documenting her life as “An American in Provence.” What started as a one-year getaway became five as she continues to chronicle her life there through her photography on Instagram @JamieBeck.co, including the birth of her daughter, Eloise, all in the most breathtaking way. In An American in Provence, Beck shares her tips and techniques for creating incredible photos and details her transformational journey as an artist and woman. Beck also includes farm-to-table recipes she's learned along the way, including Braised Beef Stew, Spring Chicken with Herbs de Provence, Fresh Tagliatelle Pasta with Spring Asparagus, and Lemon Meringue Tart. This stunning visual journey is sure to delight anyone who wishes to escape reality and immerse themselves in life in Provence.Trade Review“For the bon-vivant who loves food, art, France, and wine. A gorgeous coffee table book that will immediately transport you to the hills of Provence.”–Amazon Book Review“For Francophiles, on-the-go and armchair travelers, as well as anyone who fantasizes about touching down on a new horizon for an extended stay, An American in Provence: Art, Life and Photography by Jamie Beck is an enticing portal… brimming with intoxicating images and inviting words. A feast for the eyes and spirit. (And a holiday gift idea.)” —Forbes“Jamie’s transporting book brings back all the wonderful memories of my first trip to France in my twenties, when I fell in love with the beauty of the country, and especially the vibrant flavors of the Provençal table.” —Alice Waters“Jamie Beck is the Peter Mayle of our time. Her alluring and sensual portraits bring us one step closer to understanding the ineffable magic of the South of France. From flower markets to aioli recipes, her keen photographic eye and gentle soul bring back vivid memories of my childhood in Aix-en-Provence and invite us all to slow down and indulge our senses in the warm glow of the Provençal sun.” —Frédéric Fekkai“Jamie’s work is a visual feast of food, flowers, and family. Her book takes you on a trip to Provence and allows you to linger and luxuriate there with her as she basks in nature and the best that life has to offer—simple, wholesome goodness.” —Lauren Bush Lauren“Jamie captures the charm and romance of Provence in her stunning book, filled with lush photos of food, wine, and other glories of la France. An American in Provence is a woman’s journey of immersion in the country and culture of France, from the fragrant fields of lavender to the crusty bounty of her local boulangerie.” —David Lebovitz

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Book Synopsis“The real charm of Byways isn’t playing spot-the-location as Deakins dabbles between takes, but the window it opens onto his youthful eye. You can trace his drive from an early age to catch the light at its best – or wait for it – all night if necessary.” - The Telegraph “…his first monograph, Byways, looks not to his revered cinematography career, but his decades-long habit of taking still photographs. Among them are breathtaking landscapes and moments of stillness, interspersed with photographs imbued with wit thanks to the playful possibilities of scale, framing and timing. It’s the kind of dry humour that sits passers by in conversation with monuments and miscellaneous objects in the street, or captures a canine rendition of Cartier-Bresson’s seminal image Behind The Gare Saint-Lazare. – Creative Review “Candid close-ups, wide-angle landscapes, and dynamic long exposures, his monochrome photographs display a variety of approaches and techniques, yet first and foremost, testify to the remarkably perceptive artistic gaze that has seen him nominated for an Oscar on fifteen separate occasions (winning twice). Thoughtful, poetic, and profoundly arresting, they display his distinct enigmatic sensibility, and presented for the most part with little or no information or context (index aside) form a compelling visual soliloquy that conveys with great eloquence, the profound power of the still image.” The Independent Photographer “An intimate introduction to the man behind the lens” – The Times Portraits and landscapes from the cinematographer famed for his work with Sam Mendes and the Coen brothers This is the first monograph by the legendary Oscar-winning cinematographer Sir Roger Deakins, best known for his collaborations with directors such as the Coen brothers, Sam Mendes and Denis Villeneuve. It includes previously unpublished black-and-white photographs spanning five decades, from 1971 to the present. After graduating from college Deakins spent a year photographing life in rural North Devon, in South West England, on a commission for the Beaford Arts Centre; these images are gathered here for the first time and attest to a keenly ironic English sensibility, also documenting a vanished postwar Britain. A second suite of images expresses Deakins’ love of the seaside. Traveling for his cinematic work has allowed Deakins to photograph landscapes all over the world; in this third group of images, that same irony remains evident.

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Book SynopsisIn 1952, after becoming one of the first-ever recipients of a Master of Science degree in Photography at Chicago's Institute of Design, native New Yorker Marvin E. Newman returned to his hometown. Like many artists before, he set about chronicling the city. Unlike his predecessors, Newman chose color photography as the preeminent medium for capturing the people and energy of New York, and its emergence in the 1950s as the self-proclaimed Greatest City in the World.Lauded by the likes of Eastman House, MoMA, and the International Center of Photography, Newman's images remained, up until now, largely undiscovered beyond a prestigious collector and gallery circle. After featuring Newman in New York: Portrait of a City, TASCHEN now presents the artist's first career monograph including some 170 pictures from the late 1940s through the early 1980s, previously available in a Collector's Edition. Newman passed away in 2023 at the age of 95.From Times Square to Wall

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Book Synopsis200 countries; one street each; seven years of travelling and collecting photos, stories, facts and figures about each country. This is not just another photography book. It reveals everything that a street means to society: education, wisdom, youth, experience, happiness, stories, food, and so much more. This is the raw material of life, drawn directly from the experiences of the Belgian photographer Jeroen Swolfs. Seeing the street as a unifying theme, he travelled in search of that one street in each place - sometimes by a harbour or a railway station - that comprised the country as a whole. Each stunning image conveys culture, colours, rituals, even the history of the city and country where he found them. Swolfs sees the street as a universal meeting place, a platform of crowds, a centre of news and gossip, a place of work, and a playground for children. Swolfs's streets are a matrix for community; his photographs are published at a time when the unique insularity of local communities everywhere has never been more under threat.

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Book SynopsisThis book is published on the occasion of an exhibition in Milan, which was first shown in Murcia (Spain) and after in Siena (September 2009 - January 2010), featuring a selection of 114 pictures, some of which are previoiusly unpublished, almost all of small size, by the famous American photographer Francesca Woodman. Born in Denver in 1958, daughter of the ceramist Betty and the painter George Woodman, Francesca started to work with the camera when she was only thirteen, by making her first self-portrait. In the nine following years, before her suicide in January 1981 when she was only twenty-three, she kept on taking pictures of herself at home, in the midst of nature, on her own or with friends, while in action shots or in studied poses. With texts by Isabel Tejeda, Marco Pierini and Lorenzo Fusi, a biography of the artist and a complete bibliography, this book is the most recent and most complete publication of the artist's work. Text in English and Italian.

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Book SynopsisThe collected works of photojournalist Paolo Pellegrin, arranged as an illustrated chronology of the main historical events from the last thirty years. Each copy is numbered. This volume presents a survey of the collected works of Paolo Pellegrin (1964), one of the most important photographers on the international scene. It was edited by Germano Celant and is the result of extensive work on the photographer's archive. The publication is a collection of over a thousand images, sequenced chronologically by decade so as to retrace Pellegrin's creative and documentary journey.

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Book SynopsisAs We Rise presents an exciting compilation of photographs from African diasporic culture. With over one hundred works by Black artists from Canada, the Caribbean, Great Britain, the United States, South America, as well as throughout the African continent, this volume provides a timely exploration of Black identity on both sides of the Atlantic. As Teju Cole describes in his preface, “Too often in the larger culture, we see images of Black people in attitudes of despair, pain, or brutal isolation. As We Rise gently refuses that. It is not that people are always in an attitude of celebration—no, that would be a reverse but corresponding falsehood—but rather that they are present as human beings, credible, fully engaged in their world.” Drawn from Dr. Kenneth Montague’s Wedge Collection in Toronto—a Black-owned collection dedicated to artists of African descent—As We Rise looks at the multifaceted ideas of Black life through the lenses of community, identity, and power. Artists such as Stan Douglas, LaToya Ruby Frazier, Barkley L. Hendricks, Texas Isaiah, Liz Johnson Artur, Seydou Keïta, Deana Lawson, Jamel Shabazz, and Carrie Mae Weems, touch on themes of agency, beauty, joy, belonging, subjectivity, and self-representation. Writings by Isolde Brielmaier, Ugochukwu-Smooth C. Nzewi, Mark Sealy, Teka Selman, and Deborah Willis among others provide insight and commentary on this monumental collection.

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Book SynopsisThe volume offers a chance to approach the work of Brassaï (1899-1984), a multifaceted figure in the history of French photography.A painter, sculptor and writer in addition to being a photographer, his name is inextricably linked to the masterpiece Paris de Nuit, published in 1933 with a preface by Paul Morand. Brassaï's views of the capital illuminated by public lighting and other sources, and at times shrouded in fog lend a mysterious aura to the urban landscape. Brassaï was a forerunner in capturing the night-time atmosphere of different areas of Paris, masterfully blending photographic art with his personal sensitivity.The volume, curated by the photographer's nephew Philippe Ribeyrolles, sets out to revive Brassaï's body of work, offering an overview of his evolution over the years. From the artist's collaboration with Edward Steichen to international recognition in the wake of his 1957 exhibit at the Museum of Modern Art (MoMA) in New York, Brassaï's

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Book SynopsisThe volume collects a rich selection of photographs from the archives of the Magnum Photos agency, taken by Robert Capa, in a combination of emblematic shots of his work and images that have appeared more rarely. The intent is to hint at some facets of a passionate and ultimately elusive character as Capa was: a courageous witness of his time, a strong, insatiable and at the same time dissatisfied personality, with the traits of a gambler. Therefore, not only the war images that made him one of the most famous photojournalists of the 20th century, but also lesser-known shots that allow you to appreciate the very high formal quality of his photography and, together with it, his personality. Text in English, Italian and French.

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Book SynopsisMargaret Fay Shaw took her first photographs of the Hebrides in 1924 whilst travelling through the islands by bicycle. It was her photography which first brought her to the attention of folklorist John Lorne Campbell, and after their marriage in 1935 they began their unique career together, creating the world’s finest treasury of Hebridean song, story, image and folklore. Her collection of some 9,000 photographs and film were taken mainly on the Hebridean islands of Uist, Barra, Mingulay, Eriskay, Canna and the Irish Aran Islands, and form a key part of the magnificent Campbell collections at Canna House, where she and John made their home for 60 years. In 1981 they gifted the island of Canna and its collections to the National Trust for Scotland, who now curate the material for future generations to enjoy. This book features over 100 of the best of Margaret Fay Shaw’s Hebridean photographs, with extended captions by Fiona J. Mackenzie and an introductory essay by the collection’s former archivist Magdalena Sagarzazu.Trade Review'The beauty of the Hebrides and the warmth of the people and their vanished way of life are captured in 200 photographs taken over six decades from the 1920s by Margaret Fay Shaw' * Country Life *'Provides a new and vibrant addition to Margaret Faye Shaw’s work. She was a woman of so many talents that it is hard to do justice to such a range. This collection is a fine contribution to celebrating her rich life' * Oban Times *'A magical, inspirational book. Beautifully presented in a style reminiscent of a on old family photograph album' * Undiscovered Scotland *'A magnificent collection; South Uist is the soul of a remarkable anthology' -- Roger Hutchinson * West Highland Free Press *'The expression "treasure trove" tends to be overused in relation to such projects, but in this case it is entirely justified' -- Roger Cox * Scotsman *

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Book SynopsisKasos is the southernmost island of the Dodecanese, lying between Carpathos and Crete. Roughly 11 miles long and four miles wide, with a rocky, mountainous landscape, Kasos was famed from antiquity as a centre of shipbuilding, and played a role in the Greek War of Independence. But with the advent of steam, the island's shipyard closed, and its population dwindled. Today some one thousand people remain on the island, living in five small villages full of historic homes and churches. The islanders produce agricultural products of exceptional quality; preserve their distinctive culinary, musical, and dance traditions; and welcome a small number of adventurous travellers to their sparkling beaches.Robert A. McCabe's stunning black-and-white photographs of Kasos, most taken in 1965, offer a unique record of the island's people, architecture, and natural landscapes. In a stark contrast to the transformation undergone by other Greek islands, many of the scenes depicted in McCabe's

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Book SynopsisPublished to accompany an exhibition at MK Gallery, this is the first major survey of the work of contemporary British artist and photographer Ingrid Pollard, nominated for the Turner Prize 2022. This publication provides the first overview of works by British artist and photographer Ingrid Pollard. Pollard is renowned for using portrait and landscape photography to question our relationship with the natural world and to interrogate social constructs such as Britishness, race, sexuality and identity. Working across a variety of techniques from photography, printmaking, drawing and installation to artists’ books, video and audio, Pollard combines meticulous research and experimental processes to make art that is at once deeply personal and socially resonant. ‘Ingrid Pollard’s practice has long been focused on the human body, astro-physics and geology, and in particular geology in the formation of the stars and planets. The title of this publication – Carbon Slowly Turning – invites us to reflect on geological time in relation to human time. On the one hand, the millennia in which carbon, rock and other natural materials are made, and on the other, the brevity of human existence by comparison and the affecting nature of geology on the human form. A number of Pollard’s works reflect on the cyclical nature of history and human experience, where everything is subject to change, sometimes over hundreds or thousands of years, at other times in the blink of an eye.’ — Gilane Tawadros, Curator, writer and CEO, DACS ‘Ingrid Pollard’s work slows down our looking to create space to consider alternative formations of history and landscape. Across four decades she has re-scripted Britishness, looking back in order that we might move forward differently. This is a profound and timely exploration of this vital British artist.’ — Maria Balshaw, Director, Tate This book accompanies an exhibition at MK Gallery and Turner Contemporary, curated by Gilane Tawadros, with the artist, and supported by the Freelands Award 2020. Edited by Fay Blanchard and Anthony Spira. Essays by Anna Arabindan-Kesson, Cheryl Finley, Paul Gilroy, Mason Leaver-Yap and Gilane Tawadros.Trade ReviewIngrid Pollard’s work slows down our looking to create space to consider alternative formations of history and landscape. Across four decades she has re-scripted Britishness, looking back in order that we might move forward differently. This is a profound and timely exploration of this vital British artist. * Maria Balshaw, Director, Tate *a new book that gives a stunning overview of artist and photographer Ingrid Pollard’s practice [...] the creatively we have witnessed in this brilliant book is both shared and contagious. * Glasgow Women’s Library *Table of ContentsCarbon Slowly Turning: An Introduction - Anthony Spira and Clarrie Wallis At the End of Black Boy Lane: Paul Gilroy Seventeen of Sixty Eight Seaside Series Pastoral Interlude Landscape Interrupted: Anna Arabindan-Kesson The Boy Who Watches Ships Go By The Cost of the English Landscape Bursting Stone Unruly: Mason Leaver-Yap Contenders Deny: Imagine: Attack Bow Down and Very Low - 123 Materials and Practices: Cheryl Finley Landscape Trauma There Was Much Interruption Self Evident Carbon Slowly Turning: Gilane Tawadros The Valentine Days I & II Emancipation Day Performers & Portraits Image Credits

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Book SynopsisFirst edited and published by Marcel Marien in 1968 in a limited edition of 230 copies, half a year after Paul Nouge's death, The Subversion of Images is a miniature classic in both the photobook and surrealist canons. It collects Nouge's notes and photographs from 1929 1930 to form a guidebook to the surrealist image. Nouge here outlines his conception of the object and outlines the surrealist approach to it, while also offering an accompaniment to the visual work of his colleague, Rene Magritte, whose paintings he sometimes titled. How might a tangle of string elicit terror? How might the suppression of an object move one to sentimentality? What is the effect of a pair of gloves on a loaf of sliced bread?Nouge's accompanying photographs explore these notions, and feature a number of his Belgian surrealist colleagues. This translation is presented as a facsimile of the original edition, with an afterword by Xavier Canonne, director of the Musee de la Photographie.A biochemist by trade, Paul Nouge (1895 1967) was a leading light of Belgian Surrealism and its primary theorist, as well as a decisive influence on such Lettrists and Situationists as Guy Debord and Gil J. Wolman, who would take inspiration from his conception of plagiarism for what would come to be termed detournement. Nouge steered the Brussels surrealist group toward a more rational approach to visual and verbal language that discarded the Parisian surrealists' proclivity for irrationality and occultism.

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Book SynopsisElaine Mayes was a young photographer living in San Francisco’s lively Haight-Ashbury District during the 1960s. She had photographed the Monterey Pop Festival in 1967 and, later that year, during the waning days of the Summer of Love, embarked on a set of portraits of youth culture in her neighborhood. By that time, the hippie movement had turned from euphoria to harder drugs, and the Haight had become less of a blissed-out haven for young people seeking a better way of life than a halfway house to runaway teens. Realizing the gravity of the cultural moment, Mayes shifted from the photojournalistic approach she had applied to musicians and concert-goers in Monterey to making formal portraits of people she met on the street. Choosing casual and familiar settings, such as stoops, doorways, parks, and interiors, Mayes instructed her subjects to look into her square-format camera, to concentrate and be still: she made her exposures as they exhaled. Mayes’ familiarity with her subjects helped her to evade mediatized stereotypes of hippies as radically utopian and casually tragic, presenting instead an understated and unsentimental group portrait of the individual inventors of a fleeting cultural moment. Elaine Mayes: The Haight-Ashbury Portraits 1967-1968 is the first monograph on one of the decade’s most important bodies of work, presenting more than forty images from Mayes’ extensive series. An essay by art historian Kevin Moore elaborates an important chapter in the history of West Coast photography during this critical cultural and artistic period.

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Book SynopsisA career-to-date retrospective of a unique creative talent. Hyperborea presents unforgettable visual tales of life in the Siberian Arctic that photographer Evgenia Arbugaeva knew when she was growing up in Tiksi, a town on the shore of the Laptev Sea in the Republic of Yakutia. Her work discloses both the fragility and beautiful desolation of the land and those who inhabit it, and her rigorously composed photographs glow with rich otherworldly colour, bristle with the raw vibrancy of the climate and exhibit the quiet intensity of lives borne out in seclusion and extremes. This beautifully produced photobook contains a decade of work, with photographs selected from across the full range of Arbugaeva's series and extensive travels across the Russian Arctic coast and to connect with people living in these remote and inhospitable places. The photographs that she brings back from her long-term visits convey a world where everything seems connected: humans and nature, the sky and the land. An elemental space of deep solitude and slower pace of life. Her images invite us to contemplate a territory that has been a place of longing and imagination for many, which is now under existential threat from a multitude of environmental changes. With an introduction by Piers Vitebsky, four texts by Arbugaeva to supplement the images, and a specially commissioned map to provide a sense of where Arbugaeva's work is located, Hyperborea is a future collectible for all photobook fans and an introduction to a global audience of a very special talent in the world of photography.Trade Review'Powerful' - Daily Mail

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Book SynopsisAcross the African continent, but especially in the sub-Saharan regions the light provided by the sun has a particularly stark quality, which becomes most apparent in relation to age-old buildings and in the way in which it shapes daily routines. Without relying on artificial light, architecture had to both make use of the sun light to create a light source within a building, yet also protect those living in the houses from the intensity of it. This has resulted in vernacular architecture that works with very few or small openings that render the inside of a building near pitch black while the outside is illuminated by direct sunshine that bears down mercilessly. On the initiative of the lighting company Zumtobel Group, photographer Iwan Baan and architect Francis Kéré set out to capture how the sun’s natural light cycle shapes vernacular architecture with little to no artificial light sources in Burkina Faso. They travelled to three exemplary locations: Communal compounds in Gando, the main mosque of Bobo Dioulasso and the terraced houses in Dano utilising pots to create skylights. Baan’s pictures are accompanied by architectural sketches by Francis Kéré, who himself grew up in this light environment and whose architecture is inspired by it. The stunning photographs are printed in a special technique to give a sense of being immersed in the very light conditions that are being documented.

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Book Synopsis Explore the captivating world of 1970s California skateboarding through Hugh Holland's lens in Last Days of Summer. This complete archive, enriched with many never-before-seen images, an introduction by acclaimed artist Shepard Fairey, and extensive interviews, unveils the evolution of a legendary subculture and the photographer who documented it all.From 1975 to 1978, Hugh Holland immortalized the burgeoning subculture of skateboarding in California, photographing young sidewalk surfers on the streets of Los Angeles, parts of the San Fernando Valley, Venice Beach, and as far away as San Francisco and Baja California. In four short years, he documented the rise of the sport before it became officially sanctioned and permanently changed by commercialization, brand sponsorships, and safety precautions like helmets and knee pads. In hindsight, this time period held a wild and free innocence that Holland captured beautifully. His i

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Book SynopsisTwice by Jacques Sonck brings together duo-toned portraits of people in twos and threes that Jacques Sonck photographed on the street over the course of thirty years. Jacques Sonck shoots classical analogue black-and-white portraits with an eye for the extraordinary. His oeuvre is a celebration of the diversity of humankind. Sonck is attracted by people who stand out from the crowd, either by an anomaly in their appearance or by their extrovert attitude and Twice demonstrates diversity and his anthropological taste within photography. His eccentric models are unique individuals who walk the border of normality'. Although his work is often compared with that of Diane Arbus, who photographed humans on the margins of society, Sonck is more interested in the physical appearance than in the social position of his subjects.In English and French.

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Book SynopsisDoris Chase has achieved international stature as a pioneer in the field of video art since she moved from Seattle to New York City in 1972. An artist of remarkable and continuous creativity, Chase now divides her time between her video headquarters in New York and a Seattle studio where she works on new projects in painting and sculpture. Beginning as an innovative painter and sculptor in Seattle in the 1950s, Chase created sculpture that was meant to be touched and manipulated by the viewer. Chase then developed large-scale kinetic sculptures in collaboration with choreographers, and her art was set in motion by dancers. In New York, her majors contribution to the evolution of artists' video has been her work in videodance. On videotape, dancers and sculpture evolve into luminous abstract forms which represent some of the most sophisticated employments of video technology by an artist of the 1970s. In the 1980s, Chase began working in the nascent genre of video theater. In these pr

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Book SynopsisAn illuminating introduction to little-known photographer Issei Suda, who captured the soul of Japan old and new. The work of Issei Suda (19402019) is distinct in contemporary avant-garde Japanese photography for its celebration of the beauty of the everyday. His black and white pictures reflect on apparent banality of urban life, capturing the little surprises usually ignored in our world': the shadow of a figure, the shapes of the street, the expressions on stranger's faces. Suda's practice revealed the tensions between old and new Japan, juxtaposing the ingrained visual traditions of Japanese culture with the prevailing western vocabulary of fashion, advertising and leisure, as seen through his observant and tender lens.

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Book SynopsisAn engaging introduction to the work and the world of pioneering photographer Julia Margaret Cameron, Arresting Beauty presents more than 120 images from the V&Aâs collection, the largest holding of Cameronâs photographs in the world. Exploring her unique artistry, this book reaffirms her position as one of the most innovative and influential photographers of all time.Trade Review'An engaging introduction to her work' - Amateur Photographer'One of the great pioneers of photography, and her influence remains with us. Looking at the images in this book, it is remarkable how contemporary they appear more than 150 years after they were conceived' - Black + White PhotographyTable of ContentsIntroduction: Arresting Beauty by Marta Weiss Beauty That Came Before Me: The Art of Photography Poets, Prophets, Painters and Lovely Maidens: Pioneering Portraits Voice and Memory and Creative Vigour: Cameron’s Storytelling Selected Bibliography

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Book SynopsisRamón Esparza is professor of audiovisual communication and theory at the Universidad del País Vasco and an independent curator. Maud de la Forterie is a specialist on the work of Bill Brandt. She completed her doctoral studies at the Sorbonne. Nigel Warburton is a philosopher and writer.

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Book SynopsisThe first career retrospective of leading contemporary photographer Mona Kuhn.Trade Review'What stands out is her eye for quiet detail and loving attention' - The Herald'Insightful' - Vanity Fair'A remarkable collection' - British Journal of Photography'Living visual poetry … a true master of light' - EXIT'Mona Kuhn evokes something elemental in her practice, in which the human body seems to convey universal truths' - Aesthetica'Mona Kuhn has a dreamy, distinctive approach to the nude […] creating images that are obscure, otherworldly and infused with emotion' - AnOtherTable of ContentsIntroduction by Rebecca Morse • 1. Evidence 2000-2007 • 2. Native 2007-2009 • 3. Venezia 2009-2010 • In Conversation: Interview by Elizabeth Avedon • 5. Bordeaux Series 2009-2011 • Essay by Simon Baker • 6. Private 2012-2014 • 7. Bushes and Succulents 2017-2018 • 8. She Disappeared into Complete Silence 2014-2019

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Book SynopsisJohn Hinde was a pioneer of colour photography and one of the most successful postcard publishers in the world. His largest collection of postcards celebrated Ireland. He portrayed an island brightened by his imagination, a place where children were red-haired and freckled, the sun always shining, and the sky forever blue. His idealistic images were to become the stereotypical portrayal of Ireland for many years, and to this day elicit feelings of nostalgia from viewers worldwide.Return to Sender pairs Hinde's iconic, instantly recognisable postcards from the 1950s, 60s and 70s with corresponding contemporary photographs. The side-by-side contrast of these then-and-now photographs, wonderfully captured by photographer Paul Kelly, illustrates the ways Ireland's rural and urban landscapes have changed over the decades or, in some places, not changed at all.

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Book SynopsisA visually rich survey of two hundred years of Alabama fine arts and artists. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous.Trade ReviewAlabama artists have helped contextualize the state as a place that is embracing its past while visualizing its future. Artists such as the internationally hailed quiltmakers of Gee's Bend, public artist Rick Lowe, painters Jack Whitten and Thornton Dial, and photographer Carolyn Sherer have portrayed a richer understanding of Alabama that is appreciated not only by those of us who live here but also by the nation in general. Alabama would not have the exposure or the expanded worldview that are so apparent without the work of the visual artists who have helped us reveal the complexity, diversity, and multifaceted nature of our populations and our state. Alabama artists help us define who we are and what home is."" - From the introduction by Gail C. AndrewsTable of Contents Acknowledgments Preface by Al Head Introduction by Gail C. Andrews Part I. Prehistory to 1868 Chapter 1. William Frye Chapter 2. John Lehman Chapter 3. Nicola Marschall Chapter 4. S. Phillip Romer Chapter 5. William Carroll Saunders Chapter 6. Edward Troye Part II. 1869–1918 Chapter 7. Lucille Sinclair Douglass Chapter 8. Anne Goldthwaite Chapter 9. Louise Lyons Heustis Chapter 10. Mary Morgan Keipp Chapter 11. Giuseppe Moretti Chapter 12. Clara Weaver Parrish Chapter 13. Lois Slosson Sundberg Chapter 14. Maria Howard Weeden Part III. 1919–1968 Chapter 15. Frank Hartley Anderson Chapter 16. Frank Woodberry Applebee Chapter 17. Virginia Barnes Chapter 18. Richard Blauvelt Coe Chapter 19. Frank Engle Chapter 20. Zelda Sayre Fitzgerald Chapter 21. John Kelly Fitzpatrick Chapter 22. Crawford Gillis Chapter 23. Isaac Scott Hathaway Chapter 24. Draffus Lamar Hightower Chapter 25. Carrie Hill Chapter 26. John Lapsley Chapter 27. John Roderick Dempster MacKenzie Chapter 28. James ""Spider"" Martin Chapter 29. Geneva Mercer Chapter 30. Carlos Alpha ""Shiney"" Moon Chapter 31. Charles Moore Chapter 32. Ann Weaver Norton Chapter 33. Prentice Herman Polk Chapter 34. Alvin Conrad Sella Chapter 35. Charles Shannon Chapter 36. William Spratling Chapter 37. Arthur Stewart Chapter 38. Maltby Sykes Chapter 39. Bill Traylor Chapter 40. John Augustus Walker Chapter 41. Kathryn Tucker Windham Chapter 42. Richard Zoellner Part IV. 1969–2019 Chapter 43. Butch Anthony Chapter 44. Arthur L. Bacon Chapter 45. Pinky/MM Bass Chapter 46. Mozell Benson Chapter 47. Cal Breed Chapter 48. Jerry Brown Chapter 49. Roger Brown Chapter 50. Gay Burke Chapter 51. Richmond Burton Chapter 52. Gary Chapman Chapter 53. William Andrew Christenberry Jr. Chapter 54. Chip Cooper Chapter 55. Thornton Dial Chapter 56. Casey Downing Jr. Chapter 57. Nora Ezell Chapter 58. Howard Finster Chapter 59. Frank Fleming Chapter 60. Robert Lawrence ""Larry"" Godwin Chapter 61. Darius Hill Chapter 62. Lonnie Holley Chapter 63. Dale Kennington Chapter 64. Bettye Kimbrell Chapter 65. Janice Kluge Chapter 66. Simmie Knox Chapter 67. Cam Langley Chapter 68. Dale Lewis Chapter 69. Rick Lowe Chapter 70. Charlie Lucas Chapter 71. Kerry James Marshall Chapter 72. Dean Mosher Chapter 73. Nall Chapter 74. James Emmette Neel Chapter 75. David Parrish Chapter 76. Stephen Rolfe Powell Chapter 77. Noah Purifoy Chapter 78. Quiltmakers of Gee's Bend Chapter 79. Sonja Rieger Chapter 80. Guadalupe Lanning Robinson Chapter 81. Carolyn Sherer Chapter 82. Jerry Siegel Chapter 83. Charles Smith Chapter 84. Melissa Springer Chapter 85. Scott Stephens Chapter 86. Jimmy Lee Sudduth Chapter 87. Nina Gail Thrower Chapter 88. Mose Tolliver Chapter 89. Craig R. Wedderspoon Chapter 90. Yvonne Wells Chapter 91. Myrtice West Chapter 92. Jack Whitten Chapter 93. Hugh O. Williams Chapter 94. Evan Wilson Contributing Authors Where to see Visual Art in Alabama Resources to Learn More about Alabama Visual Arts and Artists Books and Exhibition Catalogues

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Book SynopsisThis is the first full critical study of the work of the popular documentary photographer SebastiãoSalgado. Nair explores all the stages of Salgado's work, including the recent more ecological subjects, showing its planetary commitments.Trade Review“Through exhaustive research on Salgado's work, Nair raises critical questions on ethics, politics, history, photography, and aesthetics. . . . Particularly poignant are the intimate conversations among Nair, Salgado, and his wife, Lélia, which add tremendous clarity to Salgado's worldview. Highly recommended for fans of Salgado's work and for those interested in photojournalism, documentary photography, and global humanitarian issues.” - Shauna Frischkorn, Library Journal“[A]dvance[s] a perceptive, penetrating understanding of social and natural discord encoded in the photographs.” - Giovanna L. Costantini, Leonardo Reviews“[T]his treatise is useful for its focus on Salgado and its contribution to the search for answers about the ongoing presence of what often seems an unsolvable but significant concern. Nair's book highlights another central core within Salgado's ongoing visual investigation: the varying relationship(s) between humans and the land. . . . Recommended. Lower-level undergraduates and above; general readers.” - C. Chiarenza, Choice“This work constitutes, to my knowledge, the first book-length study of the Brazilian documentarist’s work, and as such it represents a significant contribution to Latin American scholarship on photography and beyond—to visual cultural studies writ large. The author effortlessly ranges across aesthetic theory, Latin American historiography, and postcolonial criticism, as well as theories of photography, in addressing her subject.” - Jorge Coronado, The Americas“One need not be familiar with photographer Sebastião Salgado in order to uncover something innovative about visual studies within Parvati Nair’s biography. . . . . Nair effectively compares and contrasts Salgado to other influential photographers across time and place . . . while at the same time confronting both his detractors and fans through a theoretical lens.” - Bree Akesson, Visual Studies“The importance of Salgado as a photographer is indisputable, he is the curator of chiaroscuro, and it is remarkable that Parvati Nair’s A Different Light is the first full-length study of him to appear in print. Her book offers an interdisciplinary overview of his work.” - Sean Sheehan, Dublin Review of Books“A superb book on the most important photographer in the world today, A Different Light cuts a very wide swath: critical photojournalism, humanitarian documentation, political aesthetics, visual epistemology and historiography, representational theory, documentary ethics, the colonial gaze, the Frankfurt School, Latin America, Africa, the place of still photography in a rapidly moving world, ecology, art, profit, and concern. This is the book that the photography of Sebastião Salgado deserves.”—John Mraz, author of Looking for Mexico: Modern Visual Culture and National Identity“An excellent study! Parvati Nair simultaneously places the work of Sebastião Salgado within broader contexts and illuminates contemporary debates on aesthetics, ethics, and photodocumentary, with welcome emphasis on perspectives from the Global South. A must-read for all those concerned with photographs as visible evidence.”—Liz Wells, Plymouth University, United Kingdom“[A]dvance[s] a perceptive, penetrating understanding of social and natural discord encoded in the photographs.” -- Giovanna L. Costantini * Leonardo Reviews *“[T]his treatise is useful for its focus on Salgado and its contribution to the search for answers about the ongoing presence of what often seems an unsolvable but significant concern. Nair's book highlights another central core within Salgado's ongoing visual investigation: the varying relationship(s) between humans and the land. . . . Recommended. Lower-level undergraduates and above; general readers.” -- C. Chiarenza * Choice *“Through exhaustive research on Salgado's work, Nair raises critical questions on ethics, politics, history, photography, and aesthetics. . . Particularly poignant are the intimate conversations among Nair, Salgado, and his wife, Lélia, which add tremendous clarity to Salgado's worldview. Highly recommended for fans of Salgado's work and for those interested in photojournalism, documentary photography, and global humanitarian issues.” -- Shauna Frischkorn * Library Journal *“Nair's study is excellent because of its documentary quality. She interviews Salgado and his wife, Lélia Wanick Salgado, as to their projects and the contexts of their work and she is careful to discuss in depth the controversies surrounding his work and the museological issues associated with the privileged exhibition of misery and poverty. Because it is so meticulously documented, the reader has access to an excellent understanding of the Salgado project.” -- David William Foster * Luso-Brazilian Review *“With English language studies on Brazilian photography and photographers relatively scarce, A Different Light makes an important and very welcome contribution to the field.” -- Alice L. Allen * Bulletin of Hispanic Studies *Table of ContentsAcknowledgments ix Introduction. Photo-Trajectory 1 1. The Moving Lens: Abiding Concerns and Photographic Projects 49 2. Engaging Photography: Between the Aesthetic and the Documentary 119 3. Eye Witness: On Photography and Historiography 167 4. Just Regard: On Photography, Aesthetics, and Ethics 217 5. The Practice of Photography: Toward a Polity of the Planet 264 Notes 315 Bibliography 341 Index 351

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Book Synopsis

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Book SynopsisThe Land of the Anka Bird: A journey through the Turkic heartland is a reflective visual essay introducing the powerful photographs of Ergun Çagatay. The book explores the cultural landscape and geography of the vast Turkic-speaking lands, from the mercantile cities of Uzbekistan to little-explored pockets of the Baltic. It is clear that while divided by distance, the diverse Turkic share far more than a linguistic heritage. Deep cultural connections highlight great mobility across many landscapes and centuries. Spanning both the nomadic and settled worlds, this book challenges assumptions about an intriguing swathe of our planet while celebrating its wildly varied traditions and environment.Table of Contents6 Map 7 List of photographs 8 Why the Anka Bird 8 Peoples of the Turkic heartlands 10 Introduction by Caroline Eden 14–151 The photographs 146 Acknowledgements 147 Bibliography 148 Index

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Book SynopsisThe winner of the 2017 Ernest Cole Award is Daylin Paul for his project, Broken Land. The project explores the other side of power. Set in Mpumalanga, home of 46% of South Africa's arable soil, it is also the area where nine power-burning coal stations are active.

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