Individual photographers Books

Book SynopsisThrough engaging interviews, testimonials, and anecdotes from photographers, curators, printers, and colleagues, Object Lesson: On the Influence of Richard Benson pays homage to a legendary figure whose name is synonymous with the evolving history and philosophy of photographic reproduction. From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, Object Lesson stands as a testament to Benson’s wit, wisdom, and incomparable obsession with how photographic images render and connect us to the world. Text, image, and interview contributions by Michele Abeles, Marion Belanger, Barbara Benson, Richard Benson, Dawoud Bey, Andrew Borowiec, Lois Conner, Matthew Connors, Tim Davis, Benjamin Donaldson, Dru Donovan, Martina Droth, Shannon Ebner, Lucas Foglia, Peter Galassi, John Gambell, Jon Goodman, Bryan Graf, Gail Albert Halaban, Gary Haller, Heyward Hart, Robert J. Hennessey, Peter Kayafas, Lisa Kereszi, Justin Kimball, David La Spina, John Lehr, Susan Lipper, Salvatore Lopes, Peter MacGill, Tanya Marcuse, Lesley A. Martin, Miko McGinty, Sue Medlicott, Sarah Meister, Paul Messier, Andrea Modica, Matthew Monteith, Abelardo Morell, Arthur Ou, Thomas Palmer, Tod Papageorge, Ted Partin, Bradley Peters, John Pilson, Kristine Potter, Caitlin Teal Price, Sergio Purtell, Jock Reynolds, John Robinson, Jeff L. Rosenheim, Sasha Rudensky, Gary Schneider, David Benjamin Sherry, Steve Smith, Mark Steinmetz, Sarah Stolfa, Ka-Man Tse, James Welling, and Jeff WhetstoneTrade Review“This delightful book illustrates how, through leading questions and seemingly simple steps, Richard Benson encouraged others to think and see with greater agency and nuance—and how deftly he shared his generous sense of humanity’s capacity to better this world.” — Maria Morris HambourgTable of ContentsPreface 7 Introduction John Pilson 9 Contributions Michele Abeles 18 Marion Belanger 20 Dawoud Bey 22 Andrew Borowiec 28 Lois Conner 32 Matthew Connors 36 Tim Davis 38 Benjamin Donaldson 42 Dru Donovan 46 Shannon Ebner 50 Lucas Foglia 52 Jon Goodman 54 Bryan Graf 58 Gail Albert Halaban 60 Heyward Hart 64 Robert J. Hennessey 66 Peter Kayafas 72 Lisa Kereszi 80 Justin Kimball 85 David La Spina 88 John Lehr 92 Susan Lipper 94 Salvatore Lopes 98 Tanya Marcuse 102 Sue Medlicott 106 Sarah Meister 108 Paul Messier and Martina Droth 112 Andrea Modica 114 Matthew Monteith 118 Abelardo Morell 120 Arthur Ou 124 Tod Papageorge 128 Ted Partin 132 Bradley Peters 134 Kristine Potter 136 Caitlin Teal Price 140 Sergio Purtell 144 John Robinson 148 Jeff L. Rosenheim 154 Sasha Rudensky 158 Gary Schneider 160 David Benjamin Sherry 164 Steve Smith 166 Mark Steinmetz 168 Sarah Stolfa 170 Ka-Man Tse 172 James Welling 176 Jeff Whetstone 180 Conversations and Writings Peter MacGill and Barbara Benson in conversation 186 Paul Messier and Thomas Palmer in conversation with Lesley A. Martin and Miko McGinty 197 John Gambell and Gary Haller in conversation with Miko McGinty 207 Peter Galassi 216 Working with Lee Richard Benson 218 Jock Reynolds 240 Contributor Biographies 243 Acknowledgments 246

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Book SynopsisThis monograph is the first to collect the photographs of internationally acclaimed multimedia artist Barry McGee. Though best known for the inventive graphic sensibility of his paintings and drawings, McGee’s use of photography is an essential, often underappreciated, component of his artistic vision. Captured at all hours and around the world with whatever camera is at hand, McGee’s images are immediate, casual, intimate, and anarchic all at once. His work boldly employs geometric shapes, clusters of framed drawings and paintings, distinctive characters, and found objects such as empty bottles, surfboards, and wrecked vehicles. Whether incorporated into his iconic multi-element compositions, or printed in the innumerable fanzines and artist’s books that often accompany his exhibitions, photographs pervade McGee’s practice. Barry McGee: Photographs provides unique insight into the process of a major American artist, and is a testament to the immense amount of visual information McGee has absorbed to build one of the most eclectic and innovative artistic legacies of our time.

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Book Synopsis“Montgomery’s photographs capture the reality of Americans in crisis, in all our flawed, tragic, ridiculous glory.” —Patrick Radden Keefe, author of Empire of Pain: The Secret History of the Sackler DynastyAmerican Mirror is award-winning photographer Philip Montgomery’s dramatic chronicle of the United States at a time of profound change. Through his intimate and powerful reporting and a signature black-and-white style, Montgomery reveals the fault lines in American society, from police violence and the opioid addiction crisis to the COVID-19 pandemic and the demonstrations in support of Black lives. Yet in his unflinching images, we also see moments of grace and sacrifice, glimmers of solidarity and tireless advocates for democracy. Like Dorothea Lange and Walker Evans before him, Montgomery has made an unforgettable testament of a nation at a crossroads.

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Book SynopsisDelegation is the first comprehensive monograph by Apsáalooke/Crow artist Wendy Red Star, whose photography recasts historical narratives with wit, candor, and a feminist, Indigenous perspective. Red Star centers Native American life and material culture through imaginative self-portraiture, vivid collages, archival interventions, and site-specific installations. Whether referencing nineteenth-century Crow leaders or 1980s pulp fiction, museum collections or family pictures, she constantly questions the role of the photographer in shaping Indigenous representation. Including a dynamic array of Red Star’s lens-based works from 2006 to the present, and a range of essays, stories, and poems, Delegation is a spirited testament to an influential artist’s singular vision. Copublished by Aperture and Documentary Arts

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Book SynopsisThe first monograph by sculptor, filmmaker, and photographer Shikeith, Notes towards Becoming a Spill brings together a series of striking studio portraits of Black male subjects as they inhabit various states of meditation, prayer, and ecstasy. Shikeith describes the work as “leaning into the uncanny,” visualizing ritual and the process of excavating Black men’s erotic potential, the better to exorcise the “intangible presences that haunt their bodies and psyches.” The men’s faces and bodies glisten with sweat (and tears)—the manifestation and evidence of desire. This ecstasy is what critic Antwaun Sargent proclaims as “an ideal, a warm depiction that insists on concrete possibility for another world.” In this revelatory volume, Shikeith redefines the idea of sacred space and positions a Queer ethic identified by its investment in vulnerability, tenderness, and joy. Shikeith: Notes towards Becoming a Spill is made possible, in part, thanks to the generous contribution of 7G Foundation.

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Book SynopsisPaul Mpagi Sepuya reflects on the methodologies, strategies, and points of interest behind a single, expansive body of work at a pivotal moment in his career.Paul Mpagi Sepuya’s photography is grounded in a collaborative, rhizomatic approach to studio practice and portraiture. This volume unpacks his Dark Room series (2016-21), offering a deep dive into the thick network of references and the interconnected community of artists and subjects that Sepuya has interwoven throughout the images. The excavation and mapping of intellectual and artistic data points across the artist’s work is presented through three distinct “voices,” allowing for a comprehensive cross-referencing of conceptual categories. Each category is alphabetized and illuminated via new texts by curator and scholar Gökcan Demirkazik; selections from previously published texts about the work by critics, colleagues, and friends; quotations of other writers’ wo

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Book SynopsisTommy Kha: Half, Full, Quarter weaves together self-portraits and classically bucolic landscapes punctuated by the traces of East Asian stories embedded in the topography of the American South. In this first major monograph, featuring almost a decade of work, Tommy Kha explores the highly personal psycho-geography of his hometown. As the artist states, “Memphis has become, for me, not only the place where I was raised but an active borderland between fantasy and memory, nostalgia and history, nonfiction and mythology.” Memphis is where his mother, fleeing Vietnam in the early 1980s, settled, along with his extended family. Throughout the work, his mother emerges as a recurring character, sometimes the subject of quiet photographic study, and in others, a collaborative muse. “I’m a cut of my mom,” Kha asserts, “Every photograph I make of her is a Half Self-Portrait.” In snapshots drawn from a family album that serves as the one record of her journey to the United States, she is the source of nostalgia and barely captured memory. In assembling a visual account of the struggle to find his own voice and narrate the fragmented history of his family, Kha challenges the cultural amnesia around Asian lives and experiences in recent American histories. Acclaimed author Hua Hsu contributes an engaging essay, “People Need to Smile More,” and MacArthur Fellow An-My Lê conducts an incisive conversation with Kha that delves into his family history and artistic strategies. Tommy Kha: Half, Full, Quarter is the result of the Next Step Award, a partnership between Aperture and Baxter St at the Camera Club of New York, in collaboration with the 7 G Foundation. An exhibition of the work will open at Baxter St in New York in February 2023.Trade Review“‘My work is about how much the landscape has been unkind to immigrants,’ says Tommy Kha of his latest photo project, which captures the Asian diaspora in America with a surreal edge.” —Tony Wilkes, AnOther magazine “Kha’s poignant photographs bring together his family’s East Asian ancestry and everyday life in the American South, where found photographs, self-portraits and “half self-portraits” of his mother tell a story of displacement and shared identity.” —Stefanie Li, Galerie magazine “‘These are mostly from the book, but also thinking a lot about the Southern landscape,” [Kha] says, referring to Half, Full, Quarter, his first monograph, published this February by the prestigious photo-centric publisher Aperture.” —Chris McCoy, Memphis magazine “The artist makes wry commentaries on the immigrant experience using scattered visual fragments, from the depths of Tennessee’s Chinatown to the fishing communities of rural Vietnam. A new book and exhibition prove there’s method to the melange.” -Larissa Pham, British Journal of Photography “Kha’s layered portraits, still lifes, and landscapes exist alongside his mother’s own photographs. The collaborative world between mother and son expands.” —Harley Wong, Artforum “Together, they form a picture not just of his family or how they made a home in the South but of how important humor, placemaking and ultimately photography are to Kha’s understanding of this region.” —Michael Adno, The New York Times “‘Ghost Bites’ maps the psycho-geography of a fractured self; of all the losses, phantoms, and questions that emerge from the diasporic lineage.” —Jacinda Tran, The Amp

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Book SynopsisMystic Parallax is the first major monograph by rising interdisciplinary artist Awol Erizku. Working across photography, film, video, painting, and installation, his work references and re-imagines African American and African visual culture, from hip hop vernacular to Nefertiti, while nodding to traditions of spirituality and Surrealism. This comprehensive monograph spans Erizku’s career, blending his studio practice with his work as an in-demand editorial photographer working regularly for the New Yorker, New York magazine, Time, and GQ, among others, and features his conceptual portraits of Black cultural icons, such as Solange, Amanda Gorman, and Michael B. Jordan. As Erizku recently told the New York Times, “It’s important for me to create confident, powerful, downright regal images of Black people.” Featuring essays by critically acclaimed author Ishmael Reed, curator Ashley James, and writer Doreen St. Félix, and interviews with the artist by Urs Fischer and Antwaun Sargent, Mystic Parallax is a luminous and arresting testament to the artist’s tremendous power and originality. Copublished by Aperture and The Momentary

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Book SynopsisDawoud Bey focuses on the landscape to create a portrait of the early African American presence in the United States.Renowned for his Harlem street scenes and expressive portraits, Dawoud Bey continues his ongoing series on African American history. Elegy brings together Bey’s three landscape series to date—Night Coming Tenderly, Black (2017); In This Here Place (2021); and Stony the Road (2023)—elucidating the deep historical memory still embedded in the geography of the United States. Bey takes viewers to the historic Richmond Slave Trail in Virginia, where Africans were marched onto auction blocks; to the plantations of Louisiana, where they labored; and along the last stages of the Underground Railroad in Ohio, where fugitives sought self-emancipation. Essays by the exhibition’s curator, Valerie Cassel Oliver, and scholars LeRonn P. Brooks, Imani Perry, and Christina Sharpe illuminate the work. By interweaving these bodies of work into an elegy in three movements, Bey doesn’t merely evoke history, he retells it through historically grounded images that challenge viewers to go beyond seeing and imagine lived experiences. Copublished by Aperture and Virginia Museum of Fine Arts, Richmond

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Book SynopsisEerie, sparse, and undeniably beautiful, Richard Misrach’s images offer a timely meditation on the profound impact of global trade on the environment.Richard Misrach: Cargo presents the acclaimed photographer’s sublime meditation on the often-unseen patterns of global trade and commerce. In 2021, on the heels of the COVID-19 pandemic, which, at its height, seemed to nearly halt the networks of international trade, Misrach began taking thousands of photographs of cargo ships as they moved to and from the Port of Oakland, California. In these monumental seascapes, cargo ships appear frozen in time—diminutive but stalwart—within an expansive, richly colored confluence of sea, sky, and atmosphere. Eerie, sparse, and undeniably beautiful, Misrach’s images abstractly trace multiple histories: the recent collapse and slow recovery of these seafaring trade routes, the confrontation of the human and natural environment in an era of climate disaster, and a rich lineage of maritime art.

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Book SynopsisThis is a superbly illustrated look at the evolution of the photographic work of Ed Ruscha - the quintessential Los Angeles artist. Los-Angeles based contemporary artist Ed Ruscha is celebrated for his paintings, drawings, prints, and artist's books, receiving widespread critical acclaim for more than half a century. Capturing the quintessential Los Angeles experience with its balance of the banal and beautiful, his photobooks of the 1960s - such as TwentySix Gasoline Stations and Some Los Angeles Apartments - are known for their deadpan cataloguing of the city's functional architecture. This volume features 38 Ruscha plates and an essay that traces the evolution of the artist's thinking about his photographs initially as the means to end, and eventually as works of art in and of themselves.

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Book SynopsisA maverick in the history of photography, lshiuchi Miyako burst onto the photography scene in Tokyo in the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era. Recipient of the prestigious Hasselblad Award in 2014, lshiuchi ranks as one of the most significant photographers working in Japan today. Spurred by her contentious relationship with her hometown, Yokosuka - site of an important American naval base since 1945 - lshiuchi chose that city as her first serious photographic subject. Grainy, moody, and deeply personal, these early projects established her career. This choice of subject also defined the beginning of lshiuchi's extended exploration of American occupation and the shadows it cast over postwar Japan. lshiuchi has since addressed the theme of occupation both indirectly - through her photographs of scars, skin, and other markers of time on the human body - and, more explicitly, with her Images of garments and accessories once owned by victims of the atomic blast in Hiroshima. Essays featured in this volume reveal the past as the wellspring of lshiuchi's work and the present moment as her principal subject. Ishiuchi Miyako: Postwar Shadows - which includes a selection of more than 100 works - is published on the occasion of an exhibition by the same name, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 5, 2015 to February 21, 2016.Trade Review"A well-researched catalogue with solid essays, a nicely illustrated chronol-ogy, and good photographic prints. It is very pleasing that this extraordinary photographer finally gets the attention she deserves."--Journal of Japanese Studies

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Book SynopsisOver the course of his three-decade career, Thomas Ruff has taken up many approaches to photography in his investigation into the status of the image in contemporary culture.In Thomas Ruff, the artist presents new work that continues his ongoing probe into the history, different processes, techniques, and technology of photography. One of the most influential photographers working today, Thomas Ruff has redefined photography’s conceptual possibilities, simultaneously capturing and challenging the essence of the medium as both a means and a tool for visual experience. Over the past twenty-five years, he has investigated various photographic genres, including portraiture, the nude, and landscape and architectural photography, using both analog and digital technologies, and culling imagery from scientific archives, print media, and the internet.Presented here is a selection of Ruff’s most well-known works, as well as the newer Tripe series, begun in 2018, which draws on negatives of India and Burma taken in the 1850s by an officer in the East India Company army. Also included is a conversation between Ruff and Okwui Enwezor, which took place at the Haus der Kunst in Munich, in connection with Ruff’s retrospective then on view. The conversation, published here for the first time, has been edited for this volume and examines Ruff’s artistic practice and inspiration, serving as an engaging and dynamic introduction to the artist.Published on the occasion of the artist’s solo exhibition at David Zwirner, Hong Kong, in 2019, Thomas Ruff is available in both English only and bilingual English/traditional Chinese editions.

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Book SynopsisA stunning photographic compilation of Egypt’s abandoned palaces and grand buildingsBetween 1860 and 1940, Cairo and other large cities in Egypt witnessed a major construction boom that gave birth to extraordinary palaces and lavish buildings. These incorporated a mix of architectural styles, such as Beaux-Arts and Art Deco, with local design influences and materials. Today, many lie empty and neglected, rapidly succumbing to time, a real-estate frenzy, and an ongoing population crisis. In 2006 Russian-born photographer Xenia Nikolskaya began the process of documenting these structures. She gained exceptional access to them, taking photographs at some thirty locations, including Cairo, Alexandria, Luxor, Minya, Esna, and Port Said. These photographs were documented in the first edition of Dust: Egypt’s Forgotten Architecture, which soon after its release in 2012 became a rare collector’s item.This revised and expanded edition includes photographs from the first edition together with extra unseen images and new photographs taken by Nikolskaya between 2013 and 2021. It also includes previously unpublished essays by Heba Farid, co-owner of the Cairo-based photo gallery Tintera, and architect and urban planner Omar Nagati, co-founder of CLUSTER, an urban design and research platform also in Cairo.Dust: Egypt's Forgotten Architecture leads us seductively into some of the most breathtaking architectural spaces of Egypt's recent past, filled with a sense of both the immense weight and the impermanence of history.Trade Review“Large, carefully composed and beautifully lit images”—Sunday Telegraph“Stunning”—Plain Magazine“Very arresting images”—BBC“Extraordinary . . . The book documents the abandoned palaces and salons of an Egypt you don’t often see in the headlines: the golden age of Cairene opulence.”—Roads & Kingdoms“Her painterly compositions and lambent lighting (which in most cases is natural) serve to give the impression that these are stage sets, only waiting for the arrival of the actors.”—Voyager“Dramatic and haunting. . . . . succeeds in capturing the glitz and glamor of a past century as a marzipan filling in dark chocolate, without staging her pictures in an overly sweet way. The illustrated book Dust: Egypt's Forgotten Architecture is thus a wonderfully delicate pastime.”—dis:orient Magazine“Dust is not just a documentation of these fascinating architectural spaces, it also traces the idea of a typology of absence. . . Avoiding any kind of nostalgia, the book challenges its reader: going back to this Egyptian dust also takes us deep into our own expectations of life and notions of legacy. ”—The Global Journal“Egypt’s most magnificent buildings have stood unloved–and unlooted–for decades. But a new book of photographs may change that.”—SEVEN“The Cairo [Nikolskaya] captures with her lens is a European city, its grandeur and dilapidation devoid of exotic oriental motifs and shown as somehow frozen in time.”—The National“Nikolskaya brings these palaces back to life”—Egypt Today“Dust explores the conditions and relevance of empty architectural spaces in Egypt, presenting an entwined dualism: dust as materiality that layers the city, literally tracing the passage of time upon urban objects – but also as a temporal metaphor that registers these changes on the level of memories, both past and present.”—Cairo 360"Nikolskaya’s lens expertly captures an eerie forlornness in some of the places depicted in her book, most of which are rundown and ominous. However, what is perhaps most remarkable about her style is how she directs the viewer's eye to detail after detail, weaving a rich narrative."—The National

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Book SynopsisThe Addams Family is creepy and kooky, but wait till you see what their creator had in his apartment. In Charles Addams: A Cartoonist’s Life, meet the legendary cartoonist behind the altogether ooky Addams Family in this first biography, written with exclusive access to Charles Addams’s private archives. Take a front-row seat to the widespread rumors and storytelling genius behind one of America’s oddest and most iconic creators. Even as The Addams Family grew in fame, the life of Charles Addams remained shrouded in mystery. Did he really sleep in a coffin and drink martinis garnished with eyeballs? In reality, Addams himself was charismatic and spellbinding as the characters he created. Discover the real stories behind Addams’s most famous, and most private drawings, including the cartoon that offended the Nazis. From his dazzling love for sports cars and beautiful women—Jackie Kennedy and Joan Fontaine among them—to the darkest relationship of his life, this witty book reveals Addams’s life as never before. With rare family photographs, previously published cartoons, and private drawings seen here for the first time, Linda H. Davis provides a fascinating journey into the life of a beloved American icon.Trade Review"Linda Davis has dug deep in her fabulous biography of The New Yorker's most mysterious and spooky (and all-together ooky) artist. The book's a scream." —Michael Maslin "A person's charm is difficult for a writer to convey on the printed page, but Linda Davis has managed it. At the close, I found myself feeling terribly cheated that I hadn't had the pleasure of Charlie Addams's company." —Edward Sorel, The New York Observer "If you don't appreciate martinis with eyeballs in them, this is not the book for you. For the rest of us, here is an irresistible riot of a read, an exhilarating, expertly mixed cocktail of words and images. Charles Addams's life was crowded with women—famous women, smart women, witty women, garden-variety, drop-dead beautiful women—but in Linda Davis he has truly met his match." —Stacy Schiff, Pulitzer Prize–winning author of Véra "Chas Addams remains a commanding presence as one of the iconic artists who contributed to shaping that unique satirical art form—the New Yorker cartoon. He was also the only New Yorker artist who, because of his brilliant and unorthodox originality, was the object of widespread and thoroughly misplaced fascination about his mental stability. Linda Davis has delved into his work and the brain, hand, and raucous life that shaped it, offering a complex, entertaining and completely riveting portrait of a gentle, loving man, and his passionate and engaged embrace of life." —Ed Koren, author and political cartoonist for The New Yorker

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Book SynopsisA Life Behind the Lens is a collection of the very best work of Richard `Dickie' Pelham, the multi award-winning chief sports photographer of The Sun for the past 30 years. He has covered six Olympic Games, six World Cups, any number of Test matches and many championship boxing bouts, capturing the moments of triumph and despair, the great goals, the knockout punches, the key wickets and the gold-medal glory. He has been trackside, ringside, pitchside and poolside as well as in the studio and on the training grounds with the biggest names in world sport, including Usain Bolt, Mo Farah, Jessica Ennis-Hill, Andy Murray, Paul Gascoigne, David Beckham, Tom Daley, Lennox Lewis and Anthony Joshua. His pictures have featured on memorable front and back pages and centre spreads. The images are accompanied by Dickie's own recounting of the human stories behind the pictures and the technical secrets of a master of his trade.

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Book Synopsis____________As well as being an incredible stage performer, a brilliant writer and a talented painter, Derren Brown is also a fantastic street photographer. Here, for the first time, is a selection of his work. As he writes of his passion:'Street photography is a fitting refuge for those who look at life from a distance. It both sanctifies our remoteness (by offering the standpoint of the observer) and challenges it, insisting we approach with a spritely curiosity. It offers a safe route back into the world: the camera is an entry ticket to daunting social situations and extraordinary environments where we might otherwise feel entirely out of place. Suddenly we have a role: a reason to be present. And for those of us smitten by its appeal, it provides a means of fortifying and forgetting ourselves, while extending out into the world with a controlled compassion.'Trade ReviewWhen he’s not mesmerising audiences on stage and TV, illusionist Derren Brown prefers a different trick: disappearing into a crowd with his camera. His pictures are beautiful, if understated. In Meet the People with Love, he reveals the magic of taking pictures without being spotted. * FT *

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Book Synopsis"Duffy and aggravation go together like gin and tonic." - David Bailey As famous as the stars he photographed, Brian Duffy defined the image of Swinging London in the 1960s. Together with David Bailey and Terence Donovan, Duffy is recognised as one of the innovators of 'documentary' fashion photography, a style which revolutionised the industry. Their attitude and aesthetic iconified the scene, birthing the cult of the fashion photographer and inspiring the famous film Blow-Up (Michelangelo Antonioni, 1966). As Duffy put it, "Before 1960, a fashion photographer was tall, thin and camp. But we three are different: short, fat and heterosexual!" The press nicknamed the three photographers 'The Terrible Three', while Norman Parkinson added to their notoriety by naming them 'The Black Trinity'. Duffy's most famous photograph is the 'Mona Lisa of pop', the cover of Bowie's 'Aladdin Sane'. He collaborated with the artist over eight years and exerted a direct influence on the numerous reinventions of Bowie's image. It is fitting, therefore, that this new edition should expand on their work together with new images. This new edition of Duffy also features other, new images from the photographer's archive, depicting both star and photographer in their prime.

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Book Synopsis"It's very hard for me to accept that Sukita-san has been snapping away at me since 1972, but that really is the case. I suspect that it's because whenever he's asked me to do a session, I conjure up in my mind's eye the sweet, creative and big-hearted man who has always made these potentially tedious affairs so relaxed and painless. May he click into eternity." - David Bowie For Sukita, the creative mastermind behind the iconic cover for David Bowie's album 'Heroes', photography is an expression of a 'fundamental secret' shared between artists: a spiritual communication that transcends the minutiae of language. Born and raised in Kyushu, Japan, Sukita's reverence of American and Western counter-culture lured him to New York and London. He immersed himself in the western music scene which he loved, while his relaxed photo sessions endeared him to many celebrity figures, including David Bowie and Iggy Pop (with both of whom Sukita had a 40-year long professional relationship), Marc Bolan, and Japanese musician Hotei, best known for his work on the Kill Bill soundtrack. His work spans the early US and UK seventies rock scene, the London punk-rock era to the present crop of emerging Japanese rock artists. This photo book is the first time the photographer has collaborated on a major retrospective of his career and includes some of his early documentary work and his rarely-seen travel and street photography. It introduces the artist through two essays that explore his place within the wider context of both Western and Japanese photography, presented alongside the many iconic shots of both Western and Japanese artists that earned him his eternal reputation.Trade Review"Eternity includes moving photographs of television screens showing the faces of Marlon Brando and other American film stars, superimposed with Japanese characters, showing an early fascination with pop glamour and portraiture." - Eve Watling, Independent"Now, a new book highlights the photographer’s best work: Eternity, out today with ACC Art Books. This illustrious photo book features everything from the height of London during the punk era, to moody shots of obscure Japanese musicians and backstage shots of Cyndi Lauper." - Nadja Sayej, Vanity Fair"The Heroes session changed Sukita’s approach to portraiture. He now prefers to let his subjects adopt poses and gestures by themselves, while keenly observing their ‘worldview’. The Heroes cover image was to join the Aladdin Sane cover image as one of rock’s most iconic photographs." - Port Magazine"In Eternity, a new book of his photographs, Sukita’s storied career in both Asia and the west is recorded in his images. Everyone from Iggy Pop to Madness, George Lucas to the B-52s can be found in its pages." - Teddy Jamieson, Herald Scotland"Notable Japanese photographer Masayoshi ‘Sukita’ has released for the first time (in collaboration with ACC Art Books) a mammoth, retrospective illustrated book. Loaded with distinctive photographs, ranging from his early work, music, film, fashion and travel. He was a trusted photographer of 40 years to David Bowie and Iggy Pop and produced some of their most iconic work." - Melanie Smith, Louder than war"A new exhibition, ‘Sukita: Rare & Unseen’ looks back on the photographer’s remarkable career, one which saw him shoot the great and good of rock music royalty. In London, he captured Bowie, Iggy Pop and Marc Bolan (of T. Rex). In New York, he shot the likes of Jimi Hendrix – months before the musician’s death – and hung out in Andy Warhol’s Factory." - Harriet Lloyd-Smith, Wallpaper*“This impressive 256-page retrospective of Sukita’s career, the first of its kind, also includes shots of punks in London and many musicians including David Sylvian, the Yellow Magic Orchestra, the B-52s and T-Rex, as well as his work in advertising and fashion photography and his less well-known street and travel imagery.” - Arts and Collections"A long-overdue retrospective monograph looks at the impressive career of Masayoshi Sukita, the artist bridging East and West." - Miss Rosen, blind Magazine"I'm very satisfied with the book because it shows people many types of photos of mine, not only Bowie. " - Nenad Georgievski, All About Jazz

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Book Synopsis"With each day spent outdoors I am reminded of what a beautiful world we all call home, and the challenges that face ecosystems across the world." – Alfie Bowen “The photographs are outstanding, and the story behind them inspirational. Given the odds stacked against Alfie throughout his life, this book is a significant success and bodes very well for a continued and very inspiring career as a world-class photographer.” – Chris Packham "There are illustrated books that go straight to the heart, leave you speechless and humbled....and "Wild World" by Alfie Bowen is just such an illustrated book. Wildlife photography in perfection, for which there are no words, because Bowen succeeds in letting the viewer look directly into the soul of the animals with his photographs." – Lovely Books Germany Alfie Bowen is an exceptionally talented young autistic photographer and wildlife activist. His latest project offers a glimpse into the private lives of numerous wild animals from across the globe and reveals the highs and lows of living as an autistic environmental campaigner. Bowen’s photographs are truly breath-taking. Hours are invested into every piece to ensure the results are exactly as Bowen envisioned, and Bowen conducts in-depth research on every animal he captures, believing it is of the utmost importance to understand his subjects. In this book, Bowen discusses overcoming the limitations of technology and how autism has given him the obsession needed to persevere in often cold, lonely and difficult circumstances. From Bowen’s relation of his struggle to capture the perfect picture of a cheetah, to his majestic portraits of some of the most beloved animals on the planet, this book captures the powerful sensory experience Bowen enjoys whenever he immerses himself in nature. Featured animals include: lions, cheetahs, leopards, tigers, snow leopards, Geoffrey’s cats, red pandas, chimpanzees, monkeys and colobuses, lemurs, elephants, rhinos, giraffes, zebras, deer, flamingos, eagles and other birds, and koi. Trade Review“There are few things more calming than the beauty of nature – and no one understand the power of the natural world more than Alfie Bowen.” - Danielle Lett, East Anglia Daily Times"The illustrated book Wild World captures that powerful sensory experience, which Bowen enjoys when he's in the Nature immerses." - Photo Weekly Germany"There are illustrated books that go straight to the heart, leave you speechless and humbled....and "Wild World" by Alfie Bowen is just such an illustrated book. Wildlife photography in perfection, for which there are no words, because Bowen succeeds in letting the viewer look directly into the soul of the animals with his photographs." - Lovely Books Germany"Bowen’s photographs are truly breath-taking. Hours are invested into every piece to ensure the results are exactly as Bowen envisioned, and Bowen conducts in-depth research on every animal he captures, believing it is of the utmost importance to understand his subjects." - Lovely Books

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Book SynopsisA new edition of the bestselling Every Picture Tells a Story from one of the greatest photographers of the last 60 years, Terry O’Neill. This updated edition includes 32 additional pages of new stories behind some of the O’Neill’s most iconic images. From the morning he spent with Faye Dunaway at the pool in Beverly Hills, to walking around Vegas with Sean Connery dressed as James Bond, a chance encounter with Bruce Springsteen on the Sunset Strip, to taking Jean Shrimpton to a doll hospital - these are the stories behind the images as only Terry O'Neill can reveal. "I was walking up the Miami Beach boardwalk to the Fontainebleau Hotel where Sinatra was staying... I just reached out with the letter in my hand and he took it. He opened it, read it... turned to his security men and said, "this kid's with me." I never found out what Ava said to him in that letter. From that moment on, I was part of his inner circle." - Terry O'Neill From The Beatles to the Rolling Stones, Terry O'Neill fast became the photographer of the 1960s. Having an eye - and ear - for music and musicians, he instinctively knew what bands to focus on. And they in turn trusted him. "I remember sitting in a pub with the Beatles and the Stones. We were just hanging-out and talking about what we'd do next, after all of this was over. By this, we meant the fame, being the 'new kids of the moment'. Usually, this sort of celebrity doesn't last. Little did we know that 60 years later, we'd still be at it." Music led O'Neill to Hollywood and working with stars resulted not only in to memorable moments but long-lasting friendships. He travelled with Frank Sinatra. Took Raquel Welch to the beach. Went in the ring with Ali. Put The Who in a cage. O'Neill captured many of the most unforgettable faces from the frontline of fame, and his photographs exude his own brand of serene simplicity, intimate behind-the-scene moments and the rare quality of trust between photographer and subject. The list of people Terry O'Neill has worked with over the past 60 years is a Who's Who in celebrity; from film to music, sports to politics. Terry O'Neill: Every Picture Tells a Story is like going through a walking tour of memory by a man who has seen, met and photographed them all.Trade Review"Photographer Terry O’Neill knew people better than he knew cameras… Here are [several] O’Neill shots that withstand time..." - Michael Kaplan, New York Post"Someone once said about Terry O'Neill that his photographs were so cool because he was." - Ramp

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Book Synopsis"Wow! Just wow! … It’s a really stunning thing. A love letter that is itself a work of art about a work of art that is Grayson. Both playful and deadly serious ... these photos are not simply about 'serving looks' but about restlessness and identity and transience. That world is full of possibilities because Grayson has given himself the freedom to be whoever he wants to be, to look how he wants. His gift is that he passes that freedom to us. Ansett’s work is mind-blowing … not cosy at all. Just brilliant photography." - Suzanne Moore "Great to see Grayson in his various guises. He must have more women's clothes than the average woman!" — Martin Parr Grayson Perry is an award-winning artist best known in the art world for his ceramic works. To the wider public, he is perhaps equally famous for his cross-dressing alter ego. This book reveals a unique relationship between Perry and renowned portrait photographer Richard Ansett through a previously unseen archive from photoshoots spanning over 10 years. Ansett astutely captures the wit, style and irreverence of Perry’s many complex personas. Beyond the snazzy outfits and cheeky poses, these thematic portrait collections offer wry social commentaries on current and popular phenomena, including the EU referendum, American pop culture and the existential questions of life and death. At once glossy, fabulous and cutting-edge, Muse: A Portrait of Grayson Perry offers a complex, fascinating and ultimately affectionate insight into our recently knighted national treasure with anecdotes and narration from Ansett himself, this is a masterpiece of rhetorical observations and quick-thinking camerawork. Perfect for art geeks, style freaks and Perry’s long-devoted following. Trade Review“Richard Ansett’s images do not flatter to deceive… humour offsets a gritty realism.” - Diane Smyth"An act of genius…he is the skeleton from which all the other meat hangs.” - Boris Mikhailov"Wow! Just wow! … It’s a really stunning thing. A love letter that is itself a work of art about a work of art that is Grayson. Both playful and deadly serious ... these photos are not simply about 'serving looks' but about restlessness and identity and transience. That world is full of possibilities because Grayson has given himself the freedom to be whoever he wants to be, to look how he wants. His gift is that he passes that freedom to us. Ansett’s work is mind-blowing … not cosy at all. Just brilliant photography." - Suzanne Moore"Great to see Grayson in his various guises. He must have more women's clothes than the average woman!" - Martin Parr“Through his engaging portraits and text, photographer Richard Ansett has provided a visually exciting and thoughtful insight in to one of Britain’s national treasures, Sir Grayson Perry, and on society itself.” - Dr Michael Pritchard, The Royal Photographic Society“As the subject I look at these photographs with a joy and a horror. Joy in that they are funny and delightful, horror in knowing that I am that raddled old trannie. It is always fun to work with Richard and he takes a beautiful photo and always captures very clearly what I look like, and I have to deal with that. They are both ridiculous fantasy and crumpled reality.” - Sir Grayson Perry CBE"Great to see Grayson in his various guises. He must have more women's clothes than the average woman!" - Martin Parr CBE“Outrageously fun and deliciously over-the-top, this book provides a fascinating peek behind the proverbial petticoats of one of Britain’s best-loved artists, Sir Grayson Perry.” - Janet Hardie Senior Specialist, Modern British and Irish Art, Bonhams"In spite of Perry’s extravagantly costumed veneer there is empathy and commentary in this portrayal – through Richard Ansett, we get to Grayson Perry and beyond!" - Clare Freestone, Curator of Photographs, National Portrait Gallery“Grayson is incredibly difficult to work with and complete diva.” - Richard AnsettThe Martin Parr Foundation has accepted 'MUSE - A Portrait of Grayson Perry' into its prestigious library archive. The collection of over 5000 photobooks has been carefully curated by Martin Parr. While the library is primarily dedicated to works from Britain and Ireland, it also contains some of the best photobooks from around the world. - Martin Parr Foundation"Ansett astutely captures the wit, style and irreverence of Perry’s many complex personas." - The Eye of Photography"Created in part to promote the artist’s successful Channel 4 documentary series, they serve as beautiful, simple echoes of the themes he explores in his pottery and epic tapestries." - The New European"Painting the town pink Sir Grayson Perry attends the launch of Muse: A Portrait of Grayson Perry by Richard Ansett at Iconic Images Gallery in London. The book showcases the relationship between the colourful artist and the portrait photographer via previously unseen photoshoots spanning more than 10 years." - Daily TelegraphFashion journalist Rich Pelly ask Grayson Perry for fashion advice at the launch of an exhibition and book at Iconic Images Gallery, London. - Guardian"Some are artists, some are muses — Sir Grayson Perry is both, according to a new coffee table book." - The Standard"Muse documents Perry’s Bowie-like range of personae, from his alter-ego Claire, to Madonna and child, to a Dolly Parton-style American country girl." - Yahoo News UKTable of ContentsIntroduction 6 Conception 12 First interlude 20 American beauty 28 Second interlude 40 Birth 48 Third interlude 58 Death in Islington 68 Fourth interlude 78 Land of hope and glory 86 Transfuturism 98 Credits 112

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Book SynopsisDachshunds, debutantes and Donald Trump: capturing the glitzy, bizarre world of 80s high society. The Guardian on Saturday MagazineThrough these varying shades of grey, Jones was able to capture the pomp and grandeur of 1990s New York. Air MagazineBritish photographer Dafydd Jones documented New York''s upper class in the 1990s. His photo book High Life, Low Life is a testimony to a time lost in dreams. Die Welt GermanyThe renowned photographer, known for his images of debauchery at Oxford University, has released a new book of his time among East Coast socialites. The Times UKIn England, I'd become too well-known as a Tatler photographer. It was wonderful to be invisible again.'At the end of the 1980s, society photographer Dafydd Jones began a new life in New York. He had been hired by Vanity Fair to attend the most talked-about

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Book SynopsisCapturing the spirit of every Glastonbury since 1992, this coffee table book from award-winning photographer Liam Bailey brings together three decades of revelry and wonder among festivalgoers on Somerset''s most famous dairy farm. Redonline.co.uk...Iconic Photos That Capture the Messy Essence of Glastonbury. VICEThe book's images capture the rugged anarchy that spreads through Somerset each year around the solstice. MSNThere are many books about the music scene but few that show punters in all their beautiful variety. Liam Bailey's long-term documentation has really paid off this book about the craziness of Glastonbury Festival is terrific. Martin ParrGlastonbury is the striking distillation of over 30 years'' unprecedented photographic access to the world''s largest green-field music and performing arts festival. In over 120 memorable im

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Book SynopsisThe ‘other’ is a topic of great interest within and across contemporary photographic practice and theory, yet it remains neglected outside the now well-established field of postcolonial studies. This volume brings together photography and written essays that relate to aspects of otherness and visual work. Presented together, the images and critical writings work in concert to construct a new social perspective on questions of otherness and alterity and to highlight photography as a form of critical practice. In a departure from existing conceptions of otherness in postcolonial discourse, Photography as Critical Practice places emphasis on the human condition not as a liberal concept, but as something formed and framed by a broader dimension of social, sexual and cultural otherness. Including contributions by Elina Ruka, Katrin Kivimaa, Parveen Adams and Liz Wells, the book provides a fascinating new vista on the otherness of photography.Table of ContentsIntroduction Critical Practice PART 1: SPATIAL STORIES Perfect Harmony Discovery (1998) Photography as Colonial Vision Train up a Child European Letters Strangers Baroque Space and Boredom Politics of Friendship (1998) The Digital Age Zero Culture (2000) Interview: Elīna Ruka - Art Without Coincidences PART 2: OTHER SPACES Places of Memories, Places to Change, Katrin Kivimaa Zone The Other Side of Seeing Syntax of a Photowork Beauty of the Horrid Notes on Beauty and Landscape De-Realization (2005) Space of the Other (2006) Parveen Adams - The Broken Image Bungled Memories AFTERWORD The Uncanny Observed, Liz Wells

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Book Synopsis A captivating volume that transports us onto the San Francisco streets of the 1970s through the black-and-white images of a previously unknown master of 20th-century photography, Barbara Ramos.Unearthed fifty years after they were originally taken, Ramos's photographs offer up stirring scenes from everyday life—a group of Hari Krishnas sing on Market Street, a window dresser changes a mannequin at the Union Square Macy’s, two men lean in for a kiss at a peace rally in Golden Gate Park. A Fearless Eye brings Ramos's images to print for the very first time, introducing audiences to a photographer whose work belongs alongside that of Robert Frank, Diane Arbus, and Vivian Maier. Featuring a preface by award-winning novelist and essayist Rachel Kushner, an essay by photography historian Sally Stein, and an interview with Ramos by photographer and writer Stephen A. Heller, this enthralling street photography book is a fascinating time capsule of a bygone moment in California history.Perfect for: Lovers of vintage, historical, and street photography San Francisco residents, visitors, and armchair historians Museum-goers and fans of such renowned American photographers as Diane Arbus, Vivian Maier, and Robert Frank Fans of Barbara Ramos's unconventional story and unparalleled work

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Book SynopsisWales - A Photographer''s Journey is a collection of black and white landscape images by noted Welsh photographer David Wilson. More than just a travelogue, this is a beautiful collection of photography which makes both an engaging book and a sumptuous gift.

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Book SynopsisIn Ruskin's Venice: The Stones Revisited, photographer Sarah Quill has selected passages from Ruskin's The Stones of Venice and has linked them to her own photographs of Venetian architecture, so creating a fascinating guide that fuses Ruskin's vision of the city with images of the present day. Covering a wide range of subjects from palaces, churches and town houses, to bridges, courtyards and capitals Quill's glorious photographs illuminate Ruskin's words and record with skill and precision the fine architectural details described by him.This edition of Sarah Quill's bestselling book incorporates up-to-date views of buildings which have been cleaned since originally photographed. Several of Ruskin's watercolours are included, with extracts and reproductions from his Venetian notebooks, now publicly available, and some of his original daguerreotype photographs of Venice. Sarah Quill's expert editorial annotations and commentary, incorporating extracts from Ruskin's letters from Venice, enhance our understanding of Ruskin's text and provide an essential linking thread throughout. The book has been completely re-designed to be even more user-friendly as both a reference book and a guide for travellers to Venice. The result is a beautifully illustrated book that successfully communicates Ruskin's passion for Venice and concern for the city's architectural heritage. Uniting the historical with the present day, Ruskin's Venice: The Stones Revisited is a unique companion guide for both seasoned and first-time travellers to Venice, and will leave the reader determined to retrace Ruskin's footsteps time and time again.Table of ContentsPreface; Chronology; Ruskin and Venice by Alan Windsor; Before 'the Stones': Ruskin's early impressions of Venice; The Stones of Venice - Byzantine; The Stones of Venice - Gothic; The Stones of Venice - Renaissance; After 'the Stones': Ruskin's later engagement with Venice; Notes; Glossary; Bibliography and recommended reading; List of sites; Index

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Book SynopsisSince the invention of photography in the nineteenth century, Africa has been defined largely by Western images of its cultures and traditions. From the colonial carte de visite and ethnographic archive to the rise of studio portraiture and social documents of racial surveillance, the fraught relationship between Africa and the photographic lens has become inseparable from the discourses of post-colonialism. Challenging these historical images of exoticism and otherness, this book illustrates how artists have used photography and video art to reimagine history and expand our understanding of contemporary realities. Bringing together a diverse range of artists and thinkers to present perspectives on issues such as spirituality, urbanism and climate change, this book reveals the many ways images travel across time and geography, and how artists are redefining perceptions of the world we inhabit.

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Book SynopsisDaniel Meadows is a pioneer of contemporary British documentary practice. His photographs and audio recordings, made over forty-five years, capture the life of England's ‘great ordinary’. Challenging the status quo by working collaboratively, he has fashioned from his many encounters a nation's story both magical and familiar. This book includes important work from Meadows’ ground-breaking projects, drawing on the archives now held at the Bodleian Library. Fiercely independent, Meadows devised many of his creative processes: he ran a free portrait studio in Manchester's Moss Side in 1972, then travelled 10,000 miles making a national portrait from his converted double-decker the Free Photographic Omnibus, a project he revisited a quarter of a century later. At the turn of the millennium he adopted new ‘kitchen table’ technologies to make digital stories: ‘multimedia sonnets from the people’, as he called them. He sometimes returned to those he had photographed, listening for how things were and how they had changed. Through their unique voices he finds a moving and insightful commentary on life in Britain. Then and now. Now and then.

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Book Synopsis'Yevonde’s ’30s portraits of high-society beauties and Hollywood stars are finally getting the attention they deserve.' - British Vogue 'Yevonde: Life and Colour opens at the revamped National Portrait Gallery ... and will feature a comprehensive selection of works dreamed up by this brilliant artist across a 60-year-career. You’d be hard-pressed to find a more joyful show anywhere in the country.' - Jennifer Higgie, The Telegraph ‘Be original or die would be a good motto for photographers to adopt…let them put life and colour into their work.’ - Yevonde. ---------- Yevonde (1893–1975) was a businesswoman and tireless creator, as an innovator committed to colour photography when it was not considered a serious medium, her work is significant in the history of British portrait photography. Yevonde championed photography during a time where there were few women photographers working professionally, and this book tells the story of her life, works, and 60-year career. Yevonde: Life and Colour brings the photographer’s works together again for the first time in 20 years and features previously unpublished works. This book showcases her experimentation with a range of techniques and genres including colour photography, portraiture, still-lifes, solarisation, and the Vivex colour process, and repositions her as a modern artist of the twentieth century.This highly illustrated publication provides in-depth context to Yevonde’s images, considering their aesthetic and mythic references. Yevonde’s portraits embody glorified tradition countered with a desire for the new. Her most renowned body of work is a series of women dressed as goddesses posed in surreal tableaux from the 1930s.

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Book SynopsisA visual record of a largely unseen war, Stanley Greene's photographs record the fall-out of the collapse of Russian communism in the once-forgotten land-locked state of Chechnya.

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Book SynopsisA daughter's use of photography to try to understand her relationship with her father and the disease that has crippled him. Amanda's exploration into the world of her father, Philip Tetrault, a poet who has lived with schizophrenia since age 21. The photographs cover six years of sporadic meetings between Amanda and her father.

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Book SynopsisBlue Ice is the new book from photographer Alex Bernasconi whose unique approach to wildlife photography has been honoured with multiple prestigious awards. Bernasconi's breathtaking panoramas reveal the spectacular beauty of the Antarctic landscape shaped by its extreme climate, while his wildlife portraits depict the surprising diversity of Species, highly adapted to the challenging conditions in which they live. A foreword by the British glaciologist Professor Julian Dowdeswell, Director of the Scott Polar Research Institute, explains the dynamics of the geography and ice masses, and the effects of climate change, while Dr Peter Clarkson draws on his personal experiences as a member of the British Antarctic Survey in his introduction, which also recounts the challenges of working and living in one of the harshest environments on Earth. Blue Ice provides a remarkable Visual record of an eco-system at risk, revealing the extraordinary, unexpected beauty of the Antarctic, the most remote and endangered place on Earth.

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Book SynopsisAutopsy of America takes you through the tattered remnants of the United States of America in a way that you never seen before. The beautiful apocalyptic landscapes consisting of abandoned schools, factories, shopping malls, amusement parks, theaters, hospitals, sport arenas, homes even entire towns offer a visual diagnostic to some of the county''s true ills. The captivating images are accompanied by Lawless'' personal anecdotes and thoughtprovoking stories that are equally riveting as the images.

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Book SynopsisDr Chris Stephens has been Director of the Holburne Museum since 2017. Prior to that he worked at Tate for over 20 years, as Head of Displays, Tate Britain, for much of that time, and also as Head of Modern British Art. Judith Goldman is an award-winning writer, curator, and publisher in New York City. A former editor of ARTnews, she was also the curator of prints at the Whitney Museum of Art from 1977 to 1991. She has established the Blue Heron Press and Deuce II Editions to publish artists' books and editions.

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Book SynopsisThe UK shipping forecast covers the waters of Western Europe and separates them into 31 sea areas encompassing the UK, from Dover to Southeast Iceland to German Bight— of which Power photographed all of them, over a period of four years. Each image is captioned with the 0600hr forecast on the day they were taken. This newly edited and revised second edition includes over 100 previously unpublished images. ‘The shipping forecast, of course, exists to save lives. It warns those at sea, or about to put to sea, of approaching storms. But for the majority of us, in Britain at least, its strange, rhythmic language is unashamedly romantic and oddly reassuring, despite forming an image of an island nation perpetually buffeted by wind and waves. It manages to do all this while remaining virtually incomprehensible: the general synopsis at 0 1 00. Low, Southeast Iceland 995 moving slowly southwest, filling 1 00 7 by 0 1 00 tomorrow. Low, Biscay 958, expected Wales 1 00 5 by the same time. Low, Trafalgar 1 00 3, moving slowly east, losing its identity.'

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Book SynopsisConcrete Poetry is the first photographic survey of Modernist sculpture within the Brutalist context.Trade Review'Gems of British Brutalism and Modernism are under threat from time and tide, as much as the wrecking ball – luckily, photographer Simon Phipps has been documenting these harsh beauties for his book, Concrete Poetry . . . From the Denys Wilkinson Building to the Blackwall Tunnel's ventilation shafts, the UK is studded with post-war concrete odes to a better tomorrow. For those of us who don't have the time to trot around the country, ticking these pioneering structures off their list, Phipps' book is an essential coffee-table tour.' Wired magazine

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Book SynopsisNostalgic colour photographs of Britain's most famous holiday camp.

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