Individual photographers Books

Book SynopsisTrade ReviewThere aren’t many artistic renderings of Occupy. As a result, we are often left with little more than anecdotes of how diverse and varied the demographic makeup of the movement was. Radical Justice documents that history and reminds us that activists who have held our country accountable then are not so dissimilar from those who took to the streets in the summer of 2020. In doing so, Shepp’s photographs channel the spirit of Occupy, and its biggest hope as expressed in that original e-mail from Adbusters in 2011: to “[awaken] the imagination and, if achieved, propel us toward the radical democracy of the future.” --Salamishah Tillet, The Nation

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Book SynopsisContemporary Photography and Theory offers an essential overview of some of the key critical debates in fine art photography today. Building on a foundational understanding of photography, it offers an in-depth discussion of five topic areas: identity, landscape and place, the politics of representation, psychoanalysis and the event. Written in an accessible style, it introduces the critical literature relevant to photography that has emerged over recent decades. Moving beyond seminal works by writers such as Walter Benjamin, Roland Barthes, and Susan Sontag, it enables readers to explore an extended canon of theorists including Jacques Lacan, Judith Butler and Giorgio Agamben. The book is illustrated throughout and analyses a range of works by established and emergent artists in order to show how these theoretical concepts are central to understanding contemporary photography. These 15 short essays encourage readers to apply critical thinking to both their own work and that of others.Table of ContentsContents List of IllustrationsAcknowledgements Introduction Part One: Photography and Identity 1. The Honorific and the Subjugated Portrait 2. The Blank portrait and the Intimate Record 3. The Portrait and the Contemporary Self Part Two: Photography, Landscape and Place 4. The Politics of Place 5. Non-Place and New Topologies 6. Ruins and the Anthropocene Part Three: Photography, Performance & the Politics of Representation 7. Gender and the Selfie 8. Race, Culture and Time 9. Performativity and Disability Part Four: Photography and Psychoanalysis 10. Psychoanalysis, representation and desire 11. Psychoanalysis, Spectatorship and the Gaze 12. The Politics of Enjoyment Part Five: Photography and the Event 13. Photography, Memory, History 14. Post-photojournalism and Contemporary Images of Conflict 15. Photography, Empathy and Responsibility Notes Bibliography

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Book SynopsisThis beautifully illustrated and evocative book which helps document Bristol in the 1970s and 1980s.

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Book SynopsisDream Baby Dream showcases the photography of Los Angeles-based award-winning photographer, director, and designer Jimmy Marble. This bright and tactile book is filled with Marble''s fresh, sun-drenched photography alongside handwritten text from the photographer himself.Dream Baby Dream features fashion and lifestyle photographs of models and celebrities, including Ariana Grande and Amy Adams.• The first monograph on the work of Jimmy Marble• Unique, quirky, and fashion-forward• Images capture the vibe of sunny Southern CaliforniaDream Baby Dream is a whimsical celebration of Marble''s colorful aesthetic and fashion sensibility. His unique sense of pattern and color evokes a distinctly youthful and sunny Southern California aesthetic. • Bound in an orange textured paper with an inset portrait, Dream Baby Dream has a vivid and tactile appeal&bul

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Book SynopsisW. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955–1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism.Trade Review"Recommended. Upper-division undergraduates through faculty and professionals." -- E. Baden * Choice *“Bourland’s book is a welcome showcase and exploration of Fani-Kayode’s work, especially in these times of renewed homophobia and racism.” -- Rachel Jagareski * Foreword *"Bloodflowers is a rich and detailed study of the photographer Rotimi Fani-Kayode. . . . Bourland’s bookprovides much that will be of interest to students of photography and visual culture. . . ." -- Darren Newbury * Journal of British Studies *“The real strength of Bloodflowers resides in Bourland’s descriptive capabilities and the care he gives to a Black artist who has not been granted the scholarly attention he deserves. Known for stunningly beautiful, conceptually rich photographs of Black men, Fani-Kayode created images that are at once steeped in complex symbolism while also semiotically porous in their surrealism: a contradiction that Bourland unpacks with great critical sophistication.” -- Derek Conrad Murray * Art Bulletin *“The brilliance of Bourland’s book is in the range of its learnedness. Its promise, though, lies in its wide applicability. The book should be read not simply for its bearing on Fani-Kayode. It should be engaged as a model for a deeply interdisclipinary and historically attuned art history and criticism.” -- Roderick A. Ferguson * Nka *Table of ContentsAcknowledgments vii Introduction. Nothing to Lose 1 Exposure 1. Brixton 23 Exposure 2. Rage and Desire 58 Exposure 3. Magnolia Air 91 Exposure 4. The Queen Is Dead 146 Exposure 5. Mirror Worlds 171 Exposure 6. Night Moves 209 Epilogue. Homecoming 250 Notes 257 Bibliography 291 Index 305

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisVolumes have been written by and about Patrick Leigh Fermor, but his wife Joan is almost entirely absent from their pages. Now Simon Fenwick, the first archivist to see the Leigh Fermor papers, reveals a woman hitherto only fleetingly glimpsed. A talented photographer, Joan defied the social conventions of her times and, though she came from a wealthy and well-connected family, earned her own living. Through her lover, and later editor of the TLS, Alan Pryce-Jones, she met and mingled with the leading lights of 1930s bohemia – John Betjeman, Cyril Connolly, Evelyn Waugh, Maurice Bowra (who adored her) and Osbert Lancaster, among others. She featured regularly in the gossip columns, not only for her affairs and her fashionable clothes, but for her intrepid travels to Russia and America.In 1936 she met and subsequently married the journalist John Rayner, but her belief in open marriage was not shared by her husband and their relationship foundered. Then, in 1944 in Cairo, where she was a cypher clerk, she met Paddy Leigh Fermor, lionized for his daring kidnap of the Nazi General Kreipe in Crete. They would remain together until her death in 2003.In this riveting biography, written with full access to Joan’s personal archive, Simon Fenwick reveals the extraordinary life of a woman who, until now, has been defined by the man she married and their famous friends. Here, at last, Joan is placed at the centre of her own story. It is also a riveting portrait of a marriage and a milieu, revealing the sexual and intellectual mores of that wartime generation who lived life at full tilt, no matter what the consequences.

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Book SynopsisEye-opening and candid, David Bailey's Look Again is a fantastically entertaining memoir by a true icon.'Rollicking . . . with roguish tales as vivid as his era-defining photos' – Daily Mail'Brilliant' – TelegraphDavid Bailey burst onto the scene in 1960 with his revolutionary photographs for Vogue. Discarding the rigid rules of a previous generation of portrait and fashion photographers, he channelled the energy of London's newly informal street culture into his work. Funny, brutally honest and ferociously talented, he became as famous as his subjects. Now in his eighties, he looks back on an outrageously eventful life. Born into an East End family, his dyslexia saw him written off as stupid at school. He hit a low point working as a debt collector until he discovered a passion for photography that would change everything. The working-class boy became an influential artist. Along the way he became friends with Mick Jagger, hung out with the Krays, got into bed with Andy Warhol and made the Queen laugh.His love-life was never dull. He propelled girlfriend Jean Shrimpton to stardom, while her angry father threatened to shoot him. He married Catherine Deneuve a month after meeting her. Penelope Tree’s mother was unimpressed when he turned up on her doorstep. ‘It could be worse, I could be a Rolling Stone,’ Bailey told her. He went on to marry Marie Helvin and then Catherine Dyer, with whom he has three children. He is also a film and documentary director, has shot numerous commercials and has never stopped working. A born storyteller, his autobiography is a memorable romp through an extraordinary career.Trade ReviewHe's the legend who WAS the 1960s . . . with roguish tales as vivid as his era-defining photos * Daily Mail *His name is synonymous with beauty, fashion and sex . . . a joyously un-PC memoir * Mail on Sunday *A raw and surprising memoir * Observer *Brilliant -- Lynn Barber * Telegraph *Very readable and entertaining. Bailey was important * Spectator *A rollicking rake's progress . . . and a vivid document of several lost Londons * Esquire *

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Book Synopsis An enchanting memoir by the legendary New York Times fashion photographer Bill Cunningham *A Financial Times Book of the Year 2018**The New York Times Bestseller*‘I took to New York life like a star shooting through the heavens…’ Bill Cunningham’s first love was fashion but the big city came a close second. He left for New York aged nineteen, losing his family’s support but enjoying the infinite luxury of freedom. Living on a scoop of Ovaltine a day, he would run down to Fifth Avenue to feed on the spectacular sights of the window displays – then run back to his tiny studio to work all night.Working as ‘William J’ (to spare his parents’ blushes), Bill became one of the most celebrated hat designers of the 1950s, creating elegant town hats for movie stars and playful beach hats for the summer set. Bill’s mission was to bring happiness by making beautiful things – even if it meant pawning his bike to fund fancy-dress outfits for all his friends. When women stopped wearing hats and his business was forced to close, Bill worked as a fashion journalist, touring the couture houses of Europe. But New York remained his home, and it was as a street photographer of the fashions of the city that he became well known, in a job that would last almost forty years.Fashion Climbing is the enchanting memoir he left behind, capturing the madcap times of his early career and the fashion scene of the mid-century. Written with the spark and wit of Holly Golightly, and brimming over with Bill’s infectious joy for life, it is a gift to all who seek beauty, whatever our style or status.Trade ReviewFashion Climbing has everything you’d want in a fashion memoir (industry politics, elaborate window displays, hijinks at galas), but it’s also a manifesto for living authentically. Just like Bill Cunningham’s photography, this book is anti-snobbery, pro-having-fun-at-all-costs, and awake to the pleasures of being oneself -- Tavi Gevinson, Editor in Chief, RookieThe New York Times’s beloved street-style photographer died two years ago, leaving behind a delightful memoir of his early years, which tells of his escape from restrictive middle-class Boston to a Manhattan career as a milliner. His love of beauty may not have made him rich — he chose an ascetic existence — but it sustained him for a lifetime. -- Horatia Harrod * Financial Times, *Books of the Years* *Peppered with delightful colloquialisms...the text bears the signature voice that endeared him to readers... Yet, despite an ample dose of whimsy, there’s also a backbone to this cosy memoir... Fashion Climbing celebrates one of the industry’s fiercest advocates of sartorial joie de vivre, who established himself on the fashion ladder “not with refined dignity but with an angry howl”. -- Lauren Sarazen * AnOther Magazine *Fashion Climbing is the captivating glimpse through the keyhole of this dizzying, dazzling world, and captures the buzz and bluster of a fashion life lived to the full * Red Magazine *Bill Cunningham’s enchanting memoir of his love affair with fashion and the people who created, shaped, analysed, and wore it in the combustible years after the Second World War is a delight and a revelation, proving that his pen was as astute as his lens. This lively, compelling, and invaluable social history tells us as much about the mores of the age as it does about the era’s seismic fashion revolutions and reflects the wonder that Bill saw in creation throughout his life -- Hamish Bowles, International Editor at Large, Vogue

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Book Synopsis'A fascinating document, a window on to a lost world of glamour, grandeur and snobbery . . . an elegy, sad and comical, to a passing era' Craig Brown, MAIL ON SUNDAY'I got as caught up in these distant but strangely evocative events as Vickers did . . . delicious in its way, recreating a lost world' Ysenda Maxtone Graham, THE TIMES'A luxuriant trawl through the recovered past . . . extraordinary book' John Walsh, SUNDAY TIMES'A quite brilliant record of a fading social and artistic milieu . . . a world to which Vickers is an unrivalled cicerone' Matthew Sturgis, THE OLDIE'Vickers' diaries bristle with injudicious indiscretion...it is no small compliment to say that the biographer is here the equal of his subject' Michael Arditti, THE SPECTATOR'Beaton himself was one of the finest 20th-century diarists. It is no small compliment to say that the biographer is here the equal of his subject' THE SPECTATOR'Illuminating and brilliantly scurrilous' Marcus Field, THE STANDARD'Scintillating' DAILY MAIL'When Mr Vickers has his eye to the keyhole, we see a secret panorama' Dominic Green, THE WALL STREET JOURNAL'Vickers - as ever - is a warm and enthusiastic guide to a nearly lost world' TATLER.COMThe witty and perceptive diaries kept by Cecil Beaton's authorised biographer during his many fascinating encounters with extraordinary - often legendary - characters in his search for the real Cecil Beaton.Hugo Vickers's life took a dramatic turn in 1979 when the legendary Sir Cecil Beaton invited him to be his authorised biographer. The excitement of working with the famous photographer was dashed only days later when Cecil Beaton died. But the journey had begun - Vickers was entrusted with Beaton's papers, diaries and, most importantly, access to his friends and contemporaries. The resulting book, first published in 1985, was a bestseller. In Malice in Wonderland, Vickers shares excerpts from his personal diaries kept during this period. For five years, Vickers travelled the world and talked to some of the most fascinating and important social and cultural figures of the time, including royalty such as the Queen Mother and Princess Margaret, film stars such as Grace Kelly, Audrey Hepburn and Julie Andrews, writers such as Truman Capote, and photographers such as Irving Penn and Horst. And not only Beaton's friends - Vickers sought out the enemies too, notably Irene Selznick. He was taken under the wings of Lady Diana Cooper, Clarissa Avon and Diana Vreeland.Drawn into Beaton's world and accepted by its memberTrade ReviewA fascinating document, a window on to a lost world of glamour, grandeur and snobbery ... an elegy, sad and comical, to a passing era. -- Craig Brown * Mail on Sunday *A luxuriant trawl through the recovered past...extraordinary book -- John Walsh * Sunday Times *'I got as caught up in these distant but strangely evocative events as Vickers did . . . delicious in its way, recreating a lost world' -- Ysenda Maxtone Graham * The Times *'Scintillating diaries' * Daily Mail *'A quite brilliant record of a fading social and artistic milieu . . . a world to which Vickers is an unrivalled cicerone' -- Matthew Sturgis * The Oldie *'A ripping read . . . [Vickers] has gathered unique knowledge and feeling for former social manners and morals; the ability to summon the "something in the air" of a recent but virtually forgotten past. It is described succinctly and unsentimentally in this book' * The Catholic Herald *'Illuminating and brilliantly scurrilous' -- Marcus Field * The Standard *'Vickers' diaries bristle with injudicious indiscretion...it is no small compliment to say that the biographer is here the equal of his subject' -- Michael Arditti * The Spectator *

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Book SynopsisRobert Adams, one of America's foremost living photographers, has spent decades considering and documenting the landscape of the American West and the ways it has been altered, disturbed, or destroyed by the hand of man. A professor of English before turning to photography, Adams is also a skilled writer and acute thinker on aesthetic questions. Aperture's previous bestselling collections of his essays, Beauty in Photography and Why People Photograph, assembled his thoughts on a range of subjects, including writing, teaching, photography's place in the arts and a host of fellow photographers. Along Some Rivers collects Adams's correspondence and conversations—some of which have never been published before—with writers and curators including William McEwan, Constance Sullivan and Thomas Weski. In so doing, it provides another point of entry, offering a portrait of the artist in debate and elucidating his thoughts on a number of his now legendary projects, including Cottonwoods and What We Bought. Adams also expounds on why, in his view, Marcel Duchamp has not been a helpful guide for art, and he discusses which filmmakers and painters have influenced him, which cameras he prefers and how he approaches printing his pictures. Along Some Rivers also includes a selection of 28 unpublished landscapes.

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Book SynopsisDiane Arbus: A Chronology is the closest thing possible to reading a contemporaneous diary by one of the most daring, influential, and controversial artists of the twentieth century. Drawn primarily from Arbus’s extensive correspondence with friends, family, and colleagues; personal notebooks; and other unpublished writings, this eautifully produced volume exposes the private thoughts and motivations of an artist whose astonishing vision derived from the courage to see things as they are and the grace to permit them simply to be. Further rounding out Arbus’s life and work are exhaustively researched footnotes that amplify the entire Chronology. A section at the end of the book provides biographies for fifty-five personalities, family members, friends, and colleagues, from Marvin Israel and Lisette Model to Weegee and August Sander. Describing the Chronology in Art in America, Leo Rubinfien noted that “Arbus … wrote as well as she photographed, and her letters, where she heard each nuance of her words, were gifts to the people who received them. Once one has been introduced to it, the beauty of her spirit permanently changes and deepens one’s understanding of her pictures … ” The texts in Diane Arbus: A Chronology originally appeared in Diane Arbus Revelations. This volume makes this invaluable text available in an accessible, paperback volume for the very first time.

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Book SynopsisFor over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and among the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events—traditional African ceremonies and contemporary costume parties and carnivals— who use costume, body paint, and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maské, meaning “to wear a mask”, this album features a selection of over a hundred of the best of Galembo’s masquerade photographs to date organized in country-based chapters, each with her own commentary. The book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo’s photographs raise questions about the survival and evolution of masquerade tradition in the twenty-first century.Trade Review…contains more than a hundred of her most arresting images, each subject a riot of colour, symbolism and mystery. –The TelegraphThey are colorful, intriguing and sometimes dark and forboding in nature, but these portraits of hers document the transformative powers and mystery of the mask. –Trey SpeegleIt is a really remarkable work –AnOther

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Book SynopsisNow available in a paperback edition, LaToya Ruby Frazier’s award-winning first book, The Notion of Family, offers an incisive exploration of the legacy of racism and economic decline in America’s small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political—an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations—her Grandma Ruby, her mother, and herself—against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock’s only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family, and her mother in particular. In the creation of these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives—both those of her family and of the community at large.Trade ReviewPraise for The Notion of Family (Aperture, 2014) Frazier offers a perspective from the inside, and her images achieve a muted power without being sentimental or sensational. (The Editors, Bookforum)Frazier's challenging and haunting photographs have previously brought this story to museums and galleries, but in this, her first book, she adds writing to create a powerfully stark family portrait. The brilliance of this volume, and Frazier's work, is in the way it manages to be both documentary and art, deeply intimate and widely important, relentless but so very necessary. (Jillian Steinhauer, Hyperallergic)Frazier reimagines the tradition of social documentary photography by approaching a community not as a curious or concerned outsider but as a vulnerable insider. (Maurice Berger, New York Times Lens blog)In her first book, Frazier explores themes of economic inequity, racism and personal politics through three generations of her own family, and documents the tolls that big injustices can have on small families and communities alike. (Phil Bicker, TIME Lightbox)

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Book SynopsisZanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness includes one hundred self-portraits created by one of the most powerful visual activists of our time. In each of the images, Muholi drafts material props from her immediate environment in an effort to reflect her journey, explore her own image and possibilities as a black woman in today’s global society, and — most important — to speak emphatically in response to contemporary and historical rascisms. As she states, “I am producing this photographic document to encourage people to be brave enough to occupy spaces, brave enough to create without fear of being vilified. . . . To teach people about our history, to re-think what history is all about, to re-claim it for ourselves, to encourage people to use artistic tools such as cameras as weapons to fight back.” More than twenty curators, poets, and authors offer written contributions that draw out the layers of meaning and possible readings to accompany select images. Powerfully arresting, this collection is as much a manifesto of resistance as it is an autobiographical, artistic statement.Trade Review“The first thing to note about Zanele Muholi: Somnyama Ngonyama: Hail the Dark Lioness is that it begins before you open it. The striking cover portrait itself—“Ntozakhe II, Parktown, Johannesburg,” from 2016—demands ample time to be taken in…This is how the book starts on you, its front and back cover working together to prepare you for what lies within. A hint at its insides.”—Yrsa Daley-Ward, The New York Times Book Review

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Book SynopsisThe San Quentin Project collects a largely unseen visual record of daily life inside one of America’s oldest and largest prisons, demonstrating how this archive of the state is now being used to teach visual literacy and process the experience of incarceration. In 2011, Nigel Poor—artist, educator, and cocreator of the acclaimed podcast Ear Hustle—began teaching a history of photography class through the Prison University Project at San Quentin State Prison. Neither books nor cameras were allowed into the facility, so an unorthodox course with a range of inventivemapping exercises ensued: students crafted “verbal photographs” of memories for which they had no visual documentation, and annotated iconic images from different artists. After the first semester, Poor says, “one student told me he could now see fascination everywhere in San Quentin.” When Poor received access to thousands of negatives in the prison’s archive, made by corrections officers of a former era, these images of San Quentin’s everyday occurrences soon became launchpads for her students’ keen observations. From the banal to the brutal, to distinct moments of respite, the pictures in this archive gave those who were involved in the project the opportunity to share their stories and reflections on incarceration.Trade Review“The book…challenges perceptions, in this case, of those in prison and of why but more importantly how we imprison them.” —It’s Nice That

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Book SynopsisThrough engaging interviews, testimonials, and anecdotes from photographers, curators, printers, and colleagues, Object Lesson: On the Influence of Richard Benson pays homage to a legendary figure whose name is synonymous with the evolving history and philosophy of photographic reproduction. From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, Object Lesson stands as a testament to Benson’s wit, wisdom, and incomparable obsession with how photographic images render and connect us to the world. Text, image, and interview contributions by Michele Abeles, Marion Belanger, Barbara Benson, Richard Benson, Dawoud Bey, Andrew Borowiec, Lois Conner, Matthew Connors, Tim Davis, Benjamin Donaldson, Dru Donovan, Martina Droth, Shannon Ebner, Lucas Foglia, Peter Galassi, John Gambell, Jon Goodman, Bryan Graf, Gail Albert Halaban, Gary Haller, Heyward Hart, Robert J. Hennessey, Peter Kayafas, Lisa Kereszi, Justin Kimball, David La Spina, John Lehr, Susan Lipper, Salvatore Lopes, Peter MacGill, Tanya Marcuse, Lesley A. Martin, Miko McGinty, Sue Medlicott, Sarah Meister, Paul Messier, Andrea Modica, Matthew Monteith, Abelardo Morell, Arthur Ou, Thomas Palmer, Tod Papageorge, Ted Partin, Bradley Peters, John Pilson, Kristine Potter, Caitlin Teal Price, Sergio Purtell, Jock Reynolds, John Robinson, Jeff L. Rosenheim, Sasha Rudensky, Gary Schneider, David Benjamin Sherry, Steve Smith, Mark Steinmetz, Sarah Stolfa, Ka-Man Tse, James Welling, and Jeff WhetstoneTrade Review“This delightful book illustrates how, through leading questions and seemingly simple steps, Richard Benson encouraged others to think and see with greater agency and nuance—and how deftly he shared his generous sense of humanity’s capacity to better this world.” — Maria Morris HambourgTable of ContentsPreface 7 Introduction John Pilson 9 Contributions Michele Abeles 18 Marion Belanger 20 Dawoud Bey 22 Andrew Borowiec 28 Lois Conner 32 Matthew Connors 36 Tim Davis 38 Benjamin Donaldson 42 Dru Donovan 46 Shannon Ebner 50 Lucas Foglia 52 Jon Goodman 54 Bryan Graf 58 Gail Albert Halaban 60 Heyward Hart 64 Robert J. Hennessey 66 Peter Kayafas 72 Lisa Kereszi 80 Justin Kimball 85 David La Spina 88 John Lehr 92 Susan Lipper 94 Salvatore Lopes 98 Tanya Marcuse 102 Sue Medlicott 106 Sarah Meister 108 Paul Messier and Martina Droth 112 Andrea Modica 114 Matthew Monteith 118 Abelardo Morell 120 Arthur Ou 124 Tod Papageorge 128 Ted Partin 132 Bradley Peters 134 Kristine Potter 136 Caitlin Teal Price 140 Sergio Purtell 144 John Robinson 148 Jeff L. Rosenheim 154 Sasha Rudensky 158 Gary Schneider 160 David Benjamin Sherry 164 Steve Smith 166 Mark Steinmetz 168 Sarah Stolfa 170 Ka-Man Tse 172 James Welling 176 Jeff Whetstone 180 Conversations and Writings Peter MacGill and Barbara Benson in conversation 186 Paul Messier and Thomas Palmer in conversation with Lesley A. Martin and Miko McGinty 197 John Gambell and Gary Haller in conversation with Miko McGinty 207 Peter Galassi 216 Working with Lee Richard Benson 218 Jock Reynolds 240 Contributor Biographies 243 Acknowledgments 246

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Book SynopsisThis monograph is the first to collect the photographs of internationally acclaimed multimedia artist Barry McGee. Though best known for the inventive graphic sensibility of his paintings and drawings, McGee’s use of photography is an essential, often underappreciated, component of his artistic vision. Captured at all hours and around the world with whatever camera is at hand, McGee’s images are immediate, casual, intimate, and anarchic all at once. His work boldly employs geometric shapes, clusters of framed drawings and paintings, distinctive characters, and found objects such as empty bottles, surfboards, and wrecked vehicles. Whether incorporated into his iconic multi-element compositions, or printed in the innumerable fanzines and artist’s books that often accompany his exhibitions, photographs pervade McGee’s practice. Barry McGee: Photographs provides unique insight into the process of a major American artist, and is a testament to the immense amount of visual information McGee has absorbed to build one of the most eclectic and innovative artistic legacies of our time.

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Book Synopsis“Montgomery’s photographs capture the reality of Americans in crisis, in all our flawed, tragic, ridiculous glory.” —Patrick Radden Keefe, author of Empire of Pain: The Secret History of the Sackler DynastyAmerican Mirror is award-winning photographer Philip Montgomery’s dramatic chronicle of the United States at a time of profound change. Through his intimate and powerful reporting and a signature black-and-white style, Montgomery reveals the fault lines in American society, from police violence and the opioid addiction crisis to the COVID-19 pandemic and the demonstrations in support of Black lives. Yet in his unflinching images, we also see moments of grace and sacrifice, glimmers of solidarity and tireless advocates for democracy. Like Dorothea Lange and Walker Evans before him, Montgomery has made an unforgettable testament of a nation at a crossroads.

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Book SynopsisDelegation is the first comprehensive monograph by Apsáalooke/Crow artist Wendy Red Star, whose photography recasts historical narratives with wit, candor, and a feminist, Indigenous perspective. Red Star centers Native American life and material culture through imaginative self-portraiture, vivid collages, archival interventions, and site-specific installations. Whether referencing nineteenth-century Crow leaders or 1980s pulp fiction, museum collections or family pictures, she constantly questions the role of the photographer in shaping Indigenous representation. Including a dynamic array of Red Star’s lens-based works from 2006 to the present, and a range of essays, stories, and poems, Delegation is a spirited testament to an influential artist’s singular vision. Copublished by Aperture and Documentary Arts

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Book SynopsisThe first monograph by sculptor, filmmaker, and photographer Shikeith, Notes towards Becoming a Spill brings together a series of striking studio portraits of Black male subjects as they inhabit various states of meditation, prayer, and ecstasy. Shikeith describes the work as “leaning into the uncanny,” visualizing ritual and the process of excavating Black men’s erotic potential, the better to exorcise the “intangible presences that haunt their bodies and psyches.” The men’s faces and bodies glisten with sweat (and tears)—the manifestation and evidence of desire. This ecstasy is what critic Antwaun Sargent proclaims as “an ideal, a warm depiction that insists on concrete possibility for another world.” In this revelatory volume, Shikeith redefines the idea of sacred space and positions a Queer ethic identified by its investment in vulnerability, tenderness, and joy. Shikeith: Notes towards Becoming a Spill is made possible, in part, thanks to the generous contribution of 7G Foundation.

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Book SynopsisPaul Mpagi Sepuya reflects on the methodologies, strategies, and points of interest behind a single, expansive body of work at a pivotal moment in his career.Paul Mpagi Sepuya’s photography is grounded in a collaborative, rhizomatic approach to studio practice and portraiture. This volume unpacks his Dark Room series (2016-21), offering a deep dive into the thick network of references and the interconnected community of artists and subjects that Sepuya has interwoven throughout the images. The excavation and mapping of intellectual and artistic data points across the artist’s work is presented through three distinct “voices,” allowing for a comprehensive cross-referencing of conceptual categories. Each category is alphabetized and illuminated via new texts by curator and scholar Gökcan Demirkazik; selections from previously published texts about the work by critics, colleagues, and friends; quotations of other writers’ wo

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Book SynopsisTommy Kha: Half, Full, Quarter weaves together self-portraits and classically bucolic landscapes punctuated by the traces of East Asian stories embedded in the topography of the American South. In this first major monograph, featuring almost a decade of work, Tommy Kha explores the highly personal psycho-geography of his hometown. As the artist states, “Memphis has become, for me, not only the place where I was raised but an active borderland between fantasy and memory, nostalgia and history, nonfiction and mythology.” Memphis is where his mother, fleeing Vietnam in the early 1980s, settled, along with his extended family. Throughout the work, his mother emerges as a recurring character, sometimes the subject of quiet photographic study, and in others, a collaborative muse. “I’m a cut of my mom,” Kha asserts, “Every photograph I make of her is a Half Self-Portrait.” In snapshots drawn from a family album that serves as the one record of her journey to the United States, she is the source of nostalgia and barely captured memory. In assembling a visual account of the struggle to find his own voice and narrate the fragmented history of his family, Kha challenges the cultural amnesia around Asian lives and experiences in recent American histories. Acclaimed author Hua Hsu contributes an engaging essay, “People Need to Smile More,” and MacArthur Fellow An-My Lê conducts an incisive conversation with Kha that delves into his family history and artistic strategies. Tommy Kha: Half, Full, Quarter is the result of the Next Step Award, a partnership between Aperture and Baxter St at the Camera Club of New York, in collaboration with the 7 G Foundation. An exhibition of the work will open at Baxter St in New York in February 2023.Trade Review“‘My work is about how much the landscape has been unkind to immigrants,’ says Tommy Kha of his latest photo project, which captures the Asian diaspora in America with a surreal edge.” —Tony Wilkes, AnOther magazine “Kha’s poignant photographs bring together his family’s East Asian ancestry and everyday life in the American South, where found photographs, self-portraits and “half self-portraits” of his mother tell a story of displacement and shared identity.” —Stefanie Li, Galerie magazine “‘These are mostly from the book, but also thinking a lot about the Southern landscape,” [Kha] says, referring to Half, Full, Quarter, his first monograph, published this February by the prestigious photo-centric publisher Aperture.” —Chris McCoy, Memphis magazine “The artist makes wry commentaries on the immigrant experience using scattered visual fragments, from the depths of Tennessee’s Chinatown to the fishing communities of rural Vietnam. A new book and exhibition prove there’s method to the melange.” -Larissa Pham, British Journal of Photography “Kha’s layered portraits, still lifes, and landscapes exist alongside his mother’s own photographs. The collaborative world between mother and son expands.” —Harley Wong, Artforum “Together, they form a picture not just of his family or how they made a home in the South but of how important humor, placemaking and ultimately photography are to Kha’s understanding of this region.” —Michael Adno, The New York Times “‘Ghost Bites’ maps the psycho-geography of a fractured self; of all the losses, phantoms, and questions that emerge from the diasporic lineage.” —Jacinda Tran, The Amp

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Book SynopsisMystic Parallax is the first major monograph by rising interdisciplinary artist Awol Erizku. Working across photography, film, video, painting, and installation, his work references and re-imagines African American and African visual culture, from hip hop vernacular to Nefertiti, while nodding to traditions of spirituality and Surrealism. This comprehensive monograph spans Erizku’s career, blending his studio practice with his work as an in-demand editorial photographer working regularly for the New Yorker, New York magazine, Time, and GQ, among others, and features his conceptual portraits of Black cultural icons, such as Solange, Amanda Gorman, and Michael B. Jordan. As Erizku recently told the New York Times, “It’s important for me to create confident, powerful, downright regal images of Black people.” Featuring essays by critically acclaimed author Ishmael Reed, curator Ashley James, and writer Doreen St. Félix, and interviews with the artist by Urs Fischer and Antwaun Sargent, Mystic Parallax is a luminous and arresting testament to the artist’s tremendous power and originality. Copublished by Aperture and The Momentary

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Book SynopsisDawoud Bey focuses on the landscape to create a portrait of the early African American presence in the United States.Renowned for his Harlem street scenes and expressive portraits, Dawoud Bey continues his ongoing series on African American history. Elegy brings together Bey’s three landscape series to date—Night Coming Tenderly, Black (2017); In This Here Place (2021); and Stony the Road (2023)—elucidating the deep historical memory still embedded in the geography of the United States. Bey takes viewers to the historic Richmond Slave Trail in Virginia, where Africans were marched onto auction blocks; to the plantations of Louisiana, where they labored; and along the last stages of the Underground Railroad in Ohio, where fugitives sought self-emancipation. Essays by the exhibition’s curator, Valerie Cassel Oliver, and scholars LeRonn P. Brooks, Imani Perry, and Christina Sharpe illuminate the work. By interweaving these bodies of work into an elegy in three movements, Bey doesn’t merely evoke history, he retells it through historically grounded images that challenge viewers to go beyond seeing and imagine lived experiences. Copublished by Aperture and Virginia Museum of Fine Arts, Richmond

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Book SynopsisEerie, sparse, and undeniably beautiful, Richard Misrach’s images offer a timely meditation on the profound impact of global trade on the environment.Richard Misrach: Cargo presents the acclaimed photographer’s sublime meditation on the often-unseen patterns of global trade and commerce. In 2021, on the heels of the COVID-19 pandemic, which, at its height, seemed to nearly halt the networks of international trade, Misrach began taking thousands of photographs of cargo ships as they moved to and from the Port of Oakland, California. In these monumental seascapes, cargo ships appear frozen in time—diminutive but stalwart—within an expansive, richly colored confluence of sea, sky, and atmosphere. Eerie, sparse, and undeniably beautiful, Misrach’s images abstractly trace multiple histories: the recent collapse and slow recovery of these seafaring trade routes, the confrontation of the human and natural environment in an era of climate disaster, and a rich lineage of maritime art.

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Book SynopsisThis is a superbly illustrated look at the evolution of the photographic work of Ed Ruscha - the quintessential Los Angeles artist. Los-Angeles based contemporary artist Ed Ruscha is celebrated for his paintings, drawings, prints, and artist's books, receiving widespread critical acclaim for more than half a century. Capturing the quintessential Los Angeles experience with its balance of the banal and beautiful, his photobooks of the 1960s - such as TwentySix Gasoline Stations and Some Los Angeles Apartments - are known for their deadpan cataloguing of the city's functional architecture. This volume features 38 Ruscha plates and an essay that traces the evolution of the artist's thinking about his photographs initially as the means to end, and eventually as works of art in and of themselves.

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Book SynopsisA maverick in the history of photography, lshiuchi Miyako burst onto the photography scene in Tokyo in the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era. Recipient of the prestigious Hasselblad Award in 2014, lshiuchi ranks as one of the most significant photographers working in Japan today. Spurred by her contentious relationship with her hometown, Yokosuka - site of an important American naval base since 1945 - lshiuchi chose that city as her first serious photographic subject. Grainy, moody, and deeply personal, these early projects established her career. This choice of subject also defined the beginning of lshiuchi's extended exploration of American occupation and the shadows it cast over postwar Japan. lshiuchi has since addressed the theme of occupation both indirectly - through her photographs of scars, skin, and other markers of time on the human body - and, more explicitly, with her Images of garments and accessories once owned by victims of the atomic blast in Hiroshima. Essays featured in this volume reveal the past as the wellspring of lshiuchi's work and the present moment as her principal subject. Ishiuchi Miyako: Postwar Shadows - which includes a selection of more than 100 works - is published on the occasion of an exhibition by the same name, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 5, 2015 to February 21, 2016.Trade Review"A well-researched catalogue with solid essays, a nicely illustrated chronol-ogy, and good photographic prints. It is very pleasing that this extraordinary photographer finally gets the attention she deserves."--Journal of Japanese Studies

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisOver the course of his three-decade career, Thomas Ruff has taken up many approaches to photography in his investigation into the status of the image in contemporary culture.In Thomas Ruff, the artist presents new work that continues his ongoing probe into the history, different processes, techniques, and technology of photography. One of the most influential photographers working today, Thomas Ruff has redefined photography’s conceptual possibilities, simultaneously capturing and challenging the essence of the medium as both a means and a tool for visual experience. Over the past twenty-five years, he has investigated various photographic genres, including portraiture, the nude, and landscape and architectural photography, using both analog and digital technologies, and culling imagery from scientific archives, print media, and the internet.Presented here is a selection of Ruff’s most well-known works, as well as the newer Tripe series, begun in 2018, which draws on negatives of India and Burma taken in the 1850s by an officer in the East India Company army. Also included is a conversation between Ruff and Okwui Enwezor, which took place at the Haus der Kunst in Munich, in connection with Ruff’s retrospective then on view. The conversation, published here for the first time, has been edited for this volume and examines Ruff’s artistic practice and inspiration, serving as an engaging and dynamic introduction to the artist.Published on the occasion of the artist’s solo exhibition at David Zwirner, Hong Kong, in 2019, Thomas Ruff is available in both English only and bilingual English/traditional Chinese editions.

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Book SynopsisA stunning photographic compilation of Egypt’s abandoned palaces and grand buildingsBetween 1860 and 1940, Cairo and other large cities in Egypt witnessed a major construction boom that gave birth to extraordinary palaces and lavish buildings. These incorporated a mix of architectural styles, such as Beaux-Arts and Art Deco, with local design influences and materials. Today, many lie empty and neglected, rapidly succumbing to time, a real-estate frenzy, and an ongoing population crisis. In 2006 Russian-born photographer Xenia Nikolskaya began the process of documenting these structures. She gained exceptional access to them, taking photographs at some thirty locations, including Cairo, Alexandria, Luxor, Minya, Esna, and Port Said. These photographs were documented in the first edition of Dust: Egypt’s Forgotten Architecture, which soon after its release in 2012 became a rare collector’s item.This revised and expanded edition includes photographs from the first edition together with extra unseen images and new photographs taken by Nikolskaya between 2013 and 2021. It also includes previously unpublished essays by Heba Farid, co-owner of the Cairo-based photo gallery Tintera, and architect and urban planner Omar Nagati, co-founder of CLUSTER, an urban design and research platform also in Cairo.Dust: Egypt's Forgotten Architecture leads us seductively into some of the most breathtaking architectural spaces of Egypt's recent past, filled with a sense of both the immense weight and the impermanence of history.Trade Review“Large, carefully composed and beautifully lit images”—Sunday Telegraph“Stunning”—Plain Magazine“Very arresting images”—BBC“Extraordinary . . . The book documents the abandoned palaces and salons of an Egypt you don’t often see in the headlines: the golden age of Cairene opulence.”—Roads & Kingdoms“Her painterly compositions and lambent lighting (which in most cases is natural) serve to give the impression that these are stage sets, only waiting for the arrival of the actors.”—Voyager“Dramatic and haunting. . . . . succeeds in capturing the glitz and glamor of a past century as a marzipan filling in dark chocolate, without staging her pictures in an overly sweet way. The illustrated book Dust: Egypt's Forgotten Architecture is thus a wonderfully delicate pastime.”—dis:orient Magazine“Dust is not just a documentation of these fascinating architectural spaces, it also traces the idea of a typology of absence. . . Avoiding any kind of nostalgia, the book challenges its reader: going back to this Egyptian dust also takes us deep into our own expectations of life and notions of legacy. ”—The Global Journal“Egypt’s most magnificent buildings have stood unloved–and unlooted–for decades. But a new book of photographs may change that.”—SEVEN“The Cairo [Nikolskaya] captures with her lens is a European city, its grandeur and dilapidation devoid of exotic oriental motifs and shown as somehow frozen in time.”—The National“Nikolskaya brings these palaces back to life”—Egypt Today“Dust explores the conditions and relevance of empty architectural spaces in Egypt, presenting an entwined dualism: dust as materiality that layers the city, literally tracing the passage of time upon urban objects – but also as a temporal metaphor that registers these changes on the level of memories, both past and present.”—Cairo 360"Nikolskaya’s lens expertly captures an eerie forlornness in some of the places depicted in her book, most of which are rundown and ominous. However, what is perhaps most remarkable about her style is how she directs the viewer's eye to detail after detail, weaving a rich narrative."—The National

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Book SynopsisThe Addams Family is creepy and kooky, but wait till you see what their creator had in his apartment. In Charles Addams: A Cartoonist’s Life, meet the legendary cartoonist behind the altogether ooky Addams Family in this first biography, written with exclusive access to Charles Addams’s private archives. Take a front-row seat to the widespread rumors and storytelling genius behind one of America’s oddest and most iconic creators. Even as The Addams Family grew in fame, the life of Charles Addams remained shrouded in mystery. Did he really sleep in a coffin and drink martinis garnished with eyeballs? In reality, Addams himself was charismatic and spellbinding as the characters he created. Discover the real stories behind Addams’s most famous, and most private drawings, including the cartoon that offended the Nazis. From his dazzling love for sports cars and beautiful women—Jackie Kennedy and Joan Fontaine among them—to the darkest relationship of his life, this witty book reveals Addams’s life as never before. With rare family photographs, previously published cartoons, and private drawings seen here for the first time, Linda H. Davis provides a fascinating journey into the life of a beloved American icon.Trade Review"Linda Davis has dug deep in her fabulous biography of The New Yorker's most mysterious and spooky (and all-together ooky) artist. The book's a scream." —Michael Maslin "A person's charm is difficult for a writer to convey on the printed page, but Linda Davis has managed it. At the close, I found myself feeling terribly cheated that I hadn't had the pleasure of Charlie Addams's company." —Edward Sorel, The New York Observer "If you don't appreciate martinis with eyeballs in them, this is not the book for you. For the rest of us, here is an irresistible riot of a read, an exhilarating, expertly mixed cocktail of words and images. Charles Addams's life was crowded with women—famous women, smart women, witty women, garden-variety, drop-dead beautiful women—but in Linda Davis he has truly met his match." —Stacy Schiff, Pulitzer Prize–winning author of Véra "Chas Addams remains a commanding presence as one of the iconic artists who contributed to shaping that unique satirical art form—the New Yorker cartoon. He was also the only New Yorker artist who, because of his brilliant and unorthodox originality, was the object of widespread and thoroughly misplaced fascination about his mental stability. Linda Davis has delved into his work and the brain, hand, and raucous life that shaped it, offering a complex, entertaining and completely riveting portrait of a gentle, loving man, and his passionate and engaged embrace of life." —Ed Koren, author and political cartoonist for The New Yorker

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Book SynopsisA Life Behind the Lens is a collection of the very best work of Richard `Dickie' Pelham, the multi award-winning chief sports photographer of The Sun for the past 30 years. He has covered six Olympic Games, six World Cups, any number of Test matches and many championship boxing bouts, capturing the moments of triumph and despair, the great goals, the knockout punches, the key wickets and the gold-medal glory. He has been trackside, ringside, pitchside and poolside as well as in the studio and on the training grounds with the biggest names in world sport, including Usain Bolt, Mo Farah, Jessica Ennis-Hill, Andy Murray, Paul Gascoigne, David Beckham, Tom Daley, Lennox Lewis and Anthony Joshua. His pictures have featured on memorable front and back pages and centre spreads. The images are accompanied by Dickie's own recounting of the human stories behind the pictures and the technical secrets of a master of his trade.

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Book Synopsis____________As well as being an incredible stage performer, a brilliant writer and a talented painter, Derren Brown is also a fantastic street photographer. Here, for the first time, is a selection of his work. As he writes of his passion:'Street photography is a fitting refuge for those who look at life from a distance. It both sanctifies our remoteness (by offering the standpoint of the observer) and challenges it, insisting we approach with a spritely curiosity. It offers a safe route back into the world: the camera is an entry ticket to daunting social situations and extraordinary environments where we might otherwise feel entirely out of place. Suddenly we have a role: a reason to be present. And for those of us smitten by its appeal, it provides a means of fortifying and forgetting ourselves, while extending out into the world with a controlled compassion.'Trade ReviewWhen he’s not mesmerising audiences on stage and TV, illusionist Derren Brown prefers a different trick: disappearing into a crowd with his camera. His pictures are beautiful, if understated. In Meet the People with Love, he reveals the magic of taking pictures without being spotted. * FT *

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Book Synopsis"Duffy and aggravation go together like gin and tonic." - David Bailey As famous as the stars he photographed, Brian Duffy defined the image of Swinging London in the 1960s. Together with David Bailey and Terence Donovan, Duffy is recognised as one of the innovators of 'documentary' fashion photography, a style which revolutionised the industry. Their attitude and aesthetic iconified the scene, birthing the cult of the fashion photographer and inspiring the famous film Blow-Up (Michelangelo Antonioni, 1966). As Duffy put it, "Before 1960, a fashion photographer was tall, thin and camp. But we three are different: short, fat and heterosexual!" The press nicknamed the three photographers 'The Terrible Three', while Norman Parkinson added to their notoriety by naming them 'The Black Trinity'. Duffy's most famous photograph is the 'Mona Lisa of pop', the cover of Bowie's 'Aladdin Sane'. He collaborated with the artist over eight years and exerted a direct influence on the numerous reinventions of Bowie's image. It is fitting, therefore, that this new edition should expand on their work together with new images. This new edition of Duffy also features other, new images from the photographer's archive, depicting both star and photographer in their prime.

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Book Synopsis"It's very hard for me to accept that Sukita-san has been snapping away at me since 1972, but that really is the case. I suspect that it's because whenever he's asked me to do a session, I conjure up in my mind's eye the sweet, creative and big-hearted man who has always made these potentially tedious affairs so relaxed and painless. May he click into eternity." - David Bowie For Sukita, the creative mastermind behind the iconic cover for David Bowie's album 'Heroes', photography is an expression of a 'fundamental secret' shared between artists: a spiritual communication that transcends the minutiae of language. Born and raised in Kyushu, Japan, Sukita's reverence of American and Western counter-culture lured him to New York and London. He immersed himself in the western music scene which he loved, while his relaxed photo sessions endeared him to many celebrity figures, including David Bowie and Iggy Pop (with both of whom Sukita had a 40-year long professional relationship), Marc Bolan, and Japanese musician Hotei, best known for his work on the Kill Bill soundtrack. His work spans the early US and UK seventies rock scene, the London punk-rock era to the present crop of emerging Japanese rock artists. This photo book is the first time the photographer has collaborated on a major retrospective of his career and includes some of his early documentary work and his rarely-seen travel and street photography. It introduces the artist through two essays that explore his place within the wider context of both Western and Japanese photography, presented alongside the many iconic shots of both Western and Japanese artists that earned him his eternal reputation.Trade Review"Eternity includes moving photographs of television screens showing the faces of Marlon Brando and other American film stars, superimposed with Japanese characters, showing an early fascination with pop glamour and portraiture." - Eve Watling, Independent"Now, a new book highlights the photographer’s best work: Eternity, out today with ACC Art Books. This illustrious photo book features everything from the height of London during the punk era, to moody shots of obscure Japanese musicians and backstage shots of Cyndi Lauper." - Nadja Sayej, Vanity Fair"The Heroes session changed Sukita’s approach to portraiture. He now prefers to let his subjects adopt poses and gestures by themselves, while keenly observing their ‘worldview’. The Heroes cover image was to join the Aladdin Sane cover image as one of rock’s most iconic photographs." - Port Magazine"In Eternity, a new book of his photographs, Sukita’s storied career in both Asia and the west is recorded in his images. Everyone from Iggy Pop to Madness, George Lucas to the B-52s can be found in its pages." - Teddy Jamieson, Herald Scotland"Notable Japanese photographer Masayoshi ‘Sukita’ has released for the first time (in collaboration with ACC Art Books) a mammoth, retrospective illustrated book. Loaded with distinctive photographs, ranging from his early work, music, film, fashion and travel. He was a trusted photographer of 40 years to David Bowie and Iggy Pop and produced some of their most iconic work." - Melanie Smith, Louder than war"A new exhibition, ‘Sukita: Rare & Unseen’ looks back on the photographer’s remarkable career, one which saw him shoot the great and good of rock music royalty. In London, he captured Bowie, Iggy Pop and Marc Bolan (of T. Rex). In New York, he shot the likes of Jimi Hendrix – months before the musician’s death – and hung out in Andy Warhol’s Factory." - Harriet Lloyd-Smith, Wallpaper*“This impressive 256-page retrospective of Sukita’s career, the first of its kind, also includes shots of punks in London and many musicians including David Sylvian, the Yellow Magic Orchestra, the B-52s and T-Rex, as well as his work in advertising and fashion photography and his less well-known street and travel imagery.” - Arts and Collections"A long-overdue retrospective monograph looks at the impressive career of Masayoshi Sukita, the artist bridging East and West." - Miss Rosen, blind Magazine"I'm very satisfied with the book because it shows people many types of photos of mine, not only Bowie. " - Nenad Georgievski, All About Jazz

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Book Synopsis"With each day spent outdoors I am reminded of what a beautiful world we all call home, and the challenges that face ecosystems across the world." – Alfie Bowen “The photographs are outstanding, and the story behind them inspirational. Given the odds stacked against Alfie throughout his life, this book is a significant success and bodes very well for a continued and very inspiring career as a world-class photographer.” – Chris Packham "There are illustrated books that go straight to the heart, leave you speechless and humbled....and "Wild World" by Alfie Bowen is just such an illustrated book. Wildlife photography in perfection, for which there are no words, because Bowen succeeds in letting the viewer look directly into the soul of the animals with his photographs." – Lovely Books Germany Alfie Bowen is an exceptionally talented young autistic photographer and wildlife activist. His latest project offers a glimpse into the private lives of numerous wild animals from across the globe and reveals the highs and lows of living as an autistic environmental campaigner. Bowen’s photographs are truly breath-taking. Hours are invested into every piece to ensure the results are exactly as Bowen envisioned, and Bowen conducts in-depth research on every animal he captures, believing it is of the utmost importance to understand his subjects. In this book, Bowen discusses overcoming the limitations of technology and how autism has given him the obsession needed to persevere in often cold, lonely and difficult circumstances. From Bowen’s relation of his struggle to capture the perfect picture of a cheetah, to his majestic portraits of some of the most beloved animals on the planet, this book captures the powerful sensory experience Bowen enjoys whenever he immerses himself in nature. Featured animals include: lions, cheetahs, leopards, tigers, snow leopards, Geoffrey’s cats, red pandas, chimpanzees, monkeys and colobuses, lemurs, elephants, rhinos, giraffes, zebras, deer, flamingos, eagles and other birds, and koi. Trade Review“There are few things more calming than the beauty of nature – and no one understand the power of the natural world more than Alfie Bowen.” - Danielle Lett, East Anglia Daily Times"The illustrated book Wild World captures that powerful sensory experience, which Bowen enjoys when he's in the Nature immerses." - Photo Weekly Germany"There are illustrated books that go straight to the heart, leave you speechless and humbled....and "Wild World" by Alfie Bowen is just such an illustrated book. Wildlife photography in perfection, for which there are no words, because Bowen succeeds in letting the viewer look directly into the soul of the animals with his photographs." - Lovely Books Germany"Bowen’s photographs are truly breath-taking. Hours are invested into every piece to ensure the results are exactly as Bowen envisioned, and Bowen conducts in-depth research on every animal he captures, believing it is of the utmost importance to understand his subjects." - Lovely Books

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Book SynopsisA new edition of the bestselling Every Picture Tells a Story from one of the greatest photographers of the last 60 years, Terry O’Neill. This updated edition includes 32 additional pages of new stories behind some of the O’Neill’s most iconic images. From the morning he spent with Faye Dunaway at the pool in Beverly Hills, to walking around Vegas with Sean Connery dressed as James Bond, a chance encounter with Bruce Springsteen on the Sunset Strip, to taking Jean Shrimpton to a doll hospital - these are the stories behind the images as only Terry O'Neill can reveal. "I was walking up the Miami Beach boardwalk to the Fontainebleau Hotel where Sinatra was staying... I just reached out with the letter in my hand and he took it. He opened it, read it... turned to his security men and said, "this kid's with me." I never found out what Ava said to him in that letter. From that moment on, I was part of his inner circle." - Terry O'Neill From The Beatles to the Rolling Stones, Terry O'Neill fast became the photographer of the 1960s. Having an eye - and ear - for music and musicians, he instinctively knew what bands to focus on. And they in turn trusted him. "I remember sitting in a pub with the Beatles and the Stones. We were just hanging-out and talking about what we'd do next, after all of this was over. By this, we meant the fame, being the 'new kids of the moment'. Usually, this sort of celebrity doesn't last. Little did we know that 60 years later, we'd still be at it." Music led O'Neill to Hollywood and working with stars resulted not only in to memorable moments but long-lasting friendships. He travelled with Frank Sinatra. Took Raquel Welch to the beach. Went in the ring with Ali. Put The Who in a cage. O'Neill captured many of the most unforgettable faces from the frontline of fame, and his photographs exude his own brand of serene simplicity, intimate behind-the-scene moments and the rare quality of trust between photographer and subject. The list of people Terry O'Neill has worked with over the past 60 years is a Who's Who in celebrity; from film to music, sports to politics. Terry O'Neill: Every Picture Tells a Story is like going through a walking tour of memory by a man who has seen, met and photographed them all.Trade Review"Photographer Terry O’Neill knew people better than he knew cameras… Here are [several] O’Neill shots that withstand time..." - Michael Kaplan, New York Post"Someone once said about Terry O'Neill that his photographs were so cool because he was." - Ramp

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Book Synopsis"Wow! Just wow! … It’s a really stunning thing. A love letter that is itself a work of art about a work of art that is Grayson. Both playful and deadly serious ... these photos are not simply about 'serving looks' but about restlessness and identity and transience. That world is full of possibilities because Grayson has given himself the freedom to be whoever he wants to be, to look how he wants. His gift is that he passes that freedom to us. Ansett’s work is mind-blowing … not cosy at all. Just brilliant photography." - Suzanne Moore "Great to see Grayson in his various guises. He must have more women's clothes than the average woman!" — Martin Parr Grayson Perry is an award-winning artist best known in the art world for his ceramic works. To the wider public, he is perhaps equally famous for his cross-dressing alter ego. This book reveals a unique relationship between Perry and renowned portrait photographer Richard Ansett through a previously unseen archive from photoshoots spanning over 10 years. Ansett astutely captures the wit, style and irreverence of Perry’s many complex personas. Beyond the snazzy outfits and cheeky poses, these thematic portrait collections offer wry social commentaries on current and popular phenomena, including the EU referendum, American pop culture and the existential questions of life and death. At once glossy, fabulous and cutting-edge, Muse: A Portrait of Grayson Perry offers a complex, fascinating and ultimately affectionate insight into our recently knighted national treasure with anecdotes and narration from Ansett himself, this is a masterpiece of rhetorical observations and quick-thinking camerawork. Perfect for art geeks, style freaks and Perry’s long-devoted following. Trade Review“Richard Ansett’s images do not flatter to deceive… humour offsets a gritty realism.” - Diane Smyth"An act of genius…he is the skeleton from which all the other meat hangs.” - Boris Mikhailov"Wow! Just wow! … It’s a really stunning thing. A love letter that is itself a work of art about a work of art that is Grayson. Both playful and deadly serious ... these photos are not simply about 'serving looks' but about restlessness and identity and transience. That world is full of possibilities because Grayson has given himself the freedom to be whoever he wants to be, to look how he wants. His gift is that he passes that freedom to us. Ansett’s work is mind-blowing … not cosy at all. Just brilliant photography." - Suzanne Moore"Great to see Grayson in his various guises. He must have more women's clothes than the average woman!" - Martin Parr“Through his engaging portraits and text, photographer Richard Ansett has provided a visually exciting and thoughtful insight in to one of Britain’s national treasures, Sir Grayson Perry, and on society itself.” - Dr Michael Pritchard, The Royal Photographic Society“As the subject I look at these photographs with a joy and a horror. Joy in that they are funny and delightful, horror in knowing that I am that raddled old trannie. It is always fun to work with Richard and he takes a beautiful photo and always captures very clearly what I look like, and I have to deal with that. They are both ridiculous fantasy and crumpled reality.” - Sir Grayson Perry CBE"Great to see Grayson in his various guises. He must have more women's clothes than the average woman!" - Martin Parr CBE“Outrageously fun and deliciously over-the-top, this book provides a fascinating peek behind the proverbial petticoats of one of Britain’s best-loved artists, Sir Grayson Perry.” - Janet Hardie Senior Specialist, Modern British and Irish Art, Bonhams"In spite of Perry’s extravagantly costumed veneer there is empathy and commentary in this portrayal – through Richard Ansett, we get to Grayson Perry and beyond!" - Clare Freestone, Curator of Photographs, National Portrait Gallery“Grayson is incredibly difficult to work with and complete diva.” - Richard AnsettThe Martin Parr Foundation has accepted 'MUSE - A Portrait of Grayson Perry' into its prestigious library archive. The collection of over 5000 photobooks has been carefully curated by Martin Parr. While the library is primarily dedicated to works from Britain and Ireland, it also contains some of the best photobooks from around the world. - Martin Parr Foundation"Ansett astutely captures the wit, style and irreverence of Perry’s many complex personas." - The Eye of Photography"Created in part to promote the artist’s successful Channel 4 documentary series, they serve as beautiful, simple echoes of the themes he explores in his pottery and epic tapestries." - The New European"Painting the town pink Sir Grayson Perry attends the launch of Muse: A Portrait of Grayson Perry by Richard Ansett at Iconic Images Gallery in London. The book showcases the relationship between the colourful artist and the portrait photographer via previously unseen photoshoots spanning more than 10 years." - Daily TelegraphFashion journalist Rich Pelly ask Grayson Perry for fashion advice at the launch of an exhibition and book at Iconic Images Gallery, London. - Guardian"Some are artists, some are muses — Sir Grayson Perry is both, according to a new coffee table book." - The Standard"Muse documents Perry’s Bowie-like range of personae, from his alter-ego Claire, to Madonna and child, to a Dolly Parton-style American country girl." - Yahoo News UKTable of ContentsIntroduction 6 Conception 12 First interlude 20 American beauty 28 Second interlude 40 Birth 48 Third interlude 58 Death in Islington 68 Fourth interlude 78 Land of hope and glory 86 Transfuturism 98 Credits 112

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Book SynopsisDachshunds, debutantes and Donald Trump: capturing the glitzy, bizarre world of 80s high society. The Guardian on Saturday MagazineThrough these varying shades of grey, Jones was able to capture the pomp and grandeur of 1990s New York. Air MagazineBritish photographer Dafydd Jones documented New York''s upper class in the 1990s. His photo book High Life, Low Life is a testimony to a time lost in dreams. Die Welt GermanyThe renowned photographer, known for his images of debauchery at Oxford University, has released a new book of his time among East Coast socialites. The Times UKIn England, I'd become too well-known as a Tatler photographer. It was wonderful to be invisible again.'At the end of the 1980s, society photographer Dafydd Jones began a new life in New York. He had been hired by Vanity Fair to attend the most talked-about

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