Individual film directors Books

Book SynopsisWhen Armando Bó and Isabel Sarli began making sexploitation films together in 1956, they provoked audiences by featuring explicit nudity that would increasingly become more audacious, constantly challenging contemporary norms. Their Argentine films developed a large and international fan base. Analyzing the couple's films and their subsequent censorship,Violated Frames develops a new, roughly constructed, and bad archive of relocated materials to debate questions of performance, authorship, stardom, sexuality, and circulation. Victoria Ruétalo situates Bó and Sarli's films amidst the popular culture and sexual norms in post-1955 Argentina, and explores these films through the lens of bodies engaged in labor and leisure in a context of growing censorship. Under Perón, manual labor produced an affect that fixed a specific type of body to the populist movement of Peronism: a type of body that was young, lower-classed, and highly gendered. The excesses of leisure in exhibition, enjoyment, and ecstasy in Bó and Sarli's films interrupted the already fragmented film narratives of the day and created alternative sexual possibilities. Trade Review"Violated Frames: Armando Bó and Isabel Sarli's Sexploits is an essential read for anyone interested in learning more about this fascinating piece of World Cinema history and the fabulous icon that was Isabel Sarli." * CinemaRetro *Table of ContentsCONTENTS List of Illustrations Note on Translation Foreword by Annie Sprinkle Acknowledgments Introduction The Signature of a “Bad Cinema” Part I: Bodies and Archives 1. Bodies through Time . . . Time through Bodies 2. Reading Bad Cinema through “Bad Archives” Part II: Censoring Bodies in Labor and Leisure 3. Disciplining Bodies through Censors’ Shears 4. Collective Working-Class Male Bodies 5. Affective Intimate Interludes The Risky Female Body Conclusion “You won with the censors. . . . They couldn’t stop you!” Notes Selected Filmography Index

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Book SynopsisThe most celebrated director of colour photography tells the story of his adventures in celluloid. The ''Magic Hour'' is the special light that occurs just at twilight, and a very special light is what cameraman Jack Cardiff brought to films such as The Red Shoes, The African Queen, and Black Narcissus for which he won an Oscar. In Magic Hour Jack Cardiff details the adventures of his life: on tour on the music-hall circuit with his parents; acting in silent films; being chosen by Technicolor as the first British cameraman to be trained in colour photography; filming with British convoys in the Atlantic during World War II; his big break when Michael Powell asked him to photograph A Matter of Life and Death; his rambunctious expolits with Errol Flynn; and his triumph at the Cannes Film Festival as the director of Sons and Lovers.As a master of light, Cardiff came to photograph some of the most beautiful women in cinema history: Maril

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Book SynopsisThe mercurial Danish director of Dogville, Dancer in the Dark and Breaking the Waves offers his inimitable views on life and art in this fascinating, opinionated and witty addition to Faber''s ''Directors on Directors'' series.Lars Trier affected the lordly ''von'' in his name while still a film student, in homage to such great movie-makers of the past as von Sternberg and von Stroheim. His own brilliant directing career has been marked by similarly grand ambitions, and he is unique in having premiered all of his features - from the highly styled The Element of Crime to the digital-video-originated The Idiots - at the Cannes Film Festival. Trier is a rare item in contemporary cinema, a restless innovator and polemicist, as his participation in the back-to-basics Dogme95 movement attests; and these conversations with Stig Bjorkman, author of Bergman on Bergman and Woody Allen on Woody Allen, trace the evolution of his career an

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Book SynopsisRudolph Valentino was the silver-screen legend who for ever changed America''s idea of the leading man: a frightened young fellow who became the cinematic sex-god of his day. In this definitive retelling of Valentino''s short and tragic life - the first fully documented biography of the star - Emily W. Leider looks at the Great Lover''s life and legacy, and explores the events and issues that made him emblematic of his time. Valentino was reviled in the press for being too ''feminine'' a man; yet he also brought to the screen the alluring, savage lover who embodied women''s darker, forbidden sexual fantasies. In tandem, Leider explores notions of the outsider in American culture as represented by Valentino''s experience as an immigrant who became a celebrity: the silver screen''s first dark-skinned romantic hero.Trade Review"'Emily Leider scores a bull's eye with this perceptive and compassionate treatment of the star who "helped deflower post-war America".' Sunday Times; 'Brilliantly evocative... brings to life all that was exciting and decadent about the so-called Jazz Age.' Film Review"

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Book SynopsisNicolas Roeg is one of the most distinctive and influential film-makers of his generation. The generation of film-makers who define contemporary movie-making - Danny Boyle, Kevin Macdonald (The Last King of Scotland), Christopher Nolan (The Dark Knight), James Marsh (Man on Wire), and Guillermo Del Toro (Pan''s Labyrinth), all acknowledge their debt to the work of Nicolas Roeg.Roeg began as a cameraman, working for such masters as Francois Truffaut and David Lean. His explosive debut as a director with Performance, established an approach to film-making that was unconventional and ever-changing, creating works such as Don''t Look Now, The Man Who Fell to Earth, Bad Timing, Insignificance, and, more recently, Puffball.Having now reached eighty years of age, Roeg has decided to pass on to the next generations, the wealth of wisdom and experience he has garnered over fifty years of film-making.

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Book SynopsisDocumentary films are the rock and roll of our times. Why are they made? Who are in the tribe of documentary film-makers? Do their films really change the world? Eighteen years ago, Nick Fraser created BBC Storyville, producing films that won Oscars, BAFTAs, and Peabody Awards. He found film-makers from all across the world covering important subjects in documentaries. In Say What Happened he describes the frenzied, intense world of documentary film-making, tracing its history back to the early pioneers, such as Dziga Vertov and his ground-breaking Man with a Movie Camera. The book deals with the British documentary tradition founded by John Grierson, and discusses the work of American masters such as the Maysles brothers, Frederick Wiseman and D.A. Pennebaker, as well as Europeans such as Marcel Ophuls, Claude Lanzmann, Chris Marker, and Werner Herzog. He interviews acclaimed documentary film-makers and discusses the work of Ken Burns, Errol Morris, and Joshua

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Book SynopsisTerrence Malick''s debut film, Badlands, announced the arrival of a unique talent. In the 40 years since that debut, Malick has only made 5 films, but they are distinctive in their beauty.This book is not meant to be a biography of Terrence Malick. The purpose behind the book is to introduce readers to the extraordinary universe of his film-making and to aid them in understanding his work. And to do this through the words of his closest collaborators - cinematographers, set designers, costumers, cameramen, directors, producers, and actors such as Sean Penn, Martin Sheen, Sissy Spacek and Jessica Chastain. As their words flow from one to another, they form a fascinating, kaleidoscopic vision of American film and specifically Malick''s artistic world. who make up a film.This book is the fruit of a journey began years ago when Luciano Baracaroli, Carlo Hintermann, Gerardo Panichi and Daniele Villa made a documentary on the work of Terrence Malick, which led to the maki

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Book Synopsis''One of the best things published about cinema.'' Sight & SoundHerzog was once hailed by Francois Truffaut as the most important director alive. Famous for his frequent collaborations with mercurial actor Klaus Kinski including the epics Aguirre, the Wrath of God and Fitzcarraldo, and the terrifying Nosferatu and more recently with documentaries such as Grizzly Man, Cave of Forgotten Dreams and Into the Abyss, Herzog has built a body of work that is one of the most vital in post-war German cinema. Here, he reflects on his legendary and inspiring career.

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Book SynopsisTwelve years ago, Amores Perros erupted in the cinemas across the world and announced the arrival of Mexican film-makers. The film-makers profiled in that book have now come of age and have made a decisive impact on the international cinema scene The last few years Mexican film-makers winning the Best Director Oscars 5 times, and Best Picture 4 times: Alfonso Cuaron with Gravity and Roma.Alejandro Inarritu with Birdman and The RevenantGuillermo del Toro with The Shape of WaterThis revised edition of The Faber Book of Mexican Cinema brings this astounding story up to date, as well as profiling the next generation, waiting in the wings.

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Book Synopsis'What a life! What a career!' Harold Pinter'Boorman is one of the world's great directors, a master storyteller.' Paul AusterJohn Boorman is one of cinema's authentic visionaries whose travels have taken him from London in the Blitz to the pinnacle of Hollywood success: the man behind filmes such as Point Blank, Deliverance, Excalibur, Hope and Glory, and The General. Conclusions continues the story of his life that Boorman began with Adventures of a Suburban Boy and shares what has happened since its publication: films made (such as the award-winning The General) and unmade; new knowledge about the craft of film-making; and, ultimately, the story of of his kith and kin, including the death of his cherished elder daughter.Wielding a metaphorical Excalibur, Boorman's career has been a continual search for the truth that only art can convey, and this memoir shows him at his finest.

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Book SynopsisChosen as one of Sight & Sound''s ''Best Film Books of the Year''John Boorman is one of the cinema's authentic visionaries, drawn to myths and dreams. The undisputed heir to David Lean, his films, such as Point Blank, Deliverance and Excalibur, exhibit a continual search for the truth that only art can convey. In Conclusions Boorman summarises what he has learned about the craft of film-making, and wishes to pass on to the next generation of film-makers. Into this tapestry of cinematic memories, he also weaves the story of his kith and kin, including the death of his cherished elder daughter, and an evocation of the forest of trees that he has planted as his final legacy.

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Book SynopsisThis new revised edition brings Mike Leigh's career up-to-date, including his film about J.M.W. Turner, Mr. Turner, and his epic masterpiece, Peterloo.Five-time Oscar nominee and BAFTA winner, the only British director to have won the top prize at both Cannes (for Secrets & Lies) and Venice (for Vera Drake) - Mike Leigh is unquestionably one of world cinema's pre-eminent figures. Now, in this definitive career-length interview, he reflects on all that has gone into the making of his unique body of work.In their commingling of bleakness and humour, Leigh's films recreate the tragi-comic world of people whose everyday lives are far from glamorous: a world in which 'the done thing' usually prevails, contrary to our inner hopes, wants or needs. Leigh's work has always reflected its times and entered the vernacular, whether the harsh studies of Meantime and Naked or the humour of the now-legendary Abigail's Party and Nuts i

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Book SynopsisRichard Brody's Everything is Cinema: The Working Life of Jean-Luc Godard is a landmark biography of one of the great controversial geniuses of world cinema.

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Book SynopsisScreen Deep is a book about the immense potential of screen storytelling to defeat an evil both historic and urgently topical: racism. Everyone watches TV and movies. Everyone has an interest in building a more just and equitable world. Screen Deep goes beyond the many film books and anti-racist manuals by demonstrating the connection between these two aspects of modern life. In Screen Deep Ellen E. Jones combines her personal experience as a mixed-race woman who cares about racism with her professional expertise as a film and TV journalist of twenty years standing, to ask and answer several questions: Is there such a thing as an Indigenous western? Is race comedy cancelled'? Where are all the films for white people? And most importantly: Can you still fight the good fight with a mouthful of popcorn?

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Book SynopsisOtto Preminger was one of Hollywood''s first truly independent producer/directors. Blazing a trail in the examination of controversial issues such as drug addiction (The Man with the Golden Arm) and homosexuality (Advise and Consent), Preminger broke the censorship of the Hollywood Production Code and the blacklist, while creating some of Hollywood''s most enduring film noir classics. Chris Fujiwara''s critical biography - the first in more than thirty years - follows Preminger throughout his varied career, penetrating his carefully constructed public persona and revealing the many layers of his work.

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Book SynopsisThe Japanese film director Akira Kurosawa, who died at the age of 88, has been internationally acclaimed as a giant of world cinema. This book discusses how Kurosawa furnished a template for some well-known Hollywood directors, including Martin Scorsese, Steven Spielberg, and George Lucas. It provides a comprehensive look at this master filmmaker.Trade ReviewOne of Choice's Outstanding Academic Titles for 1991 "The Warrior's Camera is not only a thoughtful, stimulating and rigorous study but also a major addition to both Kurosawa and Japanese film scholarship. Its examination of the intersection of self, culture, and history is meticulously done; its extended close analysis of individual films, especially Ikiru, Yojimbo, High and Low, and Red Beard, is superbly confident."--Film Quarterly "The subtle nuances that enrich Akira Kurosawa's intense cinemagraphic imagery distinguish Stephen Prince's insightful study, The Warrior's Camera."--American Cinematographer "[Prince's] close analysis of the films generates many superb insights. This work is accessible, nicely illustrated and an essential text about a great subject."--ChoiceTable of ContentsIllustrations ix Acknowledgments xiii Introduction xv 1 Viewing Kurosawa 3 2 The Dialectics of Style 32 3 Willpower Can Cure All Human Ailments 67 4 Experiments and Adaptations 114 5 Form and the Modern World 155 6 History and the Period Film 200 7 Years of Transition 250 8 The Final Period 292 9 The Legacy 340 Notes 359 Films Directed by Akira Kurosawa 397 Bibliography 399 Index 411

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Book SynopsisTrade Review"A Times Literary Supplement Book of the Year 2021""Longlisted for the Kraszna-Krausz Book Award, Moving Image Category""Longlisted for the National Translation Award, American Literary Translators Association""A revelation, a trove of snappy pieces that give the reader tantalizing glimpses of the mature film satirist."---Marc Weingarten, Washington Post"The brightest moments here let you watch a little more of the human comedy through Billy Wilder’s eyes. Few saw it as clearly he did or had more fun writing it down."---Jeremy McCarter, Wall Street Journal"Readers who come to Billy Wilder on Assignment to find the seeds of the films for which he is famous—nearly all of them, one assumes—will not be disappointed."---Ryan Ruby, Bookforum"A delicious compilation."---Tobias Grey, Financial Times ​​​​​"The most successful story in this collection, ‘Waiter, a Dancer, Please!,’ about being a hoofer for hire at a big hotel, is waspish and (if you allow for the choppy sentences) jazz-era excitable, New Yorker–ish, with a self-deprecating turn and a fairly urbane sense of the perfectly ridiculous."---Andrew O'Hagan, New York Review of Books"Long before he became the celebrated filmmaker of 'Sunset Boulevard,' 'Some Like It Hot' and 'The Apartment,' a young Billy Wilder worked briefly as a dancer for hire in the ballroom of a fashionable Berlin hotel. As he described the endeavor . . . for a German newspaper in 1927, 'This is no easy way to earn your daily bread, nor is it the kind that sentimental, softhearted types can stomach. But others can live from it.' Wilder’s observations on his experience—from one of his many delightfully acerbic pieces of journalism anthologized in Billy Wilder on Assignment . . . get to the heart of our enduring obsessions with show business and the performing arts."---Dave Itzkoff, New York Times"Sharp and witty. . . . Full of glorious turns of phrase, entertaining narratives, and quirky characters. . . . . Thumbing through Wilder’s essays from the 1920s will make you feel as if you are enjoying yourself at a German coffeehouse, catching up on popular culture, and planning your next weekend adventure in the Weimar Republic. Isenberg and Frisch have done a great service for film historians and fans of classic Hollywood."---Chris Yogerst, Los Angeles Review of Books"An irresistible collection of articles, profiles, and reviews from Wilder’s salad-und-bratwurst days in Berlin, where he worked as a roving journalist, critic, and scene-maker between 1926 and 1930. . . . Isenberg is an expert guide to the Berlin-to-Hollywood axis, and Frisch is a veteran translator."---Thomas Doherty, Tablet Magazine"Billy Wilder on Assignment is, as my colleague, TIME Magazine film critic Stephanie Zacharek kvelled to me in an email, ‘the little book you didn’t know you needed.'"---Jordan Hoffman, Times of Israel"A must-read for film buffs and history aficionados alike."---Tobias Carroll, Inside Hook"This new volume takes in the most significant staging posts of Wilder’s early career."---Gavin Plumley, Literary Review"[Wilder] quickly moved on to Berlin and became a prolific writer of occasional pieces for papers such as Der Querschnitt and the Berliner Börsen Courier. Selections of these articles have been published before but are long out of print, and were never translated into English. Now, thankfully, Professor Isenberg of the University of Texas has put this frustrating situation to rights with a lively anthology, translated by Shelley Frisch into a brisk, punchy English which feels as though it must be an accurate reflection of the young Wilder’s original tone."---Jonathan Coe, Spectator"The opportunity to read Wilder’s journalism in English is welcome. . . . What’s particularly impressive, even slightly eerie, is how many times this young film buff and Americanophile wrote about people he would later work with in Hollywood." * Bookforum *"A delightful and illuminating collection."---Sam Wasson, Air Mail"There is no question that Billy Wilder on Assignment is the most historically important recent book exploring the early days of a major filmmaker. It compiles, for the first time, Wilder’s writings as a young freelance reporter in 1920s Berlin and Vienna. The result is an incredible glimpse of Wilder’s mind at a key age."---Christopher Schobert, The Film Stage"Billy Wilder On Assignment . . . explores the roots of one of Hollywood’s most accomplished and acclaimed directors in the fervid journalistic atmosphere of Central Europe between world wars. . . . Shelley Frisch—one of the nimblest and liveliest translators working today—renders Wilder’s journalism into an English that leaps off the page with deadline urgency. . . . Isenberg's collection offers those interested in the Golden Age of Hollywood valuable new insight into one of its most significant personalities. It is also a vivid account of the vanished world that helped shape Billy Wilder." * Wilson Quarterly *"Let it be said that Billy Wilder on Assignment – Dispatches from Weimar Berlin and Interwar Vienna, is an altogether wonderful read. In fact it reads as if a fine, literary, malt-whiskey."---David Marx, David Marx: Book Reviews"The new anthology Billy Wilder on Assignment proves Wilder's verbal and narrative gifts existed long before he set foot in Hollywood during the 1930s."---Dan Lybarger, Northwest Arkansas Democrat Gazette"Readers will have fun picking out elements, traits and incidents in these lively witty texts and attempting to match them with Wilder’s later cinematic masterpieces."---Alexander Adams, Alexander Adams Art"Billy Wilder on Assignment . . . provides a long-overdue translation of Billy Wilder’s early writings in German. . . . The anthology will be of interest to both the academic and general public."---Nora Gortcheva, EuropeNow"Very nice."---Tom Stoppard, Times Literary Supplement"In this first English-language compilation of Wilder’s early journalism . . . we can see the mischievous humour and love of snappy dialogue characteristic of his later movies."---Monica Porter, The Jewish Chronicle"Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna is a revealing collection of his lively reportage from those two cities. . . . [The book] create[s] a portrait of a man who is so much more complex than a mere cynic."---Kevin Lally, Cineaste Magazine"“Billy Wilder on Assignment is a beautifully assembled collection of the early writings of a master storyteller whose body of work has entertained moviemakers and movie watchers for generations."---Leonora Cravotta, American Spectator

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Book SynopsisTrade Review"A Times Literary Supplement Book of the Year 2021""Longlisted for the Kraszna-Krausz Book Award, Moving Image Category""Longlisted for the National Translation Award, American Literary Translators Association""A revelation, a trove of snappy pieces that give the reader tantalizing glimpses of the mature film satirist."---Marc Weingarten, Washington Post"The brightest moments here let you watch a little more of the human comedy through Billy Wilder’s eyes. Few saw it as clearly he did or had more fun writing it down."---Jeremy McCarter, Wall Street Journal"Readers who come to Billy Wilder on Assignment to find the seeds of the films for which he is famous—nearly all of them, one assumes—will not be disappointed."---Ryan Ruby, Bookforum"A delicious compilation."---Tobias Grey, Financial Times ​​​​​"The most successful story in this collection, ‘Waiter, a Dancer, Please!,’ about being a hoofer for hire at a big hotel, is waspish and (if you allow for the choppy sentences) jazz-era excitable, New Yorker–ish, with a self-deprecating turn and a fairly urbane sense of the perfectly ridiculous."---Andrew O'Hagan, New York Review of Books"Long before he became the celebrated filmmaker of 'Sunset Boulevard,' 'Some Like It Hot' and 'The Apartment,' a young Billy Wilder worked briefly as a dancer for hire in the ballroom of a fashionable Berlin hotel. As he described the endeavor . . . for a German newspaper in 1927, 'This is no easy way to earn your daily bread, nor is it the kind that sentimental, softhearted types can stomach. But others can live from it.' Wilder’s observations on his experience—from one of his many delightfully acerbic pieces of journalism anthologized in Billy Wilder on Assignment . . . get to the heart of our enduring obsessions with show business and the performing arts."---Dave Itzkoff, New York Times"Sharp and witty. . . . Full of glorious turns of phrase, entertaining narratives, and quirky characters. . . . . Thumbing through Wilder’s essays from the 1920s will make you feel as if you are enjoying yourself at a German coffeehouse, catching up on popular culture, and planning your next weekend adventure in the Weimar Republic. Isenberg and Frisch have done a great service for film historians and fans of classic Hollywood."---Chris Yogerst, Los Angeles Review of Books"An irresistible collection of articles, profiles, and reviews from Wilder’s salad-und-bratwurst days in Berlin, where he worked as a roving journalist, critic, and scene-maker between 1926 and 1930. . . . Isenberg is an expert guide to the Berlin-to-Hollywood axis, and Frisch is a veteran translator."---Thomas Doherty, Tablet Magazine"Billy Wilder on Assignment is, as my colleague, TIME Magazine film critic Stephanie Zacharek kvelled to me in an email, ‘the little book you didn’t know you needed.'"---Jordan Hoffman, Times of Israel"A must-read for film buffs and history aficionados alike."---Tobias Carroll, Inside Hook"This new volume takes in the most significant staging posts of Wilder’s early career."---Gavin Plumley, Literary Review"[Wilder] quickly moved on to Berlin and became a prolific writer of occasional pieces for papers such as Der Querschnitt and the Berliner Börsen Courier. Selections of these articles have been published before but are long out of print, and were never translated into English. Now, thankfully, Professor Isenberg of the University of Texas has put this frustrating situation to rights with a lively anthology, translated by Shelley Frisch into a brisk, punchy English which feels as though it must be an accurate reflection of the young Wilder’s original tone."---Jonathan Coe, Spectator"The opportunity to read Wilder’s journalism in English is welcome. . . . What’s particularly impressive, even slightly eerie, is how many times this young film buff and Americanophile wrote about people he would later work with in Hollywood." * Bookforum *"A delightful and illuminating collection."---Sam Wasson, Air Mail"There is no question that Billy Wilder on Assignment is the most historically important recent book exploring the early days of a major filmmaker. It compiles, for the first time, Wilder’s writings as a young freelance reporter in 1920s Berlin and Vienna. The result is an incredible glimpse of Wilder’s mind at a key age."---Christopher Schobert, The Film Stage"Billy Wilder On Assignment . . . explores the roots of one of Hollywood’s most accomplished and acclaimed directors in the fervid journalistic atmosphere of Central Europe between world wars. . . . Shelley Frisch—one of the nimblest and liveliest translators working today—renders Wilder’s journalism into an English that leaps off the page with deadline urgency. . . . Isenberg's collection offers those interested in the Golden Age of Hollywood valuable new insight into one of its most significant personalities. It is also a vivid account of the vanished world that helped shape Billy Wilder." * Wilson Quarterly *"Let it be said that Billy Wilder on Assignment – Dispatches from Weimar Berlin and Interwar Vienna, is an altogether wonderful read. In fact it reads as if a fine, literary, malt-whiskey."---David Marx, David Marx: Book Reviews"The new anthology Billy Wilder on Assignment proves Wilder's verbal and narrative gifts existed long before he set foot in Hollywood during the 1930s."---Dan Lybarger, Northwest Arkansas Democrat Gazette"Readers will have fun picking out elements, traits and incidents in these lively witty texts and attempting to match them with Wilder’s later cinematic masterpieces."---Alexander Adams, Alexander Adams Art"Billy Wilder on Assignment . . . provides a long-overdue translation of Billy Wilder’s early writings in German. . . . The anthology will be of interest to both the academic and general public."---Nora Gortcheva, EuropeNow"Very nice."---Tom Stoppard, Times Literary Supplement"In this first English-language compilation of Wilder’s early journalism . . . we can see the mischievous humour and love of snappy dialogue characteristic of his later movies."---Monica Porter, The Jewish Chronicle"Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna is a revealing collection of his lively reportage from those two cities. . . . [The book] create[s] a portrait of a man who is so much more complex than a mere cynic."---Kevin Lally, Cineaste Magazine"“Billy Wilder on Assignment is a beautifully assembled collection of the early writings of a master storyteller whose body of work has entertained moviemakers and movie watchers for generations."---Leonora Cravotta, American Spectator

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Book SynopsisWith films ranging from High Noon to Guess Who's Coming to Dinner, Stanley Kramer (1913-2001) was one of the most successful and prolific director-producers of his day. Producer of Controversy is the first book to take a close-up look at Kramer's career, films, and liberal politics in an effort to explain his contributions and historical significance.Trade ReviewIn an era when Hollywood’s biggest female star was Doris Day, Stanley Kramer gallantly offered a counter-example of a politically conscious, forthrightly liberal cinema. The great virtue of Producer of Controversy is to reposition Kramer at the center of American film-making in the two postwar decades that required attention to the urgent challenges of racial injustice, intellectual conformity and the threat of nuclear war. Jennifer Frost’s writing is lively, judicious and makes for truly compelling reading."" - Stephen J. Whitfield, author of The Culture of the Cold War, 2nd edition ""In this engaging and informative book, Jennifer Frost illuminates the role of Stanley Kramer, one of Hollywood’s most influential filmmakers. Kramer produced and directed bold movies shortly after the post-World War II Red Scare, when critics of Hollywood blacklisted many artists. Kramer’s provocative films included Guess Who’s Coming to Dinner, Ship of Fools, On the Beach, Judgment at Nuremberg, and Inherit the Wind. Jennifer Frost shows how this Hollywood liberal aroused the thinking of movie audiences through notable films that addressed controversial subjects of the times."" - Robert Brent Toplin, author of Reel History: In Defense of Hollywood and History By Hollywood ""Producer of Controversy is a very apt description of Stanley Kramer, whose liberal films during the Cold War provoked strong reactions from viewers of all political persuasions. Jennifer Frost’s admirable study of the filmmaker and his accomplishments provides a firm historical context by which to reassess Kramer’s cultural and political significance."" - James Deutsch, adjunct professor of American Studies, George Washington University

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Book SynopsisThis new and updated edition covers the full life''s work of iconic director Wes Anderson, including Asteroid City, The French Dispatch, and his collection of four short films for Netflix.Loaded with rich imagery and detailed analysis of his incredible films – including the classics The Grand Budapest Hotel, Rushmore, The Royal Tenenbaums, and The French Dispatch – this is the first book to feature all of Wes Anderson''s movies in a single volume.Acclaimed film journalist Ian Nathan provides an intelligent and thoughtful examination of the work of one of contemporary film’s greatest visionaries, charting the themes, visuals, and narratives that have come to define Anderson’s work and contributed to his films and idiosyncratic character that''s adored by his loyal fans. From Anderson’s regular cast members – including Bill Murray an

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Book SynopsisGlorious catastrophe presents the first detailed critical analysis of the visual art, film, performance and writing of Jack Smith, an icon of the New York avant-garde, from the early 1960s until his AIDS-related death in 1989. It uses his personal papers, and unpublished interviews with friends and collaborators.Trade Review‘In Glorious Catastrophe, Johnson celebrates the fabulous, freakish spectacle of Jack Smith and his work to its fullest extent in a manner that reflects his subject’s contempt for assimilation. In this, he seems inspired by Kathy Acker’s injunction to writers ‘to scream, to forget, to do anything except reduce radical difference, through representation, to identities, singularity, calculable and controllable’ in the rethinking of art’s histories.’Fiona Anderson, Contemporary Theatre Review 24:1 -- .Table of ContentsIntroduction: Jack Smith’s glorious catastrophes1. ‘Little triumphs of disaster’: failure, boredom and excess2. ‘Beyond self-disappearance’: Jack Smith and art’s histories3. Flaming Creatures and the burden of disgust4. Innocent monsters and Normal Love5. The deaths of Maria Montez6. ‘Glamorize your messes’: scenes of writing7. Rehearsals for the destruction of AtlantisBibliographyIndex

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Book SynopsisOver the past two decades, independent director Gregg Araki has emerged as one of the most intriguing auteurs of contemporary U.S. cinema. A leading figure of the New Queer Cinema movement of the early 1990s, Araki is known for his innovative, eye-opening, and at-times-controversial films aimed primarily at queer audiences. Images for a Generation Doomed: The Films and Career of Gregg Araki explores the films and career trajectory to date of this New Queer Cinema pioneer. Offering in-depth analyses of films such as The Living End, Totally F***ed Up, The Doom Generation, Nowhere, and Splendor, Kylo-Patrick R. Hart demonstrates how, over the course of the 1990s, the director''s cinematic offerings became increasingly devoid of their early subversive potential. Hart goes on to argue that as the 1990s progressed, Araki''s films were largely irrelevant to the cultural project of providing groundbreaking on-screen representations of non-heterosexual individuals living in the age of AIDS. However, Hart sees Mysterious Skin as evidence of Araki''s successful attempt at reestablishing his cinematic and cultural relevancy in relation to the approaches and subject matter of contemporary queer cinema in the new millennium.Trade ReviewProvides a succint overview of the controversial so-called new queer director....Well-documented study....Helpful reading for any film course.... Recommended. -- G.R. Butters Jr. * CHOICE, June 2010 *Kylo-Patrick Hart’s impassioned and insightful exploration of controversial auteur Gregg Araki is another laudatory achievement for this award-winning scholar. By combining his years of teaching auteur studies with an immense knowledge of Araki’s work, Hart raises thought provoking questions about the director’s career trajectory and places him within the context of the New Queer Cinema. The author’s unique approach to his subject is what makes this treatise unique. His integrative study of Araki's film grammar, unique storytelling devices, problematic sexual politics, and fan reception are arranged within the chronological arch of the director’s oeuvre. Images for a Generation Doomed will be a welcome addition both to film libraries and to college and graduate courses in media and cultural studies. It truly is an unforgettable book about an unforgettable director. -- Catherine R. Burke, Independent Media ScholarTable of ContentsChapter 1: Gregg Araki and the New Queer Cinema Chapter 2: Queerly Making a Splash with The Living End Chapter 3: Refining an Authorial Style with Totally F***ed Up and The Doom Generation Chapter 4: Losing Focus with Nowhere and Splendor Chapter 5: Reestablishing Relevancy with Mysterious Skin Chapter 6 Afterword: Smiley Face and Beyond Chapter 7 Supplementary Chapter: Cinematic Trash or Cultural Treasure? Conflicting Viewer Reactions to the Extremely Violent World of Bisexual Men in Gregg Araki's "Heterosexual Movie" The Doom Generation Chapter 8 Filmography

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Book SynopsisWith a sharp eye for social detail and the pressures of class inequality, Alfred Hitchcock brought to the American scene a perspicacity and analytical shrewdness unparalleled in American cinema. Murray Pomerance works from a basis in cultural analysis and a detailed knowledge of Alfred Hitchcock''s films and production techniques to explore how America of the 1940s, 1950s, and 1960s is revealed and critically commented upon in Hitchcock''s work. Alfred Hitchcock''s America is full of stunning details that bring new light to Hitchcock''s method and works. The American spirit of place, is seen here in light of the titanic American personality, American values in a consumer age, social class and American social form, and the characteristic American marriage. The book's analysis ranges across a wide array of films from Rebecca to Family Plot, and examines in depth the location sequences, characterological types, and complex social expectations that riddled AmericanTrade Review"A must-have for the shelves of any horror lover, film buff or teenager wondering where on earth the idea for the slasher genre could have been born and what cultural landscape could have fostered such ideas."—Film Ireland "Written with immense brio and an effortless command of its materials, Murray Pomerance provides surprising readings of both neglected and familiar films, but never strays from the overarching question of how Hitchcock's work, from 1940 till 1975, achieves an identifiably American character."—George Toles, University of Manitoba "This book is a treasure-trove for students of film, historians, and sociologists. Drawing on extremely close analysis, Pomerance leads us through the ways Hitchcock observed and took careful note of American topographies before exploiting complex technologies that he — Pomerance — explains to uninitiated readers with deft clarity. Written with flair and panache, Alfred Hitchcock's America brings to the reader dazzling insights about Hitchcock's studies of American life."—Tom Conley, Harvard University "What comes through most vividly in this stylish study is the physical poetry of Hitchcock's American films. With grace and insight, Murray Pomerance describes the colors, the rhythms of speech and movement, and the concrete spaces of Hitchcock's America in a way that makes these films new again. This is a book every cinephile will want to read."—Robert Burgoyne, University of St Andrews and author of Film Nation: Hollywood Looks at US History "Pomerance’s analysis is insightful, and his film analysis is superb. This book makes the reader want to watch these keynote films again and again: and as such, we join Pomerance in his celebration of the great master himself."—Ian Dixon, SAE Institute and Qantm College, MelbourneTable of ContentsAcknowledgments ix Introduction: Alfred Hitchcock in America 1 1 Hitchcock's American Scapes 18 2 Hitchcock's American Personalities 71 3 Hitchcock and American Values 123 4 Hitchcock and American Social Form 176 5 Hitchcock and the American Marriage 225 Works Cited and Consulted 284 Index 305

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Book SynopsisBruce Robinson is a cult writer and director of Withnail and I. Here, he reveals to the author the truth about his work and life in a series of interviews. He talks candidly about his career; his acting, writing and directing, and the many tussles he has faced with Hollywood moguls.Trade Review'It's alive with Robinson's voice ... he is fully engaged, driven by an endless compulsion to entertain: his conversation is a work of art' Guardian 'Intelligent, honest and pungently expressed, the recollections of Bruce Robinson are a treat' Independent

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Book SynopsisThis biography is about radical filmmaker Ken Loach.Trade Review'A clear-headed and diligently researched biography, it benefits enormously from contributions from Loach himself ... It's hard to imagine how this perfectly pitched biography could be bettered' Film Review 'Hayward has amassed an impressive body of material, much of it direct from the horse's mouth' Guardian 'It's time Loach's output was considered as being about real people rather than abstract social issues, and so an accessible biography (rather than another academic essay) is welcome' Empire 'An eloquent insight into the work of Britain's finest and most courageous film director' John Pilger, New Statesman

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Book SynopsisA reference guide to British film directors covering both contemporary and historically important figures.

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Book SynopsisA reference guide to British film directors covering both contemporary and historically important figures.Trade ReviewShail is to be congratulated for producing a useful introduction to the work of key British directors. -- James Chapman, University of Leicester Journal of British Cinema and Television As a basic primer on Brit movie-makers with a well-argued intro, Shail's book is hard to beat. 4 stars. -- Philip Kemp Total Film Shail is to be congratulated for producing a useful introduction to the work of key British directors. As a basic primer on Brit movie-makers with a well-argued intro, Shail's book is hard to beat. 4 stars.

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Book SynopsisIn this first reappraisal of his filmography (1958-2009), readers are introduced to a new Chabrol, one influenced by Balzac, Magritte, Kubrick.

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Book SynopsisThis book offers a new interpretation of Ozu Yasujiro career, from his earliest work in the 1920s up to his death in 1963, focusing on Ozu's depiction of the everyday life and experiences of ordinary Japanese people during a time of depression, war and economic resurgence.

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Book SynopsisA unique memoir featuring one of the most legendary Hollywood figures of all time

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Book SynopsisFeaturing a host of unpublished interviews, this is the first book to explore the greatest year in Hollywood's history - 1971

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Book SynopsisIn 2003, an independent film called The Room - starring and written, produced, and directed by a mysteriously wealthy social misfit named Tommy Wiseau - made its disastrous debut in Los Angeles. Described by one reviewer as ''like getting stabbed in the head'', the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Over a decade later, The Room is an international cult phenomenon, whose legions of fans attend screenings featuring costumes, audience rituals, merchandising and thousands of plastic spoons. In The Disaster Artist, Greg Sestero, Tommy''s costar, recounts the film''s bizarre journey to infamy, explaining how the movie''s many nonsensical scenes and bits of dialogue came to be and unraveling the mystery of Tommy Wiseau himself. But more than just a riotously funny story about cinematic hubris, The Disaster Artist is an honest and warm testament to friendship.Trade ReviewA great portrayal of hopefuls coming to Los Angeles to pursue their ambitions, and an even greater examination of what it means to be a creative person with a dream and trying to make it come true....In so many ways. Tommy c'est moiA book about a cinematic comedy of errors . . . sharply detailed . . . funny * New York Times *I laughed so hard reading The Disaster Artist that I cried * Rolling Stone *Possibly the most important piece of literature ever printed * The Huffington Post *The Disaster Artist is not only the terrifically engaging tale of a bad Hollywood movie, it's one of the most honest books about friendship I've read in years * Los Angeles Times *Finally, a hilarious, delusional, and weirdly inspirational explanation for the most deliciously awful movie ever madeA great portrayal of hopefuls coming to Los Angeles to pursue their ambitions, and an even greater examination of what it means to be a creative person with a dream and trying to make it come true....In so many ways. Tommy c'est moi -- James FrancoA book about a cinematic comedy of errors . . . sharply detailed . . . funny * New York Times *I laughed so hard reading The Disaster Artist that I cried * Rolling Stone *Possibly the most important piece of literature ever printed * The Huffington Post *The Disaster Artist is not only the terrifically engaging tale of a bad Hollywood movie, it's one of the most honest books about friendship I've read in years * Los Angeles Times *Finally, a hilarious, delusional, and weirdly inspirational explanation for the most deliciously awful movie ever made -- Rob Lowe

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Book SynopsisA compelling story of African adventure, romance and intrigue, perfect for readers of bestselling true crime such as WHITE MISCHIEF and MIDNIGHT IN THE GARDEN OF GOOD AND EVIL.WILDFLOWER is the gripping life story of the naturalist, filmmaker and lifelong conservationist Joan Root. From her passion for animals and her hard-fought crusade to save Kenya''s beautiful Lake Naivasha, to her storybook love affair, Root''s life was one of a remarkable modern-day heroine. After 20 years of spectacular, unparalleled wildlife filmmaking together, Joan and Alan Root divorced and a fascinating woman found her own voice. Renowned journalist Mark Seal has written a breathtaking portrait of a strong woman discovering herself and fighting for her beliefs before her mysterious and brutal murder in Kenya.With a cast as wild, wondrous and unpredictable as Africa itself, WILDFLOWER is a real-life adventure tale set in the world''s disappearing wilderness. Rife with personal revelTrade ReviewA real crime book that is also a splendid biography, this is a poignant and gripping tale. * CATHOLIC HERALD *

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Book SynopsisDramatic Approaches to Creative Fidelity is a unique study of the work of Gabriel Marcel, a twentieth-century philosopher of international renown. This book brings a fresh perspective to the examination of Marcel''s thought, highlighting facets that are sure to interest many different audiences. Dramatic Approaches to Creative Fidelity presents a clear exposition of the nature of creative fidelity, a central theme in Marcel''s life and work. The distinctive contribution of this book, however, is its illustration of how theater and philosophy are complementary in Marcel''s investigation and reflective clarification of life''s existential questions. Each chapter of the book studies a play and a contemporary philosophic essay and examines how they relate to clarify a particular aspect of creative fidelity. Thus, this work communicates Marcel''s understanding of the nature of creative fidelity, illustrates the relationship that links theater and philosophy, and demonstrates the important rTable of ContentsPart 1 Introduction by Paul Ricoeur Part 2 Foreword Part 3 Part One: Gabriel Marcel: Philosopher-Dramatist-Musician Chapter 4 Chapter I. Introduction to Gabriel Marcel's Philosophic Quest Part 5 Part Two: Dramatic Approaches to Creative Philosophy Chapter 6 Chapter II. The Unfathomable: A Search for Presence Chapter 7 Chapter III. The Lantern: and The Light of Truth Chapter 8 Chapter IV. Dot the I: An Existential Witness of the Light of Truth Chapter 9 Chapter V Rebellious Heart: and Human Creativity Chapter 10 Chapter VI. The Double Expertise: Fidelity and Infidelity Chapter 11 Chapter VII. Colombyre or the Torch of Peace: The Role of Person-Community in Living Creative Fidelity to Values Chapter 12 Chapter VIII. The Sting: Threatening the Foundations of Fidelity Chapter 13 Chapter IX. Rome Is No Longer in Rome: Challenge for Creative Incarnations of Fidelity Chapter 14 Chapter X. Conclusion: Creative Fidelity, Sketch of the Essential Features Highlighted Part 15 Part Three: Resources for Research Chapter 16 I. Biblio-biography Chapter 17 II. Parallel of Theater and Philosophy Chapter 18 III. Works by Gabriel Marcel in chronological order of composition Chapter 19 IV. Bibliographic References Chapter 20 V. Partial List of Plays Produced Chapter 21 VI. Centers of Research Part 22 Index

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Book SynopsisStyle. Beauty. Passion. Vision.These are just a few of the words often used to describe the films of the single most celebrated director in Italy, and one of the most important directors the world has ever known,Federico Fellini. Fifty years since their initial releases, his films of the 1960s still inspire, shock, and delight. More than just encapsulating the ''60s, these films also helped define the style of the decade. With a staggering twelve Academy Award nominations between his four feature films during this period, Fellini reached the heights of fame, film artistry, and worldwide prominence. Studied, analyzed, and re-released over the years, these films continue to amaze each new generation that discovers them. Their impeccable style makes them timeless. Their images make them unforgettable. Their passion brings them to life. And their singular vision makes them unique in all of cinema. Fellini: The Sixties is a stunning photographic journey through the director''s most iconic Trade Review"Italy's most celebrated filmmaker gets a royal salute in Fellini: the Sixties, a lavishly illustrated tribute to director Federico Fellini and his iconic, often shocking movies of that era, including La Dolce Vita, 81/2 and Fellini Satyricon." -Parade.com "For Federico Fellini aficionados, the lavishly illustrated new book Fellini: The Sixties is the equivalent of a mouthwatering plate of spaghetti and a glass of the best Chianti. It's a fantastic voyage into the magical world of one of cinema's greatest masters..." -LA Times

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Book SynopsisMarch 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was.

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Book SynopsisThis work features 16 uncensored interviews with filmmakers who have struggled to realise their visions in a constantly shifting political landscape.

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Book SynopsisWidely acclaimed as America''s greatest living film director, Martin Scorsese is also, some argue, the pre-eminent Italian American artist. Although he has treated various subjects in over three decades, his most sustained filmmaking and the core of his achievement consists of five films on Italian American subjects - Who''s That Knocking at My Door?, Mean Streets, Raging Bull, GoodFellas, and Casino - as well as the documentary Italianamerican. In Gangster Priest Robert Casillo examines these films in the context of the society, religion, culture, and history of Southern Italy, from which the majority of Italian Americans, including Scorsese, derive.Casillo argues that these films cannot be fully appreciated either thematically or formally without understanding the various facets of Italian American ethnicity, as well as the nature of Italian American cinema and the difficulties facing assimilating third-generation artists. Forming a unifiTrade Review'Gangster Priest is a timely and essential contribution to Scorsese scholarship. In particular, Casillo accomplishes in-depth readings of some of the director's most well-known feature films, such as Casino, Goodfellas, Mean Streets, Raging Bull, and Who's Knocking at My Door? Overall, the volume is composed of fine analyses that stand on their own yet also complement one another and work as cohesive whole.' -- Dana Renga, Italian American Review: Winter 2011

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Book SynopsisLong before Sam Peckinpah finished shooting his 1973 Western, Pat Garrett and Billy the Kid, there was open warfare between him and the studio. In this scrupulously researched new book Paul Seydor reconstructs the riveting history of a brilliant director fighting to preserve an artistic vision while wrestling with his own self destructive demons.

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Book SynopsisProvides a new framework in which to interpret the films of Michael Haneke, including Funny Games, Caché, and others, and to show how the concept of intermediality can be used to expand the possibilities of film and media studies, tying the two more closely together.

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Book SynopsisExamines wounding as a foundational principle of modernism in literature and film. Theorizing the genre of the narrative wound - texts that aim not only to depict but also to inflict injury - Ian Fleishman reveals harm as an essential aesthetic strategy in ten exemplary authors and filmmakers.Trade ReviewAn incisive and provocative contribution to the history and theory of modern narrative since Baudelaire… Fleishman shows that the idea of an open wound as an allegoric dimension, or an ‘aesthetics of injury,' plays a vital and thus far neglected role in nineteenth and twentieth-century literature."" - Johannes Türk, author of Die Immunität der Literatur""Aesthetics of Injury is insightful, beautifully written, and compelling. It will help shift many discussions in literary, film and feminist studies."" - Kathleen Komar, author of Reclaiming Klytemnestra: Revenge or Reconciliation

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Book SynopsisOffers a history and analysis of the essay film, one of the most significant forms of intellectual filmmaking since the end of World War II. Warner incisively reconsiders the defining traits and legacies of this still-evolving genre through a groundbreaking examination of the vast and formidable oeuvre of Jean-Luc Godard.Trade Review“Godard and the Essay Film is a first-rate piece of scholarship that makes substantial contributions on a variety of topics, including the essay as literary and cinematic form, film and philosophy, and the study of the indispensable oeuvre of Jean-Luc Godard." —Michael Renov, author of The Subject of Documentary"Godard and the Essay Film is an exceptionally innovative and fresh study that manages to rethink one of the most important and challenging filmmakers in cinema history. In the process, Warner has also engaged one of the most important and prominent waves in modern filmmaking, the essay film. While there is a growing body of scholarship on this subject, Warner's more focused engagement offers keen new insights that extend beyond Godard's work." —Timothy Corrigan, author of The Essay Film: From Montaigne, after MarkerTable of Contents List of Illustrations Acknowledgments Introduction Chapter One: Research in the Form of a Spectacle Chapter Two: A Critical Poetics of Citation Chapter Three: Refiguring the Couple: Love, Dialogue, and Gesture Chapter Four: To Show and Show Oneself Showing: Essayistic Self-Portrayal Coda Stereoscopic Essays for the New Century Notes Index

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Book SynopsisOffers a history and analysis of the essay film, one of the most significant forms of intellectual filmmaking since the end of World War II. Warner incisively reconsiders the defining traits and legacies of this still-evolving genre through a groundbreaking examination of the vast and formidable oeuvre of Jean-Luc Godard.Trade Review“Godard and the Essay Film is a first-rate piece of scholarship that makes substantial contributions on a variety of topics, including the essay as literary and cinematic form, film and philosophy, and the study of the indispensable oeuvre of Jean-Luc Godard." —Michael Renov, author of The Subject of Documentary"Godard and the Essay Film is an exceptionally innovative and fresh study that manages to rethink one of the most important and challenging filmmakers in cinema history. In the process, Warner has also engaged one of the most important and prominent waves in modern filmmaking, the essay film. While there is a growing body of scholarship on this subject, Warner's more focused engagement offers keen new insights that extend beyond Godard's work." —Timothy Corrigan, author of The Essay Film: From Montaigne, after MarkerTable of Contents List of Illustrations Acknowledgments Introduction Chapter One: Research in the Form of a Spectacle Chapter Two: A Critical Poetics of Citation Chapter Three: Refiguring the Couple: Love, Dialogue, and Gesture Chapter Four: To Show and Show Oneself Showing: Essayistic Self-Portrayal Coda Stereoscopic Essays for the New Century Notes Index

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Book SynopsisArgues that Alfred Hitchcock was as much a filmmaker of things and places as he was of people. Drawing on the thought of Bruno Latour, John Bruns traces the complex relations of human and nonhuman agents in Hitchcock's films with the aim of mapping the Hitchcock landscape cognitively, affectively, and politically.

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Book SynopsisFor nearly 40 years, David Lynch''s works have enthralled, mystified, and provoked viewers. Lynch''s films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet, Mulholland Drive, and INLAND EMPIRE, Lynch has pushed the boundaries of cinematic storytelling. In David Lynch: Beautiful Dark, author Greg Olson explores the surreal intricacies of the director''s unique visual and visceral style not only in his full-length films but also his early forays into painting and short films, as well as his television landmark, Twin Peaks. This in-depth exploration is the first full-length work to analyze the intimate symbiosis between Lynch''s life experience and artistic expressions: from the small-town child to the teenage painter to the 60-year-old Internet and digital media experimenter.To fully delineate thTrade ReviewSimply put, the book, "Beautiful Dark" by Greg Olsen is a work of art...The one thing that hits you about this book is the amount of passion that Olsen has put into his work....Olsen covers nearly every imaginable work that Lynch has ever done to date and does so with great enthusiasm and passion. He insightfully moves between Lynch's works with a precision that is both refreshing and exhaustive at the same time. The result is a chance between two worlds...into a place where no one has gone before....So if you were hesitating picking this one up, as Coop would say, "Every day, once a day, give yourself a present..." And grab this book today! -- Brian Kursar * Dugpa.Com, 10/4/08 *An essential resource in understanding Lynch’s work. -- David Bushman, Curator, Television, The Paley Center for MediaWith unprecedented access to Lynch, his parents, family, and colleagues, Olson has captured and defined the raw, mysterious energy that flows through the works of this iconoclastic auteur. * Zentralblatt für Geologie und Paläontologie, February 2009 *Olson's comprehensive biography of this highly original filmmaker contains a wealth of information, much of it previously unpublished. * CHOICE, June 2009 *A thorough-going critical study of Lynch's works in all media that is firmly embedded in a clear biographical narrative and backed by lengthy interviews with almost everyone in his life....The result is exactly the kind of complex, keen-eyed but sympathetic critical biography one wishes every great filmmaker could receive. * Dga Quarterly *

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