Individual artists, art monographs Books
Distributed Art Pub Rashid Johnson A Poem for Deep Thinkers
Book SynopsisFrom his early self-portraits to his site-specific installations, this volume underscores Rashid Johnson''s fearless engagement with the central themes, questions and aesthetics of the contemporary eraCo-organized by the Guggenheim New York and the Modern Art Museum of Fort Worth, A Poem for Deep Thinkers is a three-decade survey of Rashid Johnson's artistic career. It situates the artist within three interconnected spheres: as a scholar of art history; as a mediator of Black popular culture and its widespread commodification; and as an artist engaged with the globalization of contemporary art. The exhibition and accompanying catalog feature nearly 90 artworks, including early photographs, Cosmic Slops, spray-painted text works, collage paintings, Broken Men mosaics, film projects, and key sculptures and installations that incorporate materials such as shea butter, black soap, plants, ceramic vessels and wax. These explorations demonstrate Johnson's uncommon fluency with multiple materials and forms as well as a nuanced ability to synthesize the condition of the human psyche.Lavishly produced with gold block edges and illustrated with more than 200 images, the publication offers creative meditations on excerpts by literary icons Toni Morrison, Gwendolyn Brooks, Jean Genet, Paul Beatty and Amiri Baraka, interspersed among insightful essays and an interview that further illuminate Johnson's work.Born and raised in Chicago, Rashid Johnson (born 1977) received fine arts degrees from Columbia College Chicago and the School of the Art Institute of Chicago. At the age of 24, his work was included in Thelma Golden's 2001 exhibition Freestyle at the Studio Museum in Harlem. Johnson made his directorial debut with his 2019 adaptation of Richard Wright's Native Son.
£49.50
Getty Trust Publications Insects and Flowers The Art of Maria Sibylla
Book SynopsisBetween 1699-1701, Maria Sibylla Merian travelled to the Dutch colony of Suriname in South America to study the area's unique flora and fauna. Many of the drawings and painting she produced on this trip were published in her "Metamorphosis of the Insects of Suriname" (1705). This volume reproduces details of sixteen plates from that volume.
£10.97
Richard Dennis Elton Ware The Pottery of Sir Edward Elton
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£14.25
Richard Dennis Goldscheider A Catalogue of Selected Models
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£999.99
White Lane Press Robert Lenkiewicz Selfportraits
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£17.50
Carpet Bombing Culture Cement Eclipses Small Interventions in the Big
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£12.30
Sorika A New Concise Reference Dictionary of Art
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£10.00
The Mainstone Press Boutiques Litteraires
£85.00
GlobalArt Affairs Hans Kotter Colour Rush
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£7.50
Sun Vision Press I Am the First Consciousness of Chaos
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£16.96
No More Rulers JeanMichel Basquiat The HeadThe Mind
£999.99
Timothy Taylor Fiona Rae
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£20.75
Distributed Art Pub Loïe Fuller Lecture on Radium
Book SynopsisA luminary in more ways than one, celebrated dancer Loïe Fuller studied radium and its potential uses in performanceThe luminous and radical dance performances of Loïe Fuller (18621928) at the turn of the 20th century were unlike anything that had ever been staged before. In her Serpentine Dance, she wore a large, diaphanous gown she manipulated with her arms to form undulating waves, while colored lights projected onto the fabric gave the illusion of birds, animals or flowers. While her profound influence on writers and artists such as Mallarmé and Rodin is well documented, less well known is Fuller's passion for technology and her involvement with the leading scientists of the time.Lecture on Radium spotlights Fuller's scientific forays in her own words alongside an array of archival documents and photographs of the dancer in action. The centerpiece of the book is her 1907 lecture on the invention of radium, her notes on meeting Marie and Pierre Curie and Thomas Alva Edison, and her literally explosive efforts to create a glow-in-the-dark dance performance. Featuring an introduction by renowned cinema scholar Tom Gunning, this book presents Fuller's eccentric passions and pioneering pursuits in a fresh light.
£22.49
Distributed Art Pub Richard Sharpe Shaver Some Stones Are Ancient
Book SynopsisCult sci-fi author and controversial theorist Richard Sharpe Shaver devoted his life to decoding messages from ancient civilizations left behind in rocksScience fiction writer Richard Sharpe Shaver believed that rocks were books imprinted with valuable information about such mythical ancient races as the Lemurians and Atlanteans. His controversial stories about an advanced prehistoric civilization and a race of evil beings living at the center of the earth appeared in Amazing Stories and other landmark sci-fi publications of the '40s and '50s.A decade later, he was living in relative isolation and devoting himself to rock book research, a course of study that he shared with a devoted group of correspondents. Shaver believed that ancient leaders had left behind images embedded into rocks, which he then tried to interpret. Some Stones Are Ancient Books contains a generous selection of Rokfogos accompanied by hand-typed texts in which Shaver explainsnot always patientlyall that can be seen in these stones. Also included are facsimiles of his handmade books and publications, all of which he felt to be of incalculable importance to civilization.Richard Sharpe Shaver (190775) was an artist and author whose work frequently appeared in 1940s science fiction magazines such as Amazing Stories. He was the center of the Shaver Mystery, a controversy regarding his alleged discovery of a prehistoric civilization, which sparked mass interest and a devoted following that continues to this day.
£18.90
Unbridled Books Elsewhere
Book SynopsisIn Elsewhere, author and photographer Katherine Oktober Matthews examines her compulsion to travela fundamental need to be moving. She lays bare her existential journey as a mixed-format essay and journal written on the road, made even more personal through her contemplative photos, quietly coursing with an underlying conflict. Flitting between cities and blinking back and forth through time, Elsewhere pulsates with a nebulous sense of home and the deep wish to belong. In this innovative personal essay of words and photos, raw and insightful of a time and a generation, Matthews traces the widening recognition that the one thing a wanderer takes with her everywhere is herself.
£19.20
TRA Publishing Intuitive Alphabet
Book SynopsisFrom internationally-acclaimed artist and author Michele Oka Doner comes an intriguing alphabet/artist's book that explores the intricate relationship between nature and language.
£22.09
Cambridge University Press Painting in Renaissance Perugia
Book SynopsisThe first monograph on Italian Renaissance painting in Perugia, its focus is on Pietro Perugino, Raphael Santi, and artists in their circles. Richly illustrated in color, it will interest readers of books on the Renaissance and Renaissance art history, Italian art, European cultural history, Economic history of Art, and Art Patronage.Table of Contents1. Pietro Perugino and his Perugian workshop; 2. Giannicola di Paolo, case study of a prominent local painter; 3. Berto di Giovanni, Eusebio da San Giorgio, and the Società del 1496; 4. Raphael Santi and the Perugians; 5. Domenico Alfani, the next generation.
£80.75
Austin Macauley Publishers The Essence and Duke Ellington
Book Synopsis
£11.69
Bloomsbury Publishing PLC Photographic Realism
Book SynopsisOne of the most captivating and provocative artists of the Sensation generation, Richard Billingham (b. 1970) came to prominence in the late 1990s with his visceral photobook Ray's a Laugh, a slice of everyday life in a high-rise sink estate in the British West Midlands. This book is the first comprehensive discussion of Billingham's art practice. Articulating the socio-historical, aesthetic, geographical as well as anthropological aspects of Billingham's art, the book situates his work within the British neorealist tradition in visual art, cinema and televisual culture.Beginning with the first photographic studies of his father in the early 1990s, Cashell argues that these sympathetic, haunting images prefigure the later development of his thematic concerns. Significant consideration is also given to Billingham's cinematic oeuvre, including his recent feature-length autobiographical film, Ray & Liz, which substantially clarifies the complex continuity of his dTrade ReviewKieran Cashell is a gifted writer and academic. He expertly draws from a wide palette of writers and theorists including Beckett and Freud to present us with a brilliant and original analysis of the complex and intriguing work of Richard Billingham. * Eoin Devereux, University of Limerick, Ireland and University of Jyvasklya, Finland *Cashell stresses the iconographic and thematic correspondences that recur throughout Billingham’s work, whose camerawork constantly questions the conditions of a photographic realism that is neither sentimental nor sensationalist. * Critique d’art *Table of ContentsList of Abbreviations Introduction: Still Pursuing the Real 1. A Sociologist’s Paradise: Early Studies 1990-1994 2. Prole Art Threat: Ray’s a Laugh (1996) 3. They Fuck You Up: Sensation / Fishtank (1997-1998) 4. Outside: Black Country (1997-2003) / Landscapes (2001-2003) 5. Enclosure: Zoo (2004-2006) 6. Home: Recent Cinematic Work (2015-2018) Conclusion: Locating Billingham in the Context of British Neorealism Notes Index
£28.94
Abrams Books Norman Rockwells Christmas
Book Synopsis
£19.55
Orion Publishing Co Gainsborough
Book Synopsis** Selected as a Book of the Year in The Times, Sunday Times and Observer **''Compulsively readable - the pages seem to turn themselves'' John Carey, Sunday Times ''Brings one of the very greatest [artists] vividly to life'' Literary ReviewThomas Gainsborough lived as if electricity shot through his sinews and crackled at his finger ends. He was a gentle and empathetic family man, but had a shockingly loose, libidinous manner and a volatility that could lead him to slash his paintings. James Hamilton reveals the artist in his many contexts: the talented Suffolk lad, transported to the heights of fashion; the rake-on-the-make in London, learning his craft in the shadow of Hogarth; the society-portrait painter in Bath and London who earned huge sums by charming the right people into his studio. With fresh insights into original sources, Gainsborough: A Portrait transforms our understandinTrade ReviewWith great imaginative verve [Hamilton recreates] the social atmosphere of the places where the artist and his family settled ... [Hamilton] is constantly fascinating about the paintings ... His book is gorgeously illustrated and compulsively readable - the pages seem to turn themselves. Almost as good as owning a Gainsborough -- John Carey * Sunday Times *A shrewd and entertaining biography ... Hamilton's approach is influenced by his perception that Gainsborough owed much to Hogarth ... This valuable insight informs both Hamilton's exploration of Gainsborough's art and his thorough and imaginative interpretation of the life ... Hamilton's book brings one of the very greatest [artists] vividly to life -- Robin Simon * Literary Review *Colourful and thoughtful ... What Hamilton's vivid book makes clear is just how lucky some of his sitters were; what they got for their guineas was not simply a likeness of imperishable glamour, but the company of a man who was every bit as lively and engaging as his paintings -- Michael Prodger * The Times Book of the Week *Although [Hamilton's] primary focus is the life rather than the work ... the vivid descriptions of Gainsborough's studio practice breathe an authentic whiff of turps and linseed oil into the story ... Highly readable and brilliantly reconstructed -- Michael Bird * Daily Telegraph *Hamilton is a first-rate art historian ... He gives us deft explanations of mysterious artistic effects - Gainsborough's use of ground glass in the medium, and how he might have learnt about it, and what it does to the surface. But the question of money is Hamilton's core expertise: how much Gainsborough earned and how much of it went on necessary display, such as grand houses in Bath and Pall Mall. And fascinating it is, too ... Gainsborough is one of the most lovable of great artists, and his personality shines through. This is an enjoyable biography by a writer who understands him -- Philip Hensher * The Spectator *[A] richly humane biography of the artist ... [An] astute yet generous book -- Kathryn Hughes * Guardian *[A] wonderful new biography ... Hamilton is fascinating on Gainsborough's experimental and innovative technique, how he moved from what he calls the 'dabbing' of the artist's early paintings, with their more doll-like figures and outlines, to the characteristic loose sweeps, the 'brushing' style of his later work -- Lucy Lethbridge * Financial Times *James Hamilton's wholly absorbing biography is very different from the usual kind of art historical study that often surrounds such a major figure as Thomas Gainsborough (1727-88). Hamilton is positively in love with his subject, and writes with verve and enthusiasm, yet grounds it on vast research with primary and secondary sources, all impeccably noted -- Marina Vaizey * The Arts Desk *Hamilton's Gainsborough is a 'Jack-the-Lad', a 'swigging, gigging, kissing, drinking, fighting' good-time city boy in London and Bath ... [Hamilton] is strong both on the Gainsborough who is stirred by harvest gleaners and woodland cottages, and the Gainsborough who frets about his framing fees and boasts about the musical instruments he has bought ... [The book] gallops along at highwayman's pace -- Laura Freeman * Apollo Magazine *Spendthrift, talking nineteen to the dozen, laddish, musical and often resentful of the sitters that he had to paint in order to earn a living ("confounded ugly creatures"), [Gainsborough] is brought to lively and likeable life in Gainsborough: A Portrait by James Hamilton. The painter was, Hamilton says, more serious about his art than he let on, but it is those trace elements of his personality that give his pictures their sparkle -- Michael Prodger * Sunday Times Art Books of the Year 2017 *This affectionate and intricately researched biography is a memorable account of Gainsborough as 'one of the most joyous eccentrics' of his time -- Jane Shilling * Daily Mail Must Reads *Were Mr and Mrs Andrews complete pricks? In his delightfully racy portrait of one of our most renowned British portraitists, the art historian James Hamilton suggests that Thomas Gainsborough's wedding picture of a pair of snooty Suffolk landowners is adorned with more pictures of penises than the wall of a public loo. This is just one of many new lights cast on Gainsborough, a "swigging, gigging, kissing, drinking, fighting" Jack-the-lad who, with his gift of the gab and his canny eye on the main chance, cavorts through Georgian England -- Rachel Campbell-Johnston * The Times Art Books of the Year 2017 *This account of the Georgian portrait painter's life is set against a backdrop of dirt and highwaymen and skeletons on gibbets on Hounslow Heath. An 18th-century Scottish sex therapist even makes an appearance. But for all the fun the author has with the painter's penchant for drink and sex, the writing really takes off when Hamilton engages with Gainsborough's paintings themselves in all their swimmy, silken sheen -- Teddy Jamieson * Sunday Herald Books of the Year *Glitters from beginning to end -- Jonathan Wright * Catholic Herald Books of the Year *A fine and empathetic portrait [of] a man who was as lively as his brushwork -- Michael Prodger * RA Magazine *[Gainsborough's] tetchiness animates this enjoyable biography, which also shows how his techniques were ahead of their time * Daily Telegraph *
£12.99
Orion Publishing Co Andy Warhol
Book Synopsis'Properly analytical ... always entertaining' TIME OUT'Should tempt both those generally familiar with Andy Warhol and, even more, young people who have trouble imagining how popular art can challenge the status quo' L A TIMESPainter, filmmaker, photographer, philosopher, all-round celebrity, Andy Warhol is an outstanding cultural icon. He revolutionised art by bringing to it images from popular culture - such as the Campbell's soup can and Marilyn Monroe's face - while his studio, the Factory, where his free-spirited cast of 'superstars' mingled with the rich and famous, became the place of origin for every groundswell shaping American culture. In many ways he can be seen as the precursor to today's 'celebrity artists' such as Tracey Emin and Damian Hirst. But what of the man behind the white wig and dark glasses? Koestenbaum gives a fascinating, revealing and thought-provoking picture of pop art's greatest icon.Trade ReviewA properly analytic, and always entertaining, account of Warhol's effort to record the encounter between his awkward, shamed and failing body and the corporeal lustre for which he longed.This is as smart and serious account as you could desire * TIME OUT *Throughout, Koestenbaum's engagements with Warhol's life and art, tinged with poetic brilliance and surgical dispassion, feel very high-stakes indeed, making this book an engrossing battle of wills * PUBLISHERS WEEKLY *Koestenbaum gives us a Warhol who is ineffably sad but heroic too: a man full of bravado, patience, energy and devotion to work, to making things. It's a book that should tempt both those generally familiar with Andy Warhol and, even more, young people who have trouble imagining how popular art can challenge the status quo * LA TIMES *Wayne Koestenbaum, an astute cultural critic who in the past has eloquently explored topics ranging from opera to Jacqueline Onassis, has written a brief biography, Andy Warhol, ... Instead of portraying Warhol as he has been popularly depicted for decades, as the pope of Pop, Koestenbaum sketches him as the sovereign of Swish. This is a portrait of Andy Warhol as the ''20th century's quintessential "queer" artist.' * NEW YORK TIMES *
£8.54
Amazon Publishing Modern Man
Book SynopsisFrom the award-winning author of Wrestling with Moses comes a fascinating, accessible biography of the most important architect of the twentieth century.Modern Man is a riveting biography of Le Corbusier—a man who invented new ways of building and thinking. Modern Man is a penetrating psychological portrait of a true genius and constant self-inventor, as well as a sweeping tale filled with exotic locales, sex and celebrity (he was a lover of Josephine Baker), and high-stakes projects. In Flint’s telling, Corbusier isn’t just the grandfather of modern architecture but a man who sought to remake the world according to his vision, dispelling the Victorian style and replacing it with something never seen before. His legacy remains controversial today, as the world grapples with how to house its skyrocketing urban population and the cult of the “starchitect” continues to grow.Modern Man is foTrade Review“Flint’s life of “the original star architect” astutely captures Le Corbusier’s hubris and vulnerabilities and makes a persuasive case for his artistic significance.” —Kirkus Reviews “Journalist Flint (Wrestling with Moses) recounts the life and times of the legendary architect Charles-Édouard Jeanneret, aka Le Corbusier, and provides illuminating details of his most iconic projects…Insightful.” —Publishers Weekly “[Flint] catches Le Corbusier’s irascible personality well and makes a compelling case for his importance.” —The New Yorker
£8.54
Manchester University Press Leonora Carrington and the International
Book SynopsisLeonora Carrington (1917-2011) was an English surrealist artist and writer who emigrated to Mexico after the Second World War. This volume approaches Carrington as a major international figure in modern and contemporary art, literature and thought. It offers an interdisciplinary exploration of the intellectual, literary and artistic currents that animate her contribution to experimental art movements throughout the Western Hemisphere, including surrealism and magical realism.The book contains nine chapters from scholars of modern literature and art, each focusing on a major feature in Carrington's career. It also features a visual essay drawn from the 2015 Tate Liverpool exhibition Leonora Carrington: Transgressing Discipline, and two experimental essays by the novelist Chloe Aridjis and the scholar Gabriel Weisz, Carrington's son. This collection offers a resource for students, researchers and readers interested in Carrington's works.Trade Review‘Feminist readings duly predominate in Leonora Carrington and the International Avant-Garde, edited by Jonathan P. Eburne and Catriona McAra. In this collection a dozen authors set out to reinsert Carrington – against her willed marginality – into the intellectual currents of her many epochs, as an active collaborator […] these resourceful studies draw Carrington's co-ordinates in cultural space. Eburne's inspired reading of the wraithy cloud at the centre of Grandmother Moorhead's Aromatic Kitchen (1975) connects it by winding paths to Carrington's lovely phrase in “Jezzamathatics”: “an incalculable gesture of suspended astonishment.”’Lorna Scott Fox, TLS, May 2017‘This brimming cauldron of essays affirms the continuing value of Carrington’s work, with contributions from established and more recent scholars, as well as from contemporary artists including Lucy Skaer, Lynn Lu and Samantha Sweeting. The contents are imaginatively expanded to include a contribution in the form of an affectionate alphabet of memories from the Mexican novelist Chloe Aridjis, and a gallery of images interspersed with quotations from Carrington that reveals something of her range of media, which Aridjis and her fellow curators provided for the Tate Liverpool exhibition Leonora Carrington in 2015.’Robert Radford, The Burlington Magazine, November 2017‘The editors of Leonora Carrington and the International Avant-Garde are right to argue that she ought to be seen as ‘a major artist and writer in her own right’ […] many of the contributions here offer overdue research into her wider work and interests, such as her pieces for the Mexican journal S.NOB, her writing and illustrations for children and her interest in Mexican history and Tibetan Buddhism.’Edmund Gordon, London Review of Books, November 2017‘In a series of essays that reframe and problematize readings of the artist’s paintings, graphic arts, and writings, Leonora Carrington and the international avant-garde offers a welcome take on its subject. A particular strength of the volume is its emphasis on the artist’s literary works, including novels and short stories […] Leonora Carrington and the international avant-garde provides challenging new readings and fecund analysis of Carrington’s little-studied written texts, juxtaposed with consideration of her painting and graphic work.’Caroline I. Harris, Woman’s Art Journal (Spring/Summer 2019) -- .Table of ContentsIntroduction: Leonora Carrington and the international avant-garde - Jonathan P. Eburne and Catriona McAra1 An A-Z of Leonora Carrington memories, mostly in quotes, gathered over years of visits to her home - Chloe Aridjis2 'An allergy to collaboration': the early formation of Leonora Carrington's artistic vision - Susan L. Aberth3 'Genealogical gestation': Leonora Carrington between modernism and art history - Ara H. Merjian 4 Experience and knowledge in Down Below - Natalya Lusty5 Dissecting The Holy Oily Body: Remedios Varo, Leonora Carrington and El Santo Cuerpo Grasoso - Tara Plunkett6 'A language buried at the back of time': The Stone Door and poststructuralist feminism - Anna Watz7 Losing one's head in the 'Children's Corner': Carrington's contributions to S.NOB in 1962 - Abigail Susik8 Shadow children: Leonora as storyteller - Gabriel Weisz9 Poetic wisdom: Leonora Carrington and the esoteric avant-garde - Jonathan P. Eburne10 Carrington's sensorium - Janet Lyon11 A nonagenarian virago: quoting 'Carrington' in contemporary practice - Catriona McAra12 Leonora Carrington: transgressing discipline - Chloe Aridjis, Francesco Manacorda and Lauren BarnesIndex
£26.00
Manchester University Press Ford Madox Brown: The Manchester Murals and the
Book SynopsisThis book argues that Ford Madox Brown’s murals in the Great Hall of Manchester Town Hall (1878–93) were the most important public art works of their day. Brown’s twelve designs on the history of Manchester, remarkable exercises in the making of historical vision, were semi-forgotten by academics until the 1980s, partly because of Brown’s unusually muscular conception of what history painting should set out to achieve. This ground-breaking book explains the thinking behind the programme and indicates how each mural contributes to a radical vision of social and cultural life. It shows the important link between Brown and Thomas Carlyle, the most iconoclastic of Victorian intellectuals, and reveals how Brown set about questioning the verities of British liberalism.Trade Review'Ford Madox Brown: The Manchester Murals and the Matter of History offers readers a meticulous analysis of Brown’s final artistic project … The detailed visual analyses in these chapters are a major strength and contribution of Trodd’s book .. Trodd has taken the time to consider each image as part of a larger conceptual whole. His attentive readings reveal the coherent structure of the series and lend credence to his overarching argument that the murals have been largely misunderstood… , Trodd has done an exemplary job of articulating the stakes of his assertion in relation to larger concerns about British painting, Pre-Raphaelite conceptions of history, and the fraught relationship between Victorian art and dominant conceptions of modernism… Trodd’s reading has the dual benefit of enriching our understanding of Brown’s artistic motives and expanding our conception of how late-Victorian painting contributed to the history of British art… Without a doubt, Trodd’s interpretation of the murals is the most sustained and detailed to date.'Carolyn Porter Phinizy, Journal of Pre-Raphaelite Studies (Summer 2023)Ford Madox Brown and the Manchester Murals has been nominated for the William MB Berger Prize. -- .Table of ContentsIntroductionPART I: A WORKING LIFE1 Ford Madox Brown and the historical imagination2 The makingof Ford Madox BrownPART II: HISTORY EMBODIED3 Manchester, mythos, murals4 The endless periphery5 Manchester made modernAfterword: the last of Ford Madox Brown Index
£42.75
Manchester University Press Killing Men & Dying Women: Imagining Difference
Book SynopsisWhat did it mean for painter Lee Krasner to be an artist and a woman if, in the culture of 1950s New York, to be an artist was to be Jackson Pollock and to be a woman was to be Marilyn Monroe? With this question, Griselda Pollock begins a transdisciplinary journey across the gendered aesthetics and the politics of difference in New York abstract, gestural painting. Revisiting recent exhibitions of Abstract Expressionism that either marginalised the artist-women in the movement or focused solely on the excluded women, as well as exhibitions of women in abstraction, Pollock reveals how theories of embodiment, the gesture, hysteria and subjectivity can deepen our understanding of this moment in the history of painting co-created by women and men. Providing close readings of key paintings by Lee Krasner and re-thinking her own historic examination of images of Jackson Pollock and Helen Frankenthaler at work, Pollock builds a cultural bridge between the New York artist-women and their other, Marilyn Monroe, a creative actor whose physically anguished but sexually appropriated star body is presented as pathos formula of life energy.Monroe emerges as a haunting presence within this moment of New York modernism, eroding the policed boundaries between high and popular culture and explaining what we gain by re-thinking art with the richness of feminist thought.Trade Review‘With theoretic acuity, Griselda Pollock revisits New York Abstract Expressionism to propose a feminist reading of the Jewish-American artist Lee Krasner that is as astonishing as it is compelling. Seeking to discover inscriptions of feminine sexual difference, these psychoanalytically inspired essays revolve around a conceptual triangulation, in which Krasner’s position as a painter-woman in abstract art is conceived as a third position, interrogating and reworking two competing components of her creative energy – with Jackson Pollock as an iconisation of her identity as an artist and Marilyn Monroe as an iconisation of her identity as a woman. The triptych that emerges is utterly riveting.’ Elisabeth Bronfen, Professor of English and American Studies, University of Zurich‘Killing Men & Dying Women represents an exciting new development for Griselda Pollock’s work. She deconstructs the misogyny of 1950s America as well as an art establishment that critically ignored and institutionally marginalised the women artists of Abstract Expressionism. Making an unflinching use of feminist psychoanalytic theory, she argues for a more significant maternal relation in the human psyche’s development than traditional psychoanalysis allows. This perspective brings into visibility occluded modes of feeling and understanding that women’s art, fragilely, preserves. The image and the story of Marilyn Monroe is woven into the texture of the argument, upsetting the decade’s transcendent image of “woman” and revealing the patriarchal insecurities it represented.’Laura Mulvey, Professor of Film Studies, Birkbeck, University of London‘A book that reveals art history as a concerted and difficult and passionate business – a contest, a battle, in short, a lived experience.’Alexander Nemerov, Carl and Marilynn Thoma Provostial Professor in the Arts and Humanities, Stanford University -- .Table of ContentsIntroduction1 Prophecy, 19562 Five essays on sexuality (and art)3 What did Greenberg not say, or dare to think?4 Is the gesture male?5 Is the artist hysterical?6 Massacred women do not make me laugh, nor do the agonies of Marilyn Monroe’s body7 Dancing space: Prophecy to Sun Woman I8 Three memories: Rosenberg and MonroeAppendix: Sexual differenceIndex
£72.00
Hodder & Stoughton A Love Letter to Europe: An outpouring of sadness
Book SynopsisHow are great turning points in history experienced by individuals?As Britain pulls away from Europe great British writers come together to give voice to their innermost feelings. These writers include novelists, writers of books for children, of comic books, humourists, historians, biographers, nature writers, film writers, travel writers, writers young and old and from an extraordinary range of backgrounds. Most are famous perhaps because they have won the Booker or other literary prizes, written bestsellers, changed the face of popular culture or sold millions of records. Others are not yet household names but write with depth of insight and feeling.There is some extraordinary writing in this book. Some of these pieces are expressions of love of particular places in Europe. Some are true stories, some nostalgic, some hopeful. Some are cries of pain. There are hilarious pieces. There are cries of pain and regret. Some pieces are quietly devastating. All are passionate.Conceived as a love letter to Europe, this book may also help reawaken love for Britain. It shows the unique richness and diversity of British cultures, a multitude of voices in harmony.Contributors include:Hugh Aldersey-Williams, Philip Ardagh, Jake Arnott, Patricia Atkinson, Paul Atterbury, Richard Beard, Mary Beard, Don Boyd, Melvyn Bragg, Gyles Brandreth, Kathleen Burke, James Buxton, Philip Carr, Brian Catling, Shami Chakrabarti, Chris Cleave, Mark Cocker, Peter Conradi , Heather Cooper, Frank Cottrell-Boyce, Roger Crowley, David Crystal, William Dalrymple, Lindsey Davies, Margaret Drabble, Mark Ellen, Richard Evans, Michel Faber, Sebastian Faulks, Ranulph Fiennes, Robert Fox, James Fox, Neil Gaiman, Evelyn Glennie, James Hanning, Nick Hayes, Alan Hollinghurst, Gabby Hutchinson-Crouch, Will Hutton, Robert Irwin, Holly Johnson , Liane Jones, Ruth Jones, Sam Jordison, Kapka Kassabova, AL Kennedy, Hermione Lee, Prue Leith, Patrick Lenox, Roger Lewis, David Lindo, Penelope Lively, Beth Lync, Richard Mabey, Sue MacGregor, Ian Martin, Frank McDonough, Jonathan Meades, Andrew Miller, Deborah Moggach, Ben Moor, Alan Moore, Paul Morley, Jackie Morris, Charles Nicholl, Richard Overy, Chris Riddell, Adam Roberts, Tony Robinson, Lee Rourke, Sophie Sabbage, Marcus Sedgwick, Richard Shirreff, Paul Stanford, Isy Suttie, Sandi Toksvig, Colin Tudge, Ed Vulliamy, Anna Whitelock, Kate Williams, Michael Wood, Louisa Young
£10.44
Smithsonian Books Lee Ufan: Open Dimension
Book Synopsis
£36.00
Metropolitan Museum of Art Delacroix Drawings: The Karen B. Cohen Collection
Book SynopsisKnown as the master of French Romanticism for his energetic paintings, Eugène Delacroix (1798–1863) was also a consummate draftsman. This handsome book, one of the few to explore this topic in depth, provides new insight into Delacroix’s drawing practice, paying particular attention to his materials and techniques and the ways in which the artist pushed the boundaries of the medium. The remarkable group of nearly 130 drawings featured here, many of which have been rarely seen, include academic and anatomical studies, sketches from nature, and preparatory drawings related to many of Delacroix’s most renowned canvases, among them The Massacre at Chios and Liberty Leading the People. Published by The Metropolitan Museum of Art / Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art (07/17/18–11/11/18)
£23.75
Aperture Barry McGee: Photography
Book SynopsisThis monograph is the first to collect the photographs of internationally acclaimed multimedia artist Barry McGee. Though best known for the inventive graphic sensibility of his paintings and drawings, McGee’s use of photography is an essential, often underappreciated, component of his artistic vision. Captured at all hours and around the world with whatever camera is at hand, McGee’s images are immediate, casual, intimate, and anarchic all at once. His work boldly employs geometric shapes, clusters of framed drawings and paintings, distinctive characters, and found objects such as empty bottles, surfboards, and wrecked vehicles. Whether incorporated into his iconic multi-element compositions, or printed in the innumerable fanzines and artist’s books that often accompany his exhibitions, photographs pervade McGee’s practice. Barry McGee: Photographs provides unique insight into the process of a major American artist, and is a testament to the immense amount of visual information McGee has absorbed to build one of the most eclectic and innovative artistic legacies of our time.
£45.00
Aperture Bettina: Photographs and works by Bettina
Book SynopsisBettina is the first monograph to showcase the work of the previously unsung artist Bettina Grossman, whose wildly interdisciplinary practice spanned photography, sculpture, textile, cinema, drawing, and more.An eccentric personality fully dedicated to her art, Bettina lived in the famous Chelsea Hotel from 1968 until her death in late 2021. In her tiny studio, she produced and accumulated a considerable body of work, much of which has remained unseen and unpublished until now. Her interests ranged from geometric and abstract studies, drawn from observations of people on the street, to pieces that transformed language into graphic, abstract “verbal forms.” Incorporating strategies of chance and the abstraction of everyday form through repetition and seriality, Bettina pushed the photographic medium to and beyond its limits. As Robert Blackburn, artist and founder of the Printmaking Workshop, astutely observed of Bettina’s work: “The photography, film, sculpture are as one, for the photographic medium is employed not only for documentation but as an endless source of inspiration from which other disciplines emerge—and merge.” Bettina was the winner of the Luma Rencontres Dummy Book Award Arles 2020 and is copublished by Aperture and Éditions Xavier Barral.
£40.50
Aperture Kelli Connell Pictures for Charis
Book SynopsisPictures for Charis offers a groundbreaking new work by artist Kelli Connell, synthesizing text and image, while raising vital questions about photography, gender, and portraiture in the twenty-first century. Pictures for Charis is a project driven by photographer Kelli Connell’s obsession with the writer Charis Wilson, Edward Weston’s partner, model, and collaborator during one of the most productive segments of his historic career. Connell focuses on Wilson and Weston’s shared legacy, traveling with her own partner, Betsy Odom, to locales where the latter couple made photographs together more than eighty years ago. Wilson wrote extensively about her travels and about her, and Weston’s, photographic concerns. In chasing Charis Wilson’s ghost, Connell tells her own story, one that finds a kinship with Wilson and, to her surprise, Weston, too, as she navigates her own life and struggles as an artist against a
£45.00
Grolier Club The Prints of Emil Nolde: (1897-1956): From the
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£10.25
Melville House Publishing Becoming Leonardo
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£15.29
teNeues Calendars & Stationery GmbH & Co. KG Variegation in the Triangle, Vasily Kandinsky
Book Synopsis"Forget ordinary stationery! teNeues, the luxury German publisher, transforms notecards, journals, puzzles and even clipboards into works of art, with its latest lineup highlighting paintings by celebrated names such as Vincent Van Gogh, Frida Kahlo, Jean-Michel Basquiat and Claude Monet." – Life & Style Magazine Our notecard set features Vasily Kandinsky's Variegation in the Triangle in dynamic greens, yellows and reds with our gold foil accent touches. Vasily Kandinsky was a master of abstraction in it's earliest stages and brought bright geometrics to play in space on the canvas - with the concept that geometry is spiritual and alive, this painting was done during his Bauhaus years. The 4x5 notecards are blank inside, perfect for all occasions & adorned with painterly foil accents.
£999.99
teNeues Calendars & Stationery GmbH & Co. KG Ricefields and Torinomachi Festival Hiroshige
Book SynopsisNew from teNeues Publishing, our sleek, portable case of 8 ball point pens. Our expertly printed pen set is made with coils of paper, making it softer and more eco-friendly than any other pen set. Hiroshige''s Ricefields and Torinomachi Festival ukiyo e print represented here in full colour. Each case contains 8 paper-wrapped pens in a sleek, cigarette case style box with magnetic flap closure.
£15.61
teNeues Calendars & Stationery GmbH & Co. KG Jean-Michel Basquiat Wrapping Paper Book
Book SynopsisNew format from teNeues! A collection of expertly printed wrapping papers, using art from the best art, past and present, in a big format paperback book. Our collection of Jean-Michel Basquiat products deepens with this portfolio of folded wrapping papers with his graffiti style energetic art, expertly reprinted for our big sheets of wrapping paper to add style to your gifts for men or women.
£19.31
WW Norton & Co Schoenberg: Why He Matters
Book SynopsisIn his time, the Austrian American composer Arnold Schoenberg (1874–1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century’s most influential composers and teachers. Sachs shows how Schoenberg, a thorny character who composed thorny works, raged against the “Procrustean bed” of tradition. Defying his critics—among them the Nazis, who described his music as “degenerate”—he constantly battled the anti-Semitism that eventually precipitated his flight from Europe to Los Angeles. Yet Schoenberg, synthesising Wagnerian excess with Brahmsian restraint, created a shock wave that never quite subsided and, as Sachs powerfully argues, his compositions must be confronted by anyone interested in the past, present or future of Western music.Trade Review"Lucid... Sachs's book is a succinct guide to Schoenberg's life and work, one designed in part to make the composer's music accessible to a wider audience. Much of the book's appeal lies in that implicit promise to help find the beauty hidden in what can seem, to the uninitiated, a writhing mass of noise. Sachs is neither a hater nor a glassy-eyed enthusiast... [he] is, as he puts it, 'a writer and music historian who is Schoenberg-curious.'... This is not to say that he doesn't admire the music—he does. And there's real pleasure to be found in the way Sachs writes about it. He clearly describes, for instance, the genius of the way in which Schoenberg composes the voice of God in his opera Moses und Aron, which Sachs calls a nearly ideal vehicle for twelve-toned music... The effect is perfectly eerie." -- Christopher Carroll - Harper's"[A] concentrated meditation . . . It may be recommended for anybody with an interest in the work of the Viennese-American composer Arnold Schoenberg—and perhaps especially to those who have never quite been able to “crack” his music . . . Despite his postwar decades in California, Schoenberg—with his rattles and shimmers, his craggy melodies and pervasive angst—never quite escaped the nightmares of what was then a crabbed and bloody Old World . . . Mr. Sachs’s fine study should inspire a fresh understanding of his life and work." -- Tim Page - Wall Street Journal"[A]n immensely valuable source for anyone desiring an accessible overview of this endlessly controversial and chronically misunderstood giant of 20th-century music... Sachs can be refreshingly candid, sharing his feelings at times as if he were whispering confidentially in your ear during a concert intermission... his genuine enthusiasm for those pieces that do stir him is enough to draw the reader in, and in so doing has done a great service to the cause. " -- John Adams - The New York Times Book Review"In this study of Arnold Schoenberg, the Austrian-born composer who immigrated to the U.S. in 1933, Sachs blends fleet-footed biography with an accessible analysis of Schoenberg's works. " -- The New Yorker"[An] elegant and judicious book" -- Rupert Christiansen - Literary Review
£21.84
Museum of Modern Art Oppenheim: Object
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£12.28
Museum of Modern Art Adrian Piper: A Synthesis of Intuitions:
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£40.00
Museum of Modern Art member: Pope.L, 1978–2001
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£25.60
Museum of Modern Art Georgia O’Keeffe: Abstraction Blue
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£13.46
Museum of Modern Art Tarsila do Amaral: The Moon
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£13.46
Museum of Modern Art Andy Warhol: Campbell’s Soup Cans
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£13.46
Museum of Modern Art Romare Bearden: Patchwork Quilt
Book SynopsisHow Bearden?s landmark quilt exemplifies his complex art and rich legacyRomare Bearden?s (1911?88) Patchwork Quilt (1970) is a monumental collage that proves the artist?s mastery of his signature medium. Acquired by the Museum of Modern Art the year it was made, the work has become a landmark in Bearden?s career. But his path to creating it, to embracing collage, and to making work that addresses the specifics of Black life in America in ways that are both specific and broadly accessible, was a long one. Bearden?s early career is characterized by broad experimentation with materials and visual styles, as well as major life events that led away from a visual arts practice. In this latest volume of the MoMA One on One series, curator Esther Adler explores Bearden?s search for his artistic voice, illustrated by the breadth of different works in the museum?s collection. A close reading of Patchwork Quilt, its sources and materiality, further emphasize the artist?s unwavering commitment to both his art and community, a combination that has led to his centrality in mid-20th century art.
£13.46
Museum of Modern Art New Ground: Jacob Samuel and Contemporary Etching
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£36.00
Chin Music Press Fur Coats & Backpacks: The Travel Cats Hit the
Book SynopsisMeet artist Mari Ichimasu's collection of traveling cats, an adorable array of water-color kitties teeming with personality. Viola wears binoculars, ready to watch the whales. Maka is barefoot with a guitar and a bottle of beer peeking out of her pack. Jake dons snowshoes, a thick sweater, and a scarf as he heads to snow country. These water-color illustrations are accompanied by simple sweet poems that tell of each cat's journey. Meet all 45 traveling felines in this debut collection.
£14.99
Distributed Art Publishers Sarah Cain: Enter the Center
Book SynopsisThe most comprehensive publication to date on Sarah Cain’s exuberant paintings and installations Los Angeles-based painter Sarah Cain (born 1979) works on canvases of all sizes, often modifying them by cutting and braiding, painting on all sides and installing the canvas with the back of the painting facing the viewer. She also paints on other surfaces, including interior and exterior walls, floors, furniture and dollar bills. Cain's process often involves altering and disfiguring a composition until the original image is no longer recognizable. Her process of creation and destruction frequently includes found objects and is steeped in the history of painting and feminist art practices. Cain's work is a challenge to the patriarchal hierarchies of painting. "Almost everything about Cain's paintings—their speed, their brashness, their noodling compositions, their splashes and spray-painted scribbles, their tacky accouterments, their sense of absurdity—seems to undermine the gravitas that large-scale painting traditionally projects," wrote Jonathan Griffin, in the New York Times. Sarah Cain: Enter the Center features new writings and previously unpublished photographs and documentation of dozens of artworks with a focus on the last decade of Cain's exuberant and unique paintings and installations.
£28.79
