Individual artists, art monographs Books
Anagrama Vivir No Es Tan Divertido Y Envejecer Un Conazo
Book Synopsis
£19.20
Ediciones Catedra S.A. Akira Kurosawa
Book Synopsis
£19.15
Turner Ediciones Alejandra Icaza - Marshmallows
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£36.00
Actar D Jos Jorge Oramas metafsico solar
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£999.99
Naturart Biblioteca Ilustrada. Dali
Book Synopsis
£11.32
Blume Miró: El Pintor de Las Estrellas
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£11.22
Circulo de Bellas Artes Bruno Schulz: El Pais Tenebroso
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£23.80
Gestion Cultural y Comunicacion Per Barclay - Fludio
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£27.00
Gestion Cultural y Comunicacion Richard Deacon - the Shape of Utopia
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£28.80
Gestion Cultural y Comunicacion Rosa Brun
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£23.96
Gestion Cultural y Comunicacion Jesus Palomino
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£28.80
CAC Malaga Eduardo Arroyo - Sculptures 1973-2012
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£39.16
CAC Malaga Adel Abdessemed
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£26.62
CAC Malaga Ignacio Tovar - Cantandote Bajito
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£45.64
Gestion Cultural y Comunicacion Jake and Dinos Chapman: The Marriage of Reason
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£36.18
Gestion Cultural y Comunicacion Jose Noguero: Vastu
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£15.60
CAC Malaga Anne Berning Encyclopaedic incompleteness
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£22.93
Gestion Cultural y Comunicacion Rodney Graham: A Glass of Beer
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£23.38
Gestion Cultural y Comunicacion Simon Starling - Recent History
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£22.40
El Acantilado de Cine. Memorias de Un Principe de Hollywood
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£28.28
Blume Así Es . . . Pollock
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£14.04
Blume Así Es... Matisse
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£8.13
Oxford University Press Mr. Colliers Letter Racks
Book SynopsisFor 300 years, a unique and complex artistic puzzle has been hidden, the solution of which reveals an extraordinary critique of what can be described as the first modern media revolution. The mind behind this puzzle was a Dutch/British still-life painter named Edward Collier. Working around 1700, Collier has been neglected, even forgotten, precisely because his secret messages have never been noticed, let alone understood. Until now. In this book, Dror Wahrman recovers the tale of an extraordinary illusionist artist who engaged in a wholly original way with a major transformation of his generation: an unprecedented explosion in cheap print - newspapers, pamphlets, informational publications, artistic prints - that was produced for immediate release and far-flung circulation faster and in larger quantities that ever before. Edward Collier developed a secret language within his still-life paintings - replete with minutely coded messages, witty games, intricate allusions, and private jokeTrade ReviewWahrman guides the reader through the details of the evidence as he finds it on dozens of canvases and, where possible, in Dutch archives with such a sure hand that most readers will not feel that a better story is possible.... * Journal of Modern History *Table of ContentsIntroduction: Puzzles ; Chapter 1: Print 2.0 c. 1700: A New Media Regime ; Chapter 2: Life Not Still ; Chapter 3: The Nature of Print ; Chapter 4: Marking Time ; Chapter 5: Monarchy in the Age of Mechanical Reproduction ; Chapter 6: Eye Con ; Chapter 7: A Man with an Impossible Temper ; Chapter 8: Tom, Dick, and Henry ; Chapter 9: The Collier Club? ; Chapter 10: Death of the Author? ; Chapter 11: Which Revolution? Or the Memory of Mr. Lory ; Chapter 12: A Signature Gone Wild ; Epilogue ; Notes ; Acknowledgments ; Index
£37.82
Taylor & Francis Ltd Francis Bacon
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£39.99
Taylor & Francis Ltd Gender Space and the Gaze in PostHaussmann Visual Culture
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£39.99
Taylor & Francis Rubens and the Eloquence of Drawing Visual Culture in Early Modernity
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£43.99
Taylor & Francis The Realism of Piero della Francesca
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£39.99
Taylor & Francis Renà Magritte and the Art of Thinking
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£39.99
Taylor & Francis Ltd Generative Systems Art
Book SynopsisIn this unique book the author explores the history of pioneering computer art and its contribution to art history by way of examining Ernest Edmondsâ art from the late 1960s to the present day. Edmondsâ inventions of new concepts, tools and forms of art, along with his close involvement with the communities of computer artists, constructive artists and computer technologists, provides the context for discussion of the origins and implications of the relationship between art and technology. Drawing on interviews with Edmonds and primary research in archives of his work, the book offers a new contribution to the history of the development of digital art and places Edmondsâ work in the context of contemporary art history.Trade Review"I consider this book to be an important contribution to the field of media art history and in particular to that of generative and interactive art."Frank Popper, Professor Emeritus of Aesthetics and the Science of Art, University of Paris VIII, Paris"This book provides a long overdue in-depth study of the work of one of the pioneers of digital art. Drawing upon Edmonds' original projects, his notes and statements, as well as documentation and exhibition catalogues, Francesca Franco traces the work's evolution from figurative art to colour abstraction and computer-based experimentation. The author's detailed analysis not only creates a deeper understanding of Edmonds' body of work but also functions as media archaeology, referencing exhibition histories that are often overlooked and outlining intersections between Constructivism, Systems Art and the digital art of the 21st century, as well as their concepts, tools, and forms."Christiane Paul, Associate Professor, School of Media Studies, The New School, New York"Of all those who signposted the road of interaction, systems, colocation and the new geometries of space and communication, from Fluxus to ubiquitous networks, Ernest Edmonds has been among the most connected, prolific and influential. Francesca Franco elaborates his rich, diverse and endlessly invigorating practice in relation to art movements and institutional evolutions in an imaginative and immaculate work of art historical scholarship. Still perplexing even in the digital era, this story of digital art’s origins and trajectories will inspire new generations of artists, scholars and thinkers in the dense interweavings of art, science and technology."Sean Cubitt, Professor of Film and Television and co-Head of Department of Media and Communications Goldsmiths, University of London."An inTable of ContentsIntroduction 1. The 1960s: from Figurative Art to Colour Abstraction Introduction 1.1 "Art or Mathematics?" 1.2 From Figurative Art to Black and White Abstraction (1960-1962) 1.3 From Black and White to Colour Abstraction (1962-1966) 1.4 Consolidating a Constructivist Approach: Nineteen (1967-69) 2. The 1970s - Logic, Computers and Communication Introduction 2.1 The Systems Group 2.2 Art, Technology and Participation in the United Kingdom 2.2.1 Malcom Hughes 2.2.2 Edward Ihnatowicz 2.2.3 Roy Ascott 2.2.4 Stephen Willats 2.3 Ernest Edmonds’ Early Interactive Art 2.3.1 1970: Computer Graphics’70 –*DATAPACK and Jigsaw 2.3.2 1971: Invention of Problems II – The Communications Game 2.3.3 1972: Cognition and Control – The Communications Game 2 2.4 1974-78: Systems Approaches in Edmonds’ Paintings and Drawings 3. The 1980s: Constructivism and Systems Introduction 3.1 Personal Networks and Connections 3.2 Ernest Edmonds’ Themes 3.2.1 Structure 3.2.2 Time 3.2.3 Colour 3.3 Exhibiting Space, Duality and Co-existence 3.4 Null Dimension (1988) 3.5 Constructivism: Man versus Environment (1989) 4. The 1990s - Correspondences and Intersections Introduction 4.1 A Busy 1990 4.2 A Key Collaboration: Correspondences 4.3 Residencies and Exhibitions in the 1990s 5. Interactive Generative Art: 2000-2015 Introduction 5.1 The Years 2000 to 2005 5.1.1 Expanding and Evolving Video Constructs (2000-2003) 5.1.2 Audio-Visual Artworks: Ernest Edmonds with Mark Fell (2003-2004) 5.1.3 New Interactive Generative Works (2004-2005) 5.2 2005-2010 5.2.1. Tango Tangle (2006) 5.2.2 Shaping Form (from 2007) 5.2.3 Cities
£39.99
Taylor & Francis Ltd Feminism and Contemporary Art
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£128.25
Taylor & Francis Ltd Feminism and Contemporary Art
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£35.99
Taylor & Francis Ltd Cultural Sniping
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£128.25
Taylor & Francis Ltd Cultural Sniping
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£36.99
Taylor & Francis Ltd Leonardo da Vinci
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£66.49
Taylor & Francis Leonardo da Vinci
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£24.51
Taylor & Francis Ltd William Blake Longman Critical Readers
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£49.99
Taylor & Francis Revival Rubens 1939
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£39.99
Taylor & Francis Ltd A Portfolio Of Paintings And Drawings
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£82.64
Taylor & Francis Ltd Raymond Jonson and the Spiritual in Modernist and
Book SynopsisThis is the most thorough and detailed monograph on the artwork of Raymond Jonson. He is one of many artists of the first half of the twentieth-century who demonstrate the richness and diversity of an under-appreciated period in the history of American art. Visualizing the spiritual was one of the fundamental goals of early abstract painting in the years before and during World War I. Artists turned to alternative spirituality, the occult, and mysticism, believing that the pure use of line, shape, color, light and texture could convey spiritual insight. Jonson was steadfastly dedicated to this goal for most of his career and he always believed that modernist and abstract styles were the most effective and compelling means of achieving it.Table of ContentsContentsAcknowledgmentsList of IllustrationsIntroduction: Raymond Jonson and Twentieth Century American Art: Reconsidering the Canonical in American Art History and the Spiritual in American Modernist PaintingChapter One: "Art Is as Broad as Space": Jonson’s Early Years in the West and ChicagoChapter Two: "The Land of Sunshine and Color and Tragedy": New Mexico and Jonson’s Landscape Paintings and CompositionsChapter Three: "These Are the Second Attack on the Abstract": the Thematic, Conceptual Series Paintings of 1929-1936Chapter Four: "A More Intense Participation in the Life of the Spirit": Jonson’s First Totally Abstract Paintings, His Theories of Art and the Transcendental Painting GroupChapter Five: "Fast Arriving and Spontaneous Combustions of Color–space–line and Design": Absolute Painting, 1938-1950Chapter Six: "Causing the Surface to Come to Life": Jonson’s Late Career, 1950-1978ReferencesIndex
£137.75
Cambridge University Press An Artist Against the Third Reich
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£27.54
Cambridge University Press Wyndham Lewis and the Art of Modern War
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£35.14
Cambridge University Press Giovan Pietro Bellori The Lives of the Modern Painters Sculptors and Architects A New Translation and Critical Edition
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£49.39
Cambridge University Press Nicola Pisano and the Revival of Sculpture in Italy
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£35.14
Cambridge University Press The Afterlife of Raphaels Paintings
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£100.70
Cambridge University Press Watteau and the Cultural Politics of EighteenthCentury France
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£36.09
Cambridge University Press Postmodernism and the EnGendering Marcel Duchamp
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£69.34
Cambridge University Press Rembrandts Bathsheba Reading King Davids Letter
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£29.44
Cambridge University Press Masaccios Trinity
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£47.50
