Individual architects Books

Book SynopsisWherever You Find People captures the compelling story of the Integrated Centres of Public Education (CIEP) in the Brazilian city and federal state of Rio de Janeiro. This unique but relatively obscure experimental educational project is a prime example of socially driven public architecture and a testament to ambition and forward thinking. The CIEPs were conceived in 1982 by Rio's State Governor Leonel Brizola (1922-2004), the anthropologist, author and politician Darcy Ribeiro (1922-97), and the eminent architect Oscar Niemeyer (1907-2012). Today a network of 508 CIEPs covers the entire state of Rio wherever you find people, you will find a CIEP. This new book is based on extensive interviews with key protagonists and richly illustrated with original sketches and annotated drawings from the Oscar Niemeyer Foundation archive, alongside visuals by Aberrant Architecture. It also features new essays illustrating how architecture can embrace the constraints and conditions of the modern world and engage creatively with the reality of today's social, political, legislative and economic boundaries. Wherever You Find People contributes to a wider architectural discourse about the links between education, design and school building.

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Book SynopsisSince the introduction of steel as a building material in the early twentieth century, its superior performance has challenged conventional wisdom about construction, enabling designs of surprising lightness and span. From the Eames House in Los Angeles to the Hôtel Tassel in Brussels and the Maison de Verre in Paris, At Home in Steel celebrates the use of steel in residential architecture. These icons of steel construction should inspire architects to rediscover the advantages of this versatile material in contemporary residential architecture, from industrial prefabrication and a swift, dry construction process to structural adaptability over a building's lifetime. Drawing on recent research at the Zurich University of Applied Sciences, Institute of Constructive Design, the essays in At Home in Steel reflect on steel residential architecture from today's perspective. The book features contemporary examples by Atelier Bow-Wow, Christian Kerez, Lacaton & Vassal, and Made In, among others. With contributions by Ingrid Burgdorf, Patric Fischli-Boson, Patric Furrer, Stephan Mäder, Marcel Meili, Daniel Meyer, Niko Nikolla, Tanja Reimer, Astrid Staufer, and Martin Tschanz.

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Book SynopsisSince the introduction of steel as a building material in the early twentieth century, its superior performance has challenged conventional wisdom about construction, enabling designs of surprising lightness and span. Steel offered the opportunity to significantly expand buildings vertically and thus emerged as a symbol of the conflict between technological progress and the architectural ideal. More recently, the use of exposed steel elements in modern architecture ushered in a rediscovery of buildings' metamorphoses. Building Additions in Steel looks at the largely ignored topic of steel additions in architecture and engineering, documenting an ambitious, interdisciplinary research project by architects, engineers, teachers, and students at the Zurich University of Applied Sciences, Institute of Constructive Design. The book offers basic theoretical and technical information on a selection of outstanding steel additions alongside more than 100 illustrations, including plans and photographs.Table of ContentsWith contributions by Jürg Conzett and Roger Diener, Lorenzo De Chiffre, Yves Dreier, Patric Fischli-Boson, Patric Furrer, Matteo Iannello, Daniel Meyer, François Renaud, Astrid Staufer, Daniel Stockhammer, and Martin Tschanz.

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Book SynopsisFrench architect Stephane Fernandez creates a 'silent architecture' that invests the landscape as much as it takes shape. He is a minimalist in expression and maximalist in attention to detail. He models rough, thick and fragile monoliths by digging, by movement of bodies and the generation of tensions between masses. Fernandez articulates his work around a permanent search for materials, the accumulation of models, sketches, plans and words. This first monograph on Stephane Fernandez features five of his realised designs that are emblematic for his approach: a childrens' pavillion (Saint-Raphael, 2005), a media library (Carnoux, 2007), a students' residence and laboratory building (Banyuls-sur-Mer, 2013), a cultural centre (Vertou, 2015) and a primary school (Cannes, 2018). An essay and a conversation with Stéphane Fenrandez by architectural historian Éléonore Marantz as well as a manifesto by the architect himself complement plans of the buildings and photographs of the five buildings by Berlin-based photographers Schnepp Renou. Preface is by Jean-Christophe Quinton. Text in English and French.

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Book SynopsisJosep Lluís Mateo is one of Spain’s leading architects and one of Europe’s most influential intellectuals. He runs a firm called mateoarquitectura in Barcelona, which has designed buildings in many countries such as Spain, Portugal, Germany, France, the Netherlands and Switzerland. Alongside his work as guest lecturer, Mateo was Professor of Design at the Federal Institute of Technology (ETH) Zürich from 2002 to 2014. Mateo’s standing as a pacesetter in the international intellectual discourse about the future of architecture is closely tied to the journal Quaderns d’Arquitectura i Urbanisme, which has appeared in Catalan, Spanish and English since 1985 and of which he was editor-in-chief between 2002 and 2014. Under Matteo, it developed into the leading platform for discussions on architectural issues, urban design, and aesthetic concepts. Footprints: Writings 2005–2020 collects his most important texts from the last fifteen years - short and longer essays and vignettes, along with interviews touching on questions about the elements, environmental and urban contexts, as well as on Matteo’s own designs. The texts are illustrated and arranged thematically, to allow the juxtaposition to inspire new connections.

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Book SynopsisJosep Lluís Mateo is one of Spain’s leading architects and one of Europe’s most influential intellectuals. He runs a firm called mateoarquitectura in Barcelona, which has designed buildings in many countries such as Spain, Portugal, Germany, France, the Netherlands and Switzerland. Alongside his work as guest lecturer, Mateo was Professor of Design at the Federal Institute of Technology (ETH) Zürich from 2002 to 2014. Mateo’s standing as a pacesetter in the international intellectual discourse about the future of architecture is closely tied to the journal Quaderns d’Arquitectura i Urbanisme, which has appeared in Catalan, Spanish and English since 1985 and of which he was editor-in-chief between 2002 and 2014. Under Matteo, it developed into the leading platform for discussions on architectural issues, urban design, and aesthetic concepts. Footprints: Writings 2005–2020 collects his most important texts from the last fifteen years - short and longer essays and vignettes, along with interviews touching on questions about the elements, environmental and urban contexts, as well as on Matteo’s own designs. The texts are illustrated and arranged thematically, to allow the juxtaposition to inspire new connections. Text in Spanish.

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Book SynopsisLina Bo Bardi is regarded as one of the most important architects in Brazil’s history. Beginning her career as a Modernist architect in Rome, Bo Bardi and her husband emigrated to Brazil following the end of WWII. Bo Bardi quickly resumed her practice in her adopted homeland with architecture that was both modern and firmly rooted in the culture of Brazil. In 1951 she designed “Casa de Vidro” (“Glass House”), her first built work, where she and her husband would live for the rest of their lives. She also designed the Museu de Arte de São Paulo (São Paulo Art Museum), a landmark of Latin American modernist architecture which opened in 1968. It was for this museum she created the iconic glass easel display system, which remains radical to date. This book presents a comprehensive record of Bo Bardi’s overarching approach to art and architecture and shows how her exhibition designs, curatorial projects, and writing informed her spatial designs. Essays on Bo Bardi’s life and work accompany archival material such as design sketches and writings by the artist, giving new insight into the conceptual and material processes behind this radical thinker and creator’s projects.

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Book SynopsisFelix Nussbaum (1904-44) was a German painter of Jewish descent, murdered in Auschwitz by the Nazis. After more than four decades in oblivion, his native city Osnabruck in northern Germany brought this distinguished artist to light again by opening a museum dedicated to his oeuvre, the Felix-Nussbaum-Haus. The artist's work, life, and fate resonates in this expressive structure that was designed by celebrated American architect Daniel Libeskind. German artist Brigitte Waldach, born 1966, has produced an impressive body work, mainly of large-format drawing and voluminous installations. Existenz (existence) she conceived especially for Felix-Nussbaum-Haus, where it has been on display since December 2018. It consists of three-dimensional drawings, excerpts from Nussbaum's letters, and a sound collage, involving the viewer in a dialogue with his paintings. This book documents the environment Waldach has created within Libeskind's architecture to reflect upon and experience Felix Nussbaum's art from our contemporary perspective. Text in English and German.

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Book SynopsisIn summer 2012, Architects Group Krokodil, a group of Zurich-based architects from various firms with a special interest in urban planning, published the book Glatt! Manifest fur eine Stadt im Werden. This manifesto for a bold vision of future urban development of the Glatt valley, a suburban region north-east of Zurich, has been widely reviewed in the professional and public media in Switzerland and Gemany. Based on this book, participants of the 2012 International Summer Academy Zurich, staged by ETH Zurich and Architects Group Krokodil, focused their work on projects and visions for the Glatt valley area. Studio work of the students from 33 countries was complemented by evening lectures on specific subjects and aspects and also critically discussed. 'Glatt! From Suburb to City?' presents the results of the 2012 International Summer Academy. It comprises an overview of the lecture series and in the second part documents the studio work created during the course. An encyclopaedia on the topic rounds out the new book.

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Book SynopsisThe book embodies a bridge between the dimensions of music, architecture and landscape: the music of Arvo Pärt with the architecture of Fuensanta Nieto and Enrique Sobejano in the surrounding pine forest landscape in Laulasmaa, Estonia, to form one infused entity. This book is many books. The first takes the reader on a journey throughout the spaces within the Arvo Pärt Centre. The second is a book of words. It reveals quotations from Arvo Pärt’s musical diaries. The third book embraces us with score elements turning into architecture elements. The fourth book is an architecture sketchbook. It contains a graphical description of the whole project from an architectural view. Plans, sections, elevations, structural schemes of the landscape project, the main building, and the tower and the chapel show technical details and proportions of the spaces. Finally, the fifth book provides a deeper view on the synthesis of the arts through the words of five authors: Michael Pärt, Fuensanta Nieto & Enrique Sobejano, Kristina Kõrver, Nikita Andrejev and Covadonga Blasco Veganzones. It’s beautiful and minimalistic design, specially finished with the architectural drawings on integrated transparent paper, make this book a truly unique object both in terms of content and manufactured book production.Trade ReviewThe ideal audience would have already visited the Arvo Part Centre, but for me, who has never set foot on Estonian soil, the book is a strong invitation to see the building in person, hear Part's music fill its spaces, and take in the beautiful landscape beyond the roofscape.--John Hill One of the project categories -- or filters -- on the website of Nieto Sobejano Arquitectos is roofscape (the others are light, material, landscape, geometry, and history). One of the eight projects in that category is the Arvo Part Centre in Laulasmaa, Estonia, the subject of a new book. The building shares formal similarities with some of the other roofscapes, namely the piercing lightwells of the earlier Joanneumsviertel in Graz, Austria, and the Contemporary Art Center in Cordoba, Spain. As depicted in the aerial on the cover of the new book-length case study, the cuts in the roof are the Arvo Part Centre's most striking aspect, at least outside of the heavily wooded site near Lahepere Bay. No building is just its form, its architecture. Accordingly, this book is presented as five books in one: a book of photographs, a book of draft and scores of composer Arvo Part's In Principio, a book of quotes, a book of architectural drawings, and a book of essays. Of course, A Common Denominator is a single bound book (only a booklet with German and Spanish translations of the text is separate), but the design and layout of its 212 large-format pages draws attention to the multiplicity of its contents and gives the five-book book a noticeable rhythm, as in the spreads below. The book starts simply with a quote from Part: I could compare my music to white light which contains all colors. Only a prism can divide the colors and make them appear; this prism could be the spirit of the listener. Empty musical staffs are on the following page, next to four sheets of vellum with dots, lines, and other drawings that start to express the building devoted to the Estonian composer. The drawings on these sheets, as visible in the first spread below, overlay the staffs and express an interaction of music and architecture. These two books -- of In Principio and of architectural drawings -- are found six more times in the book, situated between the photographs, quotes, and essays of the other books. Just as the initial quote by Part puts great weight on the spirit of the listener, the short essays, un-captioned photos, and layering of drawings across musical notation do the same, but for the reader. This is not a building monograph that tries to explain everything. Rather it leisurely presents the building in words and images, inviting the reader to get from it what they put into it. The ideal audience would have already visited the Arvo Part Centre, but for me, who has never set foot on Estonian soil, the book is a strong invitation to see the building in person, hear Part's music fill its spaces, and take in the beautiful landscape beyond the roofscape.--John Hill "https: //archidose.blogspot.com/2021/02/arvo-part-centre-nieto-sobejano.html"

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Book SynopsisWorking in Mumbai is a critical reflection on thirty years of the practice of RMA Architects. Rahul Mehrotra weaves a narrative to connect his multiple engagements in architectural practice, including teaching, research, documenting, writing and exhibiting since the establishment of the practice in 1990. The book is structured around the subjects of interior architecture, critical conservation, and work and living spaces that straddle the binaries of the global and the local as well as the rural and the urban. While the book is a portfolio of the selected works of RMA Architects, the projects are curated so as to unravel and clarify the challenges faced by architects in India and in several parts of the “majority” world where issues related to rapid urbanization and the impacts of global capital are among the many that dispute conventional models of practice. Working in Mumbai is used emblematically to interrogate the notion of context and understand how the practice evolved through its association with the city of Bombay/Mumbai.Trade Review'Working in Mumbai' is one of the most important books in recent times, with commentary on our cities complex nature through the lens of RMA's work. It deserves a special mention for anyone who is navigating the complexities of designing our built environment. This is indeed not a monograph.--Design City Team

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Book SynopsisAga Khan Award for Architecture 2022 – Inclusive ArchitectureThe release of the Aga Khan Award for Architecture every three years is an enormously important moment for the architecture world. The projects recognized by this Award represent the vanguard of thinking and practice in architecture that goes beyond the regular scope of building, planning and preservation through its strong impact on the needs and aspirations of societies. This publication presents the twenty shortlisted projects, including the six recipients of the 2020–22 cycle of the Award.The Aga Khan Award for Architecture’s mandate is different from that of many other architecture prizes: it not only rewards architects but also identifies municipalities, builders, clients, artisans and engineers who have played essential roles in the realization of a project. This publication thus presents the projects from various viewpoints alongside detailed and up-to-date images and descriptions.The acclaimed, interdisciplinary master jury and steering committee of this cycle of the Aga Khan Award for Architecture that determines the projects presented include David Chipperfield, Francis Kéré, Anna Lacaton, Marina Tabassum, and Sarah M. Whiting, to name but a few. Scholarly essays across various disciplines from members of the master jury and steering committee round out the publication. Contributions include a text on the optimism of humanity by Souleymane Bachir Diagne, director of the Institute of African Studies, Columbia University, and a contextualization of Modern Architecture in the Muslim World by Sibel Bozdoğan of Boston University. Kazi Khaleed Ashraf, director-general of the Bengal Institute for Architecture, Landscapes and Settlements, in Dhaka, Bangladesh, writes on the perspective of the dialogical, while Nasser Rabbat, the Aga Khan Professor at MIT, shares notes on architecture as a humanist empire. The texts also include a Salon des Refusés by Nader Teherani, founding principal of Boston-based architecture firm NADAAA.The texts, which come from a wide range of geographies, are informative and descriptive, often striking an emotional note. Together with the project presentations, the publication thereby guides the reader through a contemplation of an architectural question of increasing urgency in our current times of crisis: how to build ethically for our shared global future.With contributions by Kazi Khaleed Ashraf, Sibel Bozdoğan, Souleymane Bachir Diagne, Farrokh Derakhshani, Nasser Rabbat, Nader Teherani, and Sarah M. Whiting.Table of ContentsAll 20 shortlisted projects are covered in the book.BahrainRehabilitation of Manama Post Office, Manama, Bahrain, by Studio Anne Holtrop: Built in 1937, the Post Office was rehabilitated to its original form and role as a functioning post office, and added a new wing to the existing building.BangladeshCommunity Spaces in Rohingya Refugee Response, Teknaf, Bangladesh, by Rizvi Hassan, Khwaja Fatmi, Saad Ben Mostafa: Sustainably built structures in the world’s largest refugee camps, which occurred collaboratively in the field without drawings or models.Urban River Spaces, Jhenaidah, Bangladesh, by Co.Creation.Architects / Khondaker Hasibul Kabir, Suhailey Farzana: A community-driven project providing public spaces in a riverine city with 250,000 residents, offering walkways, gardens and cultural facilities, as well as environmental efforts to increase biodiversity along the river.Cape VerdeOutros Bairros Rehabilitation Programme, Mindelo, Cape Verde, by OUTROS BAIRROS / Nuno Flores: An urban rehabilitation and redesign of a public space allowed residents to execute works in their own neighbourhoods and enhance their sense of belonging.IndiaLilavati Lalbhai Library at CEPT University, in Ahmedabad, India, by RMA architects / Rahul Mehrotra: The library, a living case study of passive climate mitigation strategies, integrates seamlessly into the existing campus while forging its own distinct identity.IndonesiaBlimbingsari Airport, Banyuwangi, Indonesia, by andramatin: Serving more than 1,100 domestic passengers per day, the airport’s roofs indicate a clear division between departure and arrival halls.Expandable House, Batam, Indonesia, by ETH Zurich / Stephen Cairns with Miya Irawati, Azwan Aziz, Dioguna Putra and Sumiadi Rahman: This new sustainable dwelling prototype is designed to be flexibly configured around its residents’ (often) precarious resources over time.IranAban House, Isfahan, Iran, by USE Studio / Mohammad Arab, Mina Moeineddini: On a narrow rectangular site in Isfahan’s historic centre, the three-storey house is arranged around three open courtyards.Argo Contemporary Art Museum & Cultural Centre, Tehran, Iran, by ASA North / Ahmadreza Schricker: Distinct materials differentiate new additions from the brick-built historic fabric in this contemporary art museum housed in an abandoned 100-year-old brewery.Jadgal Elementary School, Seyyed Bar, Iran, by DAAZ Office / Arash Aliabadi: An elementary school, managed by villagers and teachers and funded by tourism and needlework from local women, is a sustainable development centre for surrounding areas.LebanonRenovation of Niemeyer Guest House, Tripoli, Lebanon, by East Architecture Studio: Designed by Oscar Niemeyer but abandoned when civil war erupted in 1975, the guest house has been transformed into a design platform and production facility for the local wood industry.KuwaitWafra Wind Tower, Kuwait City, Kuwait, by AGi Architects: The 13-storey building conceived as a wind tower features a central, vertical courtyard that provides natural ventilation to each apartment unit.MoroccoIssy Valley Improvement, Ait Mansour, Morocco, by Salima Naji: While improving the palm orchards and water reservoirs, trails and facilities for tourists were also upgraded in the first phase of a larger project for the valley.NigerNiamey 2000, Niamey, Niger, by united4design / Yasaman Esmaili, Elizabeth Golden, Mariam Kamara, Philip Straeter: As a response to a housing shortage amid rapid urban expansion, this prototype housing of six family units seeks to increase density while remaining culturally appropriate.PalestineTulkarm Courthouse, Tulkarm, Palestine, by AAU Anastas: Featuring two buildings, one for administration and the other containing 10 courtrooms, the Courthouse is anchored to its urban context by a public space.SenegalCEM Kamanar Secondary School, Thionck Essyl, Senegal, by Dawoffice / David Garcia, Aina Tugores: For this secondary school, volunteers, using local techniques, produced vault modules from clay which (with lattices) act as evaporating coolers.Sri LankaLanka Learning Centre, Parangiyamadu, Sri Lanka, by feat.collective / Noemi Thiele, Felix Lupatsch, Valentin Ott and Felix Yaparsidi: A multifunctional cultural centre and adult school where locals learn craftsmanship creates a multi-ethnic meeting point.TunisiaLe Jardin d'Afrique, Zarzis, Tunisia, by Rachid Koraïchi: An ecumenical cemetery provides a sanctuary and dignified place of final repose for the hundreds of unburied bodies that had been washing ashore.TurkeyRehabilitation of Tarsus Old Ginnery, Tarsus, Turkey, by Sayka Construction Architecture Engineering Consultancy: Adaptive reuse of an abandoned 19th century ginnery allows the operation of a contemporary centre for archaeological research and public engagement.United Arab EmiratesFlying Saucer Rehabilitation, Sharjah, United Arab Emirates, by SpaceContinuum Design Studio / Mona El Mousfy: The Flying Saucer, a 1978 Brutalist-style building that was fully restored as a community art space, contributes to Sharjah’s collective cultural memory.

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Book SynopsisArchitecture of Commonality. Grounds for Hope is an edited collection of essays that expands on the role of museums and cultural institutions in Palestine and the Arab world. The book is guided by reflections on the Palestinian Museum in Birzeit, Palestine, which won the 2019 Aga Khan Award for Architecture. The long history of the genesis of the Museum as an institution is the framing device for a multiplicity of voices to reflect on the role architecture plays in the orchestration of memorialization, on the significance of curatorial strategies that respond to situations of conflict, and a discussion of the blurred boundaries between architecture, landscape and land art. As a way to reflect on the deep ties the Museum and the gardens hold with the ground and the landscape, the collection of essays by scholars across cultures, and interviews with designers, is structured around four main themes, Stones, Seeds, Voices and Walks.The intention is to expand

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