Individual architects Books

Book SynopsisThis is Rizzoli’s eighth volume in the definitive series of monographs on the work of Richard Meier, one of America’s most acclaimed architects.Richard Meier, Architect: Volume 8 vividly conveys the purity and power of Meier’s unique and celebrated vision. Thirty residential, commercial, and civic projects are featured in a dazzling variety of scales and locales, including Manhattan, Los Angeles, the Hamptons, Las Vegas, Mexico City, Tel Aviv, Rio de Janeiro, and Tokyo, among many other venues. The development and significance of Meier’s work is discussed in authoritative essays by the distinguished architectural historian and curator Kurt W. Forster and world-renowned architect Alberto Campo Baeza. The architect himself contributes a preface that offers firsthand insight into his thought processes and working methods. A biographical chronology and selected bibliography complete this exhaustive and lavish monograph on a modern

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Book SynopsisValerio Olgiati’s latest book is about the beauty of the very varied buildings designed by the Swiss architect, captured in colour photographs and plans. The 15 projects, around half of them realised since the publication of Olgiati’s most recent monograph in 2018, are featured in this exquisite small volume for the first time as finished buildings. Indoor and outdoor shots show Olgiati’s intuition for spectacular buildings and atmospheric interiors — from the museum for the UNESCO world cultural heritage site in Bahrain to the Céline flagship store in Miami, from the office building for Baloise Insurance’s headquarters in Basel to the bedroom of the French fashion designer Nicolas Ghesquière, from the visitor centre of the Swiss National Park to the atelier for the musician Linard Bardill in Scharans. They are presented through colour photographs, floor plans, and sections. The elegant book design follows the style of Olgiati’s highly successful previous book, The Images of Architects.

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Book SynopsisAlvar Aalto (1898–1976) made a unique modernist mark. Influenced by both the landscape and the political independence of his native Finland, he designed warm, curving, compassionate buildings, wholly set apart from the slick, mechanistic, geometric designs that characterized much contemporary European practice. Whether a church, a villa, a sauna, or a public library, Aalto’s organic structures tended to replace plaster and steel with brick and wood, often incorporating undulating, wave-like forms, which would also appear in his chair, glassware, and lamp designs. An adherent to detail, Aalto insisted upon the humanity of his work stating: “Modern architecture does not mean using immature new materials; the main thing is to work with materials towards a more human line.” Many of Aalto’s public buildings such as Säynätsalo Town Hall, the lecture theatre at Otaniemi Technical University, the Helsinki National Pensions Institute and the Helsinki House of Culture may be seen as psychological as well as physical landmarks in the rebuilding of Finland after the ravages of war.

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Book SynopsisBuilt and designed by Ludwig Mies van der Rohe 1928–1930, the Tugendhat House in Brno / Czech Republic is one of the most significant buildings of European modernism. In 2001, UNESCO added the house to the List of World Cultural Heritage Sites. In this third, updated edition, the authors give personal and historic insights relating to the house; also documenting aspects pertaining to art history and conservation-science studies. The comprehensive description and in-depth discussion of the materials used is a special feature in this field of research. The appeal of this monograph lies in the publication of photographs from the family archive which, for the first time, show the house in its lived-in condition. The experimental artistic color photographs by Fritz Tugendhat are among the pioneering achievements of amateur photography.

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Book SynopsisA comprehensive look at the life and work of one of the 20th century's most influential architectsTrade Review"A well-written, highly accessible overview on the work of a major figure. McCarter clearly knows his craft."—Eeva-Liisa Pelkonen, Yale University -- Eeva-Liisa PelkonenAn Architectural Record 2015 Gift Guide selection -- Jayne Merkel * Architectural Record *“The book delves into the figure of the architect and his concerns, presenting a chronology of his life and work, and portraying a personality and legacy that puts us face to face with a debate that is not just architectural, but also ideological.”— Ernesto Ibáñez, Arquitectura Viva May 2017 -- Ernesto Ibáñez * Arquitectura Viva *

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Book SynopsisMore Space for Architecture features a fascinating selection of buildings and projects designed by Sheila O'Donnell and John Tuomey over a seven-year period, from 2015 to 2021. Unbuilt and unpublished designs act like stepping stones to trace a continuous path between a wide range of recent and realised works, which includes schools, universities, housing, artist collaborations and public buildings. Context-sensitive buildings on complex and difficult sites in Dublin, Cork and Budapest are outlined and presented in detail for the reader, from conceptual sketches through to completion. Competition-winning projects under construction include the highly public V&A East and Sadler's Wells East, both currently on site at the Queen Elizabeth Olympic Park in Stratford, London; the new Academic Hub in TU Dublin's city centre campus; and the brand new extension at the School of Architecture at Liverpool University. The book also features a collection of reflective essays written by O'Donnell + Tuomey, which includes a selection of O'Donnell's characteristic watercolour studies, expanding on ideas aired in public lectures and developed in studio conversations.More Space for Architecture is a companion volume to the earlier monograph from O'Donnell + Tuomey, Space for Architecture, first published by Artifice Press in 2014 and one of the publishing house's biggest sellers.

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Book SynopsisIn the architecture of Richard Neutra (1892–1970), inside and outside find their perfect modernist harmony. As the Californian sun glints off sleek building surfaces, vast glass panel walls allow panoramic views over mountains, gardens, palm trees, and pools. Neutra moved to the United States from his native Vienna in 1923 and settled in Los Angeles. He displayed his affinity with architectural settings early on with the Lovell House, set on a landscaped hill with views of the Pacific Ocean and Santa Monica Mountains. Later projects such as the Kaufmann House and Nesbitt House would continue this blend of art, landscape, and living comfort, with Neutra’s clients often receiving detailed questionnaires to define their precise needs. This richly illustrated architect introduction presents the defining projects of Neutra’s career. As crisp structures nestle amid natural wonders, we celebrate a particularly holistic brand of modernism which incorporated the ragged lines and changing colors of nature as much as the pared down geometries of the International Style.

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Book SynopsisPresents the life, times, and works of Albrecht Durer. This book covers Durer's career. With multiple indexes and more than three hundred illustrations, it is meant as a reference to understand the work of the great artist and printmaker, the greatest exponent of northern European Renaissance art.Trade ReviewPraise for Princeton's previous editions: "Whatever was immortal of Albrecht Durer is covered by this book."--Wolfgang Stechow, Art Bulletin "Panofsky'sDurer--the result of a lifetime of looking, thinking, reading and making connections--belongs in the library of anyone who takes art seriously. Everything we could want to know about one of history's stellar artists is here."--Victor M. Cassidy, ArtNet.com "The Life and Art of Albrecht Durer may be mandatory reading for students and scholars alike, but it is also one of the more enjoyable reading assignments out there, one that can be mined for material again and again... Smith's concise and well-paced introduction adds another layer to the history of the life of the book itself within the context of twentieth-century historiography."--Susan Maxwell, Sixteenth Century Journal

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Book SynopsisA biography by Nicole Rudick told in Saint Phalle's own words, assembled from rare and unseen materials Known best for her exuberant, often large-scale sculptural works that celebrate the abundance and complexity of female desire, imagination and creativity, Niki de Saint Phalle viewed making art as a ritual, a performance—a process connecting life to art. This unconventional, illuminated biography, told in the first person in Saint Phalle's voice and her own hand, dilates large and small moments in Saint Phalle's life which she sometimes reveals with great candor, at other times carefully unwinding her secrets. Nicole Rudick, in a kind of collaboration with the artist, has assembled a gorgeous and detailed mosaic of Saint Phalle's visual and textual works from a trove of paintings, drawings, sketches and writings, many previously unpublished or long unavailable, that trace her mistakes and successes, her passions and her radical sense of joy. Saint Phalle's invocation—her "bringing to life"—writes Rudick, "is an apt summation of the overlap of Saint Phalle’s life and art: both a bringing into existence and a bringing to bear. These are visions from the frontiers of consciousness." Born in France, Niki de Saint Phalle (1930–2002) was raised in New York and began making art at age 23, pursuing a revelatory vision informed both by the monumental works of Antonin Gaudí and the Facteur Cheval, and by aspects of her own life. In addition to her Tirs (“shooting paintings”) and Nanas and her celebrated large-scale projects—including the Stravinsky Fountain at the Centre Pompidou, Golem in Jerusalem and the Tarot Garden in Tuscany—Saint Phalle produced writing and works on paper that delve into her own biography: childhood and her break with her family, marriage to Harry Mathews, motherhood, a long collaborative relationship with Jean Tinguely, numerous health crises and her late, productive years in Southern California. Saint Phalle has most recently been the subject of retrospectives at the Guggenheim Museum Bilbao, in 2015, and at MoMA P.S.1, in 2021. Nicole Rudick is a critic and an editor. Her writing on art, literature and comics has been published in the New York Review of Books, the New York Times, the New Yorker, Artforum and elsewhere. She was managing editor of the Paris Review for nearly a decade. She is the editor, most recently, of a new edition of Gary Panter’s legendary comic Jimbo: Adventures in Paradise (New York Review Comics, 2021).Trade ReviewTracking Saint Phalle’s creative, personal, and professional odyssey from childhood to old age, with an emphasis on persistent themes of feminism, abuse, and illness, the book is just as much a testament to the willful production of artistic subjectivity as it is to the manifold powers of art as an instrument of therapy, education, and activism. -- Jackson Davidow * Los Angeles Review of Books *As readers, we inhabit her consciousness—we grow and process with her...This is the greatest strength of What Is Now Known: It offers an intimate emotional portrait—an experiential biography, you might say—of Saint Phalle. -- Jillian Steinhauer * The Nation *What Is Now Known also clarifies editing as a creative act rather than a definitive one. Saint Phalle wrote nothing for this book, and yet this book is written by her. Embracing that contradiction, Rudick enables the artist to speak for herself, as herself, once again. -- Jennifer Krasinski * Bookforum *The book follows her international journey weathering the highs and lows of being an artist, woman, friend, daughter, lover, and mother. The person who emerges is open, driven, and often remarkably perceptive about who she is and why. -- Lauren Moya Ford * Hyperallergic *

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Book Synopsis The acclaimed survey of the life and works of the celebrated Italian modernist master, Carlo Scarpa, from the highly regarded architectural author, Robert McCarter The work of Carlo Scarpa challenged, and continues to challenge, accepted notions of modern architecture. While several books have been published on his work, none has approached the breadth and depth of this classic monograph by Robert McCarter, who is celebrated for his meticulously researched, experientially based, and jargon-free accounts of key figures in modern architecture. This book is the definitive study of Scarpa’s many accomplishments, including such works at the Canova Museum, the Castelvecchio Museum, and the Brion Cemetery, among others. It features in-depth ‘walk-throughs’ of a selection of Scarpa’s key projects, embracing Scarpa’s approach to experientially based design and presents sketches and architectural plans, together with a complete list of works, realized and unrealized, including his much-loved interiors and glassware, as well as the buildings themselves. Trade Review"Scarpa's career and working practices have been comprehensively researched and documented in Robert McCarter's new monograph for Phaidon Press... McCarter's carefully layered, first-hand narratives offer a rich evocation of each building project." - Disegno Daily"...Illustrated with a handsome selection of sketches, plans and photographs... [Robert McCarter is] an engaging guide..." - Apollo"In this substantial volume, McCarter leads us by the hand through Scarpa's achievements. He gives us a survey that is both vast, and in the spirit of Scarpa, meticulously detailed." - Curated Object"With 350 images and drawings, Carlo Scarpa documents the architect's dramatic modernism - the sweeping red staircase of his Banca Popolare in Verona, his sleek concrete-and-wood Olivetti showroom in Venice - even as it celebrates his poetic vision?" - ELLE Decor"Several books have been published on [Scarpa's] work, none has approached the breadth and depth of this monograph by Robert McCarter, who is celebrated for his meticulously researched, experientially based, and jargon-free accounts of key figures in modern architecture... The definitive study of Scarpa's many accomplishments." - MrsD-Daily.com

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Book SynopsisThis book presents a curated selection of Balkrishna Doshi’s exceptional writings since the 1950s, with some published here for the first time. The collection of 15 lectures, articles and essays is richly illustrated with more than 50 of Doshi’s personal hand-drawn sketches.

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Book SynopsisWorld renowned architect Kengo Kuma gives a personal tour of Tokyo's key buildings.Table of ContentsIntroduction by Kengo Kuma Yoyogi National Gymnasium, Kenzō Tange, 1964 Shibuya Daikan-yama One Omotesandō, Kengo Kuma, 2003 Meiji Jingū Museum, Kengo Kuma, 2019 Nezu Museum, Kengo Kuma, 2009 Sunny Hills, Kengo Kuma, 2014 National Stadium, Kengo Kuma, 2020 Suntory Museum of Art, Kengo Kuma, 2007 Kitte, Kengo Kuma, 2012 Shinjuku Mejiro Ikebukuro Ueno & Yanesen Jugetsudo Kabuki-za, Kengo Kuma, 2013 Tsukiji & Shinbashi Takanawa Gateway Station, Kengo Kuma, ongoing La Kagu, Kengo Kuma, ongoing Akagi Shrine, Kengo Kuma, 2010 Daiwa Ubiquitous Computing Research Building, Kengo Kuma, 2014 Western Tokyo Asakusa Culture Tourist Information Centre, Kengo Kuma, 2012 Mukojima Tetchan, Kengo Kuma, 2014 Directory Buildings by Kengo Kuma & Associates Buildings by other architects

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Book Synopsis"The Dark King of Kirigami " - The Guardian"A painstaking but rewarding endeavour, made much easier if you follow author Marc Hagan-Guirey's advice" - Sunday ExpressLe Corbusier is a Modernist icon whose buildings and theories have influenced structures the world over. With the help of Marc Hagan-Guirey's new book, Le Corbusier Paper Models, you can create 10 of his most important works in paper using the art of kirigami (cutting and folding). Each project features step-by-step instructions, cutting tips and a template that you can remove from the book. All you need is a scalpel, a cutting mat and a ruler. When you are done, simply display your model and admire your handiwork!Le Corbusier Paper Models is a must for Corbusier fans and architectural model enthusiasts.Marc's first book Paper Dandy's Horrorgami was published by Laurence King in September 2015. His second book, Frank Lloyd Wright Paper Models was released in June 2017 to mark the 150th anniversary of it's namesake's birth.

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Book SynopsisTrade Review“Revealing...Fuller could come across as a selfless seer, almost a secular saint; in Nevala-Lee’s biography he is all too human...The strength of this carefully researched and fair-minded biography is that the reader comes away with a greater understanding of a deeply complicated individual who overcame obstacles—many of his own making—to achieve a kind of imperfect greatness.” — Witold Rybczynski, New York Times "Alec Nevala-Lee is a sure-footed guide to a dizzying life. He eschews mythmaking, laying out the way Fuller burnished his own legend by rewriting history and slighting the contributions of his collaborators. Clear-eyed about his subject’s faults, Mr Nevala-Lee nevertheless gives him his due as a dazzlingly original thinker...The portrait the author paints is compelling...[Fuller] comes alive in these pages as a visionary who rose above his imperfections to labour for the benefit of humankind." — The Economist “Brilliant...Alec Nevala-Lee’s writing is as serene and precise as one of Fuller’s geodesic domes...A genuinely groundbreaking book full of surprises.” — Esquire “Nevala-Lee is something of an expert in a very specific type: twentieth-century men, working on the fringes of stem careers, who channeled the technological optimism of the years between World War I and the 1970s into careers as media icons…A labor of love…Meticulous and clearly written.” — New Republic "It requires a Dymaxion biographer to take the full measure of Buckminster Fuller—the huckster-visionary who finally made good on (at least some of) his dizzying schemes and changed the world. In his effervescent Inventor of the Future, Alec Nevala-Lee proves himself Bucky’s match, debunking myths and ferreting out deeper truths at every twist and turn of this remarkable saga of an unlikely rise to global fame and influence. Nevala-Lee is the rare biographer of a 'great man' who successfully links private and public life, showing how Fuller’s incomparable genius was both innate and inspired by the synergy of meetings with a cast of brilliant characters, a Who’s Who of the twentieth century’s modernist intelligentsia. For Fuller, a better future was never beyond imagining, an optimism this fine biography makes contagious." — Megan Marshall, Pulitzer Prize-winning author of Margaret Fuller: A New American Life "Buckminster Fuller was part design guru, part visionary futurist, part bold technocrat, part New England patrician and part insecure striver. Until now we have never had a book about him that portrays the full extent of his complex and contradictory character, and explains how he could be at once a quirky iconoclast and an inspiration to technological empires. Alec Nevala-Lee’s beautifully written Inventor of the Future is the perceptive, nuanced biography of Fuller that we have needed, and it is as engaging to read as Fuller's extraordinary geodesic domes are to look at." — Paul Goldberger, Pulitzer Prize winner and author of Building Art: The Life and Work of Frank Gehry “Various friends and acolytes wrote books about Fuller in his lifetime, but until now there has never been a thoroughgoing biography…Carefully researched…Nevala-Lee compares Fuller to Steve Jobs, a design visionary, and Elon Musk—both ‘outsiders who disrupted established fields’—as well as Jeff Bezos.” — James Gleick, The New York Review of Books "Ever the optimist, ever the outsider, Fuller never tired of trying to pull humanity toward a better future. Alec Nevala-Lee’s authoritative biography...tells Fuller’s story in greater detail than ever." — Wall Street Journal "Alec Nevala-Lee’s new biography, Inventor of the Future, fact-checks Fuller’s legend and then corrects the record...He resists the hypnotic whirlpool surrounding Fuller...A bedazzling cobweb of who’s who in 20th-century America." — Pradeep Niroula, Los Angeles Review of Books “Novelist, biographer, and science-fiction writer Nevala-Lee draws on abundant archival material to fashion a thoroughly researched, comprehensive biography of architect, inventor, and “serial entrepreneur” R. Buckminster Fuller….A perceptive and cleareyed biography of a unique figure.” — Kirkus Reviews (starred review) "This probing biography of Buckminster Fuller distinguishes man from myth while giving the iconic designer and futurist due credit for influencing generations of big thinkers...Nevala-Lee diligently emphasizes Fuller’s contradictions...but he also persuasively demonstrates that, in the end, none of Fuller’s epic shortcomings would matter. Fuller’s most enduring creation was his own ethos, that of the free-thinking futurist whose design solutions would solve the planet’s problems. Such ideas would take deep root, especially in Silicon Valley, even if the math never quite worked out." — Booklist (starred review) "A clear-eyed portrait of the cult of (tech) personality that reads very 2022." — Chicago Tribune, "Books for Summer 2022" "Novelist Nevala-Lee (Astounding) offers a cogent assessment of futurist Buckminster Fuller (1895–1983), “a man who had been revered by both the counterculture and the establishment” in this solid biography...a fascinating portrait of a larger-than-life figure." — Publishers Weekly "This new biography of the multi-hyphenate American icon and futurist promises to dig deep into both his professional and personal life and frames him as the father of startup culture, showing how his ideas infected Silicon Valley and still hold sway today—whether you live in a geodesic dome or not." — Lit Hub, "Most Anticipated Books of 2022, Part Two" “Nevala-Lee draws a revealing portrait of the Buckminster Fuller behind the legend. It encompasses both Fuller’s passions and his foibles. Placing Fuller where he belongs in the pantheon of America’s inventors, Inventor of the Future is the first complete portrait of both the man and the myth.” — John Markoff, author of Whole Earth: The Many Lives of Stewart Brand "This is a deceptively artful book of circuitous tensions and great circles (which the author uses as beautiful chapter titles and section headings) where, finally, all the loops and time-bends of Buckminster Fuller's improbable life come close to merging into one." — Paul Hendrickson, author of Plagued by Fire: The Dreams and Furies of Frank Lloyd Wright "Nevala-Lee brings back to life one of the most influential American minds of the twentieth century—revealing both the brilliance and the flaws that are contributing to the bold and radical technological reimagining of how we think and live." — David Edwards, author of Creating Things That Matter: The Art and Science of Innovations That Last "Revealing . . . Utterly fascinating . . . An important biography and entertaining read from start to finish." — Analog Science Fiction and Fact "This exhaustive biography of mastermind architect Buckminster Fuller sheds light on the origins of some of his most notable works. While the book looks back on interviews and unpublished documents from Fuller’s lifetime and career, Fuller himself will always be remembered for looking toward the future." — The Architect's Newspaper

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Book SynopsisIn the world of design and architecture there are few personalities whose influence is as profound and lasting as that of Matteo Thun. From pioneering resorts, company headquarters, public buildings, residential and office buildings around the world to the iconic Illy espresso cup, the renowned architect has left his unmistakable signature everywhere and his designs have shaped our perception for decades. His impressive product design, imposing architecture and pioneering concepts bear witness to more than 40 years of professional experience and a life that unfolds between the vibrant metropolises of Milan and Munich. Numerous fascinating stories have emerged from this exciting journey through life. As an author, Matteo Thun has now captured these stories in a captivating book that has been created for his admirers, companions and perhaps also a little bit for himself.

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Book SynopsisThe new Hospital Project in Venice was one of the most important works of Le Corbusier that has never been built. The death of the Swiss architect marked the end of one of the most exciting and dangerous experiments in the most spectacular city in the world.The new hospital's design in Venice was an acrobatic and audacious exercise that could have changed how Venice, the ever-still lagoon city, was perceived. This is the story of an unfinished masterpiece, the last shaped by Le Corbusier, and the intuition that allowed the most modern architect to shape the most modern project. Text but also the sharp description of the project by architectural design. Seventy-five original drawings describe and render the unfinished masterpiece of the French master. The project is interpreted, redesigned and described by consulting the massive archive and through the well known graphic techniques used by Ilios for all of its books. Original text and notes take the reader through a fantastic tour into one of the most crucial modern architecture projects. Examining one of the most important, unbuilt project of Le Corbusier Includes 44 photos and 75 drawings Written in English and Italian Print run of 300 copies

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Book SynopsisParis-based firm ChartierDalix, founded in 2008 by Frédéric Chartier and Pascale Dalix, can look back on a successful first 12 years of design practice. They have garnered attention at various international competitions and were awarded several prizes, such as the Europe 40 under 40 Award. In 2019, their first book ChartierDalix. Hosting Life explored their unique approach to link ecosystem and architecture and their research and practical implementation of this connection. In this new series of books, ChartierDalix present their entire body of work, beginning with two volumes covering the years 2008 to 2022. It showcases 28 designs the firm has realized in Paris and the surrounding area, all described in detail with texts, photographs and plans. This is supplemented by a complete illustrated catalogue of ChartierDalix's projects since 2008.

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Book SynopsisAdolphe Appia (18621928) is an eminent figure in the history of the modern theatre, best-known for his writings on the mise-en-scène and stage design for the operas of Richard Wagner. Far lesser known is the Swiss scenographer's importance in 20th-century architecture and aesthetics.The Appian Way is the definitive account of Appia's significance also in this field. It is centred on his remarkable drawings that are at once austere and mysteriously atmospheric. Framing a series of monumental yet minimal scenes taking in runs of stairs, landings, platforms and terraces, all staged before a distant horizon under a luminous sky, the drawings are generally described as monochrome, but the subtle hues of the paper imbue each one with a distinctive ambient undertone. Appia himself might be thought about the same way. He was always distant yet also always enigmatically present in the ensuing drama of modern architecture and avant garde stage design.Comprising four main chapters and a coda, this engaging and accessible book is structured as a dramatic story that traces the contours of Appia's life his personal circumstances, convictions, aesthetic preferences, desires and motivations all aimed at constructing a comprehensive portrayal of his life and his work, within the horizons of his time. All of Appia's drawings are reproduced here in full colour, accompanied by a vast range of archival material, much of which has never been published before.

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Book SynopsisThis book is the first to explore the history of Le Corbusier''s studio at 35 rue de Sèvres in Paris, known as 35S. It looks at the many artists with whom Le Corbusier worked, including Charlotte Perriand, André Wogenscky, Sahakura, Roger Aujame and Pierre Jeanneret. It includes many previously unpublished documents. Text in English and French.

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Book SynopsisThis timely book seeks to dispel two widely held misconceptions: first, that architects are no longer central to the making of buildings and, second, that design is a linear process which begins with a fully formed architectural vision. Architect Farshid Moussavi argues that the temporality of architecture provides day-to-day practice with the potential to generate change. She proposes that we abandon determinism and embrace chance events and the subjective factors that influence practice in order to ground buildings in the micropolitics of everyday life. Using four buildings designed by FMA, Moussavi’s London-based practice, Architecture & Micropolitics shows how the rhizomatic nature of their design process is combined with diligent research and an openness to elements of chance to fuel creativity and bend rules that would generate a merely functional building. A substantial essay by Farshid Moussavi and an afterword by the philosopher Jacques Rancière are followed by detailed analyses of the Museum of Contemporary Art in Cleveland; Lot 19, the first new residential block to be built in the La Défense district of Paris in thirty years; the Folie Divine apartment building in Montpellier; and the Ismaili Center Houston, the first new building in the US which is dedicated to use by the Ismaili community. The book also features contributions by Iñaki Ábalos, Hans Ulrich Obrist, and Irénée Scalbert. Architecture & Micropolitics is recommended for any professional and academic library. It is a surprising book which will be of value to anyone who is interested in the relationship between architecture and society.

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Book SynopsisTrade Review“[A] very useful guide to Ensor’s life and art...Tricot has uncovered new data about Ensor’s life from memoirs and Ensor’s own letters.”—Alexander Adams, Alexander Adams Art

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Book SynopsisRevised and expanded edition of this comprehensive study of Le CorbusierTrade Review"The most lucid and complete chronicle yet available of Le Corbusier’s achievement and (in the words of his title) the 'ideas and forms' which successively and cumulatively account for its significance. It is, then, as incise narrative... Illuminated by penetrating critical commentary that this book excels."—Times Literary Supplement "This book is an admirable as well as well-timed introduction to Le Corbusier. In it much recent scholarship has been pulled together and presented in a lively account of Le Corbusier’s life and work... It is also a record of personal observation and synthesis by an informed and shrewdly sensitive author which will remain valid and fresh in the long term."—Architectural Review "William J R Curtis is the best architectural historian writing in the English language, and that alone makes this book something of an event. Unsurprisingly, Curtis has turned out what is probably the most comprehensive, well balanced and interesting narrative yet produced about one of the giants of 20th century architecture."—Chicago Tribune "As a study of the life and work of possibly the most erudite, probably the most gifted, and certainly the most disturbing architect of the present century, it is unlikely to be superseded."—The Architect, Royal Institute of British Architects' Journal "The most lucid and complete chronicle yet available of Le Corbusier’s achievement. This book excels."—Architecture, AIA American Institute of Architect's Journal Selected as one of 'the best architectural books of the year' (2015) by Rowan Moore, architectural critic of the Guardian "...A much expanded version of an earlier monograph... Definitive, chronological, sumptuously illustrated... Curtis is [...] balanced and inclusive, offering excellent discussions of all the Indian work, of many unexecuted projects, and of the vast influence Corbusier has exercised... I think there is no better introduction to the man and his work."—Architects Journal "Just as Le Corbusier is a 'classic' of modern architecture, Curtis's monograph is a 'classic' of the Corbusian bibliography. And with this new edition - substantially enlarged, both in text and illustrations - the book will become indeed the main reference for understanding Le Corbusier's contribution to universal architecture."—Arquitectura Viva "His classic Le Corbusier Ideas and Forms published in 1986 and, for the quarter century since, the most thoughtful and complete analysis of the architect... There is still no better single source than William Curtis... And that's why, architects, yes: you'll need to buy this new version."—Architectural Record "In the new, revised and updated edition of the classic Le Corbusier: Ideas and Forms, Curtis goes beyond just documenting to delve deeper and deeper into the creative underpinnings of Le Corbusier's masterpieces... Many new photographs have been added, including some of Chandigarh taken by Curtis, who himself is an excellent photographer... What Le Corbusier did for the 20th century in shaping the world's built form, William J.R. Curtis does for Le Corbusier, become his master interpreter."—Architecture plus Design, India "It is a carefully considered book, based on extensive thought and study of the vast documentation, addressed to the advanced student of modernism... The structure of the book is very clear and the design and layout are thoughtful and sympathetic. Highly recommended."—Library Journal "Le Corbusier, the Swiss architect who died this month, fifty years ago. His work, both the great and the not so great, is the subject of a fantastic new edition from Phaidon of Le Corbusier: Ideas and Forms, by the architectural historian, William JR Curtis."—Daily Beast "...An exceptional history and a spectacular collection of images."—Metropolis Magazine "Impressive... Any committed bibliophile should splash out on this new, seductively hefty tome... A succinct over-view of one mans' determination to change the world ...We are fortunate to have Curtis' considered critique to vouchsafe Corb's rightful place in the architectural pantheon."—RIAS Quarterly "This is not only the best single work on Le Corbusier - a model of scholarship, erudite yet eminently readable - it is also an invaluable analysis of the creative architectural process. It should be read and re-read by every student of architecture."—Building Design "Deepens the previous interpretations in five additional chapters... Dozens of wonderful drawings and photographs have been unearthed from the archives."—Ark (Arkkitehti / Finnish Architectural Review

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Book SynopsisTruus Schröder. I love you, Rietveld. In 1924, Truus Schröder asked well-known Utrecht furniture designer Gerrit Rietveld to design a new house for her. Never before Rietveld had been asked to design an entire house. Truus Schröder knew exactly what she wanted: simplicity and a space that freed rather than constrained her. It was a match made in heaven. This book highlights the dynamic partnership between Rietveld and Schröder, portraying them as an architect-duo. Schröder''s significant contributions to the design process are illuminated, emphasising her indispensable role in shaping their collaborative vision. It draws its essence from newly unpublished correspondences between Gerrit Rietveld and Truus Schröder, shedding fresh light on her life and legacy.Image Rietveld Schröder House

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Book SynopsisBuildings for People and Plants by WORKac is a thoughtfully curated architectural exploration by Amale Andraos and Dan Wood, the New York-based design firm's co-founders. The compelling volume, featuring ten of WORKac's most recent projects, such as Kew Gardens Hills Library and Museum Garage, navigates through the interconnected realms of architecture, environment, and social sustainability.The book is structured to present a singular narrative thread by Andraos and Wood that showcases how these projects engage with their specific cultural and environmental contexts to support both people and plants. It includes a critical essay by distinguished architecture critic and writer Nicolai Ouroussoff that contextualises WORKac's practice within the architectural landscape. With a focus on visual presentation, which is a hallmark of Andraos and Wood's approach, it is a critical and visual treat that extends the narrative of their previous monograph, WORKac: We'll Get There When We Cross That Bridge (2017) and showcases their latest explorations in architecture and community-centric design.

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Book SynopsisThe long-anticipated monograph on OMA New York by Shohei Shigematsu and Jason Long is sure to be the design and architecture book of the season. Presenting more than 20 radical architectural projects from a new generation of the firm, this mammoth volume is the first compendium by OMA, since Content and Rem Koolhaas’s S, M, L, XL. Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as “a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.” OMA New York, has grown from an American outpost to a full-fledged operation with its own attitudes, contributing to the evolution of the globally acclaimed office. Through a diversity of projects, the firm has transformed our understanding of the city and our evolvTrade Review"There is something about architecture firm OMA’s new monograph, with its glossy, razor thin pages and jam-packed spreads, that calls to mind the Uline catalogue. Covered in a plastic sheath, the hefty coffee table book unpacks 23 projects past and present as a way into the question: what is OMA NY? Expert witnesses are called. Pioneers like Virgil Abloh, Alice Waters, David Byrne and Massimiliano Gioni all make a case for what continues to put the design studio ahead of its time." —CULTURED"For the New York office’s first monograph, OMA NY: Search Term (Rizzoli), the firm partners Shohei Shigematsu and Jason Long re-examine their most influential projects: residential skyscrapers in Miami and San Francisco, mixed-use developments in Tokyo and Houston, more intimate spaces such as the studio for artist Cai Guo-Qiang, and more." —SURFACE

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Book Synopsis This is the first full biography from childhood of the eminent British Architect Sir Herbert Baker. Written with the full cooperation of his family and with access to his archive and private papers, it gives an account of his remarkable life as the leading architect to the British Empire. From London, through the commemoration of the empire''s war dead in France, via South Africa and Australia to India, he celebrated the might of an empire that once ruled a quarter of the world. He was an intimate friend of many of most fascinating men of his age, including Cecil Rhodes, Lawrence of Arabia, John Buchan, Jan Smuts and, of course, his fellow architect Sir Edwin Lutyens. After a Victorian architectural apprenticeship in London and on to becoming the most prolific architect of his age in South Africa, he built the new imperial capital of New Delhi in India with Lutyens, before returning to London. These built or rebuilt such landmark buildings as the Bank of England, South Africa HouTable of Contents Acknowledgments Preface Introduction 1. 1862–1892: "The Spirit of England" 2. 1892–1896: "Land of Hope and Glory" 3. 1897–1901: "Imperial March" 4. 1901–1904: "The Light of Life" 5. 1904–1909: "The Pipes of Pan" 6. 1909–1912: "Civic Fanfare" 7. 1912–1913: "The Crown of India" 8. 1913–1915: "A Song of Union" 9. 1915–1917: "A War Song" 10. 1917–1921: "For the Fallen" 11. 1921–1925: "Merchant Adventurers" 12. 1925–1931: "Pageant of Empire" 13. 1931–1946: "Through the Long Days" Epilogue: "Fate's Discourtesy" Chapter Notes Bibliography Index

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Book Synopsis

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Book Synopsis

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Book SynopsisRenowned in Europe as an avant-garde architect in the 1970s, the Catalan architect Ricardo Bofill was called to the French stage following the destruction of Les Halles de Baltard in 1971. Called upon to compete in 1974, the architect attempted to revive the historic forms of Parisian architecture and urban planning. Rejected in April 1978 after more than 3 years of projects and models by Jacques Chirac, the first mayor of Paris, who preferred a neutral and less monumental architecture, Bofill nevertheless played a leading role in the development of new towns in France from 1972 to 1985, with projects that were as striking as they were controversial: These included Abraxas in Marne-la-Vallée, Le Lac in Saint-Quentin-en-Yvelines, Place Majeure in Cergy-le-Haut and the Antigone district of Montpellier.Designed as a fully illustrated diary describing the close relationship between architecture and politics under Valéry Giscard d''Estaing and François Mitterand, this book is the

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