Individual architects Books

Book SynopsisTells the remarkable story behind the construction of the second, 1890, Madison Square Garden and the controversial sculpture that crowned it. Set amid the magnificent achievements of nineteenth-century American art and architecture, the book delves into the fascinating private lives of the era's most prominent architect and sculptor.Trade ReviewLeaving no stone—or brick—unturned she weaves together every tantalizing aspect of the creation of Stanford White’s magnificent Madison Square Garden. I found this in-depth work by Suzanne Hinman quite remarkable. Hinman’s skillful narrative hand, sense of structure, and the incredible amount of historical detail she weaves into every chapter make a wonderful book for anyone who enjoys a great read. What a splendid book! This scholarly history of the second Madison Square Garden (1890-1925) provides an important addition to the story of New York City Gilded Age architecture, entertainment, and popular culture. This building, it must be noted, lasted only a few years. In a rapidly changing city, this Palace of Pleasure was torn down to make way for a great Cathedral of Insurance. Thus, this book is especially rich in expanding our knowledge of the work of the architect Stanford White and the sculptor Augustus Saint-Gaudens. The author has read widely and presents her findings in highly readable prose. This is a book for scholars and lay readers alike. A detailed and wide-ranging account of the Gilded Age from its picaresque characters, social choreography, and cultural preferences to its volatile economy, favorite restaurants, and even construction technology, with Stanford White and his beloved Madison Square Garden at the center of it all.

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Book SynopsisLove him or hate him, admire him or revile him, there is no doubt that Clement Greenberg was the most influential critic of modern art in the second half of the twentieth century.Trade Review"Rubenfeld has given us an absorbing, fair-minded biography, which is scrupulously sympathetic to her subject."—The New Yorker

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Book SynopsisBased on the author's dissertation (Ph. D.)--Department of Art History and Communications Studies at McGill University. 2005.Trade Review"Danielle Shapiro makes a convincing case for John Vassos's formerly unheralded, but highly significant, early contributions to the field now known as user interface (UI) design. The chapters about Vassos's design of knobs, dials, displays, and casings for RCA radios and studio recording machinery are especially illuminating. Furthermore, the book is beautifully written; the illustrations, almost all 'new', are aptly chosen; and the footnotes are a rich source of information not only about Vassos but also about twentieth-century design in general."—Carma Gorman, The University of Texas at Austin "John Vassos is a complex portrait of an artist and designer whose early illustration work criticized the tempo and commercialism of modern life but whose later design work took for granted those same qualities and attempted to accommodate people to them."—Jeffrey L. Meikle, University of Texas at Austin"In the first complete picture of John Vassos, Danielle Shapiro definitively captures an industrial designer of the first rank."—Russell Flinchum, North Carolina State University"John Vassos energized the flow of products, people, and media with his streamlined designs for everything from kitchen appliances to turnstiles and radios. Danielle Shapiro has created an original portrait of this important designer and this key period in American design and popular culture."—Ellen Lupton, senior curator of contemporary design at Cooper Hewitt, Smithsonian Design Museum"A compelling account."—The Art Bulletin"John Vassos, Industrial Design for Modern Life is not only an essential book for designers, but for those who love the history of design."—The Arts Fuse"Not simply the first biography of a designer who was a major contributor to the design of consumer electronics but also a solid examination of the evolution of consumer and industrial design during Vassos’s lifetime."—CHOICE"An expertly researched biography."—Journal of Design HistoryTable of ContentsContentsPreface Introduction: Creating Design We Can Live With 1. Drawing Modernity: Advertising and Book Illustrations 2. Becoming an Industrial Designer3. Modernizing the Home through Radio4. Designed for Electricity: Vassos’s Architectural Interiors5. Vassos and RCA: Money, Media, and Modernism6. The TRK-12: RCA’s First Mass-Marketed Television Receiver7. John Vassos in Postwar AmericaConclusion: The Legacy of John VassosAcknowledgmentsNotesIndex

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Book SynopsisMarking the centenary of the birth of Laszlo Moholy-Nagy (1895-1946), this book offers a fresh approach to the Bauhaus artist and theorist's multifaceted life and work - an approach that redefines the very idea of biographical writing.Trade Review"A significant contribution to the emergent field of ‘New’ Art History and Criticism. This study of signature and its effects generates a new approach to biography, by redefining it not as a compilation of historical details or facts, but rather as a system of production/reproduction, a signifying economy whose terms challenge the borders of literature and the visual arts."—Dalia Judovitz, author of Dialectic and Narrative"This study addresses the question of how to write about the life and work of an artist after the ‘death of the author’ theorized in poststructuralism. I know of no other study that attempts to do with any figure what Kaplan has done with Moholy. It is a work of extraordinary originality and importance. A tour de force."—Gregory Ulmer, author of Applied Grammatology and Heuretics

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Book SynopsisKate Wingert-Playdon’s narrative of the restoration of San Esteban del Rey Mission and the process behind it is the only detailed account of this milestone example of historic preservation, in which New Mexico’s most famous architect, John Gaw Meem, played a major role.

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Book SynopsisFrank Lloyd Wright, a fervent believer in individualism and an advocate of democracy, worked in communities throughout his career of more than six decades. These communities, which he led with authority, made possible his extraordinary productivity. This book presents a study of Wright's life in relation to Taliesin and his other communities.Trade ReviewAn essential book on the thought and action of Frank Lloyd Wright through his relationship to communities. -- Eric Lloyd Wright, grandson, architect and former apprenticeMarty offers insights into the public and private life of Wright that have not been previously revealed. -- H. Roger Grant, Clemson UniversityA detailed account of one of America's least understood and most significant examples of a true live/work, cultural/educational community, all as seen through the experiences of those who were there to make it happen. -- Vernon Swaback, FAIA, FAICP: 20-year member of the Taliesin Fellowship and former Chairman of the Frank Lloyd Wright Foundation

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Book SynopsisThrough meticulous scholarship and fine writerly craft, Gregory offers a riveting story of two creative geniuses at work.? Slavonic and East European JournalAccessible and engaging, Antosha and Levitasha will appeal to scholars and general readers interested in art history, late nineteenth-century Russian culture, and biographies.Antosha and Levitasha is the first book in English devoted to the complex relationship between Anton Chekhov and Isaac Levitan, one of Russia''s greatest landscape painters. Outside of Russia, a general lack of familiarity with Levitan''s life and art has undermined an appreciation of the cultural significance of his friendship with Chekhov. Serge Gregory''s highly readable study attempts to fill that gap for Western readers by examining a friendship that may have vacillated between periods of affection and animosity, but always reflected an unwavering shared aesthetic.In Russia, where entiTrade ReviewThis meticulously researched and readable book is a chronological account of the contacts, friendship, common pursuits, rivalries, and professional work of Anton Chekhov and Isaac Levitan-two pivotal figures in Russian literature and art.... The book gives us abundant information about various aspects of the two artists' friendship and the backgrounds to their compositions. * The Russian Review *There is rich material in this study. Gregory was right to unpick this relationship. From the point of view of Chekhov studies, Levitan is too often neglected. From the point of view of Levitan studies, this is an artist whose position astride the two most significant movements in Russian painting of the late nineteenth century, 'The Itinerants' and the World of Art, is ripe for investigation and appreciation. * Slavonic and East European Review *Very compelling... The book is laid out wonderfully, and Gregory's chronological tags never fail to reinforce understanding of when we are. Gregory's focus throughout is masterful. * Inside Higher Ed *The breadth of Antosha and Levitasha is astonishing, and the biographical details brought to light by Gregory's meticulous research will prove invaluable for scholars of both Levitan and Chekhov, and their respective artistic productions. As a whole, Serge Gregory's Antosha and Levitasha stands as a rich testimony of their relationship and late nineteenth-century Russia. * H-Net Reviews *Through meticulous scholarship and fine writerly craft, Gregory offers a riveting story of two creative geniuses at work. * Slavonic and East European Journal *

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Book SynopsisPart of the Medieval Imagination series, this title explores portraiture in the medieval and Renaissance periods.Trade Review"Recommended as an art history resource for middle and high-school students."--SchoolArts Magazine "This is a charming book, accessible to readers of all ages, whether for the pictures alone or the wonderful stories told through them."--The Bloomsbury Review Recommended as an art history resource for middle and high-school students. SchoolArts Magazine" This is a charming book, accessible to readers of all ages, whether for the pictures alone or the wonderful stories told through them. The Bloomsbury Review" Recommended as an art history resource for middle and high-school students. "SchoolArts Magazine" """ This is a charming book, accessible to readers of all ages, whether for the pictures alone or the wonderful stories told through them. "The Bloomsbury Review" """ "Recommended as an art history resource for middle and high-school students."--"SchoolArts Magazine""" "This is a charming book, accessible to readers of all ages, whether for the pictures alone or the wonderful stories told through them."--"The Bloomsbury Review"""

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Book SynopsisFew artists have ever been so belovedor so controversial among art criticsas Andrew Wyeth.The groundbreaking bookArtists of Wyeth Countrypresents an unauthorized and unbiased biographical portrait of Wyeth, based on interviews with family, friends, neighborseven actress Eva Marie Saint. Journalist W. Barksdale Maynard shines new light on the reclusive artist, emphasizing Wyeth's artistic debt to Howard Pyle as well as his surprising interest in surrealism.The book is filled with brand-new information and fresh interpretations. Artists of Wyeth Countryalsocomprisesthe first-ever guidebook to the artistic world of Chadds Ford, Pennsylvania, center of the Brandywine Tradition begun by Howard Pyle.Six in-depth tours for walking or driving allow the reader to stand exactly where N. C. and Andrew Wyeth stood, as has never been fully possible before. As Maynard explains, Andrew Wyeth's artistic process was influenced by Henry David Thoreau's nature-worship and by his habit of walking d

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Book SynopsisThis collection of essays examines the life and legacy of Houston architect Howard Barnstone, whose modernist designs and pioneering writings reshaped perceptions of the architecture of Texas.Trade ReviewThe story of this man, and his work, little known outside of Texas, fills this Texas-sized tome with a rich history of 20th-century architecture and its patronage, the complex personal struggles of an “outsider” architect and individual, and stunning archival photography of the inventive buildings and interiors he designed. Those designs, so rooted in their time and place but with universal appeal, deserve, at long last, a larger audience. * Architectural Record *[Making Houston Modern] contains an extremely valuable catalogue raisonné of [Howard Barnstone's] works as well as a frank portrayal of his bipolar condition. * Austin American Statesman *This volume devotes attention to all sides of a person in a way that few architectural monographs achieve...Making Houston Modern makes the case that [Barnstone's] legacy also resides in the culture he proliferated, both social and architectural. * Cite Magazine *Barnstone was, like the southern state, a ‘lone star’: the reserved kind, popular in his day but whose works were inexplicably left out of the canon of Houston’s modernity. This book seeks to remedy the oversight...Elitist, sophisticated, and irreverent, Barnstone was free verse, with no particular style but a discreet charm over a bourgeoisie, who contributed decisively to the modernity of a city. * Arquitectura Viva *In Houston, Barnstone’s otherness—his New England roots, Jewish heritage, bipolarity, bisexuality—placed him at odds with the prevailing culture, despite his best efforts. This tension fueled his intensity and formed a man who was “complex, complicated, and prolific." Making Houston Modern makes this clear in its thorough appreciation of Barnstone’s life...Today, Barnstone’s architecture, depleted through demolitions, alterations, or neglect, seems compromised at best. [The authors] make the case that his legacy also resides in the culture he proliferated, both social and architectural. * Rice Design Alliance *[Making Houston Modern's] focus on the social and urban changes that facilitated modernist development is one of the book’s overall strengths...The book succeeds in illuminating Barnstone’s milieu, and offers important insights into his architecture. * Texas Architect *Table of Contents Foreword. Call Me Howard, Please! (Carlos Jiménez) Preface Introduction. Why Howard Barnstone Why? (Stephen Fox and Michelangelo Sabatino) 1. Howard Barnstone’s Architecture Chapter 1. Barnstone’s Practice (Stephen Fox) Chapter 2. Translating Mies: Barnstone and Houston Modernism (Michelangelo Sabatino) Chapter 3. To Be Modern in Texas: Lone Star Avant-Garde (Kathryn E. Holliday) 2. Howard Barnstone’s Clients Chapter 4. A Constructive Connection: Barnstone and the Menils (Barrie Scardino Bradley) Chapter 5. An Architectural Family Portrait (Robert Barnstone and Deborah Ascher Barnstone) Chapter 6. Barnstone’s Jewish Houston (Joshua J. Furman) 3. Howard Barnstone’s Life Chapter 7. A Short Biography (Barrie Scardino Bradley and Stephen Fox) Chapter 8. Barnstone and the University of Houston (Bruce C. Webb) Chapter 9. The Worst Thing That Can Happen: Gertrude and Howard (Olive Hershey) Conclusion. Magical Modernism (Barrie Scardino Bradley, Stephen Fox, and Michelangelo Sabatino) Afterword. Looking toward the Future (Theodore H. M. Prudon) Appendices 1. Interview with Eugene Aubry 2. Interview with Anne Schlumberger Brown 3. Architectural Awards Catalogue Raisonné Selected Bibliography Contributors Index

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Book SynopsisThe award-winning work of Miró Rivera Architects is explored through texts, drawings, and original photography; from the Circuit of the Americas to Vertical House, this richly illustrated book offers a unique approach to understanding architecture and urbanism in Texas and beyond.Trade ReviewJuan Miró and Miguel Rivera, along with other writers, tell about their ideas and design journeys in page after page that foreground gorgeous photography and helpful floor plans...I could spend hours paging through this ravishing book. * Austin American Statesman *A thoughtfully conceived volume, 'Building a New Arcadia' offers a terrific overview of Miró Rivera’s oeuvre that also, by highlighting examples, widens an understanding of urbanism in Texas, and elsewhere. * Sightlines *What sets this monograph apart from others is the documentation, especially the drawings...These drawings, which must have been specially made for the book, highlight particular assemblies worthy of the reader's attention and, in the case of exploded axons, peel away the facades and other layers to reveal the spaces within. These twenty buildings spanning twenty years make me eager to see what the next twenty years hold for Miró Rivers Architects. * A Daily Dose of Architecture *

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Book SynopsisSince 1984 LakeFlato Architects has been winning awards for its unique buildings committed to sustainability, beauty, and community; this generously illustrated book presents the firm's most striking creations.Trade ReviewA stunningly photographed book. * San Antonio Report *[Lake|Flato] is primarily a picture book. Almost always, one immediately notes the design elements that celebrate indirect natural light while avoiding our state’s extreme heat. * Austin American Statesman *The photos of Lake|Flato's humanist architecture make me appreciate their work all the more, but coming now, in the midst of a pandemic, they also make me pine for the social interactions that the best architecture enriches. * A Daily Dose of Architecture *The graphic layouts [in Lake|Flato] are thoroughly detailed and include a diverse mix of finished, construction, and archival photography (by a variety of photographers), sketches, watercolors, diagrams, site and floor plans, sections, elevations, axonometrics, heatmaps, models, and more. Looking through them, it’s possible to get a sense of how Lake|Flato designs buildings. The cliché about architecture being a mix of art and science seems to hold true here...The fact that all of the projects are photographed with people is consistent with the firm’s avowed humanist ethos and allows the reader to better imagine what it might be like to experience these buildings. * Texas Architect *

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Book SynopsisPresenting the first English translation of Burle Marx's depositions, this volume highlights the environmental advocacy of a preeminent Brazilian landscape architect who advised and challenged the country's military dictatorship.Trade ReviewDepositions offers an understanding of Burle Marx beyond his gardens and parks; it is a solid introduction to both his work and Brazil’s quest to establish its cultural identity. * Architectural Record *Depositions is a well-researched, well-written, and laudatory study that substantially adds to, and significantly amends, our view of Burle Marx as a landscape architect and cultural figure. * Landscape Journal *[Depositions] opens new perspectives on Burle Marx's work, revealing facets of his celebrated projects and legacy that too often go unspoken…This seminal book will enable greater understanding not only of Burle Max's position as a designer operating under dictatorial conditions but also of the convoluted circumstances underlying Brazil's modern architectural history. * Journal of the Society of Architectural Historians *[Depositions] sheds new light on Burle Marx’s intellectual position and serves as a valuable map of the local sociopolitical context, in its complexities and contradictions since colonial times. * ABE Journal *Table of Contents Introduction: Roberto Burle Marx and the Ecological Modern Chapter 1. Constructing Culture in Brazil: Politics and the Public Landscape Chapter 2. Forest Narratives Brazilian Landscapes, April 27, 1967 Suggestions for the Preservation of National Parks, August 1967 Forest Politics and the Destruction of Forests, March 25, 1969 Forest Conservation, February 12, 1971 Chapter 3. Landscapes of the Baroque Interior Parks, Gardens, and Public Plazas, May 23, 1968 Cultural Contribution, November 28, 1968 Defense of Nature Reserves, June 27, 1969 Defense of the Landscape, August 25, 1969 Chapter 4. Large Parks, Statues, and Disfigurement Statues in Gardens, August 29, 1968 Sacrificed Landscape, January 28, 1969 Preservation of Landscape Conditions, September 17, 1970 Landscape Complex, July 7, 1973 Green Spaces, July 11, 1973 Chapter 5. The Scientific Park Current Conditions at the Botanical Garden, February 7, 1968 The Botanical Garden of Rio de Janeiro, September 27, 1968 The Botanical Garden and Woodland Nursery, August 26, 1969 The Botanical Garden of Belo Horizonte, May 6, 1970 Chapter 6. Military Gardens Garden and Ecology, July–September 1969 Epilogue: The Counselor Acknowledgments Notes Index

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Book SynopsisGeorge Heriot (1759-1839), a Scot, is best known as a skilled landscape watercolourist and as the contentious deputy   postmaster general of British North America from 1800 to 1816. He was also a travel writer (his Travels through the Canadas was published in 1807) and a poet.In this volume, a combination of biography and art history, Gerald Finley presents, for the first time, a rounded picture of Heriot, revealing his motives and ideals while also illuminating the texture of life in Canada during the early years of settlement. In describing Heriot's several roles as artist, administrator, patriot, spy, Finley presents a portrait of an eighteenth-century gentleman whose superficial desires were for an active public life but whose deeper yearnings were for a life of contemplation.As a member of the gentry it was natural that Heriot found his way into public service, for which he was suited both by education and by upbringing. Nevertheless, his public career d

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Book SynopsisA tour de force of art and cultural history based on the life and work of celebrated Kiowa photographer Horace Poolaw. Trade Review“Smith has crafted a solid social history that helps us think beyond Edward S. Curtis’s nostalgic salvaging process. . . . This book usefully follows [Smith’s] methodology, continually engaging and explaining Poolaw’s doubled life, providing a sense of contemporary social pressure as well as long-standing tribal values.”—Katherine Hauser, Great Plains Quarterly "Horace Poolaw's photography provides an important historical look at Kiowa life in the early twentieth century because he captured daily life as it happened. Horace Poolaw: Photographer of American Indian Modernity benefits from the ample inclusion of Poolaw photographs throughout."—Jared Eberle, Chronicles of Oklahoma“Horace Poolaw was a . . . talented photographer whose work has gone largely unnoticed by mainstream art and photographic historians. Laura Smith does an excellent job of placing Poolaw’s work within a historical and cultural context and makes a convincing argument that these photographs reflect a conscious effort by Poolaw to understand and communicate a shifting Native American identity.”—Todd Stewart, associate professor of art, technology, and culture at the University of Oklahoma “Poolaw’s photographs, and Smith’s narration of where they fit in the Kiowa story, impart a welcome perspective on Kiowa history and culture. Smith powerfully illustrates how, when viewed through the eyes of Poolaw, Kiowa people—like other Americans—are actively negotiating present and future identities in a rapidly globalizing world.”—Luke Eric Lassiter, author of The Power of Kiowa Song "Horace Poolaw: Photographer of American Indian Identity is a fascinating profile of the life and times of a photographer whose work has been largely overlooked by mainstream art and photographic historians."—Marilyn Gates, New York Journal of BooksTable of ContentsList of Illustrations Foreword by Linda Poolaw Acknowledgments Introduction 1. Homeland 2. Family 3. History and Pageantry 4. Warbonnets 5. Postcards 6. Art Epilogue Notes Bibliography Index

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Book SynopsisRooted in close analyses of the artist's numerous series and collections, each chapter in Ben Katchor is dedicated to a distinct aspect of the urban experience. Individual pages from Katchor's work depict not only the visual, but also the auditory, tactile, and olfactory dimensions of life in the city.Trade ReviewThrough astute close readings and by framing Ben Katchor’s work along a multisensory spectrum, urban studies scholar Benjamin Fraser presents a stunning and original perspective on Katchor’s graphic narratives." - Jan Baetens, professor emeritus of cultural studies and comics at the University of Leuven"As well as being a substantial engagement with a diverse set of works from an important, understudied comics artist, Ben Katchor presents a compelling approach to the analysis of those works. By combining a focus on Katchor’s use of the senses with analysis of the representation of the senses in his comics, Fraser has not only found a way of eliciting specific insights from Katchor’s strips, he has also sketched out an expanded approach to the sensory analysis of comics that can be applied to a wide range of works." - Ian Hague, founder and director of Comics Forum and Reader in Graphic Narrative at the University of the Arts London"Ben Katchor’s comics are filled with the same sensuousness, tactility, and humor of the urban worlds they depict. In this enthusiastic author study, Ben Fraser proves an expert guide through Katchor’s cityscapes, offering a vital introduction for readers new to the artist and a valuable reappraisal for those already familiar with his work. Organizing the book's discussion around the senses of sight, hearing, touch, smell, and taste, Fraser affirms Katchor's importance for so many vital themes in and beyond comics studies today: urban culture, multisensory reading, art and its commodification, and the centrality of community in the making of place."- Dominic Davies, author of Urban Comics: Infrastructure and the Global City in Contemporary Graphic Narratives

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Book SynopsisRooted in close analyses of the artist's numerous series and collections, each chapter in Ben Katchor is dedicated to a distinct aspect of the urban experience. Individual pages from Katchor's work depict not only the visual, but also the auditory, tactile, and olfactory dimensions of life in the city.Trade ReviewThrough astute close readings and by framing Ben Katchor’s work along a multisensory spectrum, urban studies scholar Benjamin Fraser presents a stunning and original perspective on Katchor’s graphic narratives." - Jan Baetens, professor emeritus of cultural studies and comics at the University of Leuven"As well as being a substantial engagement with a diverse set of works from an important, understudied comics artist, Ben Katchor presents a compelling approach to the analysis of those works. By combining a focus on Katchor’s use of the senses with analysis of the representation of the senses in his comics, Fraser has not only found a way of eliciting specific insights from Katchor’s strips, he has also sketched out an expanded approach to the sensory analysis of comics that can be applied to a wide range of works." - Ian Hague, founder and director of Comics Forum and Reader in Graphic Narrative at the University of the Arts London"Ben Katchor’s comics are filled with the same sensuousness, tactility, and humor of the urban worlds they depict. In this enthusiastic author study, Ben Fraser proves an expert guide through Katchor’s cityscapes, offering a vital introduction for readers new to the artist and a valuable reappraisal for those already familiar with his work. Organizing the book's discussion around the senses of sight, hearing, touch, smell, and taste, Fraser affirms Katchor's importance for so many vital themes in and beyond comics studies today: urban culture, multisensory reading, art and its commodification, and the centrality of community in the making of place."- Dominic Davies, author of Urban Comics: Infrastructure and the Global City in Contemporary Graphic Narratives

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Book SynopsisA visual compendium revealing the philosophy and life of America’s renowned architect The story of Louis H. Sullivan is considered one of the great American tragedies. While Sullivan reshaped architectural thought and practice and contributed significantly to the foundations of modern architecture, he suffered a sad and lonely death. Many have since missed his aim: that of bringing buildings to life. What mattered most to Sullivan were not the buildings but the philosophy behind their creation. Once, he unconcernedly stated that if he lived long enough, he would get to see all of his works destroyed. He added: “Only the idea is the important thing.”In Louis Sullivan’s Idea, Chicago architectural historian Tim Samuelson and artist/writer Chris Ware present Sullivan’s commitment to his discipline of thought as the guiding force behind his work, and this collection of photographs, original documentation, and drawings all date from the period of Sullivan's life, 1856–1924, that many rarely or have never seen before. The book includes a full-size foldout facsimile reproduction of Louis Sullivan’s last architectural commission and the only surviving working drawing done in his own hand. Trade Review"Louis Sullivan’s Idea is a coffee table book, and a damn good one at that. It’s best enjoyed by studying every word left to right, but by exploring the pages randomly, searchingly. Every nook and cranny of the design has something to engage the eyes: new patterns, revealing photographs, splendid watercolors. "—Third Coast Review

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Book SynopsisA beautifully designed and lavishly illustrated biography of one of Chicago’s greatest lost buildings For six months in 1961, Richard Nickel, John Vinci, and David Norris salvaged the interior and exterior ornamentation of the Garrick Theater, Adler & Sullivan’s magnificent architectural masterpiece in Chicago’s theater district. The building was replaced by a parking garage, and its demolition ignited the historic preservation movement in Chicago. The Garrick (originally the Schiller Building) was built in 1892 and featured elaborate embellishments, especially in its theater and exterior, including the ornamentation and colorful decorative stenciling that would become hallmarks of Louis Sullivan’s career. Reconstructing the Garrick documents the enormous salvaging job undertaken to preserve elements of the building’s design, but also presents the full life story of the Garrick, featuring historic and architectural photographs, essays by prominent architectural and art historians, interviews, drawings, ephemera from throughout its lively history and details of its remarkable ornamentation—a significant resource and compelling tribute to one of Chicago’s finest lost buildings. A seventy-two-page facsimile of Richard Nickel’s salvage workbook is tipped into the binding.

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Book SynopsisReveals new and previously unknown biographical material about an important figure in nineteenth-century American architecture and music. Jacob Wrey Mould is not a name that readily comes to mind when we think of New York City architecture. Yet he was one-third of the party responsible for the early development of the city’s Central Park. To this day, his sculptural reliefs, tile work, and structures in the Park enthrall visitors. Mould introduced High Victorian architecture to NYC, his fingerprint most pronounced in his striking and colorful ornamental designs and beautiful embellishments found in the carved decorations and mosaics at the Bethesda Terrace. Resurfacing the forgotten contributions of Mould, Hell on Color, Sweet on Song presents a study of this nineteenth-century American architect and musical genius. Jacob Wrey Mould, whose personal history included a tie to Africa, was born in London in 1825 and trained there as an architect before moving to New York in 1852. The following year, he received the commission to design All Souls Unitarian Church. Nicknamed “the Church of the Holy Zebra,” it was the first building in America to display the mix of colorful materials and medieval Italian inspiration that was characteristic of High Victorian Gothic architecture. In addition to being an architect and designer, Mould was an accomplished musician and prolific translator of opera librettos. Yet anxiety over money and resentment over lack of appreciation of his talents soured Mould’s spirit. Unsystematic, impractical, and immune from maturity, he displayed a singular indifference to the realities of architecture as a commercial enterprise. Despite his personal shortcomings, he influenced the design of some of NYC’s revered landmarks, including Sheepfold, the Metropolitan Museum of Art, the American Museum of Natural History, the City Hall Park fountain, and the Morningside Park promenade. From 1875 to 1879, he worked for Henry Meiggs, the “Yankee Pizarro,” in Lima, Peru. Resting on the foundation of Central Park docent Lucille Gordon’s heroic efforts to raise from obscurity one of the geniuses of American architecture and a significant contributor to the world of music in his time, Hell on Color, Sweet on Song sheds new light on a forgotten genius of American architecture and music. Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan FundTable of ContentsPreface: Discovering Jacob Wrey Mould | ix Introduction | 1 1. Family Territory: England, Africa, Ireland, America | 17 2. Youthful Years in London: Architecture and Music | 27 3. Fresh Prospects in New York | 54 4. Embellishing Central Park | 96 5. Building a Career | 149 6. Greater Expectations | 195 Acknowledgments | 241 Notes | 243 Illustration Credits | 259 Index | 263 Color images follow page 130

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Book SynopsisIn this remarkable and gorgeously illustrated book, Neil Jackson presents a vibrant profile of the Los Angeles architect Pierre Koenig, who Time magazine said lived long enough to become "cool twice." From the influences of Koenig's youth in San Francisco and his military service during World War II to the Case Study Houses and his later award-laden years, Jackson's study plots the evolution of Koenig's oeuvre against the backdrop of Los Angeles-a city that both shaped and was shaped by his architecture. The book is anchored by Jackson's exciting discoveries in Koenig's archive at the Getty Research Institute. Drawings, photographs, diaries, letters, lecture notes, building contracts, and university projects-many of which are published for the first time-provide an expanded understanding of Koenig and additional context for his architectural achievements. An examination of Koenig's Case Study Houses shows how his often single-minded and pragmatic approach to domestic architecture recognised the advantages of production housing and presciently embraced sustainable, ecologically responsible design. A new account of the Chemehuevi housing project in Havasu Lake, California, demonstrates the special role that learning and teaching played in the development of his architecture. Over his fifty-year career, Koenig not only designed iconic houses but also directed their restoration and curated their legacy, ensuring that his work could be seen and appreciated by present and future admirers of midcentury Los Angeles.Table of ContentsAcknowledgements Intro: A View from the Archive Chapter 1. Beginnings Chapter 2. Education Chapter 3. Glendale Chapter 4. Santa Monica and San Vicente Chapter 5. Case Study Houses Chapter 6. Steel Pavilions Chapter 7. Hillside Houses Chapter 8. Timber Houses Chapter 9. Mid-Career Steel Houses Chapter 10. Production Houses Chapter 11. 'I'm your architect' Chapter 12. Restoration Chapter 13. Revival Chapter 14. Payback Time Chapter 15. Cool Twice Appendix: List of Works

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Book SynopsisA spirited memoir by artist Aviva Rahmani, offering a relatable narrative to discuss trigger point theory and the importance of eco-art activism. Divining Chaos is an intimate personal memoir of unparalleled transparency into the moments in Rahmani's life that shaped her as an artist and activist. Detailing the history that led her to two seminal projects—Ghost Nets, restoring a coastal town dump to flourishing wetlands, and The Blued Trees Symphony, which applied her premises to challenge natural gas pipelines with a novel legal theory about land use—Rahmani shares the decisions that shaped her life’s work and thinking. Her discussions about trigger point theory argue for how to predict, confront, and determine outcomes to the ecological challenges we face today.Trade ReviewRahmani brings us to the place where her art (which speaks of the urgency of action and the lack of time to make change) is refracted through her reflections of her life—moments in time as a process through time. -- Hilary Robinson, Professor of Feminism, Art, and Theory, Loughborough University, UK; editor of Feminism Art Theory: An Anthology 1968–2014In Divining Chaos Aviva Rahmani nails her own heart to the Earth’s gallery wall and invites us to examine it, a daunting experience of critical life-moments revealing the complex dialectic of violation. Yet, to fight ecocide and regain the symphony of life, we must 'read' and 'listen' to her beautiful, beating heart, an avatar of harmonia mundi. -- Glenn Albrecht, environmental philosopher; author of Earth Emotions and SolastalgiaAviva Rahmani offers a memoir of anti-capitalist, anti-ecocidal storytelling imbued with a deep and abiding faith that people and art can interrupt and reinvent the status quo. In twinning deep scientific and theoretical knowledge with her art, she manages a near-impossible task of rendering the world as it is—precarious, violent, dangerous, beautiful. -- Laura Raicovich, writer and curator; author of Culture Strike: Art and Museums in an Age of Protest and former director of the Queens Museum of ArtAviva Rahmani’s remarkable Divining Chaos is part bildungsroman, part eco-action guidebook, part pandemic diary, and part portrait of a turbulent time in American art and history. With searing honesty, Rahmani presents her complex multidisciplinary thinking as it has evolved through the twists and turns of a tumultuous life. This is the story of a life in art that is also a life in politics, science, and environmental- ism. And, in our dark times, it is also a story of what we may still be able to do to save our planet. -- Eleanor Heartney, art critic and curator; author of Art & Today and Doomsday DreamsDivining Chaos is a compelling and courageous memoir of historical importance, written by a central figure in the emergence of ecofeminist art. Aviva Rahmani makes clear that the same entrenched systems of power enable the abuse of women and the abuse of nature. Her personal experiences of trauma might well have defeated her. Instead, they seemingly empowered her to become a strong and persistent advocate for ecological issues through her artwork, and to challenge the status quo in innovative and effective ways. -- Julie Reiss, PhD, editor of Art, Theory and Practice in the AnthropoceneIn Divining Chaos she nails her own heart to the Earth’s gallery wall and invites us to examine it, a daunting experience of critical life-moments revealing the complex dialectic of violation. -- Glenn Albrecht, environmental philosopher; author of Earth Emotions and SolastalgiaAviva Rahmani offers a memoir of anti-capitalist, anti-ecocidal storytelling imbued with a deep and abiding faith that people and art can interrupt and reinvent the status quo. In twinning deep scientific and theoretical knowledge with her art, she manages a near-impossible task of rendering the world as it is—precarious, violent, dangerous, beautiful. -- Laura Raicovich, author of Culture Strike: Art and Museums in an Age of Protest and former director of the Queens Museum of ArtAviva Rahmani’s remarkable Divining Chaos is part bildungsroman, part eco-action guidebook, part pandemic diary, and part portrait of a turbulent time in American art and history. With searing honesty, Rahmani presents her complex multidisciplinary thinking as it has evolved through the twists and turns of a tumultuous life. -- Eleanor Heartney, art critic and curator; author of Art & Today and Doomsday DreamsDivining Chaos is a compelling and courageous memoir of historical importance, written by a central figure in the emergence of ecofeminist art. Aviva Rahmani makes clear that the same entrenched systems of power enable the abuse of women and the abuse of nature. -- Julie Reiss, PhD, editor of Art, Theory and Practice in the Anthropocene

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Book SynopsisA spirited memoir by artist Aviva Rahmani, offering a relatable narrative to discuss trigger point theory and the importance of eco-art activism. Divining Chaos is an intimate personal memoir of unparalleled transparency into the moments in Rahmani's life that shaped her as an artist and activist. Detailing the history that led her to two seminal projects—Ghost Nets, restoring a coastal town dump to flourishing wetlands, and The Blued Trees Symphony, which applied her premises to challenge natural gas pipelines with a novel legal theory about land use—Rahmani shares the decisions that shaped her life’s work and thinking. Her discussions about trigger point theory argue for how to predict, confront, and determine outcomes to the ecological challenges we face today.Trade Review"Rahmani brings us to the place where her art (which speaks of the urgency of action and the lack of time to make change) is refracted through her reflections of her life—moments in time as a process through time." -- Hilary Robinson, Professor of Feminism, Art, and Theory, Loughborough University, UK; editor of Feminism Art Theory: An Anthology 1968–2014"In Divining Chaos Aviva Rahmani nails her own heart to the Earth’s gallery wall and invites us to examine it, a daunting experience of critical life-moments revealing the complex dialectic of violation. Yet, to fight ecocide and regain the symphony of life, we must 'read' and 'listen' to her beautiful, beating heart, an avatar of harmonia mundi." -- Glenn Albrecht, environmental philosopher; author of Earth Emotions and Solastalgia"Aviva Rahmani offers a memoir of anti-capitalist, anti-ecocidal storytelling imbued with a deep and abiding faith that people and art can interrupt and reinvent the status quo. In twinning deep scientific and theoretical knowledge with her art, she manages a near-impossible task of rendering the world as it is—precarious, violent, dangerous, beautiful." -- Laura Raicovich, writer and curator; author of Culture Strike: Art and Museums in an Age of Protest and former director of the Queens Museum of Art"Aviva Rahmani’s remarkable Divining Chaos is part bildungsroman, part eco-action guidebook, part pandemic diary, and part portrait of a turbulent time in American art and history. With searing honesty, Rahmani presents her complex multidisciplinary thinking as it has evolved through the twists and turns of a tumultuous life. This is the story of a life in art that is also a life in politics, science, and environmental- ism. And, in our dark times, it is also a story of what we may still be able to do to save our planet." -- Eleanor Heartney, art critic and curator; author of Art & Today and Doomsday Dreams"Divining Chaos is a compelling and courageous memoir of historical importance, written by a central figure in the emergence of ecofeminist art. Aviva Rahmani makes clear that the same entrenched systems of power enable the abuse of women and the abuse of nature. Her personal experiences of trauma might well have defeated her. Instead, they seemingly empowered her to become a strong and persistent advocate for ecological issues through her artwork, and to challenge the status quo in innovative and effective ways." -- Julie Reiss, PhD, editor of Art, Theory and Practice in the Anthropocene"In Divining Chaos she nails her own heart to the Earth’s gallery wall and invites us to examine it, a daunting experience of critical life-moments revealing the complex dialectic of violation." -- Glenn Albrecht, environmental philosopher; author of Earth Emotions and Solastalgia"Aviva Rahmani offers a memoir of anti-capitalist, anti-ecocidal storytelling imbued with a deep and abiding faith that people and art can interrupt and reinvent the status quo. In twinning deep scientific and theoretical knowledge with her art, she manages a near-impossible task of rendering the world as it is—precarious, violent, dangerous, beautiful." -- Laura Raicovich, author of Culture Strike: Art and Museums in an Age of Protest and former director of the Queens Museum of Art"Aviva Rahmani’s remarkable Divining Chaos is part bildungsroman, part eco-action guidebook, part pandemic diary, and part portrait of a turbulent time in American art and history. With searing honesty, Rahmani presents her complex multidisciplinary thinking as it has evolved through the twists and turns of a tumultuous life." -- Eleanor Heartney, art critic and curator; author of Art & Today and Doomsday Dreams"Divining Chaos is a compelling and courageous memoir of historical importance, written by a central figure in the emergence of ecofeminist art. Aviva Rahmani makes clear that the same entrenched systems of power enable the abuse of women and the abuse of nature." -- Julie Reiss, PhD, editor of Art, Theory and Practice in the Anthropocene

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Book SynopsisShadow Patterns: Reflections on Fay Jones and His Architecture is a collection of critical essays and personal accounts of the man the American Institute of Architects honored with its highest award, the Gold Medal, in 1990.The essays range from the academic, with appreciations and observations by Juhanni Palaasma and Robert McCarter and Ethel Goodstein-Murphree, to personal reflections by clients and friends. Two of Arkansas’s most accomplished writers, Roy Reed and Ellen Gilchrist, who each live in Fay Jones houses, have provided intimate portrayals of what it’s like to live in, and manage the quirks of, a “house built by a genius,” where “light is everywhere. . . . Everything is quiet, and everything is a surprise,” as Gilchrist says.Through this compendium of perspectives, readers will learn about Jones’s personal qualities, including his strong will, his ability to convince other people of the rightness of his ideas, and yet his willingness, at times, to change his mind. We also enter into the work: powerful architecture like Stoneflower and Thorncrown Chapel and Pinecote Pavilion, along with private residences ranging from the modest to the monumental. And we learn about his relationship with his mentor, Frank Lloyd Wright.Shadow Patterns broadens and enriches our understanding of this major figure in American architecture of the twentieth century.

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Book SynopsisLouis I. Kahn: The Nordic Latitudes is a new and personal reading of the architecture, teachings, and legacy of Louis I. Kahn from Per Olaf Fjeld's perspective as a former student. The book explores Kahn's life and work, offering a unique take on one of the twentieth century's most important architects. Kahn's Nordic and European ties are emphasized in this study that also covers his early childhood in Estonia, his travels, and his relationships with other architects, including the Norwegian architect Arne Korsmo. The authors have gathered personal reflections, archival material, and other student work to offer insight into the wisdom that Kahn imparted to his students in his famous masterclass. Louis I. Kahn: The Nordic Latitudes addresses Kahn's legacy both personally and in terms of the profession, documents a research trip the University of Pennsylvania's Louis I. Kahn Collection, and confronts the affiliation of Kahn's work with postmodernism.

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Book SynopsisThe first biography of sculptor Chana Orloff. In Sculpting a Life, the first book-length biography of sculptor Chana Orloff (1888-1968), author Paula Birnbaum tells the story of a fiercely determined and ambitious woman who fled antisemitism in Ukraine, emigrated to Palestine with her family, then travelled to Paris to work in haute couture before becoming an internationally recognized artist. Against the backdrop of revolution, world wars, a global pandemic and forced migrations, her sculptures embody themes of gender, displacement, exile, and belonging. A major figure in the School of Paris, Orloff contributed to the canon of modern art alongside Picasso, Modigliani and Chagall. Stories from her unpublished memoir enrich this life story of courage, perseverance, and extraordinary artistic accomplishments that take us through the aftermath of the Holocaust when Orloff lived between Paris and Tel Aviv. This biography brings new perspectives and understandings to Orloff’s multiple identities as a cosmopolitan émigré, woman, and Jew, and is a much-needed intervention into the narrative of modern art. Trade Review“Sculpting a Life is a thoroughly researched, scrupulous biography that will undoubtedly stand as the definitive study of Chana Orloff. At the end of this admirable biography, we’re left with the sense that Chana Orloff’s greatest creation was herself. She mastered the diasporic art world of the interwar era, fashioning a transnational and uniquely Jewish identity.” * H-France *"This is the first biography of Orloff (1888–1968), a Ukrainian-born Jewish sculptor whose work is part of collections in Israel, Europe and the United States. Birnbaum. . . traces the artist’s multiple migrations — from Ukraine to Palestine to Paris to Switzerland and back to Paris while establishing a second home in Tel Aviv after World War II — and the impact these migrations had on her career." * J. The Jewish News of Northern California *“Birnbaum has created a truly remarkable and compelling portrait of the internationally-exhibited multi-national sculptor who worked across—and fully participated in—the tumultuous decades of twentieth century Jewish, modernist, and world histories from her elective home in Paris. Wide ranging-research sustains subtle insights into the formal, historical, and cultural significance of Orloff’s compelling portraits of her Jewish intellectual, political and artistic contemporaries that she created alongside a modernizing, feminist exploration of women’s subjectivities and life experiences through sculptural embodiment. A truly vital monument to Chana Orloff’s extraordinarily fascinating place in our extended, and fuller understanding of the art of the twentieth century and its creative communities.” -- Griselda Pollock, Professor Emerita of Social and Critical Histories of Art, University of Leeds"Paula Birnbaum’s well-researched study of Chana Orloff is a tremendous achievement. In this pathbreaking, first book-length biography of the unfairly neglected sculptor, Birnbaum places Orloff securely in the company of her School of Paris contemporaries. Even more, she illuminates and contextualizes Orloff’s multiple identities as a cosmopolitan émigré, woman, and Jew. This wide-ranging book is a major contribution to our understanding of Jewish art, feminist art, and Israeli art." -- Samantha Baskind, Distinguished Professor of Art History, Cleveland State University"Sculpting A Life offers a fascinating case study of an artist whose life and work embodies themes of gender, migration, displacement, and belonging. This first of its kind biography explains the extraordinary conditions in which Chana Orloff lived and carried out a long and prolific career in Ukraine, France, Palestine, and later Israel. By analyzing her hyphenated identities from an intersectional point of view, Birnbaum captures the complexities and tensions between cosmopolitanism and national identity for women artists who live and work in diaspora. This book is an important contribution to the history of modern art, as well as Jewish history, while highlighting the many layers of gendered issues that impact women’s careers in an age of transnationalism. Although Orloff does not fit neatly into the discipline of art history, which is normatively written according to fixed notions of national style grounded in a stable idea of the nation-state, its enormous contribution is correcting the canon of modernity and offering a more inclusive history of art." -- Tal Dekel, author of Transnational Identities: Women, Art and Migration in Contemporary Israel“Paula Birnbaum’s biography of Chana Orloff offers a timely and much-needed intervention into the narrative of modern art. Orloff’s life is a perfect model for the study of artistic practice within the contexts of forced displacement, voluntary immigration, transnationalism, and the multilinguality so pervasive in the 20th century.” -- Alla Efimova, Author and Curator“Paula Birnbaum’s lucid and engrossing biography of Chana Orloff (the first of its kind) restores the artist to her rightful place among the 20th century’s foremost sculptors. More than this, through meticulous research embedded in a lively, engaging narrative, a complete portrait emerges of a sublime artist negotiating the difficult balance of her diverse identities. There is also a distinctively Jewish story told here, one of a life’s journey touched, shaped and bruised by late 19th and 20th century social and political upheavals from Ukraine to Palestine, France and Israel: a life that incorporated extraordinary highs and lows including a six-year close friendship with Modigliani and a courageous last-minute border-crossing escape from Nazi pursuers. Both art and artist are brightly illuminated in this vivid record of Chana Orloff’s intense, crowded, and extraordinarily creative life.” -- Jonathan Wilson, author of Marc Chagall“In Sculpting a Life: Chana Orloff between Paris and Tel-Aviv, Paula J. Birnbaum offers readers a deeply researched, beautifully illustrated, and engagingly written biography of a cosmopolitan and once-renowned sculptor who deliberately resisted categorization. In the world of art, Orloff (1888-1968) became an outsize figure with a multifaceted hybrid identity; she was tenacious, resilient, and enterprising, overcoming multiple historical obstacles (ranging from pogroms to two world wars and persecution of Jews) that not only disrupted her professional development as an artist but also threatened her very survival. Orloff’s strong emphasis on motherhood as central to her artistic expression is particularly noteworthy, as is her fascination with the female body. This book also reminds readers of the relative marginality in Paris of the subsequently famous circles of émigré artists in which Orloff traveled (including Picasso, Modigliani, and Chagall, who hailed from Spain, Italy, Russia, and Palestine) and the difficulties of 'defining' French art during the first half of the twentieth century. Particularly noteworthy are Birnbaum’s efforts to ground Orloff’s extraordinary life and ultimately successful career in historical context and to probe the meanings implied in her sculptures and drawings.” -- Karen Offen, The Michelle R. Clayman Institute for Gender Research, Stanford University; Author of European Feminisms, 1700-1950: A Political History, The Woman Question in France, 1400-1870, and Debating the Woman Question in the French Third Republic, 1870-1920.“Birnbaum’s deeply researched study rescues an extraordinary artist from obscurity. Triumphing over infinite odds, Chana Orloff, a Russian Jewish émigré, became an original and compelling artist in modern Paris during and between the world wars. This book brilliantly restores her resilient voice and amazing story.” -- Wanda M. Corn, Robert and Ruth Halperin Professor Emerita in Art History, Stanford University“Birnbaum weaves together pioneering research and analysis into a compelling narrative of Orloff’s life and work, a story about the courage, perseverance, and accomplishments of an artist who overcame the dislocation of multiple migrations and trauma of forced exiles, facing anti-Semitism and gender bias. This exemplary biography is a model for analyzing the complexities of an artist whose multiple migrations, identities, and the tensions between cosmopolitanism and national identity deeply informed her work.” -- Ruth E. Iskin, Ben Gurion UniversityTable of ContentsIntroductionChapter 1: Ukrainian Beginnings, 1888-1905Chapter 2: Moving to the Promised Land, 1905-1907Chapter 3: Becoming a New Hebrew Woman, 1907-1910Chapter 4: Paris: from Haute Couture to Avant-Garde, 1910-1913Chapter 5: Forging a Career at the Onset of War, 1913-16Chapter 6: Orloff during Wartime 1916-1919: Amazon, Mother, and WidowChapter 7: Portraitist of Montparnasse: 1919-25Chapter 8: Villa Seurat: Building a Studio and a Community, 1926-1929Chapter 9: Transatlantic Travel and Networks, 1929-1930Chapter 10: From Paris to Tel Aviv: The Jewish Art World in the Pre-State period of 1930sChapter 11: Occupation and Escape, 1938-1942Chapter 12: Exile and Return, 1942-1948Chapter 13: “Israeli Artist of the École de Paris,” 1948-1968Chapter 14: Conclusion: Legacy in Israel & FranceAcknowledgmentsNotesIndex

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Book SynopsisDistinguished architect Andrew Andersons has redefined Australia's art galleries over the last five decades (in Sydney, Adelaide, Canberra and regionally) and his award-winning designs have extended the NSW Parliament and transformed the State Library of New South Wales. After two decades in the Government Architect's Branch, Andersons joined PTW Architects for a new period marked by renovation of the Capitol Theatre, design of the City Recital Hall and the Roslyn Packer Theatre, along with offices and major apartment buildings from Bondi to Canberra.Andersons' work has reimagined industrial areas of Sydney's shorelines, transforming Darling Harbour, Walsh Bay, Jones Bay and Barangaroo, and redefined the Sydney Opera House and East Circular Quay as Australia's 'first national precinct' and pre-eminent civic gathering place. In this landmark book, Bernice Murphy and Leon Paroissien draw on interviews and research over many years to illuminate Andersons' life and achievements.

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Book SynopsisIncluding a number of short essays by Bataille and Leiris on aspects of the other's work as well as excerpts on Bataille from Leiris' diaries, this collection of correspondence throws new light on two of Surrealism's most radical dissidents. In the autumn of 1924, just before André Breton published the Manifeste du surréalisme, two young men met in Paris for the first time. Georges Bataille, 27, starting work at the Bibliothèque Nationale; Michel Leiris, 23, beginning his studies in ethnology. Within a few months, they were both members of the Surrealist group, although their adherence to Surrealism (unlike their affinities with it) would not last long: in 1930 they were among the signatories of "Un cadavre," the famous tract against Breton, the "Machiavelli of Montmartre," as Leiris put it. But their friendship would endure for more than 30 years, and their correspondence, assembled here for the first time in English, would continue until the death of Bataille in 1962.Table of ContentsEditor's AcknowledgementsAbbreviations Michel LeirisOn Georges Bataille Georges Bataille as Don Giovanni From Bataille the Impossible to the Impossible Documents From the Time of Lord Auch Georges BatailleOn Michel Leiris Surrealism from Day to Day The Publication of 'A Corpse' Racism Georges Bataille and Michel LeirisCorrespondence 1924-61 Michel LeirisGeorges Bataille, As Time Goes By Robert Desnos, Georges Bataille and Marcel GriauleEye Bernard NoëlAfterword: A Way of Looking that is Understood Appendix: A Bio-Bibliographic ChronologyPeriodicals to which Bataille and Leiris both contributed (1925-62)BibliographyIndex

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Book SynopsisThe World in One School explores in text and image the global influence of Britain’s oldest University School of Architecture, exploring the history of the School and what its teachers and graduates have achieved internationally in designing and constructing the architecture of the world. Under the leadership of Sir Charles Reilly, architects such as Herbert Rowse and Harold Dod worked in the American Beaux Arts style and this became the house style of the School that is reflected in numerous Liverpool landmarks. Exported worldwide, what became known as the ‘Liverpool Manner’ brought a distinctive style to major buildings across the globe. Students at the School came from all corners of the world and, equally, were sent on international practice placements. In the years between the two world wars, American architectural practices were prominent in this movement – for example, McKim, Mead and White; Corbett, Harrison and McMurray; and Carrer and Hastings. Later, under Lionel Budden, the School moved into the forefront of the Modernist movement, with architects such as Edwin Maxwell Fry and George Checkley drawing inspiration from the works of Le Corbusier and Mies van der Rohe. Other graduates of the School, such as William (Lord) Holford and Gordon Stephenson made major worldwide contributions to the field of city and regional planning. The World in One School is a remarkable story of a School with a long history of honours and awards, including six Royal Gold Medals for Architecture to its graduates and staff: Sir Charles Reilly, Sir Patrick Abercrombie, Lord Holford, Edwin Maxwell Fry, Sir James Stirling and Colin Rowe.

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Book SynopsisJohn Nash is universally recognised as one of the most important architects of late eighteenth- and early nineteenth-century Britain. As the man responsible for the creation of Regent Street and Regent’s Park, he left an indelible mark on the West End of London, and his two most famous buildings – the Brighton Pavilion and Buckingham Palace – are crucial to any understanding of the monarchy in the age of the Prince Regent (later George IV). Yet, even before he became involved in these ambitious projects, he made a major contribution to domestic architecture through the design of a series of stylistically varied villas, country houses and cottages in which he applied the doctrines of the Picturesque with an inventiveness and panache that has rarely been surpassed. No complete study of Nash’s work has been published since Sir John Summerson’s, The Life and Work of John Nash, Architect in 1980. Since then, new scholarship has revised some of Summerson’s conclusions and cast new light on several important aspects of Nash’s work. The aim of this book – which originated in a symposium held by the Georgian Group in September 2009 – is to bring together this recent scholarship in a single volume, and so bring this most engaging of architects to a new generation of readers. Trade Review'Underpinned with a great deal of new research, this book offers a refreshing reappraisal of Nash and authoritatively sets out his impressive architectural achievement'The book is outstandingly well illustrated, with a full range of colour photographs, numerous historic photographs and plans from the archives of English Heritage, and liverla use of engravings published in the 1820s and 30s which presented Nash's new London buildings in the most glamerous way possible. -- John Newman * Transactions of the Ancient Monuments Society, 58 *The format means that the book can be dipped into and the illustrations enjoyed, but it is also easy to read as a whole or by treating chapters as individual essays. -- Kate Andrew * SPAB, The Society for the Protection of Ancient Buildings, Autumn 2014 *Table of Contents1. Before Fame and Fortune: the Early Years - Richard Suggett 2. Herefordshire and the Repton connection - David Whitehead 3. Nash and the Castle Style - Geoffrey Tyack 4. Sandridge Park: a Villa Rustica in Devon - Rosemary Yallop 5. John Nash: property developer - James Anderson 6. Nash and structural innovation - Jon Clarke 7. John Nash and the Genesis of Regents Park - J. Mordaunt Crook 8. Pavilion and Palace: Nash’s work for George IV - Michael Port 9. Nash in a British and Continental Context - David Watkin

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Book SynopsisRobert Adam is perhaps the best known of all British architects, the only one whose name denotes both a style and an era. The new decorative language he introduced at Kedleston and Syon around 1760 put him at the forefront of dynamic changes taking place in 18th-century British architecture. His later claim that his practice with his brother James had effected ‘a kind of revolution’ in design was no idle boast. Their style dominated the later Georgian period and their influence was widespread, not only in Western Europe but in Russia and North America. But for such a well-known figure, much of Robert Adam’s art still remains poorly understood. This new study, based on papers given at a Georgian Group symposium in 2015, looks afresh at many aspects of the Adam brothers’ oeuvre, such as interior planning, their use of colour, the influence of classical sources, their involvement in the art market, town planning and building speculation, and Robert Adam’s late picturesque drawings and castle designs – all within the context of the Adam family background and their personal and working relationships. The Scottish architecture of Robert and James’s older brother, John, is also assessed. There are essays by established Adam experts as well as contributions from a younger generation of historians and postdoctoral scholars, one of the book’s aims being to stimulate further research on the Adams’ contribution to British architecture, art and design. Trade ReviewReviews'The publication of new research by a number of top scholars in the field will help architects and general enthusiasts alike to approach [the story of the Adam brothers and the role of Robert] with fresh understanding. This book, subtitled New light on Britain's leading architectural family, links a number of important strands and makes for compelling reading.'Jeremy Musson, Country Life'Despite the vast quantity of existing work on the Adam Brothers - John, Robert, James, and William - this brilliantly edited volume treads a new path in the field of Adam Studies [...] The individually authored and thematically focused chapters explore a range of topics from the collecting and dealing of antiques to architectural style, planning, and construction - offering a wide range and also extremely detailed fresh looks at the Adam architectural family.'Sydney Ayers, HBA 'In addition to the articles on medievalism... Editor Colin Thom supplies an extended “Introduction” that offers a lucid and valuable overview of this fascinating family and their accomplishments, not only in Scotland, but in the wider world.'William S. Rodner, Scotia'It is the type of thought provoking study which makes this excellent publication a fine addition to research into the Adams’ contribution to British Architecture.' Niall Murphy, Scottish society for Art History‘This book should surely encourage all lovers of eighteenth-century architecture and decoration to see […] Adam buildings with new eyes and better-informed sensibilities.’ Geoffrey Tyack, The GeorgianTable of ContentsIntroduction: ‘Some promising young men’: Robert Adam and his brothersColin Thom1. Johnnie, the eldest Adam BrotherAlistair Rowan2. 'Antique Mad': the Adams as dealers and their stock of AntiquitiesJonathan Yarker3. Context and Attribution: Antonio Zucchi's Portrait of James Adam (1763)Jerzy J. Kierkuc-Bielinski4. 'The true style of antique decoration': Agostino Brunias and the birth of the Adam style at Kedleston Hall and Syon HouseAdriano Aymonino5. Robert Adam's Scenographic InteriorsMiranda Hausberg6. Design by Correspondence: Robert Adam and Headfort HouseConor Lucey7. A 'Classical Goth': Robert Adam's engagement with medieval architecturePeter N. Lindfield8. The Ingenious Mr AdamDavid King9. The Adam Brothers and Portland Place: A reassessmentColin Thom10. Temporal sublime: Robert Adam's castle style and geology in the Scottish EnlightenmentMarrikka Trotter11. 'The Parent Style or the Original Sin': The Adam revival in AmericaEileen Harris

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Book SynopsisArup Associates, a major presence on the British architectural scene for more than half a century, emerged from the famous engineering consultancy founded by Ove Arup in 1946 and reflected Arup’s own vision of “total design”, formed in the 1930s in his groundbreaking collaborations with Berthold Lubetkin. With architects, engineers and other professionals working in groups, it offered a uniquely interdisciplinary approach to the design of buildings. From early groundbreaking factories to a series of university commissions, innovative offices, and cultural projects, including the Snape Maltings concert hall, the practice moved on to become a major player on the London development scene with its projects at Finsbury Avenue and Broadgate. This book, the first monograph on Arup Associates for more than 30 years, discusses the work of the firm from the years of the Arup Building Group in the 1950s to the 1990s and assesses the contribution of its leading designers, including Sir Philip Dowson, Derek Sugden and Peter Foggo. The text is based on interviews with many former and current members of the practice. The book is fully illustrated with images from the Arup archive and stunning new photography offering a new perspective on an exceptional body of work. Trade ReviewKenneth Powell's timely study of Arup Associates harks back to a golden age of teamworking. ... a fascinating insight into what seems now a different age.Architecture TodayTable of ContentsTo follow

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Book SynopsisHerbert James Rowse (1887–1963) was an extraordinary architect who shaped the city of Liverpool with his array of exquisite buildings, plans, and infrastructure. Practicing in an eclectic manner that was influenced by American Beaux Arts and later using simpler geometries of monumental bare brick, his large body of work reveals a modernity that was concerned with luxurious materials, restrained but contemporary decoration and sculpture, and bold forms often with a sense of theatre and performance. His work has endured passing trends and fashions, retaining a seductive appeal and resonance with visitors and occupants alike, despite its often monumental massing and extraordinary scale. This book aims to discern not only the architectural merits and advances of his work, but also their wider significance. Through Rowse’s work we gain a glimpse into some of the broader agendas of the time and place, not least through the corporate and banking commissions that accompanied the large docks and shipping firms in Liverpool, where Rowse produced some of his most distinctive work. In addition to these commercial ventures Rowse contributed to the post-war housing debates through his proposals that looked to rows of cottages set around village greens, rather than high-rise living. Published in association with The Twentieth Century Society. Trade Review'This enlightening volume in the Twentieth Century Architects series assesses the work of an architect who sought not to create a new architecture from scratch, but one that was inspired by historical precedent.' Context, the Journal of the IHBC‘The architectural contribution to Liverpool made by Herbert Rowse (1887-1963) can hardly be underestimated […] and this excellent and well-illustrated monograph gives him his proper and richly deserved due.’ Peter Parker, A MagazineTable of Contents Monumental Tunnel structures Brick Social housing and planning

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Book SynopsisAhrends, Burton and Koralek (ABK) was established in London in 1961 by three young AA graduates, Peter Ahrends, Richard Burton and Paul Koralek. By the 1970s, ABK was known as one of the most creative and versatile of Britain’s younger practices, its workload ranging from college buildings in Oxford and Chichester to housing, public libraries, retail and industrial buildings. While influenced by High-tech, their buildings were characterised by a concern for strong form and materiality. Major projects of the 1980s included stations for the Docklands Light Railway and the pioneering St Mary’s Hospital on the Isle of Wight, as well as buildings at Hooke Park in Dorset designed in collaboration with Frei Otto. ABK’s victory in the prestigious 1982 competition for an extension to the National Gallery in London reflected the firm’s standing but the scheme was abandoned following a controversial intervention by the Prince of Wales. Written by eminent architectural author and critic, Kenneth Powell, and lavishly illustrated with images from the practice’s archive and stunning new photography, this book is an essential read for architects, students, architectural historians and anyone who is interested in learning more about a key practice in British post-war architecture. This book has been commissioned as part of a series of books on Twentieth Century Architects by RIBA Publishing, English Heritage and The Twentieth Century Society.Table of ContentsForeword Acknowledgements Introduction 1. Origins and Influences 2. Learning and Libraries 3. Housing and some Houses 4. Designing for Commerce 5. The Civic Realm List of Works Bibliography Index Picture Credits

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