Individual actors Books

Book SynopsisGathering together the most important new research on star studies, with case studies of stars from many different cultures, this collection looks at film stardom from new angles, challenging the received wisdom on the subject and raising important questions about image, performance, bodies, voices and fans in cultures across the globe.

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Book SynopsisThis two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history. This volume focuses on American cinema, including case studies of key performances from actors like Bette Davis, Irene Dunne, Whoopi Goldberg, Cary Grant, Oscar Isaac, Jack Nicholson and Al Pacino.

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Book SynopsisWith case studies of high-profile stars like Jet Li, Jackie Chan and Donnie Yen, this ground-breaking book examines transnational Chinese stardom as a Web-based phenomenon, and as an outcome of the participatory practices of cyber fans.

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Book SynopsisThis book presents a new reading of Pina Bausch's dance theatre, orienting it within an international legacy of performance practice.

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Book SynopsisThis book presents a new reading of Pina Bausch's dance theatre, orienting it within an international legacy of performance practice.

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Book SynopsisAnalyses the cinematic and social significance of the star phenomenon in Southeast Asia.

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Book SynopsisEstablishes the cultural and historical contexts for representations of female ageing in British film since the 1930s.Trade Review"Claire Mortimer's study emphasises the centrality of older women to the stories British cinema has told, despite the social marginalisation frequently visited upon them in real life. Examining familiar films with a fresh lens while also shining a light on lesser-known films, and spanning the 1930s to the present day, this book offers a spirited critical survey of the female figurations of age in British films, encompassing bluestockings and battleaxes, witches and widow-women, charladies and duchesses, spinsters and matriarchs. It also celebrates the powerful performances that brought sometimes stereotypically conceived characters to subversive life on the screen. Essential reading for scholars of both British cinema history and the cultural politics of femininity and ageing." -Melanie Williams, University of East Anglia

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Book SynopsisThe first substantial academic study on Tyrone Power

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Book SynopsisHorror cinema is a genre that is undergoing constant evolution, from the sub-genre of 'found footage,' to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror.

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Book SynopsisExamines Diana Dors' film career, acting method, star image and enduring celebrityTrade Review"Shingler on Dors is a dream team: the doyen of Star Studies on the most warmly beloved of stars. Packed with detail, beautifully written, Shingler draws out the resonances of the Dors persona alongside demonstrating the skill of her performances, brilliantly fusing appreciation of the star as image and actor." -Richard Dyer, King's College London

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Book SynopsisThe book examinesMonty Python's enduring status as an unconventional, anti-authoritarian comedy touchstone, this book reappraises Python's comedy output from the perspective of its fifty years of cultural circulation.

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Book SynopsisOn 29 September 1981, Peter Turner received a phone call that would change his life. His former lover, Hollywood actress Gloria Grahame, had collapsed in a Lancaster hotel and was refusing medical attention. He had no choice but to take her into his chaotic and often eccentric family's home in Liverpool. Liverpool born and bred, Turner had first set eyes on Grahame when he was a young actor, living in London. Best known for her portrayal of irresistible femme fatales in films such as The Big Heat, Oklahoma and The Bad and the Beautiful, for which she won an Oscar, Grahame electrified audiences with her steely expressions and heavy lidded eyes and the heroines she bought to life were often dark and dangerous. Turner and Grahame became firm friends and remained so ever after their love affair had ended. And it was to him she turned in her final hour of need.Film Stars Don't Die in Liverpool is an affectionate, moving and wryly humorous memoir of friendship, love and stardom.

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Book Synopsis"A fascinating close-up of Mr. Strasberg''s philosophy of theatre and method of working with actors."--Eliot Fremont-Smith, The New York Times Unavailable for over fifteen years, these transcripts of Strasberg''s private acting classes provide a revealing look at one of the nation''s most famous acting schools and its controversial leader.

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Book Synopsis Newly revised and expanded, Women in American Theatre is a unique resource that challenges preconceptions by exploring and celebrating the heritage of women in American theater. In this new edition, the editors have collected a series of interviews and essays that address the contributions of women to theater, the recurring patterns of their participation and the problems as well as successes they have encountered in developing their careers. Helen Krich Chinoy is professor emeritus of theater at Smith College, where she taught for over 25 years. Linda Walsh Jenkins formerly was a theater professor at Northwestern University and a dramaturg in Chicago theater.

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Book SynopsisAfter more than five decades in Hollywood, Don Bluth, the man behind some of the most iconic animated films ever made, tells his story.Don Bluth never felt like a Donald. So people have always called him Don. A matinee of Snow White and the Seven Dwarfs awakened something within him. Despite growing up in rural Texas and Utah, he practiced and worked hard to become an Hollywood animator. And after working alongside his idol Walt Disney, and on films including Sleeping Beauty, The Sword in the Stone, Robin Hood, Winne the Pooh, The Rescuers, and Pete’s Dragon, he realized that the company had changed into something he didn’t necessarily believe in. So made the industry-shocking decision to start his own animation studio. It was from that studio—Don’s studio—that came such award-winning, generation-defining films as The Secret of NIMH, An American Tail, The Land Before Time, All Dogs Go to Heaven, Anastasia, and the video game Dragon’s Lair. Now, after more than half a century in the movie business, Don is ready to tell the story of his life. How his passions for artistry, integrity, and his Mormon faith shaped him into the beloved icon whose creativity, entrepreneurship, and deeply-held beliefs entertained, enthralled, and inspired millions across the globe. Exclusive original art makes this book perfect for fans, cineasts, and anyone looking “somewhere out there” for inspiration and motivation.

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Book SynopsisExplore the creative evolution of James Cameron through this exclusive journey into his personal art archives, showcasing a range of rare and never-before-seen works from the acclaimed director’s private collection.James Cameron has blazed a trail through the cinematic landscape with a series of groundbreaking films that have each become deeply embedded in the popular imagination. But while Cameron has created and employed advanced filmmaking technologies to realize his unique vision, his process of creative ideation began with pen, pencil, and paints long before he picked up a camera.  Cameron displayed remarkable ability at an early age, filling sketchbooks with illustrations of alien creatures, faraway worlds, and technological wonders. As he grew older, his art became increasingly sophisticated, exploring major themes that would imbue his later work—from the threat of nuclear catastrophe to the dangers inherent in the development of artificial intelligence. Working in the film industry in his twenties, Cameron supported himself by illustrating theatrical posters and concept art for low-budget films before creating the visionary concept pieces that would help greenlight his first feature, The Terminator. For the first time, Tech Noir brings together a dazzling and diverse array of personal and commercial art from Cameron’s own collection, showcasing the trajectory of ideas that led to such modern classics as The Terminator, Aliens, Titanic, and Avatar. Including everything from his earliest sketches through to unrealized projects and his acclaimed later work, this book features the filmmaker’s personal commentary on his creative and artistic evolution throughout the years. A unique journey into the mind of a creative powerhouse, Tech Noir is the ultimate exploration of one of cinema’s most imaginative innovators.

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Book SynopsisThe first hilarious volume of comedy writer, journalist, radio DJ and screenwriter Danny Baker's memoir, and now the inspiration for the major BBC series CRADLE TO GRAVE, starring Peter Kay.'And what was our life like in this noisy, dangerous and polluted industrial pock-mark wedged into one of the capital's toughest neighbourhoods? It was, of course, utterly magnificent and I'd give anything to climb inside it again for just one day.'In the first volume of his memoirs, Danny Baker brings his early years to life as only he knows how. With his trademark humour and eye for a killer anecdote, he takes us all the way from the council house in south-east London that he shared with his mum Betty and dad 'Spud' (played by Peter Kay) to the music-biz excesses of Los Angeles, where he famously interviewed Michael Jackson for the NME. Laugh-out-loud funny, it is also an affectionate but unsentimental hymn to a bygone era.Trade ReviewFull of warmth and laughter -- Ian Hyland * Daily Mirror *Danny Baker's passion runs deeper still as he attempts to squeeze the maximum amount of amusement from everything in his path in this hilarious first chronicle of his wonderful life. * THE OLDIE *A lively, memorable autobiography. * THE SUNDAY BUSINESS POST *

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Book SynopsisBased on new research, this profusely illustrated book draws together for the first time a group of works from public and private collections to examine the relationship that Thomas Gainsborough had with the theatrical world and the most celebrated stage artists of his day. Thomas Gainsborough (1727–88) was linked with the stage through personal friendships with James Quin, David Garrick and Sarah Siddons, the most renowned actors of the eighteenth century. He painted notable portraits of these and twenty others, including dramatists, dancers and composers. Not long after Gainsborough moved from Bath to London in 1774, the management of the Drury Lane theatre passed to the artist's friends Richard Brinsley and Thomas Linley. At this time, London's theatres were undergoing regular refurbishment to take account of technical innovations in lighting and stage machinery. At the King's Theatre in Haymarket in 1778, the 'elegant improvements' included frontispiece figures emblematic of Music and Dancing, and were painted in monochrome by Gainsborough. This publication firmly establishes the artist’s place within the theatrical worlds of Bath and London and shows why the art of ballet, and in particular Gainsborough’s sitters Gaetan Vestris, Auguste Vestris and Giovanna Baccelli, rose to prominence in 1780. It examines parallels between Gainsborough’s much admired painterly naturalism and the theatrical naturalism of David Garrick and Mrs Siddons, with whom he had personal friendships.Trade Review...the catalogue stands as an important work in its own right and will, no doubt, be useful for both theatre and art historians. * British Society for Eighteenth-Century Studies *Table of ContentsForeword - Chris Stephens Gainsborough and the Theatre - Susan Sloman ‘English nature does not act much’ - Gainsborough, the Theatre and Nature - Susan Sloman Catalogue - Hugh Belsey Notes Bibliography Image Credits Index

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Book Synopsis*The Sunday Times bestseller*Fact: Did you know, over its lifespan, your sofa will witness roughly 293 arguments and 1,369 cuddles?Hiya, my name's Scarlett Moffatt and I love random facts. Almost as much as I love sitting on me sofa. You might know me best from my most famous and celebrated sit thus far on the I'm A Celebrity throne. You might also know me from all sorts of other seats, most especially my Gogglebox sofa. Well this book is my attempt at telling me life story through a whole series of them!So I'd like you right now to stop what you're doing and take a seat, whether it be in the comfort of your own home, on the top deck of the bus, on the tube (so you don't have to make eye contact with anybody) or on the throne of the house (a.k.a. the toilet). I want you to get comfortable and get ready to laugh, cry and maybe even learn a bit, as I chat to you about some of the highs and lows of me life.So grab a brew, settle down, and let's start from the very beginning...

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Book Synopsis"Ranging across the years, In Search of Jerusalem conjures up the spirited encounters of Michael Kustow's many-sided life: a tender evocation of his parents; portraits of actors, stage directors, painters, film-makers; vivid descriptions of post-war and modern Paris, Mumbai, Tel Aviv and the occupied West Bank; the early days of Channel 4 television; and new insights a moment of challenge and change. A life shaken up is re-assembled in Kustow's cavalcade of survival and renewal."Trade Review"""One of the biographies of our generation - richly layered, funny, argumentative, moving and intellectually admirable. A great achievement"" Melvyn Bragg "

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Book SynopsisIntimacy with Strangers offers a dazzlingly original, thought-provoking approach to celebrity interviewing. Ciaran Carty draws upon a career involving many of the world’s leading writers, artists, actors and directors as they explore intimate concerns, ranging from love and rejection to the smallest physical sensations of pleasure and pain, and to the great issues of politics and war, God and atheism – the big and small of the human condition. Interweaving recent cultural and social history, Carty exposes unexpected affinities shared by his eclectic cast of subjects. Through chains of happenstance and six-degrees-of-separation, Intimacy with Strangers mirrors the cinematic cuts, fades and dissolves of its author’s sensibility as film critic and writer. By creating this magical memoir, Ciaran Carty offers an idiosyncratic portrait of a kaleidoscopic Ireland in a global setting.Trade Review‘…this anthology from veteran arts journalist Ciaran Carty is a hybrid creation. He seeks to blend serious art and populism, but, it is the searing insights from his more highbrow interviewees that most command our interest.’ – Alan Murdoch, Sunday Times ‘Intimacy With Strangers is rich and rewarding; there is definitely a filmic quality to the narrative (to be expected from a writer who has devoted much of his life to the big screen) but it also has plenty of unexpected moments from an eclectic career spent talking with the greats’. – Joe O’Shea, Irish Independent

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Book SynopsisShe's Hollywood's highest-paid female star with millions of fans all over the world and she's barely out of her teens. Emma Watson's life has been an incredible story, one in which a girl whose parents divorced when she was very young ended up finding stability on a film set among the cast and crew of the Harry Potter movies. A film set that became her home for the next ten years. Like her fellow stars of the franchise, she has had to live her early years out in public. As a nine-year-old, she had never acted professionally before she was cast as Hermione Granger - the character that author JK Rowling based on herself. These days Emma Watson has grown up to be a sleek, international star dealing with being part of a global phenomenon that shows no sign of diminishing even as it reaches its story's end. As much at home at a fashion show as she is at a film premiere, Emma Watson's every utterance is news - even her hairstyle makes headlines around the world. She's already been the face of Burberry and her passion for fashion runs very deep.

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Book SynopsisBest known for her role in cult comedy TV hit, Benidorm and for playing Maggie Conlon in Ken Loach's remarkable film Ladybird Ladybird, Crissy Rock is a hugely popular actress and comedienne. But Crissy's path to success was far from easy and her life has been plagued by trauma and turmoil. Never has there been a more honest and disturbing biography ever written; never has there been so much to tell. Crissy Rock's poor but idyllic young life was plunged into darkness at the age of eight, when her grandfather began to abuse her both physically and sexually. Pregnant and married to a violent bully at sixteen it seemed that trouble and turmoil would always stalk her. Having finally escaped her violent marriage, Crissy began to turn her life around. Having firmly established herself on the comedy circuit she was then cast in Ladybird Ladybird for which she won Best Actress at the Berlin Film Festival. This is one of the most astonishing books you will ever read.

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Book SynopsisThis illuminating study provides a comprehensive reassessment of Deborah Kerr's career, highlighting lesser-known aspects of her star persona. Sarah Street traces the specific qualities of Kerr's screen performances, paying close attention to facial expression, gesture, voice and costume. Covering many iconic films, including The Life and Death of Colonel Blimp, Black Narcissus, From Here to Eternity, An Affair to Remember, The Innocents and Bonjour Tristesse, this book follows Kerr’s journey from her foundational image as an 'English rose' to her performances of challenging roles in which she was cast against type. Illustrated with images from Kerr’s films, this unique case study contributes to the critical understanding of film stars and screen performance.Table of ContentsAcknowledgements.- Introduction.- The Rise to Stardom.- The Height of Deborah Kerr's Career.- Deborah Kerr's Later Years.- The Stardom and Significance of Deborah Kerr.- Notes.- Select Bibliography.- Filmography.- Index.

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Book SynopsisWhen Tony Roper discovered at the age of twenty- seven that acting could be a proper job, it changed his life forever. Having drifted from occasional schooling to various adventures on the bread vans, down the mines and in the shipyards, Tony then saw an advert in the newspaper for part-time actors to star opposite glamorous actresses. He liked the sound of that, and it was to be the start of a whole new life. Now, for the first time, Tony tells his colourful life story. There's his large extended family which had more than its fair share of characters, his father's secret war record, the incident with the bread knife and his brother, his narrow escapes from death, and plenty of unexpected family revelations. Then there's his time as the legendary Jamesie Cotter in Rab C. Nesbitt , his enduring friendship (and the odd fallout) with Rikki Fulton, hilarious appearances in Only an Excuse?, Scotch & Wry and Naked Video , in-depth discussions with Billy Connolly about who really makes the best pies, how he came to write his classic play The Steamie - and why it nearly didn't make it to the stage. Tony also describes his shocking recent health scares and his agonising decision about whether to go for a life-saving operation or play one last game for Dukla Pumpherston. I'll No Tell You Again is the inspiring and hilarious autobiography of one of our funniest and best-loved actors, known to millions as Tony Roper and to his family as... well, read it and you'll find out!

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Book SynopsisA unique collection of everything that Chekhov wrote about the theatre. Chekhov started writing about theatre in newspaper articles and in his own letters even before he began writing plays. Later, he wrote in detail about his own plays to his lifelong friend and mentor Alexei Suvorin, his wife and leading actress, Olga Knipper, and to the two directors of the Moscow Art Theatre, Stanislavsky and Nemirovich-Danchenko. Collected for this volume, these writings reveal Chekhov's instinctive curiosity about the way theatre works – and his concerns about how best to realise his own intentions as a playwright. Often peppery, passionate, even distraught, as he feels his plays misinterpreted or undermined, Chekhov comes over in these pages as a true man of the theatre.Trade Review'Chekhov is an acute observer who could easily have made his way as a director or dramaturg judging by his ability to spot strengths and weaknesses in not only his own writing but that of others. This book builds a strong picture of theatrical life in Moscow and St Petersburg just before and at the turn of the last century, with vast amounts of bitching seemingly a commonplace. It can also serve as a tangential autobiography since, through its pages, it is possible to learn much about its subject's life and work.' * British Theatre Guide *

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Book SynopsisA truthful, personal and insightful exploration of the state of arts funding and carrying on in the face of adversity, by the renowned founder of Out of Joint. One March morning, out of the blue, Max Stafford-Clark learned that the Arts Council had drastically cut their grant to his theatre company, Out of Joint, leaving it in danger of imminent collapse. Journal of the Plague Year is his account of what happened next, as he sets out to contest the cut, make the case for public funding of the arts, and continue producing the work for which he and his company are renowned. Max's journal often takes on an autobiographical flavour, including the unexpectedly moving story of his two fathers, his surreal encounter with the New York theatre world, and the shocking details of what it is to suffer a massively debilitating stroke. By turns funny, alarming and deeply personal, Journal of the Plague Year offers a fascinating exposé of the often Kafkaesque workings of arts subsidy in England, and the financial and artistic manoeuvrings which are a fact of life for every arts organisation today. It is essential reading for anyone with an interest in the state of our arts, from students to theatregoers, and from struggling arts workers right up to the Secretary of State for Culture.Trade Review'Fascinating... reads like an unpublished work by Franz Kafka... both horrifying and startling' * British Theatre Guide *'Eloquent... Combative, wry and stimulating throughout' * Times Literary Supplement *

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Book SynopsisAn unrivalled unofficial history of the rise – and partial fall – of fringe theatre, Mike Bradwell's deadpan account of his adventures is one of the funniest and angriest books to come out of theatre today. Winner of the 2010 Theatre Book Prize awarded by the Society for Theatre Research. As he travels through a counterculture peopled by nutters, chancers, dreamers and prophets, Bradwell makes us marvel at his resilience and creativity, captured in a succession of vivid – and often laugh-out- loud – episodes such as: creating a character with Mike Leigh; enjoying the onstage mass orgasms of The Living Theatre; eating fire with Bob Hoskins; becoming an underwater escapologist (reluctantly) in the Ken Campbell Roadshow; creating Hull Truck; and doing battle with the Health and Safety brigade, the funding bodies and a Polish heavy-metal disco during his ten years running the famous Bush Theatre in West London. Bradwell is a passionate champion of the alternative as well as an admired and successful director. He makes a compelling – and urgent – case for preserving the true and subversive spirit of theatre from castration at the hands of bankers, consultants, stakeholders, cultural-diversity compliance monitors and the Arts Council. 'Towards the end of this brilliant account of his epic forty-year journey, Mike tells us, 'I don't believe that theatre is safe in the hands of grown-ups', and it is his healthy, eternal youthfulness that makes the book so inspiring' Mike Leigh, from his ForewordTrade Review'Inimitably filthy, achingly funny... Bradwell is one of the most colourful figures in theatre today' -- Ian Herbert * The Stage *'Both a history and a pointer to the future of theatre, written by one of its most courageous and effective champions' * Theatres Magazine *'Funny and rude, bloody-minded and undervalued, much like the theatre to which he has given his all' * Times Literary Supplement *

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Book Synopsis?From the filth and the fury to the elegant extravaganza, Peter Gravelle', the many named photographer, has remained in the shadows of punk rock, low culture and high fashion, deflecting attention while steadily producing an epic body of iconic work. ?The Death of Photography' is a tour de force, a high end art book showcasing forty years of the best punk, fashion and portraiture of Gravelle's career. Heavily stylised images are woven together with Gravelle's own fascinating recollections from a live lived in technicolour.

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Book SynopsisActress and playwright Vanessa Rosenthal has been searching for her identity her whole life. Is she Jewish or not? English or not? This character, or that, on and off stage? As she explores these conflicting positions, her frank and funny findings form the basis of this fascinating memoir, bringing her to no fixed conclusion. Vanessa’s story covers her early life and family – and how her mother’s conversion to Judaism sowed the seed of being on the outside looking in. It takes the reader through her years of marriage and family, and the comic trials and successes of life as an actor, mother, wife and ‘establishment’ partner as well as her travels in Europe and Israel. Along the way she examines many taboos on Jewishness, including the deeply sensitive subject of how Judaism deals with conversion. The questions persist despite a happy and creative life, bursting at the seams but this multifaceted and moving memoir moves her closer to one answer: as an apparently insufficiently Jewish Jew, what or who should she be? This memoir will appeal to readers who enjoyed Lynn Barber’s An Education and Laura Cumming’s On Chapel Sands.Table of ContentsChapter 1: Belonging? Chapter 2: London Lights Chapter 3: Beginners on Stage Chapter 4: ‘Let Me Not Admit Impediments’ Chapter 5: All Roads Roam to Leeds Chapter 6: ‘By Indirections Find Directions Out’ Chapter 7: Eastern Europe Chapter 8: Ruth Chapter 9: New Horizons Chapter 10: Bialystok to Burnley Chapter 11: Normandy and Beyond Chapter 12: Being Earnest Chapter 13: Twilight Chapter 14: ‘Writing the Century’ Chapter 15: A New End Chapter 16: And Now Acknowledgments

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Book SynopsisThe Jenaissance has arrived!Keep Coolidge and Carry On: The Wisdom of Jennifer Coolidge is a breakdown of her career, from her time as Jodi, Jerry’s girlfriend on Seinfeld, to her ascension as Tanya McQuoid on The White Lotus, which has crowned her, rightfully, as HBO and Hollywood royalty.Study her wisdom and learn how to manage a diner you inherited from your husband, plan a birthday party for your dog, bake a perfectly moist cookie, and, of course, bend and snap.Learn about behind-the-scenes details of Coolidge’s movies and life, hear how she managed to pose as Ernest Hemmingway’s daughter to get into bars, and take a quiz that will separate fans who’ve only watched The White Lotus from the stans who can spot her in the crowd of the Austin Powers football game.

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Book SynopsisSince the mid-1960s, Peter Brötzmann has made a decisive impact on the international free jazz and improvized music scene; parallel to his musical activity, he also practices as a visual artist. This volume takes a look at the outstanding “double talent” from various scholarly perspectives. It is dedicated to the artistic crossing of boundaries, asking how the art and music genres influence each other, and what parallels or differences can be identified in terms of artistic concepts and expressive forms. The focus is on the word “free” – as an element in the name of the music genre free jazz and the record label FMP, co-founded by Peter Brötzmann. This points to a social dimension, but also to a creative musical or artistic principle in relation to the “free arts”. The book contains one of the last interviews with the artist. Interdisciplinary contribution on reciprocal influences between musical and artistic genres New academic research on Peter Brötzmann

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Book SynopsisAlfred Brendel und Peter Gülke pflegen die Kunst des Interpretierens auf einzigartige Weise: Brendel als weltberühmter Pianist, der auch Bücher über Musik publiziert, Peter Gülke als mehrfach für seine Sprach-Kunst des Interpretierens ausgezeichneter Autor, der auch Dirigent ist. In diesem Buch denken sie in einem intellektuell und emotional berührenden Ideen- und Erfahrungsaustausch gemeinsam über die Praxis des Interpretierens nach. Einerseits geschieht dies ganz konkret bezogen auf Schuberts und Beethovens Musik. Andererseits diskutieren sie über Grundsätzliches wie die Frage, welche Freiheit Musikerinnen und Musiker beim Aufführen von Musik haben, und über die Möglichkeiten, sinnvoll über Musik zu sprechen, das heißt: sie sprachlich zu interpretieren.Trade Review“... Belehrsam und vertieft philosophieren die beiden Herren über ihr Metier, widersprechen sich auch einmal und machen unterschiedliche Argumente geltend. ... Alfred Brendel und Peter Gülke nähern sich zwar mit den Erfahrungen ihres Interpretierens den Werken ...” (Neue musikalische Blätter, Mai 2021)“... Sprache interpretieren heisse Sprache «verstehen»; Musik interpretieren bedeute hingegen Musik «machen». Ganz so einfach, wie es Adornos berühmtes Diktum in lustvoller Übertreibung zuspitzt, ist es eben nicht: Es gibt verstehendes Musizieren und musikalisches Verstehen, die sich dort begegnen, wohin auch Sprache zielt. Hier kann man zwei Meistern ihres Fachs zuhören, die beides können.” (Hans-Joachim Hinrichsen, in: NZZ Neue Zürcher Zeitung, 4. Januar 2021)“Fortgeschrittene werden dagegen großen Gewinn aus den Dialogen der beiden Granden einer sehr reflektierten Annäherung an das Repertoire ziehen, aus einem offen gestalteten Gedankenaustausch voller überraschender Wendungen beim Mäandern durch das Beziehungsgeflecht zwischen den Komponisten und darüber hinaus – fazinierende Teilhabe an einem unfassbaren Erfahrungsschatz.” (Michael Wackerbauer, in: Neue Musikzeitung, Heft 2, 2021)“... Es ist für musikalische Praktiker wie Musik-Hörer, für Laien wie Professionelle aufschlußreich. Es bietet hohes Lesevergnügen ... Für bibliothekarische Musikbestände ist es vom allgemeinen „populären“ bis zum speziellen musikwissenschaftlichen Angebot ausgesprochen empfehlenswert.” (Albert Raffelt, in: Informationsmittel für Bibliotheken, informationsmittel-fuer-bibliotheken.de, Jg. 29, Heft 1, 2021)Table of ContentsVorwort.- Schuberts letzte Sonaten.- Gespräche.- Briefwechsel

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Book SynopsisYou can find him on the stage or in front of a film camera, in the director’s chair or at the mixing board—Lars Eidinger has many faces, and not just as an actor. His performances testify to a sheer, inexhaustible energy that makes every appearance a tour de force that infects and electrifies the audience in an almost magical way. No less can be expected from his photographic works, which are gathered together here for the first time in a publication. As diverse as the subjects of the pictures are, they still allow us to recognise Eidinger’s signature: elements of fi m and theatre unite to form a unique rhythm that transforms the everyday into a paradoxical world essence. Only one word can suitably describe the richness of these visual spheres and the way of seeing that they articulate: epic.

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Book SynopsisWerner Schroeter was a leading figure of New German Cinema. In more than forty films made between 1967 and 2008, including features, documentaries, and shorts, he ignored conventional narrative, creating instead dense, evocative collages of image and sound. For years, his work was eclipsed by contemporaries such as Wim Wenders, Rainer Werner Fassbinder, Werner Herzog, and Alexander Kluge. Yet his work has become known to a wider audience through several recent retrospectives, including at the Museum of Modern Art, New York. Written in the last years of his life, Days of Twilight, Nights of Frenzy sees Schroeter looking back at his life with the help of film critic and friend Claudia Lenssen. Born in 1945, Schroeter grew up near Heidelberg and spent just a few weeks in film school before leaving to create his earliest works. Over the years, he would work with acclaimed artists, including Marianne Hopps, Isabelle Huppert, Candy Darling, and Christine Kaufmann. In the 1970s, Schroeter als

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Book SynopsisBy the late nineteenth century, Canadian women had begun forging careers as professional actresses, appearing not just in Canada, but in the United States, Britain, Australia, and New Zealand. They played an integral role in theatrical networks and helped shape transnational middle-class culture.Taking the approach of feminist collective biography, Sweet Canadian Girls Abroad writes the lives of women who, despite their renown during their lifetimes, have been all too easily forgotten. Cecilia Morgan examines these sweet girls' childhoods, their experiences of work, touring, and company management, the plays in which they appeared, and the celebrity they enjoyed. In so doing she shows how women helped convey messages about race, empire, and white identity in popular culture. Investigating a period from the 1870s to the 1940s, Morgan demonstrates how actresses evolved within a period of change in theatre, how they coped with new challenges, and how they brought their cra

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Book SynopsisFrom A Fistful of Dollars and Dirty Harry to Million Dollar Baby and beyond, takes a close-up look at one of the screen’s most influential and charismatic stars.Trade Review[A] perceptive, reader-friendly study. ChoiceTable of ContentsAcknowledgements Introduction: Play Mystic for Me 1. Pros and Cons: The Case For/Against Clint 2. A Fistful of Movies: Rowdy Yates and the Man With No Name 3. The Rising Star: Clintus, Siegelini, and Company 4. Any Which Way He Can: From Misty and Harry to High Plains Drifter and The Outlaw Josey Wales 5. Portrait of the Artist as a Major Player: From Pale Rider to Bird 6. Invictus: From John Huston to Jersey Boys 7. Eastwood's Politics: 'Leave everyone alone' Epilogue: 'If somebody's dumb enough to ask me...' Filmography as Director Index

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Book SynopsisIn 1996 Jacques Derrida gave a lecture at the Museum of Modern Art on Antonin Artaud. Artaud the Moma reveals the challenge that Artaud posed to Derrida—and to art and its institutional history. It is a powerful interjection into the museum halls, a crucial moment in Derrida’s thought, and an insightful reading of a challenging writer and artist.Trade ReviewOne of Derrida's most extraordinarily deep and and virtuosic texts and one of the best ever written about Artaud. -- Denis Hollier, New York UniversityTable of ContentsPrefaceArtaud the MomaAfterword, by Kaira M. CabañasNotesAcknowledgments, by Kaira M. Cabañas

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Book SynopsisProdigy. Iconoclast. Genius. Exile. Orson Welles remains one of the most discussed figures in cinematic history. In the centenary year of Welles's birth, James Naremore presents a revised third edition of this incomparable study, including a new section on the unfinished film The Other Side of the Wind. Naremore analyzes the political and psychological implications of the films, Welles's idiosyncratic style, and the biographical details--both playful and vexing--that impacted each work. Itself a historic film study, The Magic World of Orson Welles unlocks the soaring art and quixotic methods of a master.Trade Review"The most perceptive study of Welles's art.--Andrew Sarris "Naremore's book, with its wealth of background and close commentary, is certainly the best study of Welles."--Tag Gallagher, Film Comment"Naremore is not simply pandering to the movie buff's passion for unconsidered and inconsiderable trifles, but revealing that it's possible to go on where most Wellesian researchers have stopped."--Sight and Sound"It may, along with a small handful of other books, help to change the standards of scholarship and critical sophistication we apply to writing on film. It is patient, intelligent, scrupulously researched, and yet it is never solemn. Absolutely compelling on the more technical aspects of Welles's films."--Michael Wood, Washington Post"Naremore's book, with its wealth of background and close commentary, is certainly the best study of Welles."--Tag Gallagher, Film Comment"The most perceptive study of Welles's art."--Andrew Sarris"The Magic of Orson Welles remains one of the important works that notes the frisson the world experienced with him."--afterimage

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