History of art Books

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Book SynopsisSverre Bjertnaes was higly influenced by realistic painter Odd Nerdrum, although he now merges figurative and abstract painting. Mid-career overview of the work of one of the leading contemporary Norwegian artists today. The development of the artist is presented across 14 chapters comprising work and exhibition views. Sverre Bjertnaes is considered one of the leading contemporary Norwegian artists today. He himself often refers to his body of works as a fragmented 'stream of images' collected from art history, vernacular culture and his own life. This authoritative monograph on the artist features his oeuvre from the 1990s to the present day, with more than 200 illustrations. The book presents the full range of Bjertnaes's works, covering painting and drawing as well as sculpture and the tableaux installations he has developed in later years. Bjertnas embraces the conceptual approaches of photorealism as well as merging figurative and abstract painting, and experimenting with the use of new media.

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Book SynopsisThis new publication is dedicated to the Baranger Motion Displays of the R. F. Collection housed at the Vitra Design Museum. Motion Displays were conceived as eye-catching and novel moving objects, which – primarily in the US – were used in jewellers’ shop-window displays to attract customers. The Baranger Motion Displays were produced by Baranger Studios in Pasadena, CA between 1937 and 1957 and were lent to thousands of jewellers’ shops over the years. Primarily during the 1990s, Rolf Fehlbaum, Vitra Chairman Emeritus and founder of the Vitra Design Museum, worked to assemble a carefully selected a comprehensive collection of these objects in Weil am Rhein. With large-scale illustrations of the different Motion Displays and an atmospheric photo essay featuring black-and-white details of the objects, the book provides an unprecedented and in-depth view into this collection. In an accompanying essay, Bill Shaffer traces the success story of the displays and sheds light on the significance of the red cases in which they were delivered to the jewellers. Along with Robots 1:1 and Space Fantasies 1:1, Baranger Motion Displays is the third publication to focus on the R. F. Collection. Visitors can view the collection of Motion Displays at the Vitra Campus in Weil am Rhein as part of the “Wunderkammer” (cabinet of curiosities), which also presents other parts of Rolf Fehlbaum’s wide-ranging collection. In order for readers to be able to experience the wonders of these moving objects for themselves, each Motion Display has been given a QR Code in the book which links to an entertaining video clip of the display in action.

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Book SynopsisA counterhistory and new historiography of design.In Design by Accident, Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present. Midal rejects both linear narratives of progress and the long-held perception of design as a footnote to the histories of fine art and architecture. By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers themselves, she draws out the nuances and radical potentials of the discipline—from William Morris's ambivalence toward industry, to Catharine Beecher's proto-feminist household appliances, to the Bauhaus's Expressionist origins, and the influence of Herbert Marcuse on Joe Colombo.

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Book SynopsisThis workbook provides a revolutionary new 3-step tracing technique that beginning artists can use to quickly learn to draw manga characters just like a pro!Popular manga artists Junka Morozumi and Tomomi Mizuna guide you through a series of carefully graded lessons to build up your skills gradually. Each pose and scene has a star skill level, so you can build your way up from 1 to 5! Learn character poses ranging from standing, walking and running, to signature manga poses with expressive movements, 2-person poses, and so many more! Practice drawing from various perspectives and viewpoints Trace and draw directly into your workbook and learn to master the basics of manga character poses faster than you could imagine! Each page presents a classic manga pose, from walking and running to jumping for joy, in three different steps: A simple outline of the body, to practice drawing features and basic anatomy The defining elements of the character (like clothes, hair and facial expression) highlighted for easy tracing so you can practice placing them onto the basic body outline. The finished drawing (for inspiration). The six chapters of poses are supplemented by expert tips and easy exercises for capturing the right facial expressions, drawing the clothes and getting the perspective and body proportions right.Beginning manga artists are in good hands with Morozumi, who lectures at art academies in Tokyo, and Mizuna, whose work has been exhibited in the U.S., Europe and beyond. If you've been looking for an easy-to-use guide to drawing manga, The Manga Artist's Handbook: Drawing Basic Manga Characters is the perfect place to start!

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Book SynopsisAn easy-to-follow, yet comprehensive beginner's guide to drawing.In The Complete Guide to Drawing for Beginners, experienced art instructor Yoshiko Ogura explains the basics of pencil drawing through a series of lessons that provide insights on artistic composition, simulating highlights and shadows, depicting realistic forms, rendering texture and creating a sense of depth in your artwork. At the beginning of the book, she provides you with all the information you need to get started—what materials to buy, how to prepare your work surface, pencils and erasers—even how to sit correctly when drawing.Once you know these, Ogura provides a series of easy and clear step-by-step lessons showing you how to draw simple objects while gaining an understanding of the essential concepts of perspective, how to convey hard and soft surfaces and textures, composition and balance. From here, you progress to more complex shapes and objects including landscapes and portraits of people and animals, as she explains all the additional concepts needed to draw these realistically.This book teaches you how to draw the following interesting subjects: Simple forms (an apple, a milk carton, an egg, a mug) Hard & soft surfaces (fabric, a loaf of bread, a stone, a book) Transparent objects (water droplets, a glass) Complex objects (a piece of squash with seeds and pulp, a sunflower) Human anatomical features (hands, faces) Landscape elements (trees, buildings) Animals (a cat, a parakeet) Still life (fruit, flowers) Plus, many other inspirational examples and ideas! By the end, all your drawings will begin to look impressively polished and realistic! As you work through the lessons, you'll master all the skills and knowledge that seasoned artists demonstrate in their work.Trade Review"The Complete Guide to Drawing for Beginners lives up to its title as a user-friendly guide to learning the basics of drawing…[It] is enthusiastically recommended for anyone with an interest in drawing, whether as a hobby or as the first step toward an art-related profession." -- Midwest Book Review"With a dramatically different approach than many drawing how-to books, Japanese illustrator Ogura thinks of all the questions and issues a novice might face, then addresses them simply and head on…It's difficult to see how an in-person class could teach much more. Appended with Ogura's inspirational works." -- Booklist, Starred Review"…the right balance of text and visual aids in this guide to drawing that encourages readers to embrace every step of the process, including the struggle…highly recommended for aspiring artists of all types, especially those looking for encouragement to give drawing a go." -- Library Journal

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Book SynopsisIn Sketching Men, veteran art instructor Koichi Hagawa, PhD explains how to quickly capture the dynamic male form through two distinct styles of sketching: Very rapid (1-3 minute) line drawings that capture the essence of the subject's posture and movement—perfect for recording athletic action poses in the moment More finished tonal drawings, which take a bit longer to render (7-10 minutes), but fill in lots of interesting texture and wonderfully realistic details and nuances, including the play of light and shadow, three-dimensional form and a sense of mass and balance Learn to sketch the following: Individual body parts and their bones and muscles Objects held in the hands and with both arms Standing and sitting poses Transitions from prone and sitting poses to a standing pose Bending, reaching and leaning poses Pushing, throwing and dancing poses Folds, gathers and drape of clothing This book contains hundreds of detailed studies and helpful examples. Your sketches will improve rapidly as you learn all about how human anatomy—the skeleton, muscles and posture—all come together to express the uniquely male form. When you hone your line and tonal drawing skills with this book, all of your artwork will improve as a result, no matter the application: storyboarding, cartooning and graphic novels, illustration, formal drawings, painting and more!

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Book SynopsisIn Sketching Women, three professional studio artists (Kozo Ueda, PhD, Takahiro Okada, PhD and Minoru Hirota, PhD) join forces to show you how to sketch the female figure through 55 step-by-step drawing lessons.Each instructor walks you through their philosophy for croquis sketching. Croquis sketches are quickly-rendered drawings that capture the essentials of a subject's form and pose with relatively few expressive lines.There are four levels of sketching described in the book: 1-minute croquis: very rapid gesture drawings that capture only the artist's impressions of the form, and where the pencil stays in contact with the paper for practically the entire session 2-minute croquis: another quick sketch, but with more attention paid to the character and rhythm of the lines and how they help to express the essence of the form 5-minute croquis: a more finished drawing where added tonal variations suggest volume and anatomical details 10-minute croquis: more of a finished drawing than true croquis, the longer session allows the luxury of adding fine details such as the facial expression, the character of the hands and clothing texture Learn to sketch the following: Individual body parts (including faces) and their bone structure and muscles Standing and sitting poses Nudes and clothed figures Light and dark tonal variations Dynamic poses Color drawings You'll quickly hone your sketching skills with this life-drawing classroom-in-a-book. The expert advice and observations, dozens of poses to study, as well as easy-to-understand notes and tips make it easy to understand how the skeleton, muscles and posture all come together to express the uniquely female form.

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Book Synopsis"Presented alongside Hiroshige's prints, with descriptions and context, Delord's work offers an absorbing contemplation of Japan's past and present via one legendary travel route, and shows how thoroughly upended our surroundings have been in what was, in wider perspective, only a short time." — The New York TimesJourney along the famed Tokaido Road—an ancient thoroughfare with a modern twist.The Fifty-Three Stations of the Tokaido is the best-known work of the great 19th century Japanese woodblock artist Utagawa Hiroshige. The series of 53 masterful woodblock prints depicts stops along the ancient Tokaido Road—which, from the eleventh to the nineteenth century, was the main thoroughfare between Tokyo and Kyoto.Though the road itself is now submerged under Japan's twenty-first-century urban landscape, French artist Philippe Delord set out to see if he could find the original locations, with just a moped, sketchbook, watercolors and a book of Hiroshige's prints.Hiroshige's Japan allows readers to make the journey alongside Delord, venturing from Tokyo and Mount Fuji to mountain passes and rugged coastlines. Inside are all 53 original scenery prints made by Hiroshige, alongside their modern-day equivalent by Delord. A lively commentary about his experiences as he tries to locate each of the 53 scenes (without speaking Japanese!) offers readers an insightful, and often humorous, look into both modern and historical Japan.Part travelogue, part work of art, this book is sure to delight armchair travelers, history buffs, art enthusiasts and Japanophiles alike!Trade Review"Delord's genius is in isolating details of mundane experience that reveal basic truths of a place captured at a moment in time. Between Tokyo's towers and Kyoto's tourist sites, we get glimpses of Japan's great industrial power, anonymous highway culture, wayside shrines, restaurants, and, most importantly, the subtle rhythms of life." --Prof. Kendall Brown, author of Quiet Beauty: The Japanese Gardens of North America"Presented alongside Hiroshige's prints, with descriptions and context, Delord's work offers an absorbing contemplation of Japan's past and present via one legendary travel route, and shows how thoroughly upended our surroundings have been in what was, in wider perspective, only a short time." -- The New York Times

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Book SynopsisThe most comprehensive publication of Kodojin – beautiful and mysterious – a collection of more than 100 paintings with the English translations of his inscribed Chinese poems. The Art and Life of Fukuda Kodojin is the first publication in English to offer an in-depth examination of Kodojin's life, painting, and poetry. This fully illustrated publication draws from institutions and private collections worldwide, and is the result of fifteen years of extensive research into almost eight hundred works of inscribed poetry, literati landscapes, brush paintings and calligraphy. A beautiful and contemplative look into the world of Kodojin, this coveted edition accompanies a special exhibition held at the Minneapolis Institute of Art. Fukuda Kodojin (1865-1944) was a multifaceted artist, recognised for his poetry, painting and calligraphy, and is one of a handful of artists who continued the tradition of Japanese literati painting (nanga) into the twentieth century. Kodojin's painting style is characterized by bizarrely shaped mountain forms rendered in vivid color or monochromatic ink, often with a solitary scholar enjoying the expansive beauty of nature and bits of inscribed poetry. Creating over 700 works in his lifetime, he also made simple paintings of plants and flowers in his dramatic brushwork, and distinctive literati landscapes. Kodojin literally means "Old Taoist" which seems to reflect the path he chose of resilience of an old tradition facing new conditions and new challenges, and is theme felt throughout his art. There is both beauty and mystery in his life and work, and his landscapes can be rich in costly green and blue pigments, detailed layers of ink shading and strokes, or purely abstract. Unique, mysterious and distinctively expressive, The Art and Life of Fukuda Kodojin offers an unprecedented walk through the Old Taoist's mind, sure to both surprise and enlighten the curious reader, scholar, or literati enthusiast.

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Book Synopsis“Paula’s beautiful, ambitious project illuminates forgotten histories, honoring the overlooked.” –Andrea K. Scott, The New Yorker The Brazilian artist Dalton Paula (born 1982) works across painting, installation, photography and sculpture. Drawing on rigorous visual research, he seeks to critically interpret historical events, particularly as they have affected Black people in Brazil—a country that, after Nigeria, contains the second-largest population of African descent. Dalton Paula: Brazilian Portraits showcases a sampling from the portrait series Paula embarked on in 2018, a tribute to the Black Brazilian men and women who fought for freedom and justice over the course of several centuries but have been systematically erased from the country’s dominant historical narrative. Through his portraits (one of which—a gripping rendering of the Brazilian slave rebellion leader Zeferina—appears on the cover of the much-acclaimed 2021 volume Afro-Atlantic Histories), Paula provides much-needed dignity, visibility and recognition to these valorous figures.

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Book SynopsisNearly four decades of work from the photographer who redefined the expression of gender in contemporary queer portraitureA leading voice in contemporary photography, Catherine Opie has been known for her portraits of the queer scene in California since the late 1980s. A fundamental element of Opie's work is the observation of different gender performances through a critical revision of the genre of portraiture. Her photography emphasizes how portraiture has the power to both reinforce and deconstruct conventional and binary expressions of gender. The title of this publication and the MASP exhibition it accompanies is based on the double meaning of the word gênero in Portuguese, meaning both gender and genre.For her first solo show in Brazil, Opie enters into dialogue with the tradition of the portraita way of representing the human figure that dates to the 15th century in the Westproducing an archive of diverse presentations of gender and sexuality. Around 60 photographs from her most iconic series are displayed alongside a selection of around 15 emblematic portraits from MASP's collection. Strongly marked by figuration and the formal constraint of portraiture, the juxtaposition of these works accentuates the dialogues, tensions and reformulations that Opie's photographic oeuvre proposes.Catherine Opie was born in Ohio in 1961 and is currently a professor of photography and the chair of the art department at UCLA. Opie's work has been exhibited extensively throughout the United States, Europe and Japan. She has had solo exhibitions of her work at the Walker Art Center, Minneapolis; St. Louis Art Museum; Museum of Contemporary Art, Chicago; and the Museum of Contemporary Art, Los Angeles, among many others.

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Book SynopsisA lavishly illustrated guide to Baroque Prague. Lushly illustrated with more than two hundred color plates, including both historical images and contemporary photographs of architectural exteriors, Baroque Prague is an excursion through Prague from the defeat of Czech Protestants at the Battle of White Mountain in 1620 to the philosophical era of Enlightenment in the eighteenth century. Art historian Vít Vlnas explores both the material and spiritual transformations the city went through during this boisterous period, treating the Baroque epoch as a cultural phenomenon vital to the current genius loci of the great Central European capital. He guides readers through both the city itself and equally important Baroque monuments outside of the historical city center. A highly readable introductory study, as well as a work for experienced scholars of the history of Bohemia, Baroque Prague is an exciting homage to Europe’s great “city of a hundred spires,” and shows how a place’s storied past informs its present soul.Trade Review“Unquestionably, a concise, refined, and exceptionally readable introductory study that—with its well-selected catalog of architectural and artistic monuments—not only illuminates the historical and philosophical background of Prague’s baroque but also serves as a reliable guide to the sites of a city that owes much of its development to this remarkable age.” -- Lubomír Slavícek, head of the Centre for Visual Studies, Masaryk University

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Book SynopsisAn examination of the cultural and artistic consequences of post-WWI nationalism in Europe. World War I was a seismic event in Europe whose most concrete ramifications were the sweeping changes made to maps of the continent after 1918. A number of new, independent states were established in the wake of the Armistice, and these tectonic developments found varied expression in the arts, transforming the image of the continent both cartographically and artistically. This new edited collection focuses primarily on how modernism and the avant-garde responded to these geographic changes in Central and Eastern Europe, the Baltic States, and Scandinavia. The contributors explore the clashes between the national, the transnational, and the cosmopolitan as they played out in diverse artistic genres. In many countries across Europe, the struggle for national independence—which in many cases began in the nineteenth century and culminated only after World War I—had important cultural and artistic consequences, which are only beginning to be understood. This book—copublished with Artefactum—provides a crucial new lens to rethink the methodological tools used to understand the complexity and the multiplicity of avant-garde forms in twentieth-century Europe, encouraging scholars to reconstruct global cultural history without tired nationalistic approaches. Table of ContentsLIDIA GLUCHOWSKA, VOJTECH LAHODA, AND TOMÁŠ WINTER – Preface 6LIDIA GLUCHOWSKA – Introduction: “The War to End all Wars”: Nationalism and Cosmopolitanism in the Avant-Garde and Modernist Studies on Visual Culture and Literature 12LIDIA GLUCHOWSKA –International Expressionism as the style of WW1: Its adaptions and Evaluations 54NINA GURIANOVA - The Russian Avant-Garde and The Great War: Visions and Utopias 88OKSANA DUDKO – Ukrainian Legions of the WW1 and Their Artistic Documentation 110ÉVA FORGÁCS – War as Psychological, Social and Intellectual Experience: The Concept of “National Art” and the First World War in Hungary. Lajos Fülep and the Dynamics of National and International 142VENDULA HNÍDKOVÁ – Respect and Triumph: Intentions and Meanings of Czech Architecture before and after WWI 156VOJTECH LAHODA – Transnational or National Cubism? Vincenc Kramár on Cubism 170NAOMI HUME – Cut-and-Paste in Exile and War: Otto Gutfreund’s Parisian Collages 188LIDIA GLUCHOWSKA – The Great World and the ‘New Art’ in Poland. Between the Patriotic Ethos, the Nationalisation of the Modernism and the International Attempts in Aesthetics 210MICHAL WENDERSKI – Uncanonical Impulses to the Canon: Polish and Belgian Contributions to International Constructivism 244HARRI VEIVO – Cosmopolitanism, Nationalism, and the Reconfigurations of the Map of Europe in the Discourse of Modernity in Finland in the 1920s 262BENEDIKT HJARTARSON – Abstract Constructivism and the Case of Finnur Jónsson UniversalLanguage — National Idiom? 286GINTA GERHARDEUPENIECE – Art and the New Latvian State (1918–1920): Modernism — between Cosmopolitan Inspirations and a Substantive National Factor 314TORBEN JELSBAK and DORTHE AAGESEN – The Aesthetics of Neutrality: The Impacts of World War I on Danish Art and Culture 336ANNIKA GUNNARSON – Cosmonational: Neither National nor Cosmopolitan — But a Tinge of Avant-Garde Modernism 364IRINA GENOVA – Modernism and the National Idea — Reflections of World War I: The Case of Bulgaria 382ERWIN KESSLER – War as inverter in Romanian Art between 1912 and 1924 408PETAR PRELOG – In Pursuit of National Identity: Croatian Modern Art before and after the Great War 434EMILIO QUINTANA PAREJA – Don Quixote in the Trenches: The Birth of Avant-Garde Poetry in Spanish Language between Civilization and Barbarism 456BELA TSIPURIA – Georgian Modernism, National Expectations and WWI 476LIDIA GLUCHOWSKA – The Yiddish Artistic Networks around the Great War 496STEVEN MANSBACH – Closing Remarks and General Reflections 534

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Book SynopsisA lavishly illustrated exploration of forward-looking Czech art around the turn of the twentieth century. Though it’s less widely heralded than Berlin and Vienna, 1890s Prague was every bit as much a fin-de-siècle cultural center as its Mittel European peers. At the end of the nineteenth century, the city found itself home to a fervent coterie of young visual artists all deliberately pushing against—indeed, seeking to secede from—the traditional artistic structures of the day. ​ This book traces Czech Secessionist art from the turn of the twentieth century by following its three main stylistic schools: naturalistic-impressionistic, symbolist, and ornamental-decorative. Though these styles developed separately, their symbiotic relationship gives the art a deeper significance and disrupts the traditional understanding of Art Nouveau and Secessionist art as an eclectic decorative style that faded away at the beginning of the twentieth century. Illustrated with more than three hundred color plates, Czech Secession is a fittingly lush tribute to one city’s underappreciated and forward-looking artistic blossoming. Table of ContentsSecessionSignalsThe End of the CenturyGo to the PeopleInto the Wider WorldDefianceSpringFairy TalesSensesEpochSynthesisExpressionGeometrisationThe Second SecessionLegacy

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Book SynopsisAlan Glass's drawings from the 1950s are like swirls of smoke on the verge of assuming solid shape, like rock coming alive and metamorphosing, like plants and animals commingling, their branches and limbs, their eyes and tendrils seeking new paths. Utilising the newly invented ballpoint pen from 1954 to 1962, Glass used this modest instrument to create remarkably intricate and detailed drawings, using variations in pressure and density to conjure forth alternately lush and thick, light and crowded shapes with the appearance of inert matter coming alive. Among the several hundred drawings that Glass produced, there are some in which he used such an abundance of ink that the drawings almost take on the texture of paintings. Here, the flimsy paper is saturated to the degree of appearing soaked in the intense blues that have been a frequently recurring element of Glass's art for almost 70 years. It was the ballpoint-pen drawings that led to Glass's first solo exhibition, organised at Galerie Le Terrain Vague by André Breton and Benjamin Péret in January 1958.

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Book SynopsisThis book, originally published in 1930, is a facsimile edition of the first monograph devoted to the great Mexican illustrator and engraver Jose Guadalupe Posada (1852-1913). It reproduces more than 400 prints from Posada s vast production, collected by Pablo O Higgins from those that could be located and identified at the time. The images of these high-spirited, at times macabre, broadsheets include the famous calaveras, or skeleton caricatures, along with illustrations for songs, corridos (traditional ballads), and religious prayers. With their striking visual qualities, they enriched the tradition of the popular Mexican print. In addition to the images, the book includes an introduction by Frances Toor, the legendary editor of the magazine Mexican Folkways, and an essay by Diego Rivera on Posada. 406 engravings

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Book SynopsisA sweeping journey through the roaring art and culture of the Weimar Republic At the center of this volume are the Neue Sachlichkeit (New Objectivity) artists—Otto Dix, George Grosz and Albert Renger-Patzsch—and the groundbreaking photographer August Sander, in particular his famed series People of the 20th Century, which portrayed both prominent and anonymous Germans from all parts of society in a simple and matter-of-fact pictorial style. Sander and the Neue Sachlichkeit artists both pursued an anti-Expressionist aesthetic, embracing social engagement and a rejection of romantic idealism. The Cold Gaze also looks at the extraordinary writers associated with the Weimar Republic, such as Vicki Baum, Bertolt Brecht, Alfred Döblin, Hans Fallada, Erich Kästner and Christopher Isherwood. Further points of focus by a range of contributing writers include Germany’s Americanization during this period; Marcel Breuer’s innovations in furniture design; the invention and ascent of the Futura font; the Weimar cult of technology; and much more. This richly illustrated catalog unfolds a period that was at once euphoric and harsh, an extraordinary moment in modernity birthed in the shadows between two world wars.Trade ReviewOffers a rich view into the creative production and daily life in the Weimar Republic, with its glamour and its grotesquerie. -- AX Mina * Hyperallergic *

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Book SynopsisTour the city of Venice through the panoramic paintings of one of its most celebrated chroniclers The lagoon city of Venice was home to some of the greatest painters of the Italian Renaissance. Among them was Vittore Carpaccio (c. 1465–1525), whose body of work largely remains to this day in the city in which he lived and died. Influenced by Early Netherlandish art and resistant to Humanist trends, Carpaccio is today known for having developed a style that set him apart from his peers. He worked primarily under the patronage of various scuole, or confraternities, to illustrate Christian anecdotes. Replete with illustrative detail and an earthy color palette, Carpaccio’s paintings are uniquely emotive in their depictions of saintly miracles. This new publication invites readers from around the world to tour Venice through Carpaccio’s masterpieces and discover the artist who was exceptionally adept at fusing the real Venice and the myth of Venice into a single vision. Carpaccio in Venice: A Guide presents all of the artist’s works conserved in the city, providing updated scholarship for both the paintings and their original locations in light of recent restoration efforts. Sites include the Scuola di San Giorgio degli Schiavoni, the Doge’s Palace, the Museo Correr, the Gallerie dell’Accademia, along with many other locations.

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Book SynopsisPieter Brugel the Elder - Fall of the Rebel Angels argues that many of the hybrid falling angels are carefully composed of naturalia and artificialia, as they were collected in art and curiosity cabinets of the time. Bruegel's much noted emulation of Jheronymus Bosch was thus only part of his wider interest in collecting, inspecting, and imitating the artistic and natural world around him. This prompts an examination of the world at the time that Bruegel painted the Fall of the Rebel Angels, locally, in the urban and courtly centres of Antwerp and Brussels on the eve of the Dutch revolt, and globally, as the discovery of the New World irreversibly transformed the European perception of art and nature. Painted as a tale of hubris and pride, Bruegel's masterpiece becomes a meditation on the potential and danger of man's pursuit of art, knowledge and politics, a universal theme that has lost nothing of its power today.

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Book SynopsisIn Collapsed Time, Christina Quarles (Chicago, 1985) shows an installation that occupies the entire exhibition space and exhibits her paintings alongside works from the Nationalgalerie collection. Quarles confronts several decades of diverse forms of artistic practices, from photography and sculpture to video and performance, that have dealt with notions of physical and psychological confinement, and their impact on the representation of the human body. The formal language of Quarles’ paintings explores the experience of living in a racialised, queer body. Her figures contend with the boundaries of identity, as they intervene with complex patterns and planes. The catalogue features a curatorial essay by Sam Bardaouil and Till Fellrath, an extended interview with Christina Quarles and a contribution by Jillian Hernandez, Associate Professor at the Center for Gender, Sexualities, and Women’s Studies Research, University of Florida, USA. Text in English and German.

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Book SynopsisPaolo Linetti has been director of the Museo d'Arte Orientale Mazzocchi Collection since September 2017. He was responsible for the museum activities of the Museo Diocesano di Brescia from 2006 to 2018, organizing exhibitions, events, conferences and concerts. He has contributed to exhibitions and workshops with Cartier, Lucca Comics. In 2019 he curated the exhibition Hokusai, Hiroshige, Utamaro. Masterpieces of Japanese art and he is the author of one of the introductory texts in the catalogue (Skira, 2019).

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Book SynopsisPatricia L Lewy, art historian, is director of the Friedel Dzubas Estate Archives

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