History of art Books
Reaktion Books The Art Public: A Short History
Book SynopsisAlthough the idea of a collective audience for art – an ‘art public’ – is highly significant in the art world, this is the first book to enquire into the actual history of the art public. The book explores both written and pictorial evidence of its behaviour, and disentangles the connections between art production, the expectations of the audience and a work’s reception. Two aspects shape the narrative: first, the transformation of the audience from passive recipient to active agent; and second, the mockery of the audience by satirists such as George Cruikshank, Thomas Rowlandson, Honoré Daumier and many others. This sweeping account moves from the Greek artist Apelles to Leon Battista Alberti and Leonardo da Vinci, and from Oscar Wilde to film stars, art tourists and leading art museums and galleries worldwide.
£18.00
Reaktion Books 'Race Is Everything': Art and Human Difference
Book Synopsis'Race Is Everything' looks at ideas of 'racial science' in the nineteenth century and the first half of the twentieth century, and how art was influenced by it. It looks at race in general, but with a particular concentration on attitudes towards and representations of people of African and Jewish descent. David Bindman argues that behind all racial ideas is the belief that outward appearance, and especially skull-shape, can be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races. The book considers many aspects, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race and aesthetics; the 'Mediterranean race'; the visual aspects of eugenics; and the racial politics of Emil Nolde.
£22.50
Reaktion Books Making the Renaissance Man: Masculinity in the
Book SynopsisMaking the Renaissance Man explores the images, objects and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts; they seduced mistresses, flaunted splendour in lavish rituals of knighting and demonstrated prowess through the hunt, in ostentatious performances of masculinity and rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power, in a century crucial to the formation of early modern Europe.Table of ContentsINTRODUCTION: Making Renaissance Men CHAPTER 1: Chivalry and the Fashioning of Courtly Masculinity CHAPTER 2: Aristocratic Animals and Men at Court CHAPTER 3: Courtly Mistresses: Representation and Power CHAPTER 4: The Girl with an Ermine Between Men: Cecilia Gallerani, Leonardo da Vinci and Ludovico Sforza CHAPTER 5: Borso d'Este, Courtly Masculinity and the History of Lordly Sexuality REFERENCES SELECT BIBLIOGRAPHY ACKNOWLEDGEMENTS PHOTO ACKNOWLEDGEMENTS INDEX
£22.50
Reaktion Books Islands and Contemporary Art
Book SynopsisA ground-breaking exploration of islands' pivotal role in contemporary visual arts.
£27.55
Oxbow Books Thinking Through Images: Narrative, Rhythm,
Book SynopsisThis book provides a general self-reflexive review and critical analysis of Scandinavian rock art from the standpoint of Chris Tilley’s research in this area over the last thirty years. It offers a novel alternative theoretical perspective stressing the significance of visual narrative structure and rhythm, using musical analogies, putting particular emphasis on the embodied perception of images in a landscape context.Part I reviews the major theories and interpretative perspectives put forward to understand the images, in historical perspective, and provides a critique discussing each of the main types of motifs occurring on the rocks. Part II outlines an innovative theoretical and methodological perspective for their study stressing sequence and relationality in bodily movement from rock to rock. Part III is a detailed case study and analysis of a series of rocks from northern Bohuslän in western Sweden. The conclusions reflect on the theoretical and methodological approach being taken in relation to the disciplinary practices involved in rock art research, and its future.Trade ReviewThis book is a masterclass in deconstructing rock art and the landscape in which it stands. * Current World Archaeology *Table of ContentsList of Figures List of Tables Preface by Joakim Goldhahn Acknowledgements Prelude PART I: ARIAS: MOTIFS AND INTERPRETATIONS PART II: CABALETTA: LANDSCAPE SETTING AND CONCEPTUAL FRAMEWORK: THE RHYTHMIC VISUAL ARTS OF NARRATIVE PART III: FINALE: PERAMBULATING THE ROCKS Postlude References Index
£36.10
Intellect Books Painting in the 1980s: Reimagining the Medium
Book SynopsisThis book is the first to explore, in depth, major painters of the period and the factors that shaped their art. Accessible to both art novice and specialist, it is written in jargon-free, readable language, blending vignettes about the soaring art market of the eighties with illuminating interpretations of paintings by leading artists from around the world. Painting in the 1980s details where and how painting embodied the zeitgeist of the 1980s in original fusions of style and content. Erpf knows each artist’s work well, and her discussions of the individual paintings are vivid and insightful. They bring the vitality of the art world in this understudied period to the fore. The individual descriptions and discussions of paintings are lively, engaging and provocative. They infuse each chapter with the author’s passion for the subject and carry the reader along. The thematics – painting as puzzle, German history, Italian place – hold each chapter together and set the foundation for the author’s original thinking and point of view. This book explores painting by a broad swathe of artists who were at the heart of that painting resurgence. The many books that examine twentieth-century art tend to emphasize painting as part of European Modernism, American Abstract Expressionism, and Pop Art, with late twentieth-century painting often given short shrift. Excellent monographs and exhibition catalogues on individual artists exist, but Erpf’s intention is to counter the paucity of literature devoted to a larger group of painters. This is not a comprehensive look at all the artists who contributed to 1980s paintings revival. Gallerists, curators and art historians assigned labels such as New Image Painting, Neo-Expressionism, Italian Transavanguardia, Neo-Geo and the blanket designation Postmodernism to categorize painting in this era. Yet these classifications denote a false sense of homogeneity, which will be made clear in this book. This book’s narrative aims to excavate and analyse the art and ideas that shaped each artist’s style and their diverse and often ambiguous content. Works by the following artists are included: Nicolas Africano, Georg Baselitz, Jean-Michel Basquiat, Joseph Beuys, Francesco Clemente, Sandro Chia, George Condo, Enzo Cucchi, Marlene Dumas, Eric Fischl, Denise Green, Philip Guston, Peter Halley, Mary Heilmann, Neil Jenney, Donald Judd, Anselm Kiefer, Gordon Matta-Clark, Robert Moskowitz, Mimmo Paladino, A.R.Penck, Lari Pittman, Sigmar Polke, Gerhard Richter, Susan Rothenberg, David Salle, Julian Schnabel, Joel Shapiro, Frank Stella and David True. The artists discussed are all well known, but the surprises are in the innovative ways the artists insisted on returning to painting in a decade when it had been pronounced dead. Their courage and creativity comes through in the text. This will appeal to artists, art and cultural historians more broadly, and is suitable as a textbook for undergraduate and postgraduate courses in twentieth-century and contemporary art history. Novice art historians, art enthusiasts and collectors will also find much to enjoy here – it has appeal well beyond simply those professionally involved in the art world.Trade Review'The re-emergence of painting in the 1980s in Europe and the United States is as exciting as it is confusing. In her in-depth analysis, Rosemary Erpf counters the false sense of homogeneity and problematic art historical labels attached to painterly practices of that era. Bypassing academic theories, hers is a human and empathic approach towards individual artists at work in the studio. Combining knowledge and passion, her book shines a clarifying light on the last great reset in the history of painting.' -- Dominic van den Boogerd is an art critic and Head of Research and Education at De Ateliers, Amsterdam, where he was director from 1995 to 2018.'As "indispensable" as Gerhard Richter described painting to life, this book brilliantly weaves together accounts of painting in its decade of resurgence. Featuring close analysis alongside interviews with key participants, the book makes for a crucial companion to understanding this vital period of art history.' -- Eleanor Nairne, curator at the Barbican Art Gallery and co-editor of Basquiat: Boom for Real (2017)'Rosemary Erpf energetically and cogently takes on the chaotic, polymorphous art scene of the 1980s where localism collided with the first inklings of globalism. Focusing on the three arenas familiar to denizens of the decade—the United States, Germany and Italy—she examines how abstraction and figuration jostled one another for primacy. What we see in hindsight is the active interconnection between these stylistic approaches, the role of the legacies of the immediate pasts in those areas in shaping the work, and how the work of artists she considers propelled art to new horizons, albeit not according to usual art historical orthodoxies and definitions. A distinctive aspect of this narrative, however, is Erpf’s focus on several women artists in these discourses—notably Mary Heilmann, Jennifer Bartlett, Susan Rothenberg and Marlene Dumas—whose presences in chronicles such as this, tend to be downplayed or marginalized despite the protean nature of the painterly enterprises.' -- Lowery Stokes Sims, Kress Beinecke Professor, 2021-22 The Center, National Gallery of Art and curator emerita at the Museum of Arts and Design, NY'During the tumultuous 1980s, nothing seemed more urgent inside the New York art world than the fate of painting, and many of the issues that burst into the open then are still important today. Unlike most overviews published at the time, Painting in the 1980s strikes a careful balance between the critical reception of the work and the artists’ own explanations for what they were doing. From Bad Painting to the Italian Transvangardia and beyond, Erpf pulls together over two dozen key painters of the period, introducing readers to a pre-global art milieu when ideas about image and surface were fervently debated, and painters were leading the way to a stylistic revolution.' -- Dan Cameron is a New York-based curator, author, and educator.Table of ContentsAcknowledgments Introduction 1. New Image Painting: A Prelude to the 1980s 2. Painting as Puzzle: The Downtown New York Art World of the 1980s 3. Abstraction: Ideas about the Thing and the Thing Itself 4. Addressing Germany’s Past: Painting in a Divided Nation 5. A Sense of Place: The Italian Transavanguardia 6. Worthy Misfits: Defying Categorization Conclusion Bibliography Index
£999.99
Intellect Books Punk Art History: Artworks from the European No
Book SynopsisThe punk movement of the 1970s to early 1980s is examined as an art movement through archive research, interviews, and art historical analysis. It is about pop, pain, poetry, presence, and about a ‘no future’ generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard’. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. A large portion of the discussed materials stem from the protagonists' private archives, while some very public—scandalous and spectacular—events are discussed, too, such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981. The examined materials cover almost all media: paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Although aimed at students and scholars of art, design, music and performance history, the subject as well as the author’s accessible, occasionally playful style will no doubt draw readers with an interest in punk, music, and urban histories.Trade Review'Punk Art History is a dazzling and original exploration of punk’s relationship to contemporary art. Skov has produced a rigorously-researched, engaging, and accessible journey into punk’s art-historical foundations. Drawing on her PhD research, personal history, archival material, and interviews with those active within first-wave punk, Skov creates a tapestry of punk-art-history from Berlin, Copenhagen, Amsterdam, and London throughout the 1970s and 1980s. Her work is so rich it could be examined within a myriad of disciplines – art, music, subcultural studies, history, psychology – however, as a writer and researcher of punk and philosophy I found the philosophical threads running throughout Punk Art History the most fascinating and insightful aspect of her work. [...] Punk’s beauty lies in its ability to simultaneously embody both death and creation, and Skov demonstrates the plentiful ways in which punk-art captured this paradox. Furthermore, she eschews the ‘punk-as-postmodernism’ argument in favour of ‘punk-as-post-historical’, a reading which allows for a more fruitful discussion. [...] There is so much more to this work than I have managed to capture here – you’ll have to read it to find out.' Full review at Loud Women -- Grace Healy, Loud Women'Capturing the sharp, subversive energy that fueled punk art and music, Punk Art History is a blistering, scintillating chronicle of rebellious brilliance' -- Foreword'Skov describes incendiary punk artworks in vivid detail and with an eye for humor. The book is equally for scholars and for punk kids in cities with DIY music scenes.' -- Sarah Wolberg, Library Journal'What Skov has achieved with this book is to shine the light on a much-ignored part of punk, pulling on exemplary research and an insightful vision to illuminate an important art movement. It will be a sourcebook on the subject for many years to come. It is an essential addition to any serious punk library. Skov is a Danish art historian, author and curator based in Berlin. She works on the subjects of music, art and sexuality, with a historical focus on Surrealism and the punk movement of the 1970–80s. She is also an international affiliate of the Punk Scholars Network, and it’s clear from this book that she knows, and loves, her subject well' Full review at Louder Than War -- Mark Ray, Louder Than War“If you have ever wondered why you read about Marcel Duchamp in the morning, visit Kippenberger exhibitions in the afternoon, and listen to Black Flag or Suicide in a club at night, this is your book. It reveals the suspicion we’ve always had about the deep affinity between contemporary art and punk, that appropriation and do-it-yourself are the same, as much as the Sex Pistols’ ‘no future’ and Arthur Danto’s ‘The Death of Art.’ Marie Arleth Skov had that suspicion, because this is also a personal book: a story full of affinities shared in a wild cry that longs to destroy art in order to change life.” -- David G. Torres, art critic, curator, and professor, Barcelona“Punk Art History is an energetic, unique, and engaging exploration of punk’s relationship to both art and the associated discourse of art history. Marie Arleth Skov takes you along on a sometimes chaotic and dangerous journey, working the pressure points of her material focus with great detail, accuracy, and crossdisciplinary analysis.” -- Ian Trowell, independent scholar and writer, Cambridge“As an art historian who is both a fan and a scholar of punk, I have been waiting for someone to write this book! Punk Art History is the first real scholarly survey of both the art-historical influences and visual culture of the artists to emerge from punk in Europe and the United States. Rigorously researched and accessibly written, spanning Duchamp to Divine to Die Tödliche Doris, Marie Arleth Skov has finally written an art history that is truly punk AF.” -- Maria Elena Buszek, curator and professor, University of Colorado Denver'Punk Art History, which describes the history of artists, works and exhibitions that consciously stepped aside from the mainstream of art, is a refreshing reading experience precisely because it looks at Art history of the turn of the 1970s and 1980s from a fresh angle. Although the subculture formed around punk rock has already been studied in the 1970s, the areas of interest have recently expanded, as Skov brings out in this book, for example women's agency or scenes outside the Anglo-American context. Punk culture is also studied in new disciplines. Skov also reminds me that art history is a discipline where the study of punk culture is relatively new.' -- Riikka Niemelä, Tahiti - art history as a science [translated from Finnish through Google]Table of ContentsAcknowledgements 1 Prelude 1.1 What are we looking at? A punk art movement? 1.2 Negations, conflicts, and swindles: The elusiveness of punk 1.3 Case in point: The first Punk Art exhibition, 1978 1.4 Forty-five years of trying to capture the art in punk 2 Art Origins in the Story of Punk 2.1 The short version: From proto to post 2.2 Art school vs. hard school 2.3 Punk precursors: 1919, 1966, 1968 2.4 DIY: The DNA of punk 3 Pop Multiples, Camp Affirmations 3.1 Andy Warhol: "Hero of the Punks" 3.2 Hedonism as attack 3.3 Trash and travesty 4 The Weapons of the Underdog 4.1 Punk propaganda 4.2 Punk poetry 4.3 Crime as art, scandal as art 5 Art with No Future? 5.1 Originality and appropriation 5.2 Modernity in extremis 5.3 Avant-garde vs. rear-guard 6 Children Run Riot: The Art of the Infantile 6.1 Dead end kids 6.2 The Life of Sid Vicious: The sad, dead boy 6.3 "Infancy conforms to nobody" 7 Work vs. Play 7.1 Punk's homo ludens 7.2 Ingenious dilletantes 7.3 The Baby Wagner Lullaby, or: Brilliance blackout 8 SEX 8.1 Queer punks and dykes in high heels 8.2 Defiant prostitutes, porn artists & well-dressed whores 8.3 Sadism and submission 8.4 Punk feminism: Vamp up! 9 Pain and Presence 9.1 Performances and punches 9.2 "It hurts and looks cool!": Fetish fashion 9.3 Real romance? 10 Dystopian with a Twist 10.1 It's the end of the world 10.2 The Grand Downfall Show 10.3 Broken heroes, aces of failure 11 The Laws of the Lawless List of Interviews and Archives Notes Bibliography Index
£26.96
Profile Books Ltd The Beauty of the Hebrew Letter: From Sacred
Book SynopsisA beautifully illustrated exploration of the art of calligraphy in Hebrew, from the Sacred Scrolls to modern Hebrew graffiti. Calligrapher and scribe Izzy Pludwinski is in love with letters, and this love shines through in this ground-breaking book. Here you will find examples of writing and design from Biblical times to the present day that showcase the art of lettering as well as the beauty inherent in the forms themselves. Individual chapters look at historical manuscripts and their influence, traditional calligraphy and lettering, aleph-bets and individual letters, abstract and decorative calligraphy, the use of Hebrew calligraphy in fine art and street art, with a final a section on scripts from sacred objects. With more than 200 illustrations that span the history of the Hebrew alephbet over three millennia, this book will engage, delight, and surprise.Trade ReviewThis is one superbly beautiful book, and an important one. * Alphabet Journal *A treat for the eyes and mind * Publishers Weekly *Izzy Pludwinski has an artist's eyes and the disciplined hands of a master scribe. In this beautiful book he writes from the heart with deep understanding of the techniques and rhythms of traditional and modern Hebrew letterforms and shows us how the aleph-bet continues to evolve, versatile and beautiful, as a vitally expressive contemporary art form. -- Donald JacksonIzzy Pludwinski is an artist, an artisan, and a master teacher. His letterforms sing and soar ... This work is a gift that deserves to be given to all whom we love, and to all whom we wish to introduce to the breathtaking beauty of Hebrew script. -- Marc Michael Epstein... profusely illustrated with examples from thousands of years ago to the present day; running the gamut from polished, consistent letterforms to wildly abstract expressions of the alphabet - including three dimensional carved examples and even street graffiti. For an overview of the possibilities for beauty offered by Hebrew letters there is no better resource than this book. -- Jerry Kelly... this is a book for font enthusiasts, lovers of Judaica, and those passionate about the minutiae and range of the written form. * Hyperallergic *[a] magisterial examination of the evolution and practice of the Hebrew letter and its calligraphy -- David A. Andelman * The Fellowship of American Bibliographic Societies Journal *
£28.00
Four Courts Press Ltd Michael Healy 1873-1941: An Tur Gloine's stained
Book Synopsis
£47.50
Four Courts Press Ltd Caricature and the Irish
Book SynopsisFrom the author? s extensive collection given to Trinity College in 1996, 105 caricatures, political and social, have been selected that poke fun at the Irish during London? s golden age of caricature. Some of them lampoon (or, occasionally, stand up for) celebrated or notorious individuals, among them Edmund Burke, Richard Brinsley Sheridan, the duke of Wellington, John Philpot Curran, Thomas Moore, Viscount Castlereagh and Lady Caroline Lamb. Others target the sturdily built Irish labourers who migrated to London in search of work, and whose undercutting of local wages was much resented. Many prints, too, were published in Dublin, where plagiarism was rife, alleviated occasionally by witty adaptations.
£33.25
Welbeck Publishing Group Liberty The History Luxury Edition
Book SynopsisLiberty is the last word in bohemian luxury, a destination and brand celebrated for its unique blend of avant-garde design and expert craftsmanship.Liberty: The History celebrates the historic beginnings of the iconic store as well as their contemporary vision from their ''Eastern Bazaar'' of objets d''art, rugs and textiles from Japan and the East to the brand''s association with the developing Art Nouveau movement, their whimsical window displays and quintessential Art Fabrics, to the innovations in design and printmaking and the savvy collaborations and creative direction that have kept Liberty at the forefront of the fashion world.With treasures from the Liberty archives including classic silk scarves, designs spanning over a century and original sketches for Liberty Art Fabrics, this is the official invitation into a London institution and a global icon.This deluxe edition features a cloth-bound hardback book, 10 exquisite art prints and a stunning collectible gift box.
£40.00
Seagull Books SubjectObject Art Theory
£18.99
Flame Tree Publishing Gustav Klimt Masterpieces of Art
Book SynopsisGustav Klimt, well known for his sensual, arresting depictions of women (The Kiss, Fulfillment, The Tree of Life), was a founder of the Viennese Secession movement at the turn of the 20th century, Vienna's own Art Nouveau. His extravagant work, was an obsessive manifestation of the dazzling intellectual society of his time and he painted very large canvases combining oils with gold foil. This beautiful new book brings together a wide selection of Klimt’s magnificent work.
£12.34
Luath Press Ltd Scottish Artists in an Age of Radical Change:
Book SynopsisIn his latest book, Bill Hare offers a comprehensive view of Scottish art from 1945 to the present day.
£17.09
V & A Publishing Africa Fashion
Book Synopsis‘We face forward’ Kwame Nkrumah, 7th April 1960 From Amanda Gorman resplendent in kente cloth (courtesy of Virgil Abloh for Louis Vuitton) on the cover of US Vogue, to Michelle Obama’s repeated outings in Duro Olowu, African fashion exerts worldwide influence. Africa Fashion discusses how radical post-independence social and political re-ordering sparked a cultural renaissance across the continent. Designers such as Shade Thomas-Fahm, Chris Seydou, Kofi Ansa and Alphadi drew on past traditions, recovered and reinvented them and so laid the foundation for today’s fashion revolution. The authors then present the work of the new generation of creatives such as Nigerian fashion designer Lisa Folawiyo, Somali visual artist Gouled Ahmed, Ghanaian woven bag maker AAKS, and Kenyan jeweler Ami Doshi Shah. Their work shows that there is no one way to be African and no single African aesthetic. The contemporary African fashion scene is as diverse and dynamic as the continent itself, and crucially always has been. With contributions from experts on cloth, fashion and cultural history as well as the voices of makers and designers, this inspiring and arresting book offers a window into one of the most innovative, exciting and thoughtful areas of fashion today.Trade Review'arresting on the shelf and packed with insight', The hottest coffee table books to buy right now, Joe Bromley, Evening Standard, July 2022 -- 'With Africa Fashion...it is minds that will be captivated.' Tara Donaldson, WWD, 23rd July 2022 -- Selected for the New York Times 2022 Holiday Gift Guide, Coffee Table Books, by Lauren Christensen, Senior Staff Editor, Book Review. -- 'lush', Elizabeth Segran, 8 beautiful books to gift your design-obsessed friend, Fastcompany.com, 20th November 2023Table of ContentsForeword, Tristram Hunt -- Foreword, Bonnie Greer -- Introduction, Christine Checinska -- I -- Liberation and Post-Independence Fashions, Christine Checinska -- Five Fragments of African Textile History, Roslyn A. Walker, We Face Forward, Gus Casely-Hayford -- Mid-Century Design: Shoreline Thinking and Crossing Borders, Christine Checinska -- II -- Contemporary Creatives, Christine Checinska -- Orange Culture: Once Upon a Time in Nigeria..., Monica L. Miller -- Agents of Change, introduced by Elisabeth Murray and featuring Akosua Afriyie-Kumi, Gouled Ahmed, Imane Ayissi, Maxwell Boko, Lafalaise Dion, Ami Doshi Shah, Lisa Folawiyo, Mariam Hazem, Nisha Kanabar, Sindiso Khumalo, Doreen Mashika, Lukhanyo Mdingi, Awa Meite, Laduma Ngxokolo, Bubu Ogisi, Adebayo Oke-Lawal, Nkwo Onwuka, Mmuso Potsane, Hend Riad, Neo Serati Mofammere, Baay Sooley, Laure Tarot, Adeju Thompson and Moses Turahirwa -- III -- Afro-Fashion Futures, Christine Checinska -- The Place We Call Home: Economic and Cultural Reclamation of African Fashions, Sunny Dolat and Nkoji Ngumi -- Reimagining Second-hand Markets in Africa , Hadeel Osman -- It Takes a Village, Omoyemi Akerele -- Choose our Own Seasons, Crown our Own Heroes: African Fashion at Home, Amine Bendriouich
£999.99
Halsgrove A Picture of Devon
Book Synopsis
£31.49
Pallas Athene Publishers A Memoir of Vincent van Gogh
Book SynopsisVincent van Gogh's short, passionate life was driven by an almost unimaginable creative energy that eventually overwhelmed him. The outlines of his story - the early strivings in Holland and Paris, the revelatory impact of the move to Provence, the attacks of madness that led ineluctably to his suicide - are almost as familiar as the paintings. Yet it is more than possible that neither the paintings nor Van Gogh's story would have survived at all if it had not been for his remarkable sister-in-law, Jo van Gogh-Bonger. After Vincent's death and that of her husband, his brother Theo, Jo devoted her life to preserving and exhibiting the paintings, and editing the letters. It is in her short and unaccountably neglected biography that we can come closest to Vincent the man.Trade Review"The London publishing house Pallas Athene has come up with the very welcome and worthwhile project of assembling English translations of early biographies of artists in an easily accessible publication." - Historians of Netherlands Art Reviews
£13.21
Vintage Publishing Michelangelo And The Pope's Ceiling
Book SynopsisIn 1508, Pope Julius II commissioned Michelangelo to paint the ceiling of the Sistine Chapel. The thirty-three-year-old Michelangelo had very little experience of the physically and technically taxing art of fresco; and, at twelve thousand square feet, the ceiling represented one of the largest such projects ever attempted. Nevertheless, for the next four years he and a hand-picked team of assistants laboured over the vast ceiling, making thousands of drawings and spending back-breaking hours on a scaffold fifty feet above the floor. The result was one of the greatest masterpieces of all time. This fascinating book tells the story of those four extraordinary years and paints a magnificent picture of day-to-day life on the Sistine scaffolding - and outside, in the upheaval of early sixteenth-century Rome.Trade ReviewRoss King deftly stitches modern Michelangelo scholarship into his fluent and gripping narrative. The result is a delightful book that overturns many legends * Independent *A fascinating and carefully researched account of day-to-day life atop the Sistine scaffolding * The Times *A narrative that never falls back on exaggeration or deviates from the facts * Sunday Times *We learn an enormous amount by reading this book; King's grasp of and research into the period seem all-encompassing * Spectator *
£15.29
The Crowood Press Ltd Botanical Illustration
Book SynopsisBotanical Illustration is an introduction to the marrying of art and science in the aesthetic and accurate portrayal of plant material. This book builds on the work of illustrators of the past, ranging from Elizabeth Blackwell, whose drawings helped to release her husband from debtors' prison, through to the exceptional scientific drawings of Beatrix Potter. It deals with the practical art and the related botany of the subject. Topics covered include an introduction to basic botany; preparation of plant material for drawing; use of pencil, watercolour, coloured pencil and pen and ink; suggested topics for further study and, finally, correcting mistakes and finishing touches.
£999.99
Lund Humphries Publishers Ltd Ellen Gallagher
Book SynopsisEllen Gallagher (b.1965) is one of the most celebrated painters of her generation, coming to prominence in the mid-1990s in the wake of the so-called 'culture wars' and the art world's controversial embrace of identity-politics and multiculturalism.In this in-depth look at her oeuvre, Caoimhín Mac Giolla Léith unpacks the complexities of her richly layered paintings, examining themes such as identity, race, displacement and the ecological environment, which Gallagher has explored throughout her work. The author takes the reader from Gallagher's early years — looking at her formative influences — through her engagement, from the late 1990s on, with the inherited modernist forms of the monochrome and the grid and with the violence and division at the root of modernism itself. Also explored are her phantasmagoric explorations of oceanic life, which draw on the discoveries of natural science, the traumatic history of the Atlantic slave trade and the speculative fictions of Afrofuturism. For anyone interested in contemporary art and the ways particular artists are expanding its borders, in form and content, this is essential reading. Table of ContentsForeword, Barry Schwabsky; Beginnings; Monochromes; Grids; Seas; Notes; Select Bibliography; Biography; Exhibitions; Public Collections; Acknowledgements; Image Credits; Index
£37.95
Lund Humphries Publishers Ltd Paul Nash: Designer and Illustrator
Book SynopsisExploring the ways in which painting, applied design and illustration intertwined over the course of the accomplished career of Paul Nash (1889-1946), this book provides a new perspective on one of the most gifted and celebrated English artists of the twentieth century. Skilfully navigating the diversity of Nash’s design output, which drew in illustration, book jackets, posters, set design, pattern papers, fabrics, glass, ceramics and photography, in the context of Nash’s painting and wider pre-occupations, James King presents an artist who strove to resolve his artistic vision. With Nash's work informed by seismic shifts within the visual arts during his lifetime – from the influence of the Arts and Crafts Movement on the one hand, to Surrealism and Abstraction on the other – this fascinating book reveals the considerable gifts that allowed Nash to create a wholly original vision in turn.Trade Review'This unusually beautiful octavo book shows that the design work of English surrealist, landscape painter and official war artist Paul Nash (1889-1946), although spasmodic and commissioned in many media, was a central part of his production.' – The Art NewspaperTable of ContentsAcknowledgements; Introduction; Chapter 1: The Artist as Acrobat; Chapter 2: Meeting Places; Chapter 3: The Artist Outside the Theatre; Chapter 4: An Artist Turned Loose; Chapter 5: 'Vast Primitive Things'; Chapter 6: Marketing Modernism; Chapter 7: A New Eye; Chapter 8: Fine and Applied Art; Notes; Bibliography; Index
£38.00
Lund Humphries Publishers Ltd Artemisia Gentileschi
Book SynopsisExamined through the lens of cutting-edge scholarship, Artemisia Gentileschi clears a pathway for non-specialist audiences to appreciate the artist's pictorial intelligence, as well as her achievement of a remarkably lucrative and high-profile career. Bringing to light recent archival discoveries and newly attributed paintings, this book highlights Gentileschi's enterprising and original engagement with emerging feminist notions of the value and dignity of womanhood. Beautifully illustrated throughout, Artemisia Gentileschi brings to life the extraordinary story of this Italian artist, placing her within a socio-historical context. Sheila Barker weaves the story with in-depth discussions of key artworks, examining them in terms of their iconographies and technical characteristics in order to portray the developments in Gentileschi’s approach to her craft and the gradual evolution of her expressive goals and techniques. Trade Review'Barker’s text weaves documentary evidence together with some excellent close visual analysis of her attributed paintings, unpacking the rich symbolism and its significance in her work, which offers a lively and vivid understanding of the wider contexts and motives behind her movements...Artemisia’s compelling character clearly shines through, matching the vivacity of her work.' – Hyperallergic'A marvelously readable volume' – Los Angeles Times'Barker’s inquisitive focus on Artemisia’s agency, her motivations and intentions, animates this important book on the artist’s life and art. {...} both intellectually sophisticated and pleasurably accessible.' – Mary D. Garrard, The Burlington MagazineTable of ContentsAcknowledgements; Foreword; Introduction: Female Role Models in Counter-Reformation Rome; Chapter 1: 'Mizia': The Artist's Youth in Rome; Chapter 2: The Excellence of Women at the Medici Court; Chapter 3: The Pursuit of a Loquacious and Beautiful Art; Chapter 4: Operating on a World Stage: Naples to London; Epilogue; List of Illustrations; Bibliography
£31.50
Lund Humphries Publishers Ltd Jacqueline Humphries
Book SynopsisOver the last three decades, Jacqueline Humphries (b.1960) has, through an innovative painterly process, challenged the limits of abstraction. She has produced a body of work that reaches beyond modernism, Abstract Expressionism, and abstraction as we know it.Multi-layered in application, Humphries challenges the viewer to interact with her painting in diverse ways, inviting new approaches to looking and being with a work. Expertly analysing the ways in which Humphries has challenged convention and placed abstract painting at the centre of our twenty-first century visual environment, Frances Guerin's illuminating text reveals an artist at the peak of her powers.Trade Review'Jacqueline Humphries is one of the most significant painters of the 21st century. Frances Guerin’s brilliant text illuminates how her paintings fuse gesture with geometry to absorb the grit of urbanity and the glow of the digital within a transcendent abstraction.' – Iwona BlazwickTable of ContentsForeword, Barry Schwabsky; Acknowledgements; 1. The Democracy of Images; 2. The Translation of Images; 3. Beyond the Threshold; 4. Painting with Light; Notes; Biography; Education; Select Solo Exhibitions; Select Group Exhibitions; Select Bibliography; Select Public Collections; Select Foundation Collections; Index
£37.95
Lund Humphries Publishers Ltd Woodland Imagery in Northern Art, c. 1500 - 1800:
Book SynopsisWoodland Imagery in Northern Art reconnects us with the woodland scenery that abounds in Western painting, from Albrecht Dürer’s intense studies of verdant trees, to the works of many other Northern European artists who captured 'the truth of vegetation' in their work. These incidents of remarkable scenery in the visual arts have received little attention in the history of art, until now. Prosperetti brings together a set of essays which are devoted to the poetics of the woodlands in the work of the great masters, including Claude Lorrain, Jan van Eyck, Jacob van Ruisdael, Peter Paul Rubens, Rembrandt and Leonardo da Vinci, amongst others. Through an examination of aesthetics and eco-poetics, this book draws attention to the idea of lyrical naturalism as a conceptual bridge that unites the power of poetry with the allurement of the natural world. Engagingly written and beautifully illustrated throughout, Woodland Imagery in Northern Art strives to stimulate the return of the woodlands to the places where they belong — in people’s minds and close to home. Trade Review'Woodland Imagery is a beautiful piece of writing. Akin to the living objects that it treats, the book branches out unconfinedly from its core, moving towards the light along varied and lively paths. The author writes in economical sentences pleasing in cadence and rhythm. Her descriptions of woodland paintings are notably sensitive, delightful, and revealing. Academic jargon and endnotes are held to a minimum. These features make the book a joy to read accessible to a broad audience.' – David A. Levine, Historians of Netherlandish Art ReviewsTable of ContentsPreface; Intro; Kindle's Promise; Dürer's Linden; Jan van Eyck's Adoration of the Lamb; The Poet's Catalogue; The Copse; Survivor Sole; Sights of Tivoli; Love in a Ducal Forest; In the Heart of the Forest; Down by the Riverside; Epilogue; Bibliography; Illustrations
£42.75
Lund Humphries Publishers Ltd Elisabetta Sirani
Book SynopsisElisabetta Sirani of Bologna (1638-1665) was one of the most innovative and prolific artists of the Bolognese School. Not only a painter, she was also a printmaker and a teacher. Based on extensive archival documentation and primary sources — including inventories, sale catalogues and her work diary — Elisabetta Sirani provides an overview of the life, work, critical fortune and legacy of this successful Baroque artist. Placing her within the context of the post-Tridentine society that both inhibited and supported her, Modesti examines Sirani's influence on many of the artists studying at Bologna's school for professional women artists, as well as her significance in the professionalisation of women’s artistic practice in the seventeenth century.Beautifully illustrated throughout, Elisabetta Sirani focuses on women’s agency. More specifically, it explores Sirani’s identity as both a woman and an artist, including her professional ambition, self-fashioning and literary construction as Bologna’s pre-eminent cultural heroine.Trade Review‘Modesti’s account of the paintings demonstrates that, while Sirani naturally learned from the work of others, her compositions and execution were original. Sirani’s career was a brief shooting star, but, thanks to this book, Elisabetta Sirani shines once again.’ – Gervase Rosser, Art QuarterlyTable of Contents1. Bologna the Setting: 'a paradise of women'; 2. A Professional Female Artist; 3. La Sirana's Artistic Production and Practice; 4. Patrons, Agents and Collectors; 5. 'Painter Heroine' of Bologna: Commemorating Elisabetta Sirani; Conclusion; Notes; List of Known Works; Select Bibliography
£31.50
Lund Humphries Publishers Ltd Revisiting Modern British Art
Book SynopsisAs the twenty-first century unfolds, notions of our cultural past and how our history has influenced our present shift almost daily. Within this, accepted artistic trajectories are being questioned and new connections made. In this wide-ranging and thought-provoking publication, experts in their field address specific aspects of British art of the twentieth century. Presenting new perspectives on established narratives, subjects range from British Surrealism and the rise of corporate and private patronage, to nationality and British identity. Complemented by a range of striking images, this publication succeeds in showing the strength of the British artistic tradition while also encouraging the reader to rethink and explore the existing narrative.Trade Review‘An intelligent and engaging reappraisal of modern British art.’ – Sir Stephen Deuchar, CBE, Director, Art Fund, 2010–2020 Director, Tate Britain, 1998–2010‘This inclusive, questioning, invigorating book feels like a game-changer. It reframes modern British art and asks us to celebrate a more expansive and exciting idea of Britishness.’ – Charlotte Mullins, author of A Little History of Art ‘Through this careful and original reconsideration, modern British art emerges in an expanded form, more relevant than ever and more urgent in its message.’ – Kate Bryan, Art Curator, Writer, Advisor and Broadcaster Head of Collections at Soho House globally ‘For its wide variety of approach and independence of thought, this collection of studies is most timely. More than useful, this is an important book.’ – William Packer, painter and critic'Revisiting Modern British Art is a significant contribution to its field, and to British art in general, in reassessing and re-energising this increasingly popular area of history for a 21st century audience.' – Country LifeSelected as one of FAD Magazine's Top Art Books to Read in 2023: 'An interesting and refreshing look at Modern British Art and how it has evolved and continues to evolve. Ranging from how the two World Wars impacted the trajectory of art in Britain to essays on how it’s being re-written to account for the contribution of black and Asian-British artists.' - Tabish Khan, FAD MagazineTable of ContentsAcknowledgements; Foreword, Jo Baring; Reflecting on Modern British Art, James Russell; Section 1: Moments - 1. Life Begins, Alexandra Harris; 2. The Surreal Magic of Nature, Laura Smith; 3. A World of Private Mystery, Simon Martin; 4. Hearth and Home, Laura Freeman; 5. Just Another Chap in Overalls, Harriet Baker; 6. 'Positive, Emphatic, Dramatic', James Rawlin; 7. Collage Into Painting, Elena Crippa; Section 2: Structures - 8. A National Visual Culture?, James Purdon; 9. Behind the Scenes of the Museum, Jo Baring; 10. Artistic Britishness?, Hammad Nasar; 11. Back to the Future, Natalie Rudd; 12. A Personal Call for a More Expansive British Art, Aindrea Emelife; Notes; Picture Credits; Index
£35.99
Lund Humphries Publishers Ltd Mounton House: The Birth and Rebirth of an
Book SynopsisThe most ambitious project of Henry Avray Tipping, the influential architectural editor of Country Life, Mounton was a new country house and garden, designed without limitations of expense to be the perfect expression of his immense knowledge of history, architecture and horticulture. All was designed to impress a distinguished social circle. However, within weeks of its completion, the Great War started. The world of English country-house living changed irrevocably, so Tipping never saw his hopes for the house come to fruition. Featuring a wealth of previously unseen material including correspondence, articles and illustrations, this book insightfully details the design and building of the home H. Avray Tipping created for himself with the help of the young Chepstow architect Eric Carwardine Francis. It also gives a rich and evocative portrait of Tipping and his friends, with visits from Lloyd George and from Tipping’s gardening colleagues, including Harold Peto, Gertrude Jekyll and William Robinson. The grand layout of the Mounton gardens on the plateau above a limestone gorge included a 24-pillar pergola, terraces overlooking the Severn estuary, a two-storey tea house, a rock garden and remarkable and innovative water gardens. Over time, the house was neglected and the magnificent gardens became overgrown. Mounton could so easily have been demolished and yet, a hundred years after Tipping completed it, a loving work of restoration of house and gardens was launched. The final two chapters reveal the careful adaptation of the interiors of Mounton House and the spectacular remaking of the gardens by the renowned garden designer Arne Maynard, all fully illustrated with plans and striking new photography. This is the story of the creation, destruction and regeneration of a singular vision.Trade Review‘a pleasure to read in one sitting’ ‘The book is lavishly illustrated, including both archive material and newly-commissioned photographs by John Campbell’ – Dr Paul Giangrande, TopiariusTable of Contents1: The search for a setting. 2: The Mounton water garden. 3: Mounton House. 4: The gardens of Mounton House. 5: From high summer to wartime. 6: Decline and fall. 7: The recreation of a house. 8: The resurrection of a garden.
£40.50
Lund Humphries Publishers Ltd Commercial Galleries: Bricks, Clicks and the
Book SynopsisWritten by an art advisor and former gallerist with an insider’s perspective, this book provides a timely overview of the commercial-gallery sector at a moment of rapid change and expansion. More than any participant in the art market, galleries are seen as mysterious actors with an opaque code of conduct. This book offers a fascinating view of the gallery ecosystem, presenting a systematic diagnosis of key challenges and opportunities facing the sector today. Henry Little discusses the integration of bricks and clicks, addressing the tension between a gallery’s physical premises and its online presence, further asking how the world’s largest galleries have pulled so far ahead both in terms of their physical expansion and their digital offering. In an industry which increasingly rewards consolidation and brand recognition, the book asks how small and mid-tier galleries can hold their own and whether the traditional gallery model may be under threat in an increasingly digital future.Table of ContentsForeword; Acknowledgements; Introduction; 1: Origins and Workings of a Gallery System; 2: The Space: Architecture, Location and Identity; 3: The Digital Promise; 4: Tough at the Top: The Gallery Plus; 5: Consolidation, Collaboration, Continuation; Conclusion; Notes; Further Reading; Index
£18.99
Lund Humphries Publishers Ltd Paul Huxley
Book SynopsisPaul Huxley RA (b.1938) has enjoyed a distinguished career both as a painter and a teacher. Huxley's fascinating artistic life, expertly surveyed by Jeremy Lewison, is at last given the attention that it deserves in this, the first monograph on the artist. Huxley's early interest in abstraction chimed with the dynamism that pulsed through London's art scene in the 1960s. Recognised as a new talent by pioneering curator Bryan Robertson, Huxley enjoyed early success in exhibitions including The New Generation, which opened at the Whitechapel Art Gallery in 1964. Building from this positive critical reception, and immersing himself in the vibrant artistic communities of London and New York, Huxley built a career characterised by an instinct to push boundaries and find new ways to advance the language of abstract painting. Constantly evolving, the artist's rich body of work, highlights of which are presented here, stands as testament to a life committed to tirelessly investigating and c
£47.49
Lund Humphries Publishers Ltd Speaking Sculptures in Late Medieval Europe
Book SynopsisSpeaking Sculptures in Late Medieval Europe explores medieval sculptors' motif of the open mouth. The speech mode, as it is called in this book, is more than an illusionistic device or an affective ploy to foster the emotional response of the viewer. Here it is shown to have a deeper significance as an agent of engagement and persuasion. Through the evocation of sound, speaking sculptures fostered imaginatively an aural relationship between the sculpture and the viewer. Exploring a wide range of geographies, this work demonstrates that the speech mode in sculpture was not an isolated phenomenon but a familiar device in many areas of Late Gothic Europe. By highlighting 14th-, 15th- and early 16th-century examples, as well as key 13th-century precedents, Speaking Sculptures in Late Medieval Europe explores the uses and purposes of this silent rhetoric, and the agency it implies within the period eye and the period ear of pre-Reformation Catholic Europe.
£54.00
Tate Publishing Conceptual Art in Britain, 1964-1979
Book Synopsis"All the work of the 1970s involved a kind of doubling; there was the world of the everyday and there was the world of the represented ...a sense of our experiential worlds becoming bifurcated between image and reality." John Stezaker This is the first publication to explore the rich history of conceptual art in Britain during its most exciting and innovative period, from the mid 1960s to the election of Margaret Thatcher in 1979. It examines how the early works of this period took the form of a challenge to art's traditional boundaries and how by the mid 1970s, focus had shifted away from issues of art and individual experience towards questions of politics and identity, using the languages of documentary, propaganda and advertising in the service of action. After introducing the reader to the origins of this radical moment in British art, the book goes on to explore the textual work of Art & Language, Victor Burgin and others; the 'New Sculpture' being produced by those such as Richard Long and Michael Craig-Martin who questioned the traditional art object; and the artists who addressed society and politics, including Stephen Willats and Margaret Harrison.A final chapter deals with the key role of photography, film and print - revealing them to be key modes of dissemination and international exchange with Europe and America. Essays are complemented by in-focus texts on the most significant works and previously unpublished archival material. Featuring contributions by experts in the field, this is the key book on the subject for students, scholars and all those with an
£16.99
Tate Publishing Zanele Muholi
Book SynopsisExplore the stunning, moving, and exciting work of visual artist-activist Zanele Muholi Born in South Africa in 1972, Zanele Muholi came to prominence in the early 2000s with photographs that sought to envision black lesbian, gay, bisexual, trans, queer, and intersex lives beyond deviance or victimhood. Muholi&;s work challenges hetero-patriarchal ideologies and representations, presenting the participants in their photographs as confident and beautiful individuals bravely existing in the face of prejudice, intolerance, and, frequently, violence. While Muholi&;s intimate photographs of others launched their international career, their intense self-portraits solidified it. The illustrations include images from the key series Muholi has produced over the past 20 years, as well as never-before-published and recent works. This book, and the exhibition it accompanies, present the full breadth of Muholi&;s photographic and activist practice.
£25.50
Tate Publishing Expressionists Kandinsky Munter and The Blue
Book SynopsisThe story of the friendships that made modern art. Brought together in the UK for the first time in 80 years, this exhibition book offers unprecedented access to the landmark exhibition's collection of masterpieces. Expressionists is a story of friendships told through art the groundbreaking work of a circle of friends and close collaborators known as The Blue Rider. In the early twentieth century they came together to form, in their own words, a union of various countries to serve one purpose' to transform modern art. Rallying around Wassily Kandinsky and Gabriele Münter these highly individual artists experimented with colour, sound and light, creating astonishingly bold and vibrant art from Alexander Sacharoff's freestyle performance to Gabriele Münter's experimental photography, from Franz Marc's innovative use of colour to the dramatic paintings of Marianne Werefkin. In-depth investigations of major themes and a wide variety of spotlight essays provide an intimate and ill
£25.60
Batsford Ltd The Illustrated Letters and Diaries of the
Book SynopsisThe story of how a group of precocious young artists shook up the British art establishment, told through their works, letters and diaries. An illustrated history of the linked lives and loves of a group of supremely talented artists of late Victorian Britain through their passionate writings. It features the painters, poets, critics and designers: Ford Madox Brown, Edward Burne-Jones, Fanny Cornforth, William Holman Hunt, John Everett Millais, William and Janey Morris, Christina, Dante Gabriel, and William Rossetti, John Ruskin, William Bell Scott and Lizzie Siddal. The artistic aspirations and achievements of the Pre-Raphaelite Brotherhood are revealed alongside the interwoven dramas of their personal lives, in letters, diaries and reminiscences, while their genius is displayed in vivid paintings, drawings, designs and poems. The Pre-Raphaelites was a charmed circles of love, friendship and art. Within an ever-changing flow of affections, and intimacies as richly patterned as a tapestry, they worked together as companions, lovers and partners. They shared tragedy as well as happiness, critical hostility as well as success, even the griefs of infidelity and discord. These creative partnerships, which also created the firm William Morris and Co, revitalised Victorian art and design. The new edition publishes in time for the start of the Burne Jones Exhibition at Tate Britain, starting in October 18. It is a vital book in understanding the Pre-Raphaelite art, which remains as popular and moving as ever.
£15.29
ACC Art Books Bai: The New Language of Porcelain in China
Book SynopsisBorn in Yugan, near Jingdezhen, the birthplace of porcelain, Bai Ming has contributed to the revival of contemporary Chinese ceramics and introduced it to a new worldwide audience through numerous exhibitions. Today he is arguably China's greatest exponent of this most traditional art form. In this book, Bai Ming traces his career, revealing a sensitive yet creative and flamboyant style, built on the most rigorous traditional techniques. Focussing particularly on his blue and white ceramic work, this book, through a large selection of glorious images and the artist's own words, reveals Bai Ming's exquisite style and superb attention to detail.
£24.00
Laurence King Publishing History of Modern Design, 2nd edition
Book SynopsisThis insightful, wide-ranging book surveys the applied arts and industrial design from the eighteenth century to the present day, exploring the dynamic relationship between design and manufacturing, and the technological, social and commercial contexts in which this relationship has developed.Extensively revised and expanded for this second edition, History of Modern Design is an inclusive, well-balanced introduction to a field of increasing scholarly and interdisciplinary research, and provides students in design with historical perspectives of their chosen fields of study.
£36.00
Yale University Press Seeing Each Other
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£28.50
John Adamson Publishing Consultants English Silver Before the Civil War: The David
Book SynopsisA remarkable private collection formed over the last thirty years is the focus of this richly illustrated book that introduces the reader to English silver spanning a century and a half from a little before the Tudor age (1485-1603) to the threshold of the Civil War (1642-51). This was a period when England changed out of all recognition. At the beginning it was still essentially a medieval country dominated by an autocratic king and a rich and powerful Church; by the end of the period the Church had lost virtually all of its power and, with the execution of Charles I in 1649, the monarchy itself was abolished. To a degree, this changing world is mirrored in the styles represented by the silver featuring in the collection. Besides setting the silver against its social and historical background the book examines the wide range of techniques used by silversmiths at the time to shape and adorn silver objects.Trade Review"With its accessible text, exemplary silver photography, elegant design and careful editing, this is a pleasure to read and should encourage a new generation of collectors to follow David Littles example." Tessa Murdoch, Art Newspaper; "'[A] fascinating new book that uses one man's collection to examine the social history of domestic silver from the Tudor and early Stuart eras." Roland Arkell, Antiques Trade Gazette; "The book is peppered with alluring historical illustrations that help readers understand the time period. In short, this captivating treatise is a connoisseur's delight." Steven Wayne Yvaska, San Jose Mercury NewsTable of ContentsPreface; Foreword by David Little; 1 English Silver before the Civil War; 2 Conspicuous Consumption: the Ceremonies of Dining; 3 'Plate commonly used in the howse'; 4 Silver and Godliness; 5 The Workshop and the Trade; 6 The Afterlife of Early Silver; Catalogue of items in the Little collection; Bibliography; Index; Picture credits
£27.00
Golden Duck (UK) Ltd Anglo-Saxon Inspirations: patterns and designs to
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£6.78
Atlas Press An Anecdoted Topography Of Chance
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£18.04
21 Publishing Ltd Blimey! - From Bohemia to Britpop: London Art
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£17.99
Metro Publications Ltd London's Cemeteries
Book SynopsisThis pocket guide will give you all the information you need to explore over 80 cemeteries in London with detailed reviews for each cemetery complete with a who's who of famous permanent residents, along with opening times and travel information.
£10.44
Paul Holberton Publishing Ltd Canadian Art: The Thomson Collection at the Art
Book SynopsisTogether with important First Nations material, the Thomson Canadian Collection is the largest of all private holdings of Canadian art. There are rare and incomparable examples of Northwest Coast Aboriginal art. Krieghoff’s inspired accounts of life in the Canadas, prior to Confederation, bring the light and atmosphere of history fully into the present. A staggering power to capture the fleeting and the fugitive in paint still distinguishes the work of the early 20th-century painter Morrice.
£999.99
Imperial War Museum Art from the First World War
Book SynopsisShowcasing IWM's extensive collection, this book includes works from the major artists of the time such as John and Paul Nash, Orpen, Spencer and Singer Sargent as well as other artists who are less familiar to us today. With an introductory essay by the late Roger Tolson, former Head of Art at Imperial War Museums, this book offers an insight into the huge range and power of wartime art during the First World War.
£12.55
Batsford Ltd Classic Fashion Patterns of the 20th century
Book SynopsisWorking from surviving garments and contemporary tailoring books and patterns, Anne Tyrrell has put together a pattern book of key 20th-century costumes with fascinating historical details on dress. A decade for each chapter, the book features garments such as war uniforms, a 1930s evening gown, a Teddy Boy outfit, a 1960s maxi coat and many more. Wonderful illustrations of period dress are accompanied by information on notable features, underwear and accessories for each period. Scale patterns follow for each outfit shown, complete with detailed notes on making up, using techniques appropriate to the period. A grid for enlargement of the pattern pieces is provided together with full instructions. This is an essential book for any dressmaker interested in recreating period dress, especially film and theatre costume-makers, but also fashion designers looking for inspiration in authentic historical dress of the recent past.Trade ReviewPacked with historical and vintage patterns from 1900-1970, this is a practical and inspiring pattern book, providing an essential reference for film and theatre costume-makers, fashion designers or anyone interested in recreating classic vintage fashions. Sew Today Magazine.
£17.00
Carpet Bombing Culture Banksy Myths & Legends: Volume 1
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£7.79
Anomie Publishing Jacqui Hallum - Workings and Showings
Book Synopsis"Hallum's painting is charged with delight in colour, line, surface and composition, in powerfully unconventional ways." - Hettie JudahThis is the first monograph on the London-born, Devon-based artist Jacqui Hallum. The publication documents Hallum's solo exhibition at The Walker Art Gallery, Liverpool (10 October 2019 - 1 March 2020), along with a series of solo, two-person and group exhibitions held between 2014 and 2020.Hallum is best-known for her mixed-media paintings on textiles - techniques she has developed and refined over the course of twenty years since completing her studies. Incorporating imagery and visual languages ranging from medieval woodcuts and stained-glass windows to Art Nouveau children's illustrations, tarot cards and Berber rugs, Hallum employs ink staining, painting, drawing and printing to create layers of pattern, abstraction and passages of figurative imagery. As part of her working process, Hallum often leaves the fabrics in the open air, exposed to the elements, in order to introduce weathering into the works. History, religion, mysticism and the beliefs and creativity of past civilisations are among the themes that overlap - often in a literal sense of pieces of fabrics layered, pinned, draped and hung together - to form painterly palimpsests that carry a sense of the past with them into the present.Along with a foreword by Professor Caroline Wilkinson, Director of the School of Art and Design at Liverpool John Moores University, and an introductory essay by artist, curator and director of Kingsgate Workshops and Project Space in London, Dan Howard-Birt, the publication features newly commissioned essays by arts journalist and critic Hettie Judah and by Andrew Hunt, Professor of Fine Art and Curating at the University of Manchester. Also featured is the edited transcript of a conversation between Hallum and Howard-Birt held at The Walker Art Gallery, Liverpool.Jacqui Hallum (b.1977, London) graduated with a BA in Fine Art from Coventry School of Art& Design, Coventry University, in 1999, and an MFA in Painting from the Slade School of Fine Art, University of London, in 2002. Hallum’s solo exhibition at The Walker Art Gallery followed a three-month fellowship at Liverpool John Moores University, which resulted from winning the prestigious John Moores Painting Prize in 2018.The monograph, designed by work-form and edited by Susan Taylor, has been produced by Kingsgate Project Space and co-published with Anomie Publishing.
£18.75
Anomie Publishing Nick Hornby - Zygotes and Confessions
Book SynopsisZygotes and Confessions is a publication devoted to the work of London-based artist Nick Hornby, and has been produced to accompany his first solo exhibition in a public gallery. The exhibition, which shares its title with the publication, is presented at MOSTYN, Wales, UK, from November 2020 to April 2021.Hornby is known for his monumental site-specific works that combine digital software with traditional materials such as bronze, steel, granite and marble. In this publication he presents a substantial new body of smaller, more intimate work comprising three discrete yet interrelated series of works inspired by the history of sculptural busts, modernist abstractions and mantelpiece ceramic dogs. United by glossy photographic surfaces created by means of an industrial process in which his marble and resin composite sculptures are dipped into liquid photographs, these new works explore themes of portraiture, the body, identity, sexuality and intimacy in the digital era. A number of the works have been made in collaboration with fashion photographer Louie Banks.Along with a foreword by Helen Boyd, Head of Marketing and Publisher Relations at the Casemate Group, the publication features a text by MOSTYN director Alfredo Cramerotti and an essay by London-based publisher, editor and writer Matt Price. Price writes: "With one eye on the sculpture of the past and the other on that of tomorrow, technology is at the heart of London-based Nick Hornby’s practice and is central to the production of his often imposing, mind-bending and futuristic-looking sculptures. Using materials such as bronze and marble, his work points back towards the Renaissance or the nineteenth century, yet his use of resin and digital technology positions him very much in the present, exploring languages both figurative and abstract, often simultaneously."The texts are presented in both English and Welsh. Newly commissioned studio photography of the works by Ben Westoby, along with installation views of the exhibition commissioned by MOSTYN from Mark Blower, illustrate the publication, which has been designed by Joe Gilmore / Qubik. The publication is co-published by MOSTYN, Wales, UK, and Anomie Publishing, London, and distributed internationally by Casemate Art, a division of the Casemate Group.Nick Hornby (b.1980) is a British artist living and working in London. Hornby studied at the Slade School of Art and Chelsea College of Art. His work has been exhibited at Tate Britain, Southbank Centre London, Leighton House London, CASS Sculpture Foundation, Glyndebourne, Fitzwilliam Museum Cambridge, Museum of Arts and Design New York, and Poznan Biennale, Poland. Residencies include Outset (Israel) and Eyebeam (USA), and awards include the UAL Sculpture Prize. His work has been reviewed in the New York Times, frieze, Artforum, The Art Newspaper, The FT, and featured in Architectural Digest and Sculpture Magazine.
£16.20
