History of art Books
Taylor & Francis Ltd The Antonio II Badile Album of Drawings The Origins of Collecting Drawings in Early Modern Northern Italy
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£142.50
Taylor & Francis Anarchism and the Advent of Paris Dada
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£137.75
Taylor & Francis The Late Paintings of Velazquez
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£137.75
Taylor & Francis Samuel Palmer Revisited
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£137.75
Taylor & Francis The Nabis and Intimate Modernism
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£137.75
Taylor & Francis Ltd Studies on the Cult of Relics in Byzantium up to 1204
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£128.25
Taylor & Francis Art History and the Senses
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£142.50
Taylor & Francis Ltd Redefining Gender in American Impressionist
Book SynopsisWere late nineteenth-century gender boundaries as restrictive as is generally held? In Redefining Gender in American Impressionist Studio Paintings: Work Place/Domestic Space, Kirstin Ringelberg argues that it is time to bring the current re-evaluation of the notion of separate spheres to these images. Focusing on studio paintings by American artists William Merritt Chase and Mary Fairchild MacMonnies Low, she explores how the home-based painting studio existed outside of entrenched gendered divisions of public and private space and argues that representations of these studios are at odds with standard perceptions of the images, their creators, and the concept of gender in the nineteenth century. Unlike most of their bourgeois contemporaries, Gilded Age artists, whether male or female, often melded the worlds of work and home. Through analysis of both paintings and literature of the time, Ringelberg reveals how art history continues to support a false dichotomy; that, in fact, paintiTrade Review'Kirstin Ringelberg combines critical theory, artist biography, and close analysis in an intellectually engaging manner to bring an understudied topic to art-historical attention. In this important book, she asks us to rethink the standard view of Gilded Age art and consider that male as well as female professional artists of the period were compelled to navigate slippery gender boundaries in their search for critical and popular esteem.' David Lubin, Wake Forest University, USATable of ContentsContents: Introduction: the studio, the domestic interior and the ideology of separate spheres; Working men and leisurely ladies: tropes of gender and the artist's studio in the late 19th century; 'The prince of the atelier': negotiating effeminacy in A Friendly Call by William Merritt Chase; 'The painter will not sink into the mother': Mary Fairchild's nursery/studio; Rendering invisible by display: representations of late 19th-century American women; Epilogue; Bibliography; Index.
£39.99
Taylor & Francis J.M.W. Turner and the Subject of History
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£137.75
Taylor & Francis Maruja Mallo and the Spanish AvantGarde
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£137.75
Taylor & Francis Ltd Shimon Atties Writing on the Wall
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£137.75
Taylor & Francis Women Artists in Interwar France
Book SynopsisWomen Artists in Interwar France: Framing Femininities illuminates the importance of the SociÃtà des Femmes Artists Modernes, more commonly known as FAM, and returns this group to its proper place in the history of modern art. In particular, this volume explores how FAM and its most famous membersâSuzanne Valadon, Marie Laurencin, and Tamara de Lempickaâbrought a new approach to the most prominent themes of female embodiment: the self-portrait, motherhood, and the female nude. These women reimagined art's conventions and changed the direction of both art history and the politics of their contemporary art world. FAM has been excluded from histories of modern art despite its prominence during the interwar years. Paula Birnbaum's study redresses this omission, contextualizing the group's legacy in light of the conservative politics of 1930s France. The group's artistic response to the reactionary views and images of women at the time is shown to be a key element in the narratiTrade ReviewA Yankee Book Peddler UK Core Title for 2011 'Ambitious and uniquely thorough in scope... a valuable contribution to the literature on motherhood and artistic production by women.' Anna Novakov, St. Mary's College of California, USA 'Drawing heavily on archival resources and feminist scholarship, Paula Birnbaum brings to light a rich cultural history of the interwar period often overlooked in histories of the avant-garde. The fact that the majority of artists will be unfamiliar to contemporary readers in no way undermines the importance of their collective endeavor, one that - carefully elucidated and beautifully illustrated in this handsome publication - sheds new light on issues of gender, modernity, female embodiment and diasporic identity during the interwar period.' Whitney Chadwick, author of Women Artists and the Surrealist Movement 'This book is an important contribution not only to a broader understanding of interwar French art, but also to the continuing need to research such hidden feminist histories.' Burlington Magazine 'The book provides the first history of Femmes Artistes Modernes (FAM), an exhibiting society established in 1930 and directed until its demise in 1938 by the artist Marie-Anne Camax-Zoegger. The Appendix, listing the names and biographical information of 181 FAM artists, is in itself a considerable contribution to scholarship. Moreover, the book is extensively illustrated, enabling analysis and comparison of previously unpublished works.' French Studies 'Women Artists in Interwar France not only restores to cultural visibility a number of women painters and sculptors who have been largely overlooked by historians of early-twentieth-century avant-gardist art, but also provides a critical framework through which to read a substantial body of art practice that does not readily conform to the stylistic and theoretical concerns of modernism as it has been canonically constituted. Informed by both primary archival research and key concepts in feminist scholarship, in this lavishly illustrated volume Paula Birnbaum illuminates the diverse representational strategies deployed by those women artists who exhibited with the Societe des femmes artistes modernes in their negotiation of both social and art critical constraints in the interwar period. The sustained interrogation of questions of femininity, modernity and (self-)representation in the work of these artists is made to seem all the more startling when set against a backdrop of rising nationalism and the resultant desire for state control over the female body in France during the 1920s and 1930s.' Woman's Art Journal 'Women Artists in Interwar France, by Paula J. Birnbaum, is an ambitious project aiming to recover the artistic lives and cultural achievements of members of a group called the Societe des Femmes Artistes Modernes (FAM), who exhibited in Paris between 1931 and 1938. By reconstructing this "little-known chapter in the history of French modernism," Birnbaum brings to light a rich socio-cultural history largely overlooked in histories of the avant-garde (p. xvii). Joining scholars working over the past four decades in gender and modernism studies, Birnbaum offers a fresh critique of women's contributions to visual culture between the wars, and attempts to unravel why so many of them have been excluded from the canon of art history. Her new book adds to a growing literature in this area.' H-France '... abundantly demonstrate[s] the importance of going beyond well-known artists, probing instead the social, economic and political contexts that defined what was and what was not available to women artists in general at particular places and times.' Art HistoryTable of ContentsContents: Preface; Framing femininities; FAM: modern women artists; Modern madonnas; Masquerade; Self-effacement; Negotiating the nude; Painting the perverse; Conclusion: what became of the FAM?; Appendix; Bibliography; Index.
£137.75
Taylor & Francis A.C. Swinburne and the Singing Word
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£90.27
Taylor & Francis Albrecht Durer
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£128.25
Taylor & Francis Museums Heritage and Indigenous Voice
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£36.99
Taylor & Francis Public Art and Museums in Cultural Districts Routledge Research in Museum Studies
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£128.25
Taylor & Francis Byzantium and British Heritage
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£118.75
Taylor & Francis Arts and Cultural Leadership in Asia
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£43.69
Taylor & Francis Polymer Photogravure A StepbyStep Manual Highlighting Artists and Their Creative Practice Contemporary Practices in Alternative Process Photography
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£142.50
Taylor & Francis Revival Rubens 1939
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Taylor & Francis Revival Raphael 1948 Volume 2 Routledge Revivals
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£50.34
Taylor & Francis Evolving Synergies
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Taylor & Francis Curatorial Challenges
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£128.25
Taylor & Francis Architecture and Sacrament
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Taylor & Francis Architecture and Sacrament
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£35.14
Taylor & Francis CrossCultural Interaction Between Byzantium and the West 12041669
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£128.25
Taylor & Francis Late Byzantium Reconsidered
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£128.25
Taylor & Francis Pop Art and Popular Music
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Taylor & Francis Inc Design and Political Dissent
Book SynopsisThis book examines, through an interdisciplinary lens, the relationship between political dissent and processes of designing.In the past twenty years, theorists of social movements have noted a diversity of visual and performative manifestations taking place in protest, while the fields of design, broadly defined, have been characterized by a growing interest in activism. The book's premise stems from the recognition that material engagement and artifacts have the capacity to articulate political arguments or establish positions of disagreement. Its contributors look at a wide array of material practices generated by both professional and nonprofessional design actors around the globe, exploring case studies that vary from street protests and encampments to design pedagogy and community-empowerment projects.For students and scholars of design studies, urbanism, visual culture, politics, and social movements, this book opens up new perspectives on design and its place iTrade Review"... lively and timely... the volume is a welcome addition to the growing literature on design and politics. It will interest researchers and teachers of design as well as social life, while also being accessible, at least in part, to a more practice-oriented readership."--Design and Culture"Design and Political Dissent is a far-reaching and ambitious book not only in its intellectual and geographical scope, but also in its diversity of topics and formats."--Journal of Design HistoryTable of Contents1. Introduction Jilly TraganouSECTION 1: SOCIAL MOVEMENTS AS DESIGN AGENTSPart 1: Visuals and Objects of Protest2. The Green Stripe: The Color of IdentificationVictoria Hattam3. Strategies of Creative Dissent under the People’s Republic of China’s ‘One China Policy’Wendy Wong4. The Slovene Zombie UprisingKsenija Berk5. The Distribution of Abilities: Disability, Dissent, and Design Activism by the Gothenburg Cooperative for Independent LivingOtto Von Busch and Hanna af EkströmPart 2: Artifacts in the Afterlife of Protest6. Art of the March: Archiving Aesthetics of the Women’s March—Interviews with Alessandra Renzi, Dietmar Offenhuber, Siqi Zhu, Christopher Pietsch, and Navarjun SinghGrace Van Ness and Prakash Krishnan7. Dissent, Design of Territory, and Design of Memory: The Museum of Slavery and Freedom at the Valongo Wharf, Rio de JaneiroBarbara Szaniecki and Ana Helena da Fonseca8. Beautiful Trouble: A Pattern Language of Creative Resistance—An Interview with Nadine BlochEvren UzerResponse to Section 19. Response to Section 1. The Objects of Political CreativityJames JasperSECTION 2: DISSENTING THROUGH MATERIAL ENGAGEMENT Part 1: Political Contention by Design10. Vulnerable Critical Makings: Migrant Smuggling by Boats and Border TransgressionMahmoud Κeshavarz11. The Madrid Hologram Protest and the Democratic Potential of VisualityKsenija Berk12. Data Acquisition, Data Analytics, and Data Articulations: DIY Accountability Tools and Resistance in Indonesia—An Interview with Irendira Radjawali of Drone Academy, IndonesiaAlessandra Renzi13. Politics of Design Activism—From Impure Politics to ParapoliticsThomas MarkussenPart 2: Spaces of Contestation and Prefiguration14. The Agonistic Design of Conflict KitchenVeronica Uribe15. Events and Ecologies of Design and Urban Activism: From Downtown São Paulo to the PeripheriesKristine Samson16. Temporarily Open: A Brazilian Design School’s Experimental Approaches against the Dismantling of Public Education: A Conversation on Design Pedagogy as Dissent.Zoy Anastassakis, Marcos Martins, Lucas Nonno, Juliana Paolucci, and Jilly Traganou17. Designing Post-carbon Futures: The Prefigurative Politics of the Transition MovementEmily Hardt18. Occupied Theater Embros: Designing and Maintaining the Commons in Athens under Crisis—An Interview with Eleni TzirtzilakiOrsalia DimitriouResponse to Section 219. Response to Section 2. Designing while Dissenting while Dissenting while Designing: A Response in CounterpointZoy Anastassakis
£128.25
Taylor & Francis Visual Culture in the Northern British Archipelago
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£128.25
Taylor & Francis Photography and Ontology
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£128.25
Taylor & Francis Performance and Phenomenology
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Taylor & Francis Along the Indian Highway
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£166.25
Taylor & Francis The Arabesque from Kant to Comics
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£128.25
Taylor & Francis Representations of G.F. Watts
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£114.00
Taylor & Francis Disability and Art History
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£46.54
Taylor & Francis RePresenting the Metropolis
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Taylor & Francis Ltd Seeing and Consciousness Women Class and Representation
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Taylor & Francis Ltd Building the Churches of Kievan Russia
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Taylor & Francis Ltd Byzantium and the Modern Greek Identity Publications of the Centre for Hellenic Studies Kings College London
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Taylor & Francis Ltd Clerics in the Early Middle Ages
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Taylor & Francis Ltd Painting Music in the Sixteenth Century
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Taylor & Francis Ltd Jerusalem Constructing the Study of Islamic Art Volume IV Variorum Collected Studies
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Taylor & Francis Ltd Later Byzantine Painting
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Taylor & Francis Ltd Motivating the Teenage Mind
Book SynopsisAwakening intrinsic motivation in young people is the most important key to securing them a meaningful and successful life. No matter how much we know about how to learn, no lasting learning is likely to take place unless we want to learn; unless we are convinced of the reasons and have the confidence and resilience to achieve our goals.Motivating the Teenage Mind is a unique, comprehensive, practical, activity-based motivational programme for secondary students. It will give every student an opportunity to recognise their strengths, awaken their aspirations and become aware of the reasons for learning, and show them how to confidently create a vision for their future lives.The programme provides educators with seven key aspects of motivation: making and giving choices; awakening curiosity and interest; nurturing dreams and setting goals; making learning relevant; raising confidence; strengthening resilience; and rewarding achievement. Aimed primarily atTrade Review"'Motivating the Teenage Mind' is quite simply the best resource I have ever seen for working with youngsters on motivation and will definitely use it extensively. So many thrilling ideas and imaginative ways in to even the most intransigent and switched off minds it really is a first class resource." — Garry Burnett, Teacher and AuthorTable of ContentsAwakening intrinsic motivation in young people is the most important key to a meaningful and successful life. No matter how much we know about how to learn, no lasting learning is likely to take place unless we want to learn; unless we are convinced of the reasons and have the confidence and resilience to achieve our goals. Motivating the Teenage Mind is a unique, comprehensive, practical, activity-based motivational programme for secondary students. It will give every student an opportunity to find their strengths, awaken their aspirations, become aware of the reasons for learning and show them how to confidently create a vision for their future lives.The programme provides educators with the 7 Key Combination Lock to Motivation: making and giving choices awakening curiosity and interest nurturing dreams and setting goals making learning relevant raising confidence building up resilience rewarding achievement.Aimed primarily for 11-16 year old secondary pupils but also suitable for 16-18 year old college students.
£40.84
Taylor & Francis Ltd Unconscious Fantasies and the Relational World
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£54.14
Taylor & Francis Ltd A Portfolio Of Paintings And Drawings
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Taylor & Francis Ltd The Routledge Companion to Design Research
Book SynopsisThis new edition of The Routledge Companion to Design Research offers an updated, comprehensive examination of design research, celebrating a plurality of voices and range of conceptual, methodological, technological and theoretical approaches evident in contemporary design research. This volume comprises thirty-eight original and high-quality design research chapters from contributors around the world, with offerings from the vast array of disciplines in and around modern design praxis, including areas such as industrial and product design, visual communication, interaction design, fashion design, service design, engineering and architecture. The Companion is divided into four distinct sections with chapters that examine the nature and process of design research, the purpose of design research and how one might embark on design research. They also explore how leading design researchers conduct their design research through formulating and asking questions iTable of ContentsIntroduction to the second edition PART I - Exploring design research The nature and process of design research; the purpose of design research; onto-epistemic perspectives 1. The sometimes uncomfortable marriages of design and research 2. A cybernetic model of design research: towards a trans-domain of knowing 3. Inclusive design research and design’s moral foundation 4. "Redesigning design: On pluralizing design" 5. Decolonizing design research 6. Politics of publishing: Exploring decolonial and intercultural frameworks for marginalized publics 7. Phoneticians, Phoenicians and mapping design research around a Medidisciplinary Sea 8. Four analytic cultures in design research 9. Designing technology for More-Than-Human futures PART II - Designing design research Formulating research questions; conducting literature searches and reviews; developing research plans 10. What is a researchable question in design? 11. Foundational theory and methodological positioning at the outset of a design research project 12. Challenging assumptions in social design research undertaken in the Global South - India 13. Respectfully navigating the borderlands towards emergence: Co-designing with Indigenous communities 14. An emancipatory research primer for designers 15. From theory to practice: Equitable approaches to design research in the design thinking process 16. Re-articulating prevailing notions of design: About designing in the absence of sight and other alternative design realities 17. The soul of objects, an anthropological view of design 18. Exploring research space in fashion: A framework of meaning-making PART III - Conducting design research Asking questions; data collection methods; analysing information; ethical issues 19. Drawing out: How designers analyse written texts in visual ways 20. A photograph is still evidence of nothing but itself 21. Action research approach in design research 22. Woven decolonizing approaches to design research: Jolobil and Mahi-Toi 23. Participation Otherwise: More than southerning the world, designing in movement 24. The role of prototypes and frameworks for structuring explorations by Research Through Design 25. Imagining a feeling-thinking design practice and research from Latin America 26. Hacktivism as design research method 27. Software Ate Design: Creation and destruction of value through design research with data 28. Working with patient experience PART IV - Translating design research Embarking on transdisciplinary design research, conducting and communicating design research insights, findings, and results effectively; disseminating for impact. 29. Physical thinking: Textile making toward transdisciplinary design research 30. People-centred engagement for inclusive material innovation in healthcare 31. Seeing the invisible: Revisiting the value of critical tools in design research for social change 32. Practice-based evidence for social innovation: Working and learning in complexity 33. Collective dreaming through speculative fiction: Developing research worldviews with an interdisciplinary team 34. Drifting walls - learning from a hybrid design practice 35. Bridging gaps in understanding between researchers who possess design knowledge and those who do not 36. Probing and filming with strategic results: International design research to explore and refine new product-service concepts 37. Museum in our street: Social cohesion at street level 38. GeoMerce: Speculative relationships between nature, technology and capitalism Celebrating the plurality of design research
£204.25