History of art Books
Taschen GmbH Chagall
Book SynopsisFor Marc Chagall (1887–1985), painting was an intricate tapestry of dreams, tales, and traditions. His instantly recognizable visual language carved out a unique early 20th-century niche, often identified as one of the earliest expressions of psychic experience. Chagall’s canvases are characterized by loose brushwork, deep colors, a particular fondness for blue, and a repertoire of recurring tropes including musicians, roosters, rooftops, flowers, and floating lovers. For all their ethereal charms, his compositions were often rich and complex in their references. They wove together not only colors and forms, but also his Jewish roots with his present encounters in Paris, markers of faith with gestures of love and symbols of hope with testimonies of trauma. Across scenes of birth, love, marriage, and death, this dependable artist introduction explores the many versions of Chagall’s rich vocabulary. From visions of his native Vitebsk in modern-day Belarus to images of the Eiffel Tower, we explore the unique aesthetic of one of the most readily identifiable modern masters and one of the most influential Jewish artists of all time.
£13.50
Thames & Hudson Ltd A History of Pictures From the Cave to the
Book SynopsisThe making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting?Trade Review'I won’t read a more interesting book all year ... utterly fascinating' - A. N. Wilson, Sunday Times'Hockney asks big questions about the nature of picture-making and the relationship between painters and photography in a way that no other contemporary artist seems to do … Enormously good-humoured and entertaining … On almost every page, there is an interesting provocation' - Andrew Marr, New Statesman'An eloquent conversational testimony to the vividness of life lived through intelligent looking. You will see Caravaggio and Citizen Kane with fresh eyes' - Daily Telegraph'A magic flight of a book … It’s a measure of Hockney’s vividness of perception that he can always put a cap on Gayford’s knowledge … Fabulous!' - Clive James, Guardian'Crisps up perceptions and help readers to look anew' - The TimesTable of Contents1. Pictures, Art and History • 2. Pictures and Reality • 3. Making Marks • 4. Shadows • 5. Picturing Space and Time • 6. Brunelleschi’s Window and Alberti’s Mirror • 7. Mirrors and Reflections • 8. Paper, Paint and Multiplying Pictures • 9. Painting the Stage and Staging Paintings • 10. Caravaggio and the Academy of the Lynx-Eyed • 11. Vermeer and Rembrandt: the Hand, the Lens and the Heart • 12. Truth and Beauty in the Age of Reason • 13. The Camera Before and After 1839 • 14. Photography, Truth and Painting • 15. Painting with and without Photography • 16. Snapshots and Moving Pictures • 17. Movies and Stills • 18. The Unending History of Pictures
£28.00
University of Texas Press Amazigh Arts in Morocco
Book SynopsisIn southeastern Morocco, around the oasis of Tafilalet, the Ait Khabbash people weave brightly colored carpets, embroider indigo head coverings, paint their faces with saffron, and wear ornate jewelry. Their extraordinarily detailed arts are rich in cultural symbolism; they are always breathtakingly beautiful—and they are typically made by women. Like other Amazigh (Berber) groups (but in contrast to the Arab societies of North Africa), the Ait Khabbash have entrusted their artistic responsibilities to women. Cynthia Becker spent years in Morocco living among these women and, through family connections and female fellowship, achieved unprecedented access to the artistic rituals of the Ait Khabbash. The result is more than a stunning examination of the arts themselves, it is also an illumination of women''s roles in Islamic North Africa and the many ways in which women negotiate complex social and religious issues.One of the reasons Amazigh women are artists is that the Table of Contents A Note on Transcription and Transliteration Acknowledgments Introduction Chapter One. Ait Khabbash Textiles: Weaving Metaphors of Identity Chapter Two. The Art of Dressing the Body Chapter Three. Dance Performances: Negotiating Gender and Social Change Chapter Four. Women as Public Symbols of Identity: The Adornment of the Bride and Groom Chapter Five. Performing Amazigh Gender Roles: Wedding Ceremonies Chapter Six. Oh, My Sudanese Mother: The Legacy of Slavery in Ait Khabbash Art Chapter Seven. Contemporary Amazigh Arts: Giving Material Form to Amazigh Consciousness Appendix 1. Selected Songs from Ait Khabbash Weddings Notes References Index
£17.99
Orion Publishing Co The Museum of Broken Relationships
Book SynopsisWhat to do with the fragments of a love affair?A postcard from a childhood sweetheart. A wedding dress in a jar. Barbed wire. Silicone breast implants. Red stilettos, never worn. These objects and many others make up the inspiring, whimsical, sometimes bizarre, and always unforgettable population of the real-life Museum of Broken Relationships.A decade ago, two lovers were struggling through their own painful breakup, desperate to heal their heartbreak without destroying the memory of the love they had shared. Then, an idea struck: they would create a communal space, a kind of refuge for - and cathartic celebration of - the everyday objects that had outlasted love. These items, along with the anonymous, intimate stories each piece represented, quickly captured hearts and imaginations across the globe. As word spread, the tiny museum became a worldwide sensation.Collected here are 203 of the best, funniest, most heartwarming and thought-provoking piecesTrade ReviewEach photograph in this poignant collection is labelled with a note about the relationship it represents - from the flippant, to the sweetly melancholy to the downright savage - and hint at how that relationships came undone. Compelling and addictive. -- Eithne Farry * THE SIMPLE THINGS *
£17.00
Rizzoli International Publications The Metropolitan Museum of Art Masterpiece
Book SynopsisIn line with best-selling The Louvre: All the Paintings, and Rizzoli's successful The Hermitage Collections and The Barnes Foundation: Masterworks, this title offers an exquisite tour, unique in its lavish illustration, scholarship, extent, and graceful packaging. As the first large survey published in 30 years, and the first large general survey of the Met's paintings collection it is the first to celebrate the greatest and most iconic paintings of one of the largest, most important, and most beloved museums in the world. This impressive book’s broad sweep of material, all from a single museum, makes it at once a universal history of painting and the ideal introduction to the iconic masterworks of this world-renowned institution. Lavish color illustrations and details of 500 masterpieces, created over 5,000 years in cultures across the globe, are presented chronologically from the dawn of civilization to the present. These works represent a grand tour of paiTrade Review"Succeeds magnificently in evoking a global art history…presented in a way that only a physical book could accommodate: eye-filling reproductions in a stylish package of more than five hundred pages, nicely bound…will delight the casual page flipper but it will also entrance art-book aficionados…consistently evokes illuminating connections and gives readers room to discover them" —Bookforum"Noting that the Met is known for its very scholarly works and exhibition and collection catalogues, Campbell said that this 'exquisite book' ought to appeal to 'a broad audience.'" —Shelf-awareness.com"It is an essential volume for those wishing to experience The Met’s extraordinary collection or to study masterpieces of painting from throughout history and is sure to become a classic cherished by art lovers around the world." —ArtDaily.org"In The Metropolitan Museum of Art: Masterpiece Paintings from Skira Rizzoli, thumb your way through the galleries of New York's famed museum. This coming-soon volume displays 500 masterworks from the dawn of civilization to modern times." —Private Clubs Magazine"This volume’s broad sweep of material, all from a The Metropolitan Museum of Art, makes it at once a universal history of painting and the ideal introduction to the iconic masterworks of this world-renowned institution. Color illustrations and details of 500 masterpieces, created over 5,000 years in cultures across the globe, are presented chronologically from the dawn of civilization to the present." —Hamptons Art Hub"Head exploding: With 544 pages and 1100 color images of the Met’s art and sculpture collection, this book is intense. Masterpieces, indeed."—TheStyleSalononiste.com"The hardcover book is said to be the first to celebrate the greatest and most iconic paintings in the museum"—Art & Antiques"Galitz's text succeed in balancing sound, up-to-date scholarship with an accessible tone that anyone can appreciate... Publicatoins and online series like these are exactly what the Met is ideally suited to create, and we look forward to seeing still more in the years ahead."—Fine Art Connoisseur "The perfect gift for any lover of art."—Art Of The Times
£48.00
Bloomsbury Publishing PLC Thinking through Graphic Design History
Book SynopsisGraphic design has a paradoxical relationship to history. While it claims to promote originality and innovation - ideas that emphasize the new and unique - design practice is deeply embedded in previous ideals. Too often, design students encounter the past in brief visual impressions which seduce them to imitate form rather than engage with historical contexts. Even though it has claimed to be objective and even comprehensive, graphic design history has focused largely on individual careers and Eurocentric achievements. Yet the past swells with untapped potential. Graphic design history can serve the field of today and tomorrow, but its narratives require updates. History, like design, is always changing and like design, history is driven by present-day questions. This book shows how students and practicing designers can enrich their work by thinking historically about design. With thoughtful analyses, stimulating creative prompts, inspiring case studies, and perspectives from desig
£22.79
Dover Publications Inc. Color Your Own Book of Kells
Book SynopsisThese captivating reproductions from one of the most beautiful books of the early Middle Ages offer hours of colouring pleasure. Twenty-eight full-page reproductions of artwork depict eye-catching borders filled with Celtic spirals and interlacings, celestial figures, saints, members of the Holy Family, Celtic crosses, and other finely detailed elements. Captions.
£6.23
Yale University Press What Art Is
Book SynopsisWhat is it to be a work of art? Part philosophical monograph and part memoiristic meditation, this book challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning.Trade Review"Danto is an elegant and erudite writer, and his sentences go down smoothly."—Deborah Solomon, New York Times Book Review"Danto was and remains the high priest of pluralism, and arch-critic of the view that art has a distinctive essence."—A. C. Grayling, Financial Times". . . arguably the most inspired interpreter of the increasingly abstruse art world that emerged during the past half century. In What Art Is, Danto's freewheeling erudition and knack for unpacking complex subjects is on display."—Eric Been, Chicago Tribune (“Favorite Books of 2013”)"Danto’s writing is elegant and his insights acute."—Publishers Weekly"The conclusion [Danto] reaches . . . is elegant in its clearheaded take on an endlessly difficult question. . . . As a critical memoir . . . tracing the particulars of a gifted mind’s lasting focus, Danto’s latest is a useful addition to a long career."—Publishers Weekly"This accessible book is the culmination of the late Danto’s lifelong investigation into the concept of art. Through an inspired range of historical and contemporary examples, he explicates his institutional definition of artworks as ‘embodied meanings’ that can take on just about any shape or form. In this radical view, the properties that render something a work of art are invisible."—Constantine Sandis, THES"Elaborating important themes of Danto’s influential aesthetics, What Art Is develops them in fascinating new ways, offering luminous interpretations of past masters ranging from Michelangelo and Poussin to Duchamp and Warhol. Written in Danto’s engagingly personal voice, the book’s essays sparkle with wit, erudition, sensitivity, and a profound love of art whose power is captivatingly contagious."—Richard Shusterman, author of Thinking through the Body: Essays in Somaesthetics"This miraculously economical book summarizes many decades of reflection and provides an ideal entry into the philosophical system of the most important American-born writer who has discussed visual art."—David Carrier, author of Proust/Warhol: Analytical Philosophy of Art
£11.99
Yale University Press The Royal Pavilion Brighton
Book Synopsis
£31.50
Bloomsbury Publishing PLC Data Design
Book SynopsisData Design: Visualising quantities, locations, connections is a lively and comprehensive introduction to data visualisation, illustrated with 199 instructive data displays. The book is for designers, journalists, editors, writers and anyone concerned with presenting factual information in a clear and effective way.Data Design highlights the key qualities of good data visualisation: accuracy, simplicity, and clarity. In this spirit, Per Mollerup discusses information design with great clarity. The proposed data displays are as simple as possible, and every graphic element is there to convey meaning. This book is not about data decoration.Data Design can be read from cover to cover, but it doesn't have to be. It can also serve as a reference guide. Each of the data displays included is explained in such a way as to clarify the problems to be addressed and the method by which to address them, enabling the reader to develop the skills with which to improve their data Trade ReviewData Design makes a strong and clear attempt to describe the principles and practices of data visualisation needed to make data easily perceptible ... The book is very practical, no specialist tools are required ... [and it] also supports critical thinking ... A useful reference guide ... both parsimonious and comprehensive. * She Ji: The Journal of Design, Economics, and Innovation *This book is intelligent and wise, clear and beautiful, stimulating and useful. It distills and presents in one place a mountain of research results and tried-and-true best practices. It is an invaluable resource for anyone interested in visual communication. -- Stephen M. Kosslyn, Minerva School of Arts and Sciences at the Keck Graduate Institute, USAI love the economy of expression in Per Mollerup's writing. He applies the classic Danish design approach (modern but human) to the explanation of design, isolating the essence of a topic, then explaining it simply. This book joins his seminal 'Wayshowing' as an essential text. -- Rob Waller, Simplification Centre, UKWith the key words communicate, record and understand, Mollerup guides the reader in how to design complex data to facilitate the interpretation act. Generous well-designed visualizations and explanations work together as useful guidelines for anyone that frequently presents quantities, locations and connections. -- Yvonne Eriksson, Mälardalen University, SwedenTable of ContentsIntroduction Organizing Knowledge Field of Study Goals Benefits Information Graphics Simplicity Milestones Basics Beware of Visual Displays Research and Common Sense Gestalt Principles of Perception Psychological Principles Colour Notation Reading Visual Displays Choice of Display Visualising Quantities Variables Pie Charts Vertical Bar Charts Histograms Stem-and-leaf Plots Horizontal Bar Charts Divided Bar Charts Stacked Bar Charts Step Charts Bubble Charts Line Charts Layer Charts Radar Charts Scatter Plots Picture Tables Heat Maps Small Multiples Don'ts Visualising Locations Thematic Maps Map Scale Map Projection The Geographical Coordinate System Map Orientation Choropleth Maps Proportional Symbol Maps Isopleth Maps Cartograms Chorochromatic Maps Dot Distribution Maps Transit maps You-Are-Here Maps Visualising Connections Trees Decision Trees Treemaps Mind Maps Positioning Maps Timelines Flow Charts Concept Maps Venn Diagrams Carroll Diagrams Euler Diagrams End Matter Sources Index Acknowledgements Author Bio
£31.44
Skira Hildegard Von Bingen: In the Heart of God
Book Synopsis
£23.80
Taschen GmbH The History of Graphic Design: 1890-1959: 1
Book SynopsisA Visual History of Graphic Design - A comprehensive look at hundreds of landmark projects, industry leaders profiles, and illustrated timelines for each decade. History is a complex business. Fortunes boom and bust, empires wax and wane, and change—whether social, political, or technological—has its winners, its losers, its advocates, and its enemies. Through all the turbulent passage of time, graphic design—with its vivid, neat synthesis of image and idea—has distilled the spirit of each age. This book offers a comprehensive history of graphic design from the end of the 19th century to the remains of World War II. It traces the evolution of this creative field from its beginning as poster design to its further development into advertising, corporate identity, packaging, and editorial design. Organized chronologically, the volume features over 2,500 seminal designs from all over the world, 71 of which are profiled in detail besides 61 leaders in the field, including Alphonse Mucha (chocolate advertisements), Edward Johnston (London Underground logo and typeface), El Lissitzky (constructivist graphics), Herbert Matter (photomontage travel posters from Switzerland), Saul Bass (animated opening titles), and A. M. Cassandre (art deco posters). With his sweeping knowledge of the field, author Jens Müller curates the standout designs for each year alongside a running sequence of design milestones. Meanwhile, in his introductory essay, David Jury situates graphic design from its point of origin in early printing, engraving, and lithography to striking creative developments in the 19th century. Each consecutive decade is then prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined. As we move on from and reflect upon the 20th century, this staggering collection represents the foundations of what would influence some of the fastest changing creative fields, and a long-overdue recognition of the enormous contribution graphic design has made to economics, politics, social causes, arts, media, and the way we see the world. A second volume in preparation will cover the period from 1960 to today.Trade Review“Jens Müller ambitiously traces not only the evolution of an industry, but also the arc of our aesthetics.” * TIME *“Chronicle, treasure of pictures, source of ideas—and above all, great fun.” * spiegel.de *“Graphic design history is a cultural, political, social, and technological history. Since it is impossible to understand one without the other, this book, which looks at the legacy and heritage of graphic design, is an essential portal to our appreciation of the world’s history.” * Steven Heller *
£57.00
Phaidon Press Ltd Great Women Artists
Book SynopsisFive centuries of fascinating female creativity presented in more than 400 compelling artworks and one comprehensive volumeTrade Review'Real changes are upon us, and today one can reel off the names of a number of first-rate women artists. Nevertheless, women are just getting started.' – New Yorker 'The headline grabber of 2019 was Phaidon's Great Women Artists.' – British Vogue'[We] believe every damn day is worthy of celebrating great women, and Great Women Artists makes it easy ... If only all our college art history textbooks were this much fun.' – Interview Magazine'Phaidon [is] helping to redress the balance with this encyclopaedic volume that examines 500 years of great art by great women artists... no self respecting art lover should be without a copy.' – Culture Whisper'A wide-ranging collection of exceptional work by women.' – O, The Oprah Magazine'An epic survey.' – Harper's Bazaar 'Women who have been airbrushed out of art history... are enjoying a renaissance, while contemporary female artists are starting to benefit from re-evaluations.' – Sunday Times'Female artists have been neglected for so long that their work – even if it was painted 70 years ago – feels new and cutting edge. For collectors, it has the irresistible allure of discovery.' – New York Times'It's good to see the auction houses finally giving more women a chance. For money is a powerful symbol of cultural worth.' – Economist'Until very recently ... the idea that women in the West have always made art was rarely cited as a possibility. Yet, they have – and continue to do so – often against tremendous odds.' – Frieze Magazine'There is a wonderful discovery aspect to this book ... This book not only celebrates women artists, but also demonstrates their resilience and unmatched talent through history.' – Laurent Ciaquin, President of Kering America'Handsome... A beautiful, richly illustrated volume... A valuable resource for students of art and art history as well as curious general readers... The artists included represent a wide chronological and geographic range [...] the list is impressive... [with many] dynamic and unexpected juxtapositions produced by the book's alphabetical organisation... The texts on each artist are astute and thoughtful. Formal analyses are intertwined with introductions to key art-historical, social and political themes. The offers a panoramic sweep... Its diverse line-up is organised alphabetically rather than chronologically so that lesser-known artists rub shoulders with established superstars.' – Jo Applin, Reader in the History of Art at the Courtauld Institute of Art, Times Literary Supplement'The book we have been waiting for... Women artists put firmly on the map... Every now and then a book comes out that can change lives. If a survey like this had appeared when I was a student at the Slade, the struggle to make headway as a female artist would have seemed less daunting. We'd have had role models and names with which to counter the assertion that there had never been any significant women artists. And the recent explosion of female talent celebrated in this book might have happened a generation earlier. Phaidon's latest offering is a revelation... This impressive survey spans 500 years... It's incredibly hard to distill a life's work into a few hundred words, but these 23 writers do an excellent job of summarising the salient points... The burgeoning numbers of women now making and exhibiting work is reflected in this selection. Most impressive is the quality and diversity of work... This inspiring book is not just a celebration of women's creativity, it is symptomatic of a sea change... Things they are a-changing - at last. And if anyone has the temerity ever again to claim there have been no great women artists, you will be able to use this timely tome to knock the idea on its head, once and for all.' – Sarah Kent, The Arts Desk
£42.46
Bloomsbury Publishing PLC The Dublin Art Book: The city through the eyes of
Book SynopsisA tribute to Ireland's beautiful capital from its own artists. Dublin is an iconic city loved the world over. Visitor or local you will understand why this is. If you have never had the chance to visit, pack your bags immediately! The Dublin Art Book offers a fresh perspective on the city, through the eyes of 55 local artists it inspires. This book is a tribute to Dublin, an impressive artistic collection taking the reader on a tour through this most vibrant city. From historic Trinity College and the iconic Ha'penny Bridge to the lively pub scene and secret hidden corners, Dublin's artists highlight its beauties in the most unique way.Trade ReviewDublin is an old and complex city with a remarkable history. This is well reflected in the many very different vibrant images from a series of artists in this very colourful book. * Senator David Norris *Absolutely beautiful! * Marian Keyes, Award-winning Irish Novelist *Dublin City architecture has always had a certain magnetism and appeal delineated so beautifully by the diverse images of our contemporary artists. A must-see publication. * Ronnie Delany, Olympic Champion and Freeman of Dublin *My jewel and darling Dublin has another diamond in her crown, this beautiful collection of images does our great capital justice. * Joe Duffy, Award-winning broadcaster, RTE Radio *I fell in love with Dublin the day I arrived, the only love affair in which I have never wavered! I so welcome this wonderful celebration of a great city. * Anne Doyle, Irish journalist, presenter and broadcaster *We need to see the places we live in through the eyes of artists... to look up and see the beauty. * Cathy Davey, Musician *Table of ContentsForeword Preface Around O’Connell Street Over the bridge to south of the River Liffey Trinity College, museums and Merrion Square Grand Canal to Poolbeg Chimneys Around St Stephen’s Green St Patrick’s Cathedral area The Liberties and on to Rathmines Back north of the river North and South County Dublin Artist Credits
£15.29
Thames & Hudson Ltd Modern Painting
Book SynopsisA new concise history of modern painting, offering an indispensable reference to the complexities and characteristics of this medium. While acknowledging the legacy of Herbert Read's classic 1959 study A Concise History of Modern Painting in the World of Art series, academic and artist Simon Morley places the foundation of modern art much earlier than Read, at the emergence of Romanticism and the dawn of the industrial age. Structured loosely chronologically by period, the focus is as much on individual artists as well as movements, with works discussed within a broader context - stylistic, historical, geographical, and gender and ethnic frames - themes that recur throughout the chapters. Generously illustrated, the global and diverse range of artists featured include William Blake, Édouard Manet, Hilma af Klint, Kazimir Malevich, Willem de Kooning, Amrita Sher-Gil, Faith Ringgold, and Kehinde Wiley. This guide also includes an Appendix in the form of questions the reader might lTrade Review'A productively concise history […] that opens onto a globalized and differently technologized present that likewise questions the European fundaments of modern art and its institutions' - Suzanne Hudson, author of 'Contemporary Painting''Generously illustrated' - Artlyst
£17.09
Insight Editions Harry Potter: Hedwig Plush Accessory Pouch
Book Synopsis
£17.99
Batsford Ltd 1950s Fashion Print
Book SynopsisAn essential sourcebook of prints from a key fashion decade. The 1950s was the decade when an analytical approach to design, with a lightness and freshness, combined with whimsical imagery and idiosyncratic subject matter. Showcasing hundreds of print designs, this book celebrates the heyday of postwar fashion design. From Lucienne Day and Robert Stewart to Maija Isola of Marimekko, the designs and influences of the print icons of the time are all covered. In addition to finished prints, the book contains exclusive illustrations and original artworks. The major themes of the period are explored, including: narrative and novelty; abstraction, exploring the distorted and attenuated forms used in print; artistic licence and the influence of contemporary art on fashion print; and finally kinetic prints that capture the influence of the era’s ‘mobiles, doodles and spasms’. Each short chapter introduction is followed by a range of illustrations with captions to give provenance and relevance, making this a unique sourcebook for contemporary designers and students.Trade Review‘Fashion students and enthusiasts will love it!’ -- Simply Sewing‘Lavishly illustrated with prime examples of iconic designs, Fogg’s survey captures the mood of this fascinating era’ -- EmbroideryTable of ContentsIntroduction 1 Abstraction 2 Narrative, Novelty & the Jive 3 Artistic Licence 4 Kinetic 5 Domestic Bibliography Index Acknowledgements Picture credits
£11.24
Summersdale Publishers The Little Book of Oasis
Book Synopsis
£8.55
Gallimard Icons of Modern Art: The Morozov collection
Book Synopsis"This year, the Fondation Vuitton strikes again with an exhibition of the Morozov Collection, about 200 French and Russian works bought by two other textile magnates, the brothers Mikhail and Ivan Morozov, who also made multiple Paris shopping trips" – New York Times The Morozov brothers, wealthy Moscow textile merchants Mikhail (1870-1903) and Ivan (1871-1921), played a key role in bringing Impressionist and Post-Impressionist art to Russia in the first decades of the 20th century. Along with Sergei Shchukin, a fellow industrialist and art collector, they created an international audience for French art and had a transformative effect on Russian cultural life. Between the years 1903 and 1914, Ivan Morozov spent more money than any other collector of his time, amassing a stunning collection of works by Matisse, Monet, Picasso, Bonnard, Sisley, Renoir, Signac, Vuillard, Gauguin, Van Gogh, Degas, Pissarro, and, most especially, Cezanne (17 paintings, all of which will be on display). On his bi-annual trips to Paris, he bought from the most discerning dealers, including Paul Durand-Ruel, Ambroise Vollard, and Daniel-Henri Kahnweiler, as well as directly from the artists themselves. His collection comprises 278 paintings, not including 300 paintings by Russian artists (Chagall, Malevich, Serov, Vrubel, Levitan, Larionov, Goncharova) and 28 sculptures. The Morozov collection was nationalised after the October 1917 Revolution, and after World War II it was divided among the Hermitage Museum, the Pushkin State Museum of Fine Arts, and the Tretyakov State Museum. This stunning catalogue has been published for a show of 100 highlights from the Morozov Collection that will run from 22 September 2021 – 22 February 2022 at the Louis Vuitton Foundation in Paris. It is the first time that works from the collection will travel abroad since they were acquired. This landmark exhibition will be the only stop for the show outside of Russia. Trade Review"This year, the Fondation Vuitton strikes again with an exhibition of the Morozov Collection, about 200 French and Russian works bought by two other textile magnates, the brothers Mikhail and Ivan Morozov, who also made multiple Paris shopping trips" - New York Times
£40.50
Sarabande Books, Incorporated Hotel Almighty
Book SynopsisVisually arresting and utterly one-of-a-kind, Sarah J. Sloat's Hotel Almighty is a book-length erasure of pages from Misery by Stephen King, a reimagining of the novel's themes of constraint and possibility in elliptical, enigmatic poems. Here, "joy would crawl over broken glass, if that was the way." Here, sleep is a "circle whose diameter might be small," a circle "pitifully small," a "wrecked and empty hypothetical circle." Paired with Sloat's stunning mixed-media collage, each poem is a miniature canvas, a brief associative profile of the psyche—its foibles, obsessions, and delights.Trade ReviewAIGA 50 Books 50 Covers of 2020 The New York Times Book Review, “New & Noteworthy Poetry, from the Ancient Greeks to Billy Collins” Library Journal, "Versifying / Collection Development: Poetry" Academy of American Poets, “2020 Featured Fall Books” "Kenyon Review’s 2020 Holiday Reading Recommendations" Electric Literature, "9 Graphic Poetry Collections that Reimagine Text and Image" Neon Pajamas, "Favorite Authors (and Their Books) That I Read in 2020" Hypoallergic, “Typographic Eye Candy”: 50 Standout Book Covers From 2020 “Absolutely marvelous.” —Mary Ruefle "This book of erasure poems uses Stephen King’s “Misery” as its source text, highlighting themes of captivity and imagination. Sloat reproduces the original pages she used, adorned with fanciful collages on the erased sections." —”New and Noteworthy Poetry, from the Ancient Greeks to Billy Collins,” The New York Times Book Review "Sarah J. Sloat’s debut poetry collection, Hotel Almighty, is a visual feast. This assemblage of erasure poems and full-color collages is a fantastical, Rubik’s Cube of a delight." —Kelly Fordon, New York Journal of Books "Sloat’s brilliant erasures. . . are visual delights that transcend confinement." —"Kenyon Review’s 2020 Holiday Reading Recommendations," Kenyon Review "Sarah J. Sloat’s Hotel Almighty (Sarabande, Sept.) goes all out with erasure and mixed-media collage to reimagine Stephen King’s Misery." —"Versifying / Collection Development: Poetry" by Barbara Hoffert, Library Journal "Hotel Almighty is a collection full of possibility and surprise. Of yes, misery and confinement, but also of playfulness and hope. It’s worth noting how unusual and thrilling it is to encounter a book of poems infused with so much color. The sophistication of the erasure pairs with the illustrative nature of collage to create a distinct mood, at times, like a subversive picture book for the Future Adult version of the kid drawing in the back of the room, who is too smart or dark or witty for the rest of the class." —"Misery Loves Company: A Conversation with Sarah J. Sloat" by J.M. Farkas, The Rumpus "More in the spirit of play than protest, S. Jane Sloat creates poetry from prose, reconstituting the words and world of Stephen King’s Misery. Sloat finds dreamy delight in King’s suspenseful tale: ‘In an act of imagination/late at night./He threw back his head and/a variety of strange and poisonous flowers grew.’ These lines feel like they speak to the creative process in general and to this book in particular. Each page is a poem revealed through erasure, strange word-flowers growing up from crayons, collage fragments, and loose threads that suggest a feminine hand." —Electric Literature, "9 Graphic Poetry Collections that Reimagine Text and Image" "Sarah J. Sloat's visual spectacles feel like unique and refreshing dreamscapes. Where a table or desk transforms into a craft bonanza of vivid lines, vintage clippings, yarn, scissors, wallpaper, string. Hotel Almighty offers all of those things. Bring me erasure. Bring me poetry. Bring me analog collage. Bring me Misery on every damn page." —"Favorite Authors (and Their Books) That I Read in 2020," Neon Pajamas "Hotel Almighty will make your brain spin until the last page, weaving colorful paper cut-outs, vibrant dots, and gold threads with word-jewels excavated from Misery, bewildering you with a new sense of what poetry is capable of." —Rhino "At a time when many contemporary poets experiment with and teach erasure as a poetic technique, Sloat's collection showcases the many potentials of the form. Sloat's visual compositions occur on three or four levels at once, as she aligns the forms of the source text, the verbal text, the collage, and the collection. I believe this multi-level resonance sets new parameters for poetry. With her flexibility with syntax and fluid subjects, Sloat forges new insights that call us to question the way we relate to what confines us, and to re-set the limits of a poem. I've loved reading and re-reading Hotel Almighty. I find something new each time I open the book, and I continue to learn from the box of many boxes Sloat presents here." —Diagram, online "[Misery] explores the mode and function of artistic creation as it relates to life itself, the ways confinement and suffering can become means to radical opening. Sloat’s Hotel Almighty internalizes all of this, both commenting and building on King’s explorations in both the form and lyricism of her erasures." —Dream Pop Journal, online "Sloat’s work here belongs within the offbeat orthodoxy of found poetry; the popular label 'blackout poetry' certainly applies to her method of scratching out, painting over or otherwise obscuring printed text, thereby bringing novel messages to the surface. And yet these terms, which live in negative language, don’t fully capture Sloat’s sublime, unsettling outcomes. She coaxes Technicolor poetry from preexisting pages; new verse isn’t merely found—as in stumbled upon—but unearthed." —The Curator "[A]n innovative, compelling work of visual lyric." —Women’s Voices for Change, online "Hotel Almighty is a profound work of reinvention — from King’s pop fiction to a hybrid work where houses grow wild with flowers, where one asks hell to “subside a little” (42), and where the reader enjoys every minute of the bizarre, vivid, delightful journey." —The Indianapolis Review "This is the technical and dramatic pinnacle of erasure poetry." —Naoko Fujimoto Poetry & Graphic Poetry “Sarah J. Sloat’s erasure-collages create intimate and intricate pairings that ricochet back and forth between text and image. In one, a picture of a giant hand tenderly touching a tiny telephone speaks to the page’s mournful question, ‘If I could be / A dim shape slumped over / and round / Would that be so bad?’ In another, the erased text (‘The sound of the wind filled the phone / squeezing into the line / like a nerve awake at night’) is translated into red stitches approaching, then encircling a tree. Hotel Almighty is a marvel.” —Matthea Harvey
£14.24
Lund Humphries Publishers Ltd Eufrasia Burlamacchi
Book SynopsisThe first monograph entirely devoted to the illuminated manuscripts of Sister Eufrasia Burlamacchi (1478-1548), this book demonstrates that her artistry should not be confined to painting or sculpture alone. Within the convent walls of San Domenico in Lucca where she lived and worked, Burlamacchi attained high levels of artistic proficiency through her knowledge of drawing and colour technique, composition, treatment of space and proportions. This book highlights that Sister Eufrasia was aware of the progress illumination underwent in contact with the artists we now include in the High Renaissance. She quickly established a style which she then passed on to younger sisters in faith to establish a convent workshop where mutual exchange was the norm. Here, for the first time, Eufrasia Burlamacchi is recognized and discussed as an influential and gifted artist in her own right.
£31.50
Oro Editions Lost Danish Treasure
Book SynopsisGrowing up, almost every kid dreams of finding buried treasure. That dream slowly fades with age as they realise that Blackbeard never visited their backyard. For some, the search for treasure continues in their adult lives in other ways. Metal detectors and shovels may be replaced with online searches and library visits, but the thrill of the hunt is still alive, ever driving the quest forward.Lost Danish Treasure tells the tale of two stories: 1) the history of Finn Juhl's iconic Chieftain Chair and a long-forgotten painting that preceded it, and 2) the individual connections to this design by a small group of collector researchers.Although starting in different eras and timelines, the two accounts start to intertwine over the course of the book, with the research efforts of today helping to unravel the mysteries of the past. As each chapter unfolds, more and more clues are revealed that slowly weave the storylines closer together until the summer
£49.50
Anness Publishing Cezanne His Life and Works in 500 Images
Book SynopsisA perceptive and detailed account of the artist Paul Cezanne, who inquely bridged the gap between the Impressionist and the Cubist movements.
£15.29
ACC Art Books Xu Bing: Book from the Sky to Book from the
Book Synopsis"The written word is the most basic element of human culture. To touch the written word is to touch the essence of culture." - Xu Bing Book from the Sky certainly seemed to have fallen from the heavens: the text of this installation piece was written in a new language that resembled traditional Chinese. No matter who scours Xu Bing's book for 'meaning', they will only discover a semblance of it: mutated characters that resist interpretation. Carving out approximately four thousand wood blocks by hand, Xu Bing spent four years, from 1987 to 1991, making (in his own words) "something that said nothing". After creating a book no one could read, it only made sense for Xu Bing to develop his next project: a book that transcended barriers of language: Book from the Ground. Composed entirely of pictographs, Book from the Ground is a groundbreaking study into the concept of universal communication. Whether his goal is total comprehension or confusion, Xu Bing's masterful exploration of language challenges the way we think about the written word.
£24.00
Cannibal/Hannibal Publishers Pedro de Mena: The Spanish Bernini
Book SynopsisPedro de Mena y Medrano (1628-1688) is the most highly regarded master of Spanish Baroque sculpture, on a par with his contemporaries, the great seventeenth-century painters Velázquez, Zurbarán and Murillo. Mena's contributions to Spanish Baroque sculpture are unsurpassed in both technical skill and expressiveness of his religious subjects. His ability to sculpt the human body was remarkable, and he excelled in creating figures and scenes for contemplation. This first monograph of Pedro de Mena shows incredible details and remarkable images of his hyper-realistic sculptures, full of passion. In addition to text by curator Xavier Bray, Pedro de Mena also features important contributions by José Luis Romeo Torres, curator of the exhibition Pedro de Mena, to be held in Málaga in 2019.
£36.00
Taylor & Francis Ltd The Aesthetics of Industrial Design
Book SynopsisThis textbook introduces design students to key principles of three-dimensional form, bridging aesthetics and practical design objectives. It explores how we see and what it is that characterises visually appealing and satisfactory design.Written by an experienced designer, educator and researcher, The Aesthetics of Industrial Design equips students with the knowledge and understanding of how aesthetically superior design is distinct from lesser work. It explains the key principles and concepts they can incorporate into their own designs, encourages readers to investigate and experiment with real design problems and enables them to verbally communicate their design intentions. The book prompts readers to critically reflect on their work and surroundings. Through numerous clear examples and illustrated case studies, which are guided by cognitive science and the application of aesthetic theory, the book brings together the basic aspects of design as form-giving. ITrade Review"This book covers a wide range of issues which are important for the future of design. The fact that the author gives tasks throughout the book is a helpful feature. I appreciate that the author encourages discussions when things don’t easily fall into categories or are more complex so there are no simple answers. I believe this book which attempts to merge theory and practice is important to publish. It gives us all a possibility to discuss the complexity of such an undertaking and start discussions about how we formulate basic aesthetic principles that are free from judgement and when value judgements are made that apply principles in specific design processes." - Cheryl Akner-Koler, Professor, Department of Design, Interior Architecture and Visual Communication / Industrial Design, University of Arts, Crafts and Design, Stockholm, Sweden"A much needed and highly lucid exposition of the thought and technique behind successful industrial design for students of this and allied professions. Endearingly opinionated and idiosyncratic in places, the book offers a path from professional philosophy to thoughtful execution of high class industrial design work. Useful exercises and debating points are provided for the benefit of tutors and students alike." - Peter Barker, Head of School, Design and Communication, Plymouth College of Art, UK"This book is a brilliant example of why Kurt Lewin was right in stating that there is "nothing as practical as a good theory" (1943). Through a row of examples of good, functional, robust, aesthetically appealing and beautiful design as well as "design mistakes" and "bad designs", the author, associate professor Richard Herriott from Design School Kolding takes us through theories about visual perception, constrains, lines, surfaces and curvature, product semantics and craftmanship and discusses the implications of these theories for design. Even if some of the theories are complicated reading, Herriott takes the reader by hand and illustrates the theoretical concepts and terms via reference to examples from real world design, models and drawings. The book covers an impressive number of ideas and invites the reader to think about and re-think design as well as reflecting upon the role of the designer in the contemporary design practice. Doing this, the book is a great vehicle for designers aiming to create and analyse objects that are aesthetically pleasing and for others to understand the science of forms and the building blocks of good design."- Lene Tangaard, Rector of the Kolding Design School, Denmark"Disagreeing with Richard Herriott is a source of great pleasure. Not because standing at the opposing end during an argument lends one a feeling of superiority - far from it - but because few people can make a point the way Richard does. His immense knowledge provides him with references that are, at the very least, curiously entertaining and at best enlightening. His intellect then allows Richard to process these select references in highly original a manner. I’m delighted that this book provides many people with the opportunity to sneak a peek into Richard Herriott’s singular mind. They may agree or disagree with what they find - but they will certainly be all the wiser for it." - Christopher Butt, writer and design critic, founder of Auto-Didakt and Design Field Trip"The human brain is a mystery. Barely developed since mankind evolved itself into this peculiar world, we still react on basic instincts and pre-coded assumptions. We think we know, but we don’t. We think we’re in control, but we’re not. So we need to learn. And of all our senses, our visual perception is our least reliable. Richard Herriot has created a fantastic book that enlightens us and opens our mind to understand better how our brain acts and reacts on our visual surroundings, such as form, function, design and visual perception in general. In a well ridden and richly illustrated piece, he guides us through various elements in modern design such as the human visual system, the complexity in form and function, how we look at and understand shapes and form etc. Starting with the already known theories, Richard Herriot describe and discusses the complexity and compromises we make daily in our visual world. Wisdom and knowledge mixed with simple illustrations and easy to use exercises. It’s a must read for everybody working with visual art forms, teachers, designers, photographers, architects, artists etc, a need to read for everybody interested in how our brain works when it comes to visual perception - and a nice to read for everybody else that just want to know. A welcoming and necessary book in a time where everything runs so fast that we tend to forget what we already know." – Kåre Birk, teacher in Furniture, Space and Products; Scandinavian Design College, Denmark"This book covers a wide range of issues which are important for the future of design. The fact that the author gives tasks throughout the book is a helpful feature. I appreciate that the author encourages discussions when things don’t easily fall into categories or are more complex so there are no simple answers. I believe this book which attempts to merge theory and practice is important to publish. It gives us all a possibility to discuss the complexity of such an undertaking and start discussions about how we formulate basic aesthetic principles that are free from judgement and when value judgements are made that apply principles in specific design processes." - Cheryl Akner-Koler, Professor, Department of Design, Interior Architecture and Visual Communication / Industrial Design, University of Arts, Crafts and Design, Stockholm, Sweden"A much needed and highly lucid exposition of the thought and technique behind successful industrial design for students of this and allied professions. Endearingly opinionated and idiosyncratic in places, the book offers a path from professional philosophy to thoughtful execution of high class industrial design work. Useful exercises and debating points are provided for the benefit of tutors and students alike." - Peter Barker, Head of School, Design and Communication, Plymouth College of Art, UK"This book is a brilliant example of why Kurt Lewin was right in stating that there is "nothing as practical as a good theory" (1943). Through a row of examples of good, functional, robust, aesthetically appealing and beautiful design as well as "design mistakes" and "bad designs", the author, associate professor Richard Herriott from Design School Kolding takes us through theories about visual perception, constrains, lines, surfaces and curvature, product semantics and craftmanship and discusses the implications of these theories for design. Even if some of the theories are complicated reading, Herriott takes the reader by hand and illustrates the theoretical concepts and terms via reference to examples from real world design, models and drawings. The book covers an impressive number of ideas and invites the reader to think about and re-think design as well as reflecting upon the role of the designer in the contemporary design practice. Doing this, the book is a great vehicle for designers aiming to create and analyse objects that are aesthetically pleasing and for others to understand the science of forms and the building blocks of good design."- Lene Tangaard, Rector of the Kolding Design School, Denmark"Disagreeing with Richard Herriott is a source of great pleasure. Not because standing at the opposing end during an argument lends one a feeling of superiority - far from it - but because few people can make a point the way Richard does. His immense knowledge provides him with references that are, at the very least, curiously entertaining and at best enlightening. His intellect then allows Richard to process these select references in highly original a manner. I’m delighted that this book provides many people with the opportunity to sneak a peek into Richard Herriott’s singular mind. They may agree or disagree with what they find - but they will certainly be all the wiser for it." - Christopher Butt, writer and design critic, founder of Auto-Didakt and Design Field Trip"The human brain is a mystery. Barely developed since mankind evolved itself into this peculiar world, we still react on basic instincts and pre-coded assumptions. We think we know, but we don’t. We think we’re in control, but we’re not. So we need to learn. And of all our senses, our visual perception is our least reliable. Richard Herriot has created a fantastic book that enlightens us and opens our mind to understand better how our brain acts and reacts on our visual surroundings, such as form, function, design and visual perception in general. In a well ridden and richly illustrated piece, he guides us through various elements in modern design such as the human visual system, the complexity in form and function, how we look at and understand shapes and form etc. Starting with the already known theories, Richard Herriot describe and discusses the complexity and compromises we make daily in our visual world. Wisdom and knowledge mixed with simple illustrations and easy to use exercises. It’s a must read for everybody working with visual art forms, teachers, designers, photographers, architects, artists etc, a need to read for everybody interested in how our brain works when it comes to visual perception - and a nice to read for everybody else that just want to know. A welcoming and necessary book in a time where everything runs so fast that we tend to forget what we already know." – Kåre Birk, teacher in Furniture, Space and Products; Scandinavian Design College, DenmarkTable of Contents1. How do we see? 2. Resolving the constraints 3. Lines, surfaces and curvature 4. Craftsmanship 5. The meaning of the object and its elements: Product semantics
£34.19
Thames & Hudson Ltd The Mysterious Fayum Portraits
Book SynopsisThis acclaimed survey, now in an updated format with a new foreword by Ahdaf Soueif, offers a richly illustrated account of the history and discovery of astonishing funerary portraits from Greco-Roman Egypt. These remarkable paintings take their name from a district of Roman Egypt, whose inhabitants in the first three centuries CE included Greeks, Egyptians, Romans, Syrians, Libyans, Nubians, and Jews. In the Egyptian tradition, they embalmed the bodies of their dead; but then placed a painted portrait over the mummified person, preserving the memory of each individual. Over one thousand portraits have so far been discovered?men, women, and children of all ages. Including almost two hundred of these paintings, Euphrosyne Doxiadis''s informative text combines incisive scholarship with a compelling selection of images of enduring freshness and beauty.Doxiadis''s text sets the people and the paintings in their social, artistic, and geographical context, describing the techniques used and showing how the Fayum portraits relate to Byzantine icon painting, in a tradition that extends from ancient Greece to the Renaissance and on to the present day.
£32.00
Udon Entertainment Street Fighter Swimsuit Special Collection Volume
Book SynopsisThe warrior women of Street Fighter are back for another swimwear-filled illustration collection by the artists of UDON! Longtime fan-favorite femmes like Chun-Li, Cammy, and Juri hit the beaches and pools, while joined by newcomers Kimberly, Marisa, Manon, and many more!This beautiful oversized hardcover tome gathers four more years of UDON's Street Fighter pin-up books, including three Swimsuit Specials and the Sci-fi & Fantasy Special. Also showcased are rare variant covers and never-before-seen rough concepts.
£35.99
Kaplan Publishing AP Art History Premium, Sixth Edition: 5 Practice
Book SynopsisBe prepared for exam day with Barron’s. Trusted content from AP experts!Barron’s AP Art History Premium, Sixth Edition includes in‑depth content review and practice. It’s the only AP Art History book you’ll need to be prepared for exam day. Written by Experienced Educators Learn from Barron’s‑‑all content is written and reviewed by AP experts Build your understanding with comprehensive review tailored to the most recent exam Get a leg up with tips, strategies, and study advice for exam day‑‑it’s like having a trusted tutor by your side Be Confident on Exam Day Sharpen your test‑taking skills with 5 full‑length practice tests‑‑3 in the book, including a diagnostic test to target your studying, and 2 more online–plus detailed answer explanations for all questions Strengthen your knowledge with in‑depth review covering all units on the AP Art History exam Reinforce your learning with practice questions at the end of each chapter Learn to think like an art historian by reviewing hundreds of clear figures and key details about how they were made, their significance in history, and how to interpret and compare them to other famous works of art Robust Online Practice Continue your practice with 2 full‑length practice tests on Barron’s Online Learning Hub Simulate the exam experience with a timed test option Deepen your understanding with detailed answer explanations and expert advice Gain confidence with scoring to check your learning progress
£28.00
Prestel Gabriele Muenter: Painting to the Point
Book SynopsisFilled with the vibrant color that is the hallmark of Münter’s oeuvre, this dynamic consideration of the German painter offers a lively and detailed analysis of her life, work, and contributions to modern painting. While Münter is most often linked to Wassily Kandinsky and the Blue Rider movement, this book offers a refreshing appreciation of her work in its own right. Multifaceted, imaginative, and stylistically diverse, Münter’s creative output spanned genres to include portraits, landscapes, interiors, and abstractions. Beautifully reproduced images allow readers to marvel at Münter’s joyful vibrant hues, her bold brushstrokes and her experimental and innovative approach to painting. Lively texts offer important biographical insights into her artistic evolution and place her work in the broader context of modern art. Comprehensive and insightful, this newly formatted edition pays tribute to a hugely influential woman artist whose work is all too often overlooked.
£28.00
Insight Editions The Lord of the Rings: Red Book of Westmarch
Book Synopsis
£999.99
Flame Tree Publishing Vincent Van Gogh Masterpieces of Art
Book SynopsisPart of a new series of beautiful gift art books, Van Gogh Masterpieces of Art features all of the best-known works of one of the most famous artists in the world, preceded by a fresh and thoughtful introduction providing lively commentary on his life, society, places and style and techniques, including the powerful animation of his strident brushwork.
£12.34
Bloomsbury Publishing PLC Mary Magdalene
Book SynopsisDiane Apostolos-Cappadona is Professor Emerita of Religious Art and Cultural History and Haub Director in the Catholic Studies Program, Georgetown University, USA.Trade ReviewBoth biblical scholars and general readers can benefit from Mary Magdalene: A Visual History, as it is simultaneously accessible and engaging. ... could easily be used to great benefit for anyone teaching or preaching the Gospels * Bulletin for Biblical Research *Mary Magdalene has long deserved the extended gaze of a good art critic. Diane Apostolos-Cappadona … takes us, very ably and learnedly, through the 2,000–year history of her visual representations. -- Michael Glover * The Tablet *Diane Apostolos-Cappadona’s concise art historical account of the Magdalene charts her transformations and offers a guide to the motifs associated with her various manifestations … Apostolos-Cappadona leads our eye to her, illuminating Mary Magdalene as a more distinct figure. -- Hettie Judah * Art Quarterly *Apostolos-Cappadona’s engaging and intelligent appraisal of artistic interpretation reminds the reader that the Magdalene is a subject that matters still. -- Siobhan Jolley * The Art Newspaper *This is a lavishly illustrated, informative survey of how 2,000 years of Christian history has curated the memory of Mary Magdalene … There is much here that will inform. -- John Woods * Inspire *… a visual feast of one hundred and thirty eight images of Mary Magdalene from the very earliest of 240 AD to the present. The author notes the transformations in Mary Magdalene’s imagery in response to changes in ‘cultural and theological perceptions’ over the centuries and adds a comprehensive scholarly discussion of written records. The result is this fascinating book. -- Mary Sokol * New Directions *It is made for those who wish to experience a wonderful immersion into the power of art to portray a person in all of their complexity. * Women's Alliance For Theology, Ethics And Ritual *Summing Up: Recommended. Lower-division undergraduates through faculty. * Choice *Informative and fascinating. . . . Filled with good spiritual art and lessons. . . . [A] delightful history of this figure in literature, devotion, and art. . . . [Apostolos-Cappadona] uses gorgeous images (65 total) and sensitive artistic and literary readings to show how Mary Magdalene was understood and represented throughout the history of the Church. * Catholic World Report *[A] lovely work. . . . Made for those who wish to experience a wonderful immersion into the power of art to portray a person in all of their complexity. * Women's Alliance for Theology, Ethics, and Ritual *Diane Apostolos-Cappadona excellently demonstrates the essential nature of the visual in understanding the multiplicity of Mary Magdalene. Where do all her contrasting images come from? This wonderfully accessible and beautifully illustrated book takes you on a thoroughly-researched journey to find out. * Lieke Wijnia, University College Utrecht, the Netherlands *This is a wonderful book, written by a real expert in the field. It represents a lifetime of studying images of the Magdalene, and manifests deep reflection not only about cultural history but also the changing dimensions of spirituality and devotion. We are presented with a ‘Magdalene mosaic’ that allows readers to gain a rich appreciation of both the iconography of the Magdalene but also her shifting significance. * Joan E. Taylor , King’s College London, UK *This beautiful book is the achievement of a scholar who not only comprehends her subject thoroughly, but is passionate about it. Every chapter is a rich and meticulously crafted compilation of texts, artworks, traditions, and lived practices. When brought together, they capture the complex character of Mary Magdalene whose multifaceted and often contradictory representations are simultaneously true and false, but, most of all, incomplete without the others. A brilliant achievement! * Robin Jensen, University of Notre Dame, USA *Table of ContentsList of Illustrations Preface: A Perilous Journey Acknowledgments Introduction Part One: Mary Magdalene: Toward A Visual History 1. Scripture Sources 2. Patristic Sources 3. Eastern Christian Narratives and Traditions 4. Western Christian Narratives and Traditions 5. Symbols and Devotions 6. Mary Magdalene through Christian Art 7. Coda Part Two: Selected Motifs 8. Sinner/Seductress 9. Penitent 10. Anointer 11. Weeper 12. Witness 13. Preacher 14. Contemplative 15. Reader 16. Patron 17. Feminist Icon Afterword: A Reflection on Exhibitions Select Bibliography Index
£16.19
Figure 1 Publishing Leaning Out of Windows: An Art and Physics
Book SynopsisArt and physics collide in this expansive exploration of how knowledge can be translated across disciplinary communities to activate new aesthetic and scientific perspectives.Leaning Out of Windows shares findings from a six-year collaboration by a group of artists and physicists exploring the connections and differences between the language they use, the means by which they develop knowledge, how that knowledge is visualized, and, ultimately, how they seek to understand the universe. Physicists from TRIUMF, Canada's particle physics accelerator, presented key concepts in the physics of Antimatter, Emergence, and In/visible Forces to artists convened by Emily Carr University of Art + Design; the participants then generated conversations, process drawings, diagrams, field notes, and works of art. The "wondrous back-and-forth" of this process allowed both scientists and artists to, as Koenig and Cutler describe, "lean out of our respective fields of inquiry and inhabit the infinite spaces of not knowing."From this leaning into uncertainty comes a rich array of work towards furthering the shared project of artists and scientists in shaping cultural understandings of the universe: Otoniya J. Okot Bitek reflects on the invisible forces of power; Jess H. Brewer contemplates emergence, free will, and magic; Mimi Gellman looks at the resonances between Indigenous Knowledge and physics; Jeff Derksen finds Hegelian dialectics within the matter–antimatter process; Sanem Güvenç considers the possibilities of the void; Nirmal Raj ponders the universe's "special moment of light and visibility" we happen to inhabit; Sadira Rodrigues eschews the artificiality of the lab for a “boring berm of dirt”; and Marina Roy metaphorically turns beams of stable and radioactive gold particles into art of pigments, oils, liquid plastic, and wood. Combined with additional essays, diagrams, and artworks, these texts and artworks live in the intersection of disparate fields that nonetheless share a deep curiosity of the world and our place within it, and a dedication to building and sharing knowledges.
£25.20
Merrell Publishers Ltd Abstract Expressionists: The Women
Book SynopsisThis magnificent publication surveys the vital role of women in the development of Abstract Expressionism by looking at more than 50 paintings, collages and sculptures all accompanied by carefully selected quotes from the artists themselves. The dominant movement of the New York and San Francisco art scenes of the mid-20th century, Abstract Expressionism is celebrated as the first development in American art to gain international status. The movement is synonymous with the work of Jackson Pollock, Mark Rothko, and Willem de Kooning, but also belonging to this generation who changed the course of modern art were numerous female artists; only in recent years have their contributions received the recognition they deserve. The remarkable women in this exciting new book - among them Perle Fine, Helen Frankenthaler, Sonia Gechtoff, Lee Krasner, and Joan Mitchell - studied at the same art schools as the men, exhibited at the same galleries, and were part of the same social scene. But their work was not shown and reviewed as widely or considered as valuable as that of the men. This beautiful book presents the works of the Levett Collection, an unparalleled private collection of paintings, drawings and sculpture by women Abstract Expressionists. Richly illustrated essays by the scholars Ellen G. Landau and Joan M. Marter, leading authorities on the subject, consider, respectively, the vital role of women in the development of Abstract Expressionism and the work of women sculptors of the movement. Full of exuberant, explosive colour and densely layered expression, the main part of the book is devoted to more than 50 paintings, collages, and sculptures, all accompanied by pertinent quotes from the women about their artistic practice and concerns. An illustrated timeline and 35 artist biographies provide further insight, making this volume an essential addition to the study of Abstract Expressionist women, innovators in their own right, whose time in the art-historical spotlight has finally come. AUTHOR: Ellen G. Landau is Andrew W. Mellon Professor Emerita at Case Western Reserve University in Cleveland, Ohio. Joan M. Marter is Distinguished Professor Emerita at Rutgers, the State University of New Jersey. 170 illustrations
£38.25
Taschen GmbH Malevich
Book SynopsisAfter flirtations with Realism, Impressionism, and Symbolism, Kiev-born Kazimir Malevich (1878–1935) found his métier in dissolving literal, representational figures and landscapes into pure emotionally-charged abstraction. In 1915, he created what is widely lauded as the first and ultimate abstract artwork: Black Square, a black rectangle on a white background, hailed as the “zero point of painting,” a seminal moment for modern and abstract practice. In this book, we follow Malevich’s key innovations and ideas and place his groundbreaking achievements within the context of both the Russian and global avant-garde. Through rich illustrations of his work, we explore the artist’s theory of Suprematism, based on severe geometric abstraction and “the supremacy of pure feeling in creative art”; his leading role in the development of Constructivism; as well as his interests in philosophy, literature, Russian folk art, and the fourth dimension.
£14.25
Yale University Press Painting in Stone
Book SynopsisA sweeping history of premodern architecture told through the material of stoneTrade Review“One might think that, after the many studies published over the past 50 years about coloured marbles in architecture, there would be no need for a new work on the subject. Painting in Stone by Fabio Barry has made me completely change my mind.”—Dario del Bufalo, Art Newspaper“A short review can not do justice to the wealth of material in this beautifully illustrated book.”—Julian Treuherz, Context“A tour de force of erudition and interpretation in the field of cultural history that will have a long-lasting legacy. . . . Barry’s book is a welcome arrival, clearly the synthesis of research conducted over the course of an entire career.”—Adriano Aymonino, Apollo“Painting in Stone is peppered with arresting insights, quotes and information. It is also a wonder to behold, full of fantastic colour photographs, many of which Barry took himself.”—James Hall, Literary Review“[U]ncovers some delicious treasures.”—The Oldie“Given its rich discussion, artful prose and abundant illustrations, Painting in Stone makes a distinctive contribution to art and architectural history. This is a book in which readers will find food for thought as they consider coloured stones as an artistic medium in their own right, one with the potential to express myriad cultural, social and religious meanings.”—Maryl B. Gensheimer, Burlington MagazineWinner of the 2021 Alice Davis Hitchcock Medallion, sponsored by The Society of Architectural Historians of Great BritainWinner of the 2021 PROSE award in Architecture and Urban Planning, sponsored by the Association of American PublishersApollo Magazine’s Book of the Year“The most original and comprehensive book in architectural history since I don’t know when. A major achievement.”—Robert S. Nelson, Yale University“Painting in Stone is one of the most ambitious, learned, and original books on art and architecture written in recent decades. Barry writes vividly and powerfully, expounding the meaning of marble in architecture in a most engaging way.”—Nicholas Penny, director of the National Gallery, London (2008–15)
£33.25
Orion Publishing Co The Story of Impressionism (1000-Piece Art
Book SynopsisPiece together the Paris of the Impressionist and Post-Impressionist painters and discover the people and places that helped create the modern world in this 1000 piece art jigsaw puzzle. Raise a glass with Édouard Manet at the Folies Bergères. Take a front row seat for the Can-Can with Henri de Toulouse Lautrec at the Moulin Rouge. Get to the point with Georges Seurat on the banks of the Seine. And catch Edgar Degas sketching the ballerinas of the Paris Opera.
£17.33
Faber & Faber The Last PreRaphaelite
Book SynopsisWinner of the James Tait Black Memorial Prize, this is the biography of celebrated nineteenth-century artist Edward Burne-Jones, who - with William Morris - connects Victorian and modern art.''A triumph of biographical art.'' Independent''Magnificent.'' Guardian ''Rarely are biographies both as authoritative and engaging as this.'' Literary Review The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones''s work is all around us. The most admired British artist of his generation, he was a leading figure with Oscar Wilde in the aesthetic movement of the 1880s, inventing what became an iconic ''Burne-Jones look''. Widely recognised as the bridge between Victorian and modern art, he influenced not just his immediate circle but European artists such as Klimt and Picasso.In this gripping book, award-winning biographer Fiona Ma
£21.25
Thames & Hudson Ltd The Hermès Scarf
Book SynopsisThe Hermes scarf is one of the greatest fashion icons. Worn by royalty and celebrities, coveted and admired, and avidly collected, this simple square of silk is more than just an accessory: it is the stuff of legend. This title explores the heritage and influence of House of Hermes, from the first scarfs debut in 1937, to the present day.Trade Review'Ravishing' - GuardianTable of ContentsIntroduction; The Story of the Scarf; A Universe of Form; A Philosophy of Colour; Legends; Notes; Bibliography
£45.00
Oxford University Press Mona Lisa
Book SynopsisRead this book and the world''s most famous image will never look the same again. For the world''s greatest cultural icon still has secrets to reveal - not the silly secrets that the ''Leonardo loonies'' continue to advance, but previously unknown facts about the lives of Leonardo, his father, Lisa Gherardini, the subject of the portrait, and her husband Francesco del Giocondo. From this factual beginning we see how the painting metamorphosed into a ''universal picture'' that became the prime vehicle for Leonardo''s prodigious knowledge of the human and natural worlds. We learn about the new money of the ambitious merchant who married into the old gentry of Lisa''s family. We discover Lisa''s life as a wife and mother, her association with sexual scandals, and her later life in a convent. We meet, for the first time, previously undiscovered members of Leonardo''s immediate family and discover new information about his early life. The tiny hill town of Vinci is placed before us, with itTrade ReviewKemp analyses the painting as a key to all of Leonardos thinking and works, describing it as the 'window of the soul', in which is reflected all the knowledge acquired by the artist-scientist in the course of his life spent in the study of anatomy, optics, perspective, geology, atmosphere, hydrology and the science of painting. * Pietro C. Marani, The Burlington Magazine *Elegantly-produced study. * Richard Owen, The Tablet *This well-researched book is also highly readable: after so many bunkum theories, the sober truth about the Mona Lisa's origins comes across as surprisingly radical and refreshing. * Alastair Smart, Prospect *Riveting reading... This book is a veritable mine of information. Beautifully written, it reaches out in an engaging and fluid way to those who know relatively little about the subject, whilst still imparting fascinating new evidence to the more experienced on the origins of the painting, and also about Mona Lisa herself. It is not just a further paean to 'the most famous painting in the world', it also offers to the reader a rich and tantalising picture of the world in which Leonardo da Vinci inhabited, and the huge part that an insignificant bourgeois woman, Mona Lisa del Gioconda, played in history. * Sandra Callard, On: Yorkshire Magazine *This book is state of-the-art informative and will be mightily useful for students. * James Hall, Literary Review *A model of clear-headed rationality, succinct, intriguing and marvellously readable. * Michael Bird, Daily Telegraph *[Kemp & Pallanti] marshal meticulous research into the family histories of painter, patron and subject; deep knowledge of the traditions and allusions of Renaissance art; and scientific analyses of the venerated object. * Philip Ball, Nature *Brings the portrait of the enigmatic Lisa into a sharper focus than ever before. * Ross King, Woodstock and Bladon News *Fascinating... revelatory... with their scholarly and fluent book Kemp and Pallanti have given Lisa Gherardini, mother and silk merchants wife, a new lease of authentic life and re-established the Mona Lisa as an extraordinary painting with ordinary origins. * Michael Prodger, The Sunday Times *[A] stimulating study grounded in documentary and literary sources, not to mention the painting itself.Readable and informative, this book is invaluable for offering a better understanding of the painting.Essential * na, CHOICE *Table of ContentsPreface Acknowledgments Introduction 1: Old Gentry and New Money: Lisa and Francesco 2: Leonardo from Vinci 3: Ser Piero and Francesco 4: An intermittent History 1: Renaissance Records 5: An intermittent History 2: The Rise to Fame 6: From Portrait to Poetry 1: Dolce still nuovo 7: From Portrait to Poetry 2: Painter and Poets 8: The Universal Picture 9: Close Observation: Science Intervenes Conclusion Index Further Reading
£24.64
HarperCollins Publishers Inc BLK ART
Book SynopsisThen, after hundreds of years of Black faces cast as only the subject of the white gaze, a small group of trailblazing Black American painters and sculptors reached national and international fame, setting the stage for the flourishing of Black art in the 1920s and beyond.Trade Review“This is a welcome new voice to the generally staid conventions of art history. A lively, engaging examination of a serious and under-addressed topic.” — Library Journal "BLK ART is a must have for every art history enthusiast! Through her gorgeous curation and spot on commentary, Ware has shined a light on black creators and previously left out art pieces that deserve to be in the grandest museums." — Rachel Ignotofsky, best-selling author, creator of Women In Art "This is the book we all needed growing up, a comprehensive and broad visual summary of people and events of the past. Zaria has woven together a story that has shown us that the past is still present with us, and people of every generation, color, and gender need to get behind this legacy piece." — Lavinya Stennett, writer, author, founder, and CEO of The Black Curriculum "BLK ART is a gorgeous tribute to the Black brilliance that redefined fine art in the western world. Each chapter pulls lesser known Black painters, sculptors, and models from the margins of the canon and places them front and center--where they belong. Smartly researched and entertaining, this is a book art experts and those with a budding interest will enjoy." — Tanisha C. Ford, professor of history, CUNY, author of Dressed in Dreams: A Black Girl's Love Letter to the Power of Fashion "I love this book so much. From its impressive sweep of historical and religious paintings to its storytelling through art, it is a must have for anyone interested in how art intersects with human history. I'm never loaning this to anyone." — Paterson Joseph, award-winning actor, author of The Secret Diaries of Charles Ignatius Sancho "BLK ART is the kind of book one keeps picking up to read in bits and pieces and to share details with friends; the kind of book that becomes part of your daily life for a while, and by the time you have really finished it, unnoticed, you will have made the drive your own." — Elmer Kolfin, professor of art history, University of Amsterdam
£24.00
Prestel Hiroshige
Book SynopsisPresented in a style as stunning as the prints it celebrates, this survey of Hiroshige tells the fascinating story of the last great practitioner of ukiyo-e, or "pictures of the floating world." Hiroshige is considered to be the tradition's most poetic artist and his work had a marked influence on Western painting towards the end of the 19th century. Vincent van Gogh, Claude Monet, Paul Ce zanne, and James Whistler were inspired by Hiroshige's serene depictions of the natural world. Arranged chronologically, this book illustrates through text and magnificent reproductions Hiroshige's youth and early career; his artistic development in the genre of landscape prints; his depictions of Edo and the provinces; the flower and bird prints; and his many popular books and paintings. It discusses the historic and cultural environment in which Hiroshige flourished and the many reasons his art continues to be revered and imitated. Filled with 300 color reproductions, and featuring a clamshell box and Japanese-style binding, this volume is destined to become the definitive examination of Hiroshige's oeuvre.Trade Review"This lavish chronically organized survey of his life and work is a jewel for art lovers, featuring Japanese-style binding and clamshell box. The 300 depictions of Hiroshige’s beloved prints, books and paintings, along with an examination of the historic and cultural environments in which he created them, crowns the oeuvre of a true artistic titan." -Bask
£74.25
National Gallery Company Ltd Leonardo The Virgin of the Rocks One Painting
Book SynopsisThis compact book tells the story behind one of the National Gallery's most celebrated masterpieces: The Virgin of the Rocks.
£12.99
Thames & Hudson Ltd The Renaissance Complete
Book SynopsisCovers topics such as the revival of classical learning, the printing press, the rise of the nation-state, philosophy and the role of women. This book provides biographies, timelines, bibliography, a gazetteer of museums and galleries and an illustrated glossary.Trade Review'Wonderful … attractive and eye-catching, and genuinely enjoyable' - The Art Quarterly'Tremendous … an invaluable guide for anyone interested in one of Europe’s greatest periods' - Contemporary Review'A masterwork' - New York Times Book ReviewTable of Contents1. Rediscovering Antiquity • 2. Rulers of the World • 3. God and Man 4. The Image of the World • 5. Living and Dying • 6. Science, Invention and Discovery • 7. The Power of Art • 8. Rebuilding Antiquity
£24.00
Princeton University Press James Rosenquist
Book Synopsis
£27.00
Dover Publications Inc. Art Nouveau Jewelry Designs
Book SynopsisAt the turn of the twentieth century, the Art Nouveau movement swept the world of decorative arts toward an excitingly modern direction. Inspired by both organic and geometric forms, the new trend abandoned historical styles in favor of flowing, natural forms accented by angular contours. Art Nouveau''s curves and floral and animal motifs were particularly suited to adaptations in precious stones and rare metals. The elegant, royalty-free illustrations of this collection, reprinted in their original colors from a rare German edition, offer authentic representations of the craftsmanship and imaginative qualities involved in the creation of Art Nouveau jewelry.This sumptuous assortment presents more than300pendants, combs, rings, bracelets, brooches, buttons, clasps, and earrings. The exquisitely detailed jewelry and accessories feature lilies, morning glories, and other floral motifs as well as butterflies, seahorses, birds, and a host of fanciful creatures.René Beauclair, a renowned Art Nouveau designer, includes his own works as well as those of André Petitjean, Jules Armbruster, Paul Liénard, Emile Jammes, and Paul F. Follot. The striking, royalty-free illustrations are readily adaptable to any design use and will serve as a source of inspiration for jewelry designers and craftersof all kinds.
£11.24
Thames and Hudson Ltd Artists of the Middle East
Book SynopsisSaeb Eigner is an Arabist with a deep knowledge of the Middle East and a committed advocate of the arts. For several decades he has been an avid collector of modern and contemporary Middle Eastern art, and much of his collection is on long-term loan to the London Business School (of which he has been a governor for many years). Saeb Eigner was a senior adviser on the British Museum's exhibition Word into Art: Artists of the Middle East (2006; touring internationally from 2008, with Saeb acting as co-curator), and is author of Art of the Middle East: Modern and Contemporary Art of the Arab World and Iran (foreword by Zaha Hadid; Merrell, 2010).
£45.00
