History of art Books

Book SynopsisThe Sketchbook of Loish offers readers a unique look into Loish’s creative processes and idea generation, providing an insight into the role her sketches play in her extremely popular work. Peek inside Loish’s sketchbook and discover how she explores gesture, stylization, and sketching for animation. Learn the different techniques she uses when sketching with traditional and digital tools, and follow the book’s two detailed tutorials on character construction and sketching digitally to improve your own processes. The book also features handy quick tips for capturing movement, using different line weights, shading, and using textured brushes. Including an insight into Loish’s character sketching, development sketches, landscape, and reference studies this book will show you how Loish captures the spirit of her finished artworks in her exquisite preliminary work. In addition to showcasing a comprehensive collection of Loish’s sketches, this book features exclusive artwork, and a special chapter exploring Loish’s personal concepts to give an in-depth look at how her initial ideas evolve through sketches to culminate in her accomplished concept designs. A truly inspiring and informative book with a high-quality finish and slipcase, The Sketchbook of Loish will have you itching to get sketching!

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Book SynopsisBest known for his depictions of the human form, Schiele was also interested in portraying the beauty and structure of the world he inhabited. In fact, Schiele's paintings of the countryside and his native Vienna comprise a large proportion of his body of work. Nearly one hundred of the artist's landscapes are exquisitely reproduced in this handsome book and presented alongside photographs of the scenes he depicted, taken from the vantage point of the original works. This volume proves that Schiele's mastery extends beyond his radical renditions of the human figure and reveals themes that appear throughout his work. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting.

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Book SynopsisAbstract Expressionism is arguably the most important art movement since the Second World War. Because the images created by such leading figures as Jackson Pollock, Clyfford Still, Willem de Kooning, and Mark Rothko were so extraordinary, it is often thought to have been a revolution in painting only, but its radical spirit also encompassed David Smith?s sculpture and Aaron Siskind?s photography. With other key artists such as Barnett Newman and Franz Kline, this group was a nucleus united not just against the tensions of American society from the 1930s onward but also in its aim to forge a new visual language.In this concise account, David Anfam examines the movement in terms of its political implications and cultural context, taking into account a wealth of recent scholarship on the subject and offering fresh insight into the works themselves.Trade Review'A valuable addition to the literature on Abstract Expressionism' - The Burlington Magazine'Concise, comprehensive and accessible … highly recommended' - Timeless TravelsTable of Contents• 1. Introduction • 2. Background and Early Work • 3. The Question of a Heritage • 4. The Ideographic Picture • 5. The Process of Painting • 6. Being and Field • 7. The Later Work • After Abstract Expressionism

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Book SynopsisWith Salvador Dalí as its figurehead, the great ship of Surrealism traversed the turbulent seas of the early 20th century with sails billowing with dreams and desires. Inspired by the psychoanalytical practice of Sigmund Freud, the Surrealists championed the unconscious as the domain of truth, uninhibited by the standards or expectations of society. With techniques ranging from hypnotism to nocturnal walks to automatic writing, the likes of André Breton, Max Ernst, Brassaï, and Meret Oppenheim produced paintings, drawings, texts, and films in which they sought to excavate their most intimate and primal instincts. The results abound with sexual fantasies, with mysterious, menacing creatures, and with the juxtaposition of seemingly contradictory objects or ideas. This book introduces the origins and the sensational legacy of the Surrealist movement, one of the most profound and enduring influences on film, theater, literature, art, and thought. Featured artists: Hans Arp, André Breton, Giorgio de Chirico, Salvador Dalí, Max Ernst, Alberto Giacometti, Paul Klee, René Magritte, André Masson, Matta, Joan Miró, Pablo Picasso, Meret Oppenheim, Yves Tanguy

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Book SynopsisA beautiful visual celebration of the iconic LEGO® minifigure—its history, evolution, and status as a cultural icon.The LEGO® minifigure is one of the most recognizable and collectible toys on the planet. Over the span of 40 years it has evolved from a simple yellow figurine to a global pop culture icon. This landmark volume celebrates the colorful history, evolving design, and lasting impact of the one and only LEGO minifigure. Driven by compelling interviews and essays, lush photography, infographics, and never-before-seen visuals from inside the LEGO archives and beyond, this book is a wide-reaching visual exploration of why the minifigure matters—as a beloved toy and as a singular cultural icon.MUST-HAVE: The ultimate celebration of the LEGO minifigure, this book explores the minifigure from all angles.FOR ALL LEGO FANS: This book is perfect for all LEGO fans, from avid collectors and super fans seeking new, never-before-published

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Book SynopsisTrade ReviewIn the wake of the acclaimed documentary Beyond the Visible comes an extensive catalogue of the Swedish artist, whose revolutionary work as the first abstract painter was dismissed because she was a woman. -- Nathalie Atkinson * Globe and Mail *The project of Hilma af Klint and her female colleagues was the result of great maturity, of confidence and collective efforts, performed both in work and in life. * Women's Art Journal *The concentrated spirituality- egoless consciousness- that is delivered by the best pictures here, so fresh that they might have been made this morning or tomorrow or decades from now, feels like news that is new again. -- Peter Schjedahl * New Yorker *The current celebration of af Klint's paintings suggests the primacy of visual communication should be backdated. The retrospective also underscores the important role that women played in its emergence. -- Nancy Princenthal * Art in America *The Guggenheim Museum offers a revisionary chapter about the start of modern abstraction in its current headliner, “Hilma af Klint: Paintings for the Future,” introducing works that this Swedish artist and mystic made in 1906-7. -- Roberta Smith * New York Times *af Klint's contribution, arrayed here in all its abundant originality, threatens to reduce to a footnote the mostly male history of esoteric abstraction. * Artforum *Af Klint's ascendancy feels inevitable: She could be viewed as a heroine for our current moment, an artist who rejected commercial success, resisted the pull of self-publicity, and challanged the myth of individual authorship. -- Julia Bryan-Wilson * Bookforum *The concentrated spirituality- egoless consciousness- that is delivered by the best pictures here, so fresh that they might have been made this morning or tomorrow or decades from now, feels like news that is new again. -- Peter Schjeldahl * New Yorker *The mother of all revisionist shows of Modernism. * New York Times *Profoundly moving. ... It is as though, in our apocalyptic time, we need af Klint’s work now more than ever, and the purity of vision and intent it represents. -- Ann McCoy * Brooklyn Rail *A week after I saw [af Klint's paintings], their pulsing loveliness remains undimmed in my mind, like a self-replenishing sense memory of summer. -- Sebastian Smee * Washington Post *[The paintings are] talismanic, vibrating with hidden mystical meaning. ... they represent the enduring evolution of the entire cosmos, the triumphant union of dualities. -- Ania Szremski * 4Columns *The paintings tap into the buzzy zeitgeist of occult spirituality. -- Priscilla Frank * Huffington Post *The show feels like both a transmission from an unmapped other world and a perfectly logical correction to the history of Modern art. -- Ben Davis * Artnet *The canvases are massive and their idiosyncratic shapes, squiggles, and colors provide the viewer with an overwhelming sense of wonder. -- Zachary Small * Hyperallergic *The art, fearfully esoteric and influenced by its creator’s séances and spiritualism, matches a present mood of restless searching. -- Peter Schjedahl * New York Magazine *Klint's biomorphoc compositions call to mind horticultural diagrams conveived on psychedelics - and showcase a level of mysticism not found in successors like Kandinsky. * Cultured *Demands that we rethink, re-evaluate and revise the lineage of art history. -- Lance Esplund * Wall Street Journal *Af Klint set about composing for posterity an alluring eye-music that echoed back the complex psyche of her age. -- Kelly Grovier * BBC *Though she looked conservative, af Klint was nothing if not radical. -- Nana Asfour * Paris Review *The case of Hilma af Klint is among the most fascinating in art history. -- Deborah Solomon * WNYC *[A] superb catalog. -- Roberta Smith * The New York Times *Af Klint was not part of the larger abstract art movement so populated by men, but many of her paintings—vibrant, strange paintings inspired by her deep interest in Spiritism and Theosophy—predate those famous as pioneers of the style. -- Monica Uszerowicz * Observer *Without precedent in the history of art. -- Cristiana Campanini * Abitare *Somewhat like the biomorphic forms of a later artist like Joan Miró, many of these pieces play with geometry and floral shapes that frequently overlap as they seem to swim across the canvas. -- Merrill Lee Girardeau * NYC City Guide *[af Klint's] striking artwork expresses a vision of non-figurative art that was ahead of her time and establishes her as a pioneer of abstract art. * Barnebys *One of the most overlooked artists of the 20th century. * Galerie *She had a penchant for the occult – a “commission” from a spirit at a seance inspired her to create her most striking paintings... * The Economist *Gorgeous book…. The implications of these works are not only gargantuan, but also infinitely pleasurable to look at. And as written about in this wonderful volume, great to read about. By the time you put down this book, Hilma af Klint will be embedded in your visual library forever. -- Jerry Saltz * Vulture *[af Klint's] art’s power is in its secrecy, its marking-off of sacred space. Its period of gestation, of waiting for humanity to catch up, is a demonstration of its sincerity. * Sabat Magazine *Klint created her own optical language with visual, chromatic, structural, and narrative syntax. Her artistic ship sails some of the deepest waters around. -- Jerry Saltz * Vulture *Af Klint did not ask for her work to be destroyed, only delayed. She did not wait for the world to discover her paintings. The world had to wait for them. -- Prudence Peiffer * Garage *[The exhibition] remains as radical as ever and offers a welcome retort to modernism's male-centric narrative. * Elle *'Paintings for the Future' endorses Klint’s mystical conviction that the spiral symbolizes the dualities of the universe—good and evil, male and female, known and unknown—slowly reaching equilibrium. -- Canada Choate * Artforum *

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Book SynopsisSuperb Yokai images from the world's leading museums and private collections!Japan's vast pantheon of supernatural creatures includes demons (yokai), monsters, ogres (oni), ghosts (yurei) and magicians—mythical beings from folklore and popular culture which continue to thrill readers of traditional stories and manga today.This richly illustrated book by Andreas Marks, the leading authority on Japanese woodblock prints, presents authentic illustrations and descriptions of 100 different creatures, including: Bakeneko: Monster cats in human form who lick lamp oil and prey on humans born in the year of the Rat Han'nya: Female demons with sharp and pointed horns, metallic eyes and a smirking smile Hihi: Large ape-like monsters who live in the mountains and have superhuman strength, enabling them to kidnap and kill humans Mikoshi-nyudo: Yokai with an enormously extended necks who appear only at night And many more! The striking visual examples in this book are drawn from the rich canon of early Japanese prints, books, and paintings—sourced from leading museums, libraries and private collections worldwide. They show the "original" forms and appearances of the creatures which form the basis for all subsequent depictions.Also included are two long handscrolls from the Minneapolis Institute of Art (A Collection of Monsters and Night Parade of One Hundred Demons) which are reproduced here for the very first time.Prints and Paintings sourced from the following list of museums, libraries and private collections:Art Institute of ChicagoChristie's, London & New YorkThe Cleveland Museum of ArtHarold B. Lee Library, Brigham Young UniversityKyoto University, Main LibraryLibrary of CongressLos Angeles County Museum of ArtThe Metropolitan Museum of ArtMinneapolis Institute of ArtNational Museum of Japanese HistoryPrinceton University LibraryRijksmuseum, AmsterdamSmithsonian LibrariesTrade Review"Finding one's bearings in this wealth of fiends can be a challenge though, especially for Western readers who are not familiar with the imagery and symbolism of Japanese art. This is where Marks' latest volume, Japanese Yokai and Other Supernatural Beings, comes in handy: It describes 100 of the country's most ghastly creatures in great detail. It is also lavishly illustrated, primarily with ukiyo-e woodblock prints, but also with the odd painting here and there.…It is an excellent introduction to the field." --The Japan Times

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Book SynopsisA thoughtful, engaging, and intimate history of art that offers a critical analysis of the assumptions on which the entire discipline of art history depends.Concise and original, this accessible second edition continues to act as an antidote to the behemoth art history textbooks of the past. Cultures have their own stories â about themselves, about other cultures â and to hear them all is one way to hear the multiple stories that art tells. James Elkins persuasively demonstrates there can never be one story of art now that art historians are concerned with gender, diversity, inclusiveness, and decolonization. Stories of Art is an interactive, iconoclastic text, encouraging readers to imagine how they would present art history in an age of multiple narratives. Elkins discusses decolonizing the discipline, representing race and ethnicity, Eurocentrism, post-nationalism, and indigenous voices while examining histories of art written in China, Persia, Turkey, and India. Th

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Book Synopsis'Anyone looking for the most readable survey of the history of art from the [sic] cave paintings to the 20th century should buy the new, beautifully produced pocket edition of The Story of Art, still one of the great classics of art criticism.' – Independent A cornerstone of art history – in a compact yet readable format and with a new preface by the author's granddaughter The Story of Art has been a global bestseller for over half a century – the finest and most popular introduction ever written, published globally in more than 30 languages. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. Updated with a stunning new cover and a preface written specially by Professor Gombrich's granddaughter Leonie, this pocket format allows Gombrich's classic work to continue its triumphant progress for another generation, and to remain the title of first choice for all newcomers to art and its history.Trade Review'One of the great classics of art criticism.' – Independent'There is something seductive about holding all of art history in one hand.' – Art and Auction'The pleasing proportions of this edition are a marvel of compactness.’ – Boston Globe 'a book to slip into your pocket and dip into on a journey. It remains a delight to read.' – The Good Book Guide'… beautifully designed' – Frank Whitford, The Sunday Times

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Book SynopsisA century after his death, Viennese artist Gustav Klimt (1862-1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. In this neat, dependable monograph, we gather all of Klimt's major works alongside authoritative art historical commentary and privileged archival material from Klimt's own archive to trace the evolution of his astonishing oeuvre.With top-quality illustration, including new photography of the celebrated Stoclet Frieze, the book follows Klimt through his prominent role in the Secessionist movement of 1897, his candid rendering of the female body, and his lustrous "golden phase" when gold leaf brought a shimmering tone and texture to such beloved works as The Kiss and Portrait of Adele Bloch-Bauer I, also known as The Woman in Gold.Trade Review"Guaranteed to work up a fervor."

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Book SynopsisThe complete catalogue of seminal design collective Hipgnosis, showcasing ground-breaking cover art created for the all-time greatest rock & roll bands, including the Rolling Stones, Paul McCartney, Led Zeppelin and Pink Floyd.Trade Review'Beautifully crafted and presented … everything you need to know abou this astonishing creative team' - The Afterword'Beautifully produced … stunning full-colour reproductions of every single cover' - Lancashire Evening Post'A fun trip down memory lane' - FQ Magazine'With their blend of surrealism, sex and suburban ennui, Hipgnosis defined album cover art in the prog-rock era' - Guardian'Some of the most memorable record covers of the 60s, 70s and 80s' - PORT'Thrillingly recalls those many happy hours spent flipping through album racks in record shops … how endlessly inventive yet consistently dazzling Hipgnosis covers were' - The Spectator'Anyone who has an interest in music, art or visual culture should pick up a copy of this book … sublime' - .Cent Magazine'Beautiful' - Amateur Photographer

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Book SynopsisFrom his images of deserted small towns and solitary figures in empty offices to his cheerfully tranquil New England landscapes, Hopper's most famous compositions can be seen as products of a life spent observing human nature. Hopper's images evoke an enigmatic uncertainty, which speaks to the heart of the American experience. Hopper's talent for depicting multiple aspects of the post-war experience is the focus of this generously illustrated and engaging volume.

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Book SynopsisA charming illustrated collection that sheds light on the creative process by one of the most inventive designers working today

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Book SynopsisBook Two in the V&A's groundbreaking new series presents 17 patterns for garments and accessories from a seventeenth-century woman's wardrobe. It includes patterns for a loose gown, a jacket, a pair of stays and a boned bodice, ivory and wooden busks, shoes, a hat, a stomacher, linen bands and supporters, a bag and a knife case. It also features a description of the stay-making process. Full step-by-step drawings of the construction sequence are given for each garment to enable the reader to accurately reconstruct them. There are scale patterns and diagrams for making linen and metal thread laces and embroidery designs. Multiple photographs of the objects, close-up construction details and X-ray photography reveal the hidden elements of the clothes, the precise number of layers and the stitches used inside.Table of ContentsIntroduction and acknowledgements -- 'The bodyes maker' -- Sewing stitches -- Embroidery stitches -- How to use this book -- THE PATTERNS -- Velvet gown, 1610-20 -- Striped linen jacket, 1605-20 -- Embroidered linen jacket, 1590-1630 -- Satin bodice, 1660-70 -- Silk stays, 1660-80 -- Ivory stay busk, 1590-1610 or 1660-80 -- Wooden stay busk, 1675 -- Linen supporter, 1595-1615 -- Satin picadil, 1600-15, Linen band, 1630-50 -- Darted linen band, 1655-65 -- Linen stomacher, 1610-20 -- Purse, pincushion and knife case, 1600-25 -- Beaver hat, 1590-1670 -- Velvet chopines, 1600-20 -- Embroidered slipper, 1660-75 -- Kid shoe, 1660-80 -- BIBLIOGRAPHY

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Book SynopsisThis important re-evaluation of the Dutch- born painter Lawrence Alma-Tadema traces his personal and artistic journey towards international fame and success in London and investigates how this exceptionally creative artist used his own houses and studios as laboratories to produce vivid paintings of life in ancient Greece, Rome, and Egypt. Lawrence Alma-Tadema s paintings were immensely popular among his contemporaries, and have since enchanted a wide audience through the medium of cinema. Anyone who has ever enjoyed the great epic films of antiquity from Italian silent classics and Cecil B. DeMille to Ridley Scott s Gladiator will instantly recognize their origins in sets and costumes Alma- Tadema invented. Accompanied by glowing reproductions of the artist s rich and detailed works, this book boldly re-assesses Alma-Tadema s art through the idea of home: from his admiration for the interiors depicted in early Dutch paintings through his fascination with Pompeian ruins, to his creation of large studio houses that were artworks in their own right. Building upon Alma-Tadema s renown as the archaeologist of artists, the new scholarship in this impressive volume shows how the spaces he created and inhabited with his talented artist-wife Laura and their two daughters reflected an aesthetic vision that has thrilled viewers and other artists for more than a century. Appealing to general and scholarly audiences alike, this book underscores Alma-Tadema s reputation as one of his era s greatest creative talents."Trade Review"As well as providing a comprehensive overview of the painter's career, the volume includes a wealth of high-quality illustrations that bring out Alma-Tadema's subtle handling of color and texture" -Choice Magazine "Replete throughout with wonderfully beautiful reproductions of his art, Lawrence Alma-Tadema: At Home in Antiquity is as comprehensive and informative as it is thoroughly 'reader friendly' in organization and presentation. A consistently compelling and insightful study from beginning to end, Lawrence Alma-Tadema: At Home in Antiquity is unique and very highly recommended." -Midwest Book Review

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Book SynopsisAs testified by the monumental success of the recent Dior retrospective curated by the MusÃe des Arts DÃcoratifs in Paris, âChristian Dior: Designer of Dreamsâ, which attracted over 700,000 visitors over its extended run, John Gallianoâs creations for the house of Dior have entered fashion history and are widely recognized as some of the most breathtaking and imaginative collections ever created. John Galliano for Dior is the first publication entirely dedicated to showcasing these unforgettable designs, which have become collectorsâ items and form a key chapter of the history of the house of Dior â âthe greatest house in the worldâ, as Galliano stated when he was first placed at its helm. âI see myself as a guardian of [Christian Diorâs] spirit, a keeper of his dreams,â he added. The book unfolds chronologically, revisiting the most iconic creations and revealing previously unseen behind-the-scenes moments that capture models, hairdressers, stylists, make-up artists and John Galliano Trade Review'Capture[s] the designer’s wildly imaginative runway shows and dramatic, colourful creations' - AnOther'Visually stunning' - Vogue'Fairer’s backstage photos capture not only the designer’s uninhibited creations, but also the behind-the-scenes frenzy at his shows … stunning' - Daily Mail'Perfection' - The Business of Fashion

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Book SynopsisMaximiliaan Martens is a professor of art history at Ghent University. Till-Holger Borchert is a German art historian and writer specialising in 14th- and 15th-century art. He has been artistic director of the Municipal Museums in Bruges since 2014. Jan Dumolyn is a Belgian historian and professor at Ghent University.Trade Review'A truly magnificent celebration of the creativity and skill of the brilliant Flemish artist ' - Mature Times'Fat, scholarly, beautifully produced … with outstanding image reproduction' - Financial Times

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Book SynopsisInterior stylist Bea Mombaers is passionate about vintage and design; she's always on the lookout for special finds and unique objects. Over time she developed a distinctive signature style. This book presents Bea's work and universe as seen through the lenses of different photographers. The photos show interiors arranged by Bea, but also intriguing details, beautiful still lifes and objects with a story Bea feels inspired by. The photos are presented according to the key moments in a day: waking up, breakfast, break, lunch, coffee, apero, dinner and party. Bea is a source of inspiration and interior dreams, and a personal view on Bea Mombaers's world and her favourite projects up to now.

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Book SynopsisAn indispensable guide to the colors and combinations of contemporary Japanese design—by one of Japan's leading colorists!Color consultant Teruko Sakurai finds inspiration everywhere—in the foods, landscapes and everyday objects of her native land. Flipping through the pages of this book is like taking a tour through modern Japan. The tones, hues and palettes will dazzle and inspire you.Over 3,300 different color combinations are presented in over 125 different themes. Each two-page section in this book presents a different theme with the following information: An introduction giving a brief background on the color scheme and a description of how it can be used A number-coded nine-color palette board showing the range of shades and hues that complement and comprise the scheme CMYK, RGB and HEX (the color code used in Japan) references for all nine colors 26 examples including two- and three-color combinations with photos and illustrations This is an indispensable guide for graphic designers, illustrators, decorators, artists and publishing professionals. It will also be enjoyable and inspiring for readers planning their own home design or art projects.

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Book SynopsisA visual feast of eclectic artwork informed and inspired by spiritual beliefs, magical techniques, mythology and otherworldly experiences. Mystical beliefs and practices have existed for millennia, but why do we still chase the esoteric? From the beginning of human creativity itself, image-makers have been drawn to these unknown spheres and have created curious artworks that transcend time and place – but what is it that attracts artists to these magical realms? From theosophy and kabbalah, to the zodiac and alchemy; spiritualism and ceremonial magic, to the elements and sacred geometry – The Art of the Occult introduces major occult themes and showcases the artists who have been influenced and led by them. Discover the symbolic and mythical images of the Pre-Raphaelites; the automatic drawing of Hilma af Klint and Madge Gill; Leonora CaTrade Review"This exhibition-in-a-book brings together a cornucopia of images from the Western occult tradition in a manner that inspires curiosity and thought." * MythLore *Table of ContentsIntroduction Part I The Cosmos i. The Very Shape of Things: Sacred Geometry in Art ii. Gazing at the Stars: Astrology and the Zodiac in Art iii. The Imagery and Inspiration of the Elements iv. Alchemy and the Artistic Spirit Part II Higher Beings v. Gods and Immortals: Divine Expression Through the Arts vi. The Kabbalah as a Source of Artistic Expression vii. Theosophical Thought Manifested Through Art viii. The Hermetic Tradition and the Arts Part III Practitioners ix. Potions, Persecutions and Power: Witches and Witchcraft in Art x. Spirit Art and Spiritualism xi. Emblems of Insight and Divine Inspiration: Divination in the Arts xii. Ceremonial Magic: Invoking the Artistic Spirit Index Further Reading Picture Credits Thanks/About the Author

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Book SynopsisPrior to the invention of the printing press, all books had to be written by hand. Manuscripts are the beautiful manifestation of this craft, and the most precious and expensive of such manuscripts were 'illuminated' through the use of brightly coloured pigments and gold embellishments. Beginning with a fresh and thoughtful introduction to illuminated manuscripts, Illuminated Manuscripts Masterpieces of Art goes on to showcase key works in this stunning artistic genre.

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Book SynopsisThe unfading popularity of Gustav Klimt (1862–1918) attests not only to the particular appeal of his luxuriant painting but also to the universal themes with which he worked: love, feminine beauty, aging, and death. The son of a goldsmith, Klimt created surfaces of ornate and jewel-like luminosity which show the influence of both Egyptian and Japanese art. Through paintings, murals, and friezes, his work is defined by radiant color, fluid lines, floral elements, and mosaic-like patterning. With subjects ranging from sensuality and desire to anxiety and despair, all this iridescence is also suffused with feeling. Klimt’s numerous images of women, characterized by curvaceous forms, tender flesh, red lips, and flushed cheeks, were particularly charged with passion, at a time when such frank eroticism was still taboo in Viennese upper-middle-class society. This book presents a selection of Klimt’s work, introducing his pictorial world of decoration and desire, as well as his influence on artists to come.

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Book Synopsis**Order Beth Kempton''s new book KOKORO: Japanese Wisdom for a Life Well Lived**''A truly transformative read'' Sunday Times STYLE''More than ever, we need books like this'' Jessica Seaton, Co-Founder of Toast and author of Gather, Cook, FeastA whole new way of looking at the world - and your life - inspired by centuries-old Japanese wisdom.Wabi sabi (wah-bi sah-bi) is a captivating concept from Japanese aesthetics, which helps us to see beauty in imperfection, appreciate simplicity and accept the transient nature of all things. With roots in zen and the way of tea, the timeless wisdom of wabi sabi is more relevant than ever for modern life, as we search for new ways to approach life''s challenges and seek meaning beyond materialism.Wabi sabi is a refreshing antidote to our fast-paced, consumption-driven world, which will encourage you to slow down, reconnect with nature, and be gentler on yourself. It will help you simplify everything, and concentrate on what really matters.From honouring the rhythm of the seasons to creating a welcoming home, from reframing failure to ageing with grace, wabi sabi will teach you to find more joy and inspiration throughout your perfectly imperfect life.This book is the definitive guide to applying the principles of wabi sabi to transform every area of your life, and finding happiness right where you are.Trade ReviewAs summer comes to an end, there is no better idea than to curl up with a hot cuppa and this truly transformative read. * Sunday Times Style *Wonderful. So full of insights, and beautifully written * Liza Dalby, Author of Geisha *'Less stuff, more soul. Less hustle, more ease . . .' Beth Kempton tells it as it is, and how we need it to be. More than ever, we need books like this. * Jessica Seaton, Co-Founder of Toast and author of Gather, Cook, Feast *Beth explains [wabi sabi] better than any native may have done * Makiko Hastings, Japanese potter *Beth Kempton is one of the great foreign writers who truly understands wabi sabi. I recommend this book for anyone who is looking for time and space in their life -- Daisuke Sanada, Japanese architectA beautiful book about Japanese culture * Books Kinokuniya Tokyo *I am obsessed (with this book) * The Tokyo Chapter *A joyful read * Cynthia Young, Globe & Mail *I'm completely won over by the mix of wisdom and guide to practical self-reflection offered in this elegant interpretation of Wabi Sabi. * JapaneseLondon.com *

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Book SynopsisTable of Contents1. The Creative Impulse. 2. Line. 3. Shape. 4. Value. 5. Color. 6. Texture. 7. Space. 8. Time and Motion. 9. Unity and Variety. 10. Emphasis and Focal Point. 11. Balance and Rhythm. 12. Scale and Proportion. Visual Glossary of Style. Visual Glossary of Mediums.

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Book SynopsisFlower painter Pierre-Joseph Redouté (1759–1840) devoted himself exclusively to capturing the diversity of flowering plants in watercolor paintings which were then published as copper engravings, with careful botanical descriptions. The darling of wealthy Parisian patrons including Napoleon’s wife Josephine, he was dubbed “the Raphael of flowers,” and is regarded to this day as a master of botanical illustration. This collection brings our best-selling XL-sized edition to a smaller, more convenient format, still gathering some of the finest color engravings from Redouté’s illustrations of Roses, Lilies, and Choix des plus belles fleurs et quelques branches des plus beaux fruits (Selection of the Most Beautiful Blooms and Branches with the Finest Fruits). Offering a vibrant overview of Redouté’s admixture of accuracy and beauty, it is also a privileged glimpse into the magnificent gardens and greenhouses of a bygone Paris.Trade Review“The magic of his art still has an almost meditative effect today. A magnificent volume.” * Victoria Magazine *“One of the most gifted botanical artists in history.” * Victoria Magazine *

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Book SynopsisAlbrecht Durer's prints and drawings have inspired hundreds of artists, both during his life and after his death. Yet his talent as a painter and colorist, and his enthusiasm for the scientific world have not been widely appreciated. Durer's influence was both international and intergenerational-indeed Picasso claimed to have been inspired by the 16th-century artist. Reproduced in stunning detail and including illustrations of Durer's most famous prints and drawings, a catalog raisonne of his paintings, and biographical research, this book presents a Durer for the 21st century. Producing more self-portraits than any other artist of his day; mass marketing his best-selling prints; even inventing his own monogram logo; Albrecht Du rer was commercially astute long before today's generation of self-promoting and financially-savvy artists. There are 55 extant Durer paintings, of which 17 are in dispute. Using scientific research, this book puts all arguments to bed resulting in the definitive catalog raisonne of the paintings. Drawing on in-depth research, this book reveals the truth behind Durer and his art.Trade Review"The catalogue is full of beautiful reproductions and numerous close-ups, and the enlarged reproductions of engravings invite contemplation of the artist’s mastery of line." -The Art Newspaper

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Book SynopsisAn entirely fresh perspective on the history of photography that uses timelines to trace the medium's development from its inception to the present.Trade Review'An intriguing and comprehensive timeline of the medium' - AestheticaTable of ContentsIntroduction • 1. Birth of Photography, to 1850 • 2. 1850–1900 • 3. 1900–1950 • 4. 1950–1975 • 5. 1976–2000 • 6. 2000 to the present

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Book SynopsisThe complex oeuvre of the American artist Cy Twombly (1928-2011) comprises a time period of around six decades, during which it never lost any of its expressive power. Twombly was one of the most productive artists in the history of more recent art. Acclaimed as one of the most important painters of the second half of the twentieth century, he fused the legacy of American Abstract Expressionism with European and Mediterranean culture. The book focuses to a degree never before seen on his major cycles: Nine Discourses on Commodus (1963), Fifty Days at Iliam (1978), and Coronation of Sesostris (2000). The artist's development as a whole is traced based on nearly 200 paintings, sculptures, drawings, and photographs. This thus provides unique insights into the overall intellectual and sensual richness of the oeuvre. From his early works at the beginning of the nineteen-fifties, which are characterized by the use of text, to his compositions of the nineteen-sixties, his reaction to the minimal art and conceptual art of the nineteen-seventies to his final paintings, the overview of the oeuvre underscores the significance of the series and cycles in which Cy Twombly invented history painting anew. With its polyphonic conception, the monograph offers numerous approaches with essays that shed light on the various aspects and phases of Twombly's path as an artist. It comprises et al. the reflections and personal impressions of other artists as well as the memories of his assistant Nicola Del Roscio. These diverse testimonies make it possible to discover Cy Twombly not only as an the artist, but also as an individual.Trade ReviewThe resurgence of interest in artist Cy Twombly (1928-2011) is reflected in this lavish volume, which is the catalogue for a retrospective exhibition of Twombly's paintings, sculpture, drawings, and photographs at the Centre Pompidou, Paris.--CHOICE

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Book SynopsisAn authoritative visual history of one of the worldâs oldest and most vibrant cultures, drawing on South Asian art and artefacts from prehistory to the present. Arranged chronologically, and abundantly illustrated with expertly selected objects, this superb new overview connects todayâs India with its past. Early chapters uncover prehistoric objects from 1.5 million years ago, examine artefacts from the Indus Civilization, and follow the emergence and transmission of Buddhism, Jainism, Hinduism and Sikhism, as well as the incoming religions of Zoroastrianism, Islam and Christianity. During the medieval era, skills related to temple-building and sculpture-production in stone and bronze developed. From this remote period up to the present day, pilgrimage has been an important part of the spread of social, political and religious ideas. With the rise of the Mughals, the last Muslim dynasty of India, India once more became a leading economic power. The development of a distinct MughaTrade Review'A fascinating overview of centuries of cultural change' - BBC History'I cannot recommend this excellent book more highly. It is sympathetically written, it covers a huge and diverse span of history, and it is a joy to look at' - Chowkidar'The incredibly wide range of subjects and the fascinating cross-currents they throw up are a delight to discover ... A fine book that weaves together many of the strands that make up one of the world’s most fascinating cultures' - World of Interiors'Anyone approaching … the material culture of India will find here a succinct introduction to the historical, social or technological milieu in which it belongs. Forms an ideal companion for the collector or curator eager to contextualize material on a very wide canvas' - Journal of the History of Collections'South Asian history is so complex and layered that making sense of it can take considerable effort. Richard Blurton’s richly illustrated India: A History in Objects emphasizes precisely this complexity and diversity' - Asian Review of BooksTable of ContentsIntroduction 1. Prehistory and early history 2. Early empires and developing religions 3. Dynasties and the rise of devotion 4. Indo-Islamic South Asia 5. Europeans and the British in India 6. Independence and modernity

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Book SynopsisPublished to coincide with the first UK exhibition of these masterworks at The Wallace Collection, Forgotten Masters celebrates the work of a series of extraordinary Indian artists. As the East India Company extended its sway across India in the late eighteenth century, many remarkable artworks were commissioned by Company officials from Indian painters who had previously worked for the Mughals. Each had their own style, tastes and agency, and all of them worked for British patrons between the 1770s and the bloody end of the Mughal rule in 1857. Edited by writer and historian William Dalrymple, these hybrid paintings explore both the beauty of the Indian natural world and the social realities of the time in one hundred masterpieces, often of astonishing brilliance and originality. They shed light on a forgotten moment in Anglo-Indian history during which Indian artists responded to European influences while keeping intact their own artistic visions and styles. These artists represent the last phase of Indian artistic genius before the onset of the twin assaults - photography and the influence of western colonial art schools - ended an unbroken tradition of painting going back two thousand years. As these masterworks show, the greatest of these painters deserve to be remembered as among the most remarkable Indian artists of all time.Trade ReviewThe book accompanying the exhibition is far more than just a catalogue….this [is] the best and most handsome book on the subject currently available. -- Peter Parker * Literary Review *He does a sensitive, subtle job of reframing the argument by focusing attention back on the artists, who fashioned a captivating hybrid style that drew on European and Mughal models. -- Alastair Sooke * The Daily Telegraph *Table of ContentsDirector’s Foreword Xavier Bray Introduction William Dalrymple The Master Artists of Lucknow Painting in Lucknow 1776–1799 Rosie Llewellyn-Jones The Master Artists of the Impey Album The natural history paintings of Shaikh Zain ud-Din, Bhawani Das and Ram Das Andrew Topsfield The Natural World Indian Export Art? The botanical drawings H.J. Noltie The Bengali artist Haludar Malini Roy Shaikh Muhammad Amir of Karraya and Yellapah of Vellore Bespoke: painting to order in 1830s Calcutta and Vellore Lucian Harris The Late Mughal Master Artists of Delhi And Agra Ghulam Ali Khan and the Delhi School of Painting Yuthika Sharma Sita Ram and the Hastings Albums Sita Ram J.P. Losty

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Book SynopsisThe Ashmolean Museum and the Albertina are collaborating on a two-part exhibition project that will examine anew the role and the significance of drawing in Raphael's career. The Ashmolean holds the greatest collection of Raphael drawings in the world, and the Albertina is the custodian of a major collection including some of the most beautiful and important of the artist's sketches. Taken together, the two collections provide extraordinary resources that, amplified by carefully-selected international loans, will allow us to transform our understanding of the art of Raphael. The Oxford exhibition is based on new research by Dr Catherine Whistler of the Ashmolean Museum and Dr Ben Thomas from the University of Kent, in collaboration with Dr Achim Gnann of the Albertina. It will take Raphael's art of drawing as its focus, with the concept of eloquence as its underlying structure. Oratory runs as a linking thread in Raphael's drawings, which stand out for the importance given to the study of gestures, facial expressions, and drapery.Moreover, Raphael treated the expressive figure of the orator - poet, philosopher, muse, apostle, saint or sibyl - in fascinating and significant ways throughout his life. This selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.

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Book SynopsisThis fresh and engaging, illustrated history of art explains the fundamentals every art lover needs while presenting the development of different schools and styles as one continuous, astonishing timeline— from Giotto to Leonardo, Frida to Banksy.When she became interested in painting, the author would visit museums and wonder about all the information she was missing. How did one style develop after another? What meanings were hidden in these works? What were these artists’ lives like? How did their works survive for so many years? She longed for the kind of essential knowledge that would enable her to decode a painting loaded with references. The result of her curiosity is a highly accessible and vividly illustrated book that brings together the fundamentals of eight centuries of art. It covers the basics about such topics as how museums are structured, how painters use proportion and perspective, the anatomy of a painting.Jouneaux offers surprising com

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Book SynopsisThis breathtakingly detailed book presents dress patterns, construction details, embroidery and making instructions for fifteen garments and accessories from a seventeenth-century woman's wardrobe. Full step-by-step drawings of the construction sequence are given for each garment alongside photographs of the objects and the groundbreaking use of x-ray photography revealing the hidden elements of the clothes, the precise number of layers and the stitches used inside.

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Book SynopsisA HISTORY OF ROMAN ART The new edition of the leading textbook on Roman art, updated with new images and expanded geographic and cultural scope A History of Roman Art is an expansive survey of the painting, mosaic, sculpture, decorative arts, and architecture of ancient Rome. This acclaimed textbook provides a fully-illustrated narrative history of Roman art that spans a millennium, from the early origins of Rome to the era of Emperor Constantine. Interwoven throughout the text are themes of Rome's cultural inclusiveness and the importance of art in promoting Roman values, helping students understand how diverse cultures contributed to Roman life. Accessible, chronologically-organized chapters provide numerous examples of the arts, their cultural and historical context, descriptions of artistic techniques, and writings by ancient authorsenabling students to develop a rich appreciation of art's importance in the Roman world. Now in its second edition, this market-leading textbook featTable of ContentsList of Illustrations xiv Preface to the Second Edition xxiv Preface to the First Edition xxv Note to Students xxvii Acknowledgments xxix Walk Through Tour xxx Timeline xxxii About the Website xxxvii 1 Introduction To Roman Art History 1 Timeline 1 Cultural Property Controversies 2 Dating Dilemmas in Roman Art History 3 Restoration Issues in Roman Art History 4 The Role of Elites in Public Art and Architecture 4 Italic versus Classical Styles and Forms I: Temples 5 Italic versus Classical Styles and Forms II: Portraiture 7 Female Portraiture and Embedded Values 9 Romans Judging Roman Art: Values and Class 11 Art, Context, and Social Status I: The Tomb of Vestorius Priscus 12 Art, Context, and Social Status II: The Roman House 14 Narrative Moment 16 Suggestions for Further Reading 17 2 Regal Period, 753–509 BCE 18The Etruscans and the Question of Etruscan Dominance Timeline 18 Introduction to the World of Early Rome and Italy 19 The Etruscans 21 Etruscan architecture and city planning 21 Etruscan Orientalizing art 23 Etruscan sculpture and portraiture 25 Art in Latium, the Region Around Rome 27 Archaic Rome: City Planning and Architecture 29 Temple of Jupiter Optimus Maximus 34 Murlo (Poggio Civitate) 36 Etruscan Tomb Paintings 41 Greco‐Italic Archaic Architecture: A Doric Temple at Pompeii 45 Conclusion 46 Suggestions for Further Reading 46 3 The Early Republic, 509–211 BCE 48The Spread of Roman Power and Forms Timeline 48 Introduction to Early Roman Republican Art 49 A brief historical survey of the Early Republic 50 Greek wall painting: Tomb of the Diver, Paestum 50 Etruscan tomb painting of the fifth century BCE 52 Etruscan terracotta plaque, Pyrgi 54 Lucanian Tomb Painting, Paestum 56 Etruscan tomb painting of the fourth century BCE 60 Roman tomb painting of the Early Republic 64 Etruscan and Central Italian Bronze Sculpture 67 Terracotta Votive Sculpture 71 Roman Architecture and Urban Planning 73 Ostia: Rome’s first colony and planned community 74 Maritime colonies at Cosa and Paestum, 273 BCE 75 Conclusion 79 Suggestions for Further Reading 79 4 The Later Republic, 211–31 BCE 81The Origins of a Hellenistic Roman Culture Timeline 81 Introduction 82 Architecture and Urban Planning 82 Architecture 84 Greek urban planning and sanctuary design 88 Roman Wall Painting in the Late Republic 100 First Style wall painting, 200–80 BCE 100 Second Style wall painting, 80–15 BCE 104 Late Republican Sculpture 116 Conclusion 122 Suggestions for Further Reading 122 5 The Age of Augustus, 31 BCE–14 CE 124The Art of Empire Timeline 124 Augustus 125 The Portraits of Augustus 126 Augustus and the City of Rome 130 The Campus Martius 130 Forum Augustum 135 The Palatine Hill 140 Third Style Wall Painting 144 Third Style painting at Oplontis 145 The Emulation of Augustan Art 146 Traditional Italic Style in the Age of Augustus 149 Concrete Architecture 154 Glass and Gems 155 Conclusion 156 Suggestions for Further Reading 157 6 The Julio-Claudians, 14–68 CE 159The Rise of Roman Dynastic Art Timeline 159 Introduction 160 Tiberius, 14–37 ce, and Caligula, 37–41 CE 160 Portraiture 161 Dynastic monuments 161 Palace architecture and mythological sculpture 165 Claudius, 41–54 CE 171 Portraiture 171 Dynastic monuments 172 Historical reliefs 174 Architecture 176 Nero, 54–68 CE 177 Portraiture of Nero 178 Portraiture of Julio‐Claudian women 179 Palace architecture 180 Non‐Mythological Wall Painting, Pompeii 185 Public Buildings and Interior Decoration, Pompeii 186 Decorative Metal, Gems, and Glass 190 Conclusion 195 Suggestions for Further Reading 195 7 The Flavians, 69–96 CE 197Civil War, Disaster, and Response Timeline 197 Civil War of 68–69 CE 198 Vespasian and Titus, 69–81 CE 199 Portraiture 200 Architecture 200 Pompeii and Herculaneum 205 Herculaneum 206 Pompeii 209 Domitian, 81–96 CE 215 Portraiture 217 Historical reliefs 218 Architecture 226 Decorative Metal and Glass 232 Conclusion 233 Suggestions for Further Reading 233 8 Trajan and Hadrian, 98–138 CE 235Emperors from the Provinces Timeline 235 Nerva, 96–98 CE 236 Trajan, 98–117 ce, and Hadrian, 117–138 CE 237 Portraiture of Trajan and Hadrian 238 Portraiture of empresses 239 Architecture 239 Sculpture 249 Historical reliefs 249 Funerary sculpture 262 Mythological sculpture 263 Mosaics 266 Lamps 270 Conclusion 271 Suggestions for Further Reading 271 9 Antonine Emperors, 138–192 CE 272From an Empire of Gold to One of Rust Timeline 272 Introduction 273 Antonine Portraiture 274 Portraits of emperors and empresses 274 Non‐imperial portraiture 276 Commodus portraiture 277 Architectural Sculpture 280 Relief sculpture honoring Hadrian and Antoninus Pius 280 Reliefs from victory monuments of Marcus Aurelius 283 Architecture 284 Wall Painting and Mosaics 287 Sarcophagi 292 Mythological sarcophagi 292 Biographical sarcophagi 294 Children’s sarcophagi 297 Fayum Mummy Portraits 297 Carved Gems 301 Conclusion 301 Suggestions for Further Reading 301 10 Civil War and Severan Dynasty, 193–235 CE 303Calm before the Storm Timeline 303 Introduction 304 Trends and Developments in Severan Art 304 Portraiture 305 Portraiture of Julia Domna 306 Baths of Caracalla: Architecture and Sculpture in Rome 309 Historical Reliefs 314 Mosaic Art under the Severans 317 Sarcophagi 319 Forma Urbis Romae 322 Roman Temples at Baalbek 325 Severan Building Program at Lepcis Magna 330 Gems 333 Terracotta 334 Conclusion 334 Suggestions for Further Reading 335 11 The Third Century and The Tetrarchy, 235–306 CE 336Crisis and Renewal Timeline 336 Third‐Century Emperors and the Tetrarchy 337 Philip the Arab, 244–249 CE 337 Decius, 249–251 CE 337 Valerian, 253–260 CE 340 Aurelian, 270–275 CE 340 Diocletian, 284–305 CE 341 The Tetrarchy 343 Coin Portraits of the Third Century CE 344 Historical Reliefs 346 Decennalia Monument, Forum Romanum, Rome, 303 CE 347 Arch of Galerius, Thessalonica, 303 CE 348 Sarcophagi 350 Imperial Architecture 355 Baths of Diocletian 355 Architecture and mosaics: Villa at Piazza Armerina, Sicily 357 Mosaics from the City of Antioch‐on‐the‐Orontes in the Roman East 361 Glass and Gems 365 Conclusion 369 Suggestions for Further Reading 369 12 Constantine, 306–337 CE 371Christian Empire and the Decline of the West Timeline 371 Constantine, the First Christian Emperor 372 Portraiture 373 Architecture at Trier: Building a Provincial Capital 374 Architecture and Sculpture at Rome: Augmenting the Imperial Capital and Creating a Dynasty 377 Basilica Nova 377 Arch of Constantine 378 Constantinian church and tomb architecture in Rome 383 Silver Vessels in the Fourth Century CE 387 Mosaics 390 Conclusion 393 Epilogue: The Fall of Rome and the Rise of New Romes 394 Suggestions for Further Reading 399 Glossary 400 Guide to Further Reading 403 Index 406

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Book SynopsisCurated by Vogue editors Hamish Bowles and Chloe Malle, this updated and expanded edition of Vogue and the Metropolitan Museum of Art Costume Institute covers five years of the Met Costume Institute’s exhibitions and galas through the lens of the influential style magazine.Introduction by Anna WintourForeword by Max Hollein, director of the Metropolitan Museum of Art The Metropolitan Museum of Art Costume Institute’s annual fashion exhibition is the most prestigious of its kind, featuring subjects that both reflect the zeitgeist and contribute to its creation. Each exhibition—from 2005’s Chanel to 2011’s Alexander McQueen: Savage Beauty and 2012’s Schiaparelli and Prada: Impossible Conversations—creates a provocative and engaging narrative drawing hundreds of thousands of visitors. This updated edition includes material from 2015’s China:

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Book SynopsisFrom Cassatt to Kollwitz and Kruger to Kusama, the art of printmaking has been a catalyst for revolution in women's artistic expression. The fascinating lives of diverse and historic women artists, and their use of a range of printmaking techniques from engraving to digital art, are revisited and reframed.

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Book SynopsisSelf-taught and working in isolation until his death in 1973, Henry Darger realized an elaborate fantasy world of remarkable beauty and strangeness through hundreds of paintings and an epic written narrative. Angel-like Blengins with butterfly wings, natural catastrophes, innocent girls, and murderous soldiers all appear in Darger's scenes, which are reproduced in this book in double-page and gatefold illustrations. In the volume's introductory essay, Klaus Biesenbach examines the radical originality of Darger's art, including his use of collage, incorporation of religious themes and iconography, and frequent juxtaposition of innocence with violence. An essay by Brooke Davis Anderson illuminates Darger's source materials and techniques, while another by Michael Bonesteel puts Darger's life in the context of his work. The book also includes Darger's autobiography, “A History of My Life," introduced by Carl Watson. The only book of its kind, Henry Darger offers an authoritative, balanced, and insightful look at an American master.Trade Review"With scant but dense information about Darger's life and artistic contribution, the book allows viewers all the delight, awe, repulsion, sorrow, and wonder his oeuvre inevitably elicits."—Rain Taxi

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Book SynopsisHeadquartered in the heart of Asia, victionary connects creative talents and enthusiasts from all over the world through original concepts, intriguing graphic approaches, and innovative printing techniques. Founded by Victor Cheung in 2001, viction workshop ltd. provides fresh perspectives, timeless inspiration, and pure visual delight through its publishing brand, viction:ary. Aside from art, illustration, and graphic design-related titles, viction:ary also publishes travel guides and children's books. To that end, we welcome you to join us in spreading the joy of print to every corner of the world. https://victionary.com/pages/about-us

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Book SynopsisJudith Miller (foreword writer) started collecting antiques in the late 1960s, whilst a student at Edinburgh University. In 1979 she became the co-founder of Miller's Antiques Price Guide. Since then, she has written more than 100 books on the subject of design and antiques. She is a frequent contributor to newspapers and magazines, and has hosted several TV shows. She is a regular presenter on BBC's The Antiques Roadshow.

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