History of art Books

Book SynopsisInterested in art but feel under-informed? Curious but afraid you might not “get” it? Already a fan and wishing to immerse yourself in a fun, engaging, informative and informed read that will refresh and top up your Art History 101 and Introduction to Art courses from college? The 12-Hour Art Expert: Everything You Need to Know about Art in a Dozen Masterpieces avoids the common approach of throwing hundreds of images at a reader and expecting them to learn from and memorize them all. Instead, the book will guide its readers through a brief series of masterpieces of Western art—from cave paintings to sharks in formaldehyde. This book twelve chapters teach readers about art, the art trade, and art history in a thorough (though concise) fashion. Each chapter is linked to one notable masterpiece, with references to others, giving readers a fixed, digestible number of objects that they will get to know in depth, and which they can use as a lens to understand the thousands of other, related objects that they might encounter in the future. Museums can be daunting, and art presents a strange new language, one that certainly intrigues but is often intimidating and foreign. This book, written by one of the world’s best-known art historians uses entertaining stories to break down intimidating barriers and invites readers of all ages for a one-stop immersion into art.

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Book SynopsisThis book profiles some of the handful of people who rescued significant cultural treasures that would or may have been otherwise lost to humankind. Some, like Dr. Assad, were on a noble mission, but that is not always the case. Some are motivated by profit, fame, gratitude, or personal advancement.

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Book SynopsisEach year 11 million people trek to the Louvre to gawk at the Mona Lisa. Many visitors clutch guide books in hand describing the painting. For some, it’s the experience of a lifetime, one they’ll talk about with friends and family for decades.Yet some modern researchers say that the vast majority of people will never recognize the hidden messages in this painting. That’s because those hidden messages are subliminal.Buried below the threshold of conscious awareness, Da Vinci used techniques people never notice. Not only don’t people know what they’re seeing, they would be shocked to find out.A surprisingly large number of famous paintings fall into the same category. That is, they employ subliminal techniques to enhance the effectiveness of the work or to encode messages within portraits and landscapes. No book, however, has ever attempted to provide an overview of the technical sophistication and arcane methods that artists worldwide have used to conceal secret meaning in their work. Every Picture Hides a Story is the first book to expose the subliminal content in the world’s greatest paintings. Titillating, subversive, and building on the groundbreaking work of pioneers of art criticism, this book will enable readers to view art masterpieces with greater understanding. And their enjoyment of these works will be exponentially enhanced.This full-color book contains 90 images of the paintings and their details. Table of ContentsIntroduction Leonardo da Vinci Michelangelo Raphael Hans Holbein the Younger El Greco Michelangelo Merisi da Caravaggio Artemisia Gentileschi Diego Velázquez Rembrandt van Rijn Johannes Vermeer Thomas Gainsborough Francisco Goya Jean-Auguste-Dominique Ingres Edgar Degas Winslow Homer Paul Cézanne Berthe Morisot Pierre-Auguste Renoir Mary Cassatt Thomas Eakins Vincent van Gogh John Singer Sargent Gustav Klimt Frida Kahlo Andrew Wyeth

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Book SynopsisHow many female artists can you name? Frida Kahlo, Georgia O’Keefe, Marina Abramovic? How about female artists who lived prior to the Modern era? Maybe Artemisia Gentileschi and then… even a regular museum-goer might run out of steam. What about female curators, critics, patrons, collectors, muses, models and art influencers? This book provides a 360 degree look at the role, influence, and empowerment of women through art—including women artists, but going beyond those who have taken up a brush or a chisel. In 1971, Linda Nochlin published a famous essay, “Why Have There Been No Great Women Artists?” This book responds to it by showing that not only have there been scores of great women artists throughout history, but that great women have shaped the story of art. The result is a book that sheds light on the art world in a very new way, finally celebrating the great women artists and influencers who deserve to be much better known. The entire history of art can be told as a herstory of art.Trade ReviewWithout patronizing, without flattery, without teary penitence, Noah Charney writes about women artists throughout global history, searching for the ‘herstory’ of art. Precise, informative, within context and with perspective, he is a witty and unreserved lover of art and a lover of creative women. This is a precious book, at once passionate and informative. -- Svetlana Slapšak, professor of Classics, University of LjubljanaWith characteristic wit and élan, Charney takes us on a romp through centuries of art, focusing his scrutiny on the women who “have shaped the story of art.” This highly readable and engaging “herstory” of art offers a sweeping bird’s eye view, a personal and passionate panorama that introduces the reader to a wide range of artists, periods, and styles. Famous female artists are joined by myriad others, who have been forgotten or never properly acknowledged and yet, whose contributions deserve recognition. Charney also tells us about “influencers”: muses, patrons, collectors, critics, and scholars—women who each in their way have left a lasting mark on art. As we learn about their work and their lives, Charney regales us with a cornucopia of tasty—and memorable—tidbits. -- Véronique Plesch, professor of art history and chair of the art department at Colby CollegeFeminist art historian Noah Charney broadens the landscape about the roles women have played in art history. Traversing time and location, Charney’s trailblazing globe-trotting narrative challenges the established and now settled tropes surrounding the feminist movement that developed in the late 1960s and 1970s. Inclusive of collectors, commissioners, curators, and critics, alongside the art makers themselves, Charney presents a narrative through a new lens which has formerly been the coveted domain of female art historians. Thus, his book is valuable by presenting a paradigm shift in terms of how art history is understood and delivered. -- Penelope Jackson MNZM, author of The Art of Copying Art, Females in the Frame: Women, Art, and Crime, and Art Thieves, Fakers & Fraudsters: The New Zealand StoryThe Herstory of Art is not only a brilliant volume, full of anecdotes straight from the art world, from which you won’t be able to tear yourself away, but it is also a game changer in how we look at the past. As we dive into Charney’s words, we are challenged to ask ourselves to what extent were men the protagonists of the realm of art: was it really Jackson Pollock the one who created the dripping technique? Or rather a female figure overshadowed by Pollock and almost entirely forgotten? Isn’t Artemisia Gentileschi at least as good as other celebrated baroque painters? -- Anna Sumislawska, painterOne wonders what wonders she would have wrought," writes Noah Charney in his story of the herstory of art. At last we have a proper herstory! This book is an admirable, fully-fledged overview of great women in the story of art. -- Meta Grgurevic, kinetic artist

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Book SynopsisThis book explores the responses of leading European avant-garde painters to the operas of Richard Wagner, the most influential composer of the late nineteenth century. The term avant-garde represents a twenty-first century evaluation of certain nineteenth-century artists working in a variety of advanced styles, rather than a phrase the artists applied to themselves. Chapters are on individual artists or groups, rather than an attempt to survey all of nineteenth-century Wagnerian visual art. They deal with paintings and drawings inspired by Wagner and his operas, not with the composer’s larger cultural influence through his writings and personal example. Thus artists such as Vincent Van Gogh and Paul Gauguin, who knew of Wagner’s music and writings but did not depict scenes from his operas, are not discussed in detail. The emphasis is on the diverse effects Wagner had on the works of leading avant-garde artists, varying according to their personalities and stylistic interests. The period beginning in the 1880s, often associated with post-Impressionism, was characterized by a movement away from realist subject matter to more personal or imaginary themes, a general intellectual trend of the fin-de-siècle. Wagner’s remote quasi-historical or mythological subjects fit well with this escapist tendency in the art and culture of the time, in part a return to the Romantic sensibility that was dominant in Wagner’s youth. Wagner’s influence peaked in the period between his death in 1883 and 1900, though a few long-lived artists continued their Wagnerian explorations from this era well into the early twentieth century. There is no “Wagner style” in art, yet Wagner’s pervasive influence is immediately evident in these works. Artists whose works are discussed include Eugène Delacroix, Henri Fantin-Latour, Odilon Redon, Max Klinger, James Ensor, Fernand Khnopff, John Singer Sargent and Aubrey Beardsley, among others.The book features 60 art reproductions, half of them in color.Table of ContentsContentsList of Figures and PlatesIntroductionAcknowledgmentsCh.1. Tannhäuser in ParisCh 2. An Allegorical Portrait of Richard Wagner with his MuseCh. 3. Brünnhilde and Parsifal as Seen by Odilon RedonCh. 4. “Wagnerian” Themes in English Pre-Raphaelite PaintingCh. 5. Aubrey Beardsley's Drawings of Tristan und IsoldeCh. 6. Art in the Wagner Memorial Album of 1884Ch. 7. John Singer Sargent, WagneriteCh. 8. Richard Wagner and the Artists of the Belgian Avant-GardePart 1 James EnsorCh. 9 Richard Wagner and the Artists of the Belgian Avant-GardePart 2 The Symbolists: Fernand Khnopff and Jean Delville Ch. 10. Constantin Meunier’s Bronze ValkyrieCh. 11. Wagnerian Architecture: The Wagnerhof in RotterdamIndexAbout the Author

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Book SynopsisIf you read one book on the Mona Lisa, let this be it. From the artwork to its theft and role in popular culture, The Thefts of the Mona Lisa provides the complete story, as written by a best-selling, Pulitzer finalist.Leonardo da Vinci’s portrait, called the Mona Lisa, is without doubt the world’s most famous painting. It achieved its fame not only because it is a remarkable example of Renaissance portraiture, created by an acclaimed artistic and scientific genius, but because of its criminal history. The Mona Lisa (also called La Gioconda or La Joconde) was stolen on 21 August 1911 by an Italian, Vincenzo Peruggia. Peruggia was under the mistaken impression that the Mona Lisa had been stolen from Italy during the Napoleonic era, and he wished to take back for Italy one of his country’s greatest treasures. His successful theft of the painting from the Louvre, the farcical manhunt that followed, and Peruggia’s subsequent trial in Florence were highly publicized, sparking the attention of the international media, and catapulting an already admired painting into stratospheric heights of fame. This book tells the art and criminal history of the Mona Lisa.This book examines the criminal biography of Leonardo’s Mona Lisa, with a focus on separating fact from fiction in the story of what is not only the most famous art heist in history, but which is the single most famous theft of all time. In the process this book also tells of Leonardo’s creation of the Mona Lisa, discusses why it is so famous, and investigates two other events in its history of theft and renown. First, it examines the so-called “affaire des statuettes,” in which Pablo Picasso and Guillaume Apollinaire were arrested under suspicion of involvement in the theft of the Mona Lisa. Second, there has long been a question as to whether the Nazis stole the Mona Lisa during the Second World War—a question that this book seeks to resolve.Trade Review“The Thefts of the Mona Lisa reads like a thriller. But this stuff is ALL real. It happened. You’re going to learn all about how and why one of the most famous works of art on the planet has attracted the attention of so many thieves and fanatics.” From the Foreword by New York Times best-selling author Steve Berry -- Steve Berry, New York Times bestselling authorThis book reads like a thriller, but a historically sound art thriller. It is not just about the famous 1911 theft of the Mona Lisa but covers the entire background to the theft and its subsequent denouement with, in addition, plenty of judicious art history. Read it before (and after) seeing the real thing. -- Donald Sassoon, author of Mona Lisa: The History of the World's Most Famous Painting

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Book Synopsis'Some can be active to a great age but enjoy little,' observed the Canadian artist Emily Carr shortly before her death in 1945. 'I have lived.' The impressive scope of Carr's art and her unorthodox life are the subjects of this book. In a text that skilfully blends selections from Carr's own writings with illustrated commentary, Newlands creates a delightful look at one of Canada's best-known artists. This book will transport you to British Columbia, where Carr spent much of her life in a world of richly drawn First Nations villages and totems, dark haunting forests, wild beaches and vast skies. There, you will meet the unconventional woman - 'the little old lady on the edge of nowhere,' as she called herself - who helped define the face of Canadian art.

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Book SynopsisSlow Ball Cartoonist takes readers on a journey to an earlier era in America when cartoonists played a pivotal role each day in enabling major daily newspapers to touch the lives of their readers. No American cartoonist was more influential than the Chicago Tribune’s John T. McCutcheon—the plainspoken Indiana native and Purdue University graduate whose charming and delightful cartoons graced the pages of the newspaper from 1903 until his retirement in 1946.This book chronicles McCutcheon’s adventure-filled life, from his birth on a rural small farm near Lafayette in 1870, to his rise as the “Dean of American Cartoonists.” His famous cartoon, Injun Summer, originally published in 1907, was a celebration of autumn through childlike imagination and made an annual appearance in the Tribune each fall for decades. McCutcheon was the first Tribune staff member to earn the coveted Pulitzer Prize for his poignant 1931 cartoon about a victim of bank failure at the height of the Great Depression. Born with an itch for adventure, McCutcheon served as a World War I correspondent, combat artist, occasional feature writer, portrait artist, and world traveler. While the gangly and tall McCutcheon looked the part of the down-home characters featured in his cartoons, the world-wise flavor of his work influenced public opinion while making readers smile. Hard-hitting and even vicious attacks on public figures were common among his contemporaries; however, McCutcheon’s gentle humor provided a change in pace, thus prompting a colleague to borrow a phrase from baseball and anoint him “the slow ball cartoonist.”Slow Ball Cartoonist is a timeless story about a humble man who made the most of his talents and lived life to the fullest, being respectful and fair to all—including the targets of his cartoonist’s pen.

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Book SynopsisA fascinating look at an extraordinary collection of ceramic masterpieces by celebrated French ceramicist Ernest Chaplet. Over the last forty years, architect and collector Peter Marino has acquired a remarkable collection of pieces by French ceramicist, Ernest Chaplet. This collection is a precious testimony of a rare production - a new line of ceramics created by Chaplet in 1883 for the Limoges-based factory Haviland & Co. Ernest Chaplet sheds deserved light on this great artist, whose career exemplifies the evolution of artistic ceramics at the turn of the 20th century, and whose work entered the collections of many museums during his lifetime.

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Book SynopsisA history of Yoruba woodcarving, its place in African and general Art History, and a specific look at the Fakeye family.

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Book SynopsisDepicting more than 220 African species, the stunning large-scale mural African Menagerie is artist Brian Jarvi s masterwork. Lavishly reproduced in an oversize format with a gatefold, this book brings this landscape masterpiece to the conservationist, lover of Africa, and fan of wildlife art. In oversized colour reproductions, the book African Menagerie offers readers a look at the finer details of the realist renderings of the animals and birds across the seven panels and thirty feet. There are also reproductions of the animal studies Jarvi created in the seventeen years leading up to the final work. Measuring 28 feet across and a full one-story tall, and connected via seven interlocking panels, Brian Jarvi s painting includes more than 200 different African wildlife species, presented as if they are looking at us, the human viewers, seemingly challenging us to save this planet. Many of the species featured in Jarvi s painting are, according to experts, expected to be extinct in the wild by the middle of this century unless humankind takes bold action to ensure their continued existence. In oversized colour reproductions, African Menagerie brings the masterpiece home in an accessible manner. The studies offer a glimpse into the work and mind of a creative genius. In addition, the book tells the story of the work, and tracks the evolution and unlikely journey of Jarvi from once being a Duck Stamp artist to becoming one of the most notable wildlife painter of this generation.

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Book SynopsisAn ongoing book series dedicated to documenting and sharing compelling graphics, art projects and cultural movements of international resistance and liberation struggles.

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Book SynopsisVolume two in an exciting series dedicated to political graphics and art projects.

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Book SynopsisThe story of the revolutionary street artist's collective ASARO, whose woodcut slogans chronicle the social unrest in today's Mexico.

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Book SynopsisDiscover the uniquely dynamic work of acclaimed artist Jock, from his groundbreaking comics art to his stunning posters for the pop culture company Mondo and his evocative concept illustrations for a range of acclaimed films. Mark Simpson, known by his pen name, Jock, is an internationally recognized three-time New York Times best-selling artist and Eisner Award nominee. Over the last two decades, Jock has become one of the most distinguished illustrators in comics, with credits that include titles with DC Comics/Vertigo (The Losers, Batman: The Black Mirror, Green Arrow: Year One), Marvel (Savage Wolverine, Daredevil), and his runaway success, Wytches (co-created with Scott Snyder for Image Comics). He is also known for his extensive work with Mondo—the renowned pop culture company famous for its iconic poster designs and collectibles—including electrifying posters that offer unique interpretations of fan-favorite movies such as Shaun of the Dead, The Thing, Pan’s Labyrinth, The Dark Knight Trilogy, Halloween, and many more. In the movie world, Jock’s concept art has defined the look of major films such as Dredd, Ex Machina, and Star Wars Episode VIII. Made in collaboration with Mondo, The Art of Jock delves into the prolific artist’s catalog, showcasing not only the best of his sketches and published images but also personal notes from Jock himself that provide insight into the inner workings of his creative process. Featuring commentary from long-time collaborators, including Scott Snyder and Alex Garland, this look into the mind and method of one of the most critically acclaimed illustrators working today is a must-have for fans of comic book and pop culture art, as well as aspiring artists and illustrators.  Features two gatefolds, plus excusive vellum and acetate overlays that further illuminate Jock’s creative process.

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Book SynopsisThis book is the first to examine the meaning encoded in the very form of caricature, a form of popular and polemical visual art that burst suddenly on the scene in late eighteenth-century England, and to explain its rise as a consequence of the emergence of modernity, especially the modern self. Caricature and the modern self developed in tandem: as the modern notion of selfhood_with its valorization of interiority, private authenticity, and consistency across time_rather suddenly replaced older, more flexible notions of identity, so caricature developed as a technology for representing this new self, making character visible on the surface of the body, unmasking the public role and revealing the authentic private self beneath. Through the detailed analysis of specific prints and a wide-ranging compilation of historical evidence, this book constructs a rich and precise cultural history of the conceptual shift that led to the explosion of caricature in late eighteenth-century England. Complemented with seventy-eight illustrations.

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Book SynopsisIn late nineteenth-century France, when Charles Darwin’s theories of evolution had finally begun to permeate French culture and society, several academic artists turned to a relatively new sub-genre of history painting, the prehistoric-themed subject. This artistic interest in Darwin’s theories was manifested as paintings and sculptures of prehistoric humanity engaged in physical conflict with each other or other animals, struggling for food, or hunting—all nineteenth-century popular understandings of “survival of the fittest.” This book examines how this sub-genre captured the imagination of French Salon painters from the 1880s to early 1900s, in particular that of Fernand Cormon (1845–1924), one of the foremost academic painters during the final quarter of the nineteenth century. A central argument of this book concerns the unique interpretation of prehistoric humanity that Cormon visualized in his paintings. While the vast majority of prehistoric-themed images made by his salon colleagues focused on violence, combat, and sexual conquest, Cormon’s paintings depict a conflict-free humanity, in which collaboration and cooperation dominate, rather than physical struggle. This study probes the French intellectual understanding and appropriation of Darwin’s theories and considers how the French (mis)translation of The Origin of Species by Clémence-Auguste Royer, the first French translator of the text—along with Neo-Lamarckism and republican ideology in Third Republic France—may have collectively shaped Cormon’s representation of early humanity. The art press overwhelmingly favored Cormon’s visualization of the prehistoric world over that of his Salon peers. Through extended analysis of the art criticism concerning Cormon’s work, Shalon Parker argues that critics’ very clear preference for Cormon’s paintings was rooted in their awareness that he utilized the sub-genre of the prehistoric as a forum in which to reimagine and revive academic figurative painting at a time when the critical reception of Salon art had reached its nadir. Additionally, this study provides a broad overview of the visual models, in particular the anthropological and ethnographic texts and imagery, most readily available to Cormon as sources for shaping his vision of the prehistoric world.Table of ContentsAcknowledgements Introduction: The Prehistoric World in Fin-de-Siècle France 1. Précis of a Model Career, or Following in the Footsteps of Delacroix 2. Caïn, Evolutionary Science, and the Académie 3. Cormon, “Ethnographer” of the Prehistoric 4. Representing Human Development in the Muséum D’histoire Naturelle Murals Conclusion: The Prehistoric in the World of Fin-de-Siècle France Bibliography

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Book SynopsisThe most complete book on Depeche Mode. Ever.

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Book SynopsisThis compact, heavily-illustrated guide makes it a snap to identify period styles from the 17th century to the present day. The Guide to Period Styles for Interiors, Second Edition is a comprehensive reference that combines depth of content with ease of use. Including examples and analysis on 17th-century Louis XIV through 20th-century Late Modern and each style in between, this new edition is also updated with the latest trends of the 21st century, including computer design, sustainable design, and modern office design. New sidebars interspersed throughout the book offer glimpses into historic design styles from around the globe. Each style section ends with a summary of key characteristics, major designers, and iconic fabrics. This book is an indispensable tool for identifying the trends throughout the history of interior design.Trade ReviewAs before, it is a compact volume covering a wide range of styles over the last 400-plus years. The book has a wealth of quality color photographs, showing individual examples of furnishings and composites of period rooms. Its illustrative value is backed up with a text that supports the various periods and styles within, plus the particular pieces of popular furnishings. Although the book is formatted more like an academic textbook, its primary audience would appear to be anyone who is actually seeking information about historic pieces of furniture and their interior spaces. Summing Up: Recommended. * CHOICE *[Gura is] even-handed, treating each period and designer fairly. The book is mainly aimed at students of design and design history, but it will be of interest to those, like me, who visit private and publicly open properties. * Reference Reviews *This updated pictorial guide to interior design features fully revised sections and a new chapter on twentyfirst-century styles. There are 350 photographs, a bibliography, a glossary, and a chronology. Every era iscovered in a brief narrative, along with photos of prime examples (mostly individual furniture pieces) of the style. Sidebars offer information on movements, designers, and styles. Enough here has changed that libraries owning the first edition will want to consider this update. Essential for academic and special libraries serving art and design students; a nice purchase for larger libraries where there is an interest in interior design or history. * Booklist *Table of ContentsPreface Introduction 17th Century An Overview Louis XIV William and Mary Colonial America/Pilgrim 18th Century An Overview Louis XV Queen Anne Georgian 19th Century An Overview Greek Revival Biedermeier Gothic Revival Rococo Revival Renaissance Revival Aesthetic Movement Eclecticism and Exotica English Arts & Crafts Art Nouveau Glasgow Style 20th Century An Overview European Avant-Garde Art Deco Industrial Design Midcentury American Modern Scandinavian Modern Italian Modern French Modern Studio Crafts Postmodern Late Modern 21st Century An Overview Computer Design Design Art Sustainable Design Design in New Materials Conceptual Design Avant-Garde Design (New Technology) Modern Office Design Appendix I: Timeline of Styles Appendix II: Names to Know Appendix III: Distinctive Design Elements Glossary Bibliography

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Book SynopsisEvery day, young Charles White’s mother takes him the Chicago Public Library, where the librarians look after him until she picks him up again after work, at six o’clock. At the library Charles looks carefully at the picture books the librarians give him and also at the people around him, later drawing what he sees on scraps of paper at home. He learns to be patient and observant—and, by watching art students painting in the park, how to mix and use oil paints. As he grows into an artist, he paints the people he sees and admires. Ultimately, Charles becomes a great artist whose works now hang in museums throughout the United States. Written and illustrated by White’s son, C. Ian White, and featuring full-color reproductions of Charles White’s artworks, this deeply personal story traces the childhood influences that inspired young Charles to become an artist and a teacher.

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Book SynopsisWith a combination of inventive wrapping designs, inspiring personal essays, and step-by-step techniques, Megumi Inouye invites readers to transform the act of wrapping into a gratitude practice. 'If Marie Kondo inspired you to change the way you fold T-shirts, then artist Megumi Lorna Inouye’s guide to creating beautiful gift-wrapping is for you.'—BookPage, starred review Drawing on the gift-giving traditions of her Japanese heritage, Inouye explores how the act of giving a thoughtfully wrapped gift can be a creative, caring act for both the giver and the receiver. Using recycled and repurposed materials, Inouye’s approach inspires readers to think intentionally about the presentation of every gift, whether it's a tip for an unseen hotel housekeeper, a simple gift of fresh fruit for a neighbor, or a special birthday gift for a beloved family member. Detailed step-by-step photos teach Inouye's artful approach to every aspec

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Book SynopsisLet Jareth, Sarah, Hoggle, and other beloved characters from Jim Henson's Labyrinth guide your tarot practice with the official Labyrinth Tarot Deck.Characters from Jim Henson’s beloved classic Labyrinth try their hand at tarot in this whimsical take on a traditional 78-card tarot deck, which reimagines Jareth, Sarah, Hoggle, and other denizens of Goblin City in original illustrations based on classic tarot iconography. Featuring both the Major and Minor Arcana, the set also comes with a helpful guidebook with explanations of each card’s meaning, as well as simple spreads for easy readings. Packaged in a sturdy, decorative gift box, this stunning deck of tarot cards is the perfect gift for Labyrinth fans and tarot enthusiasts everywhere.

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Book SynopsisDiscover the major events and artists who have shaped the history of modern manga, with this deluxe expanded volume.Amid reconstruction after World War II, Japan saw the emergence of modern manga, which quickly became a favorite pastime of its citizens. Over the decades, the art form bore witness to the anxieties and dreams of several generations of Japanese citizens,  reflecting both dark and joyful experiences. The history of manga is inextricably linked to the social, economic, political, and cultural evolution of Japan. Essential to the daily lives of its inhabitants and to its economy, manga is one of the drivers of the international development of one of the world’s largest economies. How did the manga market reach one billion copies annually in less than half a century? Who are the major players in this incredible expansion? Discover, over the pages and years, the major events and artists who have marked the history of modern manga in this new, updated and expanded edition. DEFINITIVE GUIDE: Beginning with the advent of modern manga in 1952, A History of Modern Manga covers the development and impact of the art form through to present day. THE ULTIMATE TRIBUTE: Discover fascinating new details about essential entries in the manga canon, including Sailor Moon, Dragon Ball, Death Note, Naruto, Berserk, and more. STUNNING VISUALS: Features original, full-color illustrations as well as artwork from the featured manga titles! PERFECT GIFT FOR MANGA FANS: A History of Modern Manga is a fantastic gift for manga enthusiasts, as well as fans of Japanese history. A MANGA HISTORICAL PERSPECTIVE: Explores the unique ways in which historical events you may already be familiar with impacted and influenced manga as we know it today.

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Book SynopsisRelive your favorite Star Wars adventures with this collection of the galaxy’s greatest posters.Judge a book by its size, do you? Hold over four decades of cinematic history in the palm of your hand with Star Wars: The Poster Collection. This mini book features posters from all eras of Star Wars, from the original trilogy’s classic theatrical posters and the epic one-sheets of the prequel films to the latest artwork for Star Wars: The Rise of Skywalker. Featuring iconic posters and rarely seen artwork and promotional imagery, Star Wars: The Poster Collection spotlights the art that has captured the imaginations of multiple generations, making it the perfect gift for all Star Wars fans.

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Book SynopsisDiscover the wands of your favorite Harry Potter characters.In the Harry Potter films, each wand is as unique as the witch or wizard who wields it. Whether talon-shaped like Bellatrix Lestrange's or simple and elegant like Hermione Granger's, each wand was designed and crafted by the filmmakers to be a reflection of its owner's identity. Harry Potter: The Wand Collection is an in-depth visual guide to the many magical characters and wands of the Harry Potter films. Detailed profiles of each wand feature stunning new photography, wand statistics, insights from cast and crew, and other filmmaking secrets from the Warner Bros. archive. This collectible volume is an ideal resource both for wand-wielding fans looking to learn the history behind these beloved items and for a new generation of children eager to start their journey into the wizarding world.

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Book SynopsisMarginal to Mainstream traces the near-miraculous progress of modern art in France in the first half of the twentieth century. Before World War One, it was a marginal phenomenon, largely absent from the museums, and bought and sold by a handful of second-string dealers; by the early 1950s it had been canonized as the representative form of the epoch. The triumph of modernism, and the simultaneous establishment of Paris as the crucible of modern art, were not the products of a coherent policy but of a stumbling and spasmodic process. France was the leading democratic nation in Europe, and it wanted its art to reinforce its prestige on the international stage, but no-one could agree how best to achieve this. The author shows how, amidst the policy squabbles and in-fighting of representative government, France fumbled its way towards an art of democracy, and in the process helped canonize modern art as the house style of democratic capitalism.Table of ContentsIntroductionChapter OneArt and the National Interest in the Early 1920sChapter TwoHome and Abroad, 1925-1931Chapter ThreeModern Art and the Depression in France, 1931-1936Chapter FourThe Mixed Message of Popular Front Cultural PolicyChapter FiveThe Triumph of Historical ModernismConclusion

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