History of art Books

Book SynopsisFrom camisoles to corsets, basques to boudoir caps and girdles to garters, Underwear: Fashion in Detail gets up close to some of the most intimate items in the V&A. The book traces the evolution of underwear, from rare examples dating from the sixteenth century and the exaggerated shapes of eighteenth-century courtly undergarments, to Dior's curvaceous 'New Look' girdles to contemporary lingerie by Agent Provocateur and Rigby and Peller. Meticulous colour photography shows these fascinating garments in close detail, while intricate line drawings reveal their construction. The book also highlights the work of designers such as Vionnet and Westwood, who have taken influence from underwear for their own outerwear creations.Table of ContentsIntroduction -- Covering Up -- Decoration -- Control and Constrict -- Fastenings -- Support and Uplift -- Volume -- Inside Out

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Book SynopsisThe collected works of Julius Csotonyi, one of the world''s most high profile and talented contemporary paleoartists. Csotonyi has considerable academic expertise that contributes to his stunning dynamic art.Csotonyi represents the natural world photorealistically and has been influenced by natural history illustrators such as Peter Zallinger, Doug Henderson and Greg Paul. He uses bold patterns and colors to paint the prehistoric world both with traditional media as well as modern digital techniques.

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Book SynopsisRembrandt Is in the Wind by Russ Ramsey is part art history, part biblical study, part philosophy, and part analysis of the human experience; but it's all story. An invitation to discover some of the world’s most celebrated artists and works, it presents the beauty of the gospel in a way that speaks to our most common struggles and longings.Trade Review'Art and the act of creating is essential. We must remember that without it, we would not be here. To notice beauty is to be fully alive and without the act of intimately engaging life, we are numb to ourselves and to the world around us. Ramsey points us towards God through the raw, sensual power of the art, disrupting our unconscious lives that often want to grasp for whatever makes us un-feel.' * Wayne Brezinka, award-winning artist and illustrator *'Encountering paintings drawings and sculpture as a little boy set me up for my life arc. Encountering Christ set me up for a lifelong love affair with my creator. Russ has gone to great lengths to examine art and faith in a way that helps us define our path forward. Art making is sometimes a lonely experience relying on one's own imagination and talent. This book illustrates the tight wire one must balance on to find the peace and beauty in expression. It's often difficult to maintain balance with all life offers is pulling on us. Rembrandt in the wind helps us find a way forward by the examples and stories of art makers who have gone before us.' * Jimmy Abegg, visual artist and musician with Rich Mullins and the Ragamuffin Band, Charlie Peacock, and Steve Taylor and the Perfect Foil *'Here's what I love about Russ Ramsey's latest project--it understands down deep that Truth is exclusive to no party or sect; that Goodness arrives in the form of the lonely, the ill, and the outcast; and that Beauty, amid the church's moral twilight, might be the last apologetic that holds.' * Leif Enger, Bestselling Author of Virgil Wander and Peace Like A River *'In days fractured by those who aim to seize power, darkened by those who play dirty politics, and clouded by those who use platforms to polarize, perhaps the artists can lead us home. The artists featured in these pages, artists who devoted their life and work to what is good, true, and beautiful, remind us that we can--and should--do the same.' * Karen Swallow Prior, Research Professor of English and Christianity & Culture at Southeastern Baptist Theological Seminary and author of On Reading Well: Finding the Good Life through Great Books *'It is easy to believe that enjoying and understanding 'Art' is only for those who have a PhD in Art History. Russ Ramsey reminds us how simple and holy it is to be stirred by the mystery of images.' * John Hendrix, author/illustrator of The Faithful Spy: Dietrich Bonhoeffer and the Plot to Kill Hitler *'Ramsey is a deep lover of art and a student of art history. In this book he takes the reader on an amazing guided tour through an art museum that doesn't exist. In this carefully curated collection of art from around the world, he offers you an experience that only someone who really loves art can. This book inspires the reader to engage art in an eye-opening way and understand how these famous works of art bring glory to God.' * Ned Bustard, is the illustrator of the Every Moment Holy series, Creative Director of Square Halo Books, and the artist and author of History of Art: Creation through Contemporary *'Ramsey leads us well into one of the best possible uses of our time--engaging with art and beauty.' * Mark Maggiori is an award-winning painter of the American West *'Russ Ramsey doesn't just see some of the wonders seen and painted by great artists of the past, but even more wonderfully, he helps us see them too. Yet it is full of surprises. What he offers is never a matter of beauty for its own sake, although we are drawn into a glorious journey of beauty down the ages; nor is it one of artistic skills and accomplishments, although every one of the artists he focuses on could easily claim to have mastered their art; nor even can this book be distilled into a mere, fascinating overview of five centuries of human creativity (even though the story told provides a superb entry-point to the novice keen to learn more). The greatest joy of this book, however, is that the accumulative effect of these nine artists has helped me glimpse something of the world and of humanity as God our Creator sees us. And what a gift that is!' * Mark Meynell, Director (Europe & Caribbean), Langham Partnership, writer and cultural critic: A Wilderness of Mirrors and When Darkness Seems My Closest Friend *'Russ Ramsey has gone deep into the histories of nine artists and their masterworks, revealing how each struggled--in both their giftedness and fallenness--to create beauty. I am reminded anew of how beauty leads us to God, 'the Author of beauty.' I cannot wait to share this book!' * Debbie Taylor, visual artist *'Russ Ramsey was kind enough to give me an early chapter of this book a few years ago when I was preparing to go on a silent retreat and asked him for a work of art I might spend some time meditating on during my weekend away. Thanks to Russ's recommendation, I spent hours contemplating Rembrandt's painting, The Storm on the Sea of Galilee. I was shaken by the depiction of this scene and the disciples' question to Jesus, 'Do you not care that we are perishing?' Russ's gentle shepherding of my understanding regarding the painting and the Biblical story behind it was a balm in my life just when I needed it. I know that this book will be the same for you.' * Shawn Smucker, author of The Day the Angels Fell and The Weight of Memory *'Sometimes, when standing at a museum, I think to myself 'I wish somebody who knows something would explain this to me.' And I look around and see, on one side of me, someone expertly pointing out every intricacy in the painting and, on the other, someone bored and looking at a phone in hand. Somehow this book is able to captivate people in all those categories. In this book, Russ Ramsey walks us through a museum of artists and art works, showing how each of them illuminates something about God, humanity, and the meaning of life. And this book does so in a way that won't bore the expert or intimidate the novice. Those who love art will find here new paths to the gospel. And those who love the gospel will find that they can love art. That's a lot to ask from a book, and this one delivers.' * Russell Moore, Director of Christianity Today’s Public Faith Project *

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Book Synopsis Celebrate 30 years of DreamWorks Animation’s visually rich worlds with this luxurious edition of the studio’s artistic achievements in both film and television Brimming with rare concept art, preproduction designs, and character sketches, this comprehensive collection offers behind-the-scenes access to the DreamWorks archives. Featuring a foreword from Cameron Diaz, along with insider anecdotes and perspectives from actors, directors, producers, and artists, The Art of DreamWorks Animation celebrates the studio’s enduring legacy of delivering fully immersive worlds, compelling characters, and great stories that inspire endless possibilities. DreamWorks Animation’s teams of artists, writers, directors, producers, engineers, and innovators are renowned for their excellence, telling stories about dreams and the journeys their unconventional heroes take to make them come true. Over the past 30 years, the premier

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Book SynopsisA celebration of the National Gallery's history of collaborating with contemporary artists, with a particular focus on David Hockney

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Book SynopsisTable of ContentsBefore 1300. Introduction: What is Art History? 1. Art in the Stone Age. 2. Ancient Mesopotamia and Persia. 3. Egypt from Narmer to Cleopatra. 4. The Prehistoric Aegean. 5. Ancient Greece. 6. The Etruscans. 7. The Roman Empire. 8. Late Antiquity. 9. Byzantium. 10. The Islamic World. 11. Early Medieval Europe. 12. Romanesque Europe. 13. Gothic Europe North of the Alps. 14. Late Medieval Italy. 15. South and Southeast Asia before 1200. 16. China and Korea to 1279. 17. Japan before 1333. 18. Native American Cultures before 1300. 19. Africa before 1800. 20. Late Medieval and Early Renaissance Northern Europe. 21. The Renaissance in Quattrocento Italy. 22. Renaissance and Mannerism in Cinquecento Italy. 23. High Renaissance and Mannerism in Northern Europe and Spain. 24. The Baroque in Italy and Spain. 25. The Baroque in Northern Europe. 26. Rococo to Neoclassicism: The 18th Century in Europe and America. 27. Romanticism, Realism, Photography: Europe and America, 1800 to 1870. 28. Impressionism, Post-Impressionism, Symbolism: Europe and America, 1870 to 1900. 29. Modernism in Europe, 1900 to 1945. 30. Modernism in the United States and Mexico, 1900 to 1945. 31. Modernism and Postmodernism in Europe and America, 1945 to 1980. 32. Contemporary Art Worldwide. 33. South and Southeast Asia, 1200 to 1980. 34. China and Korea, 1279 to 1980. 35. Japan, 1333 to 1980. 36. Native American Cultures, 1300 to 1980. 37. Oceania before 1980. 38. Africa, 1800 to 1980.

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Book SynopsisThe Russian Criminal Tattoo Archive presents highlights from FUEL’s singular collection of authentic material on this subject. Previously unpublished in its original form, this work comprises ink on paper drawings by Danzig Baldaev, the photographic albums of Arkady Bronnikov and prisoner portraits by Sergei Vasiliev. The selection is contextualised with insights from Mark Vincent PhD (author and academic specialising in the Soviet Gulag) and Alison Nordström (photography scholar, writer and curator). The meticulous depictions of tattoos by prison guard Danzig Baldaev are reproduced in facsimile, authenticated by his signature and stamp, alongside his handwritten notes on the reverse. The paper has yellowed with age, giving the exquisite drawings a visceral temporality – almost like skin. Sergei Vasiliev’s photographs portray inmates in startling intimacy. He achieves a remarkable level of trust within the closed criminal society, a strict hierarchy, where outsiders are viewed with hostile suspicion. Arkady Bronnikov’s collection of photographs are shown in the albums in which they were collected. Used exclusively to aid police in their investigations, they depict a motley line-up of assorted body parts. This unique book is the only publication of primary material on this subject, highlighting the pioneering methods of these three individuals used to document this unique phenomenon.Table of ContentsSkin, Ink, Photographs, Archives Essay by Alison Nordström Photographs by Sergei Vasilev The Russian Criminal Tattoo Archive: Danzig Baldaev Essay by Mark Vincent Drawings: sheets and posters by Danzig Baldaev with texts by Mark Vincent Albums and photographs from the Arkady Bronnikov collection

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Book SynopsisFrom the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.Trade Review"Probably no one else alive today writes about art with Sir Kenneth Clark’s precise combination of intelligence, urbanity, and erudition, and certainly his talent has nowhere been better applied than in this volume. . . . This is an important book and a fascinating one." * The New Yorker *"A book which is as much a pleasure to read as it is informative and provocative. . . . [Clark's] command of the English language is rivaled only by the breadth of his curiosity and the sharpness of his visual memory." * New York Times *"[The Nude] is delightfully written." * Times Literary Supplement *

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Book SynopsisPublished to accompany the Royal Academy exhibition from 29 June to 13 October 2024, a major study of Ukrainian art from 1900 to the mid-1930s with loans from major museums in Ukraine, elsewhere in Europe, the United States (including MoMA) and Israel. How does artistic life flourish during revolution and conflict? Ukraine in the early 1900s endured unimaginable political upheaval, yet this became a period of true renaissance in Ukrainian art, literature, theatre and cinema. In the Eye of the Storm: Modernism in Ukraine, 19001930s presents the ground-breaking art produced in Ukraine in the early 20th century, focusing on the three key cultural centres of Kyiv, Kharkiv and Odesa. Against a complicated socio-political backdrop of collapsing empires, World War I, the revolutions of 1917 with the ensuing Ukrainian War of Independence, and the eventual creation of Soviet Ukraine, several strands of distinctly Ukrainian art emerged. While émigrés such as Sonia Delaunay and AlexandTrade Review'Generously illustrated... An introduction to an influential period and a diverse group of artists whose works continue to be uncovered, and whose history reverberates today' - Library Journal'Informative and wide-ranging' - Apollo'[Documents] an impressive exhibition of Ukrainian modernism with colour plates and extensive essays by 12 Ukrainian scholars and museum officials... Highly recommended' - ChoiceTable of ContentsForeword Francesca Thyssen-Bornemisza Acknowledgments Introduction Konstantin Akinsha I. Kyiv From Kyiv to Paris: The Cosmopolitanism of Alexandra Exter Katia Denysova The Beginning: The First Avant-Garde Exhibitions in Ukraine Olena Kashuba-Volvach The Art Section of the Kultur Lige: Yiddish Avant-Garde Art in Kyiv (1918–1922) Hillel Kazovsky Oleksandr Bohomazov: The Ukrainian Version of Futurism Olena Kashuba-Volvach Boichukism Myroslava M. Mudrak Bauhaus on the Banks of the Dnipro Olena Kashuba-Volvach II: Kharkiv The Tragic Sensuality of the Kharkiv Avant-Garde Tetiana Zhmurko Constructor Vasyl Yermilov: A Captive of the Material World Konstantin Akinsha Visual and Spatial Experiments in Ukrainian Scenography of the 1920s Olena Kovalchuk Ivan Kavaleridze: Searching for the Hero of the New Age Oksana Barshynova Nova heneratsiia (1927–1930) Myroslava M. Mudrak III. Odesa The Odesa Society of Independent Artists Olha Barkovska From Symbolism to Avant-Garde: The Emancipation of Ukrainian Cinema in the 1920s Ivan Kozlenko IV. Aftermath In the Shadow of Russia: Ukrainian Art at the XVI Venice Biennale of 1928 Olena Kashuba-Volvach & Maryna Drobotiuk The Émigrés from Ukraine: Archipenko, Delaunay and Baranoff-Rossiné Katia Denysova From Oblivion to Glory: Spetsfond or The Special Secret Holding Yuliia Lytvynets Plates Authors’ Biographies Picture Credits Index

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Book SynopsisArtist and illustrator Elizabeth Gould is finally given the recognition she deserves in this gorgeous volume that includes hundreds of her stunning and scientifically precise illustrations of birds from nearly every continent. For all of her short life, Elizabeth Gould's artistic career was appreciated through the lens of her husband, ornithologist John Gould, with whom she embarked on a series of ambitious projects to document and illustrate the birds of the world. Elizabeth played a crucial role in her husband's lavish publications, creating beautifully detailed and historically significant accurate illustrations of over six hundred birds -many of which were new to science. However, Elizabeth's role was not always fully credited and, following her tragic death aged only thirty-seven, her efforts and talent were nearly forgotten. This marvelous volume offers a new and timely tribute to Elizabeth's reputation and skill. It opens with an introduction to her life and achievements that reflects the latest scholarship. Following is a geographically organized collection of full-color plates depicting birds from nineteenth-century Europe, South and Central America, Africa, Asia, and Australia including previously unpublished original artworks. Filled with the highest quality reproductions, this volume allows readers to appreciate first-hand Gould's talent for capturing the unique character of each species and the beauty of avian diversity. At the same time it offers a valuable reconsideration of a woman who left a lasting legacy as one of the greatest bird painters of all time.Trade ReviewIn BIRDS OF THE WORLD we find lithographs whose knowingly slapdash linework, paired with bright pigments and quick washes, makes prints such as her candy-cloudy Senegalese woodland kingfisher feel like daydreams as much as records. As Her Majesty’s navies and naturalists patrolled the world, Gould limned its limits, whetting the visual imagination of an ever-reaching empire.

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Book SynopsisThis generously illustrated volume examines Hammershoi's work as a whole and in relation to the artists of his generation. Hammershoi's enigmatic paintings, with their rich and muted palettes, have always enjoyed enormous popularity in Scandinavia, and recently his work has received renewed attention across the globe. Thematically arranged, this volume includes beautiful reproductions and essays that focus on Hammershoi's isolated private life and travels; his time in London and Germany; and comparisons between him and such notable painters as Seurat, Gauguin, and Whistler. Fans of this remarkable painter, and anyone interested in modern art, will enjoy this celebration of Hammershoi as a part of the pantheon of great European painters.

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Book SynopsisDiscover how artists used machines and algorithms to create mesmerising and mind-bending art between the 1950s and 1980s.

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Book SynopsisA new conceptual and historical framework for the study of Kocher's body of work that relocates it within the history of American modern architecture. Kocher's work as an independent designer has received very little critical attention.

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Book SynopsisAn introductory guide to the art of ancient Greece and Rome, capturing the passion and inspiration that fired the artists of these civilizationsTrade Review'A crisp, clear and, above all, highly enjoyable guide to Greek and Roman art, from the evolution of sculpture to the detailed techniques of vase-painting and fresco' - Natalie HaynesTable of ContentsIntroduction • Statues in Stone: The Perils of Progress • Statues in Bronze: Discovering New Possibilities • Decorating Architecture with Sculpture: Reconciling Shapes and Stories • Greek Painting: Creating a Convincing Image • Widening Horizons: Innovation and Renovation in Later Greek Sculpture • Painting Captures the Visible World: Figures in Light and Space • Roman Sculpture: Adoption and Adaptation of the Greek Legacy • Roman Painting: Using the Inheritance for Decoration • Unity and Diversity in the Art of the Roman Empire

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Book SynopsisIn her vibrant works, the Brazilian painter Beatriz Milhazes fuses two very different worldviews. Her abstract compositions, which can be seen in a line with modernist masters from Henri Matisse to Bridget Riley, are saturated with the colors and light of her native country. Her paintings are strewn with symbols of everyday life in Brazil, invoking carnival, traditional craftsmanship, and motifs from baroque to pop, all choreographed in an exuberant visual rhythm. The colorful atmosphere has an irresistible exotic allure, but as in the works of Paul Gauguin, we find a broken paradise in which darker, more melancholic tones resonate, both in the promises of tropical life and those of modernist abstraction. In seeking this balance, Milhazes developed a special transfer technique in the late eighties, painting her motifs onto plastic sheets, gluing these to the canvas and letting them dry, and then peeling away the plastic once dry so that the paint remains on the canvas. This method allows the artist to layer surface upon surface and to achieve an iridescence somewhere between radiant aura and shimmering melancholy. Since her breakthrough in the early 1990s, Milhazes has extended the scope of her work to other media, producing screen prints, collages made of chocolate and candy wrappers, sculptures such as giant mobiles made of carnival decorations, site-specific projects that transform building façades into stained glass windows, and experiments with body and rhythm in collaboration with her sister Marcia’s ballet ensemble. This updated edition, which has been expanded to include works made as recently as 2020, explores all of the artist’s creative phases, from her beginnings to the present, with over 300 of her works. The book was created in close collaboration with the artist, in both the selection of images and specially designed pages between chapters. It includes a conversation with editor Hans Werner Holzwarth in which the artist unravels her working methods and talks about the ideas and cultural background behind her work. An art historical essay by David Ebony, a poetic dictionary of Milhazes’s key motifs by Adriano Pedrosa, and a detailed, updated artist biography by Luiza Interlenghi round off this comprehensive work. Also available in an Art Edition with a silkscreen print signed by Beatriz MilhazesTrade Review“Painting is always about something else.” * Beatriz Milhazes *“Rhythm is an expression of culture. The compositions I create lead you to places in history, music you have listened to, memories from your own experiences in life.” * Beatriz Milhazes *

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Book SynopsisA groundbreaking introduction to the photographic work of an iconic modern artistTrade Review“This fascinating book was released to coincide with an exhibition of O'Keeffe's photography...and shines a fresh light on one of the 20th century's most innovative and iconic artists.”—Jonathan Harwood, Black & White Photography2022 PROSE Award Finalist, Art Exhibitions category“Lisa Volpe’s careful scholarship offers a new perspective on the work of Georgia O’Keeffe. As viewers, we are invited to see the intimacy of her surroundings through the act of taking pictures.”—Catherine Opie“A necessary, and beautiful, contribution to the mountain of scholarship on Georgia O’Keeffe. For the first time, we can talk about O’Keeffe as a photographer and within the long line of modern artists who used photography as a critical tool in constructing their paintings.”—Bruce Robertson, University of California, Santa Barbara“O’Keeffe had no desire to be an art photographer, this welcome study reveals, but she deeply exploited the camera’s potential to focus and frame motifs in memorable compositions. In ways unknown until now, she used her Leica and Polaroid as power tools to exercise her eye and practice her formal aesthetics.”—Wanda M. Corn, author of Georgia O’Keeffe, Living Modern“In this deeply researched and engaging book, Lisa Volpe and Ariel Plotek not only show how O’Keeffe used the same pictorial strategies in creating her photographs as she did in her paintings, but they also shed light on her life in New Mexico in her later years. In the end, this book is about artistic rejuvenation—it reveals how great artists, like O’Keeffe, repeatedly rethink their work and practice, expanding and reinvigorating it as new challenges and new opportunities present themselves.”—Sarah Greenough, National Gallery of Art

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Book SynopsisIain Zaczek writes widely on art and design. His many books include: The Impressionists; Essential Art Deco; Celtic Art and Design; and The Art of Illuminated Manuscripts. He was also a contributing author to Art: The Definitive Visual Guide.

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Book SynopsisThe official art book for the animated movie Luck. The Art and Making of Luck showcases, in beautifully illustrated detail, the concept art behind the story of the unluckiest girl in the world: Sam Greenfield. When Sam stumbles into the never-before-seen world of good and bad luck, she sets out on a quest to find good luck for her best friend Hazel, so that she can find a forever family. Journey with Sam as she follows a lucky penny into the Land of Luck, and meets magical creatures including Bob, a lucky black cat, and The Dragon, the CEO of the Land of Good Luck. From Skydance Animation and Apple Original Films, Luck is a charming animated comedy for both adults and kids alike. Any animation buff would be lucky to have this coffee table hardback that explodes with creativity; filled with intricate sketches, vivid concept designs, storyboards, production art, and rendered 3D models for the animated film, alongside insight from the artists, filmmakers and director into the original fictional world of Luck.

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Book SynopsisHow have artists responded to our market-driven, tech-enabled culture of speed? Viewing Velocities explores a contemporary art scene caught in the gears of 24/7 capitalism. It looks at artists who embrace the high-octane experience economy and others who are closer to the slow movement. Some of the most compelling artworks addressing the cadences of contemporary work and leisure play on distinct, even contradictory conceptions of time. From Danh Vo's relics to Moyra Davey's photographs of dust-covered belongings, from Roman Ondak's queuing performers and Susan Hiller's outdoor sleepers to Maria Eichhorn's art strike and Ruth Ewan's giant reconstruction of the French revolutionary calendar, artists have drawn out aspects of the present temporal order that are familiar to the point of near-invisibility, while outlining other, more liberating ways of conceiving, organising and experiencing time.Marcus Verhagen builds on the work of theorists Jonathan Crary, Hartmut Rosa and Jacques Rancière to trace lines of insurgent art that recast struggles over time and history in novel and revealing terms.Trade ReviewCompelling and groundbreaking. These analyses point toward imaginative possibilities beyond the dispiriting neoliberal imperatives now increasingly imposed on us. -- Jonathan Crary, author of Scorched EarthA fine reading of contemporary art's engagements with social acceleration and the regulation of time. -- Julian Stallabrass, author of Killing for ShowOffers a lucid and capacious analysis of how contemporary art has, over the last three decades or so, addressed our society's troubled experience with the speed and pace of life under capitalism -- J.J. Charlesworth * ArtReview *Marcus Verhagen is one of the finest art critics writing today. -- Malcolm Bull

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Book SynopsisOne of the most accomplished human beings who ever lived, Leonardo da Vinci (14521519) remains a quintessential Renaissance genius. The perfect companion to the Leonardo Graphic Work edition, this book is a compact catalogue raisonné of all of the artist's masterful paintings. Drawn from our best-selling XXL edition, the book traces the artist's life and work across 10 chapters, presenting all known paintings and drawing on his letters, contracts, diary entries, and writings to explore the man behind such groundbreaking artworks. From Virgin of the Rocks to Virgin and Child with St. Anne to the ever-beguiling Mona Lisa, you'll find some of the finest treasures of the Louvre, Prado, and National Gallery, London here, as well as Leonardo works lost to time, but no less startling in their precision and poise.

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Book SynopsisSee the art of a modern comics master as you never have before!Bill Sienkiewicz is renowned for his work on some of Marvel’s most iconic comics of the 1980s: Moon Knight, The New Mutants, Elektra: Assassin, and more. This collection is filled with some of his finest covers, pin-ups, and pages. Included in this Artisan Edition is the oversized first issue of Elektra: Assassin, written by Frank Miller, as well as many gorgeous pages from that acclaimed series. All have been meticulously scanned from the original art and reproduced to the exacting Artist’s Edition standards.An Artisan Edition collects stories, covers and pages that have been reproduced from the original art. While appearing to be in black and white, these images have been scanned in color, allowing the reader to view them as closely as possible to the original art. Ink gradients, blue pencil, corrections, and more are all clearly visible, all the wonderful subtle nuances that make original art so special and unique. The only way to better view these pages if you were standing over the artist’s shoulder as they were drawn.

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Book SynopsisArtemisia Gentileschi is by far the most famous woman artist of the pre-modern era. Her art addresses issues that resonate today, such as sexual violence and women's problematic access to political power. Her forceful paintings with their vigorous female protagonists have excited modern audiences, especially feminists. This book breaks new ground by placing the artist in the context of women's political history, and the feminist protest that was bubbling in early modern Europe. Mary D. Garrard discusses recently discovered paintings, offers fresh perspectives on known works and examines the artist anew in the context of early modern feminism. This beautifully illustrated book, now in paperback, gives a full portrait of a strong woman and a great artist who fought back through her art.Trade Review'Artemesia Gentileschi deserves a place in the canon of art history not merely because she was a successful artist in a man's world, but also because she was an exceptionally good painter. This book is more about her place in women's political history than about her art per se, but her art inevitably illuminates her status, life, and career.' - The Art Newspaper; 'The full-scale rediscovery of the artist began with Garrard's monograph of 1989, Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art. In the three decades that have followed, Artemisia's reputation has continued to grow. In a new book, Artemisia Gentileschi and Feminism in Early Modern Europe, Garrard says it's perfectly legitimate to refer to the artist by her first name, partly to distinguish her from her artist father, Orazio Gentileschi, and partly because we have no qualms in speaking familiarly of Leonardo, Michelangelo, Raphael or Titian . . . Did Artemisia ever think of herself as a 'feminist?' In her new book Garrard has addressed this question directly. She argues that feminism, like science, should be seen as 'a continuum that has evolved over time, from the fourteenth century to the present.' - Sydney Morning Herald; 'Compelling . . . There's not a little irony in reading Garrard's lively account of a seventeenth-century artist's life wherein plague is plentiful - Artemisia likely died of it - when a plague (or at least pandemic) is back on the table. How strange that a book about the late Renaissance and Baroque would now prove so very much of our time. It's timely in the sense of the aforementioned deadly and contagious illness, but also features tyranny, religious persecution and reaction. And it is timely in its exploration of feminist outrage at patriarchal power, of men's control over women's bodies, and in the exploration of an art of anger, accusation, and even great wit. It's a lot and it's awesome . . . Much more than an exploration of a singular female artist of the Italian Baroque, it's a map of interconnected traditions, intellectual conversations, inspirations and leapfrogging, a whole network of early modern European feminists in conversation with one another, and with us, across time.' - Hyperallergic; 'No in-depth study of Artemisia's artistic achievements can ignore the fact that Artemisia was a woman in a man's world. Placing Artemisia's life and work in the context of early modern feminism, Garrard's handy-sized book builds on her groundbreaking study Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art . . . Her feminist perspective frequently offers considerable food for thought.' - 'Five must-read books about Artemisia Gentileschi', The Art Newspaper; 'Garrard's strategy of situating Gentileschi's paintings within the contemporary writing and patronage of women avoids the shallows, contextualising the paintings within a broad and lively field of female authorship, creativity and crucially, feminism avant-la-lettre. This does not render the emotion in Gentileschi's paintings insubstantial, but rather rebalances it against a feminist intellectual ballast, recuperating this extraordinary artist's richness and range. It reframes Gentileschi's work as a deliberate intervention in public debate.' - Women's Studies Group; 'an important study that furthers our understanding of the Italian Baroque painter . . . As well as being informative and extending Garrard's previous theories about feminism in Early Modern Europe, the book is visually stunning with sixty-nine illustrations, sixty-five of them in color.' - Religion and the Arts; 'Garrard artfully contextualizes Artemisia's life and works into a facet of early modern cultural consciousness that was full of gendered struggles and misogynistic presumptions . . . should be read, felt, and loved by many.' - Comitatus; 'Mary Garrard's return to the great Artemisia Gentileschi is uniquely rich in knowledge and reflection. It is not only an authoritative study of the historical Artemisia and the ways - whether openly brutal, subtly injurious or beneficial - in which her art and life were affected by her sex. It also places her in the "transhistorical community of women" that Garrard brings to life. The book is moreover a heartfelt appeal to writers and readers of art history to account for their own attitudes and experiences. And with all that, it is a pleasure to read.' - Gary Schwartz, art historian; 'Mary Garrard's exciting new book on the Italian painter Artemisia Gentileschi marks another formidable contribution to the field by this ground-breaking scholar. Garrard weaves a rich tapestry of women's voices, arguing that the shared vision of remarkable women of the period reflects a pervasive and influential feminist phenomenon in Europe. This book will provide a provocative source for understanding the pan-European phenomenon of what Garrard aptly terms the "woman on top."' - Babette Bohn, professor of art history, Texas Christian University and author of Women Artists, Their Patrons, and Their Publics in Early Modern BolognaTable of ContentsPreface 1 Artemisia and the Writers: Feminism in Early Modern Europe 2 Sexuality and Sexual Violation: Susanna and Lucretia 3 The Fictive Self: Musicians and Magdalenes 4 Women and Political Power: Judith 5 Battle of the Sexes: Women on Top 6 The Divided Self: Allegorical and Real 7 Matriarchal Succession: The Greenwich Ceiling References select Bibliography Acknowledgements Photo Acknowledgements Index

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Book SynopsisDrawing on IWM's unrivalled collection, The Air War in Paintings reveals how the artists of the 1940s responded to the unfolding air war in Britain, illuminating their private anxieties, their ambitions and their experiences.

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Book SynopsisUnravels the complex life and personal struggles of influential art and cultural historian Aby Warburg.

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Book SynopsisA sumptuous survey of over 300 women painters and their work spanning almost five centuries Great Women Painters is a groundbreaking book that reveals a richer and more varied telling of the story of painting. Featuring more than 300 artists from around the world, it includes both well-known women painters from history and today's most exciting rising stars. Covering nearly 500 years of skill and innovation, this survey continues Phaidon's celebrated The Art Book series and reveals and champions a more diverse history of art, showcasing recently discovered and newly appreciated work and artists throughout its more than 300 pages and images. Artists featured include: Hilma af Klint, Eileen Agar, Sofonisba Anguissola, Cecily Brown, Leonora Carrington, Mary Cassatt, Elaine de Kooning, Marlene Dumas, Nicole Eisenman, Jadé Fadojutimi, Helen Frankenthaler, Artemisia Gentileschi, Maggi Hambling, Carmen Herrera, Gwen John, Frida Kahlo, Tamara de Lempicka, Agnes Martin, Joan Mitchell, Alice Neel, Plautilla Nelli, Georgia O'Keeffe, Paula Rego, Bridget Riley, Jenny Saville, Dana Schutz, Lee Krasner, Yayoi KusamaTrade ReviewAs featured in The Sunday Times, The Art Newspaper and Vanity Fair Included in Glamour's Best Gifts for Women (2022) Included in The Season's Best Art Books (2022) by Vanity Fair 'The editors have truly built a City of Ladies in this brilliant and much-needed book.' – NY Journal of Books 'Groundbreaking ... a catalyst and inspiration for further study that belongs in every art history collection.' – Booklist 'Will leave you inspired, reignited, and ready to blaze a creative trail of your own.' – Design Milk 'A richly rewarding overview capturing the range, depth, and accomplishments of women painters.' – Library Journal

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Book SynopsisOne of the most recognizable artists of his era, Amedeo Modigliani is also perhaps one of the least understood. In this thorough, yet refreshingly concise volume, Werner Schmalenbach examines Modigliani's oeuvre, offering a chronological tour of every aspect of Modigliani's career. The informative commentary is complemented by numerous splendid reproductions, many of them full-page color illustrations. The result is an intimate portrait of a life devoted to art and an essential reference for any art lover.

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Book SynopsisIn 2018 the National Portrait Gallery, the National Gallery and the Royal Academy of Arts will host major exhibitions of the work of Tacita Dean. Each will provide a different encounter with her art. This book brings together new and existing works from all three exhibitions - LANDSCAPE, PORTRAIT, STILL LIFE - with texts offering a unique insight into Dean's work by leading writers including Alexandra Harris, Alan Hollinghurst and Ali Smith. Published at a particularly prolific period for Dean, this book provides a new and authoritative view of a hugely influential artist who has been at the forefront of British art for over twenty years. The volume is published with three different covers.

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Book SynopsisA curated list of more than 250 must-see destinations organized geographically from Maine to FloridaTrade Review"For daydreamers and explorers alike, Phaidon's new design-led travel guide to the USA's East Coast is the perfect companion... Road trips are as American as apple pie, diners and, it seems, émigré Mid-Century Modern architects... [A] beautifully curated guide... Provides an insight into the movement's iconic buildings as well as hidden gems along the way. Whether you decide to read it and daydream or book a trip and explore in person is up to you."—BrummellMagazine.co.uk"The great American road trip is a rite of passage glorified by numerous literary icons, filmmakers and photographers alike, but in Phaidon's new tome, Mid-Century Modern Architecture Travel Guide: East Coast USA, writer Sam Lubell and photographer Darren Bradley challenge the reader to uncover the east coast's rich architectural stories on a route less travelled."—AnOthermag.com"A field guide to modern architecture."—Albany Times-Union Tribune"Provides an introduction to the revelatory and inspiring charm of the East Coast's Mid-Century Modern masterpieces."—ArchDaily"Pure joy for architecture and design lovers... with enticing photographs illustrating an incredible adventure... This book is a feast to the eyes. The lovely images of the constructions put me right in the mood to think about a design-led trip. It has a lot of information from each building that makes you never stop turning the pages. Even after putting the book down, I found myself picking it up to check out more details about the places listed in this fantastic guide."—HotAndChilli.com"A compact book through which readers can explore the history behind each Modernist structure – and perhaps find a bit of inspiration to see the sights themselves."—Culture Trip"A great gift for any architect with wanderlust or a Mid-century fascination."—Metropolis Online"An indispensable companion for travels up or down I-95, and an ideal pendant to the authors' 2016 West Coast guide, this beautifully photographed book gets away from the usual subjects and introduces you to the modernism of New Hampshire, the commercial architecture of Harlem, and sublime beauties in Sarasota."—Curbed"These themed travel guides cater to travel and architecture lovers everywhere."—PeterGreenberg.com"The handsome design, new color photography, and informative text make it a pleasant journey."—Architectural Record Online

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Book SynopsisTrade Review"Now published in English for the first time, Weill’s fast-paced and punchy account of her gallery’s first 25 years of exhibitions is a who’s who of emerging artists in early-twentieth century Paris, the collectors who bought their work, and how much they paid. . . .She paints a clear portrait of how modern masters like Metzinger and Matisse, alongside lesser known painters like Émilie Charmy, shook up modern art and modern culture even before there was a market for their work." -- Maggie Taft * Booklist *"The overall message of Pow! is one of resistance in the face of an elitist, male-dominated art world." -- Alex Greenberger * ARTnews *"This welcome publication, handily digestible in its trim size, includes a number of useful sections and contextual aids to shepherd the reader through the colourful and subjective reality of Weill’s Paris. . . . Written in French punny slang, and admirably translated by Rodarmor . . . one is reminded that translators have an important, and under-explored, role to play in current art market studies, introducing narratives and historical characters to wider, critical audiences, and thereby enabling an enriched pan-European and trans-Atlantic narrative. . . . What Weill was good at was making history, and Pow! admirably demonstrates how." * Modernist Review *"This is a charming, lovingly produced book that makes it clear that despite the 'aesthetic revolution of eye-catching splendor' that defied the ordinary, the fickleness of art, 'too subject to the whims of speculation,' took years to make a dent in." * Enchanted Prose *“Pow! Right in the Eye! reveals the visionary trajectory of Berthe Weill’s life and work. Incredibly open to taking risks, Weill exhibited many of the twentieth century’s greatest artists while they were still early in their careers. This wonderful book is an urgent protest against forgetting this great gallerist and her journey of endless experimentation.” -- Hans Ulrich Obrist, Serpentine Galleries, London“Berthe Weill changed the course of art history. With her memoir, a fantastically idiosyncratic and idiomatic adventure that is part confession and part invective, she rewrites that hallowed history as a telling corrective that anyone who cares about art, then and now, needs to read. Every twist and turn here reveals far more than simply an in-the-trenches account of the difficulties of presenting the young and new to an indifferent world—it is a stunningly humble self-portrait of the extreme disadvantages faced by an underprivileged Jewish woman confronting the issues of class, anti-Semitism, and sexism, as elegant and sturdy as Picasso’s famous portrait of her." -- Carlo McCormick, critic and curator“Berthe Weill’s compelling memoir is a raucous and often humorous saga of a courageous champion of avant-garde art in Paris during the early twentieth century. The story of the first gallery dedicated to contemporary emerging artists—founded by a woman amidst a market-driven, all male art world—continues to resonate strongly to this day.” -- Paula Cooper, Paula Cooper GalleryTable of ContentsForeword by Julie Saul and Lynn Gumpert Translator’s Note: “Wrestling with Weill” by William Rodarmor Introduction: “The Marvel of Montmartre” by Marianne Le Morvan Pow! Right in the Eye! Thirty Years behind the Scenes of Modern French Painting Appendix A: “Preface: First a Few Words . . .” by Paul Reboux Appendix B: “Avant-propos” by Berthe Weill Appendix C: “Dolikhos’s Beginnings” by Berthe Weill Acknowledgments Chronology Glossary of Names Notes List of Contributors Index

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Book SynopsisThe Florentine painter Botticelli personifies the Golden Age of the early Renaissance. Best known for The Birth of Venus and Primavera, Botticelli painted with an expressive poeticism that eschewed formal realism. He used line and colour to gorgeous effect, creating some of the most beloved and familiar images of all time. Overflowing with impeccably reproduced images, this book offers full-page spreads of masterpieces as well as highlights of smaller details-allowing the viewer to appreciate every aspect of the artist's technique and oeuvre. Chronologically arranged, the book covers important biographical and historic events that reflect the latest scholarship. Additional information includes a list of works, timeline and suggestions for further reading.

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Book SynopsisAndy Warhol–Top of the Pops, devout Catholic, silver-wig wearer and now the star of Where’s Warhol? Spot Warhol in the corridors of the Bauhaus or the Sistine Chapel as he and his famous friends pop up in 12 spectacles of art history. Expand your art horizons and indulge in some celebrity spotting: all ages will enjoy this original take on a classic format.

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Book SynopsisA deep and encompassing dive into the vast array of symbols and attributes that appear within the complex iconography of Tibetan BuddhismThe Handbook of Tibetan Buddhist Symbols is a portal into the rich, multifaceted, and profound symbolism of Tibetan sacred art. The succinct descriptions that accompany Robert Beer’s detailed line drawings reveal the origins, meanings, and functions of these symbols. Beer unravels the multiple layers of symbolism and meaning contained within the iconography, affording the reader a panoramic vision into the deeper dimensions of this sacred art.Drawn largely from Beer’s monumental work The Encyclopedia of Tibetan Symbols and Motifs, the meticulous brush drawings in this book depict all of the major Buddhist symbols and motifs, including the various groups of auspicious symbols; cosmological symbols; natural and mythical animals, such as the dragon, garuda, and makara; the entire assembly of ritual tantric implements and weapons; magical and wrathful symbols; handheld emblems, attributes, and plants; esoteric Vajrayana offerings; and mudras, or ritual hand gestures.

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Book Synopsis__________________________''Fascinating ... Haste paints a portrait of a woman who was born to triumph, not surrender'' - Harper's Bazaar''Written in elegant, lucid prose ... a treasure trove of European cultural riches and scandalous intrigue Compelling'' - Economist''Lively, well illustrated and enjoyably juicy'' - Miranda Seymour, Financial Times__________________________The life of an extraordinary artist and intellect: the composer, author and socialite Alma Mahler, whose life spanned one of the most captivating and dramatic periods in historyAlma Mahler was once at the epicentre of Vienna's artistic and intellectual life. A talented composer in her own right, she was open, generous, remarkably creative, curious, challenging and zealous in her pursuit of love. Artists, architects, musicians and writers jostled to join her coterie. Gustav Klimt was her first kiss; Gustav MTrade ReviewFascinating ... Haste paints a portrait of a woman who was born to triumph, not surrender * Harper’s Bazaar *Cate Haste’s seductively accessible biography offers a sympathetic interpretation of Alma’s life. Written in elegant, lucid prose, her book is a treasure trove of European cultural riches and scandalous intrigue … [Alma] emerges as a tough, lively, cultured and wilful woman … Compelling * Economist *Lively, well illustrated and enjoyably juicy -- Miranda Seymour * Financial Times *A welcome and engaging narrative of a life that, surely, has not yet been fully explored -- Gillian Moore * Literary Review *[An] absorbing biography ... Through reference to diaries, letters and interviews with Mahler’s granddaughter, Haste draws a portrait of a complex, highly accomplished woman … Mahler is depicted as a woman who not only facilitated the creative pursuits of her husbands, but was an intellectual force in her own right -- Hannah Beckerman * Observer *

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Book Synopsis“I am trying to find out why a subject does look so marvelous, and trying to make that sensation manifest on a flat surface.”—Euan Uglow

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Book SynopsisDiscover your favorite films as vintage books! This box of 100 art postcards features original movies reimagined into brilliantly designed book covers.

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Book SynopsisThe major writings of Henri Matisse (1869-1954), with the exception of the letters, are collected here along with transcriptions of important interviews and broadcasts given at various stages of Matisse's career. Jack Flam provides a biography, a general introduction that addresses the development of Matisse's aesthetic values and theories, and a critical introduction for each text.

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Book SynopsisPresents one of the great ages of European civilization through a sequence of images accompanied by an informed commentary. This book helps readers to explore and understand different facets of the Middle Ages, an era of breathtaking artistic achievement and of religious faith in a world where life was often coarse and cruel and cut short by war.Trade Review'A gloriously detailed and richly illustrated visual record of medieval society ' - BBC History'A masterpiece … a tour de force' - Church Times'A sumptuous book, full of detail and colour … a real treat for anyone interested in the period' - Rachel Bellerby, suite101.comTable of ContentsPerspectives on the Medieval World • 1. Prologue: What Made the Middle Ages? • 2. Salvations of the Soul • 3. Earthly Powers • 4. Medieval Art: The Present Legacy • 5. Everyday Life • 6. The Life of the Mind • 7. Christians and non-Christians • 8. Epilogue: The End of the Middle Ages

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Book SynopsisThis is the first volume of the World History of Design, the definitive historical account of global design by pre-eminent design scholar Victor Margolin. The first volume explores the earliest cave art and human tools, including the key examples of the visual and material culture that were produced in all parts of the world from the first stages of human civilization, the Industrial Revolution and its aftermath, and finally World War I.This richly illustrated volume contains over 380 images, with 72 in full colour.Trade Review… it is an extraordinarily useful compendium. I will turn to it again and again to find new points of connection and departure, and I am sure I won’t be alone. Within our discipline, I hope we can all lay aside the perspectives of our narrow expertise long enough to simply thank Professor Margolin – thank him for his effort, and thank him for his generosity. The most exciting thing about these books is the further scholarship that they will engender. In that sense, they are truly the works of a lifelong teacher. -- Glenn Adamson * West 86th *Table of ContentsVolume 1 Prehistoric Times to World War I 1. The Prehistoric Age 2. The Earliest Civilizations, 7000 BCE - 900 BCE 3. The Classical Age and Early Byzantium, 900 BCE - 800 CE 4. Medieval Europe and the Islamic World, 800-1200 5. Asia, Africa and the Americas, 800 BCE - 1200 CE 6. Renaissance Europe and the Ottoman Empire, 1200-1750 7. Cross-Cultural Encounters, 1200-1750 8. The Industrial Revolution: Europe and America, 1750-1830 9. The Age of Exhibitions: Great Britain 1830-1900 10. The Craft Ideal and the Art Movement: Britain and Elsewhere, 1861-1915 11. The Age of Exhibitions: Europe Outside Great Britain, 1830-1900 12. Art Nouveau and the Decorative Impulse, 1890-1914 13. The United States, 1840-1900 14. Canada, Australia, and New Zealand, 1300-1900 15. Protoindustrialization in Diverse Regions, 1750-1900 16. Colonies and Pre-industrial Nations in Asia and Africa, 1750-1900 17. Modern Design in Europe and America, 1900-1917 18. Art and Literature of the Avant-Gardes, 1897-1918 19. World War I, 1914-1918

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Book SynopsisAt its essence, Giger's art digs down into our psyches and touches our very deepest primal instincts and fears. His art stands in a category of its own. The proof of this lies in the intensity of his work and imagination, which I can only compare to Hieronymus Bosch and Francis Bacon in their powers to provoke and disturb. Ridley Scott Swiss artist HR Giger (19402014) is most famous for his creation of the space monster in Ridley Scott's 1979 horror sci-fi film Alien, which earned him an Oscar. In retrospect, this was just one of the most popular expressions of Giger's biomechanical arsenal of creatures, which consistently merged hybrids of human and machine into images of haunting power and dark psychedelia. The visions drew on demons of the past, as well as evoking mythologies for the future. Above all, they gave expression to the collective fears and fantasies of his age: fear of the atom, o

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Book SynopsisArt critic Martin Gayford, author of The Yellow House, brings the Regency period to life in Constable in Love: Love, Landscape and the Making of a Great Painter his account of the life of English Romantic painter John Constable. Love, not landscape, was the making of Constable. . . John Constable and Maria Bicknell might have been in love but their marriage was a most unlikely prospect. Constable was a penniless painter who would not sacrifice his art for anything, while Maria''s family frowned on such a penurious union. For seven long years the couple were forced to correspond and meet clandestinely. But it was during this period of longing that Constable developed as a painter. And by the time they''d overcome all obstacles to their marriage, he was on the verge of being recognised as a genius.Martin Gayford brings alive the time of Jane Austen in telling the tremendous story of Constable''s formative years, as well as this love affairTrade ReviewBrilliant, wholly fascinating. I can't recommend this delightful book too highly -- Craig Brown * Mail on Sunday *Delightful...a small drama of love, frustration and despair played itself out with massive repercussions for the history of painting * Financial Times *A stunning account of Constable's coming of age as both a man and an artist * Guardian *Gayford's nuanced narrative throws much-needed fresh light, as well as real understanding, on both Constable's painting and his love life * Sunday Telegraph *A scrupulously observed tragical-comical tale * Evening Standard *Engaging, cunning, agreeable and alert to the vagaries of human behaviour * Literary Review *

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