History of architecture Books

Book SynopsisBuildings in Society: International Studies in the Historic Era presents a series of papers reflecting the latest approaches to the study of buildings from the historic period. This volume does not examine buildings as architecture, but adopts an archaeological perspective to consider them as artefacts, reflecting the needs of those who commissioned them. Studies have often failed to consider the historical contexts in which the buildings were constructed and how they were subsequently used and interpreted. The papers in this volume situate their interpretation in their social context. Buildings can inform us about past cultures as they are responsive and evolve to meet people’s needs over time. The buildings examined in this volume range from the twelfth to the twenty-first century and cross continents including case-studies from America, Australia and Europe, the United Kingdom, Ireland, Scandinavia and the Mediterranean. Themes include: Approaches to the study of buildings, Buildings of Power, Buildings in Identity, Domestic Space and Urban and Village Spaces. The essays consider building design, role, and how the buildings were altered as their function changed to coincide with the needs and aspirations of those who owned or used the buildings. This collection of papers emphasizes the need for further international multidisciplinary approaches including archaeology, architectural history and art history in order to understand how ideas, styles, approaches and designs spread over time and space. Together, these papers generate valuable new insights into the study of buildings in the historic period.Table of ContentsBuildings in Society International Introduction – Liz Thomas and Jill Campbell ; What is Building History? Emergence and Practice in Britain and Ireland – Mark Gardiner ; The Domestic, Ritual Use of ‘Salt Niches’ in Southern and Eastern England, c.1500 to 1700 AD – Jonathan Duck ; Architecture and Community at Hummingbird Pueblo, New Mexico – Evangelia Tsesmeli ; Houses and Buildings – on Physical and Social Space in Early Modern Swedish Towns – Andrine Nilsen and Göran Tagesson ; Structures and Social Order in a Medieval Italian Monastery and Village: Architecture and Experience in Villamagna – Caroline Goodson ; Ethnic Buildways: Phenomenology in the Architectural Grammar of Later Medieval Córdoba (Spain). – D.A. Lenton ; Hybrid Vernacular: Houses and the Colonial Process in the West of Ireland in the Seventeenth and Eighteenth Centuries – Eve Campbell ; The Development of the Apartment Building in 18th century Vienna – Paul Mitchell ; Store Heddinge Church – a Mystery Solved? – Leif Plith Lauritsen ; Creating a Choreographed Space: English Anglo-Norman Keeps in the Twelfth Century – Katherine Weikert ; A Convict History: The Tale of Two Asylums – Susan Piddock

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Book SynopsisAgency, Micro-History and Built Environment examines how people have been making, using and transforming buildings and built environments in general, and how the buildings have been perceived. It also considers a diversity of built constructions – including dwellings and public buildings, sheds and manor houses, secular and sacral structures. Comparisons between different regions and parts of the globe, important when addressing buildings from a social perspective, are presented with studies from the UK, the Netherlands, Norway, Sweden, Germany and Mexico. The chronological framework spans from the classical Byzantine period, over the Middle Ages and the Early Modern period and ends in 20th century Belfast.Table of ContentsPreface1. Reidun Marie Aasheim, Finn-Einar Eliassen and Marianne Johansson - The house that turned around and the street that wasn't: A cross-disciplinary study of the metamorphosis of the centre of a small town, c. 1680–1760.2. Gunnar Almevik and Jonathan Westin - Entering Hemse. Enacting the assemblage of a twelfth-century Gotlandic stave-church.3. Anna Bergman - Boundaries between private and public space in medieval and early modern Stockholm, c.1350–1700.4. Linn Willetts Borgen - Constructing Sacredness: The Stave Technique as Architectural Memory in Early Modern Norway.5. Jeroen Bouwmeester - Building in Stone: a brief introduction to the development of the use of stone as a building material in the Netherlands between 1000 and 1400 AD.6. Per Cornell and Adriana Velázquez Morlet - Time, Built Space and the Question of the Household in the Case of Ecab, Quintana Roo, Mexico: Maya Settlement Organization in the Late Postclassic period.7. Gunilla Gardelin - Reuse in wooden architecture.8. Antoinette Huijbers - Re-assembling domestic environments: A relational–habitus approach in studying the individuality, commonalities, continuity and change of medieval buildings.9. Sarah Kerr - Ambition and Architecture: a study of medieval lodging ranges.10. Linda Qviström - Windows and light in medieval buildings on Gotland.11. Miriam Steinborn - The hidden world behind simple structures.12. Göran Tagesson - Poor Widow Catharina Bergstedt, What Now? On Houses, Gender and Agency in Early Modern Swedish Towns.13. Liz Thomas - St Joseph’s Church – the peoples’ heartland.Biography of the authors

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Book Synopsis During the nineteenth century, a change developed in the way architectural objects from the distant past were viewed by contemporaries. Such edifices, be they churches, castles, chapels or various other buildings, were not only admired for their aesthetic values, but also for the role they played in ancient times, and their role as reminders of important events from the national past. Architectural heritage often was (and still is) an important element of nation building. Authors address the process of building national myths around certain architectural objects. National narratives are questioned, as is the position architectural heritage played in the nineteenth and the early twentieth centuries.Trade Review “The book Forging Architectural Tradition is an excellent contribution for anyone interested in the creation of national narratives around architectural buildings. It is suitable for architects, art historians, historians, sociologists, cultural researchers, and the general cultural public, as well as anyone interested in the national narratives of ‘small’ nations. The topics explored in the book should not be viewed as a part of the distant past but as still current as the historical processes described in the book can help us deal with problems related to the politicization of heritage that is still evident today.” • Prostor “The scholarly essays in this book present a sweeping panorama of this fascinating development based on new research, otherwise virtually inaccessible in English.” • József Sisa, Institute of Art History, ELKH Research Centre for the Humanities, Budapest, HungaryTable of Contents List of Figures and Tables Introduction: Forging Architectural Tradition Aleksander Łupienko
 Part I: Architectural Conservation and National Narratives

 Chapter 1. The Cathedral of Citizenship: Race and National Identity in Eugène Viollet-le-Duc’s Work and Discourse Bérénice Gaussuin

 Chapter 2. Identity Written in Stone?: Gothicising Renovation of Estonian Churches at a Second Glance Kristina Jõekalda

 Chapter 3. Architecture as a Weapon: The Gothic and the National Ideal in Nineteenth-Century Polish Discourse Aleksander Łupienko

 Chapter 4. Before and After Emile-André Lecomte du Nouÿ or the Birth of National Style in Romanian Architecture Anda-Lucia Spânu Chapter 5. On the Articulation and Popularization of Christian Built Heritage: Representing National Continuity in Nineteenth-Century Athens Georgios Karatzas Part II: Styles for the Nation and State 

Chapter 6. Creating a Monument to Kaiser Wilhelm I in Berlin: Tensions between National, Prussian and Dynastic Identities Douglas Klahr Chapter 7. History, National Identity and Architecture in the Last Royal Palaces in Europe (1861–1930): Turin, Budapest, Bucharest Paolo Cornaglia
 Chapter 8
. Renaissance Architecture and the Search for the Hungarian National Style in the Late Nineteenth and Early Twentieth Centuries
 Gábor György Papp Chapter 9. Vernacular Versus Historical: National Style(s) in the Architecture of Austro-Hungarian Croatia Dragan Damjanović

 Part III: Appropriation of Heritage(s)

 Chapter 10. Architectural Heritage in the National Discourse of the Nineteenth Century Russia: Kazan Antiquities Gulchachak Nugmanova 

Chapter 11. Hungarian Nation-Building and the Use of Medieval Archaeology: Interpreting the Székesfehérvár Excavations in the Nineteenth Century Andrea Kocsis Chapter 12. Architectural Heritage of Silesia in the Purview of Prussian History (1740–1918) Monika Ewa Adamska

 Chapter 13. Madonna del Pascolo: Ruthenian Heritage in the Baroque Rome and the Development of the National Church of the Ukrainians, 1640s‒1960s Anatole Upart Afterword: For the Glory of Nation: Architectural Heritage in Nineteenth-Century Europe Dragan Damjanović Index

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Book SynopsisSchinkel ‘in Athens’: Meta-Narratives of 19th-Century City Planning proposes a fresh appraisal of Karl Friedrich Schinkel’s urban design legacy and his involvement in the design of modern Athens in the 1830s. From the 1830s onwards, the incompatibility between Schinkel’s position as a civil servant and his vocation as a scholar inspired by Fichte led him along a transcendental path of life. Transcendentalism set its own terms and conditions under which Schinkel’s project of a palace atop the Acropolis of Athens (1834) might be understood. The ‘contextual analysis’ of Schinkel’s work in this book challenges the view of this proposal as a utopian scheme, detached from the realities of nineteenth-century Greece. On the other hand, the first plan of Athens, supposedly the work of two of his former Bauakademie students, ratified a year earlier, in 1833, proposed the location of the royal residence in the new town at a few hundred metres north of the Acropolis. But, though the two options for Otto’s palace were topographically dissimilar they did retain a common strong, topological significance – which, along with other factors analysed in this book, provides ample evidence for re-thinking the authorship of the new plan of the capital city of Greece. Schinkel ‘in Athens’, by all means!Table of ContentsPreface ; On the Narrative and the Meta-narrative ; On the nature of ‘Biography’ ; Karl Friedrich Schinkel ; George Christian Gropius ; Eduard Schaubert, Stamatios Kleanthes and ‘their’ plan of Athens ; Introduction (A) ; Back to Euclide’s Elements of Geometry ; The north-south and east-west axes anchoring the plan ; The over-estimated Propylaia and the under-estimated Library of Hadrian in reading the 1833 plan ; A new plan or an extension plan for the old town? ; An Urban Interlude on 17th-19th c. European Extension Plans ; Introduction (B) ; The Roman paradigm ; Eclectic relations between the Athens plan and Schinkel’s architecture and urban design (1) ; Eclectic relations between the Athens plan and Schinkel’s architecture and urban design (2) ; Act One (in Two Scenes) ; Close encounters in Athens, Rome and Berlin ; Act Two (in Two Scenes) ; The meta-narrative approach to the authorship of the 1833 new Athens plan ; Act Three (in Four Scenes) ; Urban design in and outside Berlin – philosophical views on social priorities ; Act Four (in Six Scenes) ; Transcendental life ; Epilogue ; Bibliography ; Index

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Book SynopsisThis book focuses on the first edition of Kenneth Frampton’s Modern Architecture: A Critical History, published in 1980. It searches for clues and positions that will provide the reader with an unprecedented insight into the significance of Frampton’s historiography of modern architecture. It explores selected themes in line with Frampton’s many-faceted contribution, certain aspects of which can be noted between the lines of his ongoing criticism of the present-day architecture, which inevitably lead us to a critical understanding of the past, the modernity of architecture’s contemporaneity. The compiled chapters attempt to open a window onto the constellation of themes that allowed Frampton to hold on to his anteroom view of history even amidst the flow of time and flood of temporalities spanning 1980–2020. The book elucidates how Frampton’s critical presentation of the history of modern movement architecture and the book’s classificatory mode (periodization?) contribute to our understanding of the contemporaneity of architecture today. Trade Review“The book is a critical unraveling of Frampton’s ideas; his use of Walter Benjamin, Hanna Arendt and Martin Heidegger, which the author elegantly analyzes. It is well structured and written. The approach (starting with the importance of epigraphy), the selection of key themes (the cultural, technical and territorial), and the close readings, are convincing and strong. The book speaks to Frampton’s ongoing critique of contemporary architecture culture. Hartoonian’s book is a timely contribution to this ongoing debate.” —Patricio del Real, Associate Professor of History of Art and Architecture, Harvard University, USA“Kenneth Frampton is unquestionably one of the most influential and original architectural thinkers of the last hundred years. Now in its fifth edition, his Modern Architecture: A Critical History remains a mainstay in architecture schools and design offices around the world. In this brilliant study, Gevork Hartoonian offers us a lucid and in-depth account of the authors who shaped Frampton’s thinking, from Walter Benjamin to Hannah Arendt. He also gives us a compelling interpretation of Frampton’s engagement with leading protagonists of the modern movement, from Le Corbusier to Louis Kahn, from Ludwig Mies van der Rohe to Alvar Aalto. This book is necessary reading for students of postwar architectural thought, as well as for those seeking a deeper understanding of the debates and ideas shaping architecture today.” —Nader Vossoughian, Associate Professor, Architecture, New York Institute of Technology, USAHartoonian's historical study of the first edition of Modern Architecture aims, per the introduction, "to establish Frampton’s historiography and his ongoing endeavor to promote a critical understanding of the historicity of architectural crisis." Hartoonian does not do a chapter-by-chapter account of Modern Architecture, in other words. Reading Kenneth Frampton is dense historiography for other historians, not a book for architects, even those enamored with Frampton. - A Weekly Dose of Architecture BooksThe first two chapters focus on the big picture, in order to trace Frampton’s historiographical approach through his selected cover images, timespans, and opening quotes to the main parts of his Critical History; the remaining five chapters then move along selected parts of this history, with the last chapter ushering in the formulation of critical regionalism. As a result, one feels that they are diving into Frampton’s book hand in hand with Hartoonian, the well-versed scholar and experienced commentator - Stylianos Giamarelos; Fabrications; Routledge Taylor and FrancisTable of ContentsIntroduction, Chapter 1: The Violence of Quotation; Chapter 2: A Trilogy; Chapter 3: The Vicissitudes of a Critical History; Chapter 4: In Defence of Architecture; Chapter 5: The Agency of Critical; Chapter 6: Aalto Contra Mies: A Conundrum?; Chapter 7: From Critical to Resistance; Postscript.

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Book SynopsisIn this fresh and authoritative account John Macarthur presents the eighteenth century idea of the picturesque – when it was a risky term concerned with a refined taste for everyday things, such as the hovels of the labouring poor – in the light of its reception and effects in modern culture. In a series of linked essays Macarthur shows: what the concept of picture does in the picturesque and how this relates to modern theories of the image how the distaste that might be felt today at the sentimentality of the picturesque was already at play in the eighteenth century how visual values such as ‘irregularity’ become the basis of modern architectural planning; how the concept of appropriating a view moves from landscape design into urban design why movement is fundamental to picturing the stillness of buildings, cities and landscapes. Drawing on examples from architecture, art and broader culture, John Macarthur's account of this key topic in cultural history, makes engaging reading for all those studying architecture, art history, cultural history or visual studies.Table of Contents1. Introduction 2. Pictures 3. Disgust 4. Irregularity 5. Appropriation 6. Movement

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Book SynopsisThe architecture of Scotland exists in many forms. In Mousa to Mackintosh, Frank Arneil Walker examines the recognisable and recurring features evident in Scotland's buildings across the centuries to build a picture of 'Scottishness' in architecture. This chronological history presents an expansive view of architecture in Scotland, from neolithic brochs and classical country houses to baronial tower-houses and modernist New Towns, including the work of renowned architects such as Charles Rennie Mackintosh, Robert Adam, Basil Spence and Robert Lorimer. Walker considers the relationship between national characteristics and international influences in these structures to ask: what is the 'Scottishness' of Scottish architecture?Trade Review'a magnificent book that should be considered essential reading - and a lasting reference of value - by anyone with any interest in Scottish Architecture...If you really want to know about Scottish architecture, then look no further.' * Undiscovered Scotland *'this is a book that should be in the possession of anyone even remotely interested in Scottish culture, let alone in Scottish architecture' -- Roger Emmerson * Building Design *

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Book SynopsisAn exciting new perspective on the origins of Greek civilisation. The pyramids of Greece pose one of the greatest mysteries of Greek archaeology.

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Book Synopsis‘You haunt me everywhere.’ So wrote Edward Burne-Jones to Frances Graham, his muse for the last 25 triumphant years of his life: ‘I haven’t a corner of my life or my thoughts where you are not’. He drew her obsessively, included her in some of his most famous paintings, and showered her with gifts. Even when she betrayed him to marry, he would return to her. To him ’all the romance and beauty of my life means you.’ This is the first biography of his muse. In a discreet, subtle, human way, her life is a study in power – artistic, social, political, familial, local – and all the more fascinating for being played out from a perennial position of weakness. What makes a muse? The word conjures up for the artist a human cocoon of sexual allure and worship: part inspiration, part lover and protector. Yet however beguiling, demanding and volatile a muse could be, it remained a life surrendered to the art of another. In Victorian England, this was especially so with the hierarchies between the sexes so firmly entrenched. The life of a muse to a Pre-Raphaelite artist was no different: Ruskin and Effie Gray, Rossetti and Lizzie Siddal, both powerfully destructive relationships that ended respectively in divorce and death. The one who survived was Frances Graham. She had a restless, irrepressible intelligence, able to mix at her small dinners politicians and aristocrats with writers, artists and the up and coming, be they Oscar Wilde or Albert Einstein. In time, she became the confidante of three government ministers, including Asquith, the Liberal leader. 'The Portrait of a Muse' is the tale of a remarkable woman living in an age on the cusp of modernity.

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Book SynopsisA story of the ’70s: when six New York ex-gangsters met Buckminster Fuller and built a geodesic dome In 1970 a meeting took place in an empty loft on the Lower East Side of Manhattan between R. Buckminster Fuller, the revolutionary architect and inventor of the geodesic dome, and six ex-gang members who called themselves “CHARAS.” After a few hours, they found themselves having an earnest and important conversation, and the young men of CHARAS decided to begin implementing Bucky’s ideas. They wanted to create a program that would develop a sense of community autonomy, reclaim public space and give their lives a newfound sense of purpose. Following a period of intensive study of solid geometry, spherical trigonometry and principles of dome building, all led by Michael Ben-Eli, CHARAS constructed a geodesic dome on a vacant lot in the shadow of the Manhattan Bridge. Originally published in 1973 and now published in an expanded edition, Charas: The Improbable Dome Builders is an intimate portrait in pictures and words of these dynamic young men and their community. The first half chronicles the trials and tribulations of building the dome, their intensive training, search for funding, accidental fires, holiday potlucks and Bucky visiting to see their incredible work. The second half contains interviews with the members of CHARAS and their friends, sharing personal stories of their time on the streets, as gang leaders, drug addicts, serving time in prison and finding a new sense of self and community through the applied philosophies of Buckminster Fuller. This edition also includes a new interview with Michael Ben-Eli looking back on the project four decades later.Trade ReviewThe premise of Syeus Mottel’s delightful, disorienting CHARAS: The Improbable Dome Builders is the stuff of retro-futurist fantasy. * Artforum *

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Book SynopsisThroughout the ages, mankind has been fascinated by the ruins of previous societies. The desire to gain a greater understanding of our past has driven archaeologists, artists, and scholars from across the world to study the vestiges of lifestyles that have vanished in an attempt to capture their mystique and beauty. Originally intended as an examination of the rise and fall of the state hospital system, Matthew Christopher’s Abandoned America rapidly grew to encompass derelict factories and industrial sites, schools, churches, power plants, hospitals, prisons, military installations, hotels, resorts, homes, and more. Through his collection of writing and photography, Christopher has spent the last decade documenting the ruins of one of the greatest civilizations the world has ever known: our own. Exploring sites like the charred remains of the Hotel Do De, the rusted cells of the Essex County Jail Annex, the sublime majesty of the Church of the Transfiguration, or the eerie and dilapidated remnants of the New Castle Elks Lodge, the work spans architectural treasures left to the elements and then all too often lost forever. Matthew Christopher’s body of work is a powerful statement about job loss, cultural legacy, urban blight, the artistic/architectural context of iconic buildings, and historic preservation. In light of the collapse of American industry and the subsequent economic meltdown, the relevance of these topics has never been more important to an examination of America’s national identity.Trade Review"Matthew Christopher's photographic record of decay depicts the tragic truth: that something extraordinary has ended and that nothing like it may ever come back. We're now going in the other direction despite a lot of wishful thinking: toward a loss of complexity, a reduction in the scale of activity, a loss of artistry, and probably the end of many comforts, conveniences and amenities we've come to take for granted." James Howard Kunstler, author of The Geography of Nowhere "The places Christopher photographs tell their stories with silence and extraordinary light - the spaces between the life and death of a building. His pictures make me feel like someone told me a secret." Jane Derenowski, Reporter, NBC Nightly News "It's romantic, it's nostalgic, it's wistful, it's provocative. It's about time, nature, mortality, disinvestment." Joann Greco, The Atlantic Cities "Through his photographs, Christopher makes a powerful statement about job loss, urban blight and historic preservation. In light of the collapse of American industry and the subsequent economic meltdown, the relevance of these topics has never been more important to the examination of America's national identity." Joseph and Barrie Ann George, The Sentinel

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Book SynopsisEbenezer Howard veröffentlicht 1902 sein Werk Garden Cities of Tomorrow, seine Ideen haben maßgeblich dazu beigetragen, der Bewegung für einen modernen Städtebau Richtung und Ziel zu geben. Sechs Jahrzehnte nach Erscheinen der ersten Ausgabe ergänzte Julius Posener diesen Klassiker der Stadtplanungstheorie um die erstmals 1945 erschienen Essays von Lewis Mumford und Frederic J. Osborn zu einem Streitgespräch der späten sechziger Jahre über die Gestalt der Stadt. Die vorliegende Neuauflage spannt den Bogen ins 21. Jahrhundert und erweitert die Ausgabe von 1968 um ein Vorwort von Carl Fingerhuth.

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Book SynopsisDie Architektur der Nachkriegsmoderne stellt besondere Anforderungen an Bauforschung und Denkmalpflege. Müssen ihre Methoden dem oft seriellen Charakter der Bauten angepasst werden? Wie werden diese Bauten, die noch in großer Zahl vorhanden sind, denkmalpflegerisch bewertet? Welche Herausforderungen bringt ihre Sanierung mit sich? Können einzelne Bauteile aus serieller Produktion ersetzt werden, ohne die Denkmaleigenschaft zu gefährden? Welche Risiken bestehen hinsichtlich mancher aus heutiger Sicht toxischer Materialien? Welche Strategien der Wissensdistribution müssen für die Bauten der Nachkriegsmoderne angewendet werden? Ausgewiesene Fachleute haben im Rahmen der MONUMENTO Salzburg 2018 und 2020 diese grundsätzlichen Positionen der Denkmalpflege anhand ausgewählter Projekte diskutiert.

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Book SynopsisCandide 13 results of a joint effort of scholars, researchers and students who address the theme of “Experimental Architecture and Material Culture” from different perspectives. The issue reports on the outcomes of a transnational cooperation between the RWTH Aachen University (Department of Architecture) and the Indian Institute of Technology Roorkee (Department of Architecture and Planning). It gives voice to students and researchers who, traveling in Germany and India, have stored up intercultural experiences of intellectual and human growth. The issue features also scholarly contributions on experimental architecture, design-build procedures, and sustainable construction.

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Book Synopsis“Art and technology: a new unity” – It was with this slogan that the Bauhaus moved to Dessau in 1925. The seven years in Dessau were most productive for the designers and architects at the Bauhaus. This illustrated volume presents the Bauhaus buildings in Dessau in words and pictures and offers new perspectives on these icons of modern architecture. Walter Gropius, Hannes Meyer, Ludwig Mies van der Rohe, Richard Paulick, Georg Muche, Carl Fieger and Karl Friedrich Engemann: the architects at the Bauhaus in Dessau realized their designs in the industrial city between the Elbe and the Mulde rivers during the years between 1925 and 1932 ̶ and thereby created a unique ensemble of modern architecture which attracts visitors from all over the world to Dessau to this day. Since 1996 some of the Bauhaus buildings in Dessau have been regarded as key works of European Modernism and are included in the list of UNESCO World Cultural Heritage Sites. They express the revolutionary aim of the historical Bauhaus to bring about fundamental change in society through design and architecture.

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Book SynopsisThe reconstructed Berliner Schloss in the heart of the German capital is both a monument of Baroque architecture and a vital new cultural building in the city. The art history, architecture and sculpture of the palace’s masterful façades by Andreas Schlüter are brought to life here in words and pictures. The Berliner Schloss marks the reinstatement of the point of reference for the urban plan of the historical centre of the capital: through the Baroque masterpiece by Andreas Schlüter the boulevard Unter den Linden and the historic buildings of the Lustgarten acquire once more a meaningful interconnection. Most of the authors are involved in this major project. They explain with the help of the impressive photographs by Leo Seidel the fascinating construction process, the imagery of the Baroque sandstone façade, the technology and the craftsmanship behind its reconstruction as well as the architectural concept of the building.

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Book SynopsisThe Case Study House program (1945–66) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. The program’s chief motivating force was Arts & Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture’s greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to redefine the modern home, and thus had a pronounced influence on architecture—American and international—both during the program’s existence and even to this day. TASCHEN brings you a monumental retrospective of the entire program with comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, as well as extensive floor plans and sketches.Trade Review“Once you hold it in your hands, you immediately want to get a martini and sit by one of the pools.” * Literaturen *“If buildings were people, those in Julius Shulman’s photographs would be Grace Kelly: classically elegant, intriguingly remote.” * ARTnews *“The complete CSH program portrayed in stunning photos, detailed drawings, and clear essays.” * Architectural Review *"...long and lean, just like a cantilevered Koenig or an elegant Ellwood." * Wallpaper *"Thirty of the projects from the magazine's Case Study program are portrayed in stunning photographs, detailed drawings, and clear essays." * The Architect's Newspaper *"The large book lushly renders each project in colour and in gorgeous black, sepia and white." * The Architectural Review *“You need a California workout to lift it, but the book, an exhaustive homage to the houses, is worth the effort.” * The New York Times *“Lavishly produced, handsomely illustrated.” * Los Angeles Times *

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Book SynopsisJean Nouvel, winner of the 2008 Pritzker Prize, is widely regarded as France’s most original and important contemporary architect. From 1967 to 1970, he assisted the influential architects Claude Parent and Paul Virilio before creating his own practice in Paris. His first largely acclaimed project was the Arab World Institute in Paris (1981–87). Since then, he has completed such grand projects as the Fondation Cartier in Paris, the Reina Sofía Museum in Madrid, the Philharmonie de Paris, and the Louvre Abu Dhabi. His recent work includes the 82-story 53W53 Tower in New York, the Duo Towers in Paris, and the Shanghai Pudong Art Museum. Based on the massive XXL monograph from 2008, this widely updated edition brings the architect’s definitive career overview to one volume. The result is a nearly 800-page tome with more than 25 recent projects and new photos commensurate with Jean Nouvel’s inimitable talent, which highlights milestone projects, among them his Serpentine Gallery Pavilion in London, as well as works in progress such as the spectacular Sharaan Desert Resort, a hotel carved into sandstone rock in the Al-'Ula desert in Saudi Arabia. The collection’s graphic design and images were conceived and selected by the architect himself, making this publication a genuine Nouvel by Nouvel, inside and out.Trade Review“Jean Nouvel gets the TASCHEN treatment.” * Architect *“Nearly 800 pages of work within a colossal new book.” * designboom *“All of Jean Nouvel’s work in one book. Or rather, his entire vision. Everything but conventional representations of architecture. The perfect object, in short.” * Le Monde des livres *

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Book SynopsisWith almost 300 entries, this architectural A to Z offers an indispensable overview of the key players in the creation of modern space. Covering modern architecture from the 19th into the 21st century, pioneering architects are each featured with a portrait and a concise biography, as well as a description of his or her important work. Like a bespoke global architecture tour, this book will allow you to travel from Manhattan skyscrapers to a Japanese concert hall, from Antoni Gaudí’s Palau Güell in Barcelona to Lina Bo Bardi’s sports and leisure center on a former factory site in São Paulo. You’ll take in Gio Ponti’s colored geometries, Zaha Hadid’s free-flowing futurism, the luminous interiors of SANAA, and Charles Rennie Mackintosh’s unique blend of Scottish tradition and elegant japonisme. The book’s A to Z entries also cover groups, movements, and styles to position these leading individual architects within broader building trends across time and geography, including International Style, Bauhaus, De Stijl, and much more. With illustrations including some of the best architectural photography of the modern era, this is a comprehensive resource for any architecture professional, student, or devotee.Trade Review“An inspiring book and a timely wake-up call for anyone who thinks modern architecture is confined to the ugly and the brutal.” * Financial Times *

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Book SynopsisWith a career spanning across continents and over six decades, the work of the renowned architect Norman Foster is nothing short of extraordinary. His creative innovation and holistic approach have made him one of the world’s most influential and well-known architects. From the Apple Park campus in Cupertino, California, to the Reichstag in Berlin, the enclosed court of the British Museum in London to the Millau Viaduct in France, with his practice of Foster + Partners, he has created celebrated landmarks that stand out for their inventive modernity and for what he calls “a sustainable approach to the design of the built environment.”This is the first time Foster’s complete body of work has been published in one edition on such a grand scale. Giving a rare insight into the inner workings of his creative practice. It details his personal approach to his work, his inspirations, the link between art and architecture, and the significance and correlation between his passions, such as being an avid aviator, and his work.The XXL monograph encompasses a lifetime of achievement and originality in two volumes. The first presents his architectural œuvre and is filled with numerous unpublished images and sketches handpicked by Foster from his archives. Paired with nearly 1000 illustrations, the second book contains eight essays he wrote explaining his sources of inspiration.Aside from the 1999 Pritzker Prize, he has won the American Institute of Architects Gold Medal for Architecture, the Royal Gold Medal for Architecture, and the Gold Medal of the French Academy of Architecture. This is a magnificent visual journey not only through significant buildings of our time but also into the mind of a genius. Norman Foster sketched every page of this book and spent countless hours with the author and the graphic designer to make it one of the most remarkable architecture books ever published.Also available as an Art Edition of 300 copies with a 1-meter-wide signed print of a drawing by Norman Foster, picturing the upcoming multifunctional community and business center InnHub in La Punt, Switzerland. The two volumes of this edition are collected in a custom-designed slipcase that folds into a book stand.Trade Review“The heavyweight – literally, at 21 pounds – of architecture-book offerings.” * Architectural Record *“The design read of the year captures Norman Foster’s infinite impact on our world.” * The Globe and Mail *“A major retrospective.” * The Guardian *“The architect's lifetime of achievement has been seminal in the built environment scene globally… through this book you can delve deeper and enjoy a wealth of unpublished images and sketches that have been handpicked by the man himself.” * Wallpaper *“The first time that the complete oeuvre of this architecture giant has been published, showcasing his innovative and holistic approach to his craft.” * Designboom *“Everything inspires me. Sometimes I ask myself if I see things which others don’t.” * Norman Foster *“Norman Foster’s buildings are not mere strokes of genius; they emerge from the context of his life and times.” * Philip Jodidio *“As an architect you design for the present, with an awareness of the past, for a future which is essentially unknown.” * Norman Foster *

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Book SynopsisRome is where the history of European architecture was written. The foundations were laid in ancient Roman times when the first attempts were made to design interiors which could be experienced as something physical. Ancient Roman architects also started to develop building types that are still valid today, thus creating the cornerstone of later Western architecture. This guide has been arranged chronologically. Every epoch is preceded by an introduction that identifies its key features. This produces a continuous, lavishly illustrated history of the architecture of Rome, indeed, the whole of the West. The book includes an alphabetical index and detailed maps, whose information does not just immediately illustrate the historical picture, but also makes it possible to choose a personal route through history. In order to clarify the historical development, the key buildings of each period and other major works are emphasised both in the text and on the maps.Table of ContentsForeword; The Development of the City; Antiquity; Christian Late Antiquity and Middle Ages; Late Middle Ages and Early Renaissance; High Renaissance and Mannerism; Baroque and Rococo; Classicism and Historicism; Modernism; Selected bibliography; Glossary; Roman Emperors and Popes; Index of Buildings; Index of Artists; Plans.

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Book SynopsisFor more than a century, municipal socialism has fired the imaginations of workers fighting to make cities livable and democratic. At every turn propertied elites challenged their right to govern.Prominent US labor historian, Shelton Stromquist, offers the first global account of the origins of this new trans-local socialist politics. He explains how and why cities after 1890 became crucibles for municipal socialism. Drawing on the colorful stories of local activists and their social-democratic movements in cities as diverse as Broken Hill, Christchurch, Malmö, Bradford, Stuttgart, Vienna, and Hamilton, OH, the book shows how this new urban politics arose.Long governed by propertied elites, cities in the nineteenth century were transformed by mass migration and industrialization that tore apart their physical and social fabric. Amidst massive strikes and faced with epidemic disease, fouled streets, unsafe water, decrepit housing, and with little economic security and few public amenities, urban workers invented a local politics that promised to democratize cities they might themselves govern and reclaim the wealth they created. This new politics challenged the class power of urban elites as well as the centralizing tendencies of national social-democratic movements. Municipal socialist ideas have continued to inspire activists in their fight for the right of cities to govern themselves.Trade ReviewThe culmination of Stromquist's lifetime of impressive scholarship on rank-and-file workers and socialist movements, Claiming the City? arrives right on time as we explore the possibilities of transformation at the municipal scale. Astonishingly sweeping in its range of fine-grained case studies, the book teems with comparative insights while it traces transnational connections established by a mobile working class and internationalist commitments. -- David Roediger teaches American Studies at University of Kansas. His books include The Sinking Middle Class?I'm sure that Shelton Stromquist's monumental book will have a lasting impact. It is an inspiring work by a historian of great stature on a very important, but much neglected, topic; it will certainly resonate throughout discussions of history and socialist politics. -- Marcel van der Linden, International Institute of Social HistoryThis magisterial account of socialist and labor activism at the local level sweeps ambitiously across Europe, the US, Australia, and New Zealand. Shelton Stromquist eloquently unearths a global movement of "internationalism from below" that transformed cities and, as well, reshaped national and global. politics. Claiming the City is a magnificent achievement that vividly demonstrates the value of global labor history. -- Julie Greene, Professor of History, University of Maryland at College Park

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Book SynopsisThe book is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Lluis Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others. Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier. A documentary treasure trove on the life of Le Corbusier Featuring 80 previously unpublished film stills Available as softcover (9783035627282), hardcover (9783035627299) and limited special edition with three photographic prints (9783035627305)

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Book SynopsisThe first Pevsner volume to explore the Isle of Man’s unique architectural inheritanceTrade Review“The delight of a new Pevsner is to dip into it, either at random or directed, here via excellent photographs by the author himself and others commissioned from Colin Russell.”—Timothy Mowl, Country Life“John Kewley, the son of a Manxman, knows his stuff.”—Christopher Howse, Oldie

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Book SynopsisAn expansive look at ancient art and architecture over four centuries highlighting the diversity of makers and viewers within and beyond Rome’s ever-changing political boundaries

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Book SynopsisA major new history of Brooklyn, told through its landscapes, buildings, and the people who made them, from the early 17th century to today.Trade Review"Winner of the PROSE Award in Architecture and Urban Planning, Association of American Publishers""Finalist with Special Recognition for the Brendan Gill Prize, Municipal Art Society of New York""Finalist for the On the Brinck Book Awards, The University of New Mexico""Mr. Campanella . . . aims to give an account of ‘the Brooklyn unknown, overlooked and unheralded—the quotidian city taken for granted or long ago blotted out by time and tide.’ He succeeds admirably . . . Brooklyn: The Once and Future City is a nuanced portrait of a diverse group of communities. Genteel farmland, then a byword for urban blight, and now the apotheosis of hipsterdom and gentrification—Brooklyn has seen it all. Mr. Campanella, a native Brooklynite himself, brings both love and scholarship to his writing, revealing the true spirt of this fractured land." * The Economist *"Say the name Brooklyn these days, and many people think of Jay-Z or Barclays Center or, most often, skyrocketing real estate prices fueled by gentrification. But for 500 years now, Brooklyn has charted a rich history unique in the American experience. In Brooklyn: The Once and Future City, Thomas J. Campanella . . . has produced a meticulously researched and information-filled chronicle of a place that, in its own way, defines New York City."---Paul Alexander, Washington Post"An ambitious and accomplished book . . . . For lovers of history and of the city, this book is a dream. It feels like a book that Campanella was born to write."---Nick Ripatrazone, The Millions"Campanella’s book does a masterful job of showing how individual egos or ill-planned decisions of long ago set the stage for the city we know today."---Larry Getlen, New York Post"A lively biography of New York's second borough. . . . Teeming with information, this is a must-read for fans of urban history." * Kirkus Reviews *"A fascinating and well-written exploration."---Norman Oder, Curbed"Brooklyn’s history . . . is as specific and varied as its inhabitants. A single block can contain centuries’ worth of information, memories and relics left by heroes and villains alike. The prospect of writing a history of such a multilayered city must have been daunting even for as qualified a fourth-generation Brooklynite as Thomas J. Campanella. . . . Thankfully, Campanella takes a practical approach: Instead of attempting a chronology that traces themes or communities through the decades and centuries, he treats each chapter as a self-contained deep dive into a particular part of the borough, describing how that place came to be. . . . Illuminating."---Emily Gould, New York Times Book Review"Campanella . . . limns Brooklyn’s multiple identities and the tensions over what the borough was, and to whom . . . a fascinating chronicle."---Katrina Gulliver, New Criterion"Campanella's magisterial history . . . [is] always approachable and takes readers to the heart and soul of “the King’s County”."---Liz Thomson, Arts Desk"Every writer knows that there's inherent drama in an underdog story. Brooklyn is the ultimate urban underdog. Brooklyn native Campanella celebrates the onetime city, now-borough's astonishingly rich history, characterized by diversity, immigration, industrialization, decline, and now rebirth . . . vibrant and relevant."---Josh Stephens & James Brasuell, Planetizen"Campanella is always enlightening and remains critical throughout, with class and racial politics never far from the surface."---Darran Anderson, History Today"[Thomas Campanella’s Brooklyn is] not only the best history of Brooklyn, it’s one of the most entertaining works published this year, suffuse with fantastic tales of the achievements, iniquities, and dreams of its famous neighbor."---Anthony Paletta, American Conservative

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Book SynopsisTrade Review"A handsome new book by art and architecture historian Cammy Brothers, Giuliano da Sangallo and the Ruins of Rome helps to unravel the riddle of where Bramante got his knowledge of ancient building, and her history is a bold revision of the standard accounts. . . . This book is truly a brilliant, unprecedented scholarly achievement that should place her in the front rank of architectural historians working today."---Mark Alan Hewitt, Common Edge"Engagingly written and richly illustrated study of Giuliano da Sangallo. . . . Brothers’s study is a welcome intervention that reminds us that. . . . [Sangallo] was integral to how the next generations . . . produced their own vision of antiquity that informed urban renewal in the baroque Eternal City and beyond."---Robert John Clines, Renaissance Studies"[A] beautifully illustrated analysis of Sangallo's work." * Choice *"A very important and welcome contribution to architectural and art histories of the Italian Renaissance, to studies of Rome, and to the history of the book. It is synthetic and highly innovative, like Giuliano himself."---Mirka Benes, Renaissance and Reformation"A refreshingly original contribution to the field."---David Hemsoll, Journal of the Society of Architectural Historians"An impressive, comprehensive presentation and an eye-opening reading of the marvelous drawings, contextualized in a rich and intelligent discussion of their position within the architectural practice of Giuliano da Sangallo and the architectural theory of his time."---Maia Fabricius Hansen, Renaissance Quarterly

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Book SynopsisTrade Review"As Hyde eloquently demonstrates in a compelling trajectory that arcs from Stonehenge to modern London, ugliness is more than a physical trait or quality assigned to an object. It has acted as a site and catalyst for debate on broader social circumstances."---Catherine Slessor, The Guardian"This book is a welcome break from good taste. . . . If you have ever wondered why a certain building seems ugly, this book will help you understand why you feel that way."---Lucy Watson, Financial Times"Hyde’s book confronts ugliness head on, using it as a way to interrogate British architectural discourse. . . . [His] research on the individual case studies is impeccable."---Richard J. Williams, Times Higher Education"The great achievement of this book is to show that, even if the language and opinions about taste change, debates about architecture have always had some common features. They are never just about buildings."---William Whyte, Church Times"Discussions such as those effectively summarised in Ugliness and Judgement are so instructive when we evaluate how to apply concepts of beauty and ugliness in architectural debates."---Alexander Adams, Salisbury Review"A fascinating book. In taking as a point of departure the limitations of aesthetics, Hyde invites readers to understand the assessment of aesthetic failure as a wedge that pries open conversations about inadequate, unresolved, or unsatisfying social and legal arrangements. Ugliness, in his telling, points to gaps in social, regulatory, urban, and institutional fabrics. The author implies that the value of listening to complaints about buildings lies in discerning the issues that encounters with 'ugly' buildings bring to the fore."---Kathryn O’Rourke, Rice Design Alliance"To call out ugliness, then, is a call to arms. While beauty basks lazily and uselessly in its own perfection, ugliness spurs us into action."---Igor Toronyi-Lalic, The Spectator

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Book SynopsisTracing the connections between music making and built space in both historical and contemporary times, Music, Sound, and Architecture in Islam brings together domains of intellectual reflection that have rarely been in dialogue to promote a greater understanding of the centrality of sound production in constructed environments in Muslim religious and cultural expression.Representing the fields of ethnomusicology, anthropology, art history, architecture, history of architecture, religious studies, and Islamic studies, the volume’s contributors consider sonic performances ranging from poetry recitation to art, folk, popular, and ritual musics—as well as religious expressions that are not usually labeled as “music” from an Islamic perspective—in relation to monumental, vernacular, ephemeral, and landscape architectures; interior design; decoration and furniture; urban planning; and geography. Underscoring the intimate relationship between trTrade ReviewThis volume presents a compelling case for increased attention to sound as both a design principle and a primary factor that shapes the social utility of built environments....the chapters provide a powerful demonstration of the multifaceted ways that the interaction between sounds and surfaces can hold meaning for the people who create, experience, and transform them...The difficult task that the editors have undertaken to create a multidisciplinary and multisensory exploration of sound and space is accomplished admirably while leaving room for further exploration of sound and space in Islamic cultures that were not included in the volume. * Ethnomusicology *Table of Contents List of Figures, Plates, Charts, and Tables Foreword, by Ali S. Asani Acknowledgments Introduction: Music, Sound, and Architecture in Islam, by Michael Frishkopf and Federico Spinetti Part One: Transregional 1. Listening to Islamic Gardens and Landscapes, by D. Fairchild Ruggles Part Two: The Ottoman Empire and Turkey 2. A Sound Status among the Ottoman Elite: Architectural Patrons of Sixteenth-Century Istanbul Mosques and Their Recitation Programs, by Nina Ergin 3. A Concert Platform: A Space for a Style in Turkish Music, by John Morgan O’Connell 4. Articulating Otherness in the Construction of Alevi-Bektaşi Rituals and Ritual Space in a Transnational Perspective, by Irene Markoff Part Three: The Arab World 5. Venerating Cairo’s Saints through Monument and Ritual: Islamic Reform and the Rise of the Architext, by Michael Frishkopf 6. Nightingales and Sweet Basil: The Cultural Geography of Aleppine Song, by Jonathan H. Shannon 7. Aural Geometry: Poetry, Music, and Architecture in the Arabic Tradition, by Samer Akkach Part Four: Andalusia and Europe 8. Tents of Silk and Trees of Light in the Lands of Najd: The Aural and the Visual at a Mawlid Celebration in the Alhambra, by Cynthia Robinson 9. Aristocratic Residences and the Majlis in Umayyad Córdoba, by Glaire D. Anderson 10. Sounds of Love and Hate: Sufi Rap, Ghetto Patrimony, and the Concrete Politics of the French Urban Periphery, by Paul A. Silverstein Part Five: Central and South Asia 11. Ideal Form and Meaning in Sufi Shrines of Pakistan: A Return to the Spirit, by Kamil Khan Mumtaz 12. The Social and Sacred Microcosm of the Kiiz Üi: Space and Sound in Rituals for the Dead among the Kazakhs of Mongolia, by Saida Daukeyeva Part Six: Iran 13. Listening to Pictures in Iran, by Anthony Welch 14. Of Mirrors and Frames: Music, Sound, and Architecture at the Iranian Zūrkhāneh, by Federico Spinetti References Contributors Index

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Book SynopsisA comprehensive look into how Macau’s recent decades of gambling-related growth produced one of the wealthiest territories on the planetBetting on Macau delves into the radical transformation of what was formerly the last remaining European territory in Asia, returned to the People’s Republic of China in 1999 after nearly half a millennium of Portuguese rule. Examining the unprecedented scale of its development and its key role in China’s economic revolution, Tim Simpson follows Macau’s emergence from historical obscurity to become the most profitable casino gaming locale in the world. Identified as a UNESCO World Heritage Site and renowned for its unique blend of Chinese and Portuguese colonial-era architecture, contemporary Macau has metamorphosed into a surreal, hypermodern urban landscape augmented by massive casino megaresorts, including two of the world’s largest buildings. Simpson situates Macau’s origins as a strategic trading port and its ensuing history alongside the emergence of the global capitalist system, charting the massive influx of foreign investment, construction, and tourism in the past two decades that helped generate the territory’s enormous wealth. Presented through a cross section of postcolonial studies and social theory with extensive insight into the global gambling industry, Betting on Macau uncovers the various roots of the territory’s lucrative casino capitalism. In turn, its trenchant analysis provides a distinctive view into China’s broader project of urbanization, its post-Mao economic reforms, and the continued rise of its consumer culture. Trade Review "In this timely and impressive book, Tim Simpson charts the predicament of Macau—a Special Administrative Region of the People’s Republic of China—as a laboratory of consumption, and of planning and architecture as disciplinary technologies, all employed toward prototyping a scholastic program for the production and naturalization of commodity-driven social imaginaries in post-Mao China. A must-read for scholars and practitioners of urban planning and architecture, particularly those working in or studying urbanization in China."—Miodrag Mitrašinović, coeditor of The Emerging Public Realm of the Greater Bay Area: Approaches to Public Space in a Chinese Megaregion "Betting on Macau is a creative, engaging, wide-ranging, and insightful analysis that both dazzles the reader with a litany of the astonishing transformations Macau has undergone in the past two decades and provides a solid conceptual framework for understanding those changes in a world-historical context."—Cathryn H. Clayton, author of Sovereignty at the Edge: Macau and the Question of Chineseness "Presented through a cross section of postcolonial studies and social theory with extensive insight into the global gambling industry, Betting on Macau uncovers the various roots of the territory’s lucrative casino capitalism. In turn, its trenchant analysis provides a distinctive view into China’s broader project of urbanization, its post-Mao economic reforms, and the continued rise of its consumer culture."—Progressive Geographies "Betting on Macau is a worthy introduction to Macau and suitable for anyone, inside and outside academia, interested in a place of exception for Chinese gambling tourists."—Journal of Tourism and Cultural Change "Tim Simpson’s book is a timely contribution to a slender yet growing volume of works that have sought to reposition Macau within a cocktail of national, regional, and global themes."—Current History

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Book SynopsisExplores how Soviet architects reimagined the built environment through the principles of the human sciences During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. Architecture of Life delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and situating it within the context of other modernist movements that were developing concurrently across the globe. Examining the theories advanced by El Lissitzky, Moisei Ginzburg, and Nikolay Ladovsky, as well as those of their lesser-known colleagues, this illuminating study demonstrates how Soviet architects of the interwar period sought to mitigate Fordist production methods with other, ostensibly more human-oriented approaches that drew on the biological and psychological sciences. Envisioning the built environment as innately connected to social evolution, their methods incorporated aspects of psychoanalysis, personality theory, and studies in spatial perception, all of which were integrated into an ideology that grounded functional design firmly within the attributes of the individual. A comprehensive overview of the ideals that permeated its expanded project, Architecture of Life explicates the underlying impulses that motivated Soviet modernism, highlighting the deep interconnections among the ways in which it viewed all aspects of life, both natural and manufactured..Trade Review"Thanks to her attentive reading of early twentieth-century German and Russian theories, Alla Vronskaya has rewritten the history of the Soviet avant-garde. Revealing the deep roots El Lissitzky, Moisei Ginzburg, and others found in experimental psychology, in the theory of empathy, and in philosophical monism, she has masterfully recast a fundamental chapter in the making of modernity."—Jean-Louis Cohen, Institute of Fine Arts, New York University"In her Architecture of Life, Alla Vronskaya resolutely abandons usual political binaries and familiar historical dichotomies that have long straightjacketed the history of socialist modernism. Bringing together Moscow and Berlin, Bauhaus and Constructivism, form and function, individuality and collectivity, she offers a historically rich and conceptually invigorating study of one of the most original architectural experiments of the twentieth century."—Serguei A. Oushakine, Princeton UniversityTable of ContentsIntroduction. Life: An Ideology for Modernity1. Space: Formalist Architectural Pedagogy at the VKhUTEMAS2. Orientation: El Lissitzky’s Evolutionist Urbanism3. Fitness: Nikolay Ladovsky’s Architectural Psychotechnics4. Process: Organicist Aesthetics of Soviet Standardization5. Energy: Soviet Wall-Painting and the Economy of Perception6. Personality: Public Park as a Factory of DealienationConclusion. History: From the Monistic to the TerrestrialAcknowledgmentsNotesIndex

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Book SynopsisMajor interdisciplinary study of medieval church porches, bringing out their importance and significance.

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Book Synopsis

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Book Synopsis

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